#thanks for making an abuse victim out to be an abuser

[chaifootsteps]

Does viv have any human connections? Like does she know what real friends are or dating/being in relationship? Because HB/HH are just devoid of human emotions. The ships are unseasoned or fetishized. Queer men are just yaoi watt pad fanfic from 2010 where even though it depicts two men there’s always a “woman” in the relationship so it feels heteronormative and porn made for women. The yuri is unseasoned and dry or practically nonexistent, and comes across as “gals being pals” someone said it best “if your characters have to kiss to make it seem like they’re in love, their not in love” and that’s exactly how viv writers her romance.

the friendship in both shows is concerning because they don’t feel like friends, they feel like people forced to be together because the protagonist (blitz and Charlie) is their boss and their finically dependent of them. It’s unfair power dynamic. Blitz treats moxxie like shit but it’s played off as tough love even though moxxie can’t say or do anything to blitz because again blitz is the boss and can easily fire him or just not pay him. Millie has no say in what blitz does because she’s a woman and the writing is misogynistic because her role in the show is to cater to blitz and moxxie and be a shoulder for blitz to cry on or be moxxies wife.

Charlie is the princess of hell and even though no one cares (except vox and Valentino) she provides the crew shelter and board and throws money at them for free as long as the try to better themselves. Alastor drags husk and nifty to the hotel so they are literally forced to stay there, but thanks to leaks we know that alastor is also forced to stay at the hotel because Lilith/rosie wants him to be a babysitter to Charlie. Vaggie is too codependent on Charlie, there’s nothing to her aside from how much she “loves” Charlie. Charlie gets Angel in trouble at work but because she’s royalty Valentino doesnt do anything to her so he takes it out on Angel and instead of apologizing like an adult she cries like a baby and Angel gets gaslit by the writers and say how much he appreciates her and thanks her when she has done nothing to help him and he’s still being sex trafficked.

Idk who told Viv she can writer romance, maybe it was the people she pays, but she can’t. She can’t write angst, she can’t write friendships, she can’t write villains, she can’t writer love. You know the saying “writer what you know” Viv doesn’t know love and friendship she only knows how to write abuse, rich people being the victims, and fanfic of her own shows, and bullying critics and past friends because that’s how petty and insecure she is

Viv has her family and pets, but beyond that, she doesn't seem to have any friends or connections with people that don't work for her.

[lune-moon-nuit]

One of the subtle Byler clues from Stranger Things Season 1 that I’ve rarely seen discussed is the fact that the only time Mike stands up to his bullies is when they laugh at Will’s supposed death during the school tribute.

Before this scene, the two previous encounters with the bullies since the first episode establish several key dynamics:

The boys are victims of bullying and fit the stereotype of nerds who are targeted for it.

Each of them is singled out for a specific trait that represents their "difference," turning their individual characteristics into points of discrimination: Lucas is targeted for his race, Dustin for his disability, Mike—apparently—because of his face being compared to a frog, and Will for seeming gay (which he is, though this is not confirmed at this point in the story).

In both of these earlier scenes, we see that Dustin is the least afraid to talk back to Troy—whether it's in the first scene when he explains his disability or in the second when he insists that Will’s disappearance is serious and not a joke. Meanwhile, Mike and Lucas (who, ironically, are usually the two leaders of the group) remain passive, silently enduring the bullying.

During the baseball field scene, when Troy suggests that Will was probably killed by "queers," Mike encourages Dustin to ignore him, giving off an energy of "he’s talking nonsense, don’t even bother listening to him." This mirrors Mike’s tendency to cope with bullying by focusing on the positive or reframing the insults—like in the first scene when he tells Dustin that the condition he was mocked for is actually "pretty cool, like being an X-Men or something."

Despite years of obvious bullying and even being physically targeted (when Troy pushes him to the ground, injuring him), Mike never retaliates. He continues to take the abuse in silence.

These five points are clearly established in the scenes between the boys and the bullies before the school tribute for Will.

But during the tribute, while Mike is convinced that Will isn’t actually dead—having heard his voice through the radio thanks to Eleven—seeing Troy and his friend laughing during the moment of remembrance is enough to push Mike over the edge. This blatant disrespect toward Will’s memory is the final straw, and for the first time, he directly confronts Troy.

When Troy takes it further by throwing homophobic slurs at Will, Mike instinctively, furiously, and deliberately shoves him—violently enough to knock him to the ground. This is the same boy who has humiliated and tormented him for months, if not years, yet Mike’s reaction isn’t about himself. It’s not about Dustin, Lucas, or even Eleven. The only person being insulted and degraded in this moment is Will. And that is what pushes Mike to fight back.

The most telling part? Mike had no intention of defending himself when Troy prepared to retaliate. He didn’t flinch, didn’t step back, didn’t even raise his arms to protect himself. He was fully prepared to take the hit—until Eleven intervened with her powers.

This makes it crystal clear: the only time Mike ever stood up to his bullies was purely instinctive, driven by anger and defiance, and only in defense of Will’s dignity.

[insertsyscoursehere]

Leveret has spent enough of his life doing his best to avoid manipulating people.

His BPD program, known as STEPPS, made it clear from the outset that one of the important factors in recovery was a friend group or safety net of family and friends to call him out when he’s being dysfunctional.

He was not saying that people don’t have a right to say no. He was saying that his experience with BPD was exacerbated by his lack of an entire social network, that his system had to come out of dormancy to at as one in lieu of physical people, and that because of that, he knows how miserable and painful isolation is.

That he wouldn’t wish isolation on his worst enemy.

But apparently being honest about his experience with BPD and how what was said online has adverse effects on those who went through extreme isolation is “manipulative”. Is a suicidal person telling someone “hey please don’t tell me to kys” manipulation as well?

As for the people watching this blog just to tattle on us like children— get a goddamn life. You and your “patron goddess” sent our host into a tailspin and now I’m handling the fallout. Go back to your cult and enjoy the echo chamber of stupidity.

— Peregrine

[momentomori24]

I was working on a longpost about this, but decided that scraping it and putting it in a few sentences should do just fine.

So I saw this trending two days ago with a bunch of posts wishing him well and "don't let the haters stop you" and "I will support you no matter what" and "hope your thriving" and whatever else adoring fans usually say, so I'll make this very brief: This guy is a domestic abuser that has been outed less than a year ago. In this case, your favourite pretty white boy isn't a fictional character; he's a real person whose actions have caused real harm that shouldn't be treated lightly, especially since he has shown no real remorse over what he's done and instead posted a blatantly manipulative and deeply self-centred ""apology"" where he admits to the abuse. If his friends could speak out against and ditch him for what he's done to his ex, you as a fan can and should too.

[ponyrepress]

the MW fandom so bad on Twitter that fuckin. jimcurly shippers say their ship is ok cause “they deserve each other” but then think youre a terrible person for suggesting that anya and curly like. cared about each other deeply and fucked up. i hope this fandom dies soon dear lord.

Jesus Christtttt I hope the yaoiheads die forever. Like. What the hell is it with people wanting to ignore everything there is to be said about Curly and Anya's complicated ass relationship in favor of painting Curly as a cartoonishly bad person and Anya as someone who didn't volunteer to take care of him in fucking terrible condition Despite Everything. There's so fucking much to say about Anya and Curly as people who were hurt by the same person and watched the other be hurt by the same person and ended up stuck together at rock fucking bottom in that nurse's room but nobody wants to talk about that because there's "good" abuse victims and "bad" abuse victims and they can't have any attachment to each other even if they do in text despite ultimately failing the other because uhhhh no they didn't. I fucking guess.

[giantkillerjack]

So many New Years posts are like "this year, no more survival mode!"

"This year, I'm going to stop being afraid of the world!"

And I also hope you get to exit survival mode, neighbor. But like, you know you can't like, make a resolution to stop having PTSD, right?

Like, the reason you haven't healed yet is not a result of your lack of resolve, and your post makes it unclear if you know that, and that makes me worry.

I deeply hope you get to access the time and resources you need to heal because it is possible and beautiful for people to heal, and you deserve that.

But the folks who will not be able to exit survival mode this year are not at fault for that. That's not how it works.

If you are not stable and secure by the end of the year, it isn't because you failed. It's because healing is hard, and capitalism often makes the circumstances necessary for healing impossible to access. -- That doesn't mean it can't happen in the future, but the way these posts are phrased always makes me a little nervous. Maybe this year we can all try to give ourselves a little more grace.

[junglefurytrash]

TW: Mentions of implied ab*se.

I think that Misty is a socially inept Suit who needs some therapy. She does need to realise that she can't just approach a Toon and ask to play, but I don't think that's her thinking she's "owed" friendship and sympathy or that she doesn't focus on the Toons' pain like I've seen people say about them.

The way I see Misty and their fight dialogue, it isn't her trying to be the sole victim or be ignorant or anything; It's her giving a cry for help to people who she KNOWS have the emotional capacity to understand her pain. She outright says that she's been put through pain from other Suits, and from the way she words it, it's very likely she's undergoing abuse (for all she knows, Toons may not be ABLE to comprehend what abuse is, they're childish goofy folks after all).

That could be either other Suits in C.O.G.S Inc or just other Suits from Suitopia, heck maybe she left her previous job over workplace abuse and that's how she even ended up in Toontown, we don't know - Maybe for all we know she ended up in Toontown not to partake in a colonisation and war, but because she just wanted to escape workplace abuse, only to end up having to endure it again.

I've also seen people point out she's apparently a stalker to William Boar and that makes her morally bad, but the notes also point out that the claims he made of her stalking him and disrupting his work were "largely hyperbole", meaning they were extravagant exaggerations.

As far as we can tell, he was making things up, or at least highly exaggerating what was actually going on; Perhaps she was just trying to approach Will to socialise and wasn't very successful (she seems to perceive them as friends on her end, maybe because they're both associated to oil as an element/property/power, and tbh if that's the case that's on both of them for not establishing and respecting boundaries).

And then what happens when Misty has these incidents, Toons attack her when she's nowhere near them, Suits abuse her, etc? She has to fill out the Workplace Incident Report.

A Workplace Incident Report that, if you look closely, makes the injured Suit take all blame and responsibility.

Imagine how that probably feels for ALL of the Cogs, but especially Misty; Being attacked by people because of a war she may not even have known about fully, being hurt by their own fellow employees and allies in the workplace, and when she goes to report her injuries to COGS Inc.. She has to blame herself. They have to take all the blame for being abused.

Can you imagine how damaging that's gotta be? How many times has she filled out this report form? How many times have they effectively been gaslit into believing that what they're going through is her fault? Almost like she's being told she deserves it?

I see so many people go "Well she's a Cog, they're the bad guys, they're colonising and stealing the Toons land, so that means they aren't good people", and YES, that's obviously a bad thing. But there's more than that, the Cogs aren't 2 dimensional characters with no redeeming qualities. Misty isn't a perfect angel or an awful person; They are the victim of a system where they have been gaslit into believing they're the reason/one to blame for being hurt by others on multiple different sides (including their own!) and it's supposedly nobody else's fault but her own. She's still a victim, regardless of whether she's part of COGS Inc or not, that doesn't change anything.

And as a victim who's being subjected to gaslighting and being made to believe that what they're going through is her fault, she seeks validation, that she ISN'T to blame for her own mistreatment, that she ISN'T at fault for the cruel actions of others, and she seeks that from Toons. Toons who she knows well enough to understand their games, how they play, how they live.. And how they feel. They're victims too. And so Misty reaches out, victim to victim, to be heard by somebody, even if they may not understand the level of intensity of the pain that they themselves are going through.

Misty Monsoon just wants to be heard. She's only human. (Or at least as human as Toontown allows her to be since she's a humanoid robot but you get the idea.)

Misty Monsoon is such a controversial character and it’s kinda wild to me.

So, what are your thoughts on Misty’s character? Do you like her? Hate her? Lmk in the tags cuz im kinda curious to see different thoughts and views on them

[somewhereincairparavel]

a huge chunk of the pjo fandom has turned into such a superficial, judgemental and PROBLEMATIC group who defeat the purpose and point that the books were trying to make, it's so fucking atrocious. the prime example of mischaracterizing/reducing the value of characters who are already misunderstood/misjudged in canon. this fandom does this to every.single.character.ever omg

percy jackson is so relatable to many people is because he didn't have to capacity to absorb textbook knowledge but was HIGH on street smart knowledge that got him to succeed. the whole point of his character is that he had low self esteem because he was ridiculed at school by the faculty and the students for being a 'dumb' and 'useless' guy that made him think he's an inconvenience to his mom. the baggage he carried is so overlooked.

the fandom saying stuff like 'annabeth had adhd and dyslexia too but she carried percy' is so fucking disrespectful. one, she's an athena kid who's supposed to be smart that's like the whole point, and that does NOT mean percy wouldn't survive without her. he's a DIFFERENT character and he doesn't need to be a scholar to be a powerful demigod who has his own identity. stop belittling him and comparing all of their adhd/dyslexia struggles. just because annabeth is smarter does NOT mean percy has less value than her, and that whatever comes out of his mouth is just silly gibberish, which is exactly what y'all are trying to imply. no he did NOT get by with just "luck" he's smart and capable enough to actually achieve things. It isn't rocket science.

making jokes like his only purpose is to have a goofy personality and wondering how he 'pulled' annabeth is NOT cute whatsoever. just deprives him of his canon developement and fails to recognise him as an important person because he is not book smart. the level of belittlement. in a way rick also contributes to this character assassination because he added another scene of piper saying something along the lines of 'thank god annabeth is there to keep percy from going wild/doing something stupid' like no miss girl

I could go on about how the fandom infantilizes nico, brushes of hazel's flaws/traits because she's a 'smol' bean (when she literally cusses out octavian, why do y'all hate the idea of her being bold/badass when she literally is??) belittling frank's power because he's 'just an innocent goof', saying stuff like 'in my head leo is a tall guy because rick did him dirty with the height when he is so hot' that's basically implying that he loses his attractiveness because he's short and wanting to confine him into those toxic masculinity standards

slandering rachel and calling her a pick me for liking annabeth as though annabeth already had a claim over percy in BOTL when he wasn't even in a relationship and even had a small liking to rachel (belittling BOTH rachel and percy in the process, is percy not allowed to have feelings too? is he only obligated to like annabeth?), also with the fandom's clear misogyny in their treatment of nico liking percy vs rachel liking percy, go on a moral policing hunt when it comes to jason, piper and percy but goes right ahead to defend and glaze luke's behaviour to annabeth, percy and silena (also victim blaming silena because she was manipulated as a teenager by a fully grown adult who KNEW what he was doing, using her)

stubbornly not wanting to recognise jason as an important character and reducing him into a 'whiney pick me guy who wanted everything to be about himself' and that he's 'boring' not realising that his abusive environment both as a baby and as a teenager suppressed him into struggling and not being able to feel worthy to even have feelings of his own, villianizing and getting on pipers throat for calling percy unimpressive simply because she LOVED and was LOYAL to her then boyfriend?? is she not allowed to have a preference??? heck id be more concerned if she did call percy hot whilst being in a relationship wtf.

and DONT get me started on the grover belittlement and erasure please, saying that percy and grover are only annabeth's 'sidekicks' on quests, as though he wasn't capable to go on a hunt for pan all by HIMSELF not knowing he'll ever be back.

[fangsandfeels]

I gained the next level of appreciation for how well Dragon Age 2 understood trauma, the ugly side of it.

I don't blame Fenris. I understand why after enduring years and years of abuse, humiliation, having your autonomy, your memories, everything that constituted you including your own name stripped away from you, you have no empathy for anyone reminiscent of your abusers - especially if nobody came to save you in the end and you are the only one fighting for your life and freedom. I understand why upon hearing how someone (who reminds you of your abusers) suffers unfairly, the only thing you can say is "Good" - and lash out at anyone trying to tell you off for it. Where all these fucking preachers were when you were suffering? Why even in the land that is supposed to be different from your own hellhole, your word and your experience still don't matter?

I don't blame Anders. I understand why after being betrayed by your own parent, after the decades of listening how you must suffer for the sin of being born, being confined to isolation, being treated like a monster while being a child, being denied the simplest of comforts, you fiercely defend people who share your abilities - because nobody else would ever look out for you and them. Of course you would clash even with someone who has legitimate reasons to be negative towards people like you because your own wounds sting more than their pain. You have dealt with the Chantry's vile propaganda for so long, you no longer take things at face value. Of course, Chantry would say that the foreign land where mages rule is foul, and corrupt, and full of blood magic and demons! So many times rumors, lies, and twisted religious depictions have been used to abuse, lobotomize, and enslave you, you're no longer letting it happen - and you only believe what you see and hear. And all you see around is injustice and indifference. And you're only the one screaming into the void, raging against the horrors everybody else is willingly blind to.

I don't blame them both for losing their mind in their own ways while the rest of the group silently wondered why they couldn't just be normal.

Personally, I don't think there was any chance for them to become friends or make peace during the events of the game. The "I suffered so I don't want anyone to suffer like I did" or "I'm a bigger person" are pretty lies and half-truths at worst. At best, they are mindsets only possible after someone who suffered finally feels safe and can be out of their survival mode. Which is not really true for Fenris and Anders, even during the final act of the story.

Even on high friendship or romance, Anders is still self-destructive, ready to die at Hawke's hands after launching his plan in motion. Even with a friend/lover at his side, he is alone in his head, in his vision of the world, in his pain.

Even with proper support and help, it takes Fenris three years to accept a relationship, but it doesn't change his perspective and if you don't have enough of his trust, you lose him to his trauma-based response.

I may be overthinking it, but I am truly thankful to the game for not toning down the complex, hard and uncomfortable aspects of trauma. People have always been in love with the concept of the perfect victim (who hates only "the right" bad guys and suddenly knows when to be tolerant, nice and accepting and doesn't say any rancid and hateful shit ever), but it became particularly aggravating lately.

[reidsmanuscript]

Profiler, profiled.

Summary: When the past creeps up, more vivid and dangerous than ever, at the same time that the attraction becomes undeniable—and so do the mistakes. Pairing: Spencer Reid x lawyer!reader Genre: mutual pinning but painful, angst. wc: 7.3k! TW: Profiler, profiled canons! so Child abuse (implied and discussed), Sexual abuse, Framing/wrongful accusation, Police misconduct, Violence, mentions of traumatic readers' past!, female rage, violent thoughts. not proofread yet A/N: SO EXCITED FOR THIS ONE, this is my take on soulmates, thank u for all the feedback/support btw, really mindblowing <3 part I - part II - part III - part IV - masterlist

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Something as routine and comforting as traveling to your hometown for your mom’s birthday can go wrong in an instant—sometimes, all it takes is a single moment of doubt. Unfortunately for Derek Morgan, it was the absence of doubt that could become his sentence.

Hotch was notified, as per FBI protocol, that one of his agents had been arrested as a homicide suspect. Maybe it was the fact that he knew Morgan wasn’t capable of something like that—he had been a prosecutor before joining the Academy, after all. As his boss, he refused to believe it. But as his friend, he knew that the smartest move, the one most people failed to make, was calling a lawyer.

The problem? Morgan didn’t have one.

The Bureau’s legal counsel wouldn’t intervene in a case where one of their own was being charged. It had to be someone who knew him, someone who would believe in him.

There was only one person who fit that description.

A.D.A. Woodvale.

So, after issuing an emergency recall for Reid, Prentiss, Jareau, Garcia, and Rossi—Hotch called you.

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

One thing some victims, or their families, do after the person who ruined their lives is convicted is express gratitude. Sometimes immensely, sometimes barely—especially when the verdict isn’t what they had hoped for.

Still, they are grateful for your time and commitment to their pain. That’s why some send gifts like baskets filled with fruit, chocolates, candy, or all three combined. 

You were at your desk, late at night, again, reviewing case files and drafting a legal brief, absorbed in the task at hand. The basket with its chocolates, and cookies remained sitting on a chair near the window, quietly out of place among the legal paperwork without any card or name, maybe they forgot to put it or it fell on the way. 

The phone rings, and you answer immediately, announcing yourself. When the voice on the other end speaks your name, you recognize it instantly.

“I’m gonna need your help.” Agent Hotchner.

You straighten your back. “What is it? A warrant? It’s going to be hard at t—”

He cuts you off. “Morgan is in trouble.” That was enough to tell you this wasn’t just any ordinary favor.

You hesitate, cautious. “What happened?”

“He was arrested as a suspect in a homicide in Chicago.” Morgan? Homicide? For a moment, you’re ready to refuse—this isn’t your field. You put people in jail, not get them out. But then you remember—he saved your life over a year ago. And the weight of that debt settles heavily on your shoulders.

“Hotch, I... What do you want me to do? I don’t have connections there. Maybe I could talk to—”

He interrupts again. “He’s going to need a good lawyer. I know this isn’t what you do, but you know him. You know he’s not capable of something like that.” There’s a brief silence as you weigh your options, considering your next move.

"The jet takes off first thing tomorrow morning," he says, giving you an out, leaving the decision in your hands.

You exhale, and resolve settling in. "Send me the details. I’ll be there."

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

As you stepped onto the jet, you spotted Hotch already seated alone. Without hesitation, you slid into the seat across from him, greeting him with a quiet nod, your back turned toward the entrance.

One by one, the rest of the BAU arrived, offering you brief acknowledgments as they settled in. When Reid stepped onto the jet, he barely glanced up—until he caught sight of the back of your head. He hesitated for just a second before moving to a seat diagonal from yours.

Hotch quickly explained that you were joining them to assist Morgan as his defense counsel. The weight of the situation settled over the jet, unspoken but palpable. You noticed it in the way the air felt heavier, in the subtle shifts of the team’s expressions, like how Prentiss shifted in her seat or the way Reid’s lips pressed into a thin line.

Since the Katie Jacobs case, he wouldn’t call it an obsession—that would be an exaggeration, and his mind rejected the idea of something so unscientific, but a fixation? Perhaps. There was something about you that tugged at the edges of his thoughts more often than he liked to admit. His memories of your first meeting were frustratingly blurred, dulled by the lingering fog of withdrawal, but he remembered enough. The way you carried yourself—composed, sharp, unreadable. The precision of your movements, deliberate in a way that suggested control rather than ease. The way your voice stayed measured even when you were angry, like someone who had learned to sharpen their words into weapons rather than waste them on emotion. And your eyes—steady, assessing, like you were always five steps ahead in a game only you could see.

Did you ever place two magnets next to each other and test how close they could be without touching? If they would repel or attract?

Magnets could only get so close before they either locked together or violently repelled each other. If their north poles faced one another—mirrors of the same force—they would push apart, unable to exist in such perfect reflection. But if one turned, aligning its south to the other’s north, the pull would be instant, inevitable.

That was a physicist's way of explaining why, the moment you caught him in the corner of your vision, you noted how his hair was longer than before, tucked behind his ears; how his fingers brushed over the pages of a book, a well-worn paperback pulled from his bag. Crime and Punishment. The same one you had almost mistaken for yours once. North. North.

But now, seeing it again, you wondered—what did he think about Raskolnikov’s theory of extraordinary men? Did he believe true morality could be measured mathematically, the way Raskolnikov tried to justify his crime with cold logic? Or did he see through it, past the numbers, past the equations, past the desperate rationalizations of a man trying to convince himself he was above consequence?

And what would he think about your take on it? That a man was either a fool for failing to control himself or a coward for refusing to own what he had done? Either way you just wanted to know his opinion. North. South.

You were just about to ask him when JJ spoke up. “I don’t understand. Can you even represent Morgan if you’re an A.D.A.? Wouldn’t that be a conflict of interest?”

It was a fair question, one you had asked yourself last night before finding a loophole.

You let out a slow breath, considering. "Technically, I’m not Morgan’s lawyer—he hasn’t called me personally to represent him. And I wouldn’t be joining you as his defense attorney… officially." You glanced at Hotch. "Prosecutors consult on defense cases all the time—off the record. I’m not filing any motions, I’m not putting my name on anything. I’m just… advising."

Prentiss raised an eyebrow. "Advising?"

You exhaled, running a hand through your hair. "I can’t officially defend him, but that doesn’t mean I can’t help. And the police don't need to know every detail about that."

Hotch gave a small nod. "That keeps you in the clear. No official involvement, no risk to your career."

Reid, who had been silent, finally spoke. "But what happens if they’ve already decided Morgan is guilty?"

Your jaw tightened, but Rossi answers first "Then that’s where we come in. We find out who’s setting Morgan up—and we make sure they don’t get away with it."

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As you arrived at the police station, you hung back from the group, not wanting to interfere with the BAU’s process. But when Detective Dennison refused to take Hotch to see Morgan, you decided you wouldn’t stand by quietly anymore.

You stepped forward, standing next to Hotch. “Are you going to take us to see Derek Morgan, or not, Detective?”

He glanced at you as though he didn’t understand the urgency. “Detective Gordinski's in with the suspect now”

“Now is when we need to see him.” you shot back.

“Excuse me?” he started to respond, but Hotch cut him off.

“I have your superintendent's personal cell number,” Hotch said calmly. “And, in the interest of not running roughshod over another police agency, I’ve resisted calling him so far. We need to see Agent Morgan now.”

You couldn’t help but think how Hotch was finally getting some work done.

The detective nodded and, after disappearing into a room, came back with another man. Detective Gordinski, you assumed. It was something you were used to, this unspoken assumption that you were a junior, a minor player in the room, because of your age. It happened often when older men met you—defense attorneys, paralegals, specialists, and even police officers. They assumed you were less than you were. Gordinski was no different. When he approached you, he only offered his hand to Hotch.

“Detective Gordinski, CPD,” he said, as if you weren’t standing right there.

Hotch didn’t seem to notice the slight. “You think an FBI agent, a BAU profiler, committed a homicide?”

Gordinski answered with a level of pride that made your stomach turn. “Actually, three homicides at least, over 15 years.”

You heard JJ and Reid protest, both equally shocked by his ridiculous statement. And the way Gordinski spoke, as though the case was already closed, irritated you. “Has he been charged with anything?”

“I’ve got 72 hours for that,” he replied, clearly still lacking sufficient evidence.

“We’d like to see him,” you said, your tone final. He hesitated for a moment, then reluctantly agreed as Denninson took you and Hotch to see Morgan.

As you entered the interrogation room, you found him in a sort of trance, staring at a photograph in his hands. When he finally looked up, there was a flicker of surprise in his eyes.

“You okay?” you asked, aware of the detective’s overbearing presence in the room.

Morgan exhaled sharply, turning the photo toward you. “This kid—I was with him yesterday.”

“So?” Hotch prompted.

Morgan shook his head, his voice tight. “So, he’s dead. I drove him home, Hotch, and Gordinski’s saying I was the last person seen with him.” His gaze flickered between the two of you, frustration and disbelief written all over his face.

You didn’t need to analyze the detective’s stance to know he had already made up his mind—his persistence was nothing more than a show, an act to reinforce a conclusion he had already reached. But the look in Morgan’s eyes told you everything you needed to know. He cared about that kid.

Turning to the detective, you asked smoothly, “Is there a more private place where I can speak with my client?”

The man hesitated, taken aback. Up until this moment, you hadn’t explicitly stated that you weren’t an agent. His expression tightened. “I’m afraid we don’t have another space for you and the suspect,” he replied with a forced smile.

You returned his look with a cool, unwavering stare. “You do know that any conversation between me and him falls under lawyer-client privilege, right?”

His mouth opened in protest, but you didn’t give him the chance.

“And denying us the proper privacy means that any so-called evidence you think you can get from this interrogation would be inadmissible in court. Not to mention, it’s a direct violation of SSA Morgan’s constitutional rights.” Your tone remained calm, professional—not threatening. Not yet.

The detective narrowed his eyes but gave a short, forced nod, his polite smile not reaching them. “I’ll see what we can do.”

That was code for We’re not doing a damn thing, but we’ll make this as difficult as possible.

Fine. You’d play their game. But first, you needed to find out exactly what they had on Morgan—and fast.

As you step outside, a harsh voice—too raspy and loud for your liking—carries through the room, discussing evidence. You stay quiet, listening. Being on the other side of the law feels strange, but it’s not difficult. If you know how to prosecute, you know the tricks and games cops play. And if you know your opponent's strategy, it’s easier to disarm them and lead them where you want.

The detective asks Rossi if he’s Agent Gideon, and when the detective explains he was the one who sent the profile that led them to Morgan, you curse Gideon internally. First Reid, now Morgan. 

"It also said the way the body was placed gently on a mattress, not just tossed on the ground, indicated someone who was probably consumed with guilt, especially for the first victim. The exact words are—'with a guilt-ridden offender,' the BAU postulates the first victim is the most important and the unsub may still visit the place of the crime or even the victim himself.'"

Gordinski’s voice drips with conviction. "Care to guess who visits my first victim every time he's in town?"

You notice Reid glance at you, but you keep your focus on the detective, listening carefully as he continues. 

"Then yesterday, another kid ends up dead, and the last person he was with was Derek Morgan. In the boy's pocket, we found one of his FBI business cards, his cell number written on the back. In fact, every time Morgan's in town, he hangs out with kids."

JJ calls it a coincidence.

"A hell of a lot of coincidences," Gordinski retorts.

“I prefer the term 'circumstantial'” you say from the back of the room.

Gordinski turns, sizing you up with an incredulous look—too young, maybe too idealistic. "And you are?"

"Derek Morgan’s attorney." There was no reason to hide anymore, you didn't bother offering your hand.

Gordinski barely reacts before flipping open a file. "Did I mention that your client found the body in 1991? Hidden way back in a vacant lot. Now, don’t they teach you that when a body is hard to find, the person who finds it is always a suspect?"

You do the math quickly, Morgan would have been too young.

And you feel like Reid reads your thoughts when he answers. "There are key pieces of the profile that don't fit, Detective. The age—25 to 35—Morgan was 15 at the time."

"Profile Also says that age is the hardest to predict, and I should never exclude someone simply because of a discrepancy with the age." Gordinski is grasping now, trying to force the facts to fit.

Prentiss speaks up. "What about the speculation that since he didn't leave any evidence at the crime scene, he's likely to have a criminal record or law enforcement knowledge?"

"He may not have had knowledge of law enforcement, but Derek Morgan definitely had a criminal record." He tosses a file onto the table. You open it, scanning the contents. Resisting arrest. Vandalism. Aggravated battery. You inhale deeply.

"So he was a troubled kid, not a murderer. What kind of 15-year-old kills another boy, then deliberately stages the body just to make sure he’s the one to 'find' it?" Your voice is sharp, challenging him to walk into your tramp.

Gordinski smirks. "I’m sure you know psychopaths are very smart people, Miss."

Bingo.

You tilt your head. "So, is Morgan a psychopath? A guilt-ridden killer? Or an FBI agent dumb enough to leave his own business card at the crime scene? Because he can’t be all three, and right now you're contradicting yourself, Detective."

The room is silent for a beat. Gordinski clenches his jaw, his grip tightening on the file in his hands. He glares at you like you are his personal enemy.

You don’t give him time to recover. "You're reaching. And I think you know it." you say as you leave the room to look for your client.

And if Reid hadn’t been so mesmerized with the way you had subtly guided Gordinski, he might have given in to the impulse he had to correct him when he addressed you as Miss and not Counselor. 

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　

Rossi had sent Prentiss and Reid to Morgan’s house to investigate, while you stayed to ensure none of the Detectives would do something sketchy with the proofs.　　

Maybe it was the PTSD Dr. Fitzgerald diagnosed you with when you were 11, but the moment Carl Buford entered the room, something felt off. It wasn’t obvious, more like a second nature—a survival instinct that had been honed over the years. You weren’t always right, of course. You’d had a few false alarms before, but this time, something in the air shifted. It wasn’t in his appearance or his words; it was in the way he presented himself—as someone kind, someone willing to help, harmless. But it triggered something in you. The sirens in your brain went on, even if they were faint, too faint to be taken seriously but still enough to be annoying.

Reid had just returned from Morgan’s house when he saw you standing by the board, JJ on the phone and Rossi talking to you. He noticed how you discreetly stifled a yawn, and it hit him—it was nearly evening. The Cheetos packet that probably belonged to JJ and the half-eaten cheese sandwich from Rossi were the only signs of food nearby. It dawned on him that you likely hadn’t eaten all day.

He didn’t want to be the kind of person who overcompensated in an obvious way, but seeing you like this stirred something in him. It reminded him of the last time he saw you at the mall, how you’d instinctively avoided him, as if you couldn’t stand being around him for more than a few seconds. The longest you’d managed to stay in the same spot was 8.12 seconds.

That had been the last time, though. Now, things felt different. You were talking to Rossi when Reid approached and offered coffee to everyone. You could tell he was overcompensating—or at least, that’s what you assumed.

Then again, maybe you were reading too much into the moment when he’d slightly quickened his pace as you all entered the police station, holding the door open for everyone. Or maybe he was just anxious about his friend and eager to get inside quickly.

Or when you were rummaging through your bag for a pen, and he handed you one without hesitation. It could have been just a simple gesture, a convenient moment. But you couldn’t help but wonder if there was more to it—if he was trying to do something, anything, to bridge the gap between you.

You felt stupid for liking his gestures, for craving his attention. That’s why you said yes when he offered the coffee—because you couldn’t help it.

And he was happy to do it. He put special care into preparing your cup, even though he hadn’t asked how you took your coffee. Statistically speaking, most people put about two teaspoons of sugar in their coffee, but he didn’t know what you preferred. Maybe you liked it with even more sugar than that, just like he did. Maybe you didn’t use sugar at all, maybe you used honey.

He caught himself before he poured too much, measuring out what he assumed was the “average” amount, then handed it to you with a small, careful smile. There was a brief moment when your fingers brushed, and maybe his lingered for a second longer than necessary.

But when you took a sip, it hit you. The sweetness of the sugar was overwhelming, and the unexplainable presence of Carl Buford seemed to crawl into your mind, making it worse. It was your fault for not telling him no sugar. Your hand froze for a moment as you fought to swallow, your fingers tightening slightly around the cup.

Reid noticed. He saw how you stiffened, how your grip on the cup tightened, and he assumed he’d gotten it wrong. Maybe you didn’t like sugar in your coffee, or maybe you just didn’t like it at all. He felt a pang of regret, thinking he’d misread the situation. He wasn’t sure why, but for a moment, he wondered if he was always this wrong about you. North. North.

You didn’t want to overreact or be rude, so you quickly excused yourself to the bathroom, needing a moment to splash some water on your face and steady yourself. You stared at your reflection in the mirror, silently telling yourself to calm down.

Maybe you were overreacting to Buford. But that thought was short-lived. The moment Hotch and JJ entered the room and she began speaking, confirming what you had already sensed, everything inside you seemed to crack. Carl Buford—the man who was fervently helping the police catch Morgan, was the same one who had written a letter to clear his record. The contradiction hit you like a punch to the gut, and you couldn’t shake the sound of the sirens growing.

You followed Hotch as he approached the interrogation room, your mind racing with the unsettling sense you couldn’t shake. You didn’t even notice Reid following behind you, keeping a respectful distance. Hotch entered the room, and the questioning began.

"Carl Buford." Morgan’s voice was tight, his shoulders tensing at the name. He stood up from the table where his arms had been resting. "What?"

"Carl Buford. He runs the youth center." Hotch's voice was calm, measured, but you could feel the pressure building behind it. From the other side of the glass, you stood in front of the glass, only for a moment, before Reid joined you at a respectful distance.

"What's that got to do with anything?" Morgan's tone was dismissive, brushing off the mention of Buford like the idea of talking about him was unbearable.

"He's responsible for getting your records expunged." The words hung in the air, sharp and deliberate. Maybe it was the steady presence of Reid beside you that kept you grounded, or maybe it was that something about Buford just didn’t sit right with you. The sirens in your head grew louder.

"I told you to stay the hell out of my business." Morgan’s voice rose, defensive, but not with rage—more like a wounded animal cornered by a predator.

"You said you visit the youth center every time you come here," Hotch pressed, not backing down.

"So what?" Morgan spat out the words like they were poison.

"Buford says he hasn't spoken to you in years. Why don’t you visit the man who made your career possible?"

"Damn you, Hotch." Morgan’s fist slammed onto the table as he stood up, knocking the box over in frustration. That was when you knew. The sirens in your brain were deafening now—loud enough to drown everything else out, and you couldn’t ignore it.

The sickness in your stomach was undeniable. You swallowed it down, fighting the urge to leave, but your instincts were already pushing you forward. You grabbed the door handle, taking one last breath before entering.

"Agent Hotchner, I would like to speak to my client." When Hotch didn’t move, still focused on Morgan, you added, "Now."

With a quiet but firm nod, Hotch left the room, his stoic expression unchanged. You sat down in the chair, your mind racing even faster. If you wanted Morgan to trust you—if you wanted to get through to him—you had to give him something first.

“Aren’t you supposed to be defending me? Looking for a way to get me out of here?” he snapped.

“I can’t help you if you’re not honest with me, Derek.”

“I am being honest. I didn’t kill those kids! He has nothing to do with this!”

“Then why is he so eager to help the police?” you shot back.

For a moment, he didn’t say anything—just glared at you, jaw clenched, shoulders tense. You recognized that look. It was the look of someone who had learned, maybe too many times, that the world didn’t always care about the truth.

"Derek I can't do much if you don't trust me." You say as calmly as you can.

Morgan let out a humorless chuckle. “Trust you?” he said, shaking his head. “I barely know you.”

You leaned back slightly in your chair, eyes flickering over him. That’s fair. Trust wasn’t something that could be commanded, especially not in a place like this.

But you also knew what it was like to sit on the wrong side of an interrogation table. To have someone who was supposed to protect you look at you like you were already guilty. To feel like the walls were closing in, no matter how much truth you were screaming.

You swallowed, forcing the memories down before they could surface. If you wanted Morgan to trust you, you had to give him something first.

“Derek… I’m on your side, whether you believe it or not. Not because I owe you one, but because I can recognize someone whose trust was betrayed by the person who was supposed to protect them.” That made him look at you—really look at you. And you hated it. Hated the way he was seeing straight through you.

Being read, being seen—that wasn’t something you allowed often. But Morgan had spent his life reading people, understanding them, profiling them to find the truth. And you had spent your life sharpening your edges, and weaponizing strategically everything you didn’t like. But right now, you were offering him a piece of yours.

You took a slow, measured breath, and even though the room felt too warm, you forced yourself to keep going.

“My parents… my birth parents ran a meth lab in the kitchen,” you said, voice steady, though your hands curled into fists beneath the table. “When I was four, it exploded. I was sent to the hospital with burns, malnutrition, and withdrawal symptoms I didn’t understand. That was the first time CPS got involved. They put me in the system.”

Morgan’s expression didn’t shift, but you saw something flicker behind his eyes. Recognition.

“And if you know anything about the system, you know it’s broken. It fails. It doesn’t protect the people who need it the most,” you continued, your voice steady, but your chest felt tight. “There are cracks in it, and some people…take advantage of that. They play the part, they act like saviors, they pretend to care.” Your voice caught, just for a second. But you forced yourself to push through it. “I know men like Carl Buford. I grew up with one of them.”

Morgan’s jaw tightened. That name—Buford—hit the air like a hammer. You weren’t just asking for trust. You were offering something real. Something raw.

His fingers curled into fists on the table, and for a second, he looked away, shaking his head like he was trying to push a memory aside. But he didn’t deny it. Didn’t challenge you. Because he knew.

“And what happened?” he asked, voice lower now, controlled but heavy.

You exhaled sharply. “I clawed my way out, just like you did, got adopted when I was 8. And when I had the chance, I became the system—to change it the only way it’s possible, from the inside out.”

Morgan let the silence stretch, studying you, his fingers tapping once against the cold metal table. Finally, he let out a breath, something almost like defeat but not quite. “So what now?”

“Now,” you said, straightening, “We stop playing defense.”

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

You stepped out of the room, and though the tremor in your hands had subsided, the warmth lingering on your back remained. Scanning the precinct, your gaze locked onto the person you were looking for—Gordinski.

You strode toward him, your pace sharp, your voice sharper. “Are you going to charge my client with something, or are you just going to keep stalling?”

He smirked, relishing the frustration in your tone. “Miss Woodvale.” The mockery in his voice was deliberate, savoring the way your desperation bled through. “I still have over 40 hours to hold your client as a suspect.”

“Have you found any new evidence? Because all you have is a questionable profile and circumstantial evidence.” You leaned in slightly, wanting to get under his skin. 

“We have motive.” He said it like it was a trophy, something definitive, something final.

You let out a short, dry laugh. “No, you have a grudge. There’s a difference, and if you don’t know it, the jury won’t buy it.” You’d seen stronger cases collapse under weaker arguments.

His jaw tensed as he looked down at you, exhaling through his nose like you were an inconvenience. “Look, we have three dead kids and a family that wants closure. We’re just doing our job.”

You knew it was a low blow. You knew it was too much.

“Oh yeah? I wonder where I’ve heard that before?”

That was exactly why you said it.

Gordinski’s expression twisted as realization struck. One of the other detectives snapped at you, voices rising, the BAU stiffened, and you could already see Hotch preparing to apologize—everything was escalating.

Then— “Hey! What, did we turn him loose?”

The tension shifted. The detectives forgot your words in an instant, all eyes snapping to the officer outside the holding room—where Morgan had been.

Chaos erupted. Gordinski bolted toward the room, Dennison scrambled to dispatch patrols, Prentiss and JJ exchanged alarmed glances.

And that’s when you slipped away. Nobody noticed… Well nobody except Reid. He always had an eye on you, even from a distance.

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

The air was cold, and in the rush of the moment, you’d forgotten to grab your coat. But in some strange way, you were grateful for it—the chill seemed to cool the simmering anger that was creeping through your veins as you headed toward the community center.

Morgan walked beside you, leading the way. You kept your head low, ducking behind columns to avoid the patrols that were probably looking for you. The familiar sensation of hiding felt strangely nostalgic—if you closed your eyes, you could almost imagine the cup of coffee in your hand as you walked through the campus at Harvard.

After ten minutes, you spotted a small field with the lights still on. A kid was out there, playing football by himself. Morgan moved closer to him.

“Lookin' good there, kid.”

You stayed a few feet behind, not wanting to interfere.

“I was tryin' to call you.” The kid stopped running and looked at Morgan.

“I’m here now.” Morgan spread his arms, inviting and friendly.

“Who’s that?” The kid glanced at you quickly, signaling toward you with a tilt of his chin. Unable to stay hidden any longer, you stepped onto the field and leaned back against the fencing, crossing your arms.

“Someone I trust. One of mine.” Morgan’s bold words were enough to drop the kid’s defenses.

You stayed silent, as invisible as you could be, observing how the kid tensed and relaxed automatically when Morgan mentioned needing to talk about Buford. You never thought you were good with kids—didn’t know how to act around them without overthinking, constantly looking for signs and flaws.

The more they talked, the more Derek described Buford’s manipulative ways, using his influence to make kids trust him only to exploit that trust, the more the freezing air of Chicago couldn’t keep the heat from rising inside you. Your hands curled into fists, squeezing your sides, wrinkling your shirt.

There were so many sick ways people used to reward or control others. Buford used alcohol and false bonds to make kids feel like adults, while others used toys or candy.

“My oldest brother’s in jail. My sister was paralyzed in a drive-by... She’s eight years old, and I’m all my mom’s got left. I gotta get us outta here.”

No kid should ever carry that kind of weight. No child should feel like enduring abuse is the only way out.

“Carl’s gonna make sure I get into college. Then I can make something of myself.” The gratitude in his voice was painful—the twisted sense of owing someone everything for their attention, their gifts.

You closed your eyes and looked up at the sky, trying to keep yourself from walking into the building alone and finishing whatever it was you had come here to do.

“James, you are something, man. You’re something right here, right now, without Carl Buford.” Morgan’s words hit you hard. He was right. James was someone. He was someone. You were someone, too. Despite everything, you were still breathing, still standing.

A tiny part of yourself felt grateful when you heard James had told Damien about what he was going through, that he had been brave enough to speak up and look for someone who would believe him and would do something about it. Damien knew. Morgan connected the same dots and realized who was staging the whole thing up.

Carl. Motherfucker. Buford.

Derek eventually finished talking to the kid and motioned for you to follow him. You didn’t know what his next move was, but you were backing him up. “Derek?”

He turned to look at you. “Yeah?”

“Whatever you want to do, I have your back.” You knew he saw it in your eyes—an intense, boiling rage that had driven you to places both good and bad. He knew that whatever he was going to do next, you wouldn’t stop him or doubt him.

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

He gave you instructions on how to get through the back door of the office. But when you got there, Morgan was already calling him out.

“All these years, I kept my mouth shut. I let you go on being a hero. Carl Buford, my mentor.”

Buford’s back was toward you, and the more he talked, the more the air seemed to thicken with the heat of your rage. Your vision narrowed, blurred at the edges with red. A man. No—a monster. A predator who walked free for far too long, spinning his web of lies, manipulating, violating, ruining.

And he had the audacity to deny it. The smugness in his voice. The complete absence of remorse.

“Whatever lies James told you…” he said so easily, as if that erased the truth. As if that rewrote history.

Your hands clenched so hard they ached. How many lives had he destroyed? How many boys had suffered under his hands? You had seen men like him before—hell, you had been a child under the power of a man like him once. The weight of their hands. The control they wielded. The false kindness that masked something vile.

Your stomach twisted violently as you took in the sight of his office. The trophies. Row after row of gleaming gold, polished plaques. A shrine to his own ego. A testament to the world that this man was trusted, respected, celebrated.

And then you saw it. Dr. Or you think you did

The word burned itself into your mind like a scar. Dr. Calloway. It wasn’t his name, but your hands trembled anyway, your breath coming fast and ragged, and the sirens grew louder and louder. Was it the name? Was it the way the gold glinted under the dim light? Or was it just the overwhelming wrongness of all of this? 

Buford was still talking. Still spewing poison.

“How many lives have I provided? Look at you. You’d probably be dead by now.”

Lives.

Lives he had ruined.

Lives you could still save.

Your fingers curled around the base of a trophy—a heavy one, sharp at the edges. You barely registered the name engraved on it as your grip tightened, your knuckles going white.

For a split second, your mind whispered, Do it. The same one that had accompanied you in moments where you couldn’t move. Moments when your body wouldn’t answer to your orders. The voice of that version of yourself that would unleash violence. Do. It.

But then—Morgan. This wasn’t your moment. This wasn’t your fight.

But if he wanted to tear this office apart, you would hand him every single thing worth breaking. You would burn it to the ground and stand there, just to watch Buford scream as the flames took him.

Morgan’s voice cut through the storm inside your head.

“Actually, I’m saying you have everything to do with making me who I am.”

And so did you. Because this rage—this blistering, all-consuming, blood-boiling rage—was just another scar left by men like him. Men who stole, who twisted, who took and took and took until all that was left was ruin.

The sirens in your mind screamed. The voices clawed at your skull, howling for justice, for vengeance, for something more than just words, more than just silence.

Just like the ghosts of the past. Just like the hands of the past. Just like Calloway in the past. In the present.

Calloway. Buford.

"I never hurt you. You could have said no.”

Your grip on the trophy tightened, the sharp edges digging into your palm, but you barely felt the sting. All you saw was red. All you felt was fire.

"You're under arrest, Carl." The words cut through the haze, sharp and final.

Buford barely had time to react before the officers stepped in, twisting his arms behind his back, snapping cold metal around his wrists. He said something—denial, excuses, more of the same filth that men like him always spewed—but it didn’t matter.

It was over.

The red began to fade. The fire inside you simmered, but the embers still burned low, smoldering beneath your ribs. Your breath came in sharp, uneven pulls as you clenched your fist.

Morgan was still staring at Buford, his jaw tight, his hands balled into fists at his sides.

For a moment, you wondered if he felt it too—that same bone-deep ache, the need to destroy, to make it right in ways the law never could. But then he inhaled, long and slow, and you forced yourself to do the same.

He saw the trophy in your hand, and you expected to find judgmental eyes—eyes that would look at you like you were dangerous, like you had lost control, like you were no better than the man they were dragging away in cuffs.

But there was no judgment in Morgan’s gaze. Just understanding. Maybe even something closer to recognition.

Your fingers trembled around the trophy, your pulse still hammering in your ears, but you couldn’t let go. Not yet. The weight of it felt good in your grip, solid and real. It would’ve been so easy—so easy—to swing, to carve your fury into something tangible.

He must’ve seen it in you. The way your shoulders still heaved, the way your jaw clenched so tight it hurt.

Morgan reached out, slow, steady. Not to stop you. Not to take it away. Just there.

A lifeline, if you wanted it.

You exhaled shakily, then forced your fingers to unclench. The trophy slipped from your grasp, landing with a dull thud against the floor.

Your hands were empty now. But the fire still burned.

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

Resting against the wall, breathing heavily, you watched as they took Buford away under your intense gaze. Gordinski approached you.

“Your actions could be taken as obstruction of justice, Counselor,” he said, the sarcasm in your title not going unnoticed.

An old man threatening you, just to scare you and gloat himself, a pathetic move, especially now when there were still remains of the fire, not ashes yet. You sighed, as if too tired to deal with him, not even bothering to look his way. “And what are you going to do? Arrest me?” You finally glanced at him. “I have the General Attorney one phone call away, and I could charge you with misconduct and Sixth Amendment violation, which could dismiss the case you have been working for so long.”

You let the words sink in for a second while he remained serious. “You got your guy Detective. Walk away while you can.” 

Like in chess, any smart player knows when to retreat. He glared at you but ultimately backed off.

From the corner of your eye, you noticed Reid watching. For a moment, you couldn’t help but return his stare. But then, lifting your chin, you towards the SUV, ignoring the strange sting of shame, the kind of shame you feel when you want to show the best version of yourself to someone, only to show the worst. It wasn’t the first time you had talked your way out of a charge, but it was the first time you felt ashamed of doing it.

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

You and Morgan were the last to board the jet. After last night, you'd talked—just not about the… incident. He'd invited you to the grave of the unidentified child with him and his family, and, for some strange reason, it had brought you a sense of peace. Afterward, you joined the rest of the team on the way home.

You spotted Reid sitting by the window, absorbed in his book. North. South. You weren’t one to judge anyone’s demons, especially when you couldn’t even control your own. Maybe that’s why you sat in front of him. Maybe you were tired of pretending you didn’t want to know what was going on in his head.

When he noticed you, his eyes widened slightly, and his fingers nervously traced the edge of the page. Was this it? Would you confront him? Would he finally have the chance to explain himself?

"Do you think Raskolnikov ever believed he deserved the punishment?" you asked, your voice quiet but firm, meeting his gaze. "Or did he just convince himself he was too special to face it?"

Reid blinked, clearly caught off guard, but after a beat, he answered. "I think Raskolnikov believed he was above it all. That his intelligence and theories made him different. But that’s the tragedy—he never understood that punishment isn’t just about what you deserve. It’s about confronting what you’ve done. The guilt you carry. Sometimes, it’s about having someone who believes in you, even when you can’t believe in yourself." His voice softened with the words, as if careful not to scare you off.

You didn’t break eye contact, letting the weight of his words settle. After a pause, you glanced back down at the book. "Someone like Sonia?"

Reid’s gaze flickered, sensing the shift in the conversation. You weren’t just talking about Raskolnikov anymore. Maybe it was about him. Maybe about you. "Someone like Sonia," he said quietly. "She believed in him, not because he was special, but because she saw his humanity. Sometimes, it’s not about whether someone deserves forgiveness—it’s whether someone else is willing to help them find it."

A quiet tension lifted from your shoulders, and your expression softened, the unspoken understanding between you both almost palpable in the air. North. South.

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

By lunchtime the next day, the events of the prior day still gnawed at you. The feeling only worsened when your eyes landed on the basket sitting in the corner of your office, filled with chocolates and candy.

Taking a deep breath, you picked it up and turned to your temporary assistant, a guy covering for Molly while she was on maternity leave. “I’m stepping out for twenty minutes,” you told him.

Basket in hand, your thoughts blurred together as you walked toward the park. It was a familiar refuge, a place where kids and elderly chess players gathered, lost in their games. A little distraction wouldn’t hurt. It would be good for you to clear your mind, and they always appreciated it when you brought baskets like these or treats from your mom’s bakery.

　　　　 　　　    .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　　　　 　　 　　 　

So we finally see more of reader's past! been waiting for this since i started drafting the story in my mind. You'll know more the next chapter!　 　　　 Feedback feeds motivation! Likes, reblogs and comments are all appreciated <3 Tag list: @arialikestea @hellsingalucard18 @pleasantwitchgarden @torturedpoetspsychward @cultish-corner<3

[miley1442111]

protective- a.hotchner

summary: aaron (literally) fights for you

pairing: aaron hotchner x bau!fem! reader

warnings: angst, talk of abuse, violence, general cm topics, crying, reader is a victim of DV (not aaron), gross men (i think that's it?)

not entirely proofread

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Aaron Hotchner was a leader that you’d known from the beginning. He was your team leader, he was calm, collected, and calculated in everything. His lunch was the same everyday, he didn’t drink, didn’t smoke, didn’t swear all that often, and he wore the same sequence of shirts and suits every week. He was organised. 

Mondays was a blue shirt with a black suit, Tuesdays was a white shirt with a navy suit, Wednesdays was a white shirt with a black suit, Thursdays was a blue shirt with a grey suit, and Fridays was a white shirt with navy suit. Everything was fine and dandy, you trusted him, and you enjoyed his company. Everything was fine, until it wasn't. 

One stupid day, 8 whole months after you and your ex had broken up, he just so happens to be at the same bar you and the team are celebrating in, and he must’ve made it his personal mission to find you, to shout at you, to get you back. To piss you off. It hadn’t exactly been a good week, but then again, what week is when you’re dealing with murder cases? 

“Y/n,” Penelope sighed, looking out at the rest of the team on the ‘dance floor’. “I don’t understand,” she drew out the ‘understand’ to a ridiculous length, purely to annoy you. “How are you two so perfect?”

“Keep your voice down!” you hissed, turning back to her again. “We may not be at work but this is a work dinner.”

Did I mention he was your boyfriend too? 

“Have you seen yourself?” she gawked. “You’re gorgeous! He’s gorgeous! You two would make perfect babies” 

You chuckled. “I thank you for the flattery, but we can be honest here, he’s fucking gorgeous, and yeah, I’m alright,” you laughed when she hit you lovingly. “And, we’ve been together for 6 months, not 6 years. No babies for like… a while at least.”

“Y/n!” Charles’ voice rang out in the bar, meaning everyone around you turned to your group. “You fucking blocked me?!”He came up behind you, placing a tense hand on your shoulder, gripping the skin there until it hurt. “What kind of bitch does that?”

“Me, I guess,” you answered simply, staring straight down at your drink. Charles hadn’t been a very good boyfriend, nor a good person, and you didn’t really understand why you’d stayed for so long. Something about watching women get killed by their partners kind of snapped you into reality. Not that he was that bad but, he wasn’t good.

“Yeah right, you bitch. Unblock me, we need to talk about this!” 

“About what?” you scoffed, rolling your eyes. “We broke up 8 months ago, let it die Charles.”

“Baby, I miss you,” he leaned in closer, his breath heavy with alcohol. “I miss that pretty pussy too.”

You shuttered with disgust. “Get the fuck off of me,” you punctuated each word carefully and spoke slowly, making sure he heard you.

“Don’t be like that baby,” he smirked, tightening his grip. “Or it won’t end well.”   

You felt it. The gun in his holster. He wasn’t past killing you, you knew that. You knew he wasn’t safe. He never had been. He just wanted to get you home and into his bed, and you’d rather that than dead. 

“Get off of her,” Penelope demanded. He turned his attention to her, and you instinctively reached for your gun, only to remember that you left it at home. You weren’t about to let him hurt Pen. “And who may you be?” he asked. “Don’t,” you gritted out. “You’re here for me, not her.”

He turned his attention back to you. “I know that sweetheart, I don’t see why I can’t chat, do you?” 

“Let’s just go,” you told him. He nodded, a smug smirk on his face. You got up, his hand stayed on your shoulder the whole time, his other hand on his hip. 

“Good girl,” his laugh was dirty. Everything about him was dirty and sleazy and it made you sick. But again, better you than Penlope. 

Penelope’s eyes searched for someone, anyone to see you. He needed Morgan, o-or Hotch, or just anyone. “Hotch!” she called when she finally caught his eye. He rushed over to her. 

“Are you alright?” he asked, searching her for injury or signs of upset. 

“Y/n a-and this tall guy, he was talking to her and then she just got up a-and left. She looked scared. I-I didn’t know what to do,” she stuttered through her sentence, tears building in her eyes. 

You. Scared. You. Scared. You. Scared. You. Scared. You. Scared. You. Scared. You. Scared. You. Scared. 

It played in his head like a sick mantra until he finally did something. He rushed out of there as fast as he could. He had to find you. He needed to find you. 

He ran down the alley beside the bar, nothing. Ran down the road with Morgan on his tail, nothing. Cars weren’t even moving, it was just a regular night. 

“Y/n!” Spencer called out to you. 

There you were. Leaning against a car with him standing over you. 

The three of them rushed over, ready to just take you back inside. They didn’t know how dangerous Charles was, how obsessed he was. 

“Stop!” you warned them. “Go back inside, I’m alright, I promise.” 

“We’re not leaving you here,” Derek argued. “Man, get off of her-”

Charles scoffed. “She wants this, she’s into it. It’s just some harmless fun!” 

Aaron almost recoiled out of disgust. He knew what you were into, and he knew it wasn’t this. It had taken you almost the full 6 months you’d been with him to even be comfortable enough to kiss or touch him in public. You didn’t talk about it but… it did come with the territory of being a behavioural analyst. He noticed how you shied away from the way he touched you sometimes, he noticed how you refused to drink a drop of alcohol, he noticed how you flinched at big noises, he noticed how you held his hand during sex. All of these little things, it led him to one conclusion, you’d been abused. 

He promised himself if he ever got to meet the fucker, he’d hurt him, if not kill him. 

Then in came Charles, and thus began the night Aaron Hotchner ended up in jail for aggravated assault. 

------------------

You sat in the police station, your head hung low. This was all your fault, none of this would’ve happened if you’d just-

“It’s not your fault,” Aaron whispered as he sat beside you, putting his cufflinks back on. Of course, you’d bailed him out and he’d gotten off with a warning and a fine, which was pretty good considering what he did to the guy. “Please don’t blame yourself.” 

You shook your head, willing yourself not to cry. “Aaron you got in a fight because of-”

“A choice I made to provoke a dangerous person,” he finished. “A choice I made.”

You nodded. “Aaron, your lip,” you placed a gentle hand on his cheek which he leaned into. His lip was split, he had a bruise forming on his head, and you knew his back was sore from the fight. You knew how hard Charles could hit. 

“My lip is fine, I promise. The paramedics gave me some painkillers. Are you alright?”

The dreaded question. No, you were hilariously, awfully, un-alright. You had to see Charles again, he touched you again, he talked to you again. You shook your head, tearing up.  Aaron didn’t shy away. He held you as you sobbed in that police precinct. He didn’t care about anyone staring, he didn’t care that the team was waiting outside, he didn’t care. He cared about you. You were all that mattered in that moment, and every moment after it.

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criminal minds masterlist :)

navigation for my blog :) (criminal minds, obx, the bear, marvel, top gun, the hunger games :)

[yestrday]

: ̗̀➛ YANDERE SALARYMAN IS A FOOL FOR YOU .

ahhh, looks like you caught the attention of an overworked white collar! who is truly the victim here, you or him?

( yandere, perverted man!!!, nsfwish but no s3x, hes creepy :(( ) + thanks to my bbg for being my beta reader mwah mwah

YANDERE! SALARYMAN who is constantly overworked to the bone by his abusive boss. He's clocked in so many overtime hours that human resources is beginning to suspect something, but his co-workers keep pushing their work onto him that he can't help but go overtime. Working days always seem to be like this— constant yelling by his shitty boss, papers jamming the printer, co-workers dumping more work on him before time-out, the side-eyes and whispers of women directed at him in the elevator, and somehow always forgetting to bring the lunchbox his roommate made for him.  He's a pushover with no backbone, so he spends most of his nights banging loudly at his keyboard and cursing his own spinelessness.

YANDERE! SALARYMAN who's just a walking black hole of negativity. It's already bad enough that he's been dealing with a lot of mental baggage from his childhood, but this stupid fucking black company is making him this close to fucking losing it.

YANDERE! SALARYMAN who only wants to go pick up a coffee after work and sees you manning the cafe. Just a sweet little thing, working their student debt away at the new cafe's that opened up near his workplace. He tells himself that it's all part of your job to smile and be polite but fuck— your sweet grin's making his hands go clammy and his voice tremble.The line behind him shoots him judgmental glances because the creep is blushing and sweating and stumbling over his words but if you were ever annoyed, you don't show it on your face. No one’s been this nice to him, but when your fingers brush over his shaking ones when you hand him his order, electricity spikes from his fingertips and sends his heart into overdrive as you flash him another service smile. He has never believed in a god before, but upon meeting you, he might as well declare himself religious.

YANDERE! SALARYMAN who feels super guilty about drooling over you when you're several years younger than him. You're just a college student trying to finish your studies while he's a white-collar slave about to enter his 30s. The contrast between you and him is like heaven and hell, and he curses himself for being such a stupid filthy pervert as he palms himself to your Instagram page he's managed to find.

YANDERE! SALARYMAN who is once again tired and about to die from another night of overtime, heading out to catch the last ride home and surprised to see you closing up shop. You brighten when you recognize him as one of your regulars (he could give two shits about the black coffee he was ordering when he was too busy ogling you). He stammers and shrinks when you ask him about how he's doing out of concern. You mention his eyebags and his pale skin and his overall sickly demeanor and you fret over him as you two walk to the station. He's at a loss for words when you force the ham and cheese croissant into his hands and tell him to eat up, before waving at him with a grin as you enter your bus.

Woah. So like. You're in love with him, right?

YANDERE! SALARYMAN who goes fucking crazy over this interaction. He knows, he knows, he knows, okay?! You’re just nice like that, but his affection-deprived mind is going into overdrive and can’t help but overthink. But he has to stop himself. You’re probably only like that because you pity him, huh? Whatever’s on his pallid face and baggy eyes must have had you pitying the minimum wage salaryman. … This pity act is probably only to make you feel better about yourself, handing croissants out to whichever near-death white collar you see on the street like some sort of good Samaritan. Well, he doesn’t need it! You can fuck off with your—

YANDERE! SALARYMAN who finds himself in front of the cafe again, nervously adjusting his tie and wiping his clammy hands on his slacks before pushing the doors open. You’re on the morning shift today (haha wow what a coincidence) and the grogginess from waking up extra early today is wiped clean after you look up from the tabletop you’re wiping and shoot him one of your megawatt smiles. Fuck fuck fuck why’d you have to be so damn cute! A man could get the wrong idea, you know?!  

“Espresso for Doppo!” Your bright voice rings throughout the cafe and the salaryman has to gulp down his anxiety as he makes his way to the counter. His neck grows hot as he feels glares boring into the back of his head, and the only relief he has is your sunny smile when he picks up his order. “Thanks again for your patronage! Quite the regular here, aren’t you? All staff’s been ecstatic over a Matenro member stopping by here.”

Ugh… The staff knows him? Not only is an insignificant water flea like him taking up a space in your mind, but there are others as well? What could they be possibly saying about him? He nervously laughs, eyes darting around the place as he fidgets. “Uh, ah, y– you know me…?”

He can feel the look that you’re shooting him right now, and he wants to dig a hole for him to hide away in. “Of course! Matenro, the winners of the first Division Battle… waaah, I was so ecstatic when I saw you for the first time! You guys were so cool. I was even cheering you on during the second Division Battle.” You sigh sadly. “Well, Fling Posse’s good, but a Shinjuku local’s gotta stay loyal, y’know?” Oh, so it’s just about being loyal. What was he even thinking, getting his hopes up that maybe you liked Matenro, liked him, for their rap. Stupid, stupid, stupid— “Oh, but don’t get me wrong though! I love the way you guys do hiphop. Especially your screaming shtick, Kannonzaka! Can really feel the pent-up stress from Chuohku all the way to here, haha!”

Doppo shrinks into himself, using his work bag to try and hide the shaky smile that’s been threatening to break out onto his face. To… To think the cute barista he’s been crushing on for a month now is a fan of him… This kind of stuff only happened to Hifumi, not him! He doesn’t… He’s not quite sure to handle the situation. Instead he nods as you gush over Matenro and at the end, finally squeaks out a tiny little, “Th– Thanks!”

You shoot him a pitying look. Clearly all that rap about his pent-up stress and rage is clearly stemming from somewhere. Sighing and looking at the building in front of you, you see the skyscraper’s soulless windows and architecture and sigh. “Enjoy the coffee then, Kannonzaka. Being a black company worker is stuff but!” You shoot him a grin and a thumbs up. “I’m rooting for you and Matenro!”

YANDERE! SALARYMAN who’s reeling from your compliments and praise. Oh… Oh god. You– You liked him! Actually liked him. And, and you said you were cheering for him too! Well, him and Matenro, but still! He goes back to his apartment feeling more chipper than usual, something that his roommate notices. The creepy smile matched with the dark laughter as he enters their apartment isn’t exactly charming, but he’s happy to see him happy nonetheless. He thinks that he’s been wearing that gloomy look for far too long and he’s glad to know that he’s found someone to brighten up his days.

YANDERE! SALARYMAN who has gained some courage to hold longer conversations with you. When you’re working the night shift and run into him after closing up, he’s glad to know that you take his dry humor very well. As the two of you silently walk together to the station, he can feel his heart beating so fast that he might near collapse. He wipes his sweaty palms on his slacks and swallows down the anxiety in his stomach. It’s already weird to see a near 30 man walking together with a fresh-faced uni student alone and at night, so he might as well not add more to his creepiness.

YANDERE! SALARYMAN who has to bite down his tongue when you press up against him in the jampacked train. You smell like coffee and pastries and he— he tries not to sniff himself— probably smells like sweat. A sudden lurch of the train has you clinging to him to maintain stability and oh god oh god oh god you smell so fucking good shit. He suppresses the urge to sniff your hair. Instead, he (oh gosh he was really about to this) shakily wraps one arm around you, his palm on your lower back to offer you more support. You smile at him so sweetly, as if the dirty old man didn’t have the agenda of just trying to feel you up. Oh… oh gosh he can feel the dip of your lower back… trailing to your—

He hopes you don’t feel the tent down… there. Though with how tightly you two are up against each other, he highly doubts that.

“Bye Mr. Kannonzaka!” You cheerily wave to him as you both part ways at your stop. Though he is unable to match your energy, he waves you off with a faint smile before you bound off to your home. His eyes linger long as your figure disappears into the distance and he’s left all on his lonesome.

— Then he runs off to the nearest bathroom. People cast him weird glances as he rushes off to the farthest bathroom stall and sits on the toilet, burying his head in his hands as he tries to make sense of the numerous thoughts rampaging in his head.

Oh god. That just happened, didn’t it? Something straight out of those perverted doujinshis that happen on trains. And he was the ugly bastard, wasn’t he?! The weird, creepy, scummy ones preying on innocent girls that don’t deserve their fantasies. He was a hopeless case. He should do the entire world a favor and make away with himself, but then he couldn’t see your pretty face in the hell that he was going to. You didn’t deserve this—

His phone dings. He checks the text notification that comes from you.

[Your Name]: heya ! just curious about what brand your bag is. felt it on the train and dats sum serious quality leather!

He screams into his hand. The man in the stall beside him angrily knocks on their shared wall to shut him up. He rack his brain to try and figure out any possible way to properly answer without rousing suspicion until you send another text.

[Your Name]: just kidding~ (｡•̀ᴗ-)✧ 

…

… You’re going be to the death of him, you. Youngsters these days.

you thought this was a general yandere fic, didn't you?! get hypmiced!!! /matenros you/

[dr-spencer-reids-queen]

Fight Back

Pairing: Spencer Reid x Female!Reader

Word Count: ~3.3k

Warnings: angst, talk of being physically abused by a parent, scarring and branding because of the abuse

Request by anon: Could you do where there reader is a part of the Bau and the unsub is kidnapping and killing girls who look like her and it turned out it is her abusive father and when the team finds him the reader and him a a full fight and she gets him back for all the abuse she had to go through

Summary: A case brings up a past you’d rather much forget but haven’t moved on from. A past so traumatic that you have no choice but to take matters into your own hands.

Square Filled: make it look like an accident for @badthingshappenbingo

Author’s Note: any and all comments are appreciated <3

x

You enjoy traveling to different parts of the country for cases because you enjoy indulging in different cultures and trying new foods. Though, nothing beats being at home. Virginia PD has a case they requested your help on, and you love you can drive home at the end of the day instead of staying in a hotel room.

Detective Banks is already at the scene of a cliff where the body of Justine Frank was located. She was found naked by some hikers who called it in as soon as they got cell service. You and Spencer were tasked to meet with the detective who shakes your hand upon arrival.

“Thank you for coming. I didn’t have anyone touch her until I knew you were done.”

“Good choice. Thank you.” Upon first glance and ignoring the fact that she’s naked, you think she could have landed here after a bad tumble off the cliff. “Detective, why call us out here? Surely your men can handle this one, no?”

“There are four more just like her. We thought it was an accident at first, but more than three is a pattern. We’re stumped.”

Spencer leans down to inspect the body closer with gloved hands. He touches the underside of her wrist and notices fresh wounds.

“Rope burns. She was bound.”

“Was she bound when she went off the cliff?”

We seem to think so,” Detective Banks answers, “but the ME will be able to determine that better than I can.”

“You say it’s a pattern. What makes you think it is?” you ask.

“When one woman shows up, another woman is reported missing. Based on that, it’s safe to assume he already has another victim.”

You’re about to leave when you notice something on Justine’s back. You grab a glove and kneel next to her body to get a closer look. You move her hair to the side and notice a mark on her shoulder blade.

“What is it?” Spencer asks.

“There’s a mark here. I’m not sure if it’s a mark sustained in the fall or if she had it before. I think the rocks and tree branches scratched it up a bit.”

Spencer runs his finger over the mark and frowns. “It’s raised. Like a brand.”

You take out your work phone and snap a picture of the mark so that you can analyze it later. Once done, you and Spencer head back to the police station to meet up with the rest of the team. Hotch and Emily just got back from the ME’s office at the same time you and Spencer got back.

“Did you find anything?” you ask as you walk into the conference room.

“All four victims had ligature marks around their wrists most likely caused by ropes, but the ME says the wounds are much older from when they were found.”

“They were probably bound when they were being thrown over the cliffs, right?”

“Could be or they were bound while being held.”

Spencer gathers the pictures of all five women and pins them to the bulletin board along with their names, a few crime scene photos, and other important details.

“Would you look at that? They look similar,” you point out. “Our unsub has a type.”

Derek dials Penelope and patches her through the phone on the desk so everyone can hear her.

“Hey dollface, ready to work some magic for me?” Derek grins.

“Challenge me, you beautiful behavioral analyst,” she giggles.

“We’re looking for a connection with the victims. Did they know each other? Run in the same circle? Go to the same grocery store? Anything you can see.”

“Even the hidden stuff. Uno momento.”

“If they went to the same kinds of stores, we could be looking at hundreds of employees and even more customers,” you say.

“Let’s hope they didn’t go to the same store, then,” Rossi chuckles.

“A connection they had. They all came from different circles and socioeconomic backgrounds, but they all have one thing in common. They all had different work done on their house with the same contracting company,” Penelope says.

“Where are they located?” Emily asks and grabs a pen and pad.

“Sorry, babe, they don’t have an office. Everything is done through a PO box. It’s more of a mom-and-pop contracting company than a big business. There is only a handful of employees who all live in different parts of the state, and I mean I can count them all on one hand. Addresses are already sent.”

“Thanks, Mama.” Derek hangs up the phone. “Looks like we’re splitting up.”

You and Spencer. Derek and JJ. Emily and Rossi. Banks and Hotch. Four different employees, four different groups. You and Spencer pull up to the house but you don’t get out just yet.

“Are you okay?”

“Something doesn’t feel right with this case. Something is eating at you, but I don’t know what it is.”

“Everyone has a case that gets to them. I know I have a lot.”

“It’s more than just getting to me. There was something familiar about the mark on Justine’s body. I don’t know. Maybe I’m just paranoid.”

You and Spencer get out of the car and walk up the porch steps to the front door. You knock twice, and a middle-aged balding man answers the door.

“Can I help you?”

“I’m Agent Y/N and this is Dr. Reid. We’re with the FBI. May we ask you a few questions?”

“What is this about?”

“We’re investigating a few murders, and one of the leads happens to take us to the contracting company you’re employed with.”

The man steps out and closes the door behind him. “Sorry, my wife and daughter are sleeping. They’re sick with the flu, and I don’t want to wake them. What do you need to know?”

“Where were you on the week of October 14th?”

“At home with my family. They can’t seem to shake his flu. We had our pediatrician come over to check on poor Lily.”

You take out the pictures of the victims and show them to him. “Do you know any of these women?”

“I know her.” He points to Destiny Ray, the second victim. “She called my company for a roof repair. I’m sorry, am I in trouble?”

“No, you’re not. We’re just trying to establish a timeline. Who gets the assignments?”

“My boss.”

“Who is your boss?”

“I don’t know,” he says shyly.

“You don’t know who you work for?” Spencer asks. “How did you get the job?”

“I saw an ad on Craigslist because I was desperate for work. I just got laid off from my other job and I’d have taken anything at that point. I was supposed to meet with my boss but after one text, he hired me. We did all the paperwork online, and he sent me money orders after every job. I go to the bank. They’re legit money orders. Whenever there is a job, he texts me or the other three employees.”

“May we see some of the messages from your boss?”

“Sure.”

He takes out his phone and pulls up the messages. Spencer gets Penelope on the phone and reads the phone number back to her, but no luck. It’s a burner phone. If you had to guess, his boss is the unsub. Your phone rings and you step off to the side to answer Hotch’s call.”

“Yeah, Hotch?”

“There’s been another body. You and Reid are closer.”

“We’re on it.” You hang up and turn to the man. “Thank you for your help. Please call us if you remember anything else.”

You hand the man your card before you leave with Spencer. Detective Banks is already on the scene when you get there. Like with Justine, this new victim was found at the bottom of a cliff. This cliff is much smaller than the last one, and she isn’t naked. Only her shirt is torn to pieces from falling over rocks and sharp branches.

“Her name is Kaylee Robinson. A mountain biker found her not that long ago.”

“That was quick. He didn’t even wait a day before killing another woman.”

You grab some gloves and kneel next to the body. You move the tattered shirt away from her shoulder blade to see if the mark on Justine is just a mark or if it’s on all of them. You don’t know why you do this. Something is telling you to. Because Kaylee’s clothes protected her body, the mark wasn’t ruined by nature.

You gasp in horror when you see the mark for what it truly is.

“What is it?”

“I need to see the other bodies.”

You don’t want to say anything just in case if you’re wrong about this. If you’re not, you have a much bigger problem on your hands. You and Spencer leave Detective Banks at the scene to go to the ME who still has the other four victims’ bodies.

“You’re freaking me out, Y/N. What did you see?”

“Hold on. I need to check something.” With Spencer’s help, you lift all four victims so you can examine the shoulder blades. Just as you feared, there is the same mark on each of them. “Oh, this is bad.”

“What is?”

“Every victim has a mark on their shoulder blade. It’s a brand as if it was caused by a hot poker or a branding machine. Justine’s mark was mangled from the fall, but it was there. I’ve seen it before.”

“Where?”

You turn away from Spencer in shame and pull down your shirt to expose your shoulder blade. Right there, on the top, is the same branding mark.

“On me.” You face Spencer but refuse to look in his eyes. “My father put it there. He’s the one who burned it into my skin, and I know he’s burned it into theirs.”

“Your father? I never knew that. Why didn’t you tell me?”

“How could I tell my boyfriend that my father used to abuse me? I was ashamed and I still am. I don’t want to be. I’ve put this behind me.”

“You know we have to tell the team, right?”

“Yeah,” you whisper.

You’d hope to keep this side of your past a secret from everyone but who knew your father would do such a thing like this? You’re quiet the rest of the ride back to the station and when you walk into the police station.

“I think we found our unsub,” Spencer blurts out.

“I noticed a mark on Justine’s shoulder blade. I thought it was nothing, at first, until Kaylee had one. The same mark. Spencer and I went to the ME’s office because I wanted to see if the others had the same mark on their shoulder blades. They did.”

“What mark?” Emily asks.

You turn and show them the mark on your shoulder. “This mark. My father put it there after a really bad night.” You turn back around. “My father used to beat me and took his anger out on me with cigarettes. Fortunately, those marks have healed but he didn’t like that. I got really good at hiding the marks he left on my body when he decided to brand me instead. A mark I couldn’t hide. He made me wear clothes that showed off my shoulders so that everyone knew I belonged to him. The mark is his initials.”

“What happened after that?” JJ asks. “I mean, how did you get away from him?”

“He went to jail on a count of theft. A convenience store. My mother had passed shortly after I was born. I was put into foster care, but I was almost eighteen so I didn’t stay there long. I didn’t know he got out.”

“What’s his name?” Hotch asks.

“Peter Kamps.”

Derek dials Penelope, and you sit down at the table in silence. You had to have seen this coming eventually. It was foolish of you to think you had escaped him forever. Spencer walks behind you and puts a hand on your shoulder for support.

“We have a name. What can you tell me about Peter Kamps with a K.”

“Oh, I can tell you a lot about him. For starters, he has an arrest record that’s a mile long. Save for rape, this guy has done it all. B&E, murder, kidnapping, assault and battery, and even drug charges. He owns a contracting company called Big Al’s Crew that only has four employees. He has one daughter… Oh…”

“It’s okay, Pen, they know,” you say.

“I am so sorry, Y/N.”

“Garcia, do you have an address?”

“I have two. One is a house that’s been in his name even after he went to prison. I guess he had someone looking after it.” All eyes turn to you. “Another is a farming property that he uses for his contracting company and other side businesses. That one is in his name but is behind on payments.”

“If you have his addresses, you’re already too late,” you say. “I bet he’s moved on by now.”

“Let’s go.” You get up but Hotch stops you from following them. “You have to stay here.”

“What?”

“You have a history with him. We can’t afford anything to go wrong.”

You’re left alone in the police station like a child, but maybe it’s for the best. You know they won’t find anything at both places. One, you’ve been taking care of your childhood home which is why he hasn’t lost it yet. Two, you’ve been to the farmhouse plenty of times on your own. They’re not going to find anything there.

But you know where you will find something.

This time, you’re going to do something you should have done a long time ago.

Fight back.

You grab your jacket and leave the station in hopes they left one of the cars behind. Luck is on your side because they did, and you find the keys in the center console. Hotch made it a rule to leave all keys inside the car when not in use because he’s had to deal with a few too many locked cars in the past.

You lied to Spencer.

You’re not over it. You’ve been waiting for this moment the first time he laid his hands on you. You drive out of town and to a desolate neighborhood. The only people who live here are runaways and drug lords. You park in front of a two-story house and get out nervously. You might be ready to finally fight back but you’re nervous as hell. The front door is ajar when you approach it, and you kick open the door slowly and carefully. The house is dark and silent, two things that terrify you.

The flashlight on your gun is the only thing that’s lighting your way as you make your way through the house. The stairs creak when you step on them. If he’s here, he knows you’re here now. Most of the bedrooms are empty without a hiding space big enough to fit someone like your father. The last place you check is the master bedroom which has few furniture pieces in it.

“I was wondering when you would find me.”

You freeze from hearing his voice from behind you. Stay strong, Y/N. He’s not going to win this time. You turn around and face the man responsible for destroying your youth and innocence.

“I did.”

He eyes the gun in your hands. “I’m assuming this isn’t a social call.”

“You sick son of a bitch. You killed all those women.”

“Call it substitution for the one I really wanted. You.”

“Yeah, well, I’m bigger now. You can’t break me down this time.”

“We’ll see,” he smirks.

You aim the gun at his head. “I could shoot you right now.”

“But you won’t.”

“You’re right. I won’t.” You lower the weapon and toss it onto the bed. “Guns were never your thing, and I want you to feel me kicking your ass.”

All the classes you took on self-defense amount up to this moment. You were picturing the instructor as your father. You were training for this exact moment. Your father rushes at you but you easily block his attempts to attack. You kick his legs and he crumbles to the ground, and you pounce on him before he can get back up. You wrap your hands around his neck and squeeze as tight as you can, but he’s always been more durable than you are.

He bucks his hips and kicks you off him, and you scramble to get away from him. He will kill you if he gets his hands on you but you’re not going to let that happen. You barely get to your feet when your father grabs you and slams you into the wall. He wraps his arm around your neck in a chokehold and puts his dirty mouth next to your ear. 

“What are you going to do now, little girl?”

“This.”

You push off the wall and use your father as support to basically walk on the wall. When your feet get high above his head, you swing backwards and punch him to the ground. The door is closer than your gun so you don’t even think about turning and sprinting out of the room. 

“You ungrateful little bitch! I’ll kill ya!”

Your father gets to his feet and runs after you. You barely make it to the railing by the stairs when he grabs a fistful of your hair and yanks you back into him. He uses all of his strength and slams your head nose-first into the splintering wooden railing. You crumble to the ground in a moan of pain. You can already taste and smell metal as your mouth and nose fills with blood. Your father pants and stands in front of the railing, looking down at you menacingly. The only thing to light this place is the dim moonlight.

“Have any last words?” he sneers.

“Yeah. I’ll see you in Hell.”

You kick him where the sun doesn't shine, and he doubles over in pain. His face is right in your line of attack, and you kick his face as hard as you can. He stumbles back in pain and trips over an uneven board. He slams into the wooden railing and it cracks under his bulky weight. He shouts in shock as he falls through the railing and down to the first floor.

You jump to your feet and look over the railing to see him impaled on a broken two by four. You move your eyes up slightly and see the front door wide open and your entire team standing there with guns in their hands.

“It was an accident?” you say, unsure of yourself.

The ambulance is called as well as the police. The front door is wide open so you’re able to see right into the house where your father fell. The paramedic is assessing your injuries while you’re staring at your father’s body. The man who tormented you, beat you, branded you, is dead. You killed him and you don’t even care if they arrest you for murder. You’d happily go to jail if it means he’s dead for good.

“You lied to me,” you pull your eyes away from your dad to look at Hotch, “and you disobeyed me.”

“Am I fired?”

“I’m tempted to do it right now.”

“I’m sorry, Hotch, but I’m not sorry I did it. If you were ever abused by someone and then learned you had the power to fight back, you’d understand why I had to do this.”

“My office when we get back.” He turns to leave but pauses. “Are you okay?”

“More than okay.”

“I’ll ride with you,” Spencer says when he approaches you.

“Spencer, I’m fine.”

“You dislocated your nose at best. You’re going to the hospital,” the paramedic says.

“Fine,” you chuckle.

“Next time, tell me when you’re going to do something like this, okay?”

“Okay,” you nod and kiss him.

x

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[dreamsmearcampaign]

This Is A Smear Campaign: Open Your Eyes

Many of you have most likely seen this post (x) detailing how to spot a smear campaign. But, recognizing the signs is difficult for many who are already entrenched. With OP’s permission (x), we’ve gone through the 7 major steps of a smear campaign and documented how this situation is a smear campaign designed to unjustly hurt a victim.

How to spot a smear campaign

Victim’s “crimes” (x)(x) are enlarged: even small missteps are treated as if only the worst person on the planet would do such a thing

Accusations against the victim are a reach, aka, victim did ‘this little thing’ but it actually means they’re a misogynist/pedophile/Tr*mp supporter/homophobe (x), even when the victim’s actions never conformed to those crimes (x)(x)

Victim’s actions are misinterpreted (x) in the worst possible way: anything the victim has done was taken as an offense and intentions are read as hostile and manipulative, regardless of how clear they are (x)

Victim’s actions have been taken out of context (x); ie, victim said something cruel to someone (x), but they take out the context of the victim being abused, threatened, forced into defense mode (x) and finally attacking out of desperation (x) to defend themselves (x) and get free

Victim commonly gets provoked into giving a bad reaction (x), (anyone gets defensive if they’re accused of the crimes (x)(x) they never did, or simply triggering insults until they snap), and the reaction has always been the new ‘proof’ that the victim is in fact, evil and guilty

A lot of pressure has been put on fans to react ‘correctly’ to the smear campaign; if fans don’t accept to demonize the victim at once, fans get scrutinized, shamed for their lack of morality, told that they support all these horrid things and that they are just as despicable (x)(x)

Trends of people have banded together based on their demonization (x)(x)(x) of the victim; they’ve set a standard where you’re accepted and welcome if only you also will demonize and hate the victim, and if you don’t, you’re blocked, cast out, and accused of causing harm

Over 20 sources from this week alone depict how Tommy and Tubbo are heading a smear campaign against Dream.

This is most likely not intentional. The initial smear campaign is suspected to have started in 2021 by an alt-right chat room (x). But, their actions are negligent and hurtful to an undeserving person. Their disregard for the consequences of their actions have led to threats against Dream and Dream fans and family. 

This is not okay.

So, how do you prevent it from happening again?

Do not fall for smear campaigns. 

If a large number of people agree that a person is the worst, but their story is exaggerated, out of context, sounds fictional, and doesn’t show any proof, and the people switch from being enraged to eager, doubt it. Participating in a smear campaign will help the abusers isolate and abuse someone, and you do not want to be a part of it. They will also smear anyone who stands up to their abuse, so you’re helping the abusers to create a place where pointing out abuse gets you cast out of the community

In the case of Dream, refrain from making false posts about Dream. Even jokes, like those made by Harry, Aimsey, and Tommy, have led to child endangerment. Call out creators for their misbehavior: educate them on why a joke is in ill-tase. And, if they don’t respond, boycott their content. There are lovely creators who are making great series you can watch right now (like Hermitcraft, Empires SMP, etc). Make your voice heard by taking away their voice.

In Tommy’s video, he said he can admit when he “[fucks] up.” If that is true, he should apologize for, whether intentionally or unintentionally, engaging in a tactical scheme to hurt a person. The same goes for Tubbo and his fans. Recognize the actions you’ve caused. Realize what your words do. Apologize, and move on.

We thank you all for educating yourselves: have a good night :)

[m-ilkiee]

Monsters: Mikey Sano x Reader x Izana Kurokawa

Chapter 2: Shots Fired

series summary: your grievous sin was Emma standing up for you to her brothers. and now you’re going to pay the heavy price for destroying their perfect family dynamic.

chapter summary: Izana Kurokawa demands your attention and he doesn’t take no for an answer. Not even when his demands are outrageous.

cw: DARK CONTENT, MISOGYNY, NSFW, r*pe mention, religious guilt, depictions of PTSD and CPTSD, emotional incest, abandoment issues, violence, revenge porn, depression, filming without consent, drugging, implied domestic abuse, victim blaming, blackmailing, manipulation, gaslighting, mind break, psychological torture, use of firearms

r-18+ (not suitable for 17 and under)

wc: 11.6k

{masterlist} {chapter 1} {chapter 3} {taglist}

a/n: likes are nice, comments and reblogs with comments are superior, anons are also superior too and would make me update faster cause it means people like what i write. this chapter takes an entirely different turn from the old story, some scenes are similar but the context is different. i host polls after this so stay tuned. Edit 02/11/2024: this chapter's end has been edited and changed. I've indicated the edited point, so that you could skip other parts to read it. Thank you.

 YOU haven’t been able to stay asleep for the past few days.

It’s easy to fall asleep after a hard and stressful day at school and your part-time job. Your limbs ache from all the walking and lugging a bookbag far heavier than what you could handle -since all your e-textbooks were on your (now destroyed) laptop and phones were not allowed during lectures. And working from 5pm until 9pm at a restaurant, serving food to rude, overbearing customers only to be paid in pieces was another added stress in itself.

Not to mention, studying until the words are bleary and just looking at a book hurts your eyes.

But then, in all your dreams, everything you’ve pushed to the back of your memory is at the forefront. Your dream starts typically, your normal school day, waking up, dressing in your cute little blue crop sweater and jean skirt with socks. You go to classes, and then you see Mikey’s car waiting for Emma.

Things take a different turn. He’s the one getting out of the car to meet you. It’s like a siren call, him holding out his hand for you to take despite someone screaming for you to stop. You try to reject him, try to run away like the voice said but you end up getting trapped. This time, he’s not using his hands. He’s fully sheathed inside you, robbing you of the thing you hold so dear while you kick, bite and claw at him until you wake up screaming, sweat soaked all over your sheets.

You consistently dream of being violently raped by Manjiro Sano.

The next few hours until sunrise were equally horrible. You’re quietly sobbing into your pillows, praying to God to forgive you for letting Mikey touch you in the first place, assuming your reason for having such dreams was God’s divine judgement for your grievous sin. You’ve lost count on how many Bible verses you stay up reading until your eyes are bleary and the sun comes up.

No matter how much you pray and how many times you recite psalms 127 before you sleep, you can never escape Mikey in the world of dreams. He’s a virus that has invaded your thoughts, corrupting every dream you had and twisted them into nightmares.

You don’t know how long you can hold on being this sleep deprived. It’s been impairing your school life, trying to find a way to stay awake during classes only for you to fall asleep and miss the rest of it. Even when you got notes from the person next to you, reading them was always difficult because your eyes hurt so much.

Work was even more taxing and stressful, rush week adding more stress than you could ever imagine. You found yourself spacing out more than usual when you were supposed to be taking orders. You were unable to keep up with the fast paced environment, your body feeling like a ton of bricks with every moment you make. Your eyes were heavy lidded, tired from forcing them open throughout the day.

You were so, so tired-

“Hello! Are you sleeping on me young lady?” A voice snapped at you.

Your eyes shot open and immediately you stood back straight. You must have been dozing off while taking the older lady’s order -the very thing you’ve been trying to avoid all day long. “No, not at all Ms-” you started to explain. “-I was just … what was your order aga-”

You flinched when the woman angrily slammed her fist on the table, shutting you up instantly! “So you were sleeping on the job! What kind of establishment allows this?” She screamed, attracting the attention of customers around. “I need to speak to your manager. NOW!”

You instantly began to panic at the mention of your manager. If he heard any of this, he was definitely going to fire you. You cannot afford to lose this job right now, with all your school expenses and saving up money for next session’s tuition.

“No mam!” you begged, keeping your voice even as you tried to reason with her. “Th-there’s no need for that! Please! Let me take your order and I’ll-” you racked your brain for an excuse, knowing fully well your establishment does not offer free meals. “- I’ll pay for your meal! On me-”

“So you’re trying to imply I’m poor?” She interrupted you again, her tempo even higher than before. “You disrespectful little wretch! How dare you? GET ME YOUR MANAGER RIGHT NOW!”

You started begging the older woman, trying to calm her down and de-escalate the situation, but each plea only fuelled her rage. By now, every customer, every employee and just anyone in that place watched you grovel and beg this woman to calm down, some people even videoing your altercation. Your body was trembling as she screeched in your ears, calling you all sorts of names while you relentlessly apologised to her.

“What is going on here?”

You winced at the sound of your manager’s voice emerging from the backrooms. You stood stiffly as he walked to your side, using his shoulder to nudge you out of the way. “Is there something wrong Ms.?” He asked the lady. “What happened?”

“This little wretch!” She practically screeched at you, her finger wagging straight at your hung face. “She was sleeping while I was ordering! And when I pointed it out to her calmly, she called me a hag!”

Your eyes snapped open. You can tolerate people yelling at you, but lying is out of the question. “I did not call you anything! That’s a lie-”

“You be quiet!” Your manager yelled at you, silencing you. He turned to face the woman again, apologising profusely for your so called rude behaviour. “I promise you mam, she will be dealt with accordingly. Your order is in the house, please take that as a token of our humble apology and forgive us.”

You stood there in shock as the woman smirked satisfactorily at her now free meal. “Well, you better get rid of her!” She snarked, eyes scanning you up and down, plopping back down on her seat. “Or you’ll lose me as a patron.”

“Of course mam.” He said sweetly before switching his countenance towards you into a more irritated one. “You, come with me.”

You lowered your head once again in disappointment as you started following your manager towards the back rooms, your head lowered in shame as the eyes followed your every move to your damnation waiting for you in the manager’s office.

Your skin crawled as you felt his penetrating gaze on you, as if judging you. “You know how many complaints I have received this week just from you, (name)? How many orders you’ve messed up?”

You shook your head no in response, not trusting yourself to say anything reasonable at this point. He eyes you up and down again before scoffing at you rudely. “I only let you stay here because you said you were desperate for a job. But apparently, you’re not even bothered enough to keep it.” He spat out. “Unfortunately for you, this is the end of the road for you here. Change out of your uniform and leave.”

“But s-”

“I said you’re FIRED. GET OUT.”

You sighed weakly, obeying your now ex-manager’s order and leaving the office. You ignored the eyes of everyone watching you exchange the too tight black jeans and green top uniform back to your white bohemian skirt and light blue top with your white jacket. Calmly, you packed your school bag and everything you owned with you and slung it over your shoulder, replacing the uniform back to the locker, dropping the key on top.

No one said goodbye to you as you left through the back door.

  IZANA knows it's creepy to be waiting for Emma just outside her college, but it's not like he has a choice when she keeps ignoring any method he uses to contact her.

Mindlessly, he fiddled with his lighter with his back on the wall of the English department building and an unlit cigarette between his lips. Purple eyes scanned the people leaving the building one by one, hoping to find a mop of golden hair amongst the students. His hopes rose with each blond he saw, only for him to deflate when he realised they weren't her.

A few minutes passed and still no sign of Emma. Deciding that he didn’t want to stand around and gape, Izana lifted his lighter towards his cigarette, flicking the light twice and bringing the warm flame to his lips. Breathing in the familiar scent of nicotine, smoke filled his lungs as he tucked the lighter back in his pockets. His free hand took the cigarette from his lips and he exhaled, releasing plumes of smoke from his lips.

His smoking habit had gotten worse within the past week. Izana couldn’t help it, reaching for a light anytime he saw his gifts in the dustbin. Emma hasn’t been this angry at him before. Usually a new plushie was enough to wash his sins clean, no matter how grevious they were. Now, not even the most expensive shoes she’s been eyeing for months could satiate her anger.

All because of you.

Izana knows his little sister like the back of his hand. Like how she loved sleeping with plushies because it comforted her whenever their mother brought her gambling friends into the house and they were loud. Or how he picked up a guitar to learn multiple barbie songs because their mother had destroyed Emma’s CD that he bought with his money to punish her. He knew she liked warm tea during her periods and gentle back rubs to ease her pain. He’s not the best person to be around, with how fucked over he was by life until Shinichiro gave him purpose but he loved his sister a lot and everything he did was to protect her. Life hardened him, made him so jaded that the only thin thread connecting him to his humanity was Emma and he’d do anything to protect his humanity.

Only to watch it slip through his fingers.

First it was Mikey’s stupid friend, Ken Ryugi, who waltzed his way into Emma’s life. Izana didn’t like him one bit- didn’t like how Emma would bite her lip, waiting for him to reply and cry herself to sleep when he didn’t. Her heart was soft, fragile and that brute tore it apart by telling her he wasn’t interested in a relationship yet.

The only reason Ken wasn’t in an unmarked, shallow grave in the middle of nowhere was simply because Mikey was involved.

Now it is you, taking the space in her life that belonged to him and Mikey. You’re pushing both of them out of the equation, threatening their position in their sister’s life and everything they know.

Izana wonders how someone so insignificant was so important to Emma that she was willing to cut communications with her own brothers. It baffles him beyond understanding and at the same time enrages him that she could trust you so easily. That she was willing to turn against him in your name.

He took more puffs, skimming throughout the campus for any sight of her. It didn’t matter how he felt about it, as Kisaki had convinced him to ask Emma and you to go shopping, just to get back into Emma's good graces again. Apparently doing a nice gesture publicly for you would convince their sister to give them another chance again.

Especially because Izana had been the biggest opposition to their friendship.

“But Mikey was a little shit about them too.” he grumbles underneath his breath, cigarette in hand. “Why do I have to be the one to apologise? And why did Mikey get an out while I’m doing all the heavy lift-”

His thoughts were cut short the second he caught sight of a familiar blonde hair bouncing in the wind and stood up straight, tossing the cigarette to the floor and crushing it underneath his black shoes, before rushing to catch up to his little sister.

Izana pushed through the throng of people, violently shoving anyone that got in his way until he finally fell in step with her, slowing down to match her pace. Without wasting time, his hand curled around the girl’s wrist, stopping her in her tracks instantly and earning a shocked gasp escaped her lips.

“Get off me - Izana?”

Her free hand was fast to hit him, but her head was faster in turning around, only to recognize it was just Izana. Her hand stopped inches away from the smirking male’s face, the tension leaving her body and relief taking its place. It doesn’t last long, though as irritation suddenly crawls on her face, instantly displeased at his actions. “What the hell? I’ve told you to stop doing that.” she hissed at him.

A mischievous grin made its way to his face at Emma’s irritation. She always had a pout whenever she was angry at him and it made look even more adorable.

“Were you scared?” He teased, pulling Emma closer to him until she was practically smushed at his side, despite the glare she gave him in response. “You know no one would dare touch you.”

“Get off me. Your breath stinks like nicotine, I thought you said you quit smoking that shit.”

Ignoring Emma’s last question, he decided to change the topic. “Your lapdog isn't here with you?” he asked. Usually, you would be hovering behind her like a damn pest, so you not being around her was rather strange. 

Emma is quick to shove him off lightly, putting some distance between the two of them, clearly still mad at him. "(Name)'s not feeling well, so she didn't come to class today. I'm on my way to get her medicine."

Oh, that's a surprise.

But with you out of the way, Izana could finally have Emma all to himself for today and hang out with his beloved sister. Maybe even make up for the party thing without apologising to you. Without you here, it’s likely Emma isn’t as mad at the whole situation and is playing it up to make you feel like you have someone on your side.

He knows you’re not going to protest if Emma says she’s in talking terms with her brothers again. It’s a win-win situation and he doesn’t have to grovel or ask for forgiveness for some joke that went wrong.

"So that means we can hang out?"

"Excuse me?"

"You don't have to keep pretending you're still mad at me now that she isn't here." He spews the 'she' with so much venom it could kill, before switching up with a sick grin, his hand stretched out. "We can go to Vivienne Westwood and get that Saturn necklace you like, what do you say?"

His words hung in the air as Emma trailed her pointed glare from his hand, back to his cheerful visage. She crossed her arms in response slowly, her yellow eyes burning holes into his face as her lips curled into a sick sneer.

“Are you insane?”

“What?”

“Don’t ‘what?’ me Izana! I just told you (name)'s ill and you're asking me to go with you to shop at Vivienne westwood? Are you nuts?”

Emma’s voice was loud enough to garner wandering eyes of other by-standers, watching the event go down. Izana kept his composure, despite his bubbling irritation beneath the surface of his skin, with a smile -albeit stiffer than before. ‘She’s just being emotional’ Izana whispered to himself, still trying to be rational. ‘Just take it easy with her’

“Oh come on, should I care about her-"

"You should be begging her to forgive you for what you did to her that night!"

"You can't still be mad at me for that shit that happened two weeks ago. And besides, it's not my fault she couldn't take a joke” his words were smooth, buttery, flowing out of his lips like it was the truth, digging his own grave. “I didn’t know your friend was that sensitive-”

“Are you listening to the bullshit coming from your mouth?” Emma roared, her voice echoing throughout the entirety of the department, her face red with fury. Izana had never seen his own beloved sister ever look at him with such disgust in her eyes, her teeth gnashing against each other and hands at her side, clenching against each other. “Is that what you think a joke sounds like?”

“Calm the fuck dow-”

“No wonder you’re fucking single, you’re such a piece of shit to anyone that isn’t Shinichiro!” Emma screamed, interrupting Izana once again, her temper fiery enough to burn a hole on the ground she stood with how heated she was. “How does anyone even stand you for so long? You’re unbearable!”

“Excuse m-”

He doesn’t like where the conversation is going, with how furious Emma was right now. He tried to raise a comforting hand to Emma’s shoulder to ease her tension but she was quick to smack it away from her hard, stinging his fingers a little.

“You’re so unpleasant, how do you even have any friends? How do they tolerate you? To think (name) wanted me to forgive you! Thank god you aren’t my fucking brother, I can’t imagine being anything like you!”

The words left her mouth before she could stop herself.

It was as if the world froze over for Izana. He stood there, wide eyed, his heart beating loudly in his chest as all the voices around him faded into the background. His hand extended weakly at his side, mouth drying up as a lump formed in his throat. 

“I-I-i" she starts to stutter. It’s obvious that she can recognize what she had just said as he blankly stared at her. "I didn't mean i-”

He doesn’t let her finish, turning on his heel and walking away as fast as possible. People were quick to clear out of his way, not wanting to be his target of aggression. Emma followed behind, instantly, shouting his name at the top of her lungs followed with strings of apologies.

“Izana, wait please-” she screamed from the crowd of people, tears streaming from her yellow eyes. He continued to ignore her as he hopped on his bike, sliding in the key and revving up the engine before she could reach him.

Izana zoomed away, turning Emma’s cries into background noise, her words repeating in his head.

“I didn’t mean it! I’M SORRY-”

YOU don't know which was worse, the feeling of helplessness that came with the reality of your life crashing before your very eyes or the splitting headache you've developed after crying in your room for a week straight. Laying on your bed all day, huddled up in a blanket and sobbing uncontrollably was unhealthy, but it was all you found the strength to do these days. 

In all your years of being alive, you've never felt this pathetic. Not when you would be pushed outside in the pouring rain if you made a mistake in making dinner, or had been beaten with a belt in front of Yuzhua and Hakkai because you failed your catechism test. You could protect yourself from your brothers when they got violent. You could run and hide when your dad was really angry and wanted to take it out on you.

Unfortunately, no one told you what to do when your life is falling apart.

Ever since that day, you couldn't find the strength to go to class or do anything for that matter. It was like your entire energy was sucked out of you, leaving your body an empty husk with nothing left to give. 

You only have yourself to blame.

You drag the blankets closer to your body, sniffling a bit. The worst part of all of this is that after this month, if you don’t find a job that pays you quickly, you are going to be broke. It’s times like this that makes you regret leaving your family. You know it’s wishful thinking, but you wonder if you would be forgiven assuming you return home in tears and repentant of your sin of disobedience like the prodigal son in the bible. Life is too hard to live in the outside world without the help and guidance of a parent. You miss your old life, with your own bed and guaranteed food, as long as you did as you were told. You miss how sometimes your parents took you and your siblings to eat out after church.

You miss your mother. You want to go back to her. Life is hard, and dealing with being jobless with nowhere to turn to is harder. You could ask Emma, but she’s already taking care of you and there was no way you would bother your friend about your money problems.

"Hey babes, I got the medicine for you."

Emma's soft voice rouses you out of your self-pity session. The wood creaks underneath her heels as she walks to your bed and takes a seat besides you, the mattress dipping underneath her weight. The scent of her Vivienne Westwood wafting through your nostrils fills you with a sense of warmth, familiarity and at the same time, dread.

You feel guilty. Perhaps it's because you don't know how to tell Emma what exactly is wrong with you. It's easier to give her the half-truth that you caught a stomach bug than say everything. If you even as much as hinted that Manjiro had something to do with the real reason you were a sobbing mess on your bed, you're sure she would overreact and fight with her brothers again.

But still, not telling her meant you were keeping secrets from her. Something you both promised not to ever do as you two became best-friends.

‘It’s for her own good.’ you try to justify it. ‘It’s better I keep my mouth shut.’

Pushing that thought at the back of your mind, you roll over to her direction, pulling down your blanket just a little bit to see her properly. Your heart drops at the sadness etched onto Emma’s face, a forlorn look in her eyes. You hated seeing her down, yet all you’ve been doing for the past few months since you came into her life was causing her pain. You know how it feels to lose family, no matter how bad they were to you and Emma is no different.

“Hey”

Your voice is hoarse from your constant crying, but Emma doesn’t mention it as she reaches a hand to caress your face. “You look better than yesterday. You up to eat?”

You nodded briefly, realising how hungry you were. You’ve barely had an appetite to eat anything, so your rations had been smaller and compact until you regained it back bit by bit, thanks to Emma’s constant care. Pushing yourself up, you sit up and yawn, quickly covering your mouth the moment a bad stench emanates from it. Emma’s face quickly grows sour as well, probably smelling it too.

“You haven’t showered.”

“Uhhh-”

You knew there was no excuse for that one as Emma put the food and medicine away before yanking you off the bed while talking about how gross you were for not showering throughout today. “You’re a girl (name), don’t do this to yourself, c’mon-”

“But-” you start to whine, trying to defend yourself. “I was tired-”

“Nope!” she retorted, pushing you towards the bathroom. “No excuses! I swear you’re acting like Mikey when he’s in one of his moods-”

The room falls silent at her words, the cheerful aura dropping the second Emma realises what she’s said, a wave of guilt washing over her face as she lets go of your hands.

“Fuck- I’m sorry (name)...”

Your heart aches at how heartbroken she sounds right now and shatters even further at the fact that everything, every problem they were experiencing right now was all your fault. You saw it deep in Mikey’s eyes how much pain and suffering your presence in their family had caused, and how his anger reflected that action towards you. You’ve been so entrenched in your own problems that you forgot the mess you made in their family.

“Emma, you miss them don’t you?”

‘It’s not too late.’ You mutter to yourself, your heart in your throat as you steel your resolve. You couldn’t let her make that mistake you made by leaving your family aside. You don’t want Emma to be like you.

“(Name), please don’t-”

“You can’t keep ignoring them forever.” You cut her short, speaking directly to her now. “You can’t keep ignoring Draken either too. You’re miserable.”

“I’m fin-”

“Emma no.” You snap at her, finally having enough of her stubbornness as anger swells up in you. “I see how sad you look everytime you look at your pictures with your big brothers and Draken. Do you think that it’s healthy to keep ignoring them like this?”

“You were the one they hurt, you shouldn’t feel bad for them-”

“It doesn’t matter! I don’t matter!” You yell desperately, now pulling away from her grasp in an attempt to put your foot down. “They are the ones who matter a lot. Those are you family members! People who love you and have protected you for years! Just talk it out with them! They miss you for god’s sake!”

“What the hell do you mean you don’t matter?” Emma roars back at you, suddenly enraged by your outburst. You nearly stumble back at how angry she sounded, fear creeping into your skin as your verbal claws retract. “You matter to me! You mean the world to me as any of them do! You’re my best friend and I love you and if they don’t understand that then there is nothing to make up for!”

By the time she was done yelling, her breathing was heavy and her eyes so intense you couldn’t even stare at her. Your eyes quickly flickered to your feet instead; scared of seeing the disappointment on her face and terrified of her anger. You didn’t like it when Emma yelled, it reminded you of your mother getting angry at you, something you hated doing to her.

Eventually, she took a deep breath and took a step closer to you, her hand intertwined with yours. “Come on, I’ll help you shower.”

You silently follow behind her, eyes downcast and shoulders slumped.

  PERHAPS Izana should be angry at Emma.

It would be justified after the words she said from her mouth, but he can’t because he knows the truth. Emma was just angry as well and she didn’t mean any of the words she had said to hurt him. She said them because of you, however and he realises that every fight they’ve had is over your presence in her life.

Which meant that the true culprit was you.

People may believe in love at first sight, but from the first day Izana set his eyes on you, he could only feel hatred towards you. You were just there, sitting awkwardly while Emma tried to involve you in their conversation and it irked him.

At first, Izana thought it was the fact that the both of you were clashing personalities that made him feel that way, but then you keep getting in his way and ruining things for him. He hates everything about you - the way you picked your finger when you were nervous. Your bright smile you gave to only Emma and how easy it was for her to like you. Just your mere presence in general was enough to set him off because of how simple it was for you to be close to Emma while you barely knew her. It felt like he was losing his only sister to a stranger, and now the Emma who stands in front of him is a mere mockery of his real sister.

And that’s the frustrating part. He can’t do anything to hurt you. He’s smart enough to know that if he does, Emma would never forgive him.

“... Kurokawa, are you here with us?”

Izana snaps back to reality as Kisaki taps the table three times to get his attention. ‘I might have spaced out.’ He thinks to himself before facing the entirety of the table; Tetta Kisaki, the rather shrewd and ruthless dealer sitting, his equally irritating lap dog Shuji Hanma and the little shit that he called his younger brother, Mikey.

Speaking of Mikey, ever since that day he made that phone call and revealed his brand new plan of accepting you into their friend group, he’s been very quiet. Even throughout today’s meeting, he hasn’t said a word, aside from mentioning that Draken was going to be absent and asking where Kakucho was before the meeting began.

And knowing his brother, a quiet Mikey is a suspicious Mikey.

Now that Izana thinks about it, he’s noticed that Mikey, who was on his side initially had suddenly switched to trying to apologise to you. Which was weird, considering how egocentric Mikey could be on the topic of apologising. Izana has his suspicions, but then again Mikey is unpredictable due to his rather dark impulses, so he couldn’t really say anything yet, until Kakucho came back from his task.

Izana cleared his throat and faced Kisaki again, deciding to be as honest as possible. After all, it’s their fault that he’s in this mess, might as well remind them. “Just thinking about how Emma practically called me a bastard and I’m supposed to be okay with it.” He said nonchalantly and the air in the room shifted into an uncomfortable silence for the upteenth time this week ever since that unfortunate day. It isn’t surprising to anyone as to why though, Izana’s complicated relationship with the Sano’s is a sore topic that no one ever dared to bring up.

From Kisaki’s tight lipped expression, Izana is sure that the younger male is picking his words carefully in his head. Even Hanma who would have laughed or said something to intentionally piss off Izana remains silent. Eventually, Kisaki lets out a resigned sigh. “The audit would be done another time.” He states in a cool tone, putting his laptop aside before facing the two brothers. “It’s obvious we’re not gonna do anything useful until you resolve this issue with Emma and her friend.”

“Really?” The white haired male mocks, causing Kisaki to shift in his place, an irritated frown creasing his face. “would you like to hear my pla-”

“We’re not going to kill a civilian and draw attention to ourselves, Izana. I’ve already told you what to do.” Kisaki snapped back, his yellow eyes darting from Izana to Mikey, before narrowing in irritation. “Both of you. Just apologise to (name), it’s not that hard. You don’t even have to mean it, the girl won’t even know the difference-”

“Ah yes, cause that went well the last time.”

“And whose fault is that? I clearly told you to say “I’m sorry” and all you did was make things worse!”

“I’m just brutally honest.” Izana spits back. “And you can’t blame me because I tried, compared to Mikey who sits on his damn ass and has done nothing-”

“I wasn’t the one who called her a cheap hooker!” Mikey interjects defensively, sitting upright after staying quiet from the start of this meeting, finally saying something.

“Oh, so you can speak.” Izana retorts back, his voice cold. Mikey is so good at shifting blame onto others for actions he has a hand in, especially when he knows it would reflect badly on him. Unfortunately, Izana has been in this game longer than his little brother. “I thought you had gone mute with the way you don’t want to talk about the issue beyond pushing me to apologise to her.”

“You don’t make it any easier with how you talk to people.” Mikey hisses back, his tempo rising with each word, but Izana can hear the slight shake in his voice, almost as if he’s hiding something. “How am I supposed to do anything if you keep saying shit like you’re glad (name)’s gone?”

(Name)?

The entire room falls silent at Mikey’s sudden outburst, or rather what Mikey had just said. No one says a word as they all stare at Mikey in shock, eye wide and mouth hanging open like he’d grown two heads. There’s a glimmer of confusion in the dark eyed male before the realisation of his mistake washes over him, his facial expression changing into a mixture of guilt and pure terror.

As if he’s been caught doing something he shouldn’t have.

It’s unmistaken. Izana knows his brother is hiding something and it has to do with you. “You’ve never,” he starts slowly, never taking his eyes off Mikey, gauging his facial expression. “called her by her name. You only call girls who you had something to do with by their name.”

“I-”

“You fucked her, didn’t you.” it’s a statement, not a question. Mikey grows pale and it's more of a sure answer than anything else at all.

“I didn’t do anything bad… she’s still a virgin-”

“What.” Kisaki, interjecting as well, cuts him off, his voice cold. “Did. You. Do?”

Mikey is silent. It’s brief and doesn’t last long as he finally seals his fate with a quiet voice. “It’s not my fucking fault, she wore a short skirt and she was asking for it-”

At the side, Kisaki crumples back onto the dining table seat, his head in his hands muttering a quiet “Oh fuck, I should have stayed with Osanai.” as he shakes in disbelief. Hanma just sits there, clearly perturbed, not knowing how to react but at the same time, not really interested.

“Glad to know I’m not the only screw up.” Izana scoffs as well. Despite how cheery his voice sounded, the furious look on his face says a different story altogether. “Since apparently you’re just as stupid as I am.”

Mikey runs a hand through his golden locs, frustration evident on his features. No one has ever seen him look so frantic, like a little kid who broke something and is trying to hide it. “I didn’t do anything wrong. Sure she said no at first but I knew she wanted it when she relaxed in my touch-”

“That’s not what Emma’s gonna think, you idiot!” Izana barks at him angrily, his temper finally off the rails. “You practically threw away your entire plan before it even started! All for what? Mediocre pussy you could get from some other girl? And you know how Shin is about this shit. If Emma finds out and tells him, we’re screwed!”

There’s a mixture of emotions swirling in Izana right now. The urge to punch Mikey was strong, for daring to not only lie to his face, but also making him look like a fool to cover his ass.

Then again, he knows it’s really not Mikey’s fault but yours. You must have done something to make Mikey hurt you because he knows his little brother doesn’t hurt girls. You have this effect of turning people into worse versions of themselves, making them disgusting, evil and hateful.

You turned Emma against them and now you made Mikey’s dark impulses come out.

It’s you that’s the problem.

“So what anyone find out? They won’t believe her” Mikey snarls back, irritated. “She can’t blame me, I told her to fucking leave but she didn’t listen! She was practically begging me to fuck her-”

“ENOUGH!”

Kisaki’s voice is loud enough to silence the two brothers, ending their argument instantly as they breathe heavily from their prior screaming match. Izana slumps back on his seat as Kisaki sits up straight, eyes narrowed. Mikey does the same as Izana, his jaw tightly clenched as he crosses his arms on his chest, feet crossed. The younger male clears his throat, and starts to rationalise the situation.

“It’s obvious that we’re going to switch gears since this happened. We all have a curated reputation that we need to protect so that people don’t nose into our business.” He turns to Mikey who is still glaring hard at Izana. “Your brother has a point, you fucked up our plan by not telling anyone what you did-”

“You judging me too, Kisaki?”

“Can you stop being defensive for once Mikey and just listen!” Kisaki scolds, just about done with everyone making things more difficult for him. “I don’t care what you did to her, whatever affection or lust you have for her is a you problem. I just want this situation to be in our favour.”

The statement makes Izana scoff in dismal fashion, but he decides to ask out of curiosity regardless. “And how do you intend to turn this situation around? Cause right now she has leverage over us and any careless move can put us in a tougher spot than we can handle.”

Kisaki turns his attention fully towards Izana again, a knowing look on his face as he asks. “Is Kakucho done searching Mikey’s car?”

‘How did he know?’ Izana blinks, but then catches Hanma smirking and doesn’t bother to ask his impending questions. Kisaki always had a nasty and suspicious habit of continuously tailing him specifically, and usually it doesn’t go over Izana’s radar when it happens, apart from this instance. Which meant someone was being a rat in his group.

He’ll deal with that later.

Mikey raised a brow in confusion as well, opening his mouth to protest the invasion of his privacy when Izana’s phone suddenly rings. He picks it up, attempting to step out to answer it when Kisaki raises his hand to stop him.

“Answer it here.” Kisaki said, ignoring the way Izana looks at him like he has two heads. “and put it on speaker.”

He had no reason to comply, but he wanted to see where Kisaki was going with whatever plan he had. With a wry smile, Izana put the phone down on the table and slid the answer button, putting it on a loudspeaker.

“Did you find anything Kakucho?”

Ever loyal, Kakucho clears his throat and starts to speak, his voice sounding strained over the phone, as if he’s struggling with something. “Yes boss.” He answers, a twinge of nervousness coating his tone. “There’s a dash cam on the mirror and a spy cam underneath the compartment facing the passenger’s seat…”

Mikey grumbles under his breath something about fucking Kakucho up if anything ends up spoilt or missing in his car but Kisaki holds his hand up to his lips and shushes him. Izana continues once he’s sure his brother is done complaining. “And did you confirm the anonymous tip that we got?”

He can hear Kakucho shift uncomfortably, the silence on the other side of the phone drawn out until he finally says. “Boss, it’s too … I don’t think we should use this against her.” He tries to reason. “I think we’re going too far-”

“Perfect.” Kisaki chimes in, now looking at Izana with a satisfied smile. Kakucho is about to ask why Kisaki was there but Izana cuts him off instead. “Bring it back. I’ll explain once you come to the house.”

“Okay boss.”

The phone line dies and Kisaki, fairly confident in his plan, looks at Izana once again. “I’m sure you know where I’m going, right?”

Izana may think Kisaki is a pathetic brat who just happened to be smart, but right now, it’s like the both of them are connected and in tune with their thoughts. The tanned male stretches his lips into a smile, one full of malice and at the same time, glee, his eyes light with mirth when he realises what Kisaki was thinking.

Finally a plan he could follow along with.

“Alright, I’m all ears.”

THE walk back to your dorm was quiet.

By the time you managed to catch a bus after spending the entire day looking for a job and getting back to campus, it was already late in the night. Save for only the street lamps that were beginning to dim, everywhere else was darker than usual.

You had read that there was going to be a lunar eclipse tonight between the hours of 10pm - 00am. The time boldly written on the bus’ digital clock before you got down was 10:45pm, so you already assumed it was the cause of the unnatural darkness tonight.

A long time ago before the world weighed you down, things like this would have made you excited. You loved watching the stars when you were young, trying to check on the papers your father bought to see if there was any space news available. You remember borrowing your immediate elder brother’s binoculars as a makeshift telescope, trying to piece out the stars in the sky or see if you would catch a glimpse of the comet that was said to pass through that week.

Unfortunately, you were young and foolish. Wanting to impress your father, you told him all about your book of constellations that you drew up, detailing the first star that appeared every evening, down to your crazy childish theories about aliens and space.

“Can you show me the book?” your father asked calmly. You should have known it was dangerous for your father to be this calm, but you were too blinded by excitement to think and you gave him the book, a bright smile on your face.

Your smile fell as his large hands ripped your book into shreds, before telling you: “Women don’t dream.”

Maybe that was the day you realised the love you craved from your father will never be given to you. You were so young and impressionable, all you wanted was for him to be proud of you, like he was with his sons. Now, you can’t even look at the stars, the memory leaves a bitter taste in your mouth and you try to shake it off as you continue on the path.

You wondered what grievous sin you’ve committed to be so down on your luck like this. Today had been one disappointment to another

You passed by Emma’s dorm building, a sigh escaping your lips. She told you that Draken wanted to take her out for dinner tonight, which shocked you because friends with benefits - according to what Emma herself told you- don’t go on dates or do lovey dovey stuff with each other, to avoid complicated feelings from budding.

Then again, their relationship is based on the fact that they both have feelings for each other, but Draken was not interested in a relationship.

It was already complicated before it began but at least she's taking your advice and talking to them again.

Your eyes darted up to her window, hoping her lights were on. Whenever she was alone, Emma hated sleeping in the dark. She said it reminded her of the times her mother would lock her and Izana in a dark room whenever she brought her customers in. Anytime she was in a darkened room, she told you she could still hear the sound of her mother moaning and a man grunting. Izana would try his best to distract her, playing games or even stealing an earphone and plugging it to his own so that she would listen to music instead of what was going on.

A frown graced your lips when you saw two bodies from the curtain, one tall figure you recognize as Draken and Emma’s smaller dainty figure perched on him, kissing. You quickly averted your eyes and walked faster, ignoring the unfamiliar pang in your chest. Maybe you’re jealous because you needed your friend’s comfort right now and she wasn’t available. You felt greedy for this, after spending a week with her, you should let her be free.

‘She has her own life to live. And I have mine’ you muttered to yourself as you trudged along the path, slowly dragging your feet. ‘I have to stop being so dependent on her.’

Eventually, your thoughts drift back to your reoccurring dream. Losing your job made you realise that if you didn’t do anything about it, your tiredness would eventually catch up to you and ruin everything else you’ve worked for. With an important test scheduled for tomorrow, you knew you could not afford to take another loss this week. You had to power through your sleep tonight, even if it traumatised you.

‘Maybe I should pretend that I like it. Pretend it’s okay and enjoy it so that I won’t have to wake up.’ You shook your head, cursing as you drew closer to your own dorm building. ‘Oh God, how far I’ve fallen. Look at me trying to enjoy a disgraceful act-’

You paused in your tracks at the sound of a leaf crushing. You quickly turned around, trying to ascertain who could be lurking there behind the bushes. Your palms started sweating, your nerves firing at the thought of being watched.

Silence.

You decided to continue walking, assuming that maybe you were hearing things and there wasn’t anything at all. Nighttime always had a way of making you nervous, especially with all the horrible stories you heard about innocent women being attacked around these times. Besides, looking around for whatever may be lurking was a dumb idea.

You should just get out of here.

Eventually, you make it to your dorm house in record time, a sigh of relief escaping your lips. ‘Maybe I’m being paranoid. But at least I’m safe now.’ You think to yourself as you push the door open, closing it behind you.

Weary from the day’s stress, your body starts to give up on you but you push through, trying your best to just make it to your room. You’re sure you would just collapse on your bed the second you got there and forget about anything else.

You finally make it to your room, about to rummage your bag for the keys when you notice the door was unlocked. ‘Oh? Ami must have come back rather early, since I barely see her until 2am.’

(From here is edited)

But as you reach for the handle, a feeling of dread washes over you, the same one you felt when you were outside. ‘I really need to let this go. There’s no harm waiting for me. It’s just my room.’ You mutter to yourself. Your overthinking has cost you a lot, from your job to your academics and right now, you really need it to stop. Pushing whatever feeling was keeping you away, you walked into the darkened room.

The first thing that greeted you was the stench of some kind of smoke -weed, the kind that Ami liked to use whenever she was in the room. You always hated the smell and you recall telling her to leave the windows open whenever she wanted to smoke. Coughing, you quickly covered your nose and mouth with one hand and reached to turn on the light with another. “Ami, how many times have I told you to open the window whenever you smoke? You know I don’t like the smell-”

Your blood turns to ice the moment light floods the room, your mouth dry as you stare at the man perched on your reading chair, a leg crossed over the other, the weed blunt hanging between his tanned hands. His lips are stretched into a sick grin, showing all his teeth, purple eyes shining with an odd mirth as he glances at you up and down.

Izana Kurokawa.

‘Run’

You don’t need to be told twice, quickly discarding your bag and running towards the direction of the door, only to hit someone hard, standing tall in your way. You look up fearfully to see mismatched eyes, a scar running down his face and flinch backwards in reflex. It’s as if he gazes at you with pity, but quickly switches to a blank stare as he stands between you and the door.

You know him from hanging around Emma a lot in the Tenjiku frat house, Kakucho. He’s always around Izana and only loyal to him for some reason that you don’t know. He doesn’t listen to anyone else, not even Mikey. You realise that he might have been the one that was following you when you were walking home.

Begging him to let you pass would be futile.

“Don’t worry, I’m just here to have a little chat with you. I’m not going to hurt you.” His tone is calm, but it doesn’t bring you any comfort. If Mikey could hurt you without any remorse, then there’s nothing stopping Izana from doing worse to you. “And as much as your backside is as interesting as your face, I prefer talking to someone who is looking at me.”

“I don’t want to talk to you.” The words fly out from your mouth before you even think of a more appropriate response but it doesn’t seem to give him any form of reaction other than a dry laugh.

He scoffed. “I don’t care. Turn around.”

Reluctantly you slowly turn to face him again, your body trembling as your fear filled eyes lock with his. Your heart drops to your stomach when you hear heavy footsteps walk out of the door, shutting it behind you, locks turning and trapping you with Izana.

‘Oh God oh God oh God.’

Your fear doesn’t go unnoticed by the white haired man, and he only chuckles at how stiff you were. Between the two brothers, you know Izana thrives in fear, using it to his advantage and it’s not unfounded. Notwithstanding his backing from Black dragons, Izana had taken Tenjiku from a down and out frat house, to a den of crime that holds power, trickling right into the administration of the university. Even his men know better than to ever get themselves in his bad books, because no one can ever escape him, no matter how much you try to run.

It was only a matter of time until he would make you pay for causing him problems, but you didn’t think he’d come by himself. You felt stupid for thinking he wouldn’t care about you or he’d forget how angry he was at you and leave you alone, especially with Emma still not on speaking terms with them.

He motions with his bunt for you to come closer to him and you comply, taking careful steps until you’re standing right in front of him. He eyes you again with a tepid frown. “When you meet a king, you don’t stand before him, you kneel.”

Kneel. You want to assume he’s not serious but you know better than to question him and go down on your knees, focusing your gaze firmly on your lap. It’s humiliating the way he has you at his mercy, without even moving an inch but it’s better to be compliant than to aggravate him even further by being disobedient.

You’ve learned the hard way what could happen if you resist.

From the corner of your eyes, you watch as Izana puts out his weed blunt on your reading table leaving a sorching mark on the table, before reaching behind his waistband. Your mouth grows dry the second you see the gun, your heart pounding against your chest as he presses the barrel to your head.

‘Oh god.’ You gasp as he presses it further against your head, until you’re sure it would leave an indent. ‘He’s going to kill me. He’s going to kill me…’

“That’s odd,” He murmurs. “Usually, other people would be begging for their lives when met with a gun to their head, but you’re quiet. If not for the way your hands are trembling, I’d think you weren’t scared.”

This time, with a gun pointed at your head, you’re careful with your words. “Y-you said you won’t hurt me.” Your voice shakes with fear but you continue. You know men like Izana, he reminds you of your older brother who ruled the house apart from your father, with fear and control. Sometimes, when you were able to stroke his ego, he’d go easy on you. Maybe that would work on Izana too. “That you want to talk.”

“And what if I changed my mind? Pulled the trigger? That’ll make my life easier, yeah? I won’t have to fight for my sister’s love and affection with you.” 

Your breath hitches in your throat when you hear the safety go off and watch as his finger curls around the trigger. ‘Oh God, he’s going to kill me. He’ll shoot me dead. I-i have to say something- I don’t want to die-’

“I-i trust you not to do it.” You reply, your lips trembling as you struggle not to think of your head scattered into pieces on the floor if he chooses to kill you. “You’re a man of your words.”

There’s another complete silence that engulfs the entire room, until you hear a click that makes you flinch for a split second, waiting for the bullet that would end it all. Instead, it’s him putting the safety back on, and chuckling at your reaction.

“You trust me? How foolish.” He laughs, tracing the gun from your head down to underneath your chin and forcing you to look up at him. You’ve only read about people with empty eyes in stories, but seeing it in person was so terrifying. “Is that why you ended up with Mikey in his car?”

All the blood rushes from your head to the tip of your toes. “H-how do you kn-”

“I have eyes and ears in this school, (name).” You’re sure it’s the first time you’ve heard him call you by your name and despite being in a life or death situation, you couldn’t control the shiver that ran through your spine. “You wanted him to touch you, right?”

“T-that is not what happened!” You suddenly cried out, trying to explain your own side of the story. Of all the people who know your dirty and shameful secret, Izana is the worst pick, just your luck. “It was a mistake! I tried to tell him I didn’t want it but I couldn’t-”

“Ah ah -” Izana cuts you off, tilting your chin higher with the gun. “Don’t lie to me. You must have planned the entire thing to make Mikey look bad”

“No! I wasn’t trying to do anything, I just wanted to talk-”

“Really? Cause Mikey told me an entirely different story-”

“No, no I- didn’t… -”

“You were dangling yourself like a piece of meat for him to fuck and he’s a man, you know. He has urges and it's hard to resist temptation.”

“That’s not true-” your lips start to tremble at his words, tears forming at the corner of your eyes. You didn’t want to be assaulted, you just wanted to talk to him about the Emma issue and you wanted to apologise. “That’s not true-”

“Oh but it is.” He said firmly, now leaning in closer to your face until there’s barely any inches between the two of you. “And now Mikey feels like a piece of shit because he couldn’t stop himself.”

“No-” your voice is small, trying to defend yourself but even you are beginning to doubt your own credibility with how he keeps twisting the narrative around until you begin to actually believe him.

‘No! Don’t let him make you think you’re in the wrong! You know what happened!’

“He even told you to leave but you refused to. You were baiting him to just do something to you so that you can tell everyone how bad Mikey is and make yourself get more sympathy points. Am I wrong?”

“No! I would never do that to Mikey!” You don’t realise your tempo had suddenly gotten high or that tears had started to drip down your face, but Izana did. He doesn’t point it out, staying quiet as you start to shout at him. “I would never bait him into hurting me! I just wanted to make up with him because I felt that I overreacted at the party I swear! And then he touched me in the car -”

“And you never reported him to the school authorities? Why? Did you want to blackmail him for money-”

“Because I love him!”

The words flew out of your mouth before you could even stop yourself from saying them.

Your heart drops as a mischievious glint appears in Izana’s eyes. His smile drops slightly, still maintaining the gun on your chin. “You love him?” He says slowly, testing out the words on his lips. “Love? Mikey?” He looks so deep in thought, like the concept sounds so foreign to him that he almost can’t believe it. His gaze falls back to you again, a quiet scoff emanating from his lips. “You really have no shame, do you?”

Unable to maintain eye contact with him, you break away from his gaze, biting down on your lips to prevent yourself from falling apart. When you don’t respond, Izana takes your silence as an opportunity to keep talking. “If you love him so much, then what’s wrong with what you both did in the car that day? It was what you wanted, wasn't it?”

“Not like that…”

“But you claim to love him.” Izana is calm and cool, while you’re stuttering on your words, making you look like you’re the one who is wrong. Like what you’re saying doesn’t make any sense to begin with and he’s the one saying something of reason. “And yet, you didn’t even notice he wasn’t himself that day. Or did you take advantage of his fragile state of mind?”

“I would NEVER-”

“You would, because you get to be the so-called victim and he gets to be the villain in your own story. Do you really know the implication of your actions?”

“That’s not right.” You don’t even realize how quiet you’ve gotten, your voice full of uncertainity. “I didn’t … it’s not…”

“Shut up.” He cuts you off again with a firm tone, tapping the gun on your chin gently to enunciate his point. “The reason why I haven’t put a bullet through your head as much as I want to is because I love Emma. I love Emma so much I’d kill for her and I’d resist the urge to kill for her. That’s how Sano’s love. That’s true love. That's something you'll never ever experience.”

You stay silent, trying to understand what exactly Izana was calling love. He leaned closer, making you feel even smaller. “If Emma finds out, she’ll think Mikey intentionally hurt you and she will hate him. But I guess that’s what you want, isn’t it?”

“Never. I don’t want her to hate him” your inner voice telling you it’s not your fault, is nothing more than a whisper, the feeling of guilt and shame overtaking you until you’re almost suffocating. “I just want them to be happy…”

“Then you know exactly what you’re meant to do, right?”

Of course you know what to do. Ever since you were child, it’s been drilled into your head. Whenever your brothers hit you a bit too hard or your father went overboard with his belt and you ended up in the hospital, your mother would take you aside to issue a warning that still rings in your head. That had terrible consequences if you refused to follow through with it.

You nod weakly. It really doesn’t matter what is right and wrong when it comes to the Sano’s, but what they want. Izana taps the gun on your chin again, shaking his head. “I need a verbal answer.”

“I won’t tell anybody what happened. Especially not Emma.”

Satisfied, he withdrew his gun from your chin and your face falls onto his lap, unable to support your head any longer. You feel a hand reaching down to pet your head, like you were a dog who had just been tamed by her new owner. The strength to push him off or stand up had left you, feeling drained as the weight of guilt settle down on your shoulders, heavily. You know you shouldn’t believe anything Izana says, but then again he does have a point. Maybe you should have been more receptive of Mikey’s touch or at least be polite about declining him instead of shoving him off and hurting his pride.

You feel so utterly powerless. Despite being wronged, you know there’s nothing you can really do to save yourself. You don’t think you can bear the traumatic experience of being an outlier again.

Mikey. You don’t want to hurt him. You don’t want anyone thinking he’s a bad person over a singular action.

'Maybe it’s not as bad as I think, I did enjoy it mid-way, so it should count as something. Right?'

You feel sick just trying to think about it.

“You know, if you’re this obedient, we can get along just fine.” He hums, breaking the silence as he pets your head gently. You hate yourself right now. How easy it is to do whatever it is that you’re told because disobedience is not an option. “I’m sure you wouldn’t want to know what I’ll do to you if you break your promise.”

“No” your voice is quiet. You feel tired, sick maybe, you don’t know. Maybe it’s the weed he smoked earlier affecting your judgement and reasoning. Or it’s the lack of sleep that has made it difficult for you to think straight or stand up. Either way, you don’t care. “I don’t.”

“Good girl.”

You know he’s mocking you, but you accept it, like you do with every circumstance thrown at you.

Bonus:

  IZANA looks down at your sleeping figure with a curious gaze.

For a moment, he almost pities you. Despite the faint glow of the room lighting, he can see the dark circles underneath your eyes and how stressed you look. For someone who is actively working to pay her fees while sustaining herself with no one caring for her, it must be hard being abandoned by society.

He can see why Emma picked you to be her friend, she always had a trait of picking up stray animals who had no one because she wanted something to protect. It’s no different with you, the way she’s so fiercely loyal to you and why she wanted you to be accepted by their family. No wonder she was hurt when you were vehemently rejected by them.

If he had a conscience, he’d feel bad for you. You love Mikey, of all people, someone who only saw you as a nuisance and to push the blame of his actions onto. All those times Mikey was cruel to you must have hurt the most because you truly cared about what he thinks about you.

He’s careful when he lifts your head from his lap, not wanting to wake you up. He puts your head on the chair and turns to leave, already overstaying his welcome. He’s done the thing he was supposed to, ensuring you stayed quiet about Mikey’s actions and there’s no need for him to be here any longer.

As he walked to the door, his mind goes back to you. In a way, you and him were similar. All alone, unwanted, with nobody in the world to care about you, cold, uncaring parents who didn’t think twice in terms of abandoning you both. The only difference between you and him is that he grew a backbone and you haven’t. You’re like a kicked dog who continues to stay on the ground to get kicked, in hopes the person kicking you stops eventually.

As long as you stay on the ground, people like him will keep kicking you.

He knocks loudly on the door and the locks turn. Kakucho opens it for him, peering inside with a worried gaze, his eyes settling on your body slumped over a chair.

“Did you hit -”

“I didn’t touch her.” Izana snaps at the taller male, stepping out of the room properly. “She’s fine, physically at least. Emotionally she’s a mess. But that’s Mikey’s problem to fix.”

“Huh?”

It wouldn’t hurt to tell Kakucho your little secret.  “Apparently (name)’s in love with my dear brother Mikey so she’s keeping quiet what he did to her.” a cruel smile stretches across his face. “How pathetic.”

Kakucho frowns at Izana’s statement, but as usual he doesn’t say anything in response. Instead, his eye darts back to your form again, taking a good look at you, his eyes softening. Ever the gentleman.

“She shouldn’t really stay like that Izana, she’ll get a stiff neck-”

“Kakucho.”

That was enough to end the conversation.

special thanks to: (please turn on your mentions in 'settings' before filling the form.): @officiallyjaehyuns @haikyuusboringassmanager @ilybbg @merrymerrykiss @cockonoi @Rindou24689 @short-cxke @kokoch4n3l @GenAwi @ryuguji-sana @nuyoo @reiners-milkbiddies @kiwixpi @gh0stgirl333 @brisssaaa009 @fushiqruo @kawaiikoalagarden @damidamimongalam @raven-nevra @ilovetwodmen @kodzubaby @straightfromheaven @manchie55 @pikibee @tomeyano @matchamilktea-05 @tenjikusstuff4 @m0onz1 @hapikiou @rainnyzz @Lovelyartistz @lik0 @maraya-007 @thisismarisaaa @reeyy0-2 @littlemisspropaganda @cherie026

[edenspoem]

𝐧𝐨 𝐯𝐚𝐥𝐞𝐧𝐭𝐢𝐧𝐞𝐬 𝐟𝐨𝐫 𝐞𝐝𝐞𝐧.

summary. ★ ┆ in this numbing winter wood guarded by her hunting-adroit family, ellie believes she is safe. but her tracking methods are not so familiar with the intelligence and vigilance of sadistic creatures—of invisible kinds. reader discretion heavily advised. ★ ┆ dark content (not dubcon/noncon, think of murder, manipulation and abuse), smut, angst, horror, major character death, prey!hunter!ellie x predator!vampire!reader (prey and predator dynamic, the kink is sort of involved), enemies to lovers to enemies again, apocalypse au, lore-centered, flashbacks from centuries ago, ellie is almost a dead-ringer lover, religious references, biting, blood sucking, reader is a bit of a stalker (vampire behavior), reader is an undeniable evil, gunshot wounds (she thought guns would work), bites don't turn people here, forbidden romance with a touch of corruption; starts out sweet, ends up ugly, one instance of physical abuse (that is not endorsed. it is shamed), arguments occur, relationships with wayward and delusional vampires are not for those who fall easy—and deeply. ellie for sure isn't thinking when it comes to you; reader is the first to touch her (she has freaked other girls but never received freak reciprocation, if you catch my drift), sub!leaning!ellie, fingering (e!r!receiving), oral(e!receiving), tribbing, masturbation, subtle overtones of masochism, drugging (with herbal tea, and for reasons that aren't violation), neck and hand fixations, slashing, victim blaming, ellie tends to sub here but energies do match. memo. ★ ┆ here comes a very long-awaited fic (circa five months ago). tried to make this one as long as i could to percolate the tension. expect bittersweetness. actual blood sweat and tears went into this thing i think. info. ★ ┆ wc: 10.9k proofreaders: @baptismbaby, @elstattoo, @meganegatari, @vifilms (thanks to each one of you for ur commentary!) masterlist. discord. palestine masterpost.

𝐇𝐔𝐍𝐓

Guns will not save you, sweetheart.

There she is. Sweet opalescent girl, woolen in gear from head to toe, scrunching her nose and squinting her eyes out in the winter clearing, the girl you have long pursued. You are watching her. Chasing her, silently. 

The grove is dense where snow slipped down to die.

She sticks close to her mechanical savior: a coal black rifle up in her arms like a swaddled babe. It befits her act tremendously. She, a human solely, would not want to penetrate this forest every sacred Sunday without her guns. They have provided her plenty. Pelts, savory meats, skulls above the fireplace, fabricated potential. Some guns even go as far as scoring her family the thinning rations of a sorry trespasser.

But they will not save her.

She knows somebody—or something, is out there. Lurking in alder, hounding in spectacularly painted shade. You can tell her treading is expectant, and alert. Even the way in which she points her gun is inviting. But, on the other side, a paradox invites you.

She is paranoid. Paranoid people are alert, but easy targets. Vampires feed on easy. She hears everything in paranoia; she hears her muscles shift. Bones scrape. Eyes wake. Heart race.

But, of course, never you.

Lastingly, a forever has passed; the Millers have bid no farewell to their scriptural, woodland acreage, and never plan to. So, graciously, your recent years have been ones of watching. After all, you do have all the time in the world, so you spent some learning about this girl in the blind spots she's oblivious to. The romanticism of her not knowing you, or your presence, is that you know nearly everything about her. Much about that is to be smiled over. Even the memorable, quaint little name she has.

Ellie.

And, for a lasting time, she has been your unrequited wife of obsession.

Gorgeous girl. Thin, smart, a labyrinth of limbs and sunspots and reclused words. Hibernates in her room, as far as you can tell. She always has these interludes of solitude, cried on by sunlight, and you linger by the window whenever so. Invisible, of course, but there. Observing how long it takes a human of artistic design to perfect a mere stroke. Once on the canvas, twice, and thrice over. And sure, she ceases seclusion some days to help in pastoral tendings, hunting and patrol; but she always crawls back inside her little paintings, and shuts the hinges on relatives. She is a protagonist of silence.

No lovers, little friendships, a small existence in a small room. Alone, as of late. Never too fond of wayfaring strangers that trickle in like maple seeds. And yet today you have herded her, silenceless, to the throat of this thick forest. Confused by the sounds it produces. 

“Where the fuck am I?” she grumbles to herself, voice husky under her snared lip. The intricacies of her gun creak as she points in restless circles, aiming the long spire everywhere. She is inclined to kill the next noise. “Swear to god, if that bunny ran off already..” For a second, she looked like she wanted to bail and forget about it. But a heavy sigh falls, and the reluctance in her body goes cold. “Too deep now, Ellie. Gotta come back with somethin'.”

She is desirably late; the bunny in question is already disposed in a berry bush off the white avenue. You had to be quick, as she is too. It's almost impressive. Rather than her invigilance in sleep, or solstices of the day, you prefer her now.

Running.

Yes, a strange fixation—you are wary. However, where is the thrill in feeding if not in the chase? This is tradition.

Wonder how sweet she is.

“Shit.” Her startled whisper blurts at a spitting distance, not that far. Careful footsteps crunch in your ear. “Who got you?” You left a ribbon of blood on the ground for her to find, which she did, and now she is investigating it. This opens her up.

From your place, you could lunge and snare her now. Bite her, even. Nothing inhibits you, and her flesh is singing to you, but you want to wait. My, that invigorating sound of her blood rushing and her heart thumping. You often listened in by her windows, speculating what occurred based upon the volume; a healthy and vicious rhythm was rage, and you fucking loved the sound of her rage. It gulps the mind. Pounds the somnolent heart.

Even inches away, you can hear it.

Scent is markedly a distant world, though. All these hardships at home; you can smell the regret outside her window sill. Alcohol, sweat, wounds. Those are the main ones you use to track her, and heed the elusive, perfect moments to leave trinkets for her.

Flora, odd bones and bits—guns off the usual unsuspecting victim. You often killed things with your own two hands, and dragged them over for her, too. Makes her the lesser hunter, huh?

There is a revolver stashed in her waistband, one you left for her. 

“Not seein' anything out here,” she rasps.

Pocket knife, too. She came prepared, just not for you. With her focus swallowed, and mind inside of her gun, you stroll up from behind. Your hand plants on her shoulder before she can brace herself.

“Looking for something?” The question makes her snap around, but you behave like light.

Shoving her into the crisp ground goes smoothly, but not without a first impression. A gunshot is cracked from her rifle before you can disarm her of it. When you manage to, she flits into flight mode. Violent protests writhe under you.

Her pale face is screaming red. “Fuck! Get the hell off me!” Milk and roses, like the rest of her. She pounds her fists into your chest.

She is not easy. She is a rainstorm under your control. You have to put the weight of the world on her to chastise and limit the struggle, pinning her wrists into the snow and straddling. This subdues her, given your vampiric stamina, and your nose has never been closer. Her neck—a secodont temptation in human flesh. The scent filling you makes you laugh delightedly.

Her soft pink mouth is slightly agape, and filtering cold breath in your face. It envelops your eyes, fogs up her features, yet watching it enter, and leave her lips, fascinates you. Love is a rooting thing; you look once, and you never want to stop looking.

“Hey pretty eyes,” you allure, honey escaping your throat instead of venom. You never sound this sweet. “What are you doing so far from home?”

Ellie appears clueless to your nature. Rather, what things lie inside your mouth—sharp, and starving things. She flickers her eyes like a violent womb over your face, your blinkless eyes, and mentions nothing of it. Therefore, besides this being an obvious first encounter with a vampire, she won't expect it. Not like she can combat it, really; your strength precedes you.

Her chords tremble quietly, angrily, brows anchored low. “Fuck are you doing?”

Experiencing her voice so close and so personal makes you visceral. Lust enshrouds. “Hunting.. gathering..” you fade into a seductive coo, lips rolling over her neck. “Same as you.” Muscles in it flinch when you steal a short stroke with your tongue. Every part of her flinches.

Disgust then crosses her expression, and she blurts, “Are you a fucking cannibal?” Turning her head away. This only exposes her ripe neck more.

Either your tone, or the fact that you might be a flesh-eating killer, lifts her heart into her throat; pulses thump against your lips, so intoxicatingly. You want them in your mouth, in your memory. Somewhere they can exist and nurture you forever. “Mhh, so close.” You try to give her a hint by scraping your fangs along her sensitive carotid. 

It seems to work.

She whimpers.

This was it, in her shallow mind. Eternal rest is calling, and she has nothing but her paintings and thoughts alone to rot without her. Ellie would die and have to bear the winter sun as her witness—her only witness. God, her heart breaks just thinking: Joel will be confused. Tess will send a rescue team for a corpse, and Joel will be lost when he has nobody to give the ol' regulation lecture to. Nobody to be a worried, old man for. Simply because of something she thought only existed in fiction and fairytales. How fucking rich!

“Fuck you!”

The night has a thousand eyes, and the day has but one.

You comb three attentive fingers into her hairline, and tip her head back. The gesture is too gentle for how ugly, mangled and sanguinolent the bole of her breaths is to be made. You are too gentle doing this. Scraping your teeth, wetting her skin; you have the social grace of a sycophant, and the conduct of a lover. Eat her whole, why don't you? She is your apple to keep. Eat, eat, eat.

You crumple the sage collar of her jacket, whispering, “Hold still for me, huh?” Quiet, and cold as the forest she relies on. As your opening lips.

And that is just what she does. Tighten as your teeth sink, motionless as these very trees. When you take her blood inside, you find her absolutely celestial. And you carve your teeth into her like she is a pietistical mural to make impure. Dying as a falling angel, she squirms. The penetralia of her throat is the main thing moving: tensing muscles, swallows pushing out a river of subtle, pained sounds. Crimson breaks, and draws in lithe lines down the base. Stains the crossroads of your sucking lips.

You make a soft-spoken voice crawl out of her. “Fuck,” she curses. Her teeth leap from her plush lip, and stay open. You imagine the pain is a gentle torture for your inexperienced victim. You are feeding on a sensitive silhouette, and she is staring up, quietly at the thistle drapings above. Misty-eyed, probably. Fingers tugging on your clothes just the way you need them to.

Blood thickens as your composure thins. She tastes sickeningly sweet. There is a pure hideosity reaching under your chin and down to your collarbones, because your hunger is beginning to precede you. Some ancient, voracious and cacodaemoniacal thing is wanting, and wanting hard. From your throat, from the cavity of your torso; somewhere desperate. Wherever it is, it wants a deep mouthful of Ellie, and you aren’t morally-deposed to take her to that dark there quite yet.

Your hungry grunt stifles. She has gone soft and pliant now and is holding your arm. As a grounding measure, you think, but it sends a pricking through your spine. 

“Mhh,” you hum, slowly extricating from the side of her neck. Stronger gushing flows from the holes left behind as if the wound was crying in ease. Heaven, crying.

The cracked partings of her mouth shudder around a soundless gasp, and she reaches for the intrusion you left. Something was given and something was lost; she feels the raised punctures. Gets blood on the precious tips of her fingers. Lets her still-alive pulse hit against her palm. You took from her lifeline, and left a cruel epilogue. 

Are you truly this savoring with it?

Maria said that something was out there—something uglier than infected. Creatures lie dead rampantly, and in cryptic, clean ways that denote sentient procedure. Nothing a brainless, living dead would have the capacity to do. So now that she has drawn you, a secret world exposed, snapped like bone, she has to say something. Do something. Joel drilled that incentive.

It knocks her into fleeing like fucking hell.

As in any exciting, horrific prologue, it begins in a scatter. Ellie clambers with milk knuckles in the self-same snow, grappling to slide out from under you, and manages a slim much. Her countenance is kneeled eyes and a gaping mouth, puffing clouds every which way. The face of escape; as if she had woken in a surrounding of her own blood, which is an embroidered, but hovering truth.

You watch with an empty one. She stands up and wrestles the approaching mist for her disposed handgun, flecking up snow with her footsteps as she dashes.

Adrenaline flees with her. If she is wise, a search team will be enlisted after your whereabouts. Carnage will break in these white woods an evening hence, under vacant cover of night, and she will no doubt be a curious murderer; searching for you under a false sense of safety, in the grove here.

But if you are wise, you will be there. Waiting for her.

𝐍𝐈𝐆𝐇𝐓𝐅𝐀𝐋𝐋

Evening begins in a whimper.

Or in sequences of them.

Troops shall not be drawn out, she decided. It grates her to sift this weight of knowing, this imperative information. But she is a waking potential, who has slipped her head under a crossroad and found a world of gnashing. She does not want to be the girl who cried vampire.

Well, winter is tired now. Snowfall has whirled, died, and crepuscule has crept in through the window sill. Everyone succumbed to it, except for her; still awake, still remembering. Hunched on her bed, she wads an alcohol-dredged cotton ball to the sickly white punctures on her neck, sipping harshly through her teeth. Stings like a fucking bitch. “Shit.”

But why is she still alive?

Ellie still feels the shape of your teeth in her neck. Skin flushing and pumping around them, or engraving some sort of scriptural curse. It was not painful, so much as it pained like death to think she would die. But she is here, and she feels misplaced. Watched, her faith in safety loosening.

The cotton ball is agitatedly discarded into a drawn-out trash bin, littered by all the cotton fumbled before. She pushes up at the knees and drags her ankles into the bathroom, fingers already reaching for the sink. 

“Just gotta sleep this off, Ellie.” The faucet cries, its gentle stream pouring right into her asking palms. She uses it to splash her eyes, fingers rubbing around them to wipe the water away. Rinse, and unlearn the memory.

Try, at least.

She needs solacing rest. Forest duties will call her name in the youngest morning, and without a shroud of doubt, will be the warm, shepherding drawl of her father. She is fortunate enough to hang from him, his good name, who is the least bit hard on her. But others—such as her in-a-sense, patrolaholic aunt—would reproach him for his tender loving. 

So, to cut the bullshit, she tries to lead a responsible life. Before, it was imprudence plentiful. But taking the inebriation, the heartbreakers, and the snuck-in cannabis out of her grasp has led her somewhere good. Somewhere she can feel like a worthwhile girl in one fucked up socket of the world. It seems to be valuable; she holds the highest count of infected shot in a single patrol.

Her concentration is immeasurable.

But she begins to doubt her resilience as she stares into the center of her sullen eyes.

She snags her lip to the left, contemplating. Ellie is alive for a reason. She fucked up; forgone each principle of the forest, of the hunt, omitting the signs and senses that beheld her in the stout snow. Yet, here she is, flesh in the mirror. And something else clicks: the inescapable leaving of unusual objects on her window sill face trial too. All that clattering and scratching at walls she thought was a rodent seems to align with it pretty well. Not to mention the disembodied touchings of her head and hair in deep-sleep dreamings, and awoken to in chapel-cold sweats to find nothing there.

It distressed her mind: how long should a human wonder, until it is lethal?

She concludes with the idea of a stalker.

Fucking vampire stalker.

It introduces a shiver. “Okay.” One she has to pursue genuine warmth for; she crosses her arms and kills the bathroom light, the ends of her fingers lingering up her sleeves as she crosses the threshold. Between a introspective bathroom, and an infiltrated bedroom. 

Neither are soft with the home; its safe wood walls, weeping willow scents, and inborn temperatures. She is open to the outside. She is the centerpiece for the thousand eyes of night. Cold, bare. The bed welcomes her weight in a billowing hollow for her body—yet, is the most unsettling thing she has slipped against her skin. The question of whether you manifest on this meaningful night, or let your eluding presence delude her into searching for it, begs for sleep before it can transfigure into an answer.

Her quiet, petal-soft lids droop closed. Trying to sleep conceives like death; it’s as if the air seeping her bedroom is a miasma, each breath in getting her drowsier and drowsier. Soon, all sound fades, and the inhibition whether or not hunger will find you at this crescent of night, and on her pale neck, is forgotten. 

Time is forgotten.

𝐎𝐏𝐄𝐍𝐈𝐍𝐆 𝐖𝐎𝐔𝐍𝐃

This is where she nestles—dreams. Pretty, isn’t she?

She is water and the way it settles. She is poetry scribed in the summer month of June, feeding on its younger, more innocent, springtime chassis in which it longs to return to. Gentle petrichor, plush skin, and lashes of an auburn fire. She is beautiful; but much harrowing is to be combed inside, underneath.

Dreams and pain lulled you. But after you first sought her, watching over her in the deepest sleep on the most painful of nights, it became ritual for a farther reason: 

You fell in love. Again; love is a rooting thing; you look once, and you never want to stop looking.

Never.

Seams adore and finish the girl with eliciting interest. Low-cuts under the arms, in between the legs; it leaves less frou-frou and forest to the imagination than raised with. She really is auburn all over. She really, really is. You could not desire it any different. Peek-ins to temporal changes—when she strips plaid from pale and peels rough, woven blue and button from her muscled hips—excited you before, and they excite you now. Flesh has never been dangled in front of you as it’s in this time.

An arm is slackly risen above her pillow, and she clads a sleeveless. You can see it; the autumn forest.

But the instinct to protect, and nurture from her is worse now. And with the precedes of last afternoon—yesterday, the first of her blood taken into your vitals—you feel evermore lustful for it, leading you here at the foot of her bed. She looks peaceful now: unlatched lips, ribs that swell and wane, moon-shine on her neck. Your eyes land, in particular, on the sleeping shape of her fingers, curling slightly into her palm, which is against lilac-colored sheets.

Gods, she has the sweetest, speechless gesture of telling you where to bite.

You sidle upon the edge, tucking both legs and straightening both arms into a slow crawl until you reach that hand. It, limp at the wrist, delicately fits in yours, and you take it to your teeth.

Before you intruded her somnolent skin and trickling veins with your lust, you admired the feel of her freckled flesh against your lips. The hairs there tickled. The scent made you feen; a heavenly sigh stretching through your throat. And that sigh led your mouth open. 

You bite the apple.

She slowly creaks awake—the hinges of her eyes fluttering with a slow, white surprise. “Uhn—what the?” And when she notices, they blow wide with an olive ring. “Fuck!”

She stumbles up on her bottom. The wrist in your mouth supplied you a sip of blood before it was ripped from you and fled in excretions of that crimson nectar—wasted. It stains her sheets. Writes the event in blood. Crucifies the affrighted face of the auburn girl who grips her leaking wrist with a pressure you can hear tighten.

And she bleeds, and she bleeds—and you watch.

Like a lover.

You fawn, pouting all sick-and-sweet. “You know you could injure yourself more. Doing that.” It contorted a sicker-looking sharpness in her glare; staring from under her pricked brows. You unwind, and reach for her, “Here, let me.” But she flinches, a fitting punishment for a monster.

“Who are you?” She sounds instinctive, grit in her tone. “And what the fuck do you want with me?” The old, frightened-lamb act of her afternoon self seems to have diminished, painting her a volatile violence. She weaponizes her eyes; lacerates your red ribbon secrets into a bleed. Tries to, at least.

You never made it simple.

Well then, resilience it is. Quite stunning when she stomachs it up from her throat—a pretense swollen from hiding. Perhaps, this relenting will entertain you more. “Mmm, a secret admirer,” you intone, limning circles on the bed with your pointer. Then, you remember the situation, and chuckle. “Not so secret anymore though, I suppose.”

She looks the least bit impressed.

You still your finger, sighing. “Right.” And you plummet sights upon the silent, clothing-riddled carpet in spontaneous thought. 

Her stare wanted to carve an entire confession out of you, and unfortunately—your truth is ancient, and incomprehensible. Not the safest knowledge for humans. But seeing as she said a precise ‘who’ are you, and not a ‘what’ are you, implies she knows enough not to require too much more. Eager to soften her, though, the portion she carves is a thimbleful of sugar; a sweet, harmless idea. 

It starts with breath filling your windpipes. “Infected make life impossible, but you already understand that perfectly fine. At least on your end of things.” You squint, contorting the somethings of a musing expression.  

She gulps, and it pulls her lids with it into a pensive blink.

“We vampires, on the other hand, have it so desolate.” Your voice is softly crawling inside of her. “It makes us desperate.”

Her brows narrow. “So, you still feed on unsuspecting victims?”

“Well, is that not just the naturalistic nature of vampires?”

“Tch,” she scoffs, kneeling up from the bed. “Fucking pathetic.” Her footpath to the window is sharp. The latch clangs under her finger, and the panes are palmed open, swallowing inside the cold airs of the forest. “Now, if you don't mind—could you get the fuck out?”

You cock your head and immerse. To her, you are a thorn in the flesh; some creature she did not invite into the home of her body, and certainly not her life. You staring at her makes her want to rip out of her skin.

“What, am I supposed to empathize with you or some shit?” Her hand casts out, shrugging at you with a disinclination she conjectures as obvious. “No fuckin’ way.” It drops to her thigh.

Thus, you relapse. The mind bends into itself and what it sees is springtime—her most earning months, and you, victorious to have earned her heart that is caged. Being aware of her nature made it easier done than said, but you have your secret stash of lilies; your thornless guise. You want it to be real. You would utter anything for it to be real. 

“You're lonely,” you blurt, smooth and seductive, evocative of the moonlit shadow you sit sedentary in. Tension is born in a confounded gulp from her you hear so clearly. “You starve for some sort of company, right?”

She tuts, stares off. “Not with you.”

“Who else?”

You prick a nerve.

And her countenance seems eager to linger: lips tugging over her teeth in such a simmering fashion—so you begin again.“See—Ellie, I myself am quite alone too—”

“‘Course you know my fuckin’ name.”

“I know you watch the stars every night. For a reason, too.”

She softens at the mouth. What you said gets her skin raised; it has nothing to do with the original conversation, yet makes an eerie sense. Of course you know.

Bring up space, and she is all ears.

“Did you ever wonder how alone they are, too? Big, blindingly bright things in the sky that yet have an eternal cling to the empty, cold nothingness?” Your voice reflects the poignant contents. And in that poignant, in-between silence, your stares are battling each other. “I know it well. It drives you to rather deplorable things.”

She still says nothing. Her eyes are shifting with a million things she could, but she casts them aside and settles her lids.

“You know too.”

The sound creases her brows.

Hopeful creatures prance in the night. It is night; you are a creature. The bed rustles with your hopeful movement—legs pouring from the edge to the floor, and drifting your way over with so much as a quiet prance. You intend not to scare her, or harm her, but to persuade her of your good—in other words, ambivalent—will and soul. “Think of my feedings as a special little hello. I don't regularly interact with the human world as much as I fend from it.”

Ellie repositions herself along the sill when you join her, a chastened flinch.“Huh.” She crosses her arms. “Okay. But, like—what do you want outta’ this?” she questions, and her brows have a stronger downpour when she espies you; clenched, cautious things.

“Sanctuary.”

Her breath groans. “English, please?”

“I speak as you do.”

“Wh—okay well,” Her tongue stumbles. Articulation is never her strong suit, unless it is an articulation of rage. She pinches the bridge of her nose, crumpling her inner-eyes and pitches herself to the window, leaning on it. “Forgot you're like fuckin’ ancient, probably.” 

You thought you forgot how to laugh—but there it springs, the age-old sound. And you expect her to be offended because of it, but she eyes you in her hung position without a crack in her expression. Nothing-faced. Throat cold and tongue soft; this must be what compliance looks like. If it is, then it’s all you need.

Self-indulgence steals you. You enclose the warmth of her hand in your palm, and shape it like an alcove. Her rough skin made for a captivating texture.“Smart girl.”

You expected her to scoff—least of all, to blush, and conceal it by turning to the paned, outside world—scoffing.

Tingles run down your spine.

“So, am I granted?”

Ellie blankly snaps her head from the window. She blinks for a couple beats. “Huh?”

“To stay here—it’s what I was asking of you before.” You take a step forward, prudent and slow. Her soundless mind made you preclude; you cannot read it, but you understand where her heart is and its sensibilities. She is logical, she wants reasons. Chances are, her response will be apprehensive, and you intend to reel it out without it snagging on the gentle inside. You need to be on her level. “Housing is scarce and less sustainable than it ever has been. Surprise, surprise.”

She also loves sarcasm.

“Tch—” She straightens her spine, slipping in a fleeting smile. “What’s wrong with where you live now?”

“The others are all heartsores,” you deplore, tone elongating. “Groaning on and on about tradition and ethics.”

“By others, I’m going to assume you mean.. other vampires?”

“Indeed.”

The conversation interludes with a sigh, deep in her chest. She covers it with her arms crossed. The question then seems to fester; her lips rub together without an answer—but more thinking, and then her eyes thread up through another inhale. “Fine,” she says. With a heart softened. “Guess an invisible roommate wouldn’t be so bad.” Loneliness has convinced her. The window locks shut with a clack, a flick of her fingers. “My blood is one-hundred percent off-limits, though.” She shoots you a half-serious, half-sarcastic face—intending one over the other.

“Ah,” you wince, bending at the knees to accentuate your comment. “But it’s so sweet.”

And she cringes at it, but with faux mirth; a guarded, disgusted chuckle. “Don’t say that, either.”

You heed her wish with a small sound, “Hm.” and a mirrored smile. The sentence itself feels as though it will become repertoire. Several things do. The events here today are a stain, a crimson, violent-smelling one that cannot be washed out.

You hear the sound of fabric shifting. “Take the couch.” An indigo, plaid wool blanket is stripped from her bed, and chucked onto the quaint window-seat across, which is satin-like with moonlight; an edgeless, dull gleam reaching for it. It drapes with erratic procedure. “Don’t leave my room, don’t leave the house during the day, and don’t drag in any dead animals..”

“Do you think me uncouth?”

“Well—ugh.”  She pinches her eyes together. Then, she rolls her head around.“You know what I mean. Just act like a human and don’t get fucking caught.”

“Oh, I won’t.”

She huffs. “Good.”

𝐂𝐎𝐍𝐅𝐋𝐈𝐂𝐓

She promised you it was off-limits.

But still it persisted. The ancient hunger, the memories of her inside. 

Humanity can be a limiting thing.

There, a conflict was born. You could eat from any tree you wanted. Tear it apart, watch it foam at the mouth for mercifulness. Nothing—not a thing that is tangible—is stopping you, or stopped you in the past. So, what meaning does that conviction hold when you spot the most beautiful, available, and abundant tree; beautiful with her freckles, available in her sleep, and abundant with the thing she lives on to survive and you drink to survive?

The indolent sound would not leave. It would not soften, it would not climb.

It would flow, and flow mercilessly.

It was upon her bed the night she resigned. “Fine,” she sighed, and it was said so softly in spite of the original promise. Time around you had softened her. “Just a little, right?” 

But even as it left her lips, her fingers were reluctant in folding up the hem of her sleeve. You noticed the careful pace. The second thoughts in her eyes, whispering to her fingers that this would be a potential regret, and soon a routine. The implications in her features scrunched as she watched you come closer.

“Just a little,” you reaffirmed. You kissed that node in her wrist with it, too. “Nothing more.”

The moon hung a little past three in the morning when she was up, and you were hungry. Slightly hungry. Soft urges are enough a reason.

Sensations were high that night. Teeth buried into her leather-cushion skin and it felt like a velvet drug; Ellie loathed and loved, whined and writhed for you. It fed you and silenced her. That is a sanctioned schedule. You would drink it in a this-or-nothing, soft-fondling manner and she would give it past midnight—all nights. Most times, sleep would befall, and she would need your voice to guide her awake before you decided to feed. As long as you are in accordance with time, place, health and spectation—she never minds.

Weeks flowed, and it persisted.

“You have a strange-ass routine. ‘M still not used to this,” she laughed, bolstering fatigue in her tired eyes that fluttered. Down, and down.

Perhaps you loved opportunities.

Her skin fits tight and warm in your mouth; alive and pulsing and ever so whistling blood. It was no longer massacres under your lip, it was clean, and she made little sound—besides when she had something dull to weigh in. 

Your lips sutured together, imbibing that last stria of delicate red. “Me?” you pitched, and secondly smiled as her laugh riled it in you. “You wake at this hour regardless for inessential nothings. You are strange.” 

She scoffed with character. “What?” And had it in her to laugh a little louder—praying it didn’t bleed outside the room: that and the beheaded nonsense. “The only reason I get up this early is because I have.. shit to do, people to feed..” She crinkled her nostrils and sniffled.

“Taking care of yourself for me?”

“Uh, what makes you think that?”

“Your skin tastes of honey,” you declared this alongside your caressing fingers, rolling over the fresh wound, the honey skin in question. It met like silk. “Do you want to impress the impressed?”

Either it was your question muddling her—or your statement and its ring of truth, that made her features crinkle up.“No?” Such a failured liar. She conserved not a clue about the accumulating chaos in her bathroom, whom she had no mind other than hers to blame: herbs all around, sweet liquids, ingredients you find in self-made soaps but nonetheless in heaps and scattered. She thought you were clueless to it. She tip-toed around it. “Fuck, is this just you wracking my brain again with your weird phrases and your.. old—”

“Don’t play dumb with me, darling.”

Her cheeks seemed to redden on the spot.

This unadulterated sweetening to her flesh was a decision. Raw, home-harvested honey that she lathers to sanctity herself—or satisfy you. It added up to this this little, unspoken—but traceable—secret she had slipped into, though exposed; she hadn’t treaded the feeling in years. You saw her, heard it beat in attempts to catch up with her running thoughts.

She likes you. 

Her behavior reminded you of your darling years abounding the Enlightened Age: in love with a pair of frilly, fern eyes that often wandered, and robin-bellied hair: a girl who roamed the court with gut and courage, but could not pave it through the same.

You loved her.

But she was taken from you.

Ellie mumbled,“Not dumb,” with her mouth under her fingers and pupils disengaged. She wiped at the corner with the crook of her thumb until she thought of something else. The tone was written on her face beforehand. “Just being.. considerate?” She knew it wasn’t the right one. So, she laughed and spared you her timid stare, shrugging. “Dunno’. You tell me.”

You laughed too, scornful. But not harsh. “Bit of a brat today, huh?”

Staying acclimated this other hunger. This pure, gentle, moan of a hunger. It is simple to say you believed in love; wished it upon others, witnessed it, longed a little for it. But it isn’t your function. Isn’t your toy to play with. You denied it. 

There reached a strange night: your spine was against the black-wood headboard and sacrum further down, blooming with an old sensation, and your hands were on her. Groping, guiding. Admiring the naked skin of her hips, which twitched, and writhed with sounds and sights you prefer to have faith in no one else seeing. Not in a while, at least. These lines of midnight-light wavered over her movement, her teardrop breasts, even catching the mess in between her thighs she tried to hide rubbing in between the spreading of yours. Wet and wanting and abandoned and—you remember all too much. 

She is beautiful down there.

Tears form in your heart.

Ellie was close to the edge. You could hear it in her voice. “Fuck—if you'd just stop playing hard to get, coulda’—uhn, had this way sooner.” 

The phrase confounded you. “Hard to get?” Lots of her speech confounds you; there was a love-hate relationship to be had with that. On her side, though. You found it cute.

“Just—shut up, please.” She climbed a partial note, turning grunts into whines. As soon as she said that, her fists crumpled and her tension released. You, in your long life, have never seen such an overwhelmed girl. Her cheeks were smitten-red. Cum was trickling down the stretch of her shaking, muscled thighs, and she could not help it; she was lead with it. Ellie was wobbling once you were finished.

But she loved it.

Then, there it was in the derelict chapel. The strangeness again. Down her panties was your hand, training back the seam, and in the air her cries. Angelic ones. Pushing you into substantiation; you did love her.

And you felt selfish.

“You are too paced for yourself. Go slow, like this.”

You had pushed her own hand out prior. She was palming herself in a book-sprinkled office a short couple minutes after initial arrival. You aren’t even supposed to be here with her, in this house of God, scavenging for supplies—let alone outside. She should be paired with someone Joel trusts, someone Maria has seen kill. Human, good-hearted. 

The quick, and snagging circles she performed with her fingers never compared to the attention and care you made with her. Like she was in a rush, and you had a blade to stab into the axis of the world. It did constitute sense: she was blushing with shame when you walked in on her—jeans almost off her hips—giving you the idea that she meant to finish in a dreamlike minute. But she didn’t slap her own hand for its perversion. She wore the helpless look.

“How long before you decided to tell me?”

“When we left.” The heart of her thighs compressed your hand. She was getting restless under your touch, twitching into your hand to earn more friction, biting down on her lip. Ellie can only do so much as huff when you rearrange the twining of her legs again. “It was aching s’fuckin’ bad, babe.”

You are certain that she lied. She had the velvetiness, drip and need of someone who hasn’t handled their problem since morning; it was pooling in her underwear. “Before a house of God?” you whispered, your voice a small softness in the mush of her mind. “You really are a strange one, my girl.” She couldn’t care less. You were tugging her just right and that was all she attended to. Numb-locked.

She mouthed a curse. Breath hitched in her throat. “Bite me,” she breathed out.

“Oh, you want it?”

Her face was pinching with pleasure. “Mhm.” Lips rolling over each other.

The once isolated and responsible Ellie you coerced for blood, was now tilting her chin up like a sunflower in bloom. Sometimes, she rolled her shirt up or pulled her pants down, letting you feed in clandestine places; her open thighs became a fast favorite, and dipping in between to that slickened parting made you want to write a poem with your teeth. An introduction to the core. For the thrill, for the devotion—it set the belting green in her eyes thin no matter the bite. 

It made her feel loved. 

But should it; being a strange thing to love?

Cracked moans curled out her neck. You noticed their swell, their added breath when your tongue caught her clit and wrote with it in circles, pulling her wound-ridden thigh over your shoulder. Lips, pinker than her vestal love, dropped open. You trained her voice to not be so swallowed, hidden, and conscious of being heard. You would not stop without hearing it. “Come on, Ellie,” you would coax. “Let me hear you.” And she would use it. Splutter it. Choke it.

“Fuck!”

“There, there..”

She is no virgin. She was no virgin. But, her mind made by the girls of Jackson she poured eyes—or poured lips—over, most in for casuals, or nighttime flings, neglected itself. She gave, and never seemed to receive. Ellie didn’t know if she was ever going to; then, there you were. Her heartbeat was running centuries ahead, and it gave you life.

You assumed, with an assuming inherence, to protect her from that loneliness. The loneliness you get from other people—not from the lack of them. You have her in that sort of catching grasp that feels suffocating, but ends up a pleasant surprise.

She thought you must be magic for that reason.

And the Devil for another.

“Jesus—are you listening to me?” Her voice wanted to break. It wanted to flood, it wanted to sting, it was a rough invocation that you never heard before, and her hands pranced the air. In anger. “You dragged a dead animal in here. You did exactly what I fucking told you not to!” Then, they crossed into her warmth, and the thrash song of her heart went muffled. “You fuckin’ kidding me?.” 

Everything in the world went silent to listen in. The birds, the trees, the surrounding matter. But your guilt was just as quiet when, for a change, it should have been sobbing loud. 

You caressed the words strolling from your mouth, a complacent gesture. “I was careful,” you tempted, tracing circles around that facetious hole in your face. “So careful.”

Her fingers turned to fists. “You..” Her mouth, in contrast, was a pert snag. But it soon had to face a laugh for coping. “You don’t get it, do you?.”

“I do.”

“Right.” She flinched into the light. Moved into the cold.

You get it when blood in droves leaves distasteful secrets, clinging to hardwood floors. You get it when others are involved and get dragged into it. What you do not get is the desire to see it happen. The stomachs that turn at you for not fitting into their forgivable frame. What should one expect?

Is she really this soft?

Oh, how your poor heart aches watching her not watching you.

Ellie continues at the mouth. Irritated fingers drag her under-eyes from their sockets. “Shoulda’ known this was a fucking mistake, Ellie.”  Though your oral worship was stunted; you couldn’t see her whisper these things, you knew they were real. You knew she meant them.

You knew it would ring in her head. 

That night, an attempt to instill a different idea ends in a laceration, and a throb in your nail beds. Because you thought she had done the one thing you would bleed her for:

Stopped loving you. 

You rhymed her with reasons. You extorted your very own, amended morals for relief, with palms cupping her cheeks—and she cut a statement too deep: “Huh. Doesn’t fuckin’ seem like you’re any different than those bastards you ran with until—”

Her hair was the last thing you felt before the tear.

No, no, no. You are different.

Crouching, you clutched her chin with sharpened, hidden fingers, and a controlling thumb. You stole her tears from the wardrobe panel they wept to. “My darling,” you coaxed—as sickening as the dull blade. She twisted you inside herself; staring up at you through her soaking, shining lashes, made for internal conflict she could not put a finger on. “Does it hurt?” She is right, under the condition that you are gospel. What was she thinking?

She wiped her fingers in the openings of her blood, and examined them. A sniffle cut between looking at them, and looking toward you. “Y-Yeah.” It was a painfully awkward, and docile croak. Her irises were thin with shock, breathing laboured.  

Ellie was bleeding from her cheek, to the tip of her philtrum, and to the edge of her apologies. Yet, you only cared how it..

Tasted.

“Shh, shh..” You swept her stained fingers from her face. “Let me take care of it,” whispers scattered. In her head, she was packed in litanies of heavy cotton; woolgathering. Paid the littlest bit of attention to your tongue, it lapping up her septum, furling back with blood, and how it should feel strange. But, it did not. She felt nothing. She felt the same. She still wore that lost, dreaming-eyed stare.

Why?

It is vile.

All is forgotten in time.

𝐑𝐀𝐆𝐄

“Ah, shit! Fuckin’ knife.”

Ellie hasn’t been her usual.

And neither have you.

You have been feeding less this cycle, and it’s put her into this stir. Divine, enigmatic stir. Questions upon worries upon interventions—headstrong hands and kitchen knives—curdle up in her gut. Are you bored of her? Has her nectar gone sour? Have you found another source? The silence in the room is louder than usual. Whether it was your intention, or its own result, Ellie has gotten used to this agriculture of give and pleasure; she inclines her wrist without your word. She opens her neck without your teeth.

The cabin, for once, is empty this day. So is her head.

You’re stood off to the side. 

Ellie—who loves getting called stupid by her girl—pricked her finger for you. She was handling delicate produce on the counter, and her far more delicate fingers stood stockstill in their position, meeting the sharp tip of that knife in that headstrong hand. Her brows rucked, or already were; she had something on her mind. Some enchanting idea.

She sidles up against you. “Hey, babe.. mind cleanin’ this up?” Ellie wiggles her finger in an awkward and sultry manner, signature to she and she alone. There is a small, shining, seed of blood forming on the wound. 

You consider it. For a second, or more, you consider feeding into her sweet little game. And she continues to pitch that finger east and west like a last chance, but it comes into question first. “Should you be handling that knife?” you answer—and she lets a disgruntled sound slip. 

Also, you have seen your guaranteed share of slit fingers. That girl in the court had a graceless aptitude.

Ellie finds a smile to laugh at you with: insulted, asymmetrically dotted, with all the crinkles of someone who thinks so different of themselves—but it’s pretend. A softened wire in her brain molds into the warmth of your perception. She did it for Joel, once. “Guess not,” Ellie mumbles, bringing her finger down to stare at it. It almost bugged her that it wasn’t immediately in your mouth. The blood long-reaching.

Instead, you enamored yourself with the syrup-orange tea in front of you. Stirring, stirring. 

Her throat clears. “What’s that?”

You turn, at last, with knuckles bending around the base of the porcelain cup seeping with heat. It feels cold in your hands. “For you.” You press it to the middle of her chest. 

Her fingers come up to palm it, glancing at your face for a sign that another word would leave your throat. Eyeing up, and then down; she hopes you will make sense. You just hand it off to her. “Well, that answers my question halfway,” she sighs, cocking her hip against the counter. “Thanks.”

You lop a smile as nothing else seems to spring to mind. Turn away, turn away.

How should you begin—to a girl you met at the pulse of a throat—explaining that the contents in that cup can and will send her to sleep? Should you distress concern and mention how she has been missing it? Should the room go silent, and she as well? 

A confession has been smothering your thirst for weeks.

You are bored.

Vampirical instincts have sat restless and upset in the sockets of your fangs. You feel tired, you get cravings that seem to climb and climb each hour, and at the crest of night, you prowl the short corridors in this house with suffocated footsteps, listening to the heartbeats of others with a small, specking guilt. You can quench it however you please, but the one thing that will not change is that you are a winter-blooded predator. You should be hunting; you are not. It nags at you. Months with her in your hands, in your mouth—and it isn’t enough. It was never going to be. 

Last night went as usual. You rush to fill the bed before she finds it empty. Then, as you are shifting the sheets, her sleeping tosses and turns find you, and on your waist, her slender hand finds a spot made for her to fill. Her lips find something in her dream to grin about.

You brushed it under your thumb. “My sweet dove.”

Beside her, she assumes you sleep well. Then, in the morning, she mistakenly traces her mind for a memory recording her forgetfulness, tapping the unshut window, contemplating. The animal blood isn’t in her palms— you somnambulist. 

Tomorrow, you would let instinct feel hunger again. Hunting is a desideratum. A deep-in, desired ultimatum.

Then, tomorrow came.

On the couch, you give in and draw her cut fingertip into your mouth. Sucking, silent and sensual. Ellie had the tea swirling around her limbs: weighing down her arms, slumping her legs, and her nose twitched with each escape from nodding off—and yet, she was still stubborn to lie down. Though you, twirling and twirling two fingers on her arm, inspired no help for her either. Perhaps, the swirling affect is a dreaming cling to you; your touch is a sleeping reverie.

Ellie jabs, with her free thumb, into her waterlines and digs around the stiffness. She can hardly lift them. Then, a low grunt follows. “Ugh, so tired.”  She is the softest thing in this room. Nothing could compare, not you—not ever. “How did I get this tired?”

Your stained lips peel from her finger. “Abandon at night?” Clasping the tip as you talk. “You avoid sleeping.” Sucking blood from its tip feels more pretentious than it used to. Your tongue is climbing out, wasting time to be sure she watches you do it with your eyes shut in concentration, and she does.

Her eyelids droop imperceptibly watching you; a gait that out-performs centuries; your cold-fleshed lips wrapping around her warm finger, hands cupping hers, and suctioned as if it were your mortal first. The careless sanction is gone. The inaction to eating her whole—is gone. You deepen the length her finger reaches, and it hits near the back of your throat, but she doesn’t seem to mind. Licking each ridge of it, quietly cannibalistic.

Loving left and swept with you, greed.

“Babe..”

Ellie has moonshine eyes when you open yours. Green irises that no longer hold their color. Eyelids that are dog-eared, deepened and—brown-lashed, saddening. Not the eternal same. Spring is coming; why is there nothing?

After a silent pause, she answers. “I can’t sleep.” Rasp in her chords.

You dislodge her finger from your mouth once more. Sigh in the warmth fleeing you.

She ruffles her hair. “But it’s never this bad. Jesus, I just can’t fight this.”

The innocence, and lack of detection present in her springtime-longing attitude feels wrong—and is perfectly your fault. So, that conflict scars. You tighten your throat. Cause a hesitant strangle. Forever has passed; you believe you are tasting your own blood.

You flinch into partial shadows. Drop her arm. “Just—get some rest.” 

Ellie frowns at your abrupt resistance. You can hear it when she tries to plead you backwards. “Hey,” her voice cracks in that special, air-pitched tune that stops your feet against hardwood: a tired Ellie, and the couch shifts with the sounds of her sitting up. “What are you doing? Don’t go.” 

You imagine that arm is reaching out to you now.

“Cleaning up.” Stifled breath leaves you with a drop of your shoulders. “You will see me, first thing when you wake.”

She giggles. “Hm, okay.” So willing to trust.

For the first time, it sickens you. And for the last time, it make sense in your head full of heart what you can be. In her world—painted and threaded and canvas-white underneath—you can be her secret. But in yours, you are her open wound; latching condition. With no color but red. Everyplace, in every opening, red. She sees so much more than that. But she, afraid to blotch outside the lines, and you, bleeding throughout and into others, made for a conflicting pact. Messes, everywhere. And then, you understand it seems right that you feel sick.

She just assumed you were faithful to take care of them. “Love you, babe.” Even if you never pled for her faith, and her warm voice doesn’t stop you now.

You need to eat.

𝐌𝐎𝐔𝐑𝐍𝐈𝐍𝐆

The mourning sun wept, for what you hoped, was the first and final time.

In your Georgian years, you were introduced with transubstantiation; you often tripped on your own flounces as a little girl, but carried into bridalhood with the pearl-blue poise a faith-wielding-mother-to-be should have. No longer did you intimidate crowds with ill etiquette, but rather, with what you became—and who you turned to in fawning innocence.

Wise men. Innovators, practitioners, maestros of trade. All of them had futures under their belt, and you had a single, untouched one. God, did men feed on that.

It was temporal. Men later found your intelligence to be intimidating, and in personal accords, offensive—for a woman. Your heart was a church on fire; knowledge crept in and you crawled out of your own mouth, spreading those words. Disgusting, secular truths. The court censured you for it. Kept you from attending banquets, beat you with threats of asylum, and rose torches to your beloved solace for it. It was a quiet hatred hailed, and yet performed so loud: your ears throbbed in pain each night.

But it never stopped you.

“Why do they cast you out here?” A voice—curious and delicate—whipped your intrigue out of your head, for a change. You peeked, with wide eyes, from under your brow and quivered over the silhouette leaning against the quaint terrace opening. It nudged off, and only then did its fern and fox-orange features become apparent, small pockets of light raining across. “With the dogs?”

Then, you knew it; it was her. Smiles creased in your throat. “And why do you wear pants?” But you showed just one, a subtle one. “And come to banquets smothered in coal?”

Albeit, she was clean; the wares of her straining day in the mines clung to noses. She pinched her coat open, and sniffed out either a truth, or a lie. The flinching of her nostrils proved one. “Ah—damn, guess I made a pitiful attempt at washing my own coat, huh?”

Her self-blaming quip pushed those smiles right up. Even, in your eyes. “Mhm,” you hummed, and it seemed to peel her lips back even more, off-centered teeth shining.

You tried to get her to simper, always. Seeing the slight gap in her teeth, all while inappreciable, pounded your unsettled heart.

Spring came in droves. It came with the bushels, it tore with the rain, and it ended with lips against your ear that promised you the period inbound was helpless. The summer was going to be helpless to your happiness.

“You don’t care for their thoughts,” she told you. “You grant yourself everything. It’s beautiful.” 

Her white-hot breath burned through skin. Where did your sense of abandon go—you wonder? She was telling you to be free, but with lissome arms around you, you wanted a limit. You would rage without a hand to settle you where it wanted. And when you got too quiet, it moved; your invisibleness to being a lover menaced her to bits, but it was just that—invisible. There, buried. Low in the meadow.

Your arm leapt from rest. It wrapped with care. “No,” you whispered, a scared tremor in her hold. “Don’t go.”

Refusing her romances for little whiles, she never expected it—but expected you.

She laughed. “See?” Because you do get what you want.

You do lose your freedom.

Rain clung to blades of grass. Your phrase was foreseeable, but you had your ears folded and feet bare in the garden. The meadow before, beheld by two, and now yourself alone. At least, you assumed you were alone. If loneliness—and happiness, medlied together—felt as pasture and moisture did free under the pallets of your toes, the wet blades between, then it was fine. You would be fine with it, with this. The latchet heels you refused to wear, as a girl and then, hung from your fingertips.

But staring at that puncture of light high up made your concepts swell. Fine is not fine enough, if her being there made your days even finer. Love couldn’t abide longer; you tossed your heels in the vendure, lifted your drapings, searched for her through the atrium openings and contended with a stride that made it to the exits.

And out of them again.

Sharp fingers clutched you from behind, and it sent you a shrill. Your throat grated with it. “Let me go!” But as soon as the world rolled upside and around your throat, it collapsed being pounded into the ground tandem with insertion of pain. You constricted with prayers left inside.

Strange, pitched siphons of a dead kiss; a pair of coldnesses attached there—faceless as it lies too close—and drained the blood. You went silent. You were terrified feeling drips of blood escape your carotid and the mouth of the thing, ending up in that green grass. Pitiful, the tears. Vision gone wet and dull, this was it. In your mind, gentle for some end: this was it.

And then, you became again.

The creature replaced loss with a new fiber. While you were drifting into numbness at a glacial pace, no longer staring beyond your eyes, sudden flows of cold liquid were pushed and bursted. The pain waned, then it abated. Warping into a strange, something-else phenomenon. For a second, all the sound in the world emptied and nothing replaced it. Even in the hollows, where air is invited and dismissed, it was hauntingly quiet; you weren’t sure if you were breathing at all. Then, as a whip is lashed, it pops.

The first sound of this life, was a gasp. “Oh, god!” you choked from the air present inside you. It almost hurt to breathe, and your windpipes suffered a severe whiplash, strangling you to cough, cough, and cough until whatever pearl-shaped bane that was in there—was out. But as you clutch the flesh upon your chest, your heart drops. You are sitting up—free, without a thing to hold you in place. 

Was it a dream?

For mornings you relapsed to the same conjecture; waking up felt no different than falling asleep. Cotton breathed, winter continued, and sunshine eclipsed in real life as it does in a dream. In the prologue of summer, you could never fall asleep. You were never tired enough. Wanted less of light and more of night, and you could not put a finger on it.

It became an ode to transient living—which you could sing no more.

But, something ached. From your throat, to the seedless pit of your stomach, something was wanting for you—wanting hard. 

Conniption. That was all you needed. Tangled ligatures of conniption, a communion, and the weapons to do it. You went prepared: a knife was laced tight into your undergarment, accessible from the breach of your pressed breasts, but not once did you evince it. You did not need it.

You figured that out with your first victim. The blood—oh, it poured from the base of his voice into his shirt and it wrote your name in the stone tiling. In red, it whispered to you. Luring, convincing. You imagined claiming the possessions on his person, and returning your stolen virtue to its place in-heart was his result, but then you began to precede yourself. 

Thoughts from another age trickled in. His skin, pulsing inside your teeth before you made the bite. It was meant to be.

Inside chapel doors, it was quiet and cold. To you, it was; the temperature perceived has a scattered origin. Summer heat coagulates against the windows, pulses inside the stone and almost boils the pool of blood under his head, but you are what you have changed into. Sucking, with hunger and without a stomach, it warms your lips before it chills and dissipates. Weird—love often operates as so.

Those doors groaned open. Behind your attention. 

A relieved sigh starts. “God, I was searching all about for you,” that familiar voice said. Her knowledge was perfect, but on a peripheral edge; she had figured you were inside because your equine presence was outside, but she did not see you as soon as she entered. Blood left a curious trail. “What in.. God..” Into a forest of devotional pews.

God abandoned centuries ago.

“Joel!” Ellie reaches for him with a scream. “Get the fuck off him!”

With a mouthful of blood, her pale lips are focused on. You rise, teeth crimson, and she is standing there in the melting numb with nothing to protect her but flannel, wide-eyed with this waking world. Had the tea not kept her? “Ellie,” you rasp. The hole in your throat left with the fear of your failure—factured to her being here, and not on that couch. She hates. She hates your guts. She is staring at you, watching, and it is a shifted stare you hope upon none. Your throat goes swollen: understanding it.

You wanted to protect her.

Her fingers writhe in careful spasms. Lips fold in. “Joel?” She wants to be confused. But her guts sinks considering if she were to have slept, she would have missed this. Missed Joel, in confusion.

The swollen sounds that so much as struggle, and die in the windpipe. “I couldn’t do it, Ellie.” You draw the last breath you feen to kiss her with. You scrape toward that chance; step in a careful line.

Ellie regresses—she denies your approach. Her flinch is all too familiar. “You..” she trembles, and deprives you of beholding the one thing that fascinates you from reason: her unprecedented eyes, a green gift from the mother underneath. Tears dilate in the corners. Lumps in the throat toughen her swallows. “Couldn’t do it?” Her mind is hers, again. “You fucking killed him!” 

Him?

When she wails, is when she trades you her look again. Brighter, sharper, raging and horrible. Space between your bodies diminishes as she closes it, but it is a meant punishment; to reach the man behind you. She comes near, and not near enough. “Joel..” Sobs will her mouth unhinged. “Joel, please..” Heaven cries.

Is he more special than you?

Both knees thud into the ground. She bare-hands the blooded snow, clenching it into a fist. Screaming, mouth wanting to curl into itself—louder, louder. “You killed him.. You killed him!” Ellie chants, and snow crumbles from her grip as she replaces it with the fabric over her blue heart, hysterical. Her own throat chokes her. “He’s fucking dead.. Look, he’s fucking d—d..” Icicles could form on her philtrum if it were a month earlier. Hunger admits; it could have been.

Really, you never learned who he was to her. Father, saviour, a nevermind-stranger. To you, or for you, everything about this home was a secret. The doors, not to touch. The floorboards, given to screeching. Other humans—she made sure your eyes kept her way. His firewood scent lit the halls at night, pulse calm; your judgement relied on the stories you felt throughout the house.

The smell of estrangement.

God, it reeked. Alcohol settled on his windowsill for nights along months. It seemed foreign. Not meant to be. Misplaced, you attempt to recall. You wipe at the blood that won’t go away.

Curious thing: you don’t recall his name being a craving.

Winter fills you again, and when you decide to sidle up against her in the snow waning to spring, she does nothing. For a moment, she is still curled—deadened—to his chest. That stubborn auburn strand has shifted from its tuck, adhering to the snot on her lip. You touch her to return her some life.

It works, to your disbelief.

She sniffles.

You breathe out, “Ellie?” close to her nape exposed, gentle enough not to shatter silence. “My girl?” But it gets fabric to shift under you. Attention to be given.

She turns slowly, and without a word. Stares without a drought in her waterlines. Your reflection consumes you in them, as both hands consume her at the sides, cupping her delicate, mourning-blue face. You could eat her. Sweet as an apple: round, shining, blooding whooshing to the surface. But you would begin with her lips. From her lips, to her love, as you did your girl before.

Yes, see? You are different.

You are different, and she loves you. “I love you.” You kiss her. Unrequited and soft. Though, the gesture snags curls into her lips. Yes, yes—please keep smiling.

Her lips part to utter something. Throat moves with the shape of a word. But, it does not dislodge. She swallows it, her lips snaring with it, pushing into this frown of undelight you could never have foreseen; doll-wide eyes and knife-point brows cutting into her own flesh. And then, puncture.

Your chest opens up.

It burns. It slides in. What is this sensation?

Out of that sudden choke-up, you drop your interests to the foreign parting. Seeing it, you stop living; silver protrudes from your chest, ribs holding it in place, and her hands are the guide. Fingers wrapped with love and promise, whitened from the pressure, around this blade and its hilt. No, not the blade you left for her; this one is a stranger, intrusion. The sacred invitation.

Its embrace is warm, not cold.

The dense snow is not when you plummet spine-first into it. It is warmest thing soothing your body ever since her last touch. You’re staring up at your freckled angel, high up—hopeless, but not confused. She has nothing more on her mind that you need to hear.

Revenge is her concept.

You cannot intimidate her to return. There is none. There is no return. This is not a punishment.

Your happiness is helpless; it is spring.

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