#that being said there are tropes that i'm interested in as concepts

[paimonial-rage]

What trope you will NEVER write ?

While there are tropes that I really don't care for (Enemies to Lovers, Childhood Friends to Lovers), I don't really think there is a trope that I wouldn't write? I think the only thing that would come close is Fake Dating. Not because I have anything against it, I just don't see how it would ever take a part in any of the fics I would want to write. And there also may be a bit of a skill issue with that one too. LOL

But as a whole, I don't really write according to tropes. I don't really care for tropes as a whole. Some of my fics may contain tropes, but it's not purposeful. I just want to tell a story in the way I see fit. If it contains a trope, that's because it fit in with the story I wanted to tell. I always have goals when I write things? I want the fic to achieve certain things. But like fulfilling a trope is never one of them. Idk. I don't read for the trope. I read to read a good story. And that's how I write.

[milkman-zahhak]

I wanna share more erm.. belly stuff about my favorite characters and media on here but I'm already REALLY pushing it with this blog being named after e/q/u/i\u\s since I'm, like, one of maybe 5 of his total fans, and make it very obvious on all my main accounts.

If anyone finds the art or fics it's like. There's maybe a handful of people that even care about that character or fandom enough to make something for it and it doesn't take a lot of searching to see who they are and narrow it down lol.

I'll try to hint at what some of them are in the tags if anyone is curious, and wants to request anything with the characters from those medias so I have an excuse to post about em lol.

[cripplecharacters]

Hello, I'm not really sure how to word this but figured there are tropes to be avoided in the concept so yeah. Have you ever dealt with magic characters who have problems dealing with like, the opposite of a normal disability? Like instead of being blind, someone sees too much? Or instead of amputation, limbs keep growing?

Hello,

Actually, yes, I've seen this kind of idea twice in media;

Deadpool's cancer and healing factor. His body is constantly dealing with an aggressive and widespread form of cancer and his healing factor is constantly repairing the damage. This causes him to have chronic pain. If either thing were to vanish, he would die. If the healing factor vanishes, the cancer will kill him. If his cancer were to vanish after his healing factor has spent decades working overtime to repair the damage, his healing factor would keep working overtime and the unnecessary tissue regeneration would probably kill him.

Sarah Bright from the SCP universe. She's never stopped growing and this has caused her limbs to get too long, making her bones and muscles weak. She needs braces and mobility aids to get around because of this and deals with chronic pain. (I have issues with how Sarah and her brother, TJ, were written as characters with intellectual disability, but I digress.)

I'm also almost certain I've seen characters with enhanced senses deal with sensory overload due to said enhanced senses, but I can't remember any specific examples of this besides the ones I've written.

I think ideas like this are super cool and an interesting spin on how superhuman abilities can impact the physiology of the people who have them. And when these consequences are grounded in science, like the weakness and pain caused by Sarah continuing to grow long after she should have stopped, it's very interesting to me as a scientist. These ideas are really cool and a great way to explore "maybe superpowers aren't always so super" without the usual "too much uncontrollable power" trope. When done well, these are a fantastic way to remind readers that having superpowers isn't always a good or fun thing, sometimes they're irritating, painful, uncontrolled, or even disabling.

Mod Aaron

[russellsppttemplates]

My person (Charles Leclerc)

Your brother's best friend is sure you were made for eachother

Note: english is not my first language. Most times I read a brother's best friend trope, it's usually the reader going after the boy, so I felt like doing things a little bit different (also, my brain got a bit jumbled because I was wondering about the perspective, and in the end I went with reader being Joris' twin). Also, I always feel a little bit of impostor's syndrome whenever I post these tropes for which I've read many great pieces about it, and I never know if my ones are good enough to be posted but we're going with it

Thank you so much to everyone who likes and reblogs, your feedback is appreciated 🤍 and I'm taking requests so if you have any ideas or concepts you want to share, feel free to do so as I'll try to get to them the best I can!

my masterlist

Tag list: @myloverjk-blog

Most people thought having a twin brother was bitter sweet because while you had to share everything since the womb, you had a brother so there came a time where you wanted to have different toys, different rooms and different styles.

Different friends, however, was never a question. Even with different interests, you and Joris often came as a duo, so both of your friend groups were pretty close.

"We're going to Charles' apartment to watch the football game, are you joining us?", Joris asked, throwing himself on your sofa and partially occupying your personal space, "Marta is going to be over and I think she's taking Chiara with her, too".

You don't remember a time where Charles wasn't in your life. Your brother knew him since they were in kindergarten and so there wasn't a memory where he wasn't involved. Which brought you to the last time you were with him, just a week before.

Charles spent the afternoon with Joris at your brother's apartment, wanting to relax and game for the rest of the day.

"It's Y/N", Charles said as he gave Joris his ringing phone, your caller ID prompting him to pick the calk up right away, "can you come and get me, please?", he heard you faintly as Joris got up straight away, listening to whatever you were telling as he put on his trainers and jacket.

"Y/N needs me to pick her up from the café - turns out her date thought she wouldn't mind going home on her own", Joris rolled his eyes, "it will be quick, you're good on your own here?", he checked with Charles, "sure", the driver assured, unpausing the game and carrying on.

Another date and another disappointment for you, Charles thought. While you weren't as close as his brother was to him, he still knew about your life as much as your other friends, and lately you had been looking for someone, your person, you claimed. Luck had yet to join your search as every date you went on seemed to go between bad and awful.

If he had the courage to come clean about his feelings, maybe things would be different. For a while, yes, you were Joris' twin sister and that was it. You were a cool girl and he didn't mind spending time with you or having your hang out with their group, but things changed when you went to university.

Maybe it was your glow up, although you never needed one to catch his eye in the first place, but year after year, you grew to exude confidence, your natural beauty enhanced as you turned into a charming, caring and kind young woman.

Since he didn't want to ruin the bond you had, he watched it all happen from the sidelines. How happy you sounded whenever you had a date later in the week, whenever a cute guy came up to you in the club and how you squealed "I think this one might be the one!" as you excused yourself and declined dinner invitations from the group for a date.

He heard the door open and then close, footsteps approaching the living room as he paused the game just in time for you to sit on the sofa, "what's up, Leclerc?", you nudged his shoulder.

"I'm good, how are you?", he quesioned, "I guess that one isn't the love of your life either?", he semi joked.

"He was certifiable, at the very least", you began as the boys chuckled, "Hey! I'm qualified to make such appreciation! He kept talking about himself and he was borderline sexist, but then he said I would be fine going home on my own? I don't know, it was a mess and I can't believe I even experienced that - I'm going to pretend it was a fever dream", you shrugged your shoulders, "I was expecting to spend the afternoon with him - thank Goodness I didn't, - and the construction work at my place is still going so I don't have anywhere to go, I'm sorry if I'm crashing your afternoon", you gulped.

"It's fine, it's nice having company other than us two playing and screaming at eachother", Charles smiled as Joris shrugged his shoulders, "you're already staying her until the building work is done", you brother offered.

"I wasn't asking you, silly; you're my twin, dealing with me it's something that comes with the job", you winked.

When it came to dinner time, the three of you decided to have take out, your brother calling the restaurant and scheduling a time for him to pick it up, "I'm going to shower", you said as you got up from the sofa, heading to the guest room you were staying in.

By the time you got out, your heard Joris shout that he was leaving while you put on some comfy clothes for the evening in. When you went to the balcony so your towels could air dry for a bit, you sat in the padded chair, looking out to the sunset.

He would come, you thought. It wasn't particularly a manifestation or a "throw it at the universe" kind of thing, but rather something to reassure yourself. You were worthy of the standards you set for yourself and there was someone out there for you, and he would come.

"Hey", Charles stepped into the balcony, coming to sit in the chair next to yours, "a cent for your thoughts?", he smiled softly, the warm yellow and orange light hitting his eyes in a glowy hue.

"Do you believe that the right person for you is out there?", you shot softly.

"I know she is", Charles gulped, "Oh, confident!", you giggled softly, "but it's nice, better than being sulky like me".

"I'm not sure how much better it is. I know she is out there, but it's a little more complicated than just going up to her and tell her that", he played with hia thumbs.

"So you're chickening out?", you quirked your eyebrow, partly teasing him but genuinely curious about it. You didn't have enough fingers to count how many girls tried to approach you and befriend you with the only goal of getting into a friendship circle that would lead them to Charles, and he could probably chat up anyone he wanted, so it was hard for you to understand how he didn't have the love of his life with him yet.

"It's not chickening out if you think it might cause some issues with your friends, I think. I'm being prudent, that's all", Charles tried, wanting to take the opportunity to try and see where you stood. Girls were usually sharper than guys, so you said many times, maybe you'd take the hint.

"If I knew who the love of my life was, I would go to him and never look back. I know it sounds silly, but I wouldn't want to be away from him a second longer, it would be quite shitty if he was in a relationship", you mused, "but if we were really meant to be together - if it was a both ways kind of thing - he would know it, right? Goodness, sound a bit like a romantic sop, don't I?", you chuckled, "but I would fight for him, for us".

Charles felt inspired before he felt a little angry. Here you here saying you would fight until you found your person when he was right there. If it really worked as a both ways thing, you'd have to know and feel the person you kept looking for was him. He broke into a full belly laugh as he stated at you. No make-up, hair sitting in its natural wave and comfy clothes, you never looked so beautiful to him.

"Would you let me fight for us, too?", he mused quietly but loud enough for you to hear, "would you want me to do that?".

Giggling at him, you could only shake your head at his words, "I know this sound silly - Joris teases me enough about it enough", you groaned as your hands covered your face.

"I'm not joking or teasing", Charles clarified, turning to face you on the chair, "All I want is for you to look at me the way you look at them", Charles stated, "whenever you talk about your dates before you go on them, you're so hopeful that that guy will be the one, you look forward to it like it will be that time, and you never looked at me that way when I constantly make efforts to hung the stars and the moon for you and stand there hoping they get to you".

His confession took you off guard. Charles just admitted he liked you, in a way with words that was more elaborate than what any of your dates had ever told you combined.

"I thought you were being nice?! Was this some sort of plan?!", you quesioned immediately. He had been around you your whole life, you surely would've noticed it, wouldn't you?

Charles chuckled in a way you found a smidge belittling, "it wasn't a plan! Y/N, I have not been planning this or doing some strategy, it just happened out of nowhere!", Charles bit back, "like you said, the person for me is out there and she's you!".

The noise from the door pulled both of you out your discussion, your brother's singalong voice announcing he was back with the food.

Dusting your sweatpants, you stepped back inside the living room, shaking off the jitters you had as your brother scrunched up his face, "is everything okay?", he asked.

"Of course, I'm just hungry and you drove like a grandpa here", you bickered back as Charles joined you at the table, "I'll get the cutlery and plates from the kitchen", you mumbled.

The dinner was eaten quietly on your side, Charles and Joris making most of the conversation as you exchanged a few looks with the Formula One driver, your twin brother seemingly obvious as he carried on as usual, "I'm going to bed", you said after helping tidy, "are you sure? We were going to watch something on TV?", Joris asked you.

"I'm getting a headache, so I'll pass, good night boys", you gave them tight lipped smile.

In the bedroom, you changed into your pyjamas and finished your night-time routine and got under the sheets, Charles' words replaying as you looked at the ceiling.

"Y/N? Are you joining us or not? Do you have any plans?", Joris insisted, "you've been weird lately", he pointed out.

"I'll join you, yes, just need to get my hoodie and then I'll be good to go", you scrambled out as your heart beat faster inside your chest.

Joris offered to drive to Charles' apartment, getting there when Riccardo, Marta and little Chiara were alresdy inside with Charles.

"The rest of the group couldn't come, so it's just us", Riccardo said as he noticed your expression, "what a shame, more food for us!", you smirked, sitting next to Marta and playing with the little girl on her lap, "hello, my love, hello!", you cooed in the voice you only had for babies, "look at you so grown up! You get more beautiful everytime I see you", you smiled, tickling her chin softly as she giggled loudly.

"Who did the roast potatoes last time we got together?", Joris stepped back into the living room, "I did", you stated as you grabbed one of the toys on the coffee table, ready to sit down on the floor so you and Chiara could play together.

"Don't sit down!", your brother yelled, "sorry, but you can't sit down - Charles needs help with the potatoes and he doesn't know the recipe like you do", he reasoned as you got up, trying not to show how much you didn't want to be in the same room alone with Charles. Watching football while having dinner with your group of friends was one thing, spending one on one time with Charles after what he said to you the last time was another.

"Hey", you said as you stepped into the kitchen, "Joris said you needed help, what can I do?".

Charles smiled a little, maybe at the irony of your quesion, "I don't know what seasonings to use in these", he said as he showed you the vegetable with the ones he already cut up.

"Okay, do you keep the spices in the same place?", you asked as he nodded, encouraging you to use his kitchen like it was your own.

Opening the cabinets and grabbing what you needed, you started mixing the ingredients and cutting up the ones you needed to, "can you get me the olive oil, please? I can't reach it", you asked and Charles complied, "thank you".

"Is this how this is going to be? Interacting like we haven't known eachother since we were little and like I haven't poured my heart out to you?", Charles said, arms crossed as he rested against the kitchen counter.

"I wasn't counting on you saying all of that, I was so caught off guard that I haven't been able to think about anything else in my off time!", you offered, setting the knife down on the chopping board.

"It's not like people have speeches ready and give of warnings when they're about to confess their feelings for someone... I myself wasn't expecting to do it until the words came out of my mouth", Charles gestured as if he was vomiting, "what do you expect it to be like anyway? People have to warn you they have feelings for you and ask if you want to hear it?! Is that what you want?".

"I want to feel loved, appreciated and valued. I want to be with someone that reminds me that I'm beautiful, that I'm smart and I'm wonderful. I want to share my life with someone who has no trouble with me wanting to have both career goals and family goals, I want someone who supports me as much as a support him, who is willing to do silly things because I enjoy them and who loves me for me, flaws and all", you let out in one go, "That's what I want".

Charles eyebrows climbed on his forehead, "Are you insinuating I can't give you that? Is that why we haven't spoken since that evening at Joris' place?".

"I'm saying you're my brother's best friend, and no matter how much I think you can do it - because you make me feel like that just from being my friend, imagine if we were dating -, I don't want to risk whatever we have, all of us", you gestured to the living room where the rest of the group was.

"Y/N", Charles pleaded, "you don't think I've thought about that? I didn't do it on a whim like you think I did, I've been sitting on this for quite a while, actually", he clarified, "I will respect whatever you decide, okay? But can't just sit and pretend that you don't want this thing between you and me as much as I do, because we could be so good-", he was interrupted as Marta crossed the corner and stepped inside the kitchen, "Charles, can I heat Chiara's soup on the microwave?", she asked with the small tupperware on her hands.

"Sure, here", he guided her as you resumed to seasoning the potatoes, putting them on the tray and then in the oven, "the game is about to start, hurry up!", Joris yelled.

"I'll just wash this, and that too", you took the tupperware's lid as well as the utensils you needed for the dressing.

"I need to cool it down a little, maybe in a bigger bowl", Marta said as Charles helped in getting the bowl from the cupboard as you set the utensils aside to dry, "Merci, Charles, off we go then", she said as she waited for you both to leave and go to the living room so she could follow you.

"Come here, sweet cheeks", you clapped at Chiara, taking her away from your brother's arms and putting her in the highchair so she could eat comfortably, "auntie Y/N is going to give you your delicious soup, yummy yummy", you smiled.

Charles couldn't help but take in the sight, how you made Chiara feel like she was the only person in the world as you smiled and spoke to her, finding a million and one ways to get her to eat the soup in the bowl.

The food was ready by the half-time break, so you all helped with bringing the food to the table, eating it as the team you were supporting ended up winning the game.

"She's knocked out", you pointed out to Riccardo, Chiara asleep in the little makeshift cot you made on the sofa with some pillows and blankets to make sure she was warm and secure.

"We can clean up, you guys go home and take this little princess to sleep in her own bed", Charles smiled, stroking the little girl's cheek softly as he watched her peaceful expression.

"You don't mind?", Marta wondered as the three of you nodded, helping the parents gather their daughter's belongings so they could leave, hoping she wouldn't wake up and make it harder for her to fall back asleep.

"Sweet dreams, petite fleur", you cooed as Marta cuddled Chiara into her chest, squeezing her small hand softly before they walked out of the door.

"These need to go on the dishwasher", you sorted through the plates and checked if they were safe to go on the machine as your brother help you.

"We should probably get going", Joris said, not wanting to overstay your welcome, "do you need anything else, Charles? Otherwise, me and Y/N will leave you to it", he said.

"Actually, me and Charles need to talk, if that's okay", you looked at the driver, catching him by surprise before he nodded in agreement.

Joris didn't dwell too much on it like you thought he would, "so you need me to come and pick you up or...?", he trailed before Charles saved you, "don't worry, I've got her", he stated.

When Charles accompanied your twin brother to the door, he was blunt and honest, "She's my sister, but there could be worse guys than you", Joris offered as Charles narrowed his eyes, "Oh, please, do you think I'm that blind? I've seen the way you look at her and how you always go above and beyond for her - she's just being too stubborn about it to see it, too. Still, if you ever break her heart or cause her any tears of sadness and anger, you're going to wish I didn't know so much about you", he threatened, although it didn't go as planned as they both laughed, "I trust you, there wasn't anyone I would trust like this", he sighed, "you're just lucky you have brothers, otherwise I might've taken revenge on you", he nudged his shoulder.

"I bet Lorenzo would enjoy a cuddle every now and again if you'd like", Charles giggled before he showed his seriousness again, "I just want this to work out between us, I think she's my person, you know?", he mused, realising how cliché and whipped he sounded, "I'll take care of her, you don't need to worry", he assured.

Charles closed the door and walked back to the living room where you sat down on the sofa, legs covered with one of the blankets, "I- thank you for staying back", he smiled, pointing with his eyes to the spot next to you silently asking if he could sit.

You opened the blanket so he could sit next to you and you could both keep warm, "I want to apoligise for not saying anything the last time we spoke, and for how I've handled this", you began, "I'm sorry, Charles", you said earnestly.

"Apology accepted", he nodded, "and did you just stay here to apoligise?", he quesioned.

"I- I thought we could have a date, sort of anyway", you mumbled, "and I could also tell you how I feel about you since it seems I owe you that with what you've told me", you looked into his eyes, "it wasn't that you were ever off bounds or anything like that, I never cared for those supposed rules, but it never occurred to me", you blurted and Charles quirked a brow, "shoot, that's not what I meant, ugh", you grunted as he soothingly rubbed your thigh, "what I meant is I always thought you'd never look at me that way - I'm Joris' twin - so I just took all of the affection I had for you and put it in a friendship feelings and all of the things you did for me, I thought you were just being nice because you're a nice guy", you clarified.

"Does this mean you're letting me treat you like you deserve? Because I plan on making sure you feel and know you're wonderful every single day", he smiled charmingly, confident words contrasting with his shy attempt of lacing your fingers together on his lap.

"How can you be so sure we are eachother's person?", you couldn't help but mumble, even if the butterflies in your stomach were dancing like they hadn't been in a long time, "I just know, and I'll help you see it, too", he smiled, kissing your knuckles before he pulled you to his chest, finding something to watch on the TV.

You both watched reruns of one of your favourite shows, pointing out little details you loved and talking about any topic that came to mind, and once Charles' body warmth and his touches along your arm caught up to your system and lulled you to sleep, your head finding it's spot on his chest as he smiled down at you, your beauty never ceasing to amaze him as he noticed every mole, freckle and scar on your face from up close.

Even if he didn't want to move, and that it wouldn't be the first time he slept on his sofa, he reasoned that he should at least offer you his bed. Softly stroking your cheek, he coaxed you to wake up, "I'm sorry for waking you up, but we can't sleep here", he whispered, kissing the side of your head, "you can sleep in my bed, I'll take the sofa", he offered as you stretched a little bit, removing yourself from his chest.

"If you promise you won't do any funny business, we can sleep in the same bed", you yawned.

"Of course I won't, Y/N! I would never do anything you didn't want to, I-", Charles panicked, not wanting you to think he was trying to take advantage of you.

"I'm only kidding, I know you won't", you assured, arms pulling him to stand up with you as you walked to the bedroom after turning everything off, "I trust you, Charles, completely", you smiled.

To him, it meant the world.

You felt his heart race when your hand landed on his chest, "I need a t-shirt, though, this is not comfy to sleep in", you reasoned as he looked for one on his drawers, "here, you can get ready here while I get ready in the bathroom", he smiled, kissing the top of your head before he stepped inside the ensuite.

After you swapped so you could brush your teeth, you were both undoing the bed, pulling the sheets back over you and having eachother.

"I really want to kiss you right now, but I don't want to cross any boundaries", Charles admitted as your heart raced in your chest, "I'd really like that, you can kiss me if you want", you consented.

Charles leaned to rub your nose in his before kissing your lips softly, allowing you both to revel in the feelings that had been put in labelled boxes at the back of your minds.

Parting your lips to breathe, you cupped Charles' cheek, your palm tickling from his facial hair as your thumb rubbed his skin, "I think you might be right", you mumbled, licking your lips, "about what?", he mused, "about the fact that you'll help me see it too", you smiled.

The next morning, you woke up with Charles looking at you, "Good morning, Y/N", he greeted, "See? I didn't pull any funny business", he wiggled his brows chuckling.

This was a sight you could get used to.

"Good morning", you smiled, "did you sleep well?", you wondered, pulling closer to him now that you were awake.

"I did, did you?", he asked and you nodded, cuddling closer to him and basking in the feeling of just being there.

"We are going to take this as slow as you want", Charles whispered against your forehead, leaving little kisses and pecks on your skin, "but I want you to know I'm all in".

"I'm all in, too", you whispered, "I can't promise you it will be a straight line - or that I won't spiral out every now and again because hey, it's me -, but I feel really good about this, you make me feel really good", you blushed as you kissed between his eyebrows, "having said this, not all of us have the day to do some training and sim racing, and I'm one of them. I have to go home to change and then head to the clinic", you pouted slightly.

"How about I make us some breakfast first, then I'll drop you off?", he suggested, stealing a peck from your lips, "hmm, sounds good", you hummed.

.

"Were you expecting us to be surprised?", Marta said as she and her family arrived in Charles' yacht, the three of them seeing you and Charles kissing at the table.

Throwing your head back in laughter as Charles walked up to help them inside, you shielded your eyes from the sun with your hand, "at least pretend you are", you joked.

"Oh my Goodness, I never thought you two would become a thing? Does this mean we can finally stop hearing your disgraced love life stories and Charles' complaints about who you went on a date with?", Riccardo belted out, catching the attention from a couple on the yacht next to the one you were sitting on.

"To be fair, that's how I noticed it", Marta began, "Charles didn't complain anymore about how he was alone and that the universe wasn't working on his favour", she smirked, greeting you two.

"We have been keeping it down low just to see how things would go", you blushed at getting caught and steering the conversation elsewhere once Chiara babbled at you, "Oh, baby girl, hello!", you cooed, pulling her into your arms.

"Soon enough you can get one of those, I bet your kid would be very very cute", Riccardo nudged Charles' shoulder, loving that the group now could have a few teasing moments and themes at your expense, all in good fun.

"What a warm welcome!", you heard your brother yell, a fake angry and ironic tone noticeable in his voice, "First, no one is here to greet me with a glass of something to drink or even a helping hand to step in", Joris clarified, "then I'm presented with a conversation about my sister's and my best friends sex life, which I don't want to know about by the way!!", he said as he came up to you, kissing the side of your head, "I'm happy she's happy, and that you're all happy together, but no talking about that, please!".

[another-goblin]

Spoilers for 2.3

Some thoughts, speculations, and headcanons about our little dialogue with Ratio (+more)

1. This tells me that Ratio and Aventurine are friends (or as close to being friends as both of them are currently capable of, which isn't much, but still). Yes, what Aventurine thinks about TB could have been them discussing their mission. But I choose to think that they just chat with each other sometimes, because they actually enjoy it. Aventurine feels comfortable enough to just share what he thinks about the people he meets, and he knows that Ratio is interested in his opinions, and he's right. He listens and takes note. btw people being actual friends is my favorite trope for romantic couples.

2. Ratio seeing his relationships with Aventurine, and our TB, and people in general as a teacher and a student and being constantly in his teacher mode made me think. Probably all significant relationships in his life were those of a teacher and a student. He cannot see himself in any other role because he has never experienced it himself. I wouldn't be surprised if even his parents provided him with knowledge and education instead of parental love. This may also be why he's so frustrated with people who don't fit these two roles: normal people not interested in bettering themselves through education, students who don't take studying seriously, most scholars, and especially the Geniuses, for not actively sharing their knowledge or doing anything to uplift humanity.

3. Ratio seeing their relationship with Aventurine in particular this way is appropriately weird and a bit unhealthy, in my opinion (but what did we expect from him), considering that they are undeniably close. But that's probably the only way he knows to show his care for somebody:  to teach them stuff and help them better themselves.

4. On Avenrutine's side, he seems amused by it, in a good way (the way he playfully refers to Ratio in the descriptions of some of the 2.1 quests, "Your professor friend," and so on). He even seems to be a bit proud that an actual professor has taken an interest in him.

5. But what can he teach Aventurine? He might share his actual knowledge. I think the "Death" and "Dormancy" part of his note is him doing that. But he mostly sees his duty as a teacher in showing people that they can achieve a lot by themselves if they stop relying on higher beings who don't care about them and start relying on themselves (with little help from Ratio.)

But "relying on himself and achieving things" is what Aventurine has been successfully doing most of his life. So is it the "little help from Ratio" that matters here? Or is he helping Aventurine stop relying on his supposedly supernatural luck and realize how capable he actually is?

6. This. (btw 'philosophical zombie' means "a being in a thought experiment in philosophy of mind that is physically identical to a normal human being but does not have conscious experience" (from wiki), so basically just some weird concept in philosophy.) But what an admirably in-depth knowledge of his 'not partner' he's showing here. Are you equally interested in the inner worlds of all your students, doc?…

7. Anyways, that reminded me of what Jade said about the Stonehearts, even using the same word 'void'. So. Aventurine has a void in his heart, caused by his inability to protect people he cares about. It's very significant that Diamond gave him the power of Preservation specifically to help him fill that void, to be finally able to protect somebody he cares about. The problem is, he doesn't have anyone to protect anymore (he doesn't even see himself as worthy of protection). Until recently. So, and I'm being extremely self-indulgent here, if Ratio got in danger, Aventurine protecting and saving him would fill the void in his heart. And btw what can boost one's self-worth more than protecting somebody who's important to you? I mean, he should snap out of that 'I'm only worth the money my slaveowner paid for me' mentality sooner or later, I hope.

(the problem is, I'm not sure how it can play out now that he doesn't have his stone anymore. And he lost it, not protecting anybody but nearly killing himself and furthering the IPC's agenda. Although doing something like that without the stone would be even more significant)

Also, I hope Ratio won't realize that, and won't deliberately put himself in danger for Aventurine to save him. You know, for educational purposes.

8. He just runs around helping people, making sure everybody's okay, and, emm, 'enhance their living', that's his thing.  And even broadly speaking, with his scientific discoveries, and him saving people on Herta station. And considering that 'everybody's my student' thing, I feel like he sees himself as responsible for everybody (in his own way).

And some people still think that he's selfish and egoistic. He even gets angry when we ask for an autograph:

9. Aaand that's the third time he disappeared in the middle of a conversation involving Aventurine. I understand him, though. As somebody who also 'detests noisy gatherings', group chats aren't much better.

------

ok this was supposed to be hidden in tags but i think tumblr found it too scandalous or something i don't know, i'll just leave it here: the more I write about Ratio, the stronger the urge to just call him Rat, you know, lovingly also whoops sorry, I'm physically incapable of writing short posts, it was supposed to be a short comment about their friendship, how much content can I squeeze out of a half-minute long dialogue?, the answer is yes, but I just had to get it out of my system

[bapple117]

Figured there was no harm in double checking lol. So… do you think bill is even capable of desiring or wanting sex? Would he just…….. be doing things to people lmao, can anything of his be touched sexually? Also maybe a weird question, but has Doc even felt anything physically like that, being that they have a human body, or no?

Okay I'm gonna be answering this after the jump - fair warning! My answer is 18+, minors DNI, and anyone who feels weird about thinking about the characters in this context just SCROLL AWAY! I'm serious! I'm answering this in a mature way, taking it seriously as an interesting question. I don't want any judgy looks, so I'm giving you ample time to walk away right now... Okay! With that disclaimer said...

So in regards to what I think about canon!Bill - I think he'd have fairly little to no interest in sexual gratification for the most part, given the fact he doesn't have a corporeal form / genitals (that we know of LOL) in his triangle state.

I think he would probably enjoy the psychological aspects of controlling / influencing someone ELSE'S physical experience, though - in a consensual scenario, I imagine he would be the one exclusively doing things to the other person, getting more of a mental satisfaction from it rather than physical. Like, "Huh! Poking you there makes that kinda reaction, does it? Well, this just got interesting!" sort of deal.

I also think gratification via proxy is an interesting concept too, ie, Bill possessing a human and experiencing what they feel through them. I've read fics exploring this idea - both the human being consciously aware of what's going on, with Bill inside their mind feeling the same sensations and controlling them - I think that's as close as canon!Bill would get to experiencing real sexual feeling / gratification.

Obviously there's scope there for a more non-consensual reading of those situations, but I'm not really one for non-con so I won't comment on that.

In regards to fanon!Bill, I think there's more of a spectrum available for exploration, depending on what that version of Bill looks like. I've seen lots of takes on human!Bill (both art and written) that explore him coming to terms with having human sensations / desires in a really interesting and nuanced way, and I think that's a really cool approach. A non-human entity suddenly becoming human and being like "Ew, gross! This body is weird. But... food tastes nice and being touched is fun..." is a trope I greatly enjoy, personally. In regards to MY Bill, as in, the one I am writing in The Theraprist... Hrm. The one I'm writing is going through a lot of character development that isn't present in canon so it's hard to compare, but I think it would involve a mixture of the above with some slight differences. My headcanon is that he has erogenous zones even as a triangle, so any kind of intimacy with him wouldn't look like typical intercourse, but would be possible in a manner of speaking. Maybe his edges are sensitive to being licked, etc etc.

I won't be writing anything sexually explicit IN The Theraprist, but if I were to explore that in a seperate work (maybe a one-shot or something) I would definitely go for that angle (pun intended.) Obviously, if it was happening in the Mindscape... Well. That opens a lot more opportunities. Anything is possible in there... In regards to Bill's past on Earth, times he possessed humans... Well. That's actually something I'm going to allude to in the fic itself, so I'll keep my thoughts on that up my sleeve for now. As for Doc, I think I'll mostly leave that up to reader interpretation, as I wouldn't want to project my own headcanons on to a character who's meant to be a faceless blorbo anyone can insert themselves in as. BuuuuUUUuut if I AM coming at it more from a "this is my original character" point of view, then I'd say that... Yeah I think they've been around. They've been alive for thousands of years and can turn into anything they want - I'm sure they've fooled around with something at SOME point. Not as a human, though - them turning into a human to be Bill's therapist was the first time they had shifted into one, ever. I touched briefly on the whole "getting used to human biology" theme with them here and there, hinting at the potential for more...

Maybe I will explore it more explicitly eventually! Hope that answers your question :)

[writingwithcolor]

Judaism, Angels, and Monstrosity

@neapolitangirl asked:

I'm writing a story about the angel Muriel traveling through a world inspired by American folklore (Ex. The Bell Witch, Fearsome Critters, etc) while hunting demons. I wanted to draw inspiration from the legend that says Muriel and Abaddon are one and the same because I thought it was interesting. However, I also know that Abaddon is important to Jewish cosmology and wanted to avoid any unfortunate implications. Muriel is very skittish and kind of a coward, but turns into the more violent and vengeful Abaddon in the presence of demons. Appearance-wise both Muriel and Abaddon are tall and skinny, but Muriel is more like an owly-human while Abaddon is a spiky skeletal being. Would this be connecting Judaism to monstrosity? Also, is there anything else I should try to avoid?

So…angelology, the whole idea of angels with names and personalities and individual jobs, is just…not something the average Jewish person thinks or cares about, even the ones who know a little about it. Not that it’s bad, it’s just not something that is prominent enough that it would have tropes attached that we might be able to warn you against.

That said, we’re posting on the Niche Scholarship and Special Interest website, so if there’s a reader who happens to have a lot of knowledge and feelings about Jewish angelology we would welcome the contribution and specialized expertise.

As it stands, my instinct is to give these more general considerations:

Balancing Jewish and Christian Elements

To what degree are you trying to tell a Jewish story, a Christian story that does not harm Jewish readers, or a story strongly influenced by Christian ideas about the heavens in a way that does not harm Jewish readers? How does deciding where you fall among those distinctions affect how you construct your story, and how you portray your angels?

Jewish Concept of God and Angelic Appearances

To Jews, God Godself does not have a physical body or visible appearance. If you’re describing the appearance of God as you’re navigating your angel-centering narrative, you’re squarely outside the territory of inclusivity toward Jewish readers. That’s okay, if you’re clear with readers that you’re not telling a Jewish story. It’s not okay if you’re trying to conflate Jewish and Christian ideas into a single narrative when they are often incompatible.

Angelic Appearances and Jewish Scripture

Angels might have appearances, and some descriptions of some types of angels in some Jewish scriptures have body parts of various animals. I haven’t the foggiest clue if it matters to anyone what appearances belong to which angels, so if it matters to someone reading this I hope they will speak up.

Are angels Jewish? This is a subject that could make for a fun discussion among Jewish people as a way of exploring the nature of Jewishness, but in your narrative you will have to think this through in your own way. If your angels engage in Jewish practices, then what does that look like and why, and if they don’t, why don’t they? The answer to that may of course be “Because I’m not actually telling a Jewish story.”

Christian Themes and Sensitivity to Jewish Culture

It’s okay to not be telling a Jewish story. But in that case keep in mind what demonstrations of Jewishness you include in a Christian story.

Especially, if you’re depicting a divine Jesus, or a Jesus character with any type of more-than-human powers or ancestry, or you are including any reference to the idea that Christianity might be in any way objectively correct, then you must tread EXTREMELY CAREFULLY with including any depiction of Jewish practice in your work, as the line where depiction turns to appropriation is in that case extremely near.

In all things, try and avoid depicting Jewish humans and any character who might be Jewish or be seen as Jewish in ways that are otherwise harmful: we’ve often talked about tropes around greed, sneakiness, power-grabbing, gender and sexual dynamics, and other tropes that apply to portrayals of Jewish characters. If your angels are Jewish, or Jew-ish in flavor, that goes for them as well.

Again, I know absolutely zero about Muriel and Abbadon and am not very interested in learning more as their lore has zero bearing on my Jewish practice in any way, and that’s a somewhat important point to me to be making because…2J3O. Two Jews, three opinions. So again, if a reader does in fact have knowledge and opinions about the specific angels themselves, please speak up.

–Meir

[browniefox]

I asked for fic recs so it only makes sense that I provide some.

The Invisible Stan by The Last Speecher (HeidiMelone)

Simple, short, but elegant. You know how hanahaki disease is a trope? I feel like this should be a trope, but idk what you'd call it - Ninny disease sounds bad, but like it's clearly based off of Ninny from the Moomins. Anyway, great fic <3

An Outreached Hand by WDW

Ghost trick au! Love a good ghost trick au! I reread this recently and it still holds up so well, still so good even if unfinished. Haven't played ghost trick since, some of the twists make a hair more sense - especially the twist in the last chapter posted and being like 'OH IT'S *THE* GHOST TRICK'. Shoutout to undead creepiness and cute kitties :3

Retrograde by scrawling_stardumb

Kissing this one on the mouth. Only one chapter and unfinished, but it's a long chapter and really makes you go 'whoa'. It's interesting because the summary *technically* gives you more info than the chapter itself, but it's that kind of dramatic irony that fits the writing so well. A good solid McGucket POV too, which there really isn't enough of. Tbh, it stands okay almost as a one shot? I wish this became a whole popular au like all the others, bc it kicks ass as a concept.

Finding the Right Frequency by impish_nature

A pretty cute one! Ford trying to figure out how to deal with Bill, and Stan having found a stable job, and someow their two worlds intersect. Cute moments between the two, and some good Stans getting to reconnect.

Things You Can't Take Back by thesnadger

Classic by the Snadger! I always appreciate people who take Stan's memory less and make it more complicated, or at least have there be aftershocks to have your whole life erased :D So well written.

like they were a perfect fit by hapful

Stanford Pines and the photo he never looses. A beautiful story about Ford throughout the ages and his opnions on family, specifically Stan.

putting the dog to sleep by parsnipit

Old Yeller is such a sad story, and also some of this made me think of Mice and Men, and ugh just Stan and Ford and beign willing to kill something you love - sometimes because you love it - and it's such a perfect analogy to them I could die.

none of those phds is an md, you dumb idiot by untrustworthyglitch

I always love a fic that acknowledges language barriers. It reminds me of a really old fic where I did something similar, but like, being away from Earth would lead to you forgetting a lot of things, including language.

Too Late, Too Soon, Not Enough by IncomingAlbatross

Ah, gotta love a good fic that shows the missing scene of Ford and Stan switching places. Who came up with the idea? Who needed to be convinced? What swears do they get to use while off camera? Stan I love you so much, and Ford I lov eyou for beig nso complicated.

Raising Stakes by MaryPSue

Mwah! A Classic if I've ever seen one! While I'm partial to werewolf!Stan, Vampire!Stan does have so much potential and MaryPSue puts it to use so well! A great look into what Gravity Falls was like back in taht time period, and I love when people utilize Susan in fics that take place pre-portal <3 Also, Carla! I miss you so much Carla <3 It's drama, it's action, it's everything!

Lost and Found by PengyChan

Tate & Fiddleford have a lot of untapped potential, and while I think going the angst route makes a lot of sense, this one is almost more fluff and catharsis, I guess? I love it, near and dear to me.

Off-Season by anistarrose

Time Travel fic, but not a timestuck au? More likely than you think! A cute oneshot with particular focus on Stan, Mabel, and Dipper. Just a fluffy little thing with a couple strangers helping Stan out through a difficult winter.

Persist and Dwell by fencesit

A bit of Soos's trust in Grunkle Stan, and a mystery that isn't so much mystery as it is simply just not explicitly said. One of the final scenes has still stuck with me, and this is defo a concept I'd love to see explored more.

flee from your ghosts (burn your house down) by thepolysyndetonaddictsupportgroup

While typically OTGW x Gravity Falls crossovers are, like, Pinescone, I'm partial to this version where Wirt is their dad. There'a few details that didn' sit well with me, but over all so incredible and well written. Some of the metaphors are just so evocative I could eat them. The descriptions are to die for. And I love the depiction of a dad struggling to get his kids to open up to him that feels like it's part dads struggle with teens and part those pines twins just won't tell the truth.

If you have any Gravity Falls fic recs, feel free to comment them!

[pikahlua]

I've been in the dkbk fandom for 3 years and my husband is an anime only. We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward. He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced. I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc. I told him what you said about Bk's death and Deku losing his arms as being symbolic but he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed. I wanna believe in Hori but I'm waiting for payoff instead of enjoying the story. Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?

I’m hesitant to answer this. I said I wouldn't answer any asks that were looking to me for reasons to keep liking MHA, and I really don't want to encourage more asks like this--and yes OP, I don't know if you realize it but that's basically what you're asking. You've framed this question around your husband's opinions, but you're couching your own thoughts inside.

If your issue is that you and your husband like different media, then that's a marital issue to resolve; accept that you shouldn't always watch all media together, particularly if doing so isn't fun for both of you. But your husband doesn't like what's going on in MHA, and this is enough to make you doubt whether or not MHA is written well? Despite the fact that many, many people like MHA in its current form? That sounds more to me like you agree with your husband. It certainly doesn't sound like you tried to sell this story arc to him.

I decided I'll answer a question like this this one time because it'll help me summarize my feelings on these topics, though I'm sorry to say the topics I address may not be what you expect.

"We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward."

Is this really a surprise? I don't remember anyone being all that into this arc when it first came out. Everyone was saying Star would die, and yet most people did not correctly predict the actual outcome of this fight--that Star's quirk would be eliminated and Tomura would be weakened. Most guessed Tomura would steal Star's quirk and become overpowered.

"He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced."

You mention sci-fi but uh, has your husband watched like...any other anime? Ever? At all? MHA is far from the first shounen anime to do this. You can't really make your husband like MHA if his problem is that he came to an anime restaurant and got upset when there was nothing but anime on the menu.

Seriously, MHA is not doing all that much different with its ending than what Fullmetal Alchemist Brotherhood did, and that's one of the most critically acclaimed shounen anime of all time. If he's predisposed to dislike the stuff anime does, that's not a writing problem. That's a mismatch of anime with his tastes.

It strikes a nerve with me because I grew up loving anime and was bullied for it by people with opinions such as your husband's. Now, the mainstream-ification of anime has drawn those same sorts of people to anime for whatever reason, and all they seem to wanna do is complain about anime being anime. Take sci-fi for example: I typically hate outerspace-themed media and the concepts such media often explore, and you know what I do? Not watch it. I've decided such media is not for me. Honestly, the same is true for a lot of anime too. I am very picky about anime because there are some tropes or themes I'm just sick of.

"I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc."

This is where it sounds like you primed him with your own feelings, because it certainly doesn't sound like you were selling him. I don't even know what this means. "A holding pattern"? Do you mean the arc has just been going on a long time (see: welcome to anime being anime)? Or do you mean not much has happened with Izuku? Because I am getting a bit of a sense that your issue is you're an Izuku fan and his growth has been slow because the arc has had to wrap up all the other characters' arcs first. Because a lot HAS been happening with all the other characters (and we recently got some Izuku progression too).

The only other thing I can think of is an opinion I've had for a long time. I think a lot of anime fans don't realize they're not actually manga people. You watch an anime you like a lot and you wanna get up to speed, so you go to the manga not understanding that the manga is different from the anime. The pacing is different, as is the presentation and focus on details. The manga presents one or two story points per chapter, whereas anime episodes are 2-3 chapters compressed into one sitting. The anime's major selling point is its fast pacing, but this is not a selling point of the manga--of ANY weekly manga. "2-3 years" means very little in the context of a 15-page-a-week-AT-BEST manga.

"I told him what you said about Bk's death and Deku losing his arms as being symbolic"

The symbolism angle is one thing. I've never really understood why people like any media without symbolism--that's what gives a story its flavor, isn't it? If we're talking about tropes and familiar story structures, the artist's approach to familiar items is precisely what makes it unique and interesting to me. I wouldn't become invested enough to care about Katsuki's death if all that mattered to me was the surface-level event.

But are you saying you spoiled the fact that Izuku lost his arms? That's...not that big of a plot point to spoil if you ask me. Certainly not one I'd bring up as one of the greatest hits of this arc. This is another detail that makes me feel like you're particularly focused on Izuku, which is not a bad thing nor is there anything wrong with that, but Izuku doesn't actually feature very much in this anime season all things considered. It's hard to sell anyone on what's currently happening with Izuku in the manga since we just got to his stuff and it's not complete.

Again, this was what happened with Fullmetal Alchemist. The last arc covered the events of one day that ended the final war. The main characters were only occasionally featured and didn't do all that much in the season until the very end, as one would expect. When it was coming out in manga form, the pacing was admittedly very weird because of this storytelling choice, albeit it felt a bit different from MHA since it was a monthly manga and covered more ground per chapter. But when the same arc was adapted to anime, the feeling and pacing were very different, and a lot of iffy elements improved on me as a result.

"he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed."

Is your husband someone who watches things only once and then can't rewatch and enjoy them ever again? Does he only watch stories for plot twists and once he knows the twist he stops liking it?

I don't understand this general obsession with consequences and stakes a lot of people have. Sure, they are elements that can contribute to a mood or feeling in a story, but they're far from the make-or-break linchpins so many people make them out to be. The "reversals" are major plot points too. I find much more enjoyment in trying to follow why a writer would do such things and what they're trying to say than wondering how likely some character is to die or how many people will be brutalized.

I'm in the camp that believes spoilers should not make a difference in whether or not I find a series "good" or whether or not I can invest in it. I personally have played video games specifically BECAUSE they were spoiled for me and it sounded like I would like them, and having those major things spoiled for me did not detract from my enjoyment at all. I'm not saying everyone has to be like me, but I do certainly think a story's ability to persist as an impactful and memorable work has very little to do with its stakes and everything to do with how it handles its story and characters. Was Star Wars memorable and beloved because of how many people were at risk of dying in it? Was something taken away from the story when Luke got a robotic replacement for the hand he lost?

Goodness, didn't the MHA fandom predict for years that Dabi was Touya Todoroki? And wasn't everyone just waiting for the reveal to fucking happen already so we could get it over with? And wasn't the entire fandom surprised and enthralled when the Touya reveal did happen precisely because it was handled in such a unique and cool way with Horikoshi's flair? Did predicting that twist really ruin anything for the story?

A good story is a good story.

"I'm waiting for payoff instead of enjoying the story."

I can't know what payoff you're waiting for. I've enjoyed all the events and details along the way, even if there were some expected dips here and there. When I went back and reread the entire arc in one go, the pacing really hit me differently and I got a lot out of it. If you're not enjoying the story, that's not about whether or not the story is employing "good storytelling." I've enjoyed plenty of stories that were told poorly and sloppily because there were other redeeming features that appealed to me. This is about preference. You and your husband have your own personal preferences, and that's okay! But you both have to manage your preferences with respect to each other and to yourselves.

"Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?"

If you're actually interested in whether or not MHA has "good storytelling," I'd suggest you take a creative writing class or otherwise learn about the way stories are told in different media i.e. novels vs comics vs TV shows vs movies vs video games. But I honestly don't think that's what you mean. I think you're looking for permission to keep liking MHA even if you personally don't like its storytelling or how Izuku's character is currently being handled. I can tell you from experience that yeah, you can. Plenty of people do it all the time. Some people get so frustrated with the stories they like they write fix-it fanfiction. Some people appreciate the way a story is so perfectly written that they cannot build a fandom around it because they can't come up with anything to add. It's going to depend on you and how you want to approach the situation, and while I'm happy to talk about what I like about MHA and which writing choices I think are well made, that's not going to get us very far if you don't like the same things.

I do often find media that I personally think is not written that well, and like I said, sometimes I like it and sometimes I hate it, but if it's a piece of media with a large fanbase like MHA, I have a hard time calling its writing universally "bad." If it speaks to that many people in some way, clearly there's something about it that reaches people effectively, and who am I to judge? I'm certainly no expert in quality of writing. All I have are what I've taken away from my education in literature/writing, my years of experience with many anime that came before MHA, and my thoughts on all the other media I've enjoyed. My experiences will lead to different conclusions than others'. I know I don't like a lot of what's popular with most people, so I certainly can't hold myself out as some paragon of good taste.

It's okay to like or dislike whatever for whatever reason. I don't always stay with the same fandom. I move around when I find new and good things. I sometimes come back to old things I loved and like it anew or find it underwhelming as I currently am. As of right now, I'm actually willing to say something I never was before, which is that MHA might be one of the best-written manga if not the best manga I've ever read. While FMA is top-tier, its themes are a lot safer than MHA's ambitious goals. MHA was always going to be controversial in some ways just because of what it attempts to do, such as telling its story through comic book-themed superheroes. It also says a lot of political things that risk alienating readers. The levels of risk MHA takes are part of what makes it amazing to me and what makes it a worthwhile piece of art to enjoy. I'm so happy it exists, flaws and all. No story will be universally loved, and that's something I accepted a long time ago when I decided I wouldn't let the bullying stop me from liking anime. All I can hope to do is have the courage to love the things I love and the grace to leave alone the things I dislike for others to enjoy.

[chelledoggo]

silly concept i thought of for Pomni (that connects to my "drawing/writing characters meditating" special interest lol)

so we know how Pomni's whole thing is that she has a "funny cartoon body." like she has rubberhose arms, can do wild takes, her face changes colors when she holds her breath... all those sorts of classic "cartoon physics" tropes.

i like to think that if she enters a meditative state, she'll levitate a few feet in the air in a lotus position (think like Shirley from Tiny Toons), and she'll temporarily adopt this alternate "zen master" personality.

like she'll speak in a soft, whispery voice, with more formal speech patterns. she'll start using "spiritual" vernacular and dispense words of wisdom, almost as if she's suddenly being possessed by the spirit of a Buddhist monk. (figuratively speaking. i don't want her actually getting possessed again ;~;)

(this is old art but it basically illustrates what i'm getting at)

but then once it's over and Pomni returns to normal consciousness, she'll remember everything she said and instantly start feeling super embarrassed about it.

like i had this whole scenario in my head where Ragatha is teaching Pomni meditation to help her relax, and that's when she realizes she has this ability for the first time.

Ragatha: "huh... i guess when you enter a meditative state, you start levitating! we're learning new things about you every day, Pomni!" Pomni: [in "zen master" mode] "ahhhh... yes, Friend Ragatha... i have achieved total lightness of being... mentally, physically, and spiritually... for the first time since i've been here, i am truly at peace... ohhhhhmmmmmm..." [Jax walks up and spins Pomni around in midair, causing her to break out of the trance and fall to the floor (and then throw up)] Jax: "up and at 'em, ladies. Caine's got a dumb new adventure for us." Pomni: [back to her normal self] "ughhhh... d-did i really say all that cringe new-age crap just now?" Ragatha: [grinning] "hey, now! it wasn't 'cringe!' it was nice to see you calm for once!"

...also maybe in a later adventure she has to go "zen mode" to levitate herself out of a deep pit or something.

idk i'm just having silly thoughts lol.

[txttletale]

What are your thoughts (lorewise) on Warhammer fantasy so far and what's your favorite faction

i love skaven. ive been a skaven fan for like 20000 years ever since i briefly played actual tabletop. they're just funny little guys :)

when warhammer is good it's because it's embracing its original 80s gonzo spirit of 'just throw any old pop cultuire shit in there and figure it out later' -- i love how the skaven are, like, cartoon mad scientists with nuclear power and genetic engineering and also stupid rats who love scheming and betrayal anbd they waltz around with giant fucking flesh monsters and gatling guns and Combat Hamster Wheels. ther'es other stuff in this vein that's good too: orcs being english football hooligans is never going to stop delighting me, the tomb kings are a really cool concept, the vampire pirates (as far as i'm aware a CA invention?) are so fucking goofy and they rule so so hard.

overall though there's al ot of really really uncomfortable undertones to the world of warhammer fantasy. first of all there is the straight up racist shit, i love the lizardmen (i am currently deep into a mazdamundi campaign) and some of their lore is really interesting and in some ways avoids some of the common pitfalls of 'fantasy indigenous peoples'--it's made very clear they are an advanced society, technologically and socially complex, with a rich culture and history. but the lazy aping and blending of half-remembered maya/aztec aesthetics and the '''''funny''''' joke names they have and the fact that they are ancient and mystical and Not Of This Age just adds up to them being a really racist caricature of mesoamerican societies.

also WHF leans really really really hard into the biological determinism stuff. i love the skaven but the fact that they're a rapidly breeding menace that secretly infiltrates your cities and kidnaps people and gorge themselves on resources and have an Evil Religion and are As A Race predisposed to treachery and viciousness and are depicted as literal vermin brings to mind yknow the place all these tropes hold in the racist and antisemitic cultural imaginary and it definitely makes me kind of uncomfortable. i think the same can be said of the (also straight-up racist) depiction of beastmen as Tribes and Hordes that are very literally More Animal Than Human. like, there's so much of That Shit, of X Race are Biologically Fundamentally Like This, and the Like This often happens to coincide with a constellation of tropes used to demonize and justify the extermination of real people, and i really hate That Shit.

i also find the (also quite typical of fantasy) Order (Good) and Chaos (Evil) moral distinction to be pretty ideologically repugnant

so overall, yknow. mixed feelings innit. that said i'm having an absolute blast with TWWH2 this shit rules im driving my big dinosaur around and eating mother fuckers

[kaelidascope]

In light of some dirty laundry found, I'd like to set the record straight about a threat that was made against me and my work

Since I'm being accused of stealing or copying a roleplay that was done between 2021-2022, here's the facts. The roleplay started with a concept that I had made about a magic college school for another roleplay that never went anywhere and was then repurposed for this one with a new partner. The question was popped on 2/23/21 and we began on 2/25/21.

It lasted the span of a little over a year and went through several rounds of development, a few attempted rewrites, and a spin off sequel revolving their kids. It was a good split between actually roleplaying the characters and also just hours upon hours of talking/plotting as one does. Usual exchanges between creators. We never posted the roleplay publicly anywhere, so it was never officially 'published', nor were any legal steps taken to get rights reserved. I'm fairly certain a discussion happened once about turning it into a book but both parties were not on the same page so it never went anywhere. We did ofc share it with close friends and just talked about it in general.

I also drew quite a bit of art for it, and we both collectively commissioned better artists for art for the characters as well. I did not put in nearly as much money as my roleplay partner did, but I did most of the concept art to provide as reference.

After the friendship ended and the roleplay was put to rest, I pulled the OCs that I had exclusively made to start working on a new concept. I had no intention of using anything that wasn't mine. The new concept was entirely removed from it's original source, meaning different setting, different characters, different everything. It was just repurposed OCs that had new backstories and purposes and new ones that I had made to replace characters I didn't own. However, despite the change, I was threatened with a Cease and Desist form pulled off Google by my previous roleplay partner because I made a vague tweet showing progress of the reworked characters (Rowen, who was in the original roleplay, and her love interest, Lyra, that was meant to be a replacement design for a character I did not own). Lyra shared a physical likeness to the original character, Emi, that was owned and played by my roleplay partner that they designed using an AI generator and then I later drew concepts for [white complexion, black hair, blue eyes]. I took it down as requested, sent it back to the workshop, consulted several professionals to make sure any likeness was scrubbed away, and put it on the back burner for further development so I could be left in peace.

I made this disclaimer post back in December 2023 about any likeness my own OCs would share in future projects and their affiliated partners on twitter. At the time, the names and designs were still being changed so Rowen Santiago was a placeholder while I was waiting to hear back from legal advice. I never said I was taking what was originally written and publishing it 'as is'. I'm allowed to use my original character designs for different purposes.

Ultimately, I came to the decision after a lengthy back and forth to scrap my own OCs original personality and design and start from scratch. Only a few things survived that can have lines drawn between the original roleplay design and the new story concept [the magic collar, werewolfism, Hispanic descent, wolf eyes] but that's nothing new. I have a lot of werewolf OCs. I've got an entire series dedicated to werewolf OCs. The new story concept is more military and racism based set in a fantasy dystopian universe than a magical school romance trope set in English Europe. The new story isn't even set on Earth, it's so far removed from where the original design came from it's not even remotely close to this roleplay. The kind of prose and worldbuilding featured in this new work is similar to the fanfiction I already write and am known for [The new world building will be somewhat similar to a setting I already made as far as fantasy science themes go. See Midnight Menagerie]. I also have several designs that look similar to each other (see MM Blake and Tessa for example. Same hairstyle. And MM Yang's entire physique was scraped from Rowen's whole vibe) though I can say my art style is improving enough to where I don't suffer from same face syndrome anymore (at least I hope!). All my bases were covered, everything was a brand new start over and nothing from the original roleplay was touched.

Well, even after a whole year and a half later post cut-off and small meltdown, it's apparently still living in their head rent-free that I am stealing their work and threats are still being made both anonymously and by name!

So I'll tell y'all what, for anybody who's curious, go ahead and have full access of all the notes and docs that I supposedly 'stole' and you tell me if my future works are stealing lol since you wanna wave it around like it's a big scary threat to get me any time I draw sapphic content that isn't fanart. The only things I will not include on this post is the commissioned work because I don't know who originally did them and therefor I'm not sure what their reposting terms are

Anything listed as [NOT ME] was not written by me. Otherwise everything else is either by me or was collaborated on (like the roleplay exchanges)

Misc Docs

Rowemi timeline 2.0

Figure Skating Practice

Emi/Lauren Relationship Notes

Pregnancy Arc Notes

Project Blackbird Notes

Worldbuilding Notes

Rowen Build Sheet

Rowen Notes

Emi Build Sheet (NOT ME)

Emi/Mom Relationship Notes (NOT ME)

Rewrite Docs

Prologue

Episode I

Shorts

William's Lament

Another Secret in the Pile

Rowen's Invitation

The Meeting (NOT ME)

The Hospital Visit (NOT ME)

Simon's Suggestion (NOT ME)

The Date (NOT ME)

Original Roleplay Docs

Part 1

Part 2

Part 3

Part 4

Part 4.5

Part 5

Part 6

Part 7

Artwork Done By Me

Genuinely I'm not sure what y'all hope to accomplish by obsessively sending me hate mail and empty threats like I'm supposed to care and be effected by it. I haven't even looked at it since I quit Deviantart lol it has nothing to do with my current projects and it died when I cut you off. You never even knew what the new novel project was about, so you really had no grounds to threaten me with that email or the anonymous inbox submissions. You also slipped up and sent one with your actual user after I turned that off, that's how I figured out you were still obsessed with me after all this time. I encourage you to do something with your ideas someday. While you weren't the healthiest friendship I've ever had, the roleplay was fun to engage in. Maybe working on something new will bring you the peace of mind you're looking for and help you move on.

[cripplecharacters]

So I'm plottong out a fantasy novel and a major long running plot pint of the story where the Mc is attacked and completely blind in one eye and disfigured. She learns to navigate her life with her disability.

but later on in the story she gets an offer to 'fix' her eye. But by the time the offer is made she had the injury for years, the magic will only heal her eye not get rid of the disfigurement. I don't want to play in to unsavory tropes of magic curing disabled folks. How can I write this with out coming off as offensive?

Hi!

The only way to avoid magic cure tropes is to just have her decline the offer. Since it's been years, she might feel that her disability is an important part of her, she's found a disabled community that supports her, and/or she doesn't want to change that part of her identity.

Mod Rock

Hello!

I do want to add that I have personally always found this trope really interesting to explore. I think that, if used well, it has the potential to be a good exploration of why being suddenly able-bodied wouldn't help a lot of us and how the obsession with "curing" disability instead of accommodating it is harmful.

Although the trope itself is the magical cure for the disability, I think the main problem with it is how it portrays that cure as something to be desired and, oftentimes, the best outcome. It's usually a no-brainer, the disabled character wants to become able-bodied because otherwise, how else would they live life to the fullest? (Note the heavy sarcasm here)

That being said, I think there are ways to go about this in a way that isn't ableist (Not to mention redundant). Maybe your character doesn't want the cure but is pressured into it by her friends/family and reluctantly agrees, only to find that she can't adjust or that the cure is reversing itself or that she wishes she could go back. This could be an excellent way to explore the issues with body autonomy that a lot of disabled people face while also subverting the original trope.

Of course, this specific concept may not be fitting for the tone of your story but it's just an example of how this trope can be used for good (For lack of a better term).

Whatever you decide to do, please don't follow the usual trope of "the character takes the magical cure to be abled and it makes everything better".

Cheers,

~ Mod Icarus

[aster-blogging-dracula]

Ok so today's entry is definitely gonna be important for the analysis on how the topic of sexuality (which is one among MANY topics that this novel covers) is explored throughout the story and throughout the concept of vampirism in it.

I wanted to note these things down for myself cause this is a topic that really boils my blood when seeing academic analysis of it but I want to read the full text carefully through Dracula Daily and make a proper personal opinion of it before reading anything else (academia.edu PLEASE stop emailing me things I will crush my head on the wall). (For now, my overall opinion on this topic is that academics focus way too much on making a metaphor out of everything when a lot of things in this story make more sense when analyzed as parallelism, or as a literal part of the plot with no further meaning...)

Anyways. This is the first time in the story when a scene of (almost) vampire feeding is narrated, and the scene that makes Johnathan go "this is it, nowhere is safe". So this kind of settles a first impression on what being preyed upon by a vampire feels like (at the same time it could also serve as reference for when vampire feeding feels WAY differently from today, and therefore can be interpreted differently). We have:

The feeling of seduction of some sorts(EDIT: I should point out that vampire seduction by this time was already, from The Vampyre to Carmilla, along with several folklore, a well established trope). Is Johnathan's initial fear out of an unconscious feeling that they're vampires? Because of their sudden appearance in the otherwise empty room? Because he loathes being disloyal to Mina? Could be a mix, we will never know. But it's interesting to ask oneself these things.

I'm not going to expand on why the description of how the girl approaches Johnathan's neck is erotic, just go read it. I listened to the Re:Dracula entry today and aw lawd that's... The academics win on this one that does sound like a sexual thing good god.

It also sounds quite monstrous tho. The licking of the teeth, the red tongue, is similar to how the wolves were described on may 5th (and later, Dracula's gesture towards the other girls is compared to the one he used with the wolves, This is actually the first direct association between wolves and vampires as a similar being I think)

Dracula's "I too can love" speech and him undressing Johnathan is a whole topic for a different post which I do Not Have The Energy To Make (and that someone out there will probably do better than me today)

Lastly, we have Johnathan's dread at the end. That's a lot of dread wow, even worse than Dracula. Now, of course, a big part of this is due to them being VAMPIRES. WHO WILL KILL HIM. Because this is a vampire story. But it also leads us to other questions. Could this dread also be a dread of the desire he felt? Because of loyalty to Mina or because of the dominant stance the vampiresses took (which was Inappropriate in victoriam standards)?. These are the questions academics usually explore. There's also the less "This symbolizes That" approach which takes the fact that vampires=dreadful because of plot reasons, and draws the conclusion that making such a dreadful creature have a sexual attitude, said attitude is demonized. Additionally, in the Dracula Daily fandom, there are also people noticing how his dread is akin to the feelings of an SA victim. (Which leads us to the question of How Did Bram Know That?)

In any case. One thing is clear. They're vampires. They want his blood. Poor boy has been sleep deprived, questioning his sanity, and being manipulated by his employer for more than a week now. His employer who has just saved him from getting eaten. That's a shock. That's a big fucking shock alright.

[necrotic-nephilim]

I started in DC by reading fanfics, but as I began to read actual comics, I started to be unable to read the actual fanfic that got me into it in the first place because it's so out of character.

But there are still some stories that I love to read because I love the found family trope so much, even if it isn't really accurate to the source material.

As a comics purist (sometimes), are there tropes that you like enough that you'll still enjoy a fic even if it's not accurate to canon?

oh my god this is SUCH a fun question. bc while i started with the comics, there were certain characters and/or character dynamics where i was exposed to the fanon before the canon (just bc it's hard to read everything when you start out just to read some fanfic) and so i've definitely experienced the fanon to canon transition. (*especially* with Jason Todd. i had only read 80s/90s stuff where he was already dead or the New-52 bc that was on-going when i got into comics and man. the fanon misunderstandings i had about him before i got frustrated and sat down to read all his pre-Flashpoint stuff were absolutely bonkers.) and aside from that, whilst i tend to prefer canon over fanon, i'm not past giving fanon its flowers for occasionally having really interesting insights. occasionally. so some of my fanon "guilty pleasure" tropes would probably be

Morally Grey Tim Drake - this is one where if you try to back it up with canon, i *will* get salty about it. of everyone in the Batfam aside from maybe Bruce and Cass, Tim has the *most* black and white morals. often his internal conflicts are routed in such an inability to compromise his moral views and it can cause him to clash with other characters. he's *very* stiff and rigid in his beliefs and is *rare* to compromise in even the smallest ways. i mean, DC has repeatedly used Tim Drake of Tomorrow/Savior/Gun Batman!Tim for a reason. it's to demonstrate that of everyone, Tim *cannot* have his morals compromised. there's no grey area for him. he's zero or a hundred, so if he tips over the edge of "too far" he tips *all the way*, and doing so is one of his worst fears, how he could go "too far" if he let himself. a couple panels out of context from Red Robin (2009) (which was a grief spiral for Tim to begin with) don't change that. now that said. if it's done *right*, i sort of love Tim being morally grey in fanfic. it takes a specific flavor for me, and it's incredibly important to include that mental spiral along with it, of him struggling to justify it. i don't have any interest in "Tim Drake is loosy goosy with Bruce's morals and has the highest kill count and no one knows teehee" bc it doesn't play with the interesting parts of making Tim morally grey, which are fracturing his psyche. but all in all, i think it's fun to put Tim in a morally grey area and i will read it in fanfic and i enjoy writing it a lot

Joker Junior!Tim Drake - i've not written it on this account (yet) but on my main ao3 account one of my biggest fics surrounds this concept. this is one of those "well *technically* it's canon but only in a specific very divorced from the comics universe and would not work at all in the main timeline" so, i categorize it as fanon in that 95% of fics exploring the concept are not doing so within the Batman Beyond universe, but the main timeline. i just love it. I'll take any excuse to whump Tim, but this concept is so fun. psychologically breaking Tim will always be my favorite pastime. there are so many ways to explore the long-term effects this could have on him, how it could affect the Batfam. i'm not a fan of it being used as a "gotcha" to Jason or Babs' trauma with the Joker to paint Tim as the Ultimate Victim, but it is fun to see how their relationships would be affected by being mutual victims of him. (i have a vague JayTim idea where TIm fully retires from being Robin after being Joker Junior and killing the Joker, making Steph Robin for most of his typical Robin era and Jason still tracks him down out of curiosity bc he wants to know what happened and all. very underbaked but i've got thoughts.)

Renegade/Apprentice of Slade!Dick Grayson - this is another one where yes, this happened *sort of* in canon, but i highly doubt most people writing Renegate!Dick have read or are actually pulling from Nightwing: Renegade. it's just an exploration fo the concept fo Dick being Slade's apprentice and i will always eat it up in any capacity. whether Dick grows up with Slade from a young age, or chooses Slade for whatever reason later in life. it's not anything that works in canon bc it compromises Dick morally (similar to the above with Tim) and therefore will always come across incredibly fanon in most fics. but i can't say i don't enjoy it. it's fun to make Dick a little morally fucked up and see what you can make him under Slade's tutelage.

Jason & Damian Meeting in the League -there's no world where i believe this could work in the canon comics. (maybe in the Young Justice cartoon i suppose, but even then i think it's iffy) i would go as far to say it's wildly unrealistic. i don't see a world where Ra's would let Jason anywhere *near* Damian, bc Jason was Talia's pet project that he didn't approve of. that all said, there's something very interesting about how they *could've* met and them potentially bonding during that timeframe. them being somewhat brotherly during this time because Jason sees Bruce in Damian and sort of latches onto the kid and Damian is full of wonder hearing real stories about Batman and Robin, then that getting violently ripped away by Jason leaving the League is fun to me. it's fun how that could affect them within the Batfam and all. it's super fanon to me, but i do not care. i will eat it up

Bad Dad Clark Kent/Good Dad Lex Luthor - i will admit as a late, i've been less and less kind to this particular fanon bc of everything i've argued with people about, *this* one seems the most pervasive as misunderstood fanon. i don't mind when fanon exists, my gripe is when ppl try to claim it's canon. and the *arguments* i've had over this with people who can never seem to cite an actual comic are... frustrating. but that said, i think there is something fun to this strictly in fanon. the duality of who you expect to accept Kon and who you expect to hurt him being flipped is just sort of fun for the occasional guilty pleasure fic. it can make Kon's internal conflict a bit more interesting. the same goes for the Jon favoritism from Clark, it's not a canon thing (and i rlly wish ppl understood how complicated the timeline of Kon and Jon is and any distance from Clark toward Kon isn't malice, it's that Kon is from a timeline that Clark does not remember in the current canon so Clark just straight up doesn't know the poor kid.) but it's sort of fun to give Kon that complex of being overlooked and forgotten sometimes. making Kon just a *bit* more Luthor than Kent will *always* appeal to me in fanfic, especially if he *knows* it's wrong but craves approval from anyone who will give it.

Good Dad Bruce Wayne - i'll die on the hill Bruce is canonically a shitty father. maybe not to the extreme some people write him as, but he's not great at it. that said, i enjoy it in fanfiction. sometimes, i just want silly fluff or hurt/comfort where Bruce finally gets it right and manages to comfort whatever Batkid is in the fic. one of my favorite fics of all time is hinged on Bruce being a good dad, so i think it's just fun to explore how good the relationships *could* be, if Bruce was slightly less of an asshole. i usually prefer him as an asshole, but there are times i want low stakes nonsense.

Gotham Rogues Having Soft Spots for Robin(s) - just about every Rogue in Gotham has done something absolutely irredeemable, and most of them don't like or care about anyone in the Batfamily. but if there's a fic where one of the Robins inexplicably is sort of close with a Rogue and they have a cute silly relationship out of it? I'll eat it up i fear. Steph and the Riddler are besties? I'll believe it. Tim and Scarecrow get along pretty well? give me ten of these. Rogues protecting Robins just hits a spot. the unexpected nature of the relationship, as well as the fact they see each other regularly, can make a lot of good fodder.

[maleyanderecafe]

Your favorite yandere visual novels? PS:can you reccomend some for me?

Hmmm, good question. I think most of the yandere visual novels I like tend to be ones that are less well known since I've played so many (as a person who has to feed my blog), I tend to like more unique yandere games instead of those which are more popular. And also anything that has a sub yandere (personality or otherwise) tends to have my heart as well. That being said, there are some more popular yanderes on here too just because I do like some of those ones as well.

Cemetery Mary - I'm procrastinating on doing a recommendation on this one because I want to also play Blackout Hospital since it goes a bit more into the yandere, but I really like how this story is and how is shows the reveal of the yandere. Mary is also very cute and a very interesting and fun main character.

The Snake's Taken a Spouse - this one is r18 and plays more like Degrees of Lewdity, and the artwork isn't that good, but Shimil is... charming. I like him and I feel bad for everything that he has to go through. It's cool seeing how he tries his best for you.

Sweetest Valentine/Where Two Flowers Meet - I'm lumping these two together mostly because I just like the way that Syllphan writes stories. They both are very different from each other but have pretty interesting takes on yanderes. I need to double check if For Amerta has one, but even if it doesn't I'll probably still love the game.

Karamu - Karamu... is just really well done. I really like stylized games and Karamu does it wonderfully with it's blue color scheme and comic book like aesthetic. Plus we get to slowly unveil the mystery the main character has gotten herself into.

Stuck in a Yandere Visual Novel.... Help!! - from what I played in the first demo, I really like the comedy in this one. It knows the yandere trope pretty well so I like how they play around with it. Everything is kind of in a cutesy pink aesthetic, which is also a fun thing. I really need to get around to finishing the game.

ITYH: Horror Otome/Saccharine - Saccharine is less of a visual novel, but like with Syllhan, I really like Amiralo's writing style. Most of their stories are bittersweet with not so happy endings in a lot of them, and very interesting yanderes overall.

Mushroom Oasis - I'm pretty guilty of trying to get a bunch of people to play the game but listen, Mycheal is very cute and I really like his design. The creator is still working on it and it has become one of the most popular yandere games under the yandere tag on itch.io, so that's probably a good sign right?

Froot Basket Valentine / Froot Basket Dark Chocolate - Dark Chocolate is a prequel to Valentine, but they are both fun to play through. Valentine is a bit more goofy since you see everyone's heads as fruits for the most part while Dark Chocolate is far darker. But it is cool seeing how the yandere progresses in each of these stories.

Heart Fragment - very well made game, though Kay is kind of a light but clingy yandere. And boy do I love my clingy yanderes. Still this is probably one of those games that we play more for the story rather than the yandere. Still would totally recommend it because it is very, VERY well made.

The Science of Staying Awake - big fan of the concept of someone- Something that so desperately wants to hold you but also drives you insane if you do? That's very cool and the horror on that is really creepy if you think about it and also a bit sad.

Kimbark Street - I like seeing the point of view of yanderes, or just any character that is on the more evil side. You can really see how their obsession drives them and what they will do to get what they want, whether the person they love knows it or not.

You can probably see I don't have as many dark yandere games on this list, which is mostly because while I do enjoy darker yandere content (in terms of murder sims and whatnot) I also am not the target audience for them since I love to torture my yanderes, not be tortured by them. Still, I can admit that they are fun to play through. I have a lot more that I like, but here is hopefully a good list of games that you too might enjoy.