#them menz better be treating them well
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My ENTP dad's employees told him the reason why I'm single and not birthing grandkids is that he raised me to be too independent and not take shit from men because he treats my INTJ mom so well.
and i know they didn't quite mean it as a positive because this came up in comparing photos of the grandkids and them tell him why he's got none... but it's a little twisted because what they're saying is that their daughters aren't being treated well...?
#also dad doesn't know i'm currently dating a man just over 20 years older#(I'm almost 30#fully formed frontal cortex#very stable job and multiple degrees thank you)#but dude treats me so well as do i him#also it's not going to last so much longer as he's moving away#but still like#imma meet a forever person#i want kids#i'm not suffering for being independent#also i get pursued#not necessarily by who i want#but i'll be able to pick#the one who i fit with best and treats me well#this isn't about me actually#these employees of my dad... their daughters? I hope they're ok uhhh#and that they're not like totally dependant#and that they're happy#because whats being described here is seems like a negative trade off#grandkids early in life for subjugation of daughter vs daughter who takes less shit and has the kiddos later#them menz better be treating them well#mine#entp#personal
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The concept known as “rolling apocalypse” stems from the post-apartheid period and illustrates the way in which white people struggle to come to terms with the idea that Apartheid is over. According to Menz, “These concepts illustrate whites’ struggle to come to terms with their loss of power and are useful persuasion techniques because they create the idea that whites’ are victims of the new South Africa.” During the apartheid regime, white people considered themselves to be safe as they lived in segregated neighbourhoods and had special security force to protect them but now that things are different and they have to live equally to black people – they throw the narrative that they no longer live in a safe country and that the state of the country has worsened. The idea that white people are superior to their black counterparts is inherently racist – meaning that regardless of Nelson Mandela’s fight for equality amongst all races, they believe that equality is equivalent to white struggle and victimization which illustrates the superior-complex that the apartheid system seemed to give them. These are all the contributing factors to the movement #RedOctober gaining traction and actually being a real thing. White South African’s claim that there is a white genocide and that they are being targeted – further perpetuating the idea that black people are violent and uncivilized beings who could not possibly be able to handle the ruling of the country. Globally, they have painted a picture of violence and pure hatred from black people towards them making it seem as though they are being targeted. Any black person will tell you that they have all been victims to the white person’s not so subtle racist antics i.e. holding their bags/ handbags really close when a black person is near them or confusing every black person that is in a store as one of the employees. These are things that black people are exposed to on a daily and it goes unnoticed yet if one were to reverse the roles and have a black person do that to a white person, they would cause a scene. The apartheid regime has drilled the idea of white superiority and a false sense of entitlement in the heads of white people – even those living in poverty feel as though black people are the only ones who should be living in poverty and that they should be the first to receive financial aid from the government. The recent Sasol strike has also shown subtle hints of an superiority-complex as white workers are insisting that black people are occupying all the jobs and they are left with nothing which further alludes to the idea that black people are incompetent and would not be able to handle the work and resources as well as further perpetuating the idea of white anxiety – meaning that there is a bigger hidden agenda by black people to get revenge or target white people. White anxiety in South Africa is an ideology that was created in order to further manipulate and exploit people of colour into allowing white people to continue living lives of luxury even though their lives were built off of the blood, sweat and tears of African natives. Chris Waldburger mentions that, “A lot of white people are angry in South Africa. They are angry about being blamed for being privileged, for inequality, and for all the aftershocks of apartheid. They are angry about BEE, quotas in sport, and a terrible ANC leader.” The #RedOctober campaign is viewed as ridiculous and obscene by many people of colour as it mocks their current livelihood which is not one of the greatest that it could be as 30.4 million black South Africans are living in poverty and can barely afford basic needs i.e. education, food. “When a white person gets murdered by a black person its normal – its crime. But when a black gets killed by a white, then its racism and persecution,” Willem Bester told eNCA. The Red October campaign is problematic in the sense that it perpetuates the idea that white people are superior to any other race and that Mandela’s fight for freedom and equality has deprived them of what they ‘deserve.’ The concept of white anxiety is brought about by white people themselves as they truly believe that they are the superior race and need to be treated and respected as such hence the conflict within South Africa as many people are growing tired of the false sense of entitlement that white people carry around. This is the new South Africa and the only way to move forward and strive to become a better country is by working together equally to better the economy and state of South Africa.
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GoT 7x07 Musings
My initial reaction to “The Dragon and the Wolf”
Available for $49.99 at Macy’s!
Well, I was wrong last week, and how the hell was I fooled again? I thought the fact that people were paying attention to logic over spectacle meant criticisms might last, but wow. No. Rave reviews for probably one of the most plodding, unmotivated, illogical episodes of the show. The only time I wasn’t bored to tears was when I was pissed off (Theon), or literally LOLing (Bran-bot).
Let’s dive in. Or you could read Jess’s much more coherent analysis first.
Cheryl’s Landing
This entire thing, the whole sequence showing Deadpan’s troops marching and how impressive everything was, just reminded me how little sense them negotiating for a cease-fire even means
WHAT ARE THEY WORRIED CHERYL IS GOING TO DO
do they just want her to grind her troops down too? Because they didn’t ask her to do that
is Deadpan that attached to Dragonstone?
they literally brought a wight and got one of Deadpan’s dragons killed so they could have proof, so Cheryl would just sit her pretty head on the Iron Throne and…keep on keepin’ on
D&D must be paid by the word “cock”
I really don’t want to dive into the other walk-and-talks. Of course Pod’s dick arc continued. Of course Brienne and Sandor chummed it up about Arya (actually that one worked fairly well). Of course Tyrion and Bronn…I don’t even know. D&D are not half as good at writing these scenes as they think they are.
I loved the pit being an abandoned colosseum (wtf were the Targs *doing* with their dragons) way the hell away from the city.
That’s some nice stadium seating!
I actually thought it was dumb of Deadpan not to show up with just Drogon. That could be her mount. Pretend the other two are resting. Bringing 2 dragons would just raise questions, like it did.
Cleganebowl is coming guys. Pushing towards healing is a DUMB arc.
It was physically painful to have a scene with these two powerful-ass queens sitting while the menz patiently explained the situation.
Anyone want to venture a guess who Euron was playing this week? I think I’ve got my impression of him down at least
So. Okay. The wight acted not like a wight’s ever acted before, but whatever; props to Jonny for bringing a visual display to the quarterly review.
Here’s the thing: Cheryl and Euron already knew about the Golden Company, which meant Cheryl and Euron already knew they weren’t going to take part in whatever kumbaya truce they were angling for
This means LITERALLY EVERYTHING THAT WAS SAID IS USELESS until the Cheryl/Larry breakup
Cheryl asked Jonny not to take any sides. If he had said yes, what would she have done with the Golden Company, exactly? They’d still be coming. So it was a meaningless request of no purpose. Or did she think offering her aid would lead to that outcome, in which case…what would she have done with the Golden Company, exactly? It doesn’t sound like she was ever actually going to offer her aid (how would that have worked, by the way?), especially the way she told Larry about her deal with Euron…so why was she asking for this? Was it just so Jon could get chided about being stupid so he could then assert that his dad was kind of cool for being honorable?
You can keep playing logical loopy loop with that question, just like the Tyrion/Cheryl convo was a big loopy loop.
Cheryl touching her belly to play Tyrion was super clever in isolation, except the reveal she was playing him still leaves the question like HOW DO YOU FAKE FIGHTING THE ARMY OF THE DEAD? Also they didn’t even ask Cheryl for that. What did Tyrion *want* from her, exactly? What does anyone want? AHHHHHH
The Jonerys sexual tension was laughable. Deadpan was regarding Jon like a moron.
Wow just look at that crackling chemistry.
Could Missandei have like…done anything? She and Grey Worm didn’t even get a moment wth?
Cherry Bomb’s explosion was so unmotivated. Cheryl was making decent points, especially since after the force, with Jon and Deadpan’s alliance, they’re fucked. This was no worse than blowing up a sept and that this was the straw that broke Larry’s back was seriously moronic.
I did like the snow on Larry. Makes me wish we had gotten AFFC adapted.
Dragonstone
It’s not worth talking about the scene that existed to be like “however will boatsex happen?”
The Jon/Theon scene kind of pissed me off, though I know it worked for some people. It’s not even really Theon being a captive of Ned’s so “YOU SHOULD LOVE HIM” is an odd message. It’s that our whole fucking justification for Sansa’s rape-revenge arc, other than making her the player she needed to be (I’m going to hurl), was that it was more dramatically satisfying to have Theon rescue a real Stark and right that “great sin” of betraying them.
And remember how at the beginning of S6, it actually seemed like the Theon/Sansa relationship was…something? But then he had plot things to do and fucked off in favor if his “real” sister, because fuck thematic significance?
My point is, out of all the ‘Starks’ to forgive Theon, it was *Sansa* who specifically mattered, as horrifying and awful a decision as it was, and they just punted out anything between them so Theon could get screamed at and triggered by his blood-relative sister. And after all that shit, they NOW try and pull back in the Stark Significance and how if Jonny gives him a nod of approval, it’s all fine? No. Fuck that.
Also fuck to bloody hell the scene of Theon winning over the Ironboors by HAR HAR not feeling anything when he gets kneed in the crotch, and proceeding to punch a guy to death (or whatever)
It was Larry stopping a sword with his golden hand, but even less tasteful. Especially in the same episode with the worst-written eunuch jokes heard to date.
Winterhell
I mean…what’s to even say? Sansa was playing Batfinger this entire time? Or did she decide the guy needs to be executed *after* Arya threatened her life (in private) because that could win over her little sister’s loyalty
Or was Arya in on it, but you never know when Batfinger is hiding in the floorboards
When was Bran in on it? Did he seek out Sansa, complement the dress she wore the day she was pulled from her horse in the King’s Landing riot, and then tell her all his dirty deets? Did Sansa ask him to do her a solid because Arya was trying to kill them?
At what point was Arya clued in? Was that political show in the hall something she knew about?
And why was this whole drawn out thing to punk Batfinger necessary anyway? Did she think it’d be more dramatically satisfying if he was surprised? He’d probably have been surprised if she did it at the end of last season, because she had the Lysa Card in her pocket for YEARS now, not to mention he sold her to the Boltons and lied about it to everyone
Okay. Cool. Batfinger is dead. Hoisted by his own petard…or something. Except not at all
D&D’s desire to keep us guessing until the last minute is just more of this “omg here’s the twist” writing where everything seems random and unmotivated. Sometimes there’s a satisfaction in a well-executed plan that we watch unfold, and shit.
Also, is Sansa just that over Arya threatening to literally kill her? “Eh, you’re strong.” It was nice seeing sisters *not* wanting to kill each other for a scene, but the fuck?
That said, glad to see a continuation of the sith robe in Winterhell
But who wore it better?
Boatsex montage ft. Sam and Bran
Sam sidling in is the funniest thing I’ve seen in a while. And of course Bran emotes for him more than any of his family all year.
I want a montage of Bran telling people he’s the 3ER and them all shrugging “I don’t know what that is.” Sansa did it best
Bran literally just…opened his mouth and expo-dumped. This is “that’s my father!” but extended for like 5 solid fucking minutes
Also it’s amazing that Sam took in anything Gilly was saying about Ragger because hmmm….wouldn’t you think that kind of thing NEEDS FOLLOW-UP?
Okay okay. So. Ragger annulled Elia which means Rhaenys and Aegon were legally speaking, disinherited. And I guess this means that Ragger is now forfeit of any parenting duties? He just really likes the name Aegon and is free to pass it on to Lyanna
She’s not even pregnant! Or if somehow she was, women die in childbirth! Who the fuck disinherits their kids when they’re the heir of a throne in a feudal order? He even had a boy named Aegon already! WHAT THE FUCK
The power of love compelled him to say “fuck all” to the line of succession and piss off the entirety of Dorne? Ragger is kind of lucky the war broke out…
”They were in love.” Good guy Ragger doesn’t kidnap 15-year-olds…he makes sure to woo them first (god the power differential there)
Now for boatsex itself, which was shown over this crapshack montage. Deadpan and Jonny didn’t even SPEAK before this. They’re just like…bored, and then they fuck. There’s sweet music and a voiceover *about* love, so it must mean they’re IN love?? How does that work? All I could think of was this.
Where was this love supposed to have been built? The caves? That time Missandei shipped it? I’m so confused.
Then as if to confirm this was just Jonny and Deadpan trying to fuck away the hours (why not, honestly? Get some.), we are treated to Tyrion outside their door looking like…hurt that this means they’re not going to play Scrabble with him or something
And the Wall came tumbling down
Ice magic + fire-made-flesh = blue fire that’s super hot. Okay.
This looked nice? I think? Kind of hard to take dragonriding Shogun seriously, but the effects were good
Whatever fear I used to have of the Army of the Dead is gone. They showed it to us too early or it’s become too similar to “generic forces of bad” a la orcs in ROTK or something. They’re just dudes, shuffling over. With percussive music.
I have to find a way to cut this to the Curb Your Enthusiasm theme like I did last year.
What a waste of a season.
Top 3 nitpicks:
Zombie!Gregor’s mere existence in a scene about the danger of the walking dead
Dothraki are a two week ride from Winterhell. Just…don’t give us numbers D&D. It’s not helping
Grey Worm and the Unsullied being TOTALLY FINE after Euron’s fleet had shown up at Casterly Rock like, weeks ago? Is this even a nitpick??
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Feminist male-bashing has come to sound like a cliche — a misogynist caricature. Feminism, its loudest proponents vow, is about fighting for equality. The man-hating label is either a smear or a misunderstanding.
Yet a lot of feminist rhetoric today does cross the line from attacks on sexism into attacks on men, with a strong focus on personal behavior: the way they talk, the way they approach relationships, even the way they sit on public transit. Male faults are stated as sweeping condemnations; objecting to such generalizations is taken as a sign of complicity. Meanwhile, similar indictments of women would be considered grossly misogynistic.
This gender antagonism does nothing to advance the unfinished business of equality. If anything, the fixation on men behaving badly is a distraction from more fundamental issues, such as changes in the workplace to promote work-life balance. What’s more, male-bashing not only sours many men — and quite a few women — on feminism. It often drives them into Internet subcultures where critiques of feminism mix with hostility toward women.
* * *
To some extent, the challenge to men and male power has always been inherent in feminism, from the time the 1848 Seneca Falls Declaration of Sentiments catalogued the grievances of “woman” against “man.” However, these grievances were directed more at institutions than at individuals. In “The Feminine Mystique,” which sparked the great feminist revival of the 1960s, Betty Friedan saw men not as villains but as fellow victims burdened by societal pressures and by the expectations of their wives, who depended on them for both livelihood and identity.
That began to change in the 1970s with the rise of radical feminism. This movement, with its slogan, “The personal is political,” brought a wave of female anger at men’s collective and individual transgressions. Authors like Andrea Dworkin and Marilyn French depicted ordinary men as patriarchy’s brutal foot soldiers.
This tendency has reached a troubling new peak, as radical feminist theories that view modern Western civilization as a patriarchy have migrated from academic and activist fringes into mainstream conversation. One reason for this trend is social media, with its instant amplification of personal narratives and its addiction to outrage. We live in a time when jerky male attempts at cyber-flirting can be collected on a blog called Straight White Boys Texting (which carries a disclaimer that prejudice against white males is not racist or sexist, since it is not directed at the oppressed) and then deplored in an article titled “Dear Men: This Is Why Women Have Every Right To Be Disgusted With Us.”
Whatever the reasons for the current cycle of misandry — yes, that’s a word, derided but also adopted for ironic use by many feminists — its existence is quite real. Consider, for example, the number of neologisms that use “man” as a derogatory prefix and that have entered everyday media language: “mansplaining,” “manspreading” and “manterrupting.” Are these primarily male behaviors that justify the gender-specific terms? Not necessarily: The study that is cited as evidence of excessive male interruption of women actually found that the most frequent interrupting is female-on-female (“femterrupting”?).
Sitting with legs apart may be a guy thing, but there is plenty of visualdocumentation of women hogging extra space on public transit with purses, shopping bags and feet on seats. As for “mansplaining,” these days it seems to mean little more than a man making an argument a woman dislikes. Slate correspondent Dahlia Lithwick has admitted using the term to “dismiss anything said by men” in debates about Hillary Clinton. And the day after Clinton claimed the Democratic presidential nomination, political analyst David Axelrod was slammed as a “mansplainer” on Twitter for his observation that it’s a measure of our country’s “great progress” that “many younger women find the nomination of a woman unremarkable.”
Men who gripe about their ex-girlfriends and advise other men to avoid relationships with women are generally relegated to the seedy underbelly of the Internet — various forums and websites in the “manosphere,” recently chronicled by Stephen Marche in the Guardian. Yet a leading voice of the new feminist generation, British writer Laurie Penny, can use her column in the New Statesman to decry ex-boyfriends who “turned mean or walked away” and to urge straight young women to stay single instead of “wasting years in succession on lacklustre, unappreciative, boring child-men.”
Feminist commentary routinely puts the nastiest possible spin on male behavior and motives. Consider the backlash against the concept of the “friend zone,” or being relegated to “friends-only” status when seeking a romantic relationship — usually, though not exclusively, in reference to men being “friend zoned” by women. Since the term has a clear negative connotation, feminist critics say it reflects the assumption that a man is owed sex as a reward for treating a woman well. Yet it’s at least as likely that, as feminist writer Rachel Hills argued in a rare dissent in the Atlantic, the lament of the “friend zoned” is about “loneliness and romantic frustration,” not sexual entitlement.
Things have gotten to a point where casual low-level male-bashing is a constant white noise in the hip progressive online media. Take a recent pieceon Broadly, the women’s section of Vice, titled, “Men Are Creepy, New Study Confirms” — promoted with a Vice Facebook post that said: “Are you a man? You’re probably a creep.” The actual study found something very different: that both men and women overwhelmingly think someone described as “creepy” is more likely to be male. If a study had found that a negative trait was widely associated with women (or gays or Muslims), surely this would have been reported as deplorable stereotyping, not confirmation of reality.
Meanwhile, men can get raked over the (virtual) coals for voicing even the mildest unpopular opinion on something feminism-related. Just recently, YouTube film reviewer James Rolfe, who goes by “Angry Video Game Nerd,” was roundly vilified as a misogynistic “man-baby” in social media and the online press after announcing that he would not watch the female-led “Ghostbusters” remake because of what he felt was its failure to acknowledge the original franchise.
* * *
This matters, and not just because it can make men less sympathetic to the problems women face. At a time when we constantly hear that womanpower is triumphant and “the end of men” — or at least of traditional manhood — is nigh, men face some real problems of their own. Women are now earning about 60 percent of college degrees; male college enrollment after high school has stalled at 61 percent since 1994, even as female enrollment has risen from 63 percent to 71 percent. Predominantly male blue-collar jobs are on the decline, and the rise of single motherhood has left many men disconnected from family life. The old model of marriage and fatherhood has been declared obsolete, but new ideals remain elusive.
Perhaps mocking and berating men is not the way to show that the feminist revolution is about equality and that they have a stake in the new game. The message that feminism can help men, too — by placing equal value on their role as parents or by encouraging better mental health care and reducing male suicide —
is undercut by gender warriors like Australian pundit Clementine Ford, whose “ironic misandry”
often seems entirely non-ironic and who has angrily insisted that feminism stands only for women. Gibes about “male tears” — for instance, on a T-shirt sported by writer Jessica Valenti in a phototaunting her detractors — seem particularly unfortunate if feminists are serious about challenging the stereotype of the stoic, pain-suppressing male. Dismissing concerns about wrongful accusations of rape with a snarky “What about the menz” is not a great way to show that women’s liberation does not infringe on men’s civil rights. And telling men that their proper role in the movement for gender equality is to listen to women and patiently endure anti-male slams is not the best way to win support.
Valenti and others argue that man-hating cannot do any real damage because men have the power and privilege. Few would deny the historical reality of male dominance. But today, when men can lose their jobs because of sexist missteps and be expelled from college over allegations of sexual misconduct, that’s a blinkered view, particularly since the war on male sins can often target individuals’ trivial transgressions. Take the media shaming of former “Harry Potter” podcaster Benjamin Schoen, pilloried for some mildly obnoxious tweets (and then an insufficiently gracious email apology) to a woman who had blocked him on Facebook after an attempt at flirting. While sexist verbal abuse toward women online is widely deplored, there is little sympathy for men who are attacked as misogynists, mocked as “man-babies” or “angry virgins,” or even smeared as sexual predators in Internet disputes.
We are headed into an election with what is likely to be a nearly unprecedented gender gap among voters. To some extent, these numbers reflect policy differences. Yet it is not too far-fetched to see the pro-Donald Trump sentiment as fueled, at least in part, by a backlash against feminism. And while some of this backlash may be of the old-fashioned “put women in their place” variety, there is little doubt that for the younger generation, the perception of feminism as extremist and anti-male plays a role, too.
This theme emerged in Conor Friedersdorf’s recent interview in the Atlanticwith a Trump supporter, a college-educated, 22-year-old resident of San Francisco who considers himself a feminist and expects his career to take a back seat to that of his higher-earning fiancee — but who also complains about being “shamed” as a white man and voices concern about false accusations of rape.
As this campaign shows, our fractured culture is badly in need of healing — from the gender wars as well as other divisions. To be a part of this healing, feminism must include men, not just as supportive allies but as partners, with an equal voice and equal humanity.
Cathy Young is the author of two books, and a frequent contributor to Reason, Newsday, and RealClearPolitics.com. Follow @cathyyoung63
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Arianna Huffington, Former 'SNL' Cast and Staff Support Al Franken Amid Sexual Harassment Claims
New Post has been published on https://gossip.network/arianna-huffington-former-snl-cast-and-staff-support-al-franken-amid-sexual-harassment-claims/
Arianna Huffington, Former 'SNL' Cast and Staff Support Al Franken Amid Sexual Harassment Claims
Arianna Huffington has denied an article suggesting that Al Franken groped her breast and butt during a photo shoot in 2000. New York Post’s recently pointed out that the former “” star grabbed the media mogul’s buttocks in some never-before-published images. In another snap, the comedian appeared to cup her breast while they posed on a bed.
“Franken was clowning around, but it really isn’t funny,” a source from the shoot told the site. “That’s his tactic, pretend like it’s all a big joke. Arianna was pushing his hands away. He was groping her. There was some fun attached to it, but she wasn’t enjoying it. She definitely told him to stop and pushed him away.”
The source added, “Franken stood there with his hand on her bottom for a long time, because there are numerous frames, each taken seconds apart, and his hand was there the whole time – his hand wasn’t just there for a quick moment.”
Huffington, however, begged to differ. In a statement to The Post, she said, “The notion that there was anything inappropriate in this photo shoot is truly absurd.” She continued, “Al and I did a comedic sketch for ‘s ‘Politically Incorrect’ called ‘Strange Bedfellows’, in which the whole point, as the name makes clear, was that we were doing political commentary from bed. This shoot was looking back at the sketch, and we were obviously hamming it up for comedic effect.”
“I’ve been great friends with Al and his wife Franni for over 20 years and there has never been anything remotely inappropriate in our interactions,” she went on taking Franken’s side.
Huffington also took to Twitter to clear up any misinterpretation of the pics. “I think I’m a better judge of how I felt in that satirical photo shoot with Al Franken than the recollections of an anonymous bystander,” she tweeted. “I thought the point of this moment was to believe women’s accounts of their own experiences.”
The NYPost story about Al Franken groping me in a comedy sketch photo trivializes sexual harassment because he was no more “groping” me than I was “strangling” him in the photo I just tweeted
— Arianna Huffington (@ariannahuff) November 22, 2017
Referring to another photo with Franken, she wrote, “Just got more photos from the same ‘scandalous’ photo shoot. Here instead of Al Franken ‘groping’ me, I’m ‘strangling’ him.” The founder and former editor-in-chief of the Huffington Post mockingly added, “I hope the statute of limitations has expired.”
Just got more photos from the same “scandalous” photo shoot. Here instead of Al Franken “groping” me, I’m “strangling” him. I hope the statute of limitations has expired! #lockmeup pic.twitter.com/6mjlYbhdvW
— Arianna Huffington (@ariannahuff) November 21, 2017
Former “Saturday Night Live” female stars and staff have also come in Franken’s defense. Thirty-six women who worked with the Minnesota senator on the NBC sketch series signed a statement which declared that Franken never treated them inappropriately. They included former cast members Jane Curtin and Laraine Newman as well as veteran show producer Marci Klein.
“We feel compelled to stand up for Al Franken, whom we have all had the pleasure of working with over the years on ‘Saturday Night Live’,” the statement began. “What Al did was stupid and foolish, and we think it was appropriate for him to apologize to Ms. Tweeden, and to the public.”
It continued, “In our experience, we know Al as a devoted and dedicated family man, a wonderful comedic performer, and an honorable public servant. That is why we are moved to quickly and directly affirm that after years of working with him, we would like to acknowledge that not one of us ever experienced any inappropriate behavior; and mention our sincere appreciation that he treated each of us with the utmost respect and regard.”
The statement concluded, “We send our support and gratitude to Al and his family this Thanksgiving and holiday season.”
Previously, ABC broadcaster accused the comedian of kissing and groping her without her consent during a 2006 USO tour. A second woman, Lindsay Menz, claimed that Franken placed his hand on her behind while posing for a photo at the Minnesota State Fair in 2010.
Following the claims, Franken has offered three apologies to Tweeden for his behavior. He has also responded to Menz’s allegation, saying that he didn’t remember taking the photo but felt “badly” that Menz felt disrespected.
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