#that also isn't a criticism of the game because i get why it happened like it did its just frustrating

[lettucedloophole]

im a little worried with mouthwashing becoming blorbo game that people are going to brush over the horrific misogyny in anya and jimmy's relationship. that anya was worried (and rightfully so given what happened) that jimmy would literally kill her. just worried they'll brush past that bc problematic man fun

[fangsandfeels]

Playing Veilguard and making it everyone's problem

I am going to rant, and I will rant a lot, and there will be spoilers, so if you're not afraid of them and the game criticism, buckle up.

Elves and their gods

I am absolutely fucking livid about how Veilguard handles the Dalish and elves in general. The events of Trespasser made it clear that the elves started flocking over to Solas, including the elves working for the Inquisition:

After the events at the Winter Palace, elves left the Inquisition under mysterious circumstances, as did elven servants across Thedas. None could say where they went, but those who believed the Inquisitor's story about Fen'Harel wondered just how large the Dread Wolf's forces were... and what the ancient elven rebel had planned.

Solas had multiple spies working for him during Trespasser, and If I remember correctly, there was even a note, left by one of the elves - they were anticipating the great change and the return of the elven glory. Anyways, the established fact is that: elves learned that the stories about their gods were true and one of them now was going to restore the world as it used to be. At least, this is how they interpreted it (maybe, this is the version Solas didn't debunk) and so they started following him.

You might think, the Inquisitor and their allies are going to have a huge problem with breaking it to elves that their chosen leader isn't going to make things better and that their gods don't love them. Especially, if the Inquisitor is a human or anyone who isn't an elf. You'd imagine any attempts will end in failure because of course elves aren't going to listen to outsiders trying to explain their own culture and gods to them. You'd imagine that their trauma caused by centuries of oppression and discrimination will make it impossible for the Inquisitor and anyone else to make them see the truth.

You'd assume anyone who tries to find and stop Solas will be sabotaged every step of the way, feeling themselves horrible for having to clash with people desperate for a chance of a life without injustice - even if it means burning the rest of the world down.

You'd imagine that they will only change their mind if/when they see the harm done by Solas' actions and get to witness their gods true intentions by themselves - which would lead to a massive crisis of faith and schisms happening between elven tribes and groups.

You'd imagine will get all this incredible drama in the Veilguard, with elves initially resisting the group's attempts to stop Solas, then trying to pull themselves together after the revelation. You'd assume there will be zealous groups doubting Solas (because the Dreadwolf is a liar and a deceiver) and intending to use him to actually free the elven gods. You'd think this is how actually some of them get out.

But, NOPE. Not only Solas ends up working alone, with none of his followers throwing themselves at Rook and the party to buy him time, but also all elves now hate Solas because...Varric said so?

You meet a group of Veil Jumpers (elves devoted to exploring their ancient culture and history, learning more about their gods and reclaiming their heritage) and their leader instantly calls Solas an asshole. Based on WHAT?

I get it, Varric had met them before and told them that Solas was Fen'Harel...

(needless to say if you expect players to find and read other media in order to make sense of the events in the game, you are doing something wrong)

...but why were they so fucking calm about it, instantly eating up the "yep, he's bad" version? Even if the Dread Wolf is vilified in the Dalish mythology, wouldn't they be curious about what that means? Wouldn't they have gotten tempted or excited by the implication that other gods exist too? They weren't told the full story - why the fuck did they instantly accept the "Solas is an asshole" narrative? Especially when Solas comes with a promise of a world for the elves like it was meant to be?

WHY?

The Veilguard has no response for that. I guess, Dalish never cared about their history and traditions, and city elves were dandy about Alienages and oppression, so they easily believed some randos over a literal god promising a new, better world.

I don't even play Dalish, but I love their plotline and arcs - and I was bracing myself for some downright painful choices and conflicts during the next Dragon Age. But it felt like the writers couldn't be bothered with developing such a nuanced narrative, so they just waved it all down with "Nah, elves are chill now and they never really cared about their gods in the first place".

[hs-is-loml]

Still Love Him More. (t.b)

Pairing: Tom Blyth x Co-star!Reader, mention of Past!Charles Leclerc x Reader

Summary: some fans can't get over your past relationship with a certain famous ferrari driver while others are obsessed with your new boyfriend.

Type: Social Media AU! face claim is Rachel Zegler

Warnings: toxic fans? mentioned a slightly unhealthy past relationship with charles leclerc. (literally only mentioned and not pictured...), few grammar mistakes in the twitter threads. not a warning but tom blyth being the standard. UNEDITED

a/n: this was inspired by @sofs16 's jealousy, jealousy! + i'm deprived of charles since the f1 season being over rn so maybe i'm a little harsh with him in this... (written in 3am because why not)

masterlist

instagram

y/nupdates has posted

liked by y/nl/nsources, blindedbyblyth, 1ucygrayba1rd, and 26,936 others

y/nupdates y/n with rumored co-star boyfriend tom blyth at the knicks basketball game tonight!

tagged yourusername and tomblyth

view all 571 comments

y/nsidelove rumored? haven't they been dating since last year?

→ peetaspastry i think we all just assumed with the amount these two are together!

→ articarabella they are definitely dating! a few weeks ago y/n went on live and it was pretty much confirmed by them! they also mentioned how tom and her searching for a new place in new york

y/nforlifeee honestly, i don't know how people didn't figure it out sooner

thatonebakucorner who is this man and why is he with y/n😀

→ protectthewags it's her new love interest in tbosas

→ thatonebakucorner so what he's the her new love interest in her life too??!

twitter

instagram

blythandl/nnews has posted

liked by y/npleasegivemeachance, snowbairdsfall, fellforthebuzzcut, and 19,017 others

blythandl/nnews more pictures of y/n and tom during the tbosas

tagged yourusername and tomblyth

view all 236 comments

y/nintbosasera she found an european man with some height to him🙏🏼🙏🏼

→ finnicksspear not the shade to the vroom vroom ex😭

→ welovey/n people need to get over the fact y/n and charles have been broken up for over a year already...

blythfilms something about them just make sense

nevergettingoverthem i've never seen a photo of y/n looking so happy!

→ y/nineverymovie maybe it's because her ex's fans used to belittle her and criticized her on anything she did?

valntynemade i should've known that the f1 girlies would find this

→ staystrongy/n they never miss when y/n is spotted with someone

twitter

instagram

tbosasmemories has posted

liked by y/nupdates, th3hungergam3s, and 32,658 others

tbosasmemories behind the scenes pictures of y/n l/n and tom blyth while filming tbosas!

tagged yourusername, tomblyth, and thehungergames

view all 459 comments

lovelyy/n the casting and sets of this movie are impeccable

unfairodair only tom blyth would make people attracted to a murderous man with a buzzcut

→ watchingforthem the same thing happened with drew starkey playing rafe cameron

soundofsnowlanding the more pictures are released of tom and y/n, the more it makes sense why they fell in love with each other!

→ y/nineverymovie she always seems to laugh more when he's around

livingfory/nreputationera the best thing that happened to y/n and her mental health was getting away from her ex. not to mention how she can actually focus on her career now

→ carlosconfusion i don't get why everyone hates charles so much? what happened between him and y/n?

→ wagsforlife charles and y/n were together from around late 2020 to early 2022. during the relationship, y/n was receiving a lot of hate from charles' fans and took a break from all social media and acting until the press tour of west side story started. many fans still love them but as separate people and not a couple!

→ oneforthewags exactly, that! even though y/n isn't a wag anymore, we still love her and support her work!

tomblyth has posted

liked by yourusername, hunterschafer, mrsamclaflin, and 985,973 others

tomblyth to my favorite person who breathed life into this movie. i will never be able to thank the world for sending you into my life. you are the light in the darkest scenes. i am truly the luckiest person for having you by my side every day. you are beautiful, angel.

tagged yourusername

view all 89,342 comments

yourusername i love you

→ liked by tomblyth and 510 others

→ tomblyth and i endlessly love you.

songbirdsandsnakes snowbaird lives with you two

hunterschafer you guys are too cute!

variety hollywood's favorite couple ❤️

lunasteeples gorgeous girl

thehungergames two incredible leads

jesperjones a cast made up of the loveliest people :)

yourusername has posted

liked by tomblyth, vaughan_reilly, tchalamet and 1,041,109 others

yourusername i cried to him last night about how proud i am of him. he is so wonderful in this film. you will all love him as much as i do. but i still love him more.

but i also wanted to say that i came to adore this man through long days, fun nights, in-depth talks, and silly inside jokes. i spent every day with him and got to know his heart, his sense of humor, his charm, and first and foremost, his immense talent.

my sweet tom, you are unbelievably wonderful in every way. goofy, sincere, and lovable in every moment we have. i love working with you, but beyond that, i love knowing you.

view all 121,054 comments

tomblyth you forgot to mention that i also cried with you last night.

→ tomblyth besides that. i have never met anyone else that is as perfect as every aspect of you. no one will ever have my heart the way you do.

→ liked by yourusername and 649 others

→ yourusername you have me forever.

lilymhe loved the movie! and the amazing chemistry between the two of you!

vogue favorite on and off-screen pair

alyciajasmin beautiful people 🤍

nickkbenson biggest smiles

→ yourusername always!

florencepugh adore you both

[hiraethminds]

This is a tangent, I'm here to entertain with needless rambling

The deep rooted hatred for taco I see in the II community genuinely concerns me. Especially since those people tend to be Mephone "apologists"(For lack of a better word, I love Mephone don't get me wrong) despite how taco is the "active" side of the coin to his "passive". The connections between them are there trust me Im connecting the dots. Ive connected them.

I understand that she's done bad things, but blaming her for her shortcomings when she doesn't and never had the same support group to change as Mephone did makes me a little ehh.. Getting upset because Microphone showed her support in the new episodes simply because you don't like the ship(I understand why people wouldnt but thats not an excuse to deny her anything), and because Taco doesn't know how to change yet and you refuse to see her as anything redeemable. I'm not big on shipping, thats not the point of this tangent, but Taco finally having someone to support her and help her change is a GOOD thing. Microphone was being the bigger person there, she was being mature and thoughtful because Taco clearly needs the help. The fact that people continue to deny Taco any kind of growth even if she goes about it in the wrong way makes me deeply uncomfortable. Because the moment any character does anything bad that isn't HER they don't say anything about it. She was shunned by her peers because she was playing the game and continued to 'play the game' so to speak.

Theres a deep rooted hint of misogyny in the way they treat her, but I wont yap about that you dont need to read allat.

I understand people have reasons for not liking characters! That's ok. But I've seen them actively go out of their way to harass people that DO like Taco and actively criticize enjoying her character.

They tend to take it as defending her actions. Which is not what's happening. I don't think oscommunity could handle vriska is all I'm saying.

Feel free to not answer this I just need whatever little imp is telling me to scream about it to get out. go draw a taco dis is driving me crazy

Thank you for dumping this in my inbox bigbarf200, I feel like a wise confidant.

okay so I don't interact/observe with the wider ii community (Mainly cuz i like playing with my touys without being bothered) So this information is so Interesting to me!!!

As you mentioned, the hate might stem from misogyny (and by the way, I’d love to read your essay—talk all you want, my friend!). This is a societal issue that affects every part of life.

That said, I also think some people might dislike her simply because she’s a hustler and stubborn. When she has a goal, she’ll do whatever it takes to achieve it, even if it means crossing into morally gray areas.

holding Mepad hostage > hijacking the show

lying and deceiving objects with good intentions > winning s1

seriously hurting Fan > winning Mic immunity

as you said in the greater scheme of things, she's genuinely done horrible things. But if you just accept that at face value you are missing out on such an amazing character. You have to consider her perspective and the circumstances of her birth (especially in a story like ii!!) to fully understand and come to an option on her. But I digress this is baby level analysis so ill move on.

people who think Mic being friendly towards Taco post e14 is out of character are misunderstanding Microphone as both a character and thematic device I think

that's literally the only rational reason I could think of as to why people would be mad about taco and mic being on good terms???

so yeah, these haters just sound like crazy irrational people who have a lot of pent-up emotions. crazy

anyways ty!!! I feel like I didn't have alot to add since, as stated, these people are just incredibly irrational. but its nice getting an earful of whagh the fuck the community is like. here are soem taco drawings for the occasion

[noxiatoxia]

I don't know if this is common knowledge, but Komaeda's talent in Japanese is not "Ultimate Lucky Student". It is "Ultimate Good Fortune" (or good luck).

I know the word "lucky" has connotations with being good luck, but "luck" itself seems neutral to me at least.

I think the fact Komaeda is praised for, and has his talent be centered on, his good fortune is a very important nuance. People only see the good that happens to him. People keep telling him what happens to him is "good luck". His parents dying and getting kidnapped end up being called "good luck" in the end. I think this reinforces his pattern of thought more than people just saying he has extraordinary luck (good and bad). It's a minor difference, but it adds a lot. I have been thinking about this for a little bit now.

Because of the fact it is good luck specifically, I wanted to find parts where Komaeda specifically talks about bad luck. Lines such as "my awful luck/dreadful luck..." doesn't make much sense in the context of his Japanese talent. It made me wonder if those English lines even existed or if it was a "Luke, I am your father" situation. I don't have either the English or Japanese script memorized.

I checked the Freetime Events because of this, and found an interesting thing. There's a number of mistranslations, or simply translation choices I don't really agree with.

The freetime events heavily misrepresent how often Komaeda uses the word "luck". He uses both 不幸 and 不運 an equal amount I'd say. Maybe the former more. The former means "misery" "sorrow" or "misfortune". The latter means "bad luck" or "ill-fortune".

Likewise, 幸運 means good luck, but it also means good fortune. It's the word used in his talent as I described above.

Now, that's not to say I think Komaeda's "talent" should not be referred to as luck, nor am I saying he should never use the word luck. I think good and bad luck is a perfectly apt English word to describe his experiences. I just think the English translation overuses it. It wouldn't have killed them to make him say "isn't that just awful" or "what a tragedy, right?" instead of "isn't that such bad luck?" every conceivable moment. Maybe I'm just nit picky.

Now, onto the free time events. I want to talk about them.

I'll be talking about them in order as they appear. Also, I am only going to talk about the 3rd event onward, after Komaeda's chapter 1 reveal.

Freetime event 3

A minor nitpick, but "friends" is not the word I'd use here. It's true you can translate it that way, but considering everything else about Komaeda, at this point in the game, he wouldn't readily call Hinata his friend. Especially considering the connotations that holds for him.

That's precisely likely why he, in fact, doesn't say "friend" in the Japanese text. He uses 仲間 which like I said, while can and does translate as friend when used in that way, it just means people of a common thread. Like, a group, I guess.

My TL:

Because we both share the common goal of seeking out hope!

Freetime event 4

This is a really bad translation IMO. Hope is never said once in the original dialogue. I don't know why they put it there.

My TL:

Hinata: It's pretty ironic that you got wrapped up in this shitshow considering your "Ultimate Good Luck". Komaeda: It's not ironic at all! This is no doubt just the beginning of the good things to come my way! Komaeda: Um, let's just say the "good luck" I was born with is a little less straightforward [than the name would suggest]... Komaeda: once this is all over, I'll be rewarded with good fortune of the highest caliber.

And though this next one isn't much of a "mistranslation", I want to offer an alternative translation that highlights my criticism of "overusing the words good/bad luck".

My TL:

Komaeda: The greater the misfortune I experience before hand...the greater the good that comes my way afterwards! It completely cancels out everything before it!

Freetime event 5

I sadly cannot find in-game pictures of this since it's one of the wrong dialogue choices, so here's the script file text for it instead (sorry)

I remembered this line in English specifically because I always thought it sounded weird for Komaeda to say - "It's rare to hear you give such a half-assed answer".

While not a mistranslation totally, I think the tone is a bit off.

I would write it more as, "Ah ha ha! That's quite the answer, Hinata-kun!"

It literally translates as "for Hinata-kun, that is a very suitable answer!" but it's clearly supposed to be teasing/sarcastic. So he means to say "oh, wow, Hinata-kun, you're answering with that?" but in a lighthearted tone.

Freetime event 6

Almost didn't include this because it's the mistranslation we all know and hate, but it's worth mentioning in case people don't know.

My TL:

Please, just one last thing...don't ever forget...that from the bottom of my heart, I love y...I love your hope that sleep dormant inside you.

Though he does just say "please, don't forget", he uses どうか which is a pretty polite turn of phrase for Komaeda. It also is a way to emphasize a request, as in please do this to the benefit of me.

He backtracks pretty heavily. The verb comes at the end in Japanese sentences, so giving an exact one-to-one would be hard, but I'll try to explain it.

ボクはキミを... キミの中に眠る希望を心から愛していると。

Boku wa Kimi wo... Kimi no naka ni nemuru kibou wo koko kara aishiteiru to.

の/no = possessive. Such as, "Lucy's cat" "David's car".

を/wo = verb particle. There's no real English equivalent but you use it to signify some verb is being done onto something. Such as, "I kicked the ball" ("ball wo kick") or "I pet the cat" ("cat wo pet").

は/wa = topic particle. Commonly translates as "is/am" but that is NOT what it means. It just signifies everything that comes after it relates back to what comes before it. It's most accurate to think it as "as for the topic of..." Such as, "my damaged car wa had to go into the repair shop." After wa, "had to go into the repair shop", you ask, "what had to go into the repair shop?" you can find the answer in the topic, which is before wa: my damaged car. (or... me no damaged car.)

So, with this knowledge, let's break down the sentence.

Boku = I/me.

Kimi = you.

So this would make Boku wa Kimi wo in it's most literal form: as for the topic of me (aka, speaking for me), I, onto you...

Then he trails off. wo becomes no.

I, onto your hope sleeping inside of you...

and then we return to wo:

from the bottom of (one's) heart, love [the hope sleeping inside of you].

One could easily see it as Komaeda quickly changing the wo to no to add extra steps to not make the confession so head-on. Because if we remove everything after no and just continue where the wo leaves off, we get:

Boku wa Kimi wo koko kara aishiteiru to.

As for me, I, from the bottom of my heart, love you.

Now...one could also read it as him not backtracking, but adding. Saying I love you and the hope that lies dormant within you. Both are equally plausible. Listening to the audio it can go either way, but the way he quickly and softly drops off when he gets to the first wo makes me feel like it's a backtrack. Or maybe the background music is just too loud haha.

Well, that's all I got for now.

[twisted-wonderland-but-gayer]

Idk if you've already answered this, but have you ever thought of Yuu having a different physiology than the rest of the twst cast? More or less in the way that isn't really noticeable, but enough to make their friends feel "off"

(Like, imagine if Yuu's blood is so different from the rest that it needs an entire different study solely dedicated to it)

I didnt get this in my notifs

I think about this so often. Esp cause my ocs are not any race in twst

Like in a slightly different way: Yuus body digesting nutrients differently— and no doubt the food in TWST is better suited for the natives so Yuu has to play a fun game of "am I allergic to this" and "will this thing I like in my world taste like utter shit here orr?" All while getting half the nutrition or not even being able to process it. "Yes Jamil, you make banger curry— sadly it fucks up my body and I gotta throw it up"

Even little things like they don't have a blood type that exists there so they're fucked if something happens. Their magic tolerance is lower, so they get sick from it. They're not allergic to cats, but Leona's shedding is making them wheeze. Or perhaps they're allergic to Fae? Not even counting the flu/diseases that go both ways. A common cold nearly kills them cause they aren't vaccinated there, but a cold from them puts Deuce in the hospital

Did humans in TWST evolve from the same things?? "Lol we were fishies" "huh"

This can go the other way too. Yuus body being much more complex or "stronger' than the humans there (maybe even beastmen). Like yeah they can also hear that along with Jack, what do you mean you can't, Ace? Their bloodtype doesn't exist but ooh boy Ortho just found the cure for cancer scanning it– your antibodies are very impressive! Of course they don't need that many hours of sleep. A Yuu built like Epel or Lilia yet their muscles are on par with Jack?? Vil tries to help them with their skin but they need extremely concentrated face wash. Their brain scans are incomprehensible.

Take this to two other extremes and maybe the air there makes them 'sick' or is hard to adjust to. Maybe the sun there is too hot. Their eyes are "off putting" because too big/small. The oils on their skin are more corrosive— their stomach acid should kill them. Maybe they can eat "poisons" that the rest can't eat in large amounts or have to be cooked a certain way. Yet here is yuu swallowing cherry pits and that amount of capsaicin should make you sick— not even Cater can have that!

Yuu gets to exaggerate their body stuff and they're none the wiser. What if the cast are all very light for Yuu and you can pull students off each other when they fight? Vargas is impressed.

The other extreme is tolerance/defense. No diseases seem to affect you at all, neither does magic. In fact you seem to drain it from the world around you. A fireball your way fizzles out. You have to leave the magic exam room cause people keep failing in your presence. You can't be "beheaded" or turned to sand or cursed or hypnotized... there are exceptions to the magic that actually can affect you however, and once you're cursed, there's no going back.

Yuu gets critically injured and healing spells just won't work. They get a curse that will kill them and no potion or incantation cures it. It's a glass canon and people here are armed with bricks

Or– maybe yuu is a very conductor of magic (fav headdcanon). Which is why we strengthen people in game. We can unlock magic potential in others, and the simplest flame on a fingertip becomes an inferno when you step into a room. Aces magic well has tripled since being your friend. And Deuce and Epel got their UM very early with you around

Idk Humans are Space Orcs type things

[fantasywater]

Stolas will never be called what he is in canon.

Spoilers: Brief mention of Via storyboard leaks.

Firstly,the same woman who said a main character getting dragged off to a room to get ganged raped was the funniest joke in the show is not about to call another main character in her other show a rapist.

Instead, she gives lip service in a vacuum to what Stolas has done to shut critics up. The Full Moon episode for example is her technically dealing with it so now she can move on. Basically, Stolas to her is off the hook. That's why she wrote him calling himself a monster(with the qualifier IF in front of it), and Blitz got to rant about his hatred. She even let him say everything you put me through, but without going into any detail of course.

However, notice how none of that matters in the very next episode. Stolas supposedly thinks he's a monster, but is weirdly very snarky to Blitz and calls his victim a motherfucker on stage at a hate party for him. Blitz screams everything you put me through(sooo rape) you pompous asshole, but is trying to get sex literally in the cold open, pulls Stolas close in his lap, gets jealous, and looks at him with romantic longing like Stolas is a prize that Blitz should be sad that he has now lost.

Also, notice how she hops so strongly to classism since that's a safe negative topic for Stolas's transgressions. However, that was never the biggest issue with their dynamic. It started in Opps with Blitz suddenly caring, very much so, that Stolas is a prince. Even the majority of his tirade in FullMoon dwelled on that aspect the most instead of the more pressing issue.

She does this with Octavia as well. The lyrics in her song give lip service by saying "I won't forgive you, I won't take it, I will grow without you, you will only know my name", and then she goes no contact. However, let's look at the foreshadowing of why this isn't going to stick.

Complete strangers Octavia and Luna hug like their best friends in Seeing Stars. Octavia and Luna semi-hug and giggle in the pride poster. Plus a rather curious one, which the official Spindlehorse account hurried up and deleted, was a car decal sticker with Blitz, Stolas, IMP, as well as Via, all together and Blitz is saying My Family on the tagline.

Also, Spindlehorse is a business first. Therefore she is not about to have anyone in the show call Stolas by name what he actually is. To do so would tank her show by destroying her most popular character.

There would be a mass exodus because the Stolitz fans wouldn't be able to lie to themselves anymore if anyone in the show point-blank said rape or coercion. So safe lip service is all we will get so that the several money shots in Sinmas can happen plus the marriage foreshadowing in the merch.

However, here's a game to play in debates with the Stolitz fandom.

"Did Blitz have free will or was it coercion?"

-Drop a pic of the chain scene.

-Then the scene of the feathers trying to muffle Blitz as he fights and screams.

-Now put those scenes side by side with the one of Stolas calling himself a monster if Blitz is a prisoner.

-Also for extra fun add the scene of Blitz looking degraded and angry after sex in one of the mirror images from All to You.

Now watch them scatter.

Thoughts?

[moonystoes]

The way people are reacting to what happened to LJ and Millie Turner is exactly what I was expecting. People claim football is inclusive, and everyone gets the chance to feel respected and be able to play safely. But you only defend and protect the people that fit into your standards. They will only defend the people they like or share traits with. White supremacists aren't even trying to cover up their disgusting ideologies.

Turner posted a picture of James 'headlocking' her in the game. It didn't happen, LJ wanted the ball so she came from behind, Millie bent down which made it look like LJ was headlocking her. Not only did she post that knowing the amount of racial abuse and criticism LJ gets for simply breathing, she also commented and liked comments about it being a 'proper headlock'... no it wasn't. And she knows that.

Yet I hadn't seen many speaking about this here, do you guys suddenly not care about players being mistreated and racially abused because they're not white? What happened to all those fans harassing Korbin for excluding and disrespecting the queer community? Is football truly inclusive and for everyone like how you guys claimed it to be? Or is it suddenly not harmful or serious because it doesn't fit into YOUR beliefs?

Claiming LJ is aggressive with actual proof of fouls she committed is understandable, but posting pictures with no context and making it seem like she was trying to harm you is DISGUSTING. Those random Arsenal fans that love McCabe so much always bring the fact 'ohh but Katie never injured a player'... okay? And did LJ do that? Because last time I checked, when she does commit a foul, the player is hurt for a few minutes but continues playing like normal with no minor or serious injuries. You guys can't even find the right excuses to defend your racist thoughts lol. And if you're a McCabe fan, don't bother coming here and explaining why you hate LJ. I'm not listening to your ass. I truly respect McCabe, but I don't like her fans that HATE LJ (if you're a McCabe fan and you don't actively harass LJ... then this isn't for you).

Players from her OWN English squad liking and commenting is absolutely disgusting too. They can see the racial abuse their own teammate is experiencing but they're white ass don't care because again... what was I expecting from them? Of course they wouldn't. And Now that Turner is getting a lot of blacklash, she didn't delete the post. She kept that photo but turned off the comments.

I will always defend LJ, and I will always stand with football being for everyone. But some of you guys are hypocrites.

[kindestegg]

"Maybe if I ask her real nice, I won't have to turn her into a puppet!"

So... this line has been puzzling me for a WHILE because it feels like it goes against the idea Collector's go-to default is to just puppet-ify everything.

UNTIL someone in a server I was a part of pointed out that hey, doesn't it seem like Collector is also actively trying to nudge King to play something else? That they're tired of this game?

And I thought about the capture the flag game suggestion.

"What if we switch it up? We could play capture the flag! Us versus... everyone on the Isles!"

Okay, aside from the obvious commentary that Collector sees himself and King against the world (which is. another thing. I need to write up on *biting down on my arm*), it's interesting this implies the people would probably not be puppets anymore, since you'd probably need people who are conscious to actively play in the game, and the whole "people breathing on the moon" discussion doesn't seem like it would happen if they were considering the people as puppets.

It's also worth noting that Collector turning Lilith and Hooty into puppets happens immediately after King tells him The Owl House Game is like playing pretend...

And also, after Collector asks King what role he gets to play, and King presumably tells him, he uh, does this...

Which I'm guessing means he was pretty happy to hear he's going to be the main character. And then immediately after...

... Do you think there's a possibility Collector's go-to isn't in fact to just capture people as puppets, but interpreted this immediately from King's talk of the Owl House Game?

He also lashes out at King for criticizing him over turning Terra into a puppet, claiming he's just "playing pretend".

And considering how, from King's talk with Eda and Lilith, he's only losing his fear of making Collector mad NOW...

It's possible most of this was born out of a misunderstanding. Collector interpreted the game as having "lots of players" as puppets, the whole Isles as King put it, and King was too scared to tell him that wasn't it. No wonder Collector lashes out when told not to do so, to him it makes no sense because this is how the game is played in his view.

If he's getting tired of this game though, it also explains why he suggested not turning Eda into a puppet first, why he wanted to play something that would keep people free from such a spell, and even why he seemed slightly disappointed that he ended up turning Terra into a puppet too by the end, which is another sentient playmate lost, even if she made him angry.

So... if all of this could have been avoided if King had told Collector that this game shouldn't entail turning people into puppets, I think I have a hunch of the narrative purpose of all this.

It's telling the truth. King has to tell the truth. That there was no Owl House game, that he made it all up, that he was a scared kid desperate to save the people he loved and the Isles and that yes, he did use Collector.

King wasn't in the wrong for lying of course, because it was this or losing everything he loves. But things have been regardless severely more complicated because of this lie.

And I suspect he knows this, as he says he wants to talk to Collector to solve things. Maybe this talking is him telling the truth after all. He does say this directly after communicating that he's losing his fear of making Collector mad. Maybe he's finally gotten courage to confess the truth.

It's also worth noting again that Collector... doesn't care that King is lying about some things? He barely reacts with anger or shock at him talking to Eda and Lilith and seeing that they're keeping this as secret from him, he only cares when it sounds like King might want to hurt him.

It sounds silly when you put it this way, but the biggest obstacle keeping their relationship from fully realizing and them resolving things is just a misunderstanding. King wrongfully believing Collector might hurt him and Collector wrongfully believing King is happy playing pretend with him.

Once they actually talk this out, they can finally resolve things.

... the only problem is that I think if King approaches Collector saying he wants to tell him something now...

Collector might just think it has to do with King getting rid of him, and things might turn for the worst.

[utilitycaster]

This question is entirely in good faith: I’m currently watching campaign 2 for the first time, and you’ve said multiple times that you are a mighty nein girlie above all else. I am enjoying it, I think it’s fun and characters are great. But I find myself preferring campaign 1 more. I know this is a minority opinion as everyone loves campaign 2, but I just can’t really find myself embracing it the same way. What is it that draws you about the MN?

So I do want to preface this with the statement that I think it’s extremely valid to prefer Campaign 1 to Campaign 2. Plenty of people whom I respect do! The Mighty Nein happen to appeal to a lot of my sensibilities specifically but I don’t expect it to appeal to everyone else in the same way.

I also want to note that while it's true Campaign 2 is the fan favorite, firstly, the correct response if you prefer something that isn't the fan favorite is to commend yourself on rarified taste, and secondly, statistics are a funny thing. It's worth remembering that what you see as the Critical Role Active Fandom mostly doesn't include people who dearly loved Campaign 1, didn't like Campaign 2, and drifted away entirely in 2018; whereas people who loved C2 and didn't click with C3 are a little more likely to be around just because it's been less time and because there's more non-main-campaign stuff to hang around for (ie, people who haven't kept up with C3 might still have watched EXU Calamity or Downfall, or might be interested in Midst or Candela stuff, or are hanging out for TLOVM/Nein Animated reasons). You are not seeing Every Person Who Ever Liked Critical Role; you're seeing this segment in time.

ANYWAY. Getting to the actual point, I think Campaign 2 is my favorite because I think I take a fairly holistic view of fiction. I have my favorite characters and ships and themes and all that, but it is difficult for me to enjoy something if I don't enjoy a significant portion of it. I can't just watch for one blorbo, because the character should feel deeply rooted in a world, and have a plot that engages with who they are. This is what drew me to D&D and actual play in the first place!

Campaign 2 is the CR campaign that, in my opinion, achieves this to the highest degree. Hilariously, if you see the campaigns as a trilogy, while usually the middle of a trilogy gets slammed for being all moving pieces and no resolution, that actually works out great for a D&D game. Campaign 1 had the responsibility of introducing an entire world that was being built as the game went on (and introducing the players to TTRPGs); Campaign 3 is the realization of all that plot set up. Campaign 2 gets to explore, build out the world, and delve into characters who are inextricable from their setting, and that's what I love.

I started with Campaign 2, but decided to start catching up on Campaign 1 concurrently as I watched C2 week to week, and I started this quite early and finished C1 in about 4-5 months, and I happen to remember that I watched C2 episode 12 and an early Briarwoods Arc C1 episode back to back, and at the time, I preferred Campaign 1. Campaign 1 has its rocky starts, but the cast had already found their characters (even if the mechanics were being ironed out still) and there were very clear tasks. Early Campaign 2, while I still enjoy it, has a lot of milling about and aimless fucking around, and, understandably, the cast is still figuring a lot out. If you put, say, the Nein in Alfield next to Vox Machina at the Briarwoods Banquet? Yeah, one of these is stronger.

The thing is, that aimless fucking around led to character moments, which is the absolute heart of why the Nein are my favorites, and why I think many others love them as well. Without a clear mission or benefactor, this party had to figure out an identity and what they wanted to do, and in doing so, we got incredible moments between pretty much every party member. Vox Machina has no shortage of incredible conversations, but, for example, Keyleth and Scanlan just straight up don't interact one-on-one very much. You can't point to something like that in the Nein. I also think the fact that none of the characters knew each other terribly well helped with this. I've brought that up to contrast with the bonds in Campaign 3; it's not a bad thing to have a person your character comes in with and knows well, but much as I adore a twins conversation, the reason those conversations are so good are because Vex and Vax both spend a lot of time with other people as well. With the Mighty Nein, everyone has to do that because really, with Yasha gone half the time and then with Molly's death early on, we've got Fjord and Jester (have known each other like a month longer than anyone else) and Caleb and Nott (six-ish months and they're both hiding a lot.)

I really do get if people prefer that Vox Machina has two clear missions (with plenty of fuck around time built in) to start, the show-stopping Briarwoods arc next, and then the Chroma Conclave, especially watching after the fact - I am not sure how C2 is if you binge it vs. watch week to week, and it may suffer from a binge watch whereas C1 honestly might benefit. But the payoff is so great; you do not get the interpersonal relationships the Nein eventually have with each other without that early need for them to set their own direction.

Moving on from there, I love the setting of Wildemount and how much slow travel there is (which, to be fair, Vox Machina didn't have because that was all pre-stream; the Nein started teleporting at level 9 and Campaign 1 starts with the party at level 8). I love, as I mentioned, how tied to the continent everyone is and how relevant that is to most of their stories. I do think Molly's abrupt and unfair death early in the story is a crucial part of who the Nein are, and serves as a defining moment that is impossible to replicate but is very meaningful to me.

Also, and this is getting into some very idiosyncratic stuff: I love wizards and clerics and paladins and we get all those. I like gruff or overly formal characters with tragic backstories and good hearts and that's most of the party (unsurprisingly, Vex and Percy, in that order, are my favorite VM members). As someone who is constantly fighting the "Dump WIS not INT" fight, the fact that the Mighty Nein is fairly smart and has multiple characters specifically interested in history and politics and lore is right up my alley (the twins and Percy and Scanlan in C1 serve a similar purpose, and the fact that C3 doesn't have anyone really like this...shows).

I also like that the Mighty Nein are never famous, and I think some people don't like that. For all they are heroes of the Dynasty and end up with connections in the Empire, they aren't council members or tied to anyone specific, and this floating mercenary nature means they are setting their own pace. The only part where I think things get frustrating after some of the rockier early days is when they're hunting down Obann, and that's only a few episodes. While Molly's death is a defining moment, what is honestly a more defining moment is a few episodes earlier, when they decide against the multiple institutionally-backed job offers and decide to take a couple of jobs that will get them out of the city. I think it was jarring for people used to Vox Machina, with their duties to the council of Tal'Dorei, who dedicated a third of their campaign to saving the continent from dragons; but the Mighty Nein's greatest duty is always to each other and to becoming better people. The focus is always on them. Yes there are fetch quests, yes there are NPCs who give them some unavoidable tasks, and yes people use the term "player agency" in weird ways all the time; but the Mighty Nein are, I think, the zenith of what a player agency driven campaign can be. The story is, above all else, theirs and theirs alone.

I don't know if there will be a Campaign 4 - I'm a bit more sanguine about the prospect than I was earlier in C3 - but for what it's worth I don't think Campaign 2 is irreplicable. Or rather, it can't be replicated, obviously, but I think they could do another campaign that is deeply tied to its setting and lets the party choose their own adventure in the same way. It just takes a little more prep up front, and a little more flexibility once it actually starts. If there is a campaign 4, I really hope they do it in that same style.

[purpledemonlilyposting]

Lily is making throwaways to talk to herself now cause she's too afraid to turn anons back on.

[Lily's post]

There are so many golden nuggets in here. Since these are both most likely Lily lets look at a few!

Lily's media takes are beyond just bad, she asserts that the creators of children's cartoons are dangerous extremists for perceived bad messaging in their works that Lily just makes up.

Even without that Lily's takes on symbolism, metaphor, and just basic narrative structure are worth examining because they are some of the most bizarre and ignorant many of us have ever encountered.

But no one "orients their life around you", Lily. It just feels that way because you sit in your subsidized apartment on the internet all day ordering Door Dash from a Subway you could easily walk to. I'd say get some sun but you'd probably turn to ash like a vampire.

As for me? I do something you're incapable of: putting on a show.

No one cares you're trans, Lily. Get over it. Plenty of trans people exist in online nerd culture. You can't hide from the consequences of your own words and actions by using your demographic as shield.

Pfft. They could try. Go ahead. Make videos about me. Hell, Lily, unlike you I don't even hold or delete comments. The little anklebiters who like to lecture me in my comment section don't seem to realize I'm the one allowing them to be there expressing their stupid ignorant opinions because that aligns with my principles.

Lily doesn't make a video about me because she knows I'd just react to and laugh at it. And with any luck YouTube has taken her ability to copyright strike away because she's used it maliciously 9 times.

Also retard. Just say retard, Lily. Not "tradigrade" not "child left behind" not "fetal alcohol syndrome". Just say retard.

You clearly want to. And are bitter you can't because of the insular audience you've cultivated.

This is how I know it's you because only Lily Orchard could be upset I criticized the bland Antarctica anime for being a bland Antarctica anime the sole focus of which is to get 4 teenage moeblobs on a big technical ship. Which is written by a middle aged man who does nothing but moeblob shows and directed by a woman who does nothing but moeblob shows. They both worked on No Game No Life, Lily. You know. This:

The one with the 11 year old loli in love with her step brother. Actually Lily it sounds right up your alley. You should watch it next.

Antarctica show is so full of so many plot contrivances. Why does Shirase just carry her wad of Antarctica cash everywhere and dropped it so carelessly? It's sure convenient that her and Kimari just happen to go to the same school and Kimari happens to hear her loudly wailing about the money in the bathroom. How does Hinata, a 16 year old high school drop out who works in a convenience store think she can even hope to afford this trip? Where are her parents in this anyway? We never see them.

The girls only get on the trip in the first place because another girl who is a child star vlogger just happens to be also going and just happens to contact them wanting them to go in her stead. And after making friends with them she tells her mother that she won't go without the other 3 girls but... the rest of the expedition that adamantly refused to let them on before just suddenly agrees to take them? Because this one minor celebrity and her manager mom who isn't even going said so? Takako only wanted to go to Antarctica because it just sounded neat, she's not an artic researcher, or engineer, or anything that would justify her being out there (a woman in STEM? Perish the thought says 50 year old Jukki Hanada I guess) and she died out in a blizzard trying to get a laptop to email her daughter who she has now left motherless for no good reason. And this is only ever treated as heartwarming and not idiotic.

Face it Lily. The entire show exists just to get 4 teenage girls on a big ship so otaku men can enjoy both brainless moeblobs and technical ship porn. The show sure likes to emphasize over and over how the girls are joshi kosei too. Why couldn't the show have been about the trip of the adult women (who incidentally also act like brainless teenage girls in the show)?

Yeah you guys aren't winning against me on Utena lol. Here, have my post where I have the video walking people through the episode itself. If you want to ignore the actual text of the series in order to appear morally forthright that's your own problem:

And everyone on the bus clapped, and that Asian woman's name? Albert Einstein. What does this have to do with anything except poisoning the well by linking this unsourced incident in peoples' minds to Ant and I?

Also it's Twitter. So Twitter is bad and unreasonable here, but they're not bad and unreasonable when they're squawking at me over a classic anime they've never even watched. Or squawking at Ant cause "L-L-Lily is totes a Native trans woman?? So you can't criticize any of the batshittery that spews constantly from her face hole??"

Ah now we're on to Lily's response to herself.

Oh look out Ant, Lily's got damning screenshots she just can't show anybody right now.

Probably similar to when she happily accepted a screenshot from Poppy of Poppy being creepy to Courtney and tried to blame Courtney for it.

Lily you attract attention when people talk about you because the wider nerdy internet knows your takes are insanely bad. And they know your takes are all tangled up in your personal dramas and heinous actions. They can tell. You're not as subtle as you think you are.

I cut together my response to your bad Utena takes in your 2023 Steven Universe video on a whim and slapped it on my completely unestablished personal YouTube account. It got 5k views in a few days. That's how disliked you are.

Nobody knows who I am but you sure copyright struck 4 of my livestream VODs trying to take my channel down. The 4 VODs where I most talk about your blatantly obvious incest fetish at that. Nobody knows who I am but I've gained 10k subs in 6 months primarily from dunking on you. Because I'm better at YouTube than you are.

And people do bitch at me for saying retard constantly. And you know why I keep doing it? Because the ones who most often tell me not to are some of the most annoying, entitled, self-righteous, puritanical control freaks and it's an easy way to weed them out.

By the way have fun trying to find a lawyer within 10 days who will tell you "Why yes, Lily, you can absolutely copyright these videos of yours full of footage that belong to Viacom, Netflix, Amazon, Toei Animation, Dreamworks, Activision-Blizzard, and many more!"

[thydungeongal]

In regards to the "D&D is good because it doesn't get in the way of roleplay" thing, I think you have correctly identified the desired play of the people who say that, but have misattributed WHY they think this thing.

Based on conversations I've had with a lot of players who feel this way, I think the core thing with D&D is this:

Those players really only want to sit around and play pretend with their friends. But they feel for one reason or another that they can't just Play Pretend because they are Adults Now (this is obviously wrong but, discussion for a different post). So they look to D&D primarily as a tool to lend a sense of "legitimacy" to wanting to play pretend.

D&D is good for fulfilling that role for a couple reasons. First, it does what Brennan describes: adjudicates the intricacies of combat, but "gets out of the way" for non-combat activities, which is desirable when the actual goal of the thing is freeform roleplay. Second, it lends a lot of legitimacy because it is by far the biggest TTRPG and a household name cultural icon.

I think that the vast majority of people who refuse to play anything besides D&D are likely responding to those two things by saying, in the first case, that adding non-combat roleplay rules is stifling because then they're not purely playing pretend and instead having to actually engage with a text; or in the second case, playing a less culturally dominant game doesn't lend as much perceived legitimacy as playing D&D does.

And also, critically, none of that camp can admit this is what's happening because then they'd have to admit they just want to Play Pretend, and they can never admit that.

I don't know how to solve this! Getting over this hump has proven virtually impossible to me. But at the end of the day I think this is what's actually happening.

(And again it's fine to want to play pretend, this isn't a dig in any way towards that group.)

I think there's truth to this, but I think it can be both: in part it is, as I said, that there's this toxic meme of roll-play vs. role-play (which despite being old and stupid and bad keeps being resurrected by much the same type of people), but I think there is also a desire for basically freeform roleplay but with procedural scenes in between. But also, because actual play has a disproportionate effect on this playstyle, there's a widespread disinterest in actually engaging with the actual text of the game and instead trying to mimic the type of carefully curated narrative experience presented in actual plays, which are often largely disconnected from the actual text.

I think the best solution is to play good games with people interested in engaging with games.

[magicstormfrostfire]

Something that confuses me a lot is some people's reactions/analysis to Sonic saving Shadow in the void in Sonic Prime.

Don't get me wrong, I LOVE it, and its parallels to what happened in SA2. That is incredible. But what confuses me is that a lot of people assume that in this show, SA2 happened and Sonic is losing Shadow again.

But I don't think that's the case...? I know it was said that the show follows modern games/everything is canon, but I dont think that means what some people think it means. I've seen some people criticize this interpretation of Sonic BECAUSE they think all of the games happened in this universe.

What I understood is that this is simply using the current ongoing personalities/traits/styles of the modern Sonic characters in games, but this is NOT the same universe. Its a different one. The direction they are going with the characters in Sonic Prime is writing them closer to their mainline game counterparts, just in a different universal setting. The universe is just not as drastic of a difference as say, Movie!Sonic or Sonic Boom's universe. (Which i think is why they made a point to say its following mainline Sonic; because Boom is a universe with its own games, Sonic, and canon as well.)

This is also why I think so many people judge Sonic Prime on what Sonic should know, how he should act, and what he should have learned from. But this is a different universe Sonic! He's a lot more naive and learning to get around. Its why I interpeted that Sonic catching Shadow was not ptsd of losing him again, it was fear of losing him period. This is very likely this Sonic's first world-saving scenario; he's use to just stopping Eggman's latest 'Robot of the week'. He is out of his depth with the shatterverse situation.

Now, I think its totally fair if this kind of 'new & naive' direction with Sonic's character turns people off, or if they dislike/hate it. This is not me trying to pursuade people into liking it if they don't. This is not me saying 'hey if you dislike this, its prolly because you're interpreting it wrong and if you see it this way you will like it.' But I constantly see people criticize the show for not taking into account things that happened in games. Or in this case, praising it for taking account events in the games. Those things didnt happen here! This is a different Sonic!

Of course, I could absolutely be wrong, and if I am, that's fine. But honestly it feels like they're making a different Sonic altogether, and frankly it wouldnt make sense for this to be the exact same Sonic.

So I guess my overall point is that I kind of feel like Prime is being saddled with game expectations it literally cannot meet, via being a different universe. Like I said, hate it, love it, idc I'm not your mom. I just think that this needs to be said and added to the conversation.

('Everything is canon' means 'every interpretation is valid'. Sonic has different universes, so its a lot more validating to fans to say everything happened, instead of alienating entire swathes of fans who all experienced Sonic differently through different media, by saying their experience isn't 'real' or 'true' anymore. And I think the more people realize this, the less people will argue 'evidence XYZ in game and this comic and the Japanese version of this podcast, and this game dev, and this episode, and this writer contradict your theory of Sonic hugging people' you do not need canon as gospel to validate why you like or dislike a certain take.)

Sonic in general is so fun because of how freeform and multiverse and endless it is. We haven't had that in a long time. There are things I love and things I hate, but not because of how closely they follow mainline. Its because I just like or hate it. We should cultivate this new growth and diversity, not prune it to fit into one shape. 🌱

[fluentmoviequoter]

Hey, I just got another idea: Deacon introducing his new girlfriend to his kids over dinner and game night.

But from the point of view from one of the kids (as a little challenge😊)

- 🥰

This is such a cute idea! I wrote it from Lila's perspective (1st person POV) and it was certainly a challenge; I haven't written 1st person in a while. I hope it turned out alright, and thank you for the request and the challenge, I enjoyed writing this! Please let me know what you think and enjoy! :)

Warnings: slight angst, fluff, I imply that Annie is dead but I think you could read it differently. bad writing?

Word Count: 2.2k+ words

EDIT: Part 2 Here

A/N: Writing from Lila's POV was harder than I thought it would be, but I kind of like how it turned out for some reason? Feel free to send feedback or constructive criticism; I admit that this isn't my usual writing style but I'm open to suggestions for improvement!

Picture from Pinterest

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The Kay Princesses

Dad has been smiling more. Matthew thinks it’s because his friends at work are doing a good job, but I don’t know if that’s it. Sometimes, when Dad gets home after work, he isn’t smiling, but then he looks at his phone and gets all smiley. Maybe Dad likes his new phone. Or he found a new game!

“Hey,” Dad says as he opens my door. “Ready for dinner?”

When we walk together, Dad always holds my hand or carries me. Today, he tosses me over his shoulder and makes me laugh. Whatever it is that makes him happy, he's more like he used to be.

“Before we eat there’s something I need to talk to you about,” Dad says as he puts me in my chair. “So, a few months ago I met a girl.”

I knew it.

“She’s… she’s amazing. We’ve been getting to know each other and doing fun things. But she and I think it would be nice for her to meet you.”

“Are you replacing Mom?” Matthew asks, crossing his arms. (I want to kick him. Can’t he see Dad is happy?)

“Not at all,” Dad says, smiling at Matthew. His face changes as he adds, “If you don’t like her, then nothing else will happen. Okay?”

Matthew nods, but Dad’s smile is gone.

“Dad? Is she like mom?” I ask.

“Kinda. She’s also smart and beautiful, but she’s different.” His smile is back. “She likes different things, she talks differently. But she is going to love you guys.”

“We might not love her,” Matthew grumbles.

Dad takes a funny breath before tapping the table and walking to the kitchen to get dinner.

“Stop being mean,” I tell Matthew.

“He shouldn’t be talking to someone else. She isn’t Mom and I don’t want her around.”

“She’s not replacing Mom,” Samuel says. “Dad said so.”

“Well, he is. If they’re dating and they get married, then she’ll be our stepmom, meaning replacement,” Matthew says meanly.

“Dad said he’d stop seeing her if we wanted,” I remind him. “But we should meet her first. We might like her.”

Matthew rolls his eyes, which makes him look weirder than usual, and nods. I’m excited to meet her because if she makes Dad smile, she must be extra special.

“Here you are, Samuel,” Dad says when he sets Samuel’s plate down. “Matthew, Princess Lila.”

“Hey, why is she a princess but I’m just Samuel?” Samuel pouts.

I laugh at him, and Dad says, “Why am I not King Dad?”

“Wait, can I see a picture of her? What’s her name?” I ask.

Dad tells us her name, and it’s pretty. Then he shows us a picture of her, and she’s as beautiful as her name.

“She looks like a princess!” I say.

“No, she doesn’t. Princesses wear big dresses and crowns,” Matthew argues.

I want to kick him again, but Dad smiles at Matthew and puts his phone away.

✯✯✯✯✯

Matthew and Samuel are in my room with me when she gets here. I watch out the window as Dad opens her car door and squats to talk to her. 

“I’m going to meet her,” I tell my brothers.

“Dad will introduce us,” Matthew grumbles.

I don’t listen to him, so I walk down the hall but stop when the door opens.

“What if you’re wrong?” she asks.

Dad closes the door and laughs. “I’m not,” he answers. His voice sounds different, happier.

“They’re going to hate me, David.”

Dad laughs again, and I peek around the corner. His arms are around her, and she’s leaning against him.

“They’re not. Everything will be fine.”

“I just want them, and you, to be happy,” she says quietly. “Even if that doesn’t include me.”

“Hey,” Dad says, the same way he does when I’m sad or after I get hurt. “I want you here. I’m happy with you. And the kids? The kids are going to love you.”

“Even Matthew?”

“Especially Matthew.”

She laughs at that, for some reason, before she steps back from Dad.

“We’ll be right back,” Dad whispers. He steps around the corner and stops when he sees me, shaking his head and smiling. “Go say hi.”

While he goes to my room, I step out and wave at her.

“You must be Lila. You’re even prettier than your dad said,” she says. She’s kind, like Dad said.

“I am Lila. My dad says that you’re smart and beautiful and going to love me and my brothers.”

“Well, he’s right about the last thing.”

“How did you meet my dad?”

“We just ran into each other one day. He was working and I was nearby.”

“Can we be on a team for game night? I haven’t been on an all-girls’ team in a while.”

She smiles, which makes her even prettier, and says she would like that. My brothers come back, and Dad introduces everyone to each other while I sit beside her.

“Why do you like my dad?” Samuel asks.

“He’s really good to me, and for me. I think he’s the best guy I’ve ever met.”

She looks at Dad while she talks, and he smiles at her. I like her. She doesn't treat us like little kids, and I like that.

“Why do you want to replace our Mom?” Matthew asks.

She looks at Dad before she answers. “I don’t, Matthew, I promise I don’t. Your dad has told me about your mom, and she sounds amazing.”

“Then what do you want to do?”

“I want to be with your dad and try to make him happy like he makes me happy.”

“By replacing my mom,” Matthew says as he gets up and walks away.

She looks up at Dad, but they’re not smiling anymore. Dad raises a hand and nods before he follows Matthew. I put my hand in hers, and she looks over at me.

“Do you love my dad?” I ask her.

Her smile returns as she says, “I do. More than anything.”

✯✯✯✯✯

Dad hugs her tightly on the porch before she leaves. I stand beside the window so I can see and hear them.

“If they don’t want me here, I understand. They’re the most important things in your life and they shouldn’t be uncomfortable or upset. I understand if you don’t want me to come back and we can be friends, right?”

“That’s not going to happen. We’ll work through it. Lila loves you.” That’s true. “And Samuel thinks you’re great. Matthew, uh, Matthew just needs some time.”

“I get it. Take all the time you guys need. You’re worth waiting for, Deac.”

They get quiet, and when I look outside again, Dad holds her while they kiss. He pulls back and wipes her face. I think she’s crying.

I decide to help Matthew with his time and walk into his room.

“We need to talk.”

“You always need to talk,” he says.

“Why don’t you like her?”

“You wouldn’t understand, Lila.”

“Who says? You won’t let me try.”

Matthew sighs and rolls away from his comic book to look at me.

“No matter what they say, even if she isn’t a replacement, she’ll end up in Mom’s spot. And I don’t want that.”

“Why not? She’s nice and she loves Dad and he loves her.”

“What are we doing?” Samuel asks as he comes in and sits beside Matthew.

“Talking about Dad’s girlfriend. Matthew doesn’t like her,” I answer.

“She’s nice, and super fun,” Samuel says. I nod and look back at Matthew.

“I never said I didn’t like her,” Matthew says quietly. “I just don’t want her to replace Mom.”

“She can’t replace Mom. They’re so different. It would be like another Mom, not a new one.”

“She even said that she can’t replace Mom and wouldn’t try to. She wants to make Dad happy, which involves us being happy,” Samuel explains. Matthew and I look at him, confused by his wording. “That’s what she told me,” he adds.

“So, you do like her?” I ask.

“I do,” Matthew says quietly. “I’m just scared.”

“There’s nothing to be scared about. Dad loves us and would never do anything without telling us or making sure we’re okay. That’s why he brought her to meet us. You should give her a chance.”

Matthew nods and stands up. “Let’s go talk to Dad.”

We walk together to the kitchen, where Dad cleans up after dinner and game night.

“Dad, can we talk?” Matthew asks.

Dad dries his hands as he nods and waves his hand toward the couch. When we all sit down, he sits on the table in front of us.

“What’s going on?” he asks.

I look at Matthew because I know he’ll answer the question. “We like her,” he admits, “and I’m sorry for being mean.”

“It’s okay, bud. This is a big change and you’re allowed to have questions and need time to think,” Dad says, putting a hand on Matthew’s leg.

“Is she coming for game night again?” Samuel asks. “Because I want to be on her team this time.”

“No, I do, she’s good,” Matthew argues.

Dad laughs and pats their knees. “If you want, she’ll come for two game nights so you can take turns.”

We nod together, and Dad smiles. She said she wants to make Dad happy, but I think she already is.

“Thank you for meeting her and being open to new things, guys. It was very grown up of you.”

“I didn’t get to tell her she looks like I princess,” I remember.

“You can tell her next time, munchkin. Maybe she’ll even play dress up with you… if you ask really, really nicely.”

That sounds amazing. I can’t wait to see her again. Maybe getting a new mom could be even better than I thought.

✯✯✯✯✯

I can hear Dad talking after he tucks me in. Dad says her name, so I must check if she’s back so soon. Creeping down the hallway, I realize I can only hear Dad.

“I told you Matthew would like you. He just needed to figure out that you’re not trying to replace Annie,” Dad says. “They really, really like you; they want you to come back for game night so you can be on Samuel and Matthew’s team next time.”

He’s quiet for a while before he asks, “Are you crying?” And then, “Are you sure? Because even when you said no it sounded like you were.”

Dad laughs like he used to, but a little different. I guess that’s how the whole thing works: he’s happy but differently than before because you’re different, and now he’s different.

“I told you they’d love you,” Dad says, “just like I do.”

They really do love each other. Dad made a good choice, and we did too.

✯✯✯✯✯

It’s finally game night again, and Dad and Matthew have decided to treat it like a “do over,” so they’re acting like they haven’t met her before. I think that’s funny, but I’m glad that she’s coming back either way. I’m by the window watching for her while Dad and Matthew set up the board game.

“She’s here!” I tell Dad.

He thanks me and then walks to the door. Matthew follows him, and I turn to watch. Dad opens the door and smiles.

“Hey,” he greets, a weird tone he only uses for her breaking through. “This is Matthew.”

Matthew shakes her hand, and they smile at each other.

“Nice to meet you,” Matthew says. “Sorry about before.”

“No apology necessary, Matthew. It’s very nice to meet you, too. Your dad has told me lots of good things about you.”

“Really? Like what?”

“He said you’re really good at tonight’s game. So, I was wondering if you’d want to be on my team? I need a lot of help.”

“Sure!”

Matthew leads her to the table where the game is and shows her where he’s sitting. Dad looks at me and winks.

“Dinner first, Matthew,” he says as he walks by. He drags his hand across her back as he passes her. He never did that with Mom, but she isn’t Mom.

“Will you be on my team next time? I get to choose the game next week,” Samuel tells her.

“I’d love to!”

While we eat dinner, she answers our questions and asks us some too. She tells us about where she’s from, her job, her favorite food, and (my question) who her favorite princess is.

“Who is your favorite princess, Lila?” she asks.

Dad smiles at her every time she asks us a question. By dessert, it feels like we’ve known her forever. She agrees to come over just to hang out with me, and I feel great; I stick my tongue out at Samuel, and he laughs at me.

“You take the first turn and I’ll watch,” she whispers to Matthew when we start playing his favorite game.

She watches him and asks him a few questions, then watches Dad as he takes his turn.

“Hey, when do I get to be on your team?” she asks Dad, smiling at him.

“You’re always on my team,” he answers, winking at her.

“Gross,” Matthew whispers.

His eyes widen, and he apologizes quickly before she and Dad start laughing. She tells him it’s okay and asks for his help with her turn. When she’s not talking to us, she looks at Dad.

As he walks her to her car, he kisses her, and spins her around. She’s always been pretty like a princess, but Dad loves her enough to treat her like one, too.

[lover-of-mine]

Lady Whistledown... Anna, my love. I'm sorry this is all so funny. If you don't post no worries. We aren't even going into Narnia. It's more Upside Down world or we are sitting by the fire after peyote. So let me bring you to the inverse.

So...... Lou said in the very beginning he's "great friends" with Ryan. Ryan follows Lou. Lou thought Ryan would be his LI. He was told to late it's Oliver. He only wanted the soft kiss in his own words. "I told Tim no one wants to see people make out". You can fact check that quote because I paraphrased.He was forced to do the big hospital kiss because that was Tim's short way of outing Buck. They have not touched since, and Ryan is involved because that's Lous boundary.

I mean. . Do I need to say more or like you get it right??? Picturing Ryan as Lous emotional support human I think makes me laugh the most. Also they are trying to organize to get Lou/Tommy to trend as much as possible this week. Even though they do know if it's actually trending for a minute like last week it's usually because Buddies are trashing it.

Also Oliver hate at an all time high thanks to Lou acknowledging them again and liking the post criticizing Oliver. So good times. Good times.

Protect you inbox. They might be talking a big game on main about "they added pictures to Bucks fridge so he can fondly remove them when he moves in with Tommy". Or the shots "of the loft are weird because they are already dismantling it". But the panic is real. I have no idea what's happening next week and won't predict. But they also know it's potentially their last week being able to ship it. After that it will become a hate watch. A buddie hate fan club if you will.

quote for reference

Hello my love, this was a wild ride oaksoaksokasokas Ryan is Lou's emotional support human I'm SCREAMING. Like, if, and that's a huge if, either of them established that boundary, that means the relationship is dead. How do you make a tv relationship is one of them doesn't want to be alone in a scene with the other???? They do realize that angle is bad for them, right? The show is not gonna keep a secondary character that doesn't want to interact with the main character they are attached to. And of course they hate Oliver, what else is new. This is....... The idea of a dramatic shot of Buck removing pictures from his fridge to move in with Tommy is sending me. He slept on the couch, why are they still clinging to the moving-in idea??? You're right, Narnia isn't enough, holy shit.

[weaselandfriends]

Are ARGs the new avant garde?

There's this unfiction ARG on YouTube about a fake video game called Valle Verde. Here's episode 1, there are three episodes:

Watch this and the other two episodes. This is the most technically impressive thing I've seen on YouTube that was made by a single person, and if you watch this video for 54 seconds you'll start to see why.

Once you've watched Valle Verde, you can read this post.

ARGs, or alternate reality games, were a natural outgrowth of creepypasta (as the great Jenny Nicholson once put it, "campfire stories on a global scale"). With creepypasta, people, usually young people, would hop onto the internet and tell a spooky story about a haunted Sonic cartridge with realistic blood or a super evil serial killer who was never caught or Slenderman or something.

Due to the memetic nature of these stories, though, there became an arms race to make them on increasingly elaborate scales. Soon, people were ROMhacking their favorite old games to actually show the spooky haunted realistic blood. A famous example, Ben Drowned, showed modded/corrupted Majora's Mask footage that was generally effective because Majora's Mask is already sort of a creepy game.

Ben Drowned was also notable for being a story that was continually updated. Originally, most creepypasta would be a single story, usually short, posted once. This is an effective medium for horror, which loses effectiveness the more things get explained, but at the same time, when people like something, they want more.

Okay, so how do you make an ongoing horror series that doesn't outright explain everything, and thus retains its horror aspect? The answer, seemingly independently reached by a wide variety of indie horror creators at the same time (Ben Drowned, Marble Hornets, and the godfather Five Nights at Freddy's) was arcane hidden lore.

That's basically what separates an ARG from creepypasta: the "game" in "alternate reality game" is that sprinkled throughout a series of videos are scraps of hints toward a broader narrative, and the viewer is expected to locate those hints, piece them together, and figure out what's actually happening.

The logic is similar to the appeal of a mystery novel, so it's no wonder this took off. Channels like Game Theory posting lore breakdowns of FNAF or other popular series raked in beaucoup views. Indie horror devs would start putting dumbass lore hints in their goofball games to piggyback off FNAF's memetic success. Pathetic things like this happened:

But ARGs are fundamentally different from a mystery novel. In a mystery novel, the terms of the mystery are overtly made known. Someone has been murdered and a world famous detective has arrived to find out who did it/how they did it. By contrast, ARGs are often abstracted to the point that it is difficult to know whether there actually is a mystery. And besides, the mystery in an ARG isn't "who is the killer," it's "what is even the plot?"

Heavily abstracted, often fragmented storylines, with no clear plot, disjointed organization, and only scattered ambiguously meaningful moments that could be arranged in any number of ways to attempt coherence. What does this remind me of?

They reinvented postmodernism!

This realization came home when Skinamarink received a theatrical release in 2022. Skinamarink was an analog horror (another offshoot branch of creepypasta/ARGs) video blown up to cinema length, created by an analog horror YouTuber based on an original 20 minute video they made. Mainstream critics who saw this film, being completely unaware of what analog horror was, extolled the film for its Lynchian, Kubrickian influences. They were unaware its actual greatest influence was Mandela Catalogue. They were unaware that a thrillingly unique, abstract form of storytelling had organically been created by a group of outsider artists on the internet.

Kubrick would be proud.

I find this especially exciting in a mainstream pop cultural milieu that is trending toward, at least in my appraisal, increasing obviousness and simplicity in how it communicates ideas, which is not only boring but also annihilates the capacity for nuance, interpretation, and even meaning itself.

This also comes alongside ARG creators often pushing themselves to new technical extremes, extremes that are absurdly impressive for individuals. Kane Pixels has created amazing found footage videos using Blender-made labyrinths. The Mandela Catalogue guy was doing some crazy shit with puppets(?) last I checked. And, of course, the act of modding old games has evolved into the act of creating whole video games entirely as a vehicle for an ARG. The first example of this I know of is Petscop, and there have been others like Catastrophe Crow (which splices in an extremely accurate pastiche of a retro gaming video essayist, plus period-accurate game magazine articles), but Valle Verde takes it to a new level.

Since you've all seen Valle Verde by now, I won't waste time explaining the seriously impressive stuff it pulls off.

Instead, I'll let the other shoe drop.

I have a fundamental problem with all these ARGs, one that pains me all the more because I am so thrilled by so many aspects of them. The problem is that once you dig into them, once you piece together the underlying narrative from all the tiny clues, interpret the ambiguities, and see the broader picture -

The picture sort of sucks.

Ben Drowned, FNAF, Petscop, Catastrophe Crow boil down to the same residual dew: Children died. (Either murdered or just tragically.) Their spirits haunt the game cartridge/animatronics. All the scant hints point to the cause. (Ben Drowned spoils it in the title.) It's not only sort of banal but also the story that you could probably guess at without reading into the deep lore, just from the story's general vibe.

It's a fundamentally boring answer to a fascinating puzzle, and worse, it reveals that there was no true value in the puzzle being presented as it was. The abstraction and postmodern technique of the narrative contribute nothing to its overall meaning. They exist with the sole aim to obfuscate, because horror only works when unexplained. Rather than leave the horror unexplained, though, the way Kubrick would in The Shining (which deliberately strips out overt explanations that exist in the book it adapts), or Lynch would in anything, these works are attempting to have their cake and eat it: there's stupid lore that explains everything, but it's just a little hard to find. In that sense, rather than being a rejection of the current cultural milieu toward works that make simple sense, this trend seems more like an attempt to reinject that milieu into one of the few genres of storytelling that had effectively rejected it. (It reads similarly to all the Babadook-inspired indie horror films of the past decade where the monster is some transparent allegory for grief or trauma or something.)

So what's the story of Valle Verde?

I won't go into a Game Theory breakdown of every symbol and detail. As far as I can tell, this is what's going on:

Valle Verde, the fiction within the fiction, is a Japanese video game developed with experimental technology called THBrain that gives it a sophisticated and advanced artificial intelligence capable of making on-the-fly alterations to the game's script. Valle Verde, the series of videos, depicts an investigation into certain malfunctioning elements of the game prior to its release. The player character, self-identified as TEST05, is actually played by two "agents" (of what agency is unclear) named Pablo and Robert testing the game and chronicling anomalous behavior.

The series of glitches and other bizarre things they record seems to depict a theological battle between Valle Verde's freemasonic villagers, led by Foxxo (remember that the next elections), and the Catholic Church, led by Pietro (possibly an avatar for St. Peter, the first pope and guardian of the gates of heaven).

Joseph of Cupertino is the patron saint of aviation. It's a "time flies" pun.

It's unclear how much autonomy either of these factions have, even knowing that there is apparently a super-sophisticated AI capable of injecting novel information. Pietro at times breaks the fourth wall and addresses Pablo directly by name; the villagers don't break the fourth wall, but do all sorts of stuff that is described by the tapes as anomalous. The AI seems like the obvious culprit, but in Valle Verde 2, Pablo actually meets the AI, who claims to have sequestered themselves from the rest of the game because they didn't want to partake in the villagers' rituals, and who has even disabled all their language libraries except Spanish to avoid comprehending the screams of the children trapped inside the game.

Oh yeah. Children are dying.

The THBrain seems to not only enable incredible AI, but is a way to upload humans into the video game (maybe this is unrelated to THBrain? I'm fuzzy on that point). Several children have already been uploaded and are presumed dead; currently, an Argentinian child named Matias is trapped in the game. Matias is the only other character besides Pietro capable of breaking the fourth wall, due to being a real person; he is aware of Pablo as an "agent" and suggests at some sort of conspiracy outside the game, which has not been explicated in much detail in the available videos.

The reason the children are dying is eventually revealed: the freemasonic villagers are sacrificing them to their false god, Moloch.

I'm not kidding about the freemasonry. Note the Argentinian flag.

There are other plot elements that are a bit murkier; Valle Verde seems to be a nexus of several unrelated video games, which can be accessed through an in-game library, and it is within this nexus that Moloch lives, and perhaps where the underlying purpose behind the villagers' actions lurk. There is also a recurring motif of a coming Christian apocalypse, likened to Noah's flood. After the freemasonic sacrifice, a doomsday clock ticks closer to midnight. Are the masons unwittingly provoking God's wrath? The series is framed as footage from 1997 that was unearthed in the modern day, so was this apocalypse averted, or did the apocalypse simply exist within the game, with no bearing on reality? The series remains ongoing; future installments may clarify.

But the underlying issue remains that, for me at least, the basic conflict in its simplicity and lack of ambiguity seems inadequately matched to the unique, impressive, and open-ended presentation. It retroactively makes me wonder what the point is of telling the story the way Valle Verde is told, if its story is in essence the Church versus Satan-worshippers, with clear moral and ideological lines drawn. Doesn't a more conventional narrative make sense for this sort of story?

There's a scene early on when the player character traverses a series of rooms corresponding to the Seven Deadly Sins. The sin of greed is depicted, not simply with stacks of gold, but with works of modern art:

As the player proceeds through the room, they discover a dumpster where Renaissance artwork by Titian and Michelangelo is trashed:

The message here is almost fatuous. It's also deeply ironic. Valle Verde is a work that has far more in common, in terms of its formalistic technique, with Picasso than Titian. Is it a lack of self-awareness that puts this here? Or perhaps something else?

The novel Infinite Jest ends abruptly, with none of its plot points resolved. In this way it's similar to the titan of American postmodern literature, Gravity's Rainbow, which peters out without explaining the conspiracy that has driven its narrative. Infinite Jest plays a trick, though, as devious as it is facile. The final 200 pages of the book have been cut off and moved to the front. The story's beginning is a flash forward that, in its lack of context and confusing abstractions, is difficult to make sense of on first read. Upon rereading after finishing the book, though, it clearly contains the answers to all the unresolved plot threads.

If postmodernism could be described as an artistic period of uncertainty and obscured truth that was a response to the similarly uncertain Cold War era, where the inner machinations of governments may at any time cause the annihilation of the entire world, then what Infinite Jest did, published just a few years after the Cold War's end, could be seen as a reclamation of truth.

Truth itself is a concept deeply interwoven with Christianity. In Valle Verde, Pietro even calls it out with a green highlight to indicate its importance:

La Verdad sounds suspiciously similar to Valle Verde. Coincidence?

The context of this quote comes after the villagers destroy the church; Pietro reassures the player that La Verdad remains unchanging, and that this tribulation shall pass.

Might Valle Verde itself then be an Infinite Jest style reclamation, using the formalistic techniques of postmodernism that are so useful for obscuring truth to obscure what is, at its core, a simple and morally black-and-white tale of Christianity versus wicked idolatry?

There is a real-world allegorical undercurrent to Valle Verde that makes this reading even more appealing. Valle Verde's creator, Alluvium, is Argentinian, and the game is steeped in references to Argentinian history and politics.

That's a map of the Falkland Islands and a picture of former Argentine dictator Juan Peron.

At one point, when the villagers destroy the church (with the unwitting? help of the player character, who seems to have no moral interest in anything happening, and who only does whatever anyone asks him, whether it's Pietro or Foxxo), a highly overt reference is made to the death of Pope John Paul I, who reigned for only 33 days in the late 1970s before he died, officially, of a heart attack. The abruptness of his death, and the failure of the corrupt, Mafia- and freemason-connected Vatican Bank in the years that followed, have led to conspiracy theories that John Paul was actually murdered by freemasons within the Vatican so that they may continue to corrupt the Catholic Church.

Specifically, the conspiracy posits the assassination was done by the freemasonic branch P2, or Propaganda Due, an illegal fascistic secret society that contained many high-ranking members of Italian politics (including Silvio Berlusconi), whose goal was to act as a shadow government that could prevent the rise of communism within Italy. (P2 definitely existed; how much it actually influenced Italian politics is a matter of debate.)

Though primarily an Italian organization, P2 had several influential members from other countries, notably Argentina, where several politicians and military leaders at the highest levels were involved. As a nation, Argentina is something of a tragedy; at one point considered a rising economic powerhouse, its excellent geographic and demographic advantages were squandered by a long succession of corrupt leaders, including those involved in P2. It makes sense, then, why an Argentinian creator like Alluvium might be so interested in critiquing the evils of freemasonic corruption.

Valle Verde satirizes Argentina's leadership via Foxxo, not only through his freemasonic devil rituals, but also in more down-to-earth ways. In his introduction, Foxxo provides the player character 100 coins, telling him to "remember that the next elections" (Foxxo's catchphrase, despite him clearly stating he has been given absolute authority over the area by The Smiling One); moments later, when the player turns to leave, Foxxo mugs him from behind and puts him 99,999 coins in debt.

Through the use of masonic slogans like liberté, égalité, fraternité (which is written over what appears to be a portal to Hell) and masonic symbols such as the Statue of Liberty and Washington Monument, there's an undercurrent that expands this freemasonic secular/Satanic conspiracy beyond Argentinian politics and into the post-Enlightenment secular governments that have come to rule the so-called free world. "Progress is God," the freemasons state during their child sacrifice ritual. (Foxxo is joined in this scene by the village's museum curator, representing knowledge, and its scientist, representing progress.)

It's this kind of framing that makes me wonder about the previous scene depicting Picasso paintings as emblematic of the sin of Greed, compared to Renaissance paintings in the dumpster; is there a general theme here raging against modernity in all its forms, compared to a fundamentally good and absolute Christian religious truth? If so, it makes sense why Valle Verde is presented as it is, so abstractly; it shows a world rendered incomprehensible by modernity, but one that can be sifted and parsed to find incontrovertible religious salvation still shining underneath.

It is a rejection of "progress," using the formal techniques of "progress." In a milieu where the promises of the Enlightenment seem to have hit a dead end, where the freedom secularism once promised has given rise to corruption and abuses akin to those the Catholic Church of the Renaissance once inflicted, perhaps the sense of going back appeals.

The English literary world post-Infinite Jest itself also seems to have returned to the past; the works published today are realistic in style and scope, eschewing most formal techniques pioneered across the preceding century. Though I doubt that was David Foster Wallace's goal, it's what he created. Valle Verde, which is so explicit in its fundamental belief in Christianity, is probably far more deliberate in its rejection of the world as it currently exists.

Though there have always been voices calling for a return to the past, perhaps this is a mindset particularly enticing in the information age, when meaning seems so fragmented as to be ungraspable. Though Valle Verde is conscious of what it is doing formally in a way that, say, Ben Drowned is not, the inner simplicity of these ARG narratives obfuscated by abstraction strikes me as a collective yearning for clearly explicated, graspable truths in a world where such a thing seems increasingly impossible. Almost a fantasy: If only this incomprehensible eldritch horror could be explained by a 10-minute Game Theory video!

(The eldritch itself is a horror rooted in incomprehensibility. Making it explicable banishes it entirely, the way the protagonist of Valle Verde banishes a demon by holding aloft a crucifix. La Verdad triumphs. Couldn't our lives be so simple?)

Not every ARG is like this. Kane Pixels, another creator I would highlight for their exceptional technical talent and avant garde storytelling, has created far more nuanced and ambiguous narratives with works like The Oldest View, which deals with themes of nostalgia and memory without being resolvable into a simple pat sentence synopsis. Overall, I consider this entire collection of web original horror creators to be blessed with both the talent and mindset to create truly innovative works of fiction, even if many of them are outsider artists fumbling around just trying to scare someone; as outsiders, these confused anti-confusions of theme and meaning might be par for the course.

Valle Verde is an impressive work of art, even if it is an avant garde work that paradoxically rejects itself. Perhaps in that paradox more could be said than had it remained fully self-consistent. Either way, I eagerly await what comes next.