#thank you for taking an interest in me and what I think! that's very kind of you ^^ it's nice to get to talk about the sillies a bit!

[purple-plum-petals]

Hello!! I see your requests for Homicipher are open and I got giddy :D (starving for more content) May I request fluff drabble for Mr Silviar? Maybe his s/o teaching him how to say "I love you" in human language? Thank you!

⊱ Those Three Words ⊰ || Mr. Silvair X Reader

╭─━━━━━━━━━━━━─╮   Character(s): Mr. Silvair (Homicipher/文字化化) Reader Type: Human (Gender-Neutral Pronouns) Warning(s): Spoilers for Homicipher (specifically Route End: Mr. Silver Hair 1), Canon-typical Mentions of Violence (and Horror-Elements), Cultural Barriers (Mr. Silvair Doesn’t Fully Comprehend Certain Emotions). Anything spoken in the other world’s language will be bolded. Genre: Drabble, Fluff, Slight Angst, Pre-Established Romantic Relationship (It’s Complicated, honestly). Word Count: ~3,280 Request: “Hello!! I see your requests for Homicipher are open and I got giddy :D (starving for more content) May I request fluff drabble for Mr Silviar? Maybe his s/o teaching him how to say "I love you" in human language? Thank you!” Author’s Note: Mr. Silvair!!! He’s genuinely so pretty, y’all – it’s not fair. 😔 I find his overall character to be quite fascinating, and a part of me is really hoping the game gets a DLC or something to further expand on each of the character’s lore (and more moments with the MC, of course). Like game, what do you mean that some of the monsters may have been humans while others probably never were?? I desperately need more food… I headcanon that Mr. Silvair was either 1. never human, or 2. has been in the other world for a very long time, resulting in the loss of his memory as a human which could be why he’s so interested in researching them/maintaining the MC’s humanity. 🤔 But that’s just a theory – a game theory! Anyway, I hope you enjoy!

→ If you enjoyed my work, please reblog it if you can! Exposure on Tumblr is based on reblogging content rather than liking it, so your support would be much appreciated!  ♡ ╰─━━━━━━━━━━━━─╯

Even after everything that had happened between you and this world’s resident human-enjoyer, you surprisingly still felt at ease with Mr. Silvair. That comfortability, though, made you think hard about your sanity. After all, it probably wasn’t normal to be comfortable around someone who enjoyed taking you apart and watching your body put itself back together over and over again. Yet, you did, and you didn’t mind your current arrangement as much as you probably would have in the past. 

Mr. Silvair’s home was destroyed in a fiery explosion (courtesy of himself), so you had offered to help him find a new one. You managed to locate a large room, one that he deemed satisfactory enough to call his base, and you had been staying with him indefinitely since then. As long as you had a comfy bed to lay in and someone else to keep you company, you were happy. 

Your other friends(?) frequently stopped by as well to say hello, the most common ones being Mr. Crawling and Mr. Chopped. While you were occasionally hit with a feeling of loneliness, it was hard to feel that way with so many friendly faces around. Well… maybe their faces weren’t that friendly, but they were kind and gentle with you, and that’s what truly mattered. 

You hear the sound of Mr. Silvair moving around in the room adjacent to the one you typically stayed in, and you wonder to yourself what his plans for today are. The tall, long-haired man spent most of his time engaged in research. You didn’t see him as frequently as one would expect despite the fact you two were practically roommates. All you could do was hope he wasn’t messing around with and subsequently angering any more terrifying, violent ghosts. You enjoyed your current home, and going out to look for another one wasn’t very high on your list of things to do. 

The Rubik’s Cube in your hand was still as scattered as ever, and it seemed like, no matter how long you spent trying to solve it, you were only able to successfully complete one side. Mr. Masque was kind enough to give it to you (he apparently had a whole stash of the things somewhere), and his gift was something you were immensely grateful for. Attempting to figure out the puzzle helped you pass the time wherever you were alone (and it most likely helped you keep your head on straight). 

You’re currently lying flat on your back atop the plush bed in the relatively empty living space, looking up at the gray concrete ceiling with a blank stare. Once you decide you’ve loafed around for long enough, you stand up slowly from the bed, placing the cube gently on the covers of the cot. You stretch your arms above your head, a strangled noise coming from your throat at the movement of your stiff muscles, and you begin to make your way to the other room where your… 

What even was Mr. Silvair to you? While yes, you were fond of him – hell, you’d go as far as to say you loved him – you knew he didn’t feel the same. You remember the moment he told you “I not understand like”, and that he didn’t want to save you from your condition, no… he found you entertaining to keep around, and that’s why he did what he did. 

It was complicated, you thought, trying to have a relationship with a being who didn’t grasp what the concept of love was. Deep down, though, you knew you wouldn’t change it for the world. He enjoyed your presence, and that was all you could ask for. 

You walk over to the metal door and knock, waiting for a response. After a moment, you hear Mr. Silvair’s voice echo, “Enter.”

The door opens with a slight creak as you twist the knob, peeking your head inside the somewhat grimy space. The room, still fairly new, didn’t have as much blood or gore as his old one did. There were fresh stains on the floor and wall, you noted, and you couldn’t help but wonder who or what they were from exactly. It didn’t matter in the grand scheme of things, though, so you didn’t bother asking. 

You grin up at the taller man and give him a small wave, saying softly, “Hello. I not bother?”

He returns your smile, placing the scalpel in his hand on the stainless steel tray that held a variety of medical tools. It looked like he was in the process of cleaning the many, typically blood-stained, pieces of equipment. Mr. Silvair turns to face you and replies gently, “Hello. You not bother. Enter.”

Tilting his head to one side, his long, silver locks move when he does, cascading down his head and slipping off his shoulder at the movement. His smile drops slightly before he asks, “Feeling unwell? Injured? Need cure?”

“No, no cure.” You quickly say, not quite in the mood to be dissected or taken apart right now (honestly, though, you never really were, even if you did understand why it needed to be done). You pause by the door before finally shutting it behind you, the both of you now alone in the private and secluded space. 

Ugh – why was it so hard to say what was on your mind??

After taking a moment to build up your confidence, you tell Mr. Silvair while fidgeting with the rubber of the clear raincoat you wore, “I want see you. Communicate.”

He hums and smiles at your admission, walking over to you before placing a calloused hand on your face. Your eyes close on instinct, and your breathing shutters when he rubs his thumb across your cheek. A part of you wanted to be annoyed with him since he had to be aware of the effect he had on you, yet you didn’t want to run the risk of him removing his cool palm from your skin, so you kept your mouth shut. 

It had taken quite some time for Mr. Silvair to get to this point of physical affection with you (something he began doing more often after he saw how much you enjoyed getting head-pats from Mr. Crawling), so you didn’t want to ruin any progress you two had made in your complicated and unconventional relationship. 

“Okay,” Mr. Silvar starts, removing his hand from your face as he gestures to one of the two chairs in the room. He smiles down at you before saying, “Sit. We communicate.”

You do as you’re told without speaking another word, your hands folded in your lap after you sit down, watching Mr. Silvair take a seat on the chair across from you. You talk with him for quite some time, doing your best to update him on your current progress with the puzzle since that was pretty much the only thing you had going on in your life. While it wasn’t satisfying to speak in the other world’s language because it tended to miss most of the nuances of speech, it was the only way the two of you could communicate. 

Mr. Silvair seemed to pick up on your frustration, seeing you were growing annoyed at the lack of words in your arsenal – the term you were looking for wasn't coming to mind. In response, he tilts his head to the side and asks you, “You upset. Why?”

“Not right words.” You reply, brows furrowed when you look up at him, your gaze landing on the bloody bandages wrapped around his eyes. You turn your head to look down at the floor, the somewhat fresh pool of blood perfectly matching the color of the Rubik’s Cube. You point to the puddle and turn to ask Mr. Silvair, “What’s this called in your language? Can you tell me how to say this color?”

“Blood.” Mr. Silvair responds, not understanding what you wanted him to explain. 

“No, no.” You quickly reply, shaking your head. You continue to glance between him and the blood, enunciating your words even though he didn’t understand your language the same way you were able to understand his. You didn’t back down or give up, though, saying again, “The color – I want to know what color blood is.”

He pauses, one hand under his chin as he seemingly takes a moment to figure out what you are asking him. After a few beats, Mr. Silvair replies with a word you haven’t heard anyone speak before, “???”

You visibly brighten at the new word, and the expression on your face causes Mr. Silvair to let out a light chuckle before he crosses one of his legs over the other. You take a breath before telling him, “Okay. Thank you.” 

After another pause, you continue to speak, “So… One part object done, red part. Other parts hard – not finish.”

Mr. Silvair had been leaning forward in his chair, his elbow digging into his knee while his hand rested under his chin, holding his head up as he stared at you with an unwavering gaze. He always listened to you with rapt interest, and you would be lying if you said the constant attention didn’t make your heart stutter in your chest. However, he suddenly speaks, pointing to the pool of blood you had been gesturing toward moments before, “What you call that?”

“Huh?” You ask, pausing your story to look at him. Mr. Silvair doesn’t say anything else, though, giving you a moment to comprehend what he has asked you. You perk up when your brain finally registers what Mr. Silvair had said, replying to him happily, “Oh, that’s the color red. So, blood is typically red – blood red.” 

“R-ehd?” He echos, and the sound of his voice speaking a word that you were able to understand without having to flip through your mental dictionary had your breath hitching. It sounded so strange but so nice coming from his lips. 

“Yeah, red! Blood is red!” You say, sounding excited and oh-so happy. Mr. Silvair would be lying to himself if he said he didn’t find the look on your face and the tone of your voice endearing. Then, your expression shifts slightly as you lean forward in your chair, saying enthusiastically, “Oh my god – I just got an idea! Me teach you me language!”

“...You language?” Mr. Silvair asks after a moment, shifting in his seat slightly. 

“Yes! Me teach you!” You reply, gesturing to both him and you with your hands. Your mind remembers the way Mr. Silvair and Mr. Chopped helped you shortly after you first arrived, teaching you directions to walk, facial expressions, and more. They had helped you expand your knowledge of this world’s language, and they were probably responsible for your survival in so many of those early interactions. So, you smile at him as you say, “We same.”

He returns a smile, nodding his head and replying with a simple, “Okay.”

“Alright, so, let me think here…” You hum to yourself, leaning back in your chair and closing your eyes while you consider what you should start with. Body parts seemed to be the first thing that popped into your head, so that’s eventually what you decided to start with. Sitting up in the chair, you point toward your hand with the other, tapping a finger to your palm as you speak, “Okay, so, this is my hand – hand. Can you say hand?”

It was kind of cute, strangely enough, seeing Mr. Slivair take the time to repeat the word you spoke over and over in his mind, trying to match the movement of your mouth with his own. Your languages were quite different in sounds, syllables, and the like, so he was practicing what to say before actually speaking. After a few moments of contemplation, he replies, “...H-ah-nd.”

“Hey, that was pretty good! Not bad for your first try, Mr. Silvair, even if the pronunciation is a bit off.” You say with a wide smile, clapping your hands together as you applaud him on his efforts. He chuckles again, finding your way of teaching to be… sweet. 

Then, you speak again, once again grabbing his attention. You tap the pad of your finger under the skin of your eye, asking him, “Do you remember what this is called? I think I’ve told you before.”

Mr. Silvair is quicker in his response this time, having heard you ask him about his own eyes before as he smoothly says, “Eye.” 

“Yes! Good job!” You praise once more, giving him a thumbs up in response. Then, he stands up from his seat, walking over to you while his once-white lab coat flows behind him. You crane your head back to look up at him from where you were still sitting, a simple and stupid, “...Huh?” leaving your mouth. 

Mr. Silvair reaches a hand to your face, cupping your chin gently in his hand. You feel his thumb resting on your bottom lip, and he begins to move his finger back and forth along the slightly chapped flesh, tugging at it slightly. He tilts his head to the side, asking you seriously, “What this called?”

“Oh, uh…” You know your face is probably flushed beyond belief at this point if the heat cascading through your head is anything to go by, and your mind and heart are completely caught off-guard by his sudden touch and question. You avert your gaze to the side, swallowing harshly before you finally reply, “They’re my lips – they’re, umm… similar to mouth. Lips, mouth, same.”

“...Lips?” Mr. Silvair asks again for clarification, his voice having an almost husky tone to it that has a shiver travel down your spine. 

You nod in response, muttering a barely audible, “Yes…” 

Mr. Silvair hums at your response, a small smile gracing his lips. He leans down, face so close to yours, before he inquires with an almost teasing tone to his voice, “You want touch?”

“Y-Yes.” You answer at an almost embarrassingly fast speed. 

The man who you had grown so fond of chuckles at your enthusiasm before leaning forward, pressing his lips softly to yours while he holds your face between his palms. Kisses weren’t a common thing between the two of you, and they were really only something Mr. Silvair initiated when he felt like it. You could feel the intensity at which your heart was beasting due to his sudden affections, and there was a part of you that was worried it would burst out of your chest right then and there. 

Your eyes flutter shut and you tilt your head to the side, your hands coming up to rest atop his – his hands that were holding your cheeks so, so gently. It was almost sickening the way he was holding you like you could break at any moment. 

Then, almost as quickly as it began, the kiss ended before you even realized it did. Mr. Silvair’s forehead was now pressed against yours, and he doesn’t make any move to remove his hands from your face. Your lips were no longer touching, and yet he still lingered.  

Mr. Silvair didn’t play fair, you thought, yet you couldn’t help but wonder why he wanted to kiss you so suddenly, so randomly. You close your eyes and your brows furrow at the tightening in your throat, an aching sensation slowly spreading throughout your chest like a disease before you whisper, “...I love you.”

There’s a silence, a stretch of nothingness before Mr. Silvair suddenly asks you, his voice just as soft as yours had been, “Repeat?”

“...No,” Your response is nearly immediate, and you shake your head before repeating once more, “Nothing.”

“...I love you.” The sound of those three words leaving his lips nearly causes your mind to implode. It sounded so sweet, yet it also felt worse than any suffering you had experienced before. The searing and excruciating pain, the feeling of a blade digging itself into the flesh of your torso couldn’t compare to the deep-seated torment you felt right now.

Mr. Silvair hums, tilting his head to the side as his thumbs continue to caress your cheeks, “What mean?”

You knew there was no point, no reason to try and explain your feelings again, but you do. You still do, even though you know it’s pointless to try. You can’t bring yourself to look at him as you speak, finding the concrete floor more interesting, “Mean… mean me like you. Lot like.”

There’s a pause, a moment of contemplation before Mr. Silvair says, “...Not understand.”

“I know.” You reply, nodding your head once in response. 

“You know?” He asks you, sounding somewhat confused, a tone you very rarely heard from the man. Had he forgotten that moment that you couldn’t seem to forget, the memory that you continuously found replaying in your mind like a broken record? It wasn’t fair, you thought, that only you were forced to hold onto such a painful memory. 

“You communicate before.” You clarify, finally willing yourself to look at his face. Mr. Silvair’s expression was tight, his lips drawn into a flat line. 

You needed to get away, to just run from this moment in the hopes he would forget the whole exchange just as he apparently did the last one. You take your hands and grab his wrists, removing his palms from your face before you stand up from the chair. You refuse to look at him as you turn, heading to the door as you utter, “...I’m going to go for a walk, so I’ll be back later. Goodbye.”

Then, you feel something tug at the sleeve of your raincoat. It wasn’t strong, nothing that would actually stop you from moving, but your legs proceeded to hault at the small action. Mr. Silvair says, his tone not demanding in the slightest – if anything, it sounded like a plea as he speaks, “No exit.”

You take a deep breath and turn around to face him, asking in such a small voice that it even caught yourself off-guard, “...Why?”

“I want you here.” Mr. Silvair responds quickly, so quickly it seems to have taken both of you by surprise. The two of you stare at each other for a moment before he asks, finally releasing the material of your jacket from in between his fingers, “Stay… Will you stay?”

You once again find yourself wondering if Mr. Silvair was aware of the effect he had on you as a sigh leaves your mouth. You nod your head lightly and reply, “I will stay.”

“Good.” He says in response, a gentle smile on his face as he says for the second time, “I love you.”

You frown at him and shake your head, saying with a slight edge of frustration in your voice, “No speak. Not true.” 

“True… Believe true.” He says quickly, reaching out to once again place a hand against your cheek. You don’t move, don’t flinch away from his touch – you still relish the way he’s holding you like a fragile piece of glass. Mr. Silvair’s brows are furrowed ever so slightly as he mutters, “Confused.”

“You’re telling me… How do you think I feel?” You say with a huff, your hand holding into his as you find yourself nuzzling your nose into his palm. The painful feeling in your chest was still present, but it wasn’t nearly as excruciating as it had been now. You find it in yourself to smile, gazing up at him as you speak, “...but we’ll get through it together – we together. Right?”

“To-geh-ther…” He repeats, leaning down to press his forehead to yours once more as he says softly, “Yes.”

[ashasdiary]

Bodyguard

Pairing: Geto Suguru x reader Synopsis: Geto finds out you’re being harassed at work. CW: harassment, established relationship, protective!geto, angry!geto, Geto beats him up, a little angst, fluff, brief suggestiveness WC: 1.9k A/N: no one look at me I’m trying to cope 😵‍💫

It started very innocently. Just small chats here and there, in the work kitchen, passing by through the hallways, in the elevators. Then the chats became a bit longer. You initially thought your coworker Daniel was just being attentive, asking about you, showing genuine interest in what you had to say. To be sometimes expected from a work colleague. 

But you realised his intentions early on. So you made it a point each time he asked your plans to mention your boyfriend, Geto, just to make sure he was aware that you were not interested. 

That didn’t stop him. 

Every time he passed by your desk, he’d pat your shoulder and mouth a small ‘hi’. Initially, it wasn’t concerning, because it was minor, just him saying hi in greeting. But the more time passed, the longer his touches on your shoulder, and the more agitated you got. 

He’d join you, uninvited, while you had your lunch. Offering him a polite smile, you wouldn’t say anything as he’d sit near to you in the work kitchen. 

“Whatcha got?” He asked once. 

“Just a sandwich,” you reply, mouth full, not caring about manners in that moment. Because he had eyes. Why ask stupid questions? 

“Oh, nice. Healthy,” he nods, opening up his food container, “You always have healthy stuff.”

You blink a few times, thinking what the hell, keeping tabs on my lunch? He begins to eat and you hum, kind of dismissively, “Yeah.”

You continue to eat your sandwich in silence, looking at your phone, hoping he’ll leave you in peace. Ha! Why would he? 

“What did you get up to on the weekend?” He asks and you glance up at him, giving a tight lipped smile. 

“Had a day out with my boyfriend, we did a hike and then saw a new movie…not much else,” you say. 

“Ah, hikes are great. I hope it was a good movie. It’s nice having a companion, but I’m so particular about who I keep around…it’s why I can’t find anyone decent,” he responds, and you chew on your lip, feeling a bit unnerved by the trajectory of the conversation. 

His phone rings then, and you thank the stars for the interruption. You stand up then as he takes it and you say something about your lunch break finishing before you dash out of there. 

Geto had noticed you’d been a bit down recently, but he didn’t want to push you to talk about it because he knew that there wasn’t always a reason for being down. Moods fluctuate, something he could personally understand completely. Instead, he ups his affection to you, making sure you feel loved, and seen, and safe. Which you always do. 

That week, it continued. 

Fucking hell, was he persistent. More touches; the shoulder taps had become shoulder squeezes. More questions. More attention.

At the very least you were thankful you weren’t working in the same team or even in the same department. But still, it was starting to affect you. You’d feel anxious as it approached the time that he’d come into work. You’d feel anxious when you heard his footsteps. 

Your coworker who sat beside you noticed it too. “He’s so weird…what’s his problem?” She comments, then her voice softens when she looks at you being tense, “hey…you okay?”

“Not really…” you whisper to her, voice wavering. 

She looks concerned, “Tell HR. I’ve seen what he’s been doing, every day, it’s creepy.”

“But I don’t want to cause trouble,” you find yourself saying, and you trail off as you hear yourself. It sounds ridiculous and you know it. 

Your colleague says your name, “Come on. It’s not. Do not sacrifice your comfort. Go tell them…or do you want me to?” She asks. 

Deliberating for a moment, you then shake your head and inhale deeply, “I will.”

After having a conversation with HR, it all happens very fast. Within 3 hours, Daniel is being escorted out of the building having been fired. 

You feel sick to your stomach, because you hadn’t wanted to cause such a drastic consequence. But as the day goes on, you are reassured that it was a completely justified decision. 

It’s when you’re on the way home that you get a text from an unknown number, angrily asking what he’d done to deserve that and that you should watch your back. 

When you go home to Geto that day, you walk through the door and burst into tears, all of your built up emotions being let out. He’s quick to envelope you in his arms tightly and hold you against the warmth of his chest. 

“Hey, sweetheart…shh…I’ve got you, it’s okay…come sit down,” he says to you, in a soft, hushed voice as he guides you to the couch. You sit on his lap, face buried in his neck as you sniffle, tears rolling down your cheeks. 

“Tell me what’s going on, honey,” he prompts, rubbing your back in soothing circles, “talk to me.”

So you tell him everything. Every instance, every encounter, every inappropriate conversation. And then the text. You notice that as you’d been explaining, he’d stiffened, his gaze had turned ice cold. 

He utters your name, gently pushing your hair behind your ear as you look at him, “You should have told me the minute this began…” he sighs softly, “Maybe take some time off work. And if you don’t want to do that, I’m going to take you to and from there. Okay? Nothing is going to happen to you, I promise.” 

The conviction in his tone is a safety blanket to you and you bury yourself against him, whispering a thank you and an I love you. 

“I love you too, sweetheart. You’re safe, always,” he kisses your hair and holds you for the rest of the evening. 

You’d debated taking time off, but you knew that would only postpone your fear. So you go to work as usual, but with the safety of Geto’s company. 

He had suggested driving you to and from, but you knew the traffic in the city was awful which would be quite long. So he commutes with you. Four trips he makes each day, just to ensure that you are safe. 

His presence alone was enough but knowing that he’d never let anything happen to you, that he was there only to protect you, makes you feel very much at ease. 

You’re pressed up against each other on the train a couple of weeks later and he grins at you, snaking his arm around your waist. “Up close and personal, huh,” you murmur to him. 

“Not close enough,” he teases you with a wink and you flick his chin with a laugh. 

“Sugu, you might as well just come and work at the same company with all these trips you’re making,” you say as you walk hand in hand from the station to your work building. 

He chuckles, “While that would be fun, working in the same place as you, I think that they might end up firing me too for inappropriate touching,” he jokes and you laugh at this. 

He smiles to himself at the sound of your laugh, happy to see that you’re not feeling so anxious or sensitive anymore and can laugh at jokes about it.

“You’d always want to get me alone,” you tease.

“Oh, yeah. Every chance I get,” he squeezes your hand as you approach the building. 

You head inside together and you let go of his hand, readying your keycard to swipe through the security gate several meters away, and you’re about to bid each other goodbye when you stop in your tracks. Geto looks to you in question and he follows your gaze to where Daniel is stood outside the security gate, waiting. 

He didn’t know what Daniel looked like of course, but he is quick to put two and two together. At the same time, Daniel sees you. You tremble slightly as you see the look on his face as he storms over, somehow not making note of the giant 6’3 man stood beside you. 

Geto quickly approaches, and he grabs Daniel by the collar, lifting him easily off the floor. “You have some nerve coming here again…I ought to teach you a fucking lesson,” Geto seethes. 

Daniel is completely taken aback, turning into a spluttering mess as he grabs onto Geto’s arm that was holding him up, “I— I didn’t do anything! I don’t even know you! Put me down!”

Geto’s brows furrowed deeply, his blood boiling, “You sly piece of shit, you deserve what’s coming,” Geto says through clenched teeth, and throws Daniel across the shiny floor. He slides a few yards before coming to a stop. He curls into a ball as Geto angrily approaches him, crouching down and pulling his head back by his hair. 

“You think this is funny? Showing up to your old workplace just to harass someone again?” Geto raises his voice. 

“N-no, I didn’t—” Daniel quivers, but Geto’s not hearing it. 

“Like hell you didn’t,” Geto bites back, then performs a jujutsu technique that has the man being catapulted against the wall so forcefully that it cracks.  

Daniel is knocked out cold. You cover your mouth in shock before you rush over to Geto’s side and hold onto his arm, “Sugu…”

At the same time, security guards rush over to both Geto and Daniel and police had been called as well. The security guard recognises you but says to Geto, “Sir, police have been called. We ask for your cooperation.”

“You don’t want me to leave the premises?” Geto asks coolly, swiping some sweat off his cheek with his thumb. 

“No, sir,” the security guard gestures for Geto to follow him and waits for him to do so. 

You look at Geto helplessly. “Sugu, I’m sorry—” you begin and he frowns. 

“Why’re you sorry? This isn’t your fault. I acted in your defence. He was clearly coming at you,” he says, his eyes searching yours, placing his hands on your arms and caressing them gently. You relax a little bit. He’s right, of course. 

“They can charge me but if any, it’s likely they’ll be dropped. There’s CCTV here, and the security guards,” he looks over to the security guard stood waiting beside you both and speaks directly to him, “were clearly negligent in carrying out their jobs to allow someone who’d been fired for harassment back into the building again.”

The guard swallows thickly. You try to hide your smile at how Geto’s handling this, it’s admirable to see. 

“There’s no problem for me, I’ll happily cooperate and give my statement to the police. The evidence is right there,” Geto says to you and nods his head to the CCTV cameras overhead. 

“Can I come with you?” You ask, and he outstretches his arm. 

“They’ll probably want a statement from you too. It’s best if you did,” he says and you both walk with the security guard to the side. 

Police arrive, take statements, and evidence of the CCTV. They determine there’s no charges. You head back home with Suguru and take the day off. 

He’d made your favourite meal for lunch, and as you’re curled up together on the couch eating and watching TV, you kiss his cheek. “It’s sweet having you as my bodyguard.”

“I like being it too,” he replies and glances over to you with a tender gaze, feeling content that he’s the one to protect you and keep you safe. 

“Does this mean we can do bodyguard role play in the bedroom?” You say and he coughs, almost choking on his food. 

You laugh quietly and pat his back as he says your name, “Now that, I didn’t expect.”

“Is that a yes?” You grin as he sips on his drink, eyeing you over the rim.

He sets his glass down and smirks, “It certainly is.”

Do not copy or translate my work. © ashasdiary, all rights reserved. Divider by cafekitsune

[littlemissclandestine]

Emergence - Behind each arena

Thought this mission was chaotic af. Didn't expect zombies to be in the campaign since they literally have a separate mode for that but anyways let's take a lil dive into EMERGENCE.

⚠️WARNING: Spoilers for Call of Duty: Black Ops 6

-Advanced Combat Research-

For this section, we obtain a grappling hook and need to defeat the director of ACR with the help of some sentries.

I wasn't actually sure about this one since the zombies were just well....zombies that looked like guards. However, that said, the big guy we had to defeat was just a Cerberus/three-headed-dog-like figure.

-Administration-

For this keycard, we have to find the reports and slot them into the holders and this red mannequin comes to life (along with the others...)

Red is an interesting choice. It stands out from the rest and if we think back to Cold War, you'd remember red being used A LOT throughout the campaign.

Anyways, once it's free, the red mannequin goes on the run (a bit like Adler) and we have to chase it, the voice in Case's head saying, "I knew we couldn't trust him," and if we fire at it, the voice mentions, "Bullets are nothing to him," possibly referring to Adler being hardened by his years of service.

He cracks when we reel him in and get too close and then he pushes us away. The cracks remind me of Adler's scars - mental and physical. In fact, the mannequins actually take on the form of Adler mostly as well in this room. A coincidence? I think not.

After the initial phase, the red mannequin transforms into the monster as seen in the third image and again, we get another piece of dialogue - "See? He's a monster, just like the rest of them."

The thing that comes to mind here is Adler's nickname - America's monster.

-Joint Projects-

To acquire this keycard, we play some prop hunt basically! Objects around the room will rattle, signifying the monster's whereabouts and we have to sneak up on it and fire or it will disappear again - kind of alluding to the idea of secrecy, a core theme of Black Ops.

What's interesting to me is the fact that the zombie engages in a prop hunt like game with Case...like being on the move constantly and watching your back when others get too close to the truth perhaps.

We know that Sevati Dumas is the queen of disguise, excelling at being hidden in plain sight so this definitely fits her and that's why we see her in this arena.

-Cognitive Research-

During this phase, we have to drain some water to get the keycard and kill the big guy who's residing in the bathysphere.

The voice in Case's head seems to focus on rage here. I think for this part, there was a mix of Marshall, Sev and Adler zombies.

On escape, we see a Woods horde charging towards us. If we consider the theme of rage, we can certainly see where Woods' anger lies - Hudson and Mason's death especially to Woods' being kneecapped by Menendez and how that's mentally affected him, leading him to suffer. Hence, this is a part of the "cognitive research" bit.

-Biotechnology-

For this phase, we have to defeat a friggin' levitating zombie.

I thought this one was very reminiscent of Case...almost like it's his true form. He's essentially fighting himself for this one, just like looking in a mirror, right?

Troy and Sev zombies can be seen, most likely because this is where the three of them all are in reality.

---------------------

If you made it this far, thank you so much for reading! I'd love to hear your thoughts on this mission <3

[hollowed-theory-hall]

hello! i was wondering whether or not you can envision someone as better suited for tom/voldemort since i remember you saying neither harry nor hermione would be a match — them being the most popular two characters shipped with tom. and on that note, what do you think about bellatrix and voldemort? pro/against?

i tend to get a bit blindsided by the sheer obsession she has for him, honestly. i mean… i feel like she would be willing to shape herself down to the last atom to what appeals to him, if he ever were to show any true interest, and that’s very… sad.

Hello 👋

Thank you for the ask and as with all ship asks, ship what you ship, these are just my subjective opinions.

Now, what I said about Tomarrymort is that I don't think they would realistically get together and have a functioning relationship, I didn't say it wasn't fun. Like, I love Tomarrymort, but only if the relationship is a messy push and pull that makes everyone (both involved and uninvolved) miserable.

Now, as for Bellamort...

Do I think they had sex at some point in canon? Maybe. Like, that's not the most absurd thing about CC for me, so I consider it plausible.

Do I think Voldemort actually likes Bella romantically? Not really.

Do I think their relationship works like an actual equal functional relationship? Not one bit.

Do I think their relationship is entertaining and interesting? I mean, clearly, many people do, but I don't like Bellamort.

Like, it really doesn't interest me. There's a reason I only like Tomarrymort when there's a push and pull and Harry and Tom are portrayed as the equals they are. Like, I don't like Tomarrymort where Harry is completely submissive to Voldemort and Bellamort for the same reason — these aren't the kind of relationships that make Tom interesting.

I like both Tom and Bellatrix a lot as individuals, but I don't think a romantic and/or sexual relationship between them pushes their characters to interesting places. They are both stagnate in this relationship and, for me personally, that just doesn't interest me.

Like, Bellatrix is completely submissive to Voldemort nodding her head excitedly and panting after him: "Yes my lord! Whatever you say, my lord!" And this is not the type of dynamic that'd push either character towards growth. They don't push each other into a character arc, which is what I usually like my ships to do.

Additionally, this dynamic basically means Voldemort always gets what he wants, and Bellatrix is happy with it, as you said, she'd shape herself for his every whim. This isn't a relationship between equals. It's a relationship where she worships him and he doesn't respect her or care about her as a person. Like, at all.

The dynamic we see from them in the books gave me the impression Voldemort cares about Bellatrix. He doesn't want her to be hurt or to die:

Bellatrix’s gloating smile froze, her eyes began to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.

(DH)

But he cares about her like how you care about your favorite pet. He relished in giving her orders and having her submit completely:

“Master, I am sorry, I knew not, I was fighting the Animagus Black!” sobbed Bellatrix, flinging herself down at Voldemort’s feet as he paced slowly nearer. “Master, you should know —” “Be quiet, Bella,” said Voldemort dangerously. “I shall deal with you in a moment. Do you think I have entered the Ministry of Magic to hear your sniveling apologies?” “But Master — he is here — he is below —” Voldemort paid no attention.

(OotP)

He doesn't actually care about her being hurt if it's not too bad, he doesn't care about her feelings or apologies, especially not when Harry is right in front of him — his obsession, his one failure. Bellatrix takes a backseat, basically always. He doesn't care about her all that much. He cares and respects her like a loyal dog, not like a person he has a relationship with.

He also relished in humiliating and embarrassing her. He likes making fun of her in ways Bella clearly does not enjoy, which isn't something you'd do to someone you love:

“I’m talking about your niece, Bellatrix. And your, Lucius and Narcissa. She has just married the werewolf, Remus Lupin. You must be so proud.” There was an eruption of jeering laughter from around the table. Many leaned forward to exchange gleeful looks, a few thumped the table with their fists. The great snake, disliking the disturbance, opened its mouth and hissed angrily, but the Death Eaters did not hear it, so jubilant where that at Bellatrix and the Malfoys’ humiliation. Bellatrix’s face, so recently flushed with happiness, had turned an ugly, blotchy red.

(DH)

she's desperate to please him, to tell him everything she thinks he wants to hear and she happily lets him treat her like fucking dirt. I don't find a relationship like that compelling, as I said, Voldemort would never change for Bellatrix and Bellatrix honestly deserves better than this. He even lets other Death Eaters jeer and laugh at her, this is not a romantic relationship.

Like even if he had sex with her, it was purely physical as he just doesn't care about her as a person like this. As more than a faithful servant (which he enjoys making fun of, as he does so for many of them).

And he is unwilling to show her real, unintentional weakness or ask her for help:

“My Lord, let me—” “I do not require assistance,” said Voldemort coldly, and though he could not see it, Harry pictured Bellatrix withdrawing a helpful hand.

(DH)

He does trust her with one of his Horcrux as the cup is kept in her vault and she seems to know what it is:

“Be quiet! The situation is graver than you can possibly imagine, Cissy! We have a very serious problem!” She stood, panting slightly, looking down at the sword, examining its hilt. Then she turned to look at the silent prisoners. “If it is indeed Potter, he must not be harmed,” she muttered, more to herself than to the others. “The Dark Lord wishes to dispose of Potter himself. . . . But if he finds out . . . I must . . . I must know. . . .”

(DH)

He trusts her loyalty, and she is one of his preferred Death Eaters (he doesn't hate her like he does Wormtail, Tom appreciates courage and loyalty, which are both traits Bellatrix possesses) but he clearly doesn't trust her with his backstory in the first war:

“Shut your mouth!” Bellatrix shrieked. “You dare speak his name with your unworthy lips, you dare besmirch it with your half-blood’s tongue, you dare —” “Did you know he’s a half-blood too?” said Harry recklessly. Hermione gave a little moan in his ear. “Voldemort? Yeah, his mother was a witch but his dad was a Muggle — or has he been telling you lot he’s pureblood?” “STUPEF —” “NO!” A jet of red light had shot from the end of Bellatrix Lestrange’s wand, but Malfoy had deflected it. His spell caused hers to hit the shelf a foot to the left of Harry and several of the glass orbs there shattered. [...] “He dared — he dares —” shrieked Bellatrix incoherently. “— He stands there — filthy half-blood —”

(OotP)

She doesn't really know who Voldemort is. She worships the persona of Voldemort. She loves his lies and masks. She doesn't actually know Tom Riddle. And I don't think she could accept and love the real Tom Riddle behind the title of Voldemort — the poor but brilliant nerdy half-blood who craves recognition. She would find him pathetic.

It's basically Hinny, isn't it?

She adores his persona and fame and what people think he is without actually knowing or understanding him. She changes her personality to fit what she thinks his girl needs to be because she is so focused on being with him. And He likes that she doesn't get in his way and lets him do and say whatever without crying about it but doesn't care about her or her feelings nearly as much as people think.

Bellamort is just Hinny with a different skin, and I never liked Hinny.

Like Hinny, they don't know or understand each other, and it's clear Bella and Ginny care about Voldemort and Harry more than the boys care about them. Like, yes, Harry would be devastated if Ginny died, but he'd get over it way faster than he did about Sirius. Same for Voldemort, he cares about Bella, but not as an equal he understands and cares for the feelings of. Voldemort got over Bella's death fairly quickly as well, he's way more focused on Harry.

So, with all of this, who do I think is the best pairing for Voldemort?

If we're talking about canon characters who are actually characters in the books? Then Harry is my top choice. Harry is the only one Voldemort would see as an equal and can actually push and change Voldemort as much as Voldemort changes him. There is no other character in canon, I believe, who would be able to do this to the level Harry could. Their dynamic is just so mutually obsessive and tense that a relationship like that can't not change both of them in a myriad of interesting ways.

Though, I was thinking about it, and Severus/Voldemort have potential. Voldemort clearly respects Sev and his opinions more than the average Death Eater:

Snape did not speak. “Perhaps you already know it? You are a clever man, after all, Severus. You have been a good and faithful servant, and I regret what must happen.” “My Lord—”

(DH)

He cares about him and regrets having to kill him:

Harry saw Snape’s face losing the little color it had left; it whitened as his black eyes widened, as the snake’s fangs pierced his neck, as he failed to push the enchanted cage off himself, as his knees gave way and he fell to the floor. “I regret it,” said Voldemort coldly

(DH)

Voldy is willing to forgive Sev for things he'd kill most for. They have so much shared experience (poor, muggle childhood in incredibly abusive environments) that would allow them to understand each other. They probably both get frustrated over pureblood idiocy. Both are intelligent and share many interests, like they're both magic nerds who'd talk all night about magical theory...

So, I think, under the right circumstances, Severus is a pretty good pairing for Voldemort.

The only real downside is that depending on when they get together, they'd push each other to be more extremist and overall worse. Like, they'd push each other to have less empathy for other people if they get together, say, during the first war. Well, it might not be a downside. It really depends on how you look at it.

If they get together in the second war, it's different, and in my opinion, more compelling and interesting for both of them. Like, pairing them up after Voldemort's return and after Sev already turned traitor opens so many interesting avenues. I mean, Sev was someone Voldemort actually regretted killing, that was remorse there, wasn't it? It means Severus could push Voldemort to change in a way Bellatrix doesn't. Because Voldemort respects Snape in a way he doesn't respect Bella. I mean, think about how many times Voldemort shut Bella down when she kept insisting Snape is a traitor — it's clear he values Snape more than he values her.

If we're also looking at side characters we don't know as much about, then we have some more options.

@iamnmbr3 has convinced me that Alphard Black/Tom Riddle is an option, and I have been very compelled by it. We don't know much about Alphard, but that never really stopped me because what we do know is interesting.

We know he is Sirius' uncle. He was born after Walburga but before Cygnus, probably closer in age to Walburga. So, I headcanon he was born in 1927 and was in the same year as Tom Riddle.

We know Alphard was a Slytherin since Sirius mentions all his family was in Slytherin, which would include his uncle. And we know Alphard was burned off the family tapestry when he gave Sirius money when Sirius ran away from home.

This leaves us with a character, who's cunning, capable of listening to his older sister Walburga go off about whatever without making the fight worse but has a spine to stand up to her bullshit when it's actually important. This gives him the right characteristics to be able to wrangle a character arc out of a romance with a younger Tom Riddle (and perhaps the older one, too).

He's a pureblood who's open-minded enough to support Sirius and not hate muggleborns (probably). He likely has the subtlety necessary to fix Tom without Tom feeling like he's being fixed. Alphard, used to his very eventful family, is an expert in dealing with dramatic people (like his siblings) and how to undercut their drama instead of pushing them further into their position (which is what Harry would do, for example. Harry and Tom would keep pushing at each other while someone like Alphard would be able to just remove the heat from the argument and allow it to not get as extreme).

Again, it's not much to go on, but it has so much potential.

(Also, @iamnmbr3 has this post about how Voldemort’s violence became worse in 1979, which happens to be the same year Alphard Black died, and while I don't agree with all the points made there, I find it to be a super fun concept)

Voldemort/Lily also has potential. She's smart, stubborn, academically inclined, and has the right rough edges to have the kind of push-and-pull dynamic with Voldemort that I like with Tomarrymort. Lily is probably the kind of witch Voldemort could grow to respect as well. I don't think he would've agreed to spare her for Snape if he didn't respect both of them. JKR also said he tried to recruit James and Lily, so, he was aware that she was talented.

I think, though, Lily/Voldemort would be slightly better than Harry/Voldemort in some aspects. Lily isn't as hot-headed as Harry. Lily's anger is usually much colder, which I feel would work better with Tom just because she wouldn't push all his buttons (just most of them). She would still push him into a character arc, but it would be a gentler nudge than if Harry did it.

My only real rule when shipping Tommy Boy is that he can't be shipped with someone mediocre, he'll just steamroll over them completely, and that's not as fun, in my opinion. He needs a partner he can grow to respect and see as an equal (or close to it) and that has the spine to stand up to him, otherwise, he'd just keep getting what he wants, and I think that's the opposite of what Voldemort needs in a relationship.

[bloodyinkandquill]

Folly x Reader

grapes are here!! time to munch, also new merch for something i love me and my best friend are going to get each other it as Christmas gifts! we did the same last year for something else we both love, still one of my favorite shirts i have

- How the hell you managed to bag a nine and a half foot tall primordial being is a mystery to everyone, even you in all honesty

- Folly is interesting to say the least, at first she treated you no different then anyone else but as time went on and she begun to take more of an interest in you, and finding that your kindness towards her was genuine, not any sort of trick, slowly she became less cold and malevolent towards you, eventually it got to a point where if you were having a nightmare she’d use her powers to stop it

- Eventually when you do get together, how official it was is up to debate, she still acts the same bit has a certain kindness to her voice, her insults and hate aren’t actually real, she’s just scared to truly let her guard down around anyone, no matter how much she’s beginning to trust you now, you understand and are very patient with her letting her say bad things since you know she doesn’t truly mean them

- Since she’s so large she picks you up like a plushie or teddy bear, it would be funny if you weren’t squirming as she smirked, we’ll you’re assuming she’s smirking, she doesn’t have a mouth so based on her eyes you assume if she could smirk she would be smirking

- Speaking of her lack of mouth she can’t exactly kiss you, she was very against the idea of you kissing her mask at first, it is one of the most vulnerable parts of her, eventually when she grants you permission you cover her entire mask in kisses, you don’t kiss where it broke though for both of you, she gets very flustered by it and disappears in her cloud of smoke, now though she’s more chill with it, it still does fluster his but if you ask if you can kiss her she lets you, and leans down, or stands next to something you can stand in to reach her face without her having to hunch down more then she already done normally

- On top of holding you like a stuffed animal she doesn’t really do small touches, her touches are go big or go home, holding you mostly, especially since her hands are so large small touches are harder, whenever you try and hold hands you just hold one of her fingers instead, or grab the edge of her sweater sleeve, which like her mask she was hesitant about but less so since it wasn’t broken like her mask

- If Folly can’t be around you she watches you through the aspens, it was really creepy at first since you felt like you were being watched then you realized it was her so you when alone will hug the trees as if hugging her to say thanks for watching over you, it doesn’t get less creepy watching the fake pupils on the trees move to follow you though, you will never get used to that

- Her dates aren’t conventional, they still happen but they’re not the usual dates people think of, some are close but not quite, like tending to a garden, granted it’s a forest of aspens in the dark expanse of where she comes from but it’s close enough, or a sleep over, which just means you fall asleep on her and you do something in your dream together, another is baking, that happens at your place which she doesn’t fit in that well and she can’t eat anything you bake but it’s still nice, she helps you bake and gets stuff on herself that you wipe off with a laugh

- She sometimes tells you of how her home use to look like, beautiful and comforting, it was like a dream, till it became a nightmare, you tell her that even if everything’s changed you love her no matter what she’s gone through, and no matter what she still may go through

- You occasionally visit Wallter with her, he’s the closest thing to a friend she has but she almost always sees him in his dreams, so they don’t usually see each other in person, when they do she does her usual thing of being all edgy and brooding but while discussing poetry and listening to piano music, and pretending to drink tea, she lets you actually drink it she just likes to pretend

- Her love language is closest to quality time, granted most of that time is in your dreams, but based on how often she visits them just to be close to you and spend time with you, so your best assumption is quality time

- She knows many languages, comes from being a primordial being, so if you want to speak in another language or need help learning or translating one she can assist you, her favorite language however is any of the slavic languages, which is why she has a Russian accent, so she enjoys teaching you words in Russian, Ukrainian, Polish, etc

- She makes you read her poetry, you don’t get a choice, you don’t mind but it can be inconvenient sometimes if you’re doing something and suddenly she appears telling you to read the newest poem she wrote, she’s really good at it though so it’s not too much of a bother since it’s an enjoyable read, to some degree, it’s very graphic and disturbing on occasion, or a lot of occasions

- She’s cold to the touch, after the cleaving her body no longer produces natural heat, which is a part of the reason she’s such a big cuddle bug, you’re warm and she quite literally parasites that warmth from you, she’s the kind of person to stick her cold ass hands on your exposed back when you aren’t expecting it making you shout at the sudden freezing touch

- Folly thought she’d never be happy again, she was broken, destroyed, used, abused, she never thought she’d ever feel like how she once did, which maybe she never will, but she has truly started feeling better since meeting you, maybe not truly happy but you do make her feel warm, literally and figuratively, so even if she knows she can never go back to that innocence and joy that once was her entire life she’s getting there

i love folly, not as much as mach but i still love her, and holy shit the cleaving was insane, also literally such a good depiction of a certain type of trauma, iykyk, which props to catjam, also just in general for creating folly, anyways imma probably nap, i am not immune to the afternoon naps

[tigerwing-animal-hrt]

Cat HRT 0 Months

My alarm went off, blaring in my ear. I turned it off and got up, heading for the bathroom.

Sure, getting up at noon wasn’t exactly early, but it was for me. Thank you being a night shift employee for giving me a reason to be up the hours that actually work best for me.

I brushed my teeth and got ready for my appointment, being sure to make sure my partner was awake to take me. She was sitting up by the time I was ready.

“Are you ready for your appointment?” She asked, checking she had her wallet.

“As ready as I’ll ever be. Here’s your keys.” I handed them to her and left the room, scooping small kittens out of the way before they got a chance to run in before my partner closed the bedroom door again.

The car ride was quiet, save for music playing as he drove. Until we got to the appointment.

“Are you sure this is what you want?” He asked, gesturing towards the office of Dr. Erian as a woman with budding horns, fur, and a tail walked out.

“Yes, I am,” I responded, a bit shakily. “Is that… I think I know her.”

“Want me to come with you?”

“Yes, please…”

We got out, and she must have seen the nervous and startled look on my face. “Is this your first appointment?” She asked kindly, looking at the way I clutched my fiance’s hand to my chest.

“Yeah. I think I’ve seen you talking about your experiences… Josie?”

“Yeah, my name’s Josie. You look petrified. Don’t worry. The doctor can be difficult, but you’ll be fine. Take the leap. I think you’d be happy.”

“Thank you…” I looked up at her. “Thank you. I should get in there, don’t want to be late.”

“Of course not.” With that, she was heading away.

My fiance looked at me. “Do you know her?”

“Kind of, I’ve seen her talking about her transition. Now let’s go before I’m late.”

We walked up to the doors, and into the reception area. He went and sat down on a larger seat, likely one meant for a dragon or similar creature. He laid down as I spoke with the receptionist.

“Appointment for James… at 2pm.” I said.

“Alright, I have you right here. Fill this out and bring it back to me.”

I took it and went to go sit and fill it out. It was a basic questionnaire, asking about health problems, identity information, the works. I got to the information about species and paused before writing Domestic cat- Felis catus. Longhaired tortoiseshell variant.

I signed the waivers after skimming them, then took all the paperwork back to the receptionist.

“Can my fiance come with me?”

“Sure, but she’ll have to wait for a few minutes after you go back there.”

“Alright, I’ll let her know.”

--------------------------------------------

“James?”

“Coming!” I got up, put my phone in my pocket, and walked to the nurse.

They led me through the doors and sat me in a room to take my blood pressure, pulse, temperature, ask me the usual safety questions. After I was done, the nurse got my fiance and we walked to the office of Dr T. H. Erian.

“Which one of you is the patient?”

My fiance pointed at me. “He is, I’m just moral support.”

I nodded and we both sat down opposite the doctor.

“I see you’re interested in becoming a… domestic cat?”

“Yes.” I gripped my fiance’s hand tightly under the desk, he squeezed back.

“And you’re a trans man?”

“Yes.”

“How unusual. Why a tortoiseshell? Those are always female, and you marked down male as your legal sex.”

“That’s complicated, doc.”

“I’d expect you to pick a coat pattern that you’d see on a male cat is all.”

“My answer won’t change.”

“Very well then, I’ll see what I can do. Have you been living as your preferred species for the last 48 months?”

“Yes, I have, doc.”

“Can you confirm this?” He turned to my fiance.

“Yes, yes I can.” He held up his arm, showing a faint line of scratches that were still healing. “This is because I gave him a bath yesterday.”

“Is that so? Hmm. I’ll need to develop the formula for you, but that shouldn’t take too long. Your prescription should be ready in about two weeks.”

“Thank you, doc.”

“You’ll need to make changes to your diet while taking this medication. More meat, less everything else. Read this pamphlet before you leave.” He handed me and my fiance both pamphlets about feline HRT. “Some things may differ in order and strength of effect, but all of this information will be relevant.”

“Am I the first trans man to be taking this?”

“Yes, and I’ll need you to log any and all effects to see how thins differ for you.”

“So he’s an experiment?” My fiance asked, standing and looking like she was half a step from hopping the desk and decking the doctor.

I put my hand on her arm. “It’s new and experimental. Someone has to be the first.”

“Exactly. Now. Any questions?”

“Will you call me when it’s ready?”

“Of course.”

“Will I be coming here to pick my prescription up, or will it be sent to the pharmacy?”

“I’ll send it to the pharmacy.”

“Alright, thank you. Oh, last question. Will it be an oral medicine, or an injection?”

“Oral is the usual route. Do you want injections?”

“Depends on if it tastes bad.”

“I’ve heard it isn’t too bad.”

I stood up, and my fiance and I left the office. I was shaking, nervous but excited.

-------------------------------------------------

I got the call that my prescription was ready, almost exactly two weeks later. I turned to my fiance, almost vibrating with excitement. “It’s ready!”

“Alright, get dressed, and let’s go.”

I scrambled to get ready, almost bouncing off the walls.

“Calm down, kitty. I know you’re excited.”

“But… but… but…”

“I know. Let’s go.”

-------------------------------------------------

My prescription was a bottle of small pills, enough for a month with instructions to take before bed each night.

“I wonder what happens if you take it during the day?” I showed them to my fiance.

“Feli- Felisterone?” Is that what it says?”

“Yeah.”

“Wonder what they taste like.”

“You’re not taking them, dear.”

“I know. I wasn’t going to.”

“Go play your game, dear.”

“Love you too.”

I made a post online about picking up my prescription, and a few comments on the timelines I saw, including the white tiger and a few others like Josie, since I’d met her briefly, telling her thank you in particular for giving me the push I needed. I commented on the king cobra guy’s, saying I was another transmasc on HRT. Same for the black arms timeline that crossed my dash shortly after.

I also commented on the slimes, werewolves, dragons, and bat that I saw afterwards. The lamias were neat- I asked to join a server about HRT.

I went to take a quick shower before my fiance gave me my testosterone shot and I settled in to play Farmer’s Life until it was time for my new medication.

My fiance handed me the pill bottle, my drink, and my stuffed animals.

“Here goes everything, I guess.” I took my first dose.

“Good boy.” She patted my head. “Do you feel any different?”

“No, but it’s only been a minute.”

“Still.” She tucked me in and then turned back to her game. “Night, kitty.”

First Prev Next (TBD)

[eve-to-adam]

Hello

I love your art. It’s so beautiful.

I have a question

What is a manga or something that really influenced your art

Hello! :)

Thank you very much for the message and for the kind words! <33

Hmm, there are quite a few things that have influenced my art over the years - illustrations for anime to manga and sequential illustrations by popular artists in Art History. One of the most important aspects for me in the process of developing my own art would be the need to do better. More elaborate. More complex. Until I defined my own style (it all starts with the horribly disproportionate and childish fanarts that any young potential artist creates at the beginning of his exploration), I longed for the idea of ​​reaching the most complex level possible. Of course this could not happen on the first try and it is certainly not necessarily a pattern for me at the moment - it took some time for me to understand that there are more ways to achieve complexity when we talk about visual art.

But let's move on to some examples.

✦ I think my first impulse towards visual complexity was given to me by the works of Shibamoto Thores, the artist who created the artistbook for Trinity Blood. Her illustrations fascinated me because every time I looked, I always found a new detail that had escaped my previous inspection. Her characters are intriguing by their posture, color shades and design and the very detailed backgrounds give a certain solemnity to the artworks. Her art also made me interested in the Gothic style.

✦ Another example in this approach is Ayami Kojima, who created illustrations and character designs for the video game Castlevania (Castlevania: Symphony of the Night, 1997). Her characters were drawn with an extraordinary elegance, which at the time I could only dream of; that's why I particularly liked her designs, which at the same time increased my fascination with the world of fashion design.

✦ The first mangaka I will mention is none other than Shin-ichi Sakamoto, who exploited his talent to the maximum in this project - and many others - "Innocent" (2013-2015), closely followed by "Innocent: Rogue" (2015 - 2020). The manga is a historical one, based on Masakatsu Adachi's book "The Executioner Sanson". The action takes place in France, before the French Revolution. I want to mention that the story is mature, being loaded with metaphors and various graphic scenes of torture, executions and sex. Sakamoto's art made me want to push my limits even more in terms of visual complexity. I mean, seriously, the man is a true master of details:

✦ Boichi is another top mangaka whose comic book projects have influenced my decisions throughout my artistic exploration. He started his career illustrating mature subjects (porn), which sometimes explains the fanservices in his projects, lol. Like Sakamoto, Boichi has a unique artistic style and an affinity for detail and semi-realism. Sun-Ken Rock is among my favorite stories he created. Besides this, I also liked "Origin" (2016-2019), "Wallman" (2013-2015) "Dr. Stone" (2017-2022, art only), "Raqyia" (2008-2010, art only).

✦ Yana Toboso is one of my favorite comic artists. I still remember the moments when I discovered Black Butler, haha. How nostalgic! The fact that the story is fantasy, which still incorporates a lot of Victorian elements - clothes, customs, food, clothing - fascinated me so much that at one point I tried to create my own version that would include Victorian elements. Of course, it all ended in disaster, lol.

Among other manga works that have inspired me, especially in terms of details and fashion design, are:

✦ "Arte" (2013 -) by Ookubo Kei.

✦ "Death Note" (2003-2006, art by Obata Takeshi).

✦ "Zetman" (2002-2014) by Masakazu Katsura.

✦ "Berserk" (1989 - ) by the late Kentarou Miura.

Among the artists of sequential art who represented and continue to represent a source of inspiration during my artistic exploration are:

✦ Gustave Doré.

✦ Walter Crane.

[portablecity]

my gosh @filletedfennysnake thank you for asking~!

okay! so, short answer: i think it follows many of the same beats and deals with teh same themes of destiny, pride, great acts, submission to duty/destiny/fate, and erasing of the self.

(spoilers for the wizard of earthsea below)

(screencaps from The Green Knight)

(dev patel for ged in a future adaptation filmed by someone who knows how to film the unfilmable please please please)

first we have ged, a proud boy of humble origins finding himself in a place where he has been told he has potential, power, capability, a destiny -- and we the reader are told he will be a Great Man, go on to do things that change the world, become myth

but he can't see any of it yet - he's trying to be good, but really he's feeling a bit purposeless, and he gets caught up in the confusion and frustration of youth

but! it's solstice! a festival! and games are afoot! and young, ambitious, and desperate to prove himself, Ged takes on a challenge out of pride and hubris -- and it goes wrong in a way he could not have imagined - he opens the door and lets in the shadow, right?

and the terms of that mistake are: it is his burden and his alone now. No one else can deal with it for him. And it is transparently a mortal danger from the start.

but he doesn't have to deal with it immediately! he has time to prepare himself. but he doesn't know what he is up against - no one does! so preparation feels somewhat futile.

And then it is time for him to go forth. And he tells himself he is prepared, that he is noble and capable, and that he is on a noble quest - but he can't ignore it. it is a doom as well as a quest.

He is offered false (or true but impossibly costly) protection/aid by a dragon and resists it. He is a good man and he is trying to do right, but he made this choice earlier and it compromises his ability to do right. He is vulnerable because of it.

he nearly dies.

he is humbled again and again, and in his darkest moments he becomes a puppet of fate, arriving on the sandbar to receive and give basic kindness to people so ill done by, so ruined as to seem almost beyond life, who reward him for it.

but he doesn't understand the gift they give

great history is happening around him and he cannot engage at all with it, he is trapped inside his own quest.

and as he becomes more afraid and the fear controls him, he ends up trapped in a castle, courted, kind of, by a woman who would subvert him against her lord's wishes.

She wraps him in gold and furs and he becomes a rare treasure until he realizes what is happening.

She promises him protection but it becomes clear to him that he is worth more to her while in this doomed state, and he confronts the trap. Escaping it reduces him to almost nothing - he is nearly lost as a hawk on his way out. All he takes with him is the doom he owns.

and finally he knows he must go to meet the challenge despite the horror of it

he submits to his fate as an intrinsic part of himself

in fact by turning to meet it the horror lessens, the haunting is reversed, and he becomes the pursuer - there is an incredible clarity and beauty for him now

but only once he accepts he must pursue it to the edge of life and death.

and he knows that everything hinges on this confrontation. if he fails, and the gebbeth takes his body, he will rise to great power as a shell of himself, housing only fear and darkness

so he must own it fully, he must entirely accept his own fate.

...and then he is reborn from the edge of life and death, which is perhaps a twist on many green knight interpretations

LeGuin was very interested in balance and cycles and the wheel of the seasons and the intrinsic ties between dualities, so for an arthuriana reference, this makes a lot of sense to me? But i haven't noticed till now! The movie really made the Green Knight stick in my mind in a way reading it decades ago as a teen did not.

Would love love love to hear actual arthuriana folks' thoughts! Or if anyone knows of other writing on the subject!

I'm rereading The Wizard Of Earthsea, and there is so much more Green Knight in this story than i ever noticed before.

[maingh0st]

@belabellissima's tags on this post deserve a post of their own, i—

[thebirdandhersong]

layers of school and family and health issues and future planning and final exam stress aside, do you ever feel like there is a long ongoing scream inside of you that seems to have no end ha haaaa

[all-lars-bars]

I have a character pitch!

Former Little Sister who is now transmasc

[blackbackedjackal]

Sometimes I think about how long some of you all have been following me and I'm like wow, ya'll really like watching this clown.

[cuteniarose]

It’s almost 6 a.m and I can’t sleep because I’m being plagued by thoughts of The Latest OC

[gender-trash]

I would be very interested in hearing the museum design rant

by popular demand: Guy That Took One (1) Museum Studies Class Focused On Science Museums Rants About Art Museums. thank u for coming please have a seat

so. background. the concept of the "science museum" grew out of 1) the wunderkammer (cabinet of curiosities), also known as "hey check out all this weird cool shit i have", and 2) academic collections of natural history specimens (usually taxidermied) -- pre-photography these were super important for biological research (see also). early science museums usually grew out of university collections or bequests of some guy's Weird Shit Collection or both, and were focused on utility to researchers rather than educational value to the layperson (picture a room just, full of taxidermy birds with little labels on them and not a lot of curation outside that). eventually i guess they figured they could make more on admission by aiming for a mass audience? or maybe it was the cultural influence of all the world's fairs and shit (many of which also caused science museums to exist), which were aimed at a mass audience. or maybe it was because the research function became much more divorced from the museum function over time. i dunno. ANYWAY, science and technology museums nowadays have basically zero research function; the exhibits are designed more or less solely for educating the layperson (and very frequently the layperson is assumed to be a child, which does honestly irritate me, as an adult who likes to go to science museums). the collections are still there in case someone does need some DNA from one of the preserved bird skins, but items from the collections that are exhibited typically exist in service of the exhibit's conceptual message, rather than the other way around.

meanwhile at art museums they kind of haven't moved on from the "here is my pile of weird shit" paradigm, except it's "here is my pile of Fine Art". as far as i can tell, the thing that curators (and donors!) care about above all is The Collection. what artists are represented in The Collection? rich fucks derive personal prestige from donating their shit to The Collection. in big art museums usually something like 3-5% of the collection is ever on exhibit -- and sometimes they rotate stuff from the vault in and out, but let's be real, only a fraction of an art museum's square footage is temporary exhibits. they're not going to take the scream off display when it's like the only reason anyone who's not a giant nerd ever visits the norwegian national museum of art. most of the stuff in the vault just sits in the vault forever. like -- art museum curators, my dudes, do you think the general public gives a SINGLE FUCK what's in The Collection that isn't on display? no!! but i guarantee you it will never occur, ever, to an art museum curator that they could print-to-scale high-res images of artworks that are NOT in The Collection in order to contextualize the art in an exhibit, because items that are not in The Collection functionally do not exist to them. (and of course there's the deaccessioning discourse -- tumblr collectively has some level of awareness that repatriation is A Whole Kettle of Worms but even just garden-variety selling off parts of The Collection is a huge hairy fucking deal. check out deaccessioning and its discontents; it's a banger read if you're into This Kind Of Thing.)

with the contents of The Collection foregrounded like this, what you wind up with is art museum exhibits where the exhibit's message is kind of downstream of what shit you've got in the collection. often the message is just "here is some art from [century] [location]", or, if someone felt like doing a little exhibit design one fine morning, "here is some art from [century] [location] which is interesting for [reason]". the displays are SOOOOO bad by science museum standards -- if you're lucky you get a little explanatory placard in tiny font relating the art to an art movement or to its historical context or to the artist's career. if you're unlucky you get artist name, date, and medium. fucker most of the people who visit your museum know Jack Shit about art history why are you doing them dirty like this

(if you don't get it you're just not Cultured enough. fuck you, we're the art museum!)

i think i've talked about this before on this blog but the best-exhibited art exhibit i've ever been to was actually at the boston museum of science, in this traveling leonardo da vinci exhibit where they'd done a bunch of historical reconstructions of inventions out of his notebooks, and that was the main Thing, but also they had a whole little exhibit devoted to the mona lisa. obviously they didn't even have the real fucking mona lisa, but they went into a lot of detail on like -- here's some X-ray and UV photos of it, and here's how art experts interpret them. here's a (photo of a) contemporary study of the finished painting, which we've cleaned the yellowed varnish off of, so you can see what the colors looked like before the varnish yellowed. here's why we can't clean the varnish off the actual painting (da vinci used multiple varnish layers and thinned paints to translucency with varnish to create the illusion of depth, which means we now can't remove the yellowed varnish without stripping paint).

even if you don't go into that level of depth about every painting (and how could you? there absolutely wouldn't be space), you could at least talk a little about, like, pigment availability -- pigment availability is an INCREDIBLY useful lens for looking at historical paintings and, unbelievably, never once have i seen an art museum exhibit discuss it (and i've been to a lot of art museums). you know how medieval european religious paintings often have funky skin tones? THEY HADN'T INVENTED CADMIUM PIGMENTS YET. for red pigments you had like... red ochre (a muted earth-based pigment, like all ochres and umbers), vermilion (ESPENSIVE), alizarin crimson (aka madder -- this is one of my favorite reds, but it's cool-toned and NOT good for mixing most skintones), carmine/cochineal (ALSO ESPENSIVE, and purple-ish so you wouldn't want to use it for skintones anyway), red lead/minium (cheaper than vermilion), indian red/various other iron oxide reds, and apparently fucking realgar? sure. whatever. what the hell was i talking about.

oh yeah -- anyway, i'd kill for an art exhibit that's just, like, one or two oil paintings from each century for six centuries, with sample palettes of the pigments they used. but no! if an art museum curator has to put in any level of effort beyond writing up a little placard and maybe a room-level text block, they'll literally keel over and die. dude, every piece of art was made in a material context for a social purpose! it's completely deranged to divorce it from its material context and only mention the social purpose insofar as it matters to art history the field. for god's sake half the time the placard doesn't even tell you if the thing was a commission or not. there's a lot to be said about edo period woodblock prints and mass culture driven by the growing merchant class! the met has a fuckton of edo period prints; they could get a hell of an exhibit out of that!

or, tying back to an earlier thread -- the detroit institute of arts has got a solid like eight picasso paintings. when i went, they were kind of just... hanging out in a room. fuck it, let's make this an exhibit! picasso's an artist who pretty famously had Periods, right? why don't you group the paintings by period, and if you've only got one or two (or even zero!) from a particular period, pad it out with some decent life-size prints so i can compare them and get a better sense for the overarching similarities? and then arrange them all in a timeline, with little summaries of what each Period was ~about~? that'd teach me a hell of a lot more about picasso -- but you'd have to admit you don't have Every Cool Painting Ever in The Collection, which is illegalé.

also thinking about the mit museum temporary exhibit i saw briefly (sorry, i was only there for like 10 minutes because i arrived early for a meeting and didn't get a chance to go through it super thoroughly) of a bunch of ship technical drawings from the Hart nautical collection. if you handed this shit to an art museum curator they'd just stick it on the wall and tell you to stand around and look at it until you Understood. so anyway the mit museum had this enormous room-sized diorama of various hull shapes and how they sat in the water and their benefits and drawbacks, placed below the relevant technical drawings.

tbh i think the main problem is that art museum people and science museum people are completely different sets of people, trained in completely different curatorial traditions. it would not occur to an art museum curator to do anything like this because they're probably from the ~art world~ -- maybe they have experience working at an art gallery, or working as an art buyer for a rich collector, neither of which is in any way pedagogical. nobody thinks an exhibit of historical clothing should work like a clothing store but it's fine when it's art, i guess?

also the experience of going to an art museum is pretty user-hostile, i have to say. there's never enough benches, and if you want a backrest, fuck you. fuck you if going up stairs is painful; use our shitty elevator in the corner that we begrudgingly have for wheelchair accessibility, if you can find it. fuck you if you can't see very well, and need to be closer to the art. fuck you if you need to hydrate or eat food regularly; go to our stupid little overpriced cafeteria, and fuck you if we don't actually sell any food you can eat. (obviously you don't want someone accidentally spilling a smoothie on the art, but there's no reason you couldn't provide little Safe For Eating Rooms where people could just duck in and monch a protein bar, except that then you couldn't sell them a $30 salad at the cafe.) fuck you if you're overwhelmed by noise in echoing rooms with hard surfaces and a lot of people in them. fuck you if you are TOO SHORT and so our overhead illumination generates BRIGHT REFLECTIONS ON THE SHINY VARNISH. we're the art museum! we don't give a shit!!!

[sexlapis]

[◉°] … Y/N & TOJI BEING A COUPLE FOR 10 MINUTES STRAIGHT… 537k views

⌦ 🎬 ⁺　　　.　　　　❀

꩜ actor! toji x actress! reader

⤷ synopsis : you & toji deny the dating rumours, but you’re both being a little bit too comfortable with each other for your relationship to be just “platonic”.

sfw, fluff, toji is a little ooc <3

. art credits to deltapork on twitter

.. inspired by this post

… part 2, part 3, part 4

masterlists

actor!toji masterlist

꩜ first clip

you & toji are in an interview, one to promote the upcoming release of the action movie you both star in where you’re the main love interest. it is bound to be a huge success, judging by the interest and how everyone loves the chemistry you and toji have both in and out of film!

the interviewer asks you a question and while you’re responding you can feel someone staring at you. you turn to your left where toji is sitting, and he has his eyes dead set on you, not looking away for one second. you turn your focus back to the interviewer to continue answering, but you can’t help but turn back and see that he is still staring at you with his intense blue eyes. you repeat this a few times before cutting off your own sentence with a giggle and covering your face with your hands.

toji chuckles in confusion, looking at the interviewer and then back at you, bewildered. “what-whats so funny?”

you look at toji with your hands still covering your face. “toji, i can’t concentrate when you look at me like that!”

toji tilts his head, swiftly shifting his chair in your direction and leans closer to you, practically nose to nose at this point. “like what?”

“like that!” you laugh, covering your hot face once more as he and the interviewer laugh at your actions.

the interviewer chimes in. “i do have to say, your eyes can be quite intimidating..”

“see?!” you say to toji and then look to the interviewer. “thank you.”

toji huffs and just looks at you. and you look back at him with a small grin on your face.

you speak. “as i was saying…”

you repeat your response to the question and toji exaggeratedly stares at you and you attempt to ignore it (and fail).

꩜ second clip

this was a behind the scenes clip, where your cast member is speaking about his characters relationship with the other main characters but sadly for him, that is not where the viewers’ attention was.

in the background, they see toji sitting on a couch looking at his phone and then you walking into frame. toji looks up from his phone, and if you look very closely, he can be seen smiling at you. you walk over and plop down on the couch right next to him. you both talk to each other for a few moments, faces close together and then you lay your head on his shoulder, closing your eyes and taking what appears to be a nap. toji, moving as slowly as he can, takes a blanket that is already on the couch and drapes of over you. you snuggle closer to him, prompting toji to rest his head on top of yours. he does just that.

꩜ third clip

during an interview with you and the cast members, including toji, in front of a live audience, you somehow found yourselves on the topic of the types of cars you all have. you then remember how toji had told you about a motorcycle he owned, but you forgot which kind.

“i think i wanna ride on toji’s..motorcycle! i think-”

you hear the audience laugh and hear a few wolf whistles and you turn to your fellow actors, who are also laughing, especially gojo. you seem confused, but then you think back to what you said a second ago and feel your face heat up in embarrassment.

“oh, no no nonono-” shaking your head vehemently, “that is not-”

“toji’s motorcycle eh?” gojo teases while raising his eyebrows and wiggling his fingers, which only encourages the mockery and your desire to punch him.

you cover your face with your hand and sigh. “oh my god.”

while everybody in the room makes fun of you, you look to the left to see toji’s reaction and the camera pans to his smug smirking face.

“i mean i’m free friday night so..” he trails off, winks at you and the audience goes crazy and you shove your face in your hands.

“forget i even said anything!”

꩜ fourth clip

you and toji were recording a little vlog like video for the fans, talking about what it was like on set when you get onto the subject of what working with the other cast members is like.

“yeah gojo’s is pain in the ass.” toji states and shakes his head, fondly almost. “never stops running that big mouth ‘a his.”

spits of laughter fall from your mouth at his frankness. “uhh..yeah that’s true, gojo if you see this don’t be offended!”

“yeah we still like you we just..wish you’d shut the fuck up more often.”

“toji!” you gasp and slap his chest, “you’re no spring chicken either you know.”

toji scoffs and looks at you with a raised brow. “yeah, you’re a handful yourself.”

“what? no i’m not!” toji tilts his head and blinks. “everyone says i’m great to work with. you’re such a liar.” you roll your eyes with a laugh.

toji chuckles and moves closer to you on the sofa, and leans towards your face. “no ‘s alright. i have big hands.” he places a kiss on your cheek.

“ew, you’re so corny!” you lean away and wipe away his kiss, trying not to smile and look flustered.

꩜ fifth clip

this was a big day for y/n x toji lovers, when a movie you were both in won an award. now, neither of you were the main characters, but the fans made sure to make you both the most popular ones.

while the director is accepting the award, fans zoomed in on you and toji standing near the back of the group of cast members, where you’re tearing up and trying not to cry. you’re wiping your tears and toji looks at you and does a double take when he realises that you’re crying. he looks down at you and hugs you from the side, which makes you lay your head on his chest and wrap an arm around his waist. toji accepts this invitation and full on hugs you, kissing the top of your head softly and rubbing your back.

꩜ sixth clip

toji posts workout videos on his instagram stories. they’re mostly of him lifting weights and they’re rare, so fans cherish them.

and then theres a short video of you laying on top of toji’s back while he does pushups like it’s nothing. you’re smiling, spreading your arms out like you’re flying. toji suddenly starts going fast as fuck, making you bounce and almost fall off. you gasp and start hitting the back of his head while the person recording starts to laugh (most likely gojo).

you fall off toji’s back and lay on the floor like a starfish. the camera pans to a proud looking toji before you kick his face.

a/n: thank u for reading ^_-

[fujii-draws]

Pt 2 (getting into more positives!!)

OKAY! Chatot rant in tags below! Read at your own discretion.