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#thank you this was fun xD
umbrellamedic · 11 months
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Character Info Sheet
name: Michaela Schneider BERTHA
name meaning:
Bertha: Bright One
Michaela: Who resembles god
Scneider: tailor/one who cuts
alias/es: None Homewrecker/Slut that one time she was accused of thought crimes...
ethnicity: German
one picture you like best of your chara: //her using a zombie as a body shield is so good, so iconic for her
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three h/cs you've never told anyone:
Bertha doesn't know how to roller blade and has never been bowling
She hates/cannot handle spicy food (i honestly don't remember if i've told anyone this before)
Bertha does not often celebrate holidays; her grandfather though things like that were a waste of time and it did not much occur to her to celebrate anything when she was no longer with her family. This suits her employers just fine, as she will never complain about having to run a mission during the holidays.
three things your character likes doing in their free time:
She likes to work out- the weight room is her favorite
Reading
Torturing people; doesn't matter who.
eight people your character likes / loves:
Nikolai (grudging main/not grudging dbd) - priceofeverything
Jill Valentine (dbd) - alphateamsfinest
Carlos (sometimes ironically, sometimes not main/openly dbd) ubcs
Riddick (post Racoon) primitiveside
Gear 547 (main / grudging respect dbd) thegear
Wesker (dbd verse) manufacturedxbyxdesign
Copperhead (dc verse) cxpperhead
Beltway (main) iinkribons
two things your character regrets:
Unsatisfactory performance in Raccoon City
Being born Not killing her father and grandfather
two phobias your character has:
Atychiphobia
Slight fear of sleeping
tagged by @primitiveside
tagging @manufactoredxbyxdesign @iinkribbons @cxpperhead @corvidamned @lettherebemonsters
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spacebubblehomebase · 26 days
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(Canon Luci with Shrunken Al. Did not go so well. 😅)
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Everyone: Deer instincts this. Radio noises that-
Me: Why don't we make use of the snake thing more often? I will never get over the fact that between the two of them, the predator and prey is not who people would usually expect.
Tied to this:
-Bubbly💙
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ohvun · 7 months
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D E V I L C H I L D >:D
I just think it'd be cool if her demonia fleur was a lil more grotesque yk?
Got super inspired seeing this post by rly cool @wigglesdtuff about a year ago and finally finished it!!:D
I ended up using a picture of a figurine to get the wings to work better bc I was s t r u g g e l i n g ;-;
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cuddlytogas · 6 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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factual-fantasy · 9 days
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@alter-ego-cole
Huh, what a strange and colorful Pokémon.. I like it! :)) Thank you for the suggestion, it was a blast to draw! :)))
Note, this is an old ask that I dug up to deal with my current art block! Suggestions are now closed! <:}
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nocek · 11 months
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Day in life of Miguel O'Hara, one unlucky bastard.
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mayhemspreadingguy · 1 year
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I did these illustrations for @beholdingthegaytimes 's fic 'It's Only Forever, Not Long At All' which is a part of The Endless Big Bang 2023.
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apparently-artless · 3 months
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⚾⚾ WEEK #04 OF #WEEKLYDAIYA ⚾⚾
Daiya no Ace - A Mini Collection of Sawamura Calling Coach Kataoka "Boss" in Every Season ↳ requested by Nedzi (@inahochi)
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ariadne-mouse · 1 year
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silly drawing prompt, if you like: polymorphed caleb with the zoomies
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POV: you're having a quiet evening with your partner
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willczek-art · 1 year
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smol thing for a fanart competition, prompt was "Prison" so P5 Velvet Room was kind of an obvious choice :v
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wren-of-the-woods · 10 months
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Hello! Thank you so much for what you do- could I please have some recs for geraskier fics where geralt is the one pining harder?
Here you go!! I wasn't sure how to categorize who was pining harder in all of these (since our boys are masters of longing lol) but these are all stories where Geralt loves Jaskier very much, and I highly enjoyed them all!
~
favorite by @asweetprologue (Rated G, 5.8k)
Jaskier gets Geralt a gift, and it makes Geralt realize he doesn't know enough about what Jaskier likes. He forms a plan to figure it out.
i’ll kiss you slow by @paintedcrayons (Rated T, 4.9k)
Geralt is not being creepy. He’s not. He’s just looking out for his friend (with a questionable choices in lovers). Lately, Geralt has started to notice the way people treat Jaskier’s affection like a means to an end. They kiss him only to move to the next step, dance with him as pretense to get him into their beds. He would like nothing more than to kiss Jaskier for the sake of it. (He does.)
time and time again by @samstree (Rated G, 5.2k)
Marriage proposals, through the years.
The Best Laid Plans by @dhwty-writes (Rated T, 5.5k)
Geralt is in love with Jaskier. In order to finally get him to admit his feelings, he devises a ten step plan with Lambert, Eskel and Vesemir.
A Friend in the Wild by @samstree (Rated G, 1.6k)
In which Geralt acquires a tiny friend who wouldn't stop following him.
Weak and Wanting by @sociallyawkward--fics (Rated T, 36k)
Geralt had thought that inviting Jaskier to Kaer Morhen after all these years would be a good thing. What he didn't plan on was his brothers deciding to have a little fun with their situation. Lambert and Eskel really needed to stop meddling in things they didn't understand, especially when it came to his bard.
Tell It With Your Heart by @bambirex (Rated G, 2.5k)
While Jaskier always says what's on his mind, Geralt works a little differently. That doesn't mean he cannot tell Jaskier how he feels - he just does that without words.
Repeat After Me by @onwardorange (Rated G, 7.3k)
All it takes is (nearly) three years, two meddlesome brothers, and one exasperated sorceress to get Geralt to admit his feelings for Jaskier.
Love Me Better, Send A Letter by @rebrandedbard (Rated T, 12.5k)
Geralt and Julian have been exchanging letters since participating in an inter-school pen pal program in high school, and Geralt has been pining away for Julian for over a decade since meeting by chance one faithful day in Posada. Between work and Ciri, he hasn't had much time for travelling, but he and Julian still exchange their letters faithfully. Finally, Julian's equally busy life coincides with Geralt's long enough for a short visit, and Geralt has the chance to finally introduce Ciri to the man she knows only on paper. Things would be perfect ... if Julian's visit didn't fall within the week of the concert of Ciri's favorite musician, Jaskier.
Music is no solution by @thecrownprincessbride (Rated T, 4.3k)
Jaskier has self-doubts, and Geralt is there for him.
A Careless Omission by @samstree (Rated T, 5.4k)
Jaskier reveals he has a type. Geralt behaves strangely.
Highway Angel (To the Dark I Said Pour and Forgot to Say When) by @fangirleaconmigo T, 2.8k
Geralt is a long haul truck driver. With long stretches on the road away from his family, and with no one to keep him company but his loyal dog Roach, he has to brave most of his life completely alone. Then one day, just as he is passing the city of Oxenfurt, he turns on the radio and hears a voice.
zero for ten by @yaelathewordsmith (Rated T, 10.4k)
The blue-eyed boy on the school's cricket team seems determined to bowl Geralt out. The worst part is, he isn't even fucking trying. * Or, the ten times Jaskier held Geralt's heart in his hands without knowing, and how Geralt grew to want him to keep it.
~
(You can find my other reclists here!)
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babyblueetbaemonster · 2 months
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Thank you for saving me, with your fists, punch the necromancers to death.
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storge · 3 months
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What if I told you, you can go back to the past by using a picture. Do you want to experience it?
Link Click (2024)
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muppenthings · 1 year
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Aliens ✨️
I'm not certain why but that was my first thought when seeing the post asking for art ideas, I have no specific intention, just a one word prompt trying to give you entirely free ideas...I love your art so much
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So I got an idea and ran with it.
These little ones are called "Space fairies". They get everything they need directly from solar energy, so they don't need to eat or breathe. I ended up developing them quite a bit but I'll not rant here. xD
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myreia · 3 months
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A Mage in the Fields of Mourning…
NARRATOR: Deep among the stinging roses and sweet-smelling thorns the underworld princess makes her uncommonly common discovery once again. A Shade at peace with the sorrows she once bore. A witch, perhaps—or a mage in her world’s terms. A warrior born of both astral and umbral, a daughter of darkness resplendent with light. AUREIA: Keep going like that old man and I will end you. NARRATOR: A sorceress of eld, one might say. Though it is suspected her sharp tongue would refuse such a comparison on principle. AUREIA: Ugh.
Thank you so much to @sunshinemage for this gorgeous Hades 2 inspired artwork of my Warrior of Light, Aureia.
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thenightfolknetwork · 6 months
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Ok so, I'm not...supposed to exist?
I am—er, well, was an imaginary friend. My "brother" was a lonely little boy who was quite neglected looking back, and he wanted someone to spend his time with, a "sister".
So he dreamed, and I came to be. Now, even as a child he wasn't the most imaginative sort, preferring to imagine things he could see and wonder about what was rather than make something new completely from scratch. So, in his mind, his sister looked just like him, just with longer hair. I think that's one of the reasons i'm...like this.
Most children describe their imaginary friends as fantastical, with great glittering wings or neon spots and the like. Most children stop talking or believing in their imaginary friends around a certain age. Most children cannot see someone else's friend. No one, outside of the child, can see an imaginary friend.
Until now? I think? These are all observations I've made.
I remember only existing when my brother was around. We would play and "go on adventures" and just have fun. When it was dinner time, I would sit beside him and eat... but couldn't eat. I would say things to make him laugh, but no one else would acknowledge I was there. I didn't think much of it at the time since..well, I couldn't think. I wasn't real.
As he grew, he must have imagined me growing as well. As he learned, I did, too, and must have adjusted accordingly. Unlike his peers, he was convinced that I was a person and was angry when people told him otherwise.
We got older and he got more insistent when suddenly, people started to play along. Pretending to see me and talk to me when it was clear that they couldn't. I think this was when I started to...feel things? Think?
We fought, my brother and I. He was graduating secondary and heading to Uni. I asked him why he still imagined me when it was clear he didn't need me anymore. He said he did need me. I didn't believe him, we argued, and he left.
I was still there.
Before, time almost seemed to...skip? Think cutscenes from those video games everyone seems to like playing. The day ends, I blink and it's morning, no sleep needed. Brother was distracted? Time skips until he addressed me again.
I've never not been without him before. I panicked. I collapsed against the wall and I felt it. The cool wall, the tears streaming down my face, my brother's hug when he came to apologize. I don't know how to handle it.
When we sat down for dinner, his mum and dad addressed me and asked if I was alright, as if they had always known I existed. They could see me and my distress. I tried to explain, but everyone looked at me confused. They told me that of course i existed, I always did.
But I know the truth. There are no pictures of me in this house. There are no school records of me or medical ones. I have no bedroom or clothes of my own. I did not exist.
I don't know exactly when I became "real" but I am now. I just...I don't know what to do? I wasn't real and now I am and everyone calls me crazy for thinking otherwise. How does one exist? My brother is leaving for Uni soon and everyone expects the same of me, as if I've been accepted into one. I haven't, I've checked.
Why do I exist? Why does no one acknowledge that I never did?
Please.
I'm scared.
I'm so glad you've written in, reader. Quite apart from the existential questions your situation raises, there is also rather a lot of paperwork involved.
It is possible to live in the UK without being part of the civil bureaucratic system – indeed, there are certain isolated genuses whose right to do so has been fiercely protected over the generations. But it's a tremendously difficult way to live if you have any intention of engaging with the economic, education or healthcare systems.
The Bunbury Institute of Manifested Personages should be your first port of call to tackle the logistical and legal difficulties presented by your case. They'll be able to get you sorted with all the documentation you need to prove your existence, including a Certificate of Corporeal Incarnation, which will stand in where others might use their birth certificate.
Once you legally exist, you'll be able to open a bank account, apply for a passport, and essentially make whatever choices you want to make about how to spend the rest of your existence. Which brings me to the real heart of your letter – the emotional impact of your change in circumstance.
Sudden onset incarnation is a profoundly disruptive experience no matter how, when or to whom it occurs. Even if your family were able to understand the situation and support you through it, it would still be an extremely difficult situation to navigate. As it is, the nature of your previous existence and the way your incarnation has taken effect means they're just not able to.
You ask why nobody acknowledges your previous non-existence. Generally speaking, most people find it extremely difficult to the point of near impossibility to really understand divergent realities. It's not that your family are trying to undermine you – they are literally, psychologically and biologically, incapable of understanding how you have come to be.
I strongly recommend you find someone to talk to about this issue as soon as you can. Without your legal paperwork in place, it will be difficult to access mental health support either privately or through the NHS. However, the Bunbury Institute and other such charitable organisations may be able to put you in touch with support groups for others like yourself.
What's important is that you know, you're not alone in this. Whatever your family may believe, your experiences are real and valid. And, now, so are you. It's going to be a big adjustment, figuring out how you want to live in the world now you're here. Try not to get too overwhelmed. Take things one day at a time, try to keep an eye on the positives, and give yourself the grace and time you need to process the negatives. In time, I feel sure you'll be able to build a life that feels right for you.
[For more creaturely advice, check out Monstrous Agonies on your podcast platform of choice, or visit monstrousproductions.org for more info]
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