#thank you for the tag I like doing these things lol

[naomistares]

since your art style has changed (and i love how expressive and mischievous? it feels now, idk if that makes sense but i admire the heck out of your growth) what does your process look like now? do you use the same brushes as before? do you want to talk about what you love about your work now? i saw your tag about tlt redraws now that you like your art and it made me curious. anyway love your art so much, nori!

hi!! thank you so much for this very cool question!! i guess before i just drew without much putting any thought to like... anything at all haha, only when i started doing comics was when i actively tried to make myself enjoy the process more.

i just thought about what I hated and tried to change it and just do a lot more art studies in my own time and try to really think about everything... like composition ! and like with colors, i didn't like how i only used to use desaturated tones, when i enjoyed more colors in other art i see.

or with poses, i didn't like how everything i drew felt very static to me, it still does but i'm getting better!! so i've studied dynamic-ness and whatnot.

i didn't like how "realistic" i would naturally go with proportions while drawing when my personal taste enjoyed more cartoon-ish and whimsical proportions, so i tried to be a little bit more loose with that but i'm not all there yet. for example, when i do some reference studies in my own time i find myself copying it 1:1 as it is, so now i try to incorporate it into a specific style without just copying it, it doesn't feel like i benefited otherwise!

i'm also trying to currently improve my lineart, i'm finding it much more enjoyable to draw with a thin brush! my lines were often thick and bulky and not super clean.

and yes!! i used to be loyal to like one or two brushes but i'm just trying new things constantly and it definitely affects the general vibe of the drawing, i've been obsessed with pencil brushes but i'm retiring it for a bit for a more jagged brush that i'm obsessed with now lol (still haven't posted anything with that, (working on it) but it totally changed the vibe.)

i feel like i often know when something looks right but i struggle on how to get there at times, but lately i've been seeing more right than wrong and just generally enjoying drawing.... drawing is my favorite thing.... i clocked in 9 hours yesterday on procreate.

[katareyoudrilling]

Audience of One (Dave York one-shot)

Pairing: Bodyguard Dave York x Female Reader

Summary: When online comments threaten your safety, you reluctantly agree to hire a bodyguard

Word count: ~3k

Rating: Explicit (18+ only. NO MINORS)

Content Warnings: a bit of danger, masturbation, unprotected PIV (please use protection IRL), a hickey (sort of)

A/N: This is my entry for @burntheedges Roll-a-Trope challenge! I got famous person AU and twisted it to fit my very niche tastes lol.  It has been quite a while since I posted something, thanks for hanging in there with me.  I really hope you enjoy it! Big thanks to @burntheedges for the beta 😘

Reblogs and comments are greatly appreciated!

Dave York Masterlist

Masterlist

Taglist – link in my bio or let me know!

“I really think you’re overreacting.”  You finish cleaning off your instrument and securing it in your case.

“I’m not and it’s not open to discussion.” 

You sigh.  “I’m a concert violinist, not a movie star.  No one is out to ‘get me’ or whatever.  This is ridiculous.”

“It’s not ridiculous,” your manager forces you to meet her gaze.  “There have been emails, social media posts… I know you don’t want to believe it, but there are creeps out there focused on you.  I need you to be safe.”

She’s looking at you with so much care and concern that the fight leaves your body.  “Fine.  Send him in.”

“Thank you.”  She turns to open the door to the dressing room and gestures to someone in the hallway.  You gather the rest of your things into your bag and prepare to head to your hotel.

Your manager steps back into the room trailed by a tall, broad, dark-haired, incredibly attractive man in an overcoat.

“Meet Dave York, your bodyguard.”

. . . . . . . . . .

“I’m really sorry about this,” you apologize for the tenth time since getting into the back of the town car with your new bodyguard in tow. “All this fuss is unnecessary.”

Dave regards you across the darkened backseat.  “Your manager doesn’t think so and neither do I.  The sooner you accept my help, the better this will go.”

You lose your train of thought as the streetlights sweep across his gorgeous features.  His pouty lips… his aquiline nose… his strong jaw… his dark eyes… each feature takes its turn in the lamplight.  It’s probably for the best, taking him in all at once might actually kill you.  No one has the right to be this handsome.

You shake yourself out of your reverie and find Dave watching you closely.  You look away quickly, shifting your focus out your window.  You cross your legs, and the slit of your dress opens, revealing your legs up to mid-thigh.  You quickly adjust the skirt to cover yourself and tell yourself that you’re imagining Dave’s eyes flickering away.

You clear your throat, “Right, umm… how is this going to go, exactly?”

“I’ll be with you during the day.  When you return to your hotel room at night, I’ll hand off responsibility to my security team.  There will be extra security at your concerts and events as well.”

“That doesn’t sound too intrusive.”

“It shouldn’t be.”

“I hope you like classical music.”

“We’ll find out.”

. . . . . . . . . . .

And that’s how it goes.  Dave meets you outside your door when you’re ready to leave in the morning and accompanies you on each step of your schedule.  He tags along to masterclasses, rehearsals, concerts, and your own practice sessions.  Ushering you in and out of town cars and back exits.

You share brief conversations in the car.  His dry, sarcastic wit comes out little by little as you spend time with him.  He often makes you laugh and you thrill when his pouty lips tilt at the edges into a wry smirk at something you said.

He leaves you at your hotel room door in each city at the end of the day, waiting until you close the door to call his security team.

You don’t lean against the door and wonder where he goes after he’s with you.  That would be inappropriate.

You don’t replay the events of the day, the glances, the almost touches, that assuredly exist only in your own imagination.

You don’t catalog the little things you’ve learned about him.  Single.  No kids.  Ex-military.  Coffee, black.  Unexpected crinkles around the eyes when he smiles.

You don’t seek him out in the concert halls, looking for a sign that he enjoys the music you’re making, always finding him watching you intently from backstage, still and focused.

You don’t find yourself pulling out your favorite toy to relieve some tension more and more frequently as the days spent in his company add up.

Definitely not.

. . . . . . . . . .

“You played something different tonight.” Dave’s deep voice breaks the silence of the car. 

You hum your assent, “Sarasate’s Carmen Fantasy.  It’s a real crowd pleaser.”

“I didn’t know a violin could do that.”

You chuckle, “Yeah, the soloist gets to show off in that one.”

“You like to show off, don’t you?”

The energy in the car shifts in an instant.  Dave’s dark eyes are even darker than usual as he regards you across the cab.  The question hangs heavy in the air.  

“You have to like to show off to do my job,” you explain a bit breathlessly.  You meet his dark gaze, and he hums in approval.  “Do you like to show off, Dave?”

He drags his thumb across his lower lip, your eyes can’t help but follow the movement.

“No, I don’t like to show off.  I like to watch.”

His words hit you like an electrical current, zinging across your skin, breaking you out into full body goose bumps.

You hold each other’s gaze in the dark, your breath coming in increasingly erratic pants.  He doesn’t look away.  Neither do you.

You cross your legs and allow your skirt to fall open up your legs, just like the first night you were in the car with him.  This time, the dress has an even higher slit—you save this particular gown for when you perform the Carmen, you enjoy playing into the persona.  This time, you don’t cover up.

You watch as his gaze flickers to your bare legs, exposed practically all the way to your underwear, the tip of his tongue sneaks out to wet his plush lips.

He drags his eyes back up to yours.  The air is thick with possibility.  A line has definitely been crossed.  Words begin to bubble up from your gut when the car pulls to a stop in front of the hotel.

The moment pops like a balloon.

Dave opens his door and swings up and out of the car.  In a haze, you open your door and step out into the night.

The next moments go by in a flash.

You hear someone shout your name, Dave yells, you’re shoved against the car, unfamiliar hands grab your shoulders and whisk you into the hotel lobby and into the elevator.  The doors close before you can understand the commotion happening outside the hotel.

You’re flanked by security guards you’ve seen around after hours.  The words “assailant” “custody” “weapon” permeate the buzzing in your brain.  Questions form and dissipate in the tangle of your thoughts before you can get them out.

The elevator doors open on your floor, and you are bodily moved into your hotel room.  Before they can close the door, you finally manage to ask what’s going on only to be met with vague instructions to stay in your room and wait.

You pace the floor and look out your window, hoping for a glimpse of what might be happening on the street below, but you’re on the wrong side of the building.  It doesn’t hold any answers for you.

Your hands reach for your phone only to realize it’s still in your bag in the car, along with your instrument case.

The car.

Your mind returns to that moment right before you pulled up to the hotel.  So ripe with promise and possibility.

Then you had gotten out of the car.

Oh shit.

You got out of the car yourself.  You opened your door yourself.  You weren’t supposed to do that. Dave opens your door.  Dave ushers you out of the car.

It’s all your fault.

Just as your thoughts threaten to spiral, there’s a firm knock on your door.

“It’s me.  Everything is ok. Open the door.” You hear Dave through the door.  You rush over and check the peephole like he told you to.  At least you can say you remembered to do that.  You confirm it’s him and open the door.

“Dave, I—”

He crashes into you, pressing you against the wall with the length of his body before claiming your mouth with a rough, desperate kiss.  His hands grip your chin, your shoulders, your hip as he devours your mouth.

Your hands scrabble against his chest, finding the lapels of his coat to hang on.

Just as suddenly as you found yourself kissing Dave, you aren’t.  He pulls back abruptly leaving you cold and breathless.

“Fuck, I shouldn’t ha—”

You pull him back to you by his coat, drawing his mouth back to yours.  You lick into his mouth, moaning as he responds.

This kiss is less frantic, but still full of need.  Your tongues tangle together, tasting and testing.

Dave eventually breaks away, resting his forehead against yours.

“Are you ok?”

“Yes, I’m ok, but what happened?”

“A man came running toward you, the police have him now.  I’m sure it’s the person making those creepy comments about you online.”

“I got out of the car by myself, Dave, I’m so sorry, I know I’m n—”

“Shh,” he hushes you.  “It’s ok.  You’re ok.”

He presses his lips to yours, swallowing your protests, until you melt into him.

“I’ve wanted to do this for so long.” He drags his lips down your throat, across your collarbones and shoulders.  He licks back up the side of your neck.

You gasp as he drags his tongue over the sensitive spot on your neck.

“I noticed this mark the night I first met you,” he murmurs into your skin. “I was so jealous of whoever got to do that to you.  I kept waiting to find out who it was, to see if they were worthy of marking your skin, but there has been no one and the mark has stayed.”  You sense the unasked question.

“My… it’s… a violin hickey,” you pant as he drags his nose up the column of your throat and along your jaw. “Where my violin rubs against my neck when I play.”  He chuckles.

“Should I be jealous of your violin?”

“Probably.”

He hums against you.  “Fair enough.”

He steps back to the hotel room door and for a moment your heart drops thinking that he might be leaving, but he only opens the door to pull your bag and violin case into the room.  You hear him conversing with a guard outside before he closes the door, locking the deadbolt before turning back to you.

He shrugs off his overcoat and suit jacket.  He loosens the knot of his tie and begins to unbutton the cuffs of his sleeves.  You watch the movement of his fingers with rapt attention.

“So, Miss Show off. Do you want to show off for me?”  His eyes flash dangerous and dark and a thrill runs up your spine.

Adrenaline tingles in your fingertips as you find the zipper of your dress and pull it down your side.

You lock eyes with Dave as you let your gown fall to the floor, a puddle at your feet.  You are left standing in only your panties and high heels.

Dave drinks you in, caressing your curves with his warm gaze.  Your nipples harden under his perusal and wetness pools between your legs.  It’s all you can do to not rub your thighs together.

“Get on the bed.” He commands, his voice deep and rasping with need.  His shirtsleeves are rolled up now, exposing the tendons and veins in his forearms.  His hands fist at his sides, clearly fighting the urge to touch you.  But you’ve learned this about Dave, he is always in control of himself.

You walk over to the bed, turning your back to him and adding an extra sway to your hips.  You catch his strangled moan at the sight of your round ass framed by the string of your thong.  You turn to sit at the end of the bed with a satisfied smirk.  Dave stands at arm’s length from you, pinning you with his dark eyes.

“Show me.  Let me see if those fingers can play your pussy as well as they play your violin.”

You gasp at his filthy words and your center clenches with need.  Keeping your eyes on him once again, you drag your panties down your legs and off, kicking off your shoes as you do, and scoot a bit farther onto the bed.

You lean back into the plush bedding, resting on one elbow, knees bent, and spread your legs for Dave.

He drinks you in hungrily as you part yourself for him, dipping your fingers into your wetness.

Your mouth falls open as you circle your clit, a moan escaping your chest.  You fight to keep your eyes open so you can watch Dave watch you.  You really do like to show off and he is an eager audience.

You quicken your pace, hitting the rhythm you like best, and find yourself careening towards your peak.  Your hips buck on the bed, and you whine that you’re close.

“Show me,” Dave commands one last time before you fall over the edge, pulsing and shivering through your release.

 “Do I get a standing ovation?” you ask, breathless, once you’ve come back to yourself. 

“You tell me.”

You crack one eye open and find that he’s standing at the end of the bed naked.  His cock juts proudly away from his hips at full attention.

“My favorite kind.” You lick your lips as you sit up and crawl to the edge of the bed.  You look up at him as you take the tip of his cock between your lips, sliding down the hard length of him.  You watch his stomach flex with effort as he resists fucking into your mouth.

It makes you want to make him lose control.  He’s always alert and watching.  Even in the car on the way to the hotel tonight, he kept his cool as you tempted him.  Bursting into your room to kiss you is the only time you’ve seen him not in complete control of himself.

You tongue and suck and moan around him, losing yourself in the rhythm.  Dave drags his fingers down your cheek and throat.  

“Look at you, fuck.” He cups your breasts, swaying heavily between your arms, and pinches your nipples.  “I want to watch these tits bounce while I fuck you.”

You whimper around his length, arousal practically dripping down your legs.  He pulls out of your mouth, diving down to kiss you deeply and press you backwards onto the bed.

He arranges himself against the headboard and drags you on top of him.  “Ride me, baby,” he commands.  You eagerly comply, lining his weeping cock up with your entrance.

Your eyes roll back in your head as you sink down onto him, the stretch is so delicious with every inch you take.  When you bottom out, you open your eyes to find Dave breathing hard, the tendons of his neck taut with effort.

You rise and sink back down slowly, angling yourself backwards so he can see his cock disappear into your wet heat.  He licks the pad of his thumb and reaches between you, giving you friction that makes you shudder with each roll of your hips.

“Fuck yes,” he groans, eyes locked on your greedy pussy, swallowing him whole.  You feel yourself start to flutter around him, the intensity of his eyes on you drives your arousal higher and higher.  Being watched with so much desire gives you such a thrill that your orgasm threatens to take you far too soon.

You slow and lean forward, placing a hand on the headboard over Dave’s head.  Your breasts wobble in front of his face and he quickly takes one nipple into his mouth.  You arch your back into him as he sucks and tugs, tongue swirling around the sensitive bud.

He holds your hips still with one hand as he feasts on you, bringing his other to cup and pinch your tender flesh.

“Yes, yes, yes,” you cry as the pressure builds in your core.  Your hips grind into him, seeking relief as he relentlessly toys with you.

He allows you to move, to chase your high, riding his cock with abandon as he looks up at you with lust blown eyes.  You tilt your hips, and he finds your clit once again.

“Fuck, you’re gorgeous,” he praises you as you near your peak.  “Come on my cock, baby.  I want to feel you.”

You come with a gasp, rising up on your knees as your pussy clenches then collapsing back down with shuddering pulses.  Dave caresses your back before rolling you over and gently pulling out.  He kneels between your legs, stroking his length, as you lie boneless and hazy.

“That was so fucking hot, baby.” His jaw clenches as he strokes himself faster and faster.  “I fucking love to watch you.  Watch you play your violin… watch you touch yourself… watch you fuck…”

“It’s my turn, Dave,” you interrupt.  “I want to watch you come.  Come all over me.” You prop yourself up on your elbows and smirk at the way a shudder moves through his body.  He lets go with a groan, ropes of cum painting your tummy and chest.

You both collapse, satisfied.  Dave cleans you up, taking extra care with your breasts.  You smirk as he chases the warm cloth with his even warmer mouth.

“What happens now?” you ask later, when you’re twined together on the bed. “If that was the guy…”

“I’ll be here as long as you need me and even after you don’t,” Dave presses a kiss to the top of your head.  You snuggle into his side, relaxing in the knowledge that you are safe and thrilled with the prospect of showing off again for your audience of one.

- - - - - - - - - - - - - - - - - - - - - - - - - - -

A/N: I don't have, and never have had, a violin hickey. I probably don't practice enough lol. But they are often seen as a point of pride among violinists.

Dave York Masterlist

Masterlist

Taglist - in reblog

[fae-morrigan]

Someone put a post (where they admit they straight up dont know these characters lol, and also spell damian as 'damien' so like. yknow.) in the tags saying that if you're a fan of Jon & Jay, you shouldn't buy super son. Well, as the crowned CEO of Jay & Jon, I'm here to tell you guys that you absolutely should.

Super Son did the amazing thing of hitting several marks that I predicted while still managing to surprise me in how they hit them. Which is high praise for any story: A great narrative should be able to both meet reasonable audience expectations (i.e, staying in character, setup payoff) WHILE STILL throwing in curveballs that tell you something new.

There's a lot I want to analyze and get into, namely how I think the rooftop conversation between Jon & Nia is really brilliantly done in what it says about both characters, but mainly I've been thinking a lot about how great those last few pages were and how I think Sina absolutely nails how Jon & Jay's specific issues interact with each other.

Jay's always been a blunt person. From their first meeting back in SOKE 2, hes said what he thinks, and rarely does he try and soften himself. More than that, his bluntness is often a shield from vulnerability, which Jay struggles with the whole scene. It makes total sense, after what hes experienced (re-traumatization at the hands of a friend) that he's displaying that trait again.

Jon, however, is immediately vulnerable. This is the most poignant confession of the issue: Not even in the amazing sequence of Nia helping him make a place in the darkness (look, its back, thanks isabel!) do we get this admission of fear.

And Jay, like always, embraces him. Sidenote, LOVE how they got in the thing Jon does where he's constantly tucking his face in people's shoulders during hugs.

But the moment ends, and we get here. First of all, cold af. I could feel the aura before I turned the page.

Second of all: Jay is totally valid in feeling this way. And it makes perfect sense that he would.

Sara was his everything. Getting her back was one of his main motivations in SOKE. Because of Nia's actions, she died horribly (do you know what happens to a person when they fall from that sort of height? I do. Its AWFUL.) for an unjust cause. Of course he's glad she can't hurt anyone else!

And that's when we get to my FAVORITE PART! Oh how I love this bit. Because like. You understand why Jon's angry- Its a harsh thing for Jay to say! Nia was the one who kept him sane while he was trapped in his own mind! But Jay, like always, is RIGHT: Jon DOESN'T get it. How could he?

Jon Kent will NEVER, ever, be put in this position. Out of universe, his parents are Clark Kent and Lois Lane. They'll ALWAYS come back. Hell, the fact they'll always come back is something Ma LITERALLY says to Jon in SOKE. He will never, ever have to know this pain.

In universe, Jon's a white american. Despite being queer, despite being an alien, he'll never know what its like to be this kind of collateral, delegated as pawns in a greater war for 'freedom'. That is what killed Sara at the end of the day: imperialism.

This next bit hurts my heart. Great job, guys!

For one: Jon claims he's not excusing the mistakes Nia made, but by downplaying it like this... yes he is. But did you catch that part? Right at the start of that bubble?

"I'm going to fight every day to make up for my own part in this."

That's where it clicked for me. Something I had been hoping for since Nicole first called them twin flames.

He's projecting.

Of COURSE he's defending Nia. Of COURSE he wants Jay to forgive her. It isn't just about the fact that she gave him support, it isn't just the dreams, its the fact that... well. If Jay can't forgive her... how could he EVER forgive HIM?

THIS is where the fact that Jon and Nia are so similar as character SINGS. They become mirrors to each other, evaluating their own self worth through the other, at the unintentional expense of the people they've hurt.

Jay's right, though. Again. Its almost like he's the embodiment of the truth or something. He doesn't HAVE to do anything.

When he starts crying though, I immediately was RUINED. This is the first time we have EVER seen him cry before during his entire existence of a character. And its not really even because his mom is dead (though yes, that) and its not even because of the argument. Its because Jay fundamentally wants to be understood, and he's not getting that.

Which is important for the next bit:

I want to first backtrack a bit to Son of Kal El again, specifically, issue fourteen, right here.

Hello, two-panel sequence that succinctly describes these two as characters. How convenient you are for me, a guy analyzing a work that isn't written prose.

Jon isn't good at letting go, for better or for worse. The things he cares about stay with him, and when something or someone tries to exit his life, he clings to them with all his might.

Jay however, both selflessly and selfishly, is willing to let go first if he thinks its better for the other person. To me this line so effortlessly summarizes who Jay is- he's a person who's accustomed to not having things, and will leave before it hurts and he gets too attached.

And that thought is ALL over this scene. Jay, who begins to let go, Jon, who both literally and physically CLINGS to jay, practically begging him to stay.

(Sidenote. This is like, the third time Jay mentions breaking up when Jon starts acting up. Good for you king, keep that white boy on his toes, let him know he ain't all that.)

Every little detail of this four panel sequence is killing me. "My worst nightmare is not having a home with you in it." His greatest desire. The thing that kept tipping him off in every fake reality Nia constructed for him- Jay's absence. Him wiping the tear of Jay's cheek. Jay walking away from him.

But what really gets me is how on this page, Jon talks about them as 'we', while Jay is firmly stuck in 'I.'

This is what made me LOSE MY MARBLES at three in the morning. Just utterly fucking off my rocker in a straightjacket talking to myself.

Because this is what JON wants. But is it what JAY wants?

Jon never asks.

What about what Jay fears? What about the life that HE wants? What if he doesn't want San Francisco? What if the life he wants is the life he HAD before everything went wrong? Jon outright says he wants a fresh start. But Jay, Jay's someone with such deep connections to what he just lost, what he likely WANTS to get back. His country. His mother. His sense of self. But. He says yes.

(Sidenote. FIRST I LOVE YOU WOOOOOOOOOO) To quote my buddy Dami: Oh, the drama of needing a future with someone who can't get over the past.

It is left unclear, by the end, whether or not Jay is saying yes to this because he genuinely wants to, or if he's only saying yes because he doesn't want to lose Jon, too. Jon doesn't stop to question whether or not Jay's only reaching after him because Jon's walking away. We, the audience, are left to ponder that for ourselves.

How much of Jay saying yes is him just accepting that this is the best he's going to get? That he's never going to be understood because nobody wants to understand?

He's an afterthought to Nia, an obstacle at best, and to Jon he's a particularly handsome prop in this little fantasy he has of running away and starting new. He's either not thought of at all, or when he is thought about, it's in the context of how he can emotionally fulfill the other person And you get why Jon did this. He's desperate, he's hurting, he just got tangible evidence that the time he has with the people he loves isn't ever guaranteed. He's been needing space from Clark and Lois for MONTHS because god knows they haven't been fulfilling his emotional needs. In a very real sense, Jay is who he has.

But wanting someone to stay with you so much that you'll... Not even ignore, but just not ever consider what they may want. The intentional isolation, moving halfway across the country away from all support systems. The need to cling to someone.

It reminds me of... something. Someone.

Don't tell Jon I made this comparison. He'll kill himself. Jon and Ultraman ARE similar. They're both such deeply lonely people who cling very tightly and even though it manifests in different ways and even though they have different core thoughts about it. The effect at the end of the day is the same, isn't it?

Is loving Jay not a brutal act of destruction?

There's so many more details about this story I love. Jon & Nia's conversation being vague enough that you have no idea how Jon meant what he told her but you KNOW how NIA took it (girl you can do better hes literally ugly!). Jon breaking a pillar by bonking his head against it (LMFAO). The pretty lies vs ugly truth dichotomy of Jay vs Nia here.

But this one scene, man. This one fucking scene takes the cake. STELLAR work all around. Every panel counts.

This better lead into a full Superman & Gossamer run or SOMETHING or I'm going to have WORDS with DC's editorial staff.

[macabr3-barbi3]

God, That's Good

Chapter 7: Wait

Alastor tries to ease Lucifer's impatience, and Vaggie comes by for a favor.

Tags: more brooding, banter, A PROPER KISS

Before I rant about my writing wife some more, I do want to advise that once we get past this chapter, things will be getting quite a bit darker and more explicit. There's murder; there's blood; there's cannibalism; there's a little sex (not dark, but still warranting a warning I think LOL). If you know the musical/movie I'm sure you have a vague idea of what's coming. Be mindful of these things from chapter 8 onwards- I'll make sure to put specifics in the tags for each chapter but PLEASE don't read if you think these things might be triggering or upsetting to you.

Back to our regularly scheduled vibes- as always, huge thanks to @fraugwinska for helping me stick to a normal schedule and being one of my absolute best friends and most enthusiastic supporters 😍 ALSO thank you to everyone that has liked/reblogged/commented- this AU has me in a chokehold and I'm stoked that others are enjoying reading it as much as I've enjoyed writing it

PSSSST: Wednesdays have even more to look forward to! If you love Alastor being a questionable hottie as much as I do, check out @hazelfoureyes with A Doe in Fall that is ALSO updating on Wednesday evenings! I promise I'm very normal about this story and Hazel's writing in general (she said, lying, being very not normal about either thing)

Chapter 1 🥧 Chapter 2 🥧 Chapter 3 🥧 Chapter 4 🥧 Chapter 5 🥧 Chapter 6  🥧Chapter 7

Despite her promise to visit soon, it’s a fortnight later and the Beadle still has not come by Lucifer’s barbershop.

He would be the first to admit that he broods on it. Between customers of his now booming business, he spends hours sat in his chair staring at himself in the mirror, trying to find the remnants of the man he used to be. He watches the tendons in his hands move as he shaves the gentlemen of New Orleans, thinking that they surely were not the same hands of Damien Diggory though they remained on his body all the same. Families came and went through his door, constantly reminding him of what he had lost, what the Beadle and Adam had to pay for, making his unease at her absence grow more every day.

He sat now in his empty shop with one of his razors in hand, staring down at the blue of his eyes reflected on the blade. He felt empty, numbness creeping from the pit of his stomach to his limbs and making his whole body feel like a hollowed out shell of a person- he looked the same, sounded the same, but the substance inside him was either missing or in the process of rotting where it sat. Charlie was still out of his reach, his revenge on hiatus until the Beadle saw fit to grace his shop with her presence. Everything was at a standstill, and the lack of activity beyond shaving was making him a madman, always pacing around the upstairs, approaching the entrance to his family’s old apartment and retreating like a coward.

A creak of the floor alerts him to the door opening, three soft knocks letting him know that it’s Alastor. He can hardly look the man in the eyes these days after he had embarrassed himself that night two weeks ago, when he had tripped into Alastor’s lap and pulled him into a kiss. It was embarrassment more than anything; thinking that he had reciprocated had been nothing but a figment of Lucifer’s drunk imagination, as Alastor hadn’t mentioned it since. Sometimes his eyes will fall on the younger man while Alastor is busy doing something else, and he uses those stolen moments to learn the curves of his face, imagining the blade skimming over his cheeks if he ever gave him the chance to give him a shave. 

Alastor comes behind the chair, leaning his elbows on the back above Lucifer’s shoulders. “I thought you had no customers today,” he says softly, watching Lucifer in the mirror. “What are you doing up here, hm? Plotting?” He smiles slyly, the corners of his mouth turning up and giving him a mischievous look. “Or pouting?”

“It’s been a fortnight,” he laments, snapping the razor closed and placing it on the stand beside him. “Why has she not come?” He stands from the chair and starts to pace- surely he looks like a madman, stalking between the apartment door and the sizable chest that held his spare towels and aprons, hands taking through his hair. 

Alastor sighs, his smile still in place. “Oh dear, a tantrum. How unbecoming. And just when I’ve started to think you were respectable.”

Lucifer scoffs. “Come now, Alastor- you don’t think it strange that she’s not arrived yet? You’d think such an ‘esteemed member of society’ could keep to a date.” Perhaps his air quotes and exaggerated accent were a tad childish, but it still makes Alastor laugh through his admonishment. “I’m… antsy, sitting around and waiting for her. They have to pay for what they did to Lilith, to me-”

“And they will.” Alastor leaves the chair to approach him, the proximity when he finally stops making Lucifer’s heartbeat pound in his throat. “Patience is key, my good man.”

“I’ve waited for so long already,” he groans. “Was fifteen years not enough? Must I wait another ten before I’ve avenged the wrongs against us?”

“So she’s a few days past when she said she would come,” Alastor says flippantly. “Do you not think that your over-eager manner won’t scare her off? Cause her to alert the Judge?”

Lucifer says nothing, not wanting to concede that he’s correct. He keeps his eyes on his feet, that hollow feeling returning to his chest and muffling the sound of Alastor’s voice as he continues talking. What would he do if she never came? Then surely Adam would never have reason to set foot in his parlor; he would never have his vengeance, Charlie would be lost to him, Lilith would be dead with nothing to show for his avenging her-

“Lucifer.” His head jerks up, and Alastor is watching him with narrowed eyes. “Did you hear anything I just said?”

He’s sure his face flushes. “Of course I did,” he lies, “you were… shit-”

The smile returns to his face. “I was saying,” he says softly, “that perhaps you can use the time to update your bearings. Get some flowers, hang some decor on the wall- that will likely sway the Beadle’s mind as far as recommending your establishment to the Judge, if the walls are not bare as though you’ve just moved in.”

“I have just moved in,” Lucifer points out petulantly. “I’ve only just started taking customers this last fortnight, I’ve not had time for bearings as you well know.”

Alastor claps his hands together, the sound making Lucifer jump. “I’ll send Husker for a floral arrangement for you- I think it will really cheer the place up.” He glances at Lucifer, a slow drag of his eyes up and down the barber’s body that almost makes him feel shy with the heat it contains. “I was also thinking that the unknown waiting period we find ourselves in is not a wholly bad thing. Perhaps I’m old fashioned, but I find that half of the fun in a plot is making the plan itself! Especially when one has a partner.”

And to Lucifer’s surprise he steps closer, bridging the already short gap between their bodies and taking Lucifer’s hands in his own. “I, for one, have also been enjoying this time simply getting to know you.”

He thinks his brain stops working, the way his mouth stammers to get out a response to that. “Oh! Well, I- I mean, I’ve also been, you know. Enjoying you.” Alastor’s head tilts in amusement, and Lucifer realizes what he’s said. “Enjoying your company, I mean! Fuck, I’m sorry-”

“There’s no need to apologize,” Alastor murmurs, and he releases one of Lucifer’s hands to slide around his back, pulling him fully into his chest. “We did say that we would revisit the intimate portion of that night when you were no longer intoxicated. Tell me, Lucifer, are you under any influence at this time?”

He doesn’t trust himself to speak, so he shakes his head. It shakes some logic loose- that kiss had been a mistake, the door wasn’t locked if a customer approached, he was less than ten feet from the apartment he had shared with his dead wife- but doesn’t stop him from allowing Alastor to lean in and press their lips together.

It’s so much better now that he’s not drunk. The kiss is soft and gentle for a bit, simply their lips touching as they learn the ways they fit against one another. It’s not until Alastor fists a hand in his shirt to keep him close that Lucifer even considers trying to deepen it. His hands tremble from nerves instead of liquor when he reaches up to hold the back of Alastor’s head, fingers threading through his hair while a broken noise tears itself from the back of his throat. Alastor responds in kind, making a soft sound that’s lost in Lucifer’s mouth as he parts his lips, his tongue shyly seeking entrance that Lucifer is all too eager to give him.

Lightning sparks behind his eyes, heat flooding his veins to pool low in his stomach, and he knows he needs to end the kiss before he does something that both of them may regret- though he hates to break the intimacy of the moment, ravishing Alastor in his parlor was not on his agenda for the day. He would need time to plan, to properly court the baker perhaps before inviting him to his bed- not to mention the extra time he would need to whisper pleading prayers to Lilith to forgive him.

Lucifer pulls back, his resolve nearly broken when he sees the way that Alastor’s lashes flutter, a noise of confusion escaping him. “We-” He clears his throat, embarrassed at the low rasp of it. “We should stop for now. Which is not to say that I don’t want to kiss you more! I do, very much,” he rambles, and Alastor merely blinks slowly and watches his mouth move as he had that first night. “Just, we should take this a bit more slowly. I don’t want to take advantage of your kindness-”

“Rest assured, Lucifer,” he purrs, “you are not.” And that makes him lose his train of thought for a moment, with how husky and low the words come from Alastor’s mouth.

“Haah, well, still. I would like to take this a bit slower and do it right. If you would allow me to, you know, properly court you, I would very much like to do so.” He sounds stupid, he realizes, like a child with a crush asking them to check ‘yes’ or ‘no’ on a piece of paper; he just hopes Alastor isn’t put off by the formal request. Perhaps he would prefer something unspoken, more blinding, unplanned kisses that steal both of their breath and leave them panting and wanting more.

But thank God, Alastor simply smiles at him and takes his hand again. “I would like that as well,” he says, and Lucifer thinks he could just collapse from the relief he feels. “We shall go at whatever pace best suits us- though I hope you’ll forgive me if I seem a bit impatient at times.” He watches Lucifer’s neck as he says this, and the barber knows he follows the movement of his throat as he swallows. “But by that logic, if I can wait for what I want, surely you can as well.”

Lucifer opens his mouth to respond- to admonish him, or perhaps pull him in for another kiss- when he hears the creaking of the stairs. He has just enough time to step back from Alastor before the door swings open, and he manages to hide his disappointment that it is not the Beadle, like he hoped, but Vaggie.

“Mister Morningstar!” She crosses the room to greet him with an enthusiastic handshake. “It’s been ages, I haven’t had much time to make it to this side of New Orleans but I’m happy to see you’re in business. And hello to you as well, sir,” she offers to Alastor, who gives her a small smile and turns to tidy something on the shelf behind him. “Mister Morningstar, I admit I have a favor to ask of you- there’s a woman, you see-”

Alastor scoffs behind them, and Vaggie’s eyes narrow into slits before she continues. “She is kind and beautiful, and stubborn beyond belief; she’s opened my eyes to so many new ideas and theories, and- her guardian poses a problem to any intentions I may have towards her, but late last night as we talked and the Judge called her away, Charlie slipped this into my hands.” She holds up a key, dark and dangling off a red ribbon. “It must be a sign, don’t you think?”

“Charlie?” He could hardly dare hope that it was her- that the Judge Vaggie spoke of was Adam, that such an opportunity to have her back was simply being dropped into his lap like this. “Charlie. And, the Judge, you say?”

“Charlie- Charlotte, I suppose, that is her name. And the Judge Cain and his lackey, the Beadle Sera Dempsey. They patrol the alley behind Cain’s home at random hours but despite this we’ve found days that we talk for hours before they can interrupt us. She is perfection, Mister Morningstar, and even if she doesn’t return my feelings I want to see her free from these jailers she’s in the care of. If I can convince her to leave with me tonight- perhaps later in the week, depending on when that horrid Judge is home- could I bring her here for shelter for an evening? Just until I can find a coach for hire to take her North with me, or wherever she wishes to go.”

She finally stops talking, taking a deep breath while she waits for Lucifer to answer her. He finds his words stuck in his throat- yes, bring her, please, bring her to me- and is dismayed to find a lump in his esophagus, halting his words behind the threat of tears. He clears his throat, blinking his eyes a couple times to rid himself of emotion. “You may bring her here,” he says, his heartbeat rapid in his veins, and Vaggie’s face lights up with joy. 

“You’re a blessing, sir, thank you! I hope to see you again tonight, but in any case, I’ll come with Charlie soon!” She shakes his hand again, the force of it making him stumble, before she releases him and is back out the door as quick as a flash.

He turns almost absently to Alastor, who gives him a smile. “Who could have guessed?” He says cheerfully. “You’ll have her back before the week is out- possibly even before the day is done!”

“Charlie will be coming here,” he says distantly, and then it hits him like a train. “Charlie is coming! Oh God, what will she think of me? I need to- shave, maybe, or- should I grow it out? My beard was grown out when she was young, maybe that’s why she no longer recognizes me-”

“Lucifer.” 

Alastor approached him slowly, like one might a feral animal- and that’s what he had felt like lately, some untamed beast stalking around his shop, so perhaps Alastor was right to take a cautious approach. “Perhaps we focus first on getting her here before you spiral about letting her know who you are, hm?”

“You’re right,” he says, and thank God for Alastor to help him keep a level head. “Of course, making sure she gets here safely is the most important part. But- we should clean the place up a bit! How soon do you think Husk can bring those flowers you mentioned? And I can dust the apartment, make sure that everything is tidy-”

He’s interrupted by the creaking of the stairs again, the bell at the bottom ringing loudly to signify someone coming. He expects Vaggie again, or even perhaps the Beadle at last. But to his confusion, it’s neither- Sir Edward Pentious stands in the doorway, his small assistant at his side and carrying a bag that was far too heavy for her slight frame and causing her to tilt to one side. 

“Sir Pentious,” he greets cordially, “and… young lady.”

“I’m Niffty, sir,” she giggles, reaching a hand out to vigorously shake Lucifer’s. “Nice to meet you when you aren’t beating my boss in a shaving contest- and his shop is way nicer than yours too,” she directs to her employer, and he flushes a dark shade of red. “Are you sure you want to be a barber?”

“Niffty,” he hisses, and gently shoves her behind him. “I was hoping to speak with Mister Morningstar alone,” he directs to Alastor, who shrugs with a soft hum and leaves Lucifer’s side.

He meets Niffty at the door. “Well, aren’t you just a little wisp of a thing!” He says when he sees the bag she carries. He takes it from her hands and gestures her down the stairs. “Come along, I’ll see if I have anything adequate for you to eat…”

His voice and Niffty’s enthusiastic reply fade as they descend, leaving only Lucifer and the growing grin of Sir Pentious.

Again, a secret little 'so sorry, gotta do it' for the next chapter. Pour one out for Pentious y'all

Chapter 1 🥧 Chapter 2 🥧 Chapter 3 🥧 Chapter 4 🥧 Chapter 5 🥧 Chapter 6  🥧Chapter 7

[vvitchering]

Got tagged by @lionsaint and I've had way too much caffeine tonight so lets do an ask meme~

1. Are you named after anyone?

I am named for a either a great great grandfather or great uncle, I cannot remember. His name was Harry.

2. When was the last time you cried?

Yesterday while I was reading a fic lmao I get emotional very easily. I cried the day before that as well because I watched this week's Ted Lasso and that show has been on a streak of making me cry ;;

3. Do you have kids?

Absolutely not. Most likely never will, either! Not in this economy/dystopia!

4. Do you use sarcasm a lot?

More than I probably should but who cares

5. What sports do you play/have you played?

The only sport I EVER played more than once of my own free will is gaga, which can best be described as modified dodge-ball played in a pit. I learned it in girl scouts and I wasn't terrible at it because I was small and fast and you weren't allowed to hit anyone above the legs with the ball so it was very hard to get hurt playing it.

6. What's the first thing you notice about other people?

Appearance, but I think that's what most people notice first. Past that, I usually will notice attitude.

7. What's your eyes colour?

Green/Hazel.

8. Scary movies or happy endings?

I don't think these things are mutually exclusive...? But I hate horror and I prefer for stories to end happily so. That.

9. Any special talents?

I don't think I have any. I'm pretty good at knowing if punctuation has been used correctly at a glance, but I don't think that counts lol

10. Where were you born?

11. What are your hobbies?

Annoying my friends, rewatching tv shows over and over, reading fanfic, playing video games.

12. Do you have any pets?

Yes and no. I don't personally own a pet, but I claim my parent's dog as partly my own because I lived there for a while/will be living there again and I love her.

13. How tall are you?

The same height as Drew Barrymore

14. Favorite subject in school?

English and history in high school, sociology and linguistics in college.

15. Dream job?

I do not dream of labor. However, I do actually really enjoy what I do now and I'm sad that I'll have to leave where I'm at in a few weeks when I move ): (the real answer is I would love any job that isn't customer facing. I've been customer facing for my entire career and I don't think I have it in me to deal with the general public anymore)

Not gonna tag anyone but if you read this and you want to do it feel free to claim I tagged you!

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[yangjeongin]

6 YEARS WITH STRAY KIDS — #Youtiful6YearsOfSKZ

[raiiny-bay]

some WIPs from the 80s AU i never finished

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[halfdeadwallfly]

hi!!!! thank you @summercampghostie @im-the-son-of-rage-and-lov3 and @biromanticboba for the tag! i'm making a new thread so i could respond to everyone at once. i love this picrew so it was really fun to do again with the changes in my look hehe

it's supposed to be what you look like vs what you would want to look like, but if i'm being completely honest, i've just been really happy with how i look lately so i only did that version :))))

EDITING TO ADD THE LINK LMAO HERE YOU GO

np tags 🪄 @spectral-mycoblin @starry-eyed-darling @trips-around-the-sun @mack-anthology-mp3 and ofc anyone else who wants to join!! love you all <3

[yo-yo-yoshiko]

So… An update…

(We’re watching episode 36 next, can’t recommend Toqger enough)

[lucabyte]

i am looking at nohats au 👀 please share more

So! NoHats! I'm going to grab you and use this to ramble. A Lot.

The NoHats AU is @samhainian's it's just that I'm the strange little freak who takes the words said unto me and executes on them. But I can still do a little explainer on what our overall thoughts and vibes are. (And, that we are in fact propping up a little box with some cheese under it here. 🪤 Please (PLEASE) feel free to pick up what we're putting down.)

We're far from the only ones exploring a "what if siffrin fucking died" AU, though the main difference with NoHats is the placement of the death in the timeline. Instead of being 'Mal Du Pays Wins' or 'Act 6 encounter goes horribly wrong', the death is… Just after the (literal) falling action.

(This placement is because Sam is a comic book fan who thus has become used to characters being ripped away at the cruelest times by shitty writers. THANK FUCKING GOD adrienne is not that and isat is delightful yippieee, but, back on topic.)

Giving the party the full understanding of What Happened that you get by putting the death after black hole siffrin, but before the A6 encounter leaves an interesting gap to be filled. See, making Siffrin's death very much not Loop's fault means that… this once again reads (when not read as simply a tragedy...) as the universe doing what it sees fit to fulfull Loop's wish… Thus making Siffrin's death Loop's fault again, but only in their eyes. And only in a way they could express if they were honest about who they were…

And this is where having had excuse to waffle about my general Postcanon Loop thoughts the other day comes in handy, because Sam and I have that as our canon-compliant reading to begin with, NoHats plays off of a lot of the same readings of Loop's character. Namely: Uh Oh Somebody's Lying By Fucking Omission Again. (BECAUSE TO BE FAIR THIS TIME… HOW THE FUCK WOULD YOU HANDLE THAT?)

Now, neither Sam nor I are fanfic writers, so this has been a little bit trapped in our heads and DMs (and my unfinished art but,)

But our thoughts on how NoHats like… Goes.

Siffrin's death is peaceful, but that does not mean the aftermath of it is. I can't imagine the party takes it well, especially after understanding the circumstances of the Loops. (And, of note, in A5 where nobody had the discussion on what to do with each other's bodies should something happen…) But I'd imagine it traumabonds them somewhat (understatement of the century) and now knowing how the rest of the party feels, they resolve to travel together for the forseeable future.

The party track down Loop to deliver the terrible news, since they were clearly Siffrin's friend too, and invite Loop along to travel at least long enough to (let them grieve) get the burial over with. Loop, here, can be helpful in knowing what Siffrin would've wanted where the party would be at a loss. Loop, I think, takes a bit of a lead on the funerary aspects of it all, because, um. (Performing rites on your own body, huh?)

Then, as things are after a death, life just… Kind of has to continue on as normal. The party travel, pick up Nille, and get to know Loop as this mysterious new person. Maybe in this situation they might stay in Bambouche for a while to give Bonnie more stability since. They are probably taking it the worst. It would've come out of absolutely nowhere for everyone in the party obviously but god, for a kid? For A Kid?

It should be stated NoHats is not intended to be grimdark, just y'know. An exploration of grief. This is also why it's got a bit of a lopsided focus on Bonnie vs the rest of the party because hhrrhghghhghghhhghhghhh <- incoherent

Now, a crossroads.

How does the party discover Loop to be Siffrin? How long does it take. How much have the party embraced them as part of the family (especially with something as intense to bond over as this)?

There's the Odile option. Have her put it together and have to bring it up somehow. This could also be done by Isabeau, perhaps. He's smart. (which. God. If anything's the real Isabeau Torment Nexus it's this)

Then there's the other option batted around by Sam and I. The: The Universe Dislikes Duplicates option.

The items in the house that fzzt away when inspected. The Universe doesn't like there to be two of something, at least not when they're acknowledged. But one of something is just fine…?

Which is to say. I'm not a personal proponent of 'Loop getting their body back'. EXCEPT …… except this one time.

There's only one Siffrin now, so they don't need to be obfuscated to exist.

Consider, if you will. Loop swallowing their guilt for long enough to be comfortable. Falling back into old habits. Without another Siffrin around to compete for the niche of, they actually begin to act like Siffrin again. Not intentionally, it's just… The party is as welcoming as they've always been. And the party swears they keep catching glimpses of a face under all the light.

Then, one day, while still not fully human again, the resemblence becomes undeniable. Loop having not even noticed until everyone looks at them like they've seen a ghost.

Has it been months? How long have they kept up this lie? Is it even a lie, to them? They're Loop. But they were, once, Siffrin.

Even after explaining it, does that make it better or worse?

Bonnie cuts through the betrayed, struck-nerve reactions with a sobering "I missed you."

… Anyway !

Yeah so that's the vibe for NoHats. As for LoopLoops? That's more nebulous. I think it can go anywhere really in the NoHats timeline. I err personally toward the "Loop continuously replays the last 10 minutes before Siffrin's death almost immediately after they find out and have to parkour their ass up the House in the most distressing situation possible to try and get them to hold on, just please hold on." (Remember! Siffrin can remember the contents of Loop's loop backs in the A6 fight!)

But there is the possibility that this happens months, or worse years down the road. One last Loop back. Throw it all away for the chance to just get that one thing you didn't know you even wanted but now know you NEED.

Misc:

Okay miscellaneous time.

This is where I admit that I have a bunch of unfinished NoHats art that I haven't gotten around to yet because I feel like a right tool being so obviously Loop-Centric with my fancontent (I AM . . I REALISE I AM NOT DOING MUCH TO BEAT THE ALLEGATIONS.) So like if people want to see that please say because euaghghghhfh <- the nervous.

this is like the most fucked up place to do isaloop fr. anyway.

one of Sam's mid-game observations that I'm just going to share for no particular reason is that Bonnie's hair shares a bunch of shapes with Siffrin's. The flick up at the top, the 3 pronged shape of the fringe… just something to think about.

Without 2 Siffrins around to compare each other to it'd likely be a lot harder to notice Loop's similarities. Doesn't mean that those similarities don't sting more in this context though.

If you do NoHats without LoopLoops. The concept of this all fading into memory years down the line while they just have slightly-glowy but otherwise regular Siffrin hanging out is fucked up to think about. Just like real grief. Augh

6. a peek into the original dms as a treat from us

[twinstxrs]

thinking about kageyama’s “it’s the setter’s job to break the wall in front of the spiker” in reference to how kenma sponsoring hinata while he’s in brazil and onwards is effectively doing that on a financial level. once a setter always a setter.

[franky-y]

another painting

[sleepykas]

God i love Hireath so far. Like you don't understand how refreshing it is to find such a well written fabrication where Sun and Moon act like their in-game self. Also I live your asshole Sun like WOW he's amazingly written- the passive aggressive and straight up aggressive uncalled for behavior has me wild. Not even to mention Moon- he's my favorite character thus far. He's just a little prankster guy. He's just so him. Rrr I love your writing style and Y/N like yay! We have a backbone! Very good. Anyways, I will be eagerly awaiting the next chapter! Love your work!

WAIT HOLD UP. WAIT. YOUR HONOR. I'M SO FLATTERED OH MY GOD. THANK YOU!!!!!

[ef-1]