#thank you for wasting my time

[palmtreepalmtree]

Why are people so bad at making plans!? WHY?

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[vynnyal]

Turns out Sunlit Trail isn't quite done just yet, so after all that they just send you to a dead end 😂

[hydralune]

I can finally clear all the pictura stages!!! I'm free!!! 🥳🥳🥳

[someartistsammy]

Genesis's childhood award, the basis of pasteurization, and the supposed fragility of Banora Whites.

A take on it from a farm kid that actually specializes in growing apples.

Was talking with a good friend of mine last night about various takes in the fandom last night and was reminded of one I had seen semi-recently about Genesis's childhood genius in supposedly inventing pasteurization.

I want to believe this is a take that comes from being uninformed as to what pasteurization actually is, considering him being the first to invent it around the time of 1990 would show a stunning lack of technological advancements in the world of FF7. Let me explain.

Shinra has had a lot of technological advancements, and we can see those constantly portrayed clear as day throughout the world of FF7. However even in the time before Shinra, during the time of the Republic of Junon, it can also be assumed that they would have pasteurization, a process that in the real world was invented in the 1800s. Exploration of the world in Rebirth also reveals multiple areas that have shipment docks from the time of the Republic. This would include the assumption that this is how people both traveled as well as transported and exchanged goods.

Pasteurization is an incredibly important technological advancement as it's allowed for the easier shipment and trade of food on a global level. The definition can be found below.

In food processing, pasteurization is a process of food preservation in which packaged and unpacked foods (e.g., milk and fruit juices) are treated with mild heat, usually to less than 100 °C (212 °F), to eliminate pathogens and extend shelf life. Pasteurization either destroys or deactivates microorganisms and enzymes that contribute to food spoilage or the risk of disease, … (continued on Wikipedia)

There are different methods such as Low-temperature long time (LTLT), High temperature/short time (HTST) and Ultrahigh temperature (UHT) (also called Ultraheat treated) however that isn't super important to this, just know that HTST is the standard for apple juice.

The point in this being that if Genesis were to have invented pasteurization ~1990, the rest of the world would have been taking incredibly risky measures in transporting food and risking spoiling for decades, as well as various things being unsafe for consumption such as milk. With the advancements the world already had by this time such as phones, war artillery, windmills, and mako reactors, I find it highly unlikely that he would've been the one to invent pasteurization.

I feel as though it is important to mention that Genesis's award was first place in the National Agriculture Awards, but more specifically, an award in the processed food category. The processed category in these awards directly gives it away in the fact that food was already processed enough to have its own category for awards. Presentation on this is in relation to the presentation of a processed product, and not a form of processing itself. In the assumption that these reflect actual reward categories, there are different categories for scientific invention as well as processing systems.

Reference page for the names/categories presented. This is not the description document.

Agricultural Proficiency Award Area Descriptions.

Although there is the argument that they likely didn't use this same style categorizing, its important to note that they did use categories within the national agricultural awards, and they specifically made the choice of processed food, instead of any of the other choices. If he really made such an important invention, why wouldn't it be stated anywhere as clearly being pasteurization, something that would revolutionize the world, or for that matter why wouldn't it be awarded in the name of development of food science?

I believe its also worth mentioning that the Crisis Core Complete Guide says "Because the fruit can only be harvested in this region, it sells for a high price on the market, but the village children don't seem to know this, …" This would be due to the fact that the Banora Whites are common-place in Banora. In a similar way to how wagyu in Japan is significantly cheaper than it is in the United States, due to export; Genesis would have an easier and cheaper time attempting experimentation methods, if there even needs to be any variation for them, resulting in juice with correct pasteurization due to his being local to Banora. (Market price on them in Banora would be naturally lower due to supply likely being higher than demand, as well as not having to worry about import and export fees. Not to mention being the place where it is naturally grown).

*In the above example I used wagyu as a comparison, however this could just as easily be any other exported food that becomes considered rare when exported, another example which is actually more rare would be the black diamond apple.

While mentioning this, I also want to say that his invention is specifically upon Banora White Juice, not apple juice in its entirety of existence. In similarity to pasteurization, this feels like an over-exaggeration of what Genesis actually accomplished.

While branching through this topic, I also want to bring attention to a take I was sent a while back on the supposed fragility of Banora Whites. While going through the Ultimanias with assistance of a friend, nothing could be found on sources hinting towards Banora Whites being fragile. My next assumption is that this conclusion was likely reached on the basis of Banora Whites being mentioned to be region exclusive, and a high-price market item.

Banora Whites are called just that because of their area of growth being only that of Banora in the Mideel region. The growth of Banora Whites is actually tied to the amount of lifestream that flows through the Banora Underground, this gives Banora a very unique type of soil that allows for the growth of Banora Whites. Since Banora is the only place where the crop grows, giving it a very limited area of growth, and since it cannot be grown globally, gives it a very high market value.

Now into the technicality of things, it could also be assumed that the sale of the Banora White was likely tied to its aesthetics, similar to the way that the pink pineapple is in the real world. The difference here being that when juiced, the pink pineapple loses most of what it has going for it in terms of its aesthetic appearance and thus reducing its marketability and price. Meanwhile, Banora whites, while although losing what would make them have a unique aesthetic appearance, could possibly have a specific flavor to them that translates into the juice.

You see, I believe Genesis's intelligence on the matter comes from not creating some life changing way of preserving things, but rather from preventing waste. Although I do not find any info on Banora Whites being fragile, it can be argued that all apples are fragile in a sense, or at least majority of them. They're truly one of those fruits where sometimes you can chuck them at a tree and only see a bruise or dent, and other times you look at them wrong and they'll split wide open.

When thinking of an apple in general, chances are fragile is not the first word that comes to mind, as many other fruits would be considered fragile long before them, and that'd be correct. However, the harvest and transportation of apples, as well as their general growth, can be littered with complications. When moving apples in a commercial wooden apple bin, when you have hundreds of them stacked together, driving faster than even 2MPH by tractor can cause shaking and damage to the fruit by rubbing damage which can create bruising.

Banora is a remote island location, and import and export of items is likely expensive, which would contribute to the income that Banora Whites would bring in (see earlier mention of wagyu and Japan vs US price) Due to being an island, the methods of exporting would have to be either by air, which would be incredibly expensive and fuel taxing, or by ocean. I mentioned earlier that FF7 Rebirth shows multiple docks and ports that would hint towards ocean being the likely way of transportation of food and people. This would require a boat to leave from down by Banora and travel all the way up the coast through the Meridian Ocean. Constant swaying of the ocean and anything unsecured likely leads to aesthetic damages which allow for even less of the Banora Whites to reach market in aesthetically acceptable shelf conditions.

Banora and in general the Mideel Region is a very coastal region that by flora alone also appears to be a very warm and tropical one. By this assumption not only would Banora Whites possibly be prone to sunburn, a reason they likely developed their darker appearance to survive, but also being internally cooked by the heat of the sun. Also being coastal could lead to strong storms brought in by the ocean leaving damage from heavy winds, pelting rain, hail, and similar damaging weather factors. Excessive rain also typically leads to apples suffering growth cracks, which also takes them off the table for being sold to market as-is.

In the assumption that the Banora Whites would survive possibly brutal conditions that are located down in that area, due to any damage caused by going across the sea, they would likely need to be packaged first while in Banora (hence the warehouse) which would also bring up the pricing on them. However, where does this leave the fruit that's been damaged? Just because it has a crack it it or an aesthetic-only scar across the skin does not mean that the fruit is ruined or inedible. This is fruit that can be used for many different things, including juicing. Juicing is a method that ignores damages that are purely aesthetic, and allows for profit where there would otherwise be none given. Genesis's invention is that of one that prevents waste, and allows for another source of income to the area.

Juicing of apples that wouldn't make it to market would keep the price of the pure solid apples that do make it to market still profitable, while also giving use to those that wouldn't be allowed onto the shelves. While its nothing groundbreaking for the world, like pasteurization would have been, it does allow for Banora to be able to sustain itself via income more, and just overall prevent the waste of more food.

Although to some its not as glamorous if he didn't do something that fundamentally changed the world as a kid, that doesn't mean that what Genesis did isn't still something that he was worth awarding for, especially as a youth. Not only did his creation prevent the waste of food, which earned him his award, but Banora White Juice also did become a famous global hit.

[vaguely-concerned]

one thing I have to keep reremembering every time I'm playing a soulslike/similar kind of difficult game -- and that I wish I could internalize elsewhere in my life as well -- is that you always, always have to suffer through the long dark of an inexplicable failcringe era before you can emerge into a fresh new dawn of competence. faceplanting into humiliating failure in ways you hadn't even conceived of before on a loop can sometimes be the herald of great and wondrous things to come soon. don't be so quick to abandon yourself in the early murk of daybreak because you think you just suck!!!

[willowser-but-nsfw]

this is just. a mess. of sad boy katsuki LOL angsty. not meant to be a sad ending. on this account because i will probably do a little more with it.

"alright, jus' sayin',"

katsuki looks up from the label of his beer, how it's peeling back from the glass with all his anxious fiddling, only to fix kaminari with a heated glare that has the blonde raising his hands in surrender.

"between me and you, she thinks you're not interested."

—and his stomach drops. considerably.

this entire night has been a bust, just as he knew it would be, and if he wasn't so sure that walking out would ruin any and all chances with you then he'd be long gone. filing himself down into something likeable has never been katsuki's strong suit; there's a wicked resentment the size of a wild little blonde boy, one that thrives on being as stubborn as possible in times like these.

kaminari whispers loudly, concealing nothing within the hand he cups around his lips. "you gotta make your move, dude!"

and if the doors to the women's restroom hadn't swung open at that exact moment, then there would have been only tatters left of the sparky little shit. katsuki leans back in their shared booth, wiping the threat of his hands off on his pants before tucking into his shoulder; what little bit of alcohol is in his system already has his face hot, and kaminari's subtlety is only furthering his flush.

it's hell, how aware of you he is.

before moving to acknowledge your return, already he can smell that you've reapplied your perfume—something spicy and dark that has his stomach tightening with a desire he doesn't know what to do with—and upon looking at you, all your features are sharper, brighter. remade, maybe, and the dreary tone of his thoughts has him wondering if he's caused the need, that had you wiping tears from your face because he's a fucking idiot.

you look — katsuki doesn't know the words, because they're too fragile and light for his vocabulary, too soft for his bite, for someone like him to hold; the only comparison he can make is to a dream, how you look in all of his.

but still — he finds himself leaning back into the corner, averting his eyes back down to the wood grain as he traces patternless shapes into the table. the heat of your attention makes his cheeks burn and his stomach flux; isn't it obvious, how nervous you make him? katsuki's sure you must be able to see right through the passive facade he's been trying to front all night. that he's been trying to keep up since he met you.

the blue light of your phone glows in his peripheral vision and when he dares a peek, your lips are in a thin line, withdrawn, before you look up to stare at jirou across the table — who just so happens to receive a chiming notification.

talking about him, most likely. how fucking bad he is at this, which is why he never should have agreed to coming out in the first fucking place. should have just kept his interest in you to himself, all in his head where you were safe and out of reach.

"i'm ready to go." ears says it while openly glaring at him, not softening her attitude in the slightest. denki shrinks, eyes jumping to the ceiling as he loudly slurps on his frilly drink. "do you think you can handle getting your date home, bakugou?"

it sounds an awful lot like a challenge and his jaw locks, nostrils flaring as he withholds from flipping the whole table on her. if it weren't for you being in his way, at the end of the booth, he'd be long fucking gone—

"oh, no, that's okay," your voice is soft when you speak up. defeated, almost, and all his annoyance fizzles out at the absence of a smile on your face. "the train station isn't far. don't worry about it."

and that sounds like doubt, so he grits out, "i can handle it," teeth grinding when ears rolls her eyes. something gets mumbled under her breath and denki pales and you take enough of a hint to step out of the booth, eyes on the ground as he shuffles past.

it's not until everyone is outside that you even say anything, hugging jirou too long, whispering in a too-low tone meant just for her. whatever it is earns you a sympathy that makes your eyes shine, and katsuki has to turn away before all the yeast and sugar brewing in his stomach comes back up. if he's made you fucking cry, then he'll never—

"sorry that we dragged you out," you've caught up quicker than he expected and finally, finally, you smile at him — but it's dim, and katsuki knows it's due to more than just a busted streetlamp. looks twice as heavy as it was when you first spotted him tonight, going so far as to leave your seat in order to meet him at the door, only to have him shy away from the hug you'd tried to offer.

a car blows by with the wind and katsuki feels the hands of time ticking away from him; how many nights has he laid awake, wondering what it would feel like to have you? just to touch, just to hold. all for himself.

and now he's fucking up his only chance.

what he should tell you is that he's been looking forward to this night all week, that he spent way too long picking out his clothes and fucking with his hair, that he even broke into whatever designer-brand cologne his old man got him last christmas.

but instead he shrugs, stares at the snow flurries collecting on your shoulder and mumbles, "wouldn't have come if i didn't wanna."

it's not the answer either of you were looking for, but it placates you some, enough that the smile on your face lifts with sincerity. katsuki loses himself in its curve and the apple of your cheeks, how cozy you look all bundled up for the winter; his stomach drops, hard, at the inescapable fact of just — how pretty you are, looking at him like that. intrigued, even after the failure tonight has been.

the hope in his chest thins out and he's taken back to your first meeting, at some show of ears'; intrigued then, too, but you were blind to the ugliness of his insecurities, his indecision. back then you didn't know that it would be like this, that he wouldn't be able to open himself up even a little fucking bit—

"i'm really glad you did," you say, raw and unafraid. "i like spending time with you, y'know?"

and what katsuki should say is that he likes spending time with you, too. enjoyed it since that first night, sitting far down the table from you, snickering to himself at the sharp-witted sarcasm sparkplug was constantly on the receiving end of. funny is a trait he doesn't find often, not in just anybody, and you're loved by the people closest to him and you don't know who he is or who he was and it's like a new beginning; katsuki can be whoever he wants to be, with you, and not just the worn remnants of an angry, vengeful child soldier and yet he's just — fucking it up.

"sorry," you laugh once to break the silence that's found its way back to the two of you, twisting your lips to one side so that the corners won't fall. "ah, i'm being so weird, huh? sorry."

"no, you—" his teeth grind as he thinks, hurried, though it seems like the harder he searches for the words, the faster they slip away. "it's—"

"i keep telling kyouka that she definitely read this wrong," the soles of your shoes scratch across the sidewalk and he thinks you've finally decided to abandon him, but you're just staring up at the high-rise buildings of downtown. blinking heavy, anywhere but here. "maybe now she'll finally get off my case about this."

this: him and his inability, his unwavering fear of coming up short. it's been a long time since he's had to meet someone new, had to hook them and keep them. all the shits in his inner circle planted themselves there against his will; katsuki doesn't know how to try, because he's never had to, not at this. there are very — very — few people whose approval he's ever needed, and wanting for it has never been anything short of painful.

it's okay, he tells himself — but it's toshinori's voice that echoes. it's okay to let people in.

another car goes by, another minute wasted; katsuki grunts, digging his fingers into his eyelids before frowning at you. at the zipper on your jacket, so he doesn't have to witness your disappointment any longer. "'s'why they need to stay the hell out of my business." his discomfort dissolves into irritation and makes itself known in his voice and in his scowl, the way everything does. "then shit like this wouldn't have to fuckin'—"

"it's okay, bakugou, really." you offer a wooden smile, the kind you have to hang up with nails. "you should head home, i don't want to keep you out any longer."

"i already told you i wouldn't—" the edge of his temper flares, reins coming loose. "if i didn't wanna be here, then—"

"seriously," you interrupt, "i'm a big girl, it's fine if you're not interested."

"that's not—" the snap of his teeth rattles his jaw, a muzzle over a wild animal; the bakugou he doesn't want you to meet is making his way out, ill-tempered and too sensitive for his own good. "there's no—fuck. look, i ain't stupid enough to believe that dunce face doesn't tell his little girlfriend every goddamn thing i say about you, so no, ears didn't read shit wrong."

(but maybe this is the only way to get the words out.)

katsuki sighs and steps back, inhaling the harsh december air until his lungs hurt. it's the most he's spoken all night and it's become the hardest thing he's had to say. "i just—don't—fuckin' know."

how to fix this. how to keep you. how to let the cracks in his foundation spread, until they're wide enough to slip past.

quietly, you nod, as if you could possibly understand the disaster of him. as if maybe you'd want to. headlights shine in the city-sheen of your eyes and his heart throbs, literally; how many times has he stared into nothing, wishing to know what it felt like to have you look at him like he was something more than he is? something better?

"what is it you don't know about?"

what he wants. how this will end. the depth this scar will wear into him. and— "you."

finally, finally, you smile at him again and it's as soft as you are warm. as safe as you are terrifying.

"do you want to? know about me?"

and what he should say is yes. what he wants to say is teach him, please, because if he has to go another night wondering if he really is better off behind his walls, he'll crumble. collapse back into himself. if he keeps looking at you as the battle and not the victory, then he'll never survive.

—but instead another car passes, and only silence follows in its wake.

[berrydoodleoo]

once, you were almost a ghost

[hawnks]

Logging out for a while, love you miss you <3

[mars-ipan]

Hi, it's me again. I decided to follow your advice and try to seek out your 'actually serious' analysis, which led me to your komahina bible, the most easy to find compilation of this supposed analysis. Here are my thoughts-

1) Overview

- Most of this 'analysis' isn't analysis but a summary/overview of the game. It's not so much a 'bible' as a children's book summary of the bible, which at that point it would be better to play the actual game itself. It's clear it was made for a presentation on the 'uninitiated' if you will, but if that's the case, you shouldn't be advertising it as the literal bible on the subject.

- When you are not regurgitating points from the game beat by beat, the screen is halfway filled with either manga panels or fanart. My gripes with manga panels are, that even though they do depict the events of the game, the way they can be depicted by the artist can be pretty subjective due to the freedom of the medium in comparison to sprites, and that the role of one character can differ depending on whose pov manga it is (chiaki vs nagito). Fan art therefore should be scrutinized even more since it fully depicts abstracted and even the fandomified version of events, leading to situations where it's either unclear what is actually happening or betrays your more shallow view of the characters (i talk abt this later.)

- When you do use pictures directly from the game it's either a possible screenshot from a memorable moment or dialog from the wiki, limited almost exclusively to the freetime events. This leads me to believe that you haven't actually played the game(there are other factors hinting towards this) or watched a Let's Play of it, but going off of merely information that's already widely known and circulating within the fandom, and easy to search on the wiki.

2) Incorrect/Questionable information

Here I'll compile a lot of information that's either plainly wrong or baffling to having come to that conclusion , leading more credence to the theory that you either haven't actually played the game or your memory of it isnt as good as you think.

-"if Nagito's plan went off of without a hitch, he would have killed anyone that was closes to him at the time" plainly wrong. Komaeda's goal from the start was to make himself the victim, so by dying this way his death could have meaning and help the others. For somebody that keeps talking about Komaeda's "Martyr complex" this is truly a weird take to have.

-"Nagito...got the nurse for sure sick" is there any proof that specifically points to Komaeda for this? I believe the takeaway should've been that Mikan got sick because she was around all of them AND she overworked herself trying to take care of them. Is this just an awkwardly phrased attempt to make more of a connection between Tsumiki and Komaeda? I don't think you needed more than the ones that already existed.

- "he helps Junko brainwash a bunch of students" Kamukura at neither point in the anime or Danganronpa 0 was ever specifically implicated in the brainwashing. He never 'helps' Junko, especially in that way. If you meant, participates in the student council killing game, you should've said that, but even then his agency and influence is limited.

-"they found the Remnants and captured them!"...no, they didn't. The Remnants presented themselves as survivors and the Foundation took them in. They handed themselves over willingly. It was a pretty big piece of the final part of the game...

3) Komaeda and Komahina

- "Nagito's habit of putting people on pedestals" Where. Sure, he certainly parrots the belief that the "Ultimates" as a unit are at the top of the food chain and should be prioritised, but its clear that doesn't exactly carry over to his classmates like teruteru, Kuzuryu and even Souda sometimes. Just because of a few positive comments refering to them as Ultimates and the trial which he literally breaks down in, this is a hard position to support.

-"Nagito manipulates Hajime into playing the game" How. He literally just told him to play it. How is that manipulation. Also, isn't it a bit unfair to put the blame on Koizumi's death to him as well? I think they were multiple factors playing into this, but sure, how else are you gonna convince people that Komaeda is a twisted fucking cyclepath that loves leading people to their deaths.

-The way that you say the Kuzuryu/Pekoyama relationship mirrors Komahina as 'I will give up my agency for you/ I just want you' is also confusing. Unless of course you mirror Peko's struggle with her agency and harmful beliefs the clan enforced on her with Komaeda's own belief system, in which case, idk man, i feel like you are giving a bit too much credit to the supposed severity of Komaeda's views and trying too hard to make Hinata the 'rational' and 'grounding' one in the relationship.

- Again, the amount of times you refer to Komaeda as a freak for doing something 'weird' or even being drawn weirdly doing it , mostly in the manga, makes me belief this isn't just an affectionate tongue in cheek joke as you claim, but an actual way in which your interpretation of Komaeda is colored.

-"it doesn't excuse his nonchalance towards tragedy and murder but explains it" what needs to be excused here exactly? Komaeda doesn't need to immediately bawl his eyes out when someone gets killed or else he's suspicious and...bad? I am confused with what you mean by this. If you mean that Komeada shouldn't be so nonchalant about murder because he's constantly trying to kill someone else, that is plainly incorrect and i explained above why.

-Posturing about Komaeda's 'black and white thinking' while in the next exact slide you show fanart of him smugly explaining he has Borderline. First, i want you to explain to me the black and white thinking in a way that isn't "oh, the friends and classmates i previously liked turned out to be fucking terrorists". I think that's a pretty justifiable situation for your thinking to go from white to black. Also, if that is enough credence to assign Komaeda BPD, you really don't know how BPD works, especially since you assigned it to the one character you constantly talk about being a freak (and also lust...pseudo lust? after).

- The insistence with Hinata not really understanding Komaeda and running away, even if he wants to understands him is pretty suspect, especially when compared to the game. Hinata is confused and overwhelmed yes, but it's not just that he wants to understand Komaeda but that he still feels fondness for him, he still follows his advice and puts his faith in him and the way he mourns him in Chapter 5 is also pretty indicative of this. It's just another part in the pattern in you making Hinata the confused, rational, 'morally pure' man that's 'tempted' by 'corrupted' manic pixie mentally ill demon Komaeda. Something tells me your priest AU isn't so much playing with dolls as much as...what you actually believe these characters dynamic is.

- The whole page where Servant is basically made into a joke about how hot and sexy and freaky he is doesn't help your point either.

-The most damning evidence of course is a drawing in the second to last slide, wherein Komaeda is supposed to be analogous to 'guy who has something wrong with him' (distorted, freak, mentally ill) and Hinata is analogous to the guy that 'is the only one that understands them' (the rational one, the relationship of understanding doesn't go both ways).

- Your slide with sources is pretty vague and unclear. Also the way that you credit "Your superior mind" before the game itself when all you've been doing is repeating and misinterpreting the plot of the game is ...ironic

So yeah, that's all I got. Feel free to 'debunk' my observations as much as you please, I just want to know if there's actual basis behind everything you just said or I should go digging for 'the actual serious analysis' yet again.

i think you forgot that fandom is meant to be fun

[hella1975]

are you doing good? Are you making sure that you're not burning out because people are pressuring you to write? I always worry about big fanfiction writers- I love your work to death but please take care of yourself first

hi. blushes. hello. looking at u with big wet eyes like this 🥺🥺🥺 im okay thank you love xx

[sweetestpopcorn]

Regardless of me knowing it was what certain people deserved, I should have known better than to engage in a very long and unnecessary drama with those who thrive on any type of attention, positive or negative, and who block people to have the last word and/or play the victim card.

This is not what I want my blog to be about, not at all, and for that I apologise to everyone following me. You deserved better from me, I have known better in the past and unfortunately today I did not do what I knew I should. Sometimes its just too many years, too much sh:t, too many lunatics coming at you and not leaving you alone when you are only always in your space. In this case to have their 5 minutes of fame and some notes as they tried to defend something that they couldn't.

You will see better from me from now on and my blog will go back to focusing and what were are here for and on the positives. I talk the talk so I will walk the walk. I will do better.

Thank you everyone.

XOXO, Popcorn

[tropicreme]

commission for @garousfavorite :]

[deus-ex-mona]

ngl i want to see an entire dramatic chapter dedicated to chizuchan’s “oshi break up” with aizo, flashback sequence and all

[aura-bug]

‼️YES HI HELLO‼️

3RD POST ABOUT THIS SORRY 😭

I am SO CLOSE to finishing my yo-kai watch 2 medallium, I literally only have one yo-kai left: Chilhuahua the stupid fucking ice dog

I am EXTRAORDINARILY desperate at this point, and I am begging, pleading, GROVELING even, for ANYONE who has a Chilhuahua in ykw2 to touch trade me. pretty please . my friend code is 4098-6495-3208 ok thanks ily bye

[wanton-votaress]

I may be a nerd but I wasn’t the one who baked cookies based on my current interests

That was all @existing-is-bothersome

(Even if was a attempt to prove they are superior to me in the kitchen)