#than nightingales

[justablix]

.

[puppetmaster13u]

Prompt 352

“Mother, I crave violence,” a small child interrupts the video call, practically clambering up into Nightingale’s chair. They look around five or so, with white hair and red eyes. Albino perhaps? 

“Ah, apologies, let me take care of this real quick,” Nightingale turns the microphone off when he gets a few acknowledging noises, picking the small child up and moving them from the room. 

“Cute kid,” Barry acknowledged from behind his coworker’s head, having been helping move things. Actually, the kid looked kind of familiar, though from where, who knew. Hard to remember everything with how fast his thoughts usually went. “I didn’t know Nightingale was a father…” 

Then again the specialist was notoriously private, and set most meetings online thanks to some sort of medical conditions. So he supposed it would make it easier to be a stay at home dad if he was there already…

[boatswainscall]

Arthur it was really sweet of you to try and accommodate Drifter's eating quirks but GELATIN? GELATIN SPAGHETTI?

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[doctorsiren]

Warmed up with some featherweight headshots

[eelektrossfan]

the sinner and the bird from above

[elysiae]

headcanon that the Drifter just has this voice that very rarely ever shifts out of a total deadpan. the only time it ever switches is if they're graphically threatening somebody. otherwise good fucking luck deciphering what they mean

they'll say something ambiguous that can be taken different ways but you can usually tell via tone... but... they don't have a tone. the Hex are always trying to figure out "was that a causal statement? was that a threat? ... shit, are they flirting with me???" (Eleanor (and sometimes Lettie actually no even she's clueless most of the time) is the only one able to tell and only because she's psychic.)

[youryurigoddess]

The summer that was never supposed to end

You’ve probably noticed how in Good Omens 2 Crowley’s eyes are brighter, more saturated, as if glistening with liquid gold. We’ve already covered his hair. And it’s not only the visual aspect of him — even in objectively stressful conditions, Crowley appears mature and put together, way cooler and more protective than before. Even his faults are heavily romanticized in the past and present scenes, reminding of the S1 body swap, when Aziraphale projected his love to him on the way he played the demon in Hell.

It’s not just the demon. The whole season is more vibrant, bolder, filled with sunshine. Just like a summer that was never supposed to end. Like a memory of a loved one seen through the eyes of someone who thinks of them every day until the end of the world.

S2 seems ridiculously saturated, whimsical, and full of red and gold, just like a certain demon. Aziraphale not only painted his bookshop in his image, but literally colored the whole world in Crowley’s colors. It was such lush and saturated and blooming with warmth and hazy light.

It’s either that all the newest events are just another memory seen through a certain angel’s eyes, or said angel actively made it appear this way — as in, his feelings grew so strong that they’ve started to warp the reality around him. And it’s a well-known fact that Aziraphale has a tendency to affect his surroundings, either unconsciously, when his presence in the bookshop literally lightens up the sky seen through its windows, or very much consciously, when he takes over the position of a master puppeteer and manipulates people with or without the help of his miracles.

S1 was more dramatic and apocalyptic, but not particularly gray — at least not as much as the color grading typically used in portrayal of similar apocalyptic narratives. S2, at least as seen through Aziraphale’s own La Vie En Rose lens, is vibrant and saturated. And those colors drastically fade in the heavenly light of the elevator during the credits, suggesting that they won’t be as visible in the course of S3.

But I don’t want to ramble about the apocalypse sandwich and the three-act structure here, so let’s circle back to S2.

Good Omens 2 was really set in a summer that was never supposed to end. But it did, autumn crept in, and there was no chance of hearing the nightingales sing. They all had left by the time an angel and a demon finally kissed.

In the most literal sense: the very last nightingales usually migrate from the UK to their wintering grounds in Sub-Saharan Africa in the first days of September.

Aziraphale was right that nothing lasts forever — and the passage of time on Earth is marked by subtle details invisible to the immortal eyes.

The main thing about autumn migration is how sudden and hard to predict it is. The birds start disappearing gradually, often without notice, until at some point they are no longer here. Much like the angel leaves the bookshop — their shared nest — to spread his wings and fight.

And it was basically announced on the poster.

Can you see the migratory formation of birds up in the sky? It looks like Aziraphale is the last one to get off the ground and fly.

[leolithe]

I kno everyone's rightfully freaking out about her tongue but i look at Eleanor and feel the strongest want to take care of her and hug her and listen to her and be a safe person for her to chill with cuz I think she needs it and deserves it. I wnna listen to all her stories and read her manuscripts and comb her hair and keep vigil as she sleeps

[goatskull]

Deep and Insightful conversations going on in the VC tonight which resulted in the creation of This

[weirdly-specific-but-ok]

i broke so here's from crowley to his angel

I danced through all the fires, and I was so free

I was so unfettered, I was so unheld

Angel, I only stumble when you look at me

Why won't you touch me with more than eyes

Do more with your lips than just smile

It's only for you that I would ever plead

Angel, don't ask me to follow you to heaven

I don't need your forgiveness, I need your love

I don't need them to save me from damnation

Because when I fell from heaven I fell for you

And if you'll just for once try to understand

You've tempted the tempter and stolen the thief

So when after thousands of years I find the courage

To reach for you, to hold you to my dark heart

Forget the world that came between you and me

Don't choose to save it, choose to save us

The world will end in fire or ice, heaven or hell

But all that will matter is that we could have been us

So when they ask you to leave for heaven

Don't walk away, promise you're staying with me

Angel, tell me you said no

-Asmi

@neil-gaiman expecting that therapy money any day now, sir.

[glaiveprime]

its actually so fun to make your selfship toxic yaoi actually. all frey does is bother arthur so much that he gets a rage boner about it

[sentientsky]

hey do u ever think about how crowley's eyes (a feature he's worked to hide nearly his entire time on earth) were fixated so so so firmly on aziraphale during the final fifteen, to the point where he followed the tiniest of movements, even as tears began to form in his waterline? even as his not-quite-human-heart was splintering in his chest?

CAUSE I DO

how was this permitted to be aired???? knowing full well that angsty queers like me would be sliding down the wall sobbing about it???? (also, if u want to read more about crowley and his eyes, i am once again recommending one of alex's metas: x)

anyway! full gif below the cut!

yippee!

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[powderflower]

mermay day 4: willow nightingale

[nylarose]

one tries to fly away, and the other...