#tg symbolism

[sxtsuking]

Color Symbolism

So let's talk about the color symbolism on Tokyo Ghoul √A ending eps 9 with Seidou's scene.

I think this art is really intriguing to me and also Ishida added the comment on Zakki:re

I'm gonna break down all the colors negative meaning.

(first I'm apologize if my English is messy, English isn't my first language, so bear with me!)

As we can see, the sky is black with red clouds.

Black always associate with death, sadness, fear, darkness. Also can represent the deepest need to have a power and control over the emotional insecurities.

Red associate with desire of power and often associate with anger, danger, impulse.

I think this could be link as the foreshadow of his transformation later.

Seidou is standing behind the yellow wire fences.

While the fence symbolize as an object, person or place that stands for (represents) psychological barriers, belief or value.

Yellow colors on positive meaning is happiness, optimism, honor. While the negative meaning is jealousy, cowardice, fear, emotional fragility.

And Seidou is seen with green on his face, and purplish on his body.

Green negative meaning is greedy, envious, judgemental

Purple negative meaning is immature, emotional, overly vigilant.

In this episode we see Seidou's emotional breakdown after he wrote the last testament.

Seidou seen holding the fence looking beyond with sad face with the black sky surrounding it. It tells a lot of what he feels deeply. He engulfed with fear of dying.

[drh-j3kyll]

Guys GUYS Glass Scientists❗❗ The Glass Scientists are really glass and the glass it broke the glass is BROKEN its GONE and the glass glass scientists are BROKEN and Hyde glass is BROKEN 💔 and Jekyll is DEAD🪦 and SYMBOLYSM and and I'm gonna have a stroke 😍😍💥

[sasukeless]

mmmmyeah

[glass-spiral]

some reactions to the new page:

1. henry stop throwing potion bottles behind you challenge. girl that shit is about to chemically react

2. does frankenstein see the lodgers as like. the pick me gays of rogue science?? (ik there's actual analysis to be done here but I just had to say it)

3. that newspaper image...are those lodgers like the people that have been there the longest? oh man I already have so many lodger friendship headcanons I sense more on the horizon

4. all this talk about faces. does frankenstein think someone looks like someone from her past? doesn't rachel also have this problem? so many ghosts in this comic and we don't even have that many actual ghosts...

5. another thought I just had about the potions as I was typing this: umm aren't a lot of those supposed to be poisonous? 5.5. also the fact that he opened up his shiny glass cabinets and started taking potentially poisonous shit out of them right at the point where his very shiny exterior is failing him and his secrets are being revealed is almost certainly symbolism right? I can't analyze classic lit but apparently I can analyze webcomics

[lesbianturrets]

As a winning chemistry student it is my duty to, if we get closeups of the formulas, create this potion.

..And well, i’ll try to de-cipher as much as I can

[turntech-fuckedinthehead]

Would you give up your own body for the chance another version of you could have his own? (Day 2: sacrifice)

[sanzundertale]

please king. Please. get some sleep

[ipsen]

tg 119 and re 63

"eto growing out her hair and dyeing it so she doesn't have to look at a face she'll never know" goes hard btw

[amoneki-ramblings]

One random idea I think about a Lot is if Amon and Kaneki encountered each other at a church like,

A tip lands on the CCG's desk about a potential ghoul hideout/sighting at a church, nobody pays it much mind, they get tips like these all the time and there's really not a lot of details to it and they have bigger cases to worry about

Despite that, Amon decides to go investigate it because. He's not exactly Sure but he has. Not quite a Bad Feeling but a Feeling about it. Maybe some leftover intuition from Mado. And when he gets there and steps inside he sees Eyepatch sitting at the pews. Maybe he's kneeling there with his hands together, maybe he's just sitting there and calmly remarks that he didn't expect to see Amon here.

Maybe Kaneki was also pursuing ghouls that were hiding out here, or maybe it's just the two of them and they just Chat (maybe it's after the Lab Incident when Kaneki lost control of himself and he expresses his guilt over losing himself and how he can't really face his friends because of it), Idk !!

(Maybe instead this is all set in :re and the situation is flipped where Haise goes to investigate a church, either because of an anonymous tip or maybe Donato told him to, or hinted that he'd find something Important there

And at this church he encounters a Mysterious Guy who seems to recognize him a lot more than he does this stranger, maybe Haise starts visiting here regularly to talk with him because he seems to be kind and there's Something About Him, who knows,)

((What if both happened in the same universe because Amoneki Parallels Amirite))

I have so many more thoughts about things like this but I will leave it here for now, just. man,

I just think it could be both cool and very silly :thumbsup:

[ccruelgods]

i have been sitting on this tgs writing draft for 10 days. i don't have the motivation for it anymore. i know the plotline i'm aiming for, but i don't know how to execute it. frustrated.

[maybeiwasjustjade]

Genuinely, perhaps 99% of me, believes that the only reason Condal and Hess made HOTD Aegon a r*pist/have adult Aegon’s introduction the aftermath of the SA of a maid, was because they knew that if Aegon was just a drunk and a cheat—like almost all Westerosi men—he would be too tragic of a character not to root for, and they really couldn’t have that. No, Aegon has to be the monster to Rhaenyra’s saint, because if you took away the act that made him monstrous, he’s so easy to root for, and the TB/TG divide would be significantly larger.

Cheating and visiting brothels are quite common in Westeros, with the vast majority of male characters doing one or the other or both. Drinking is even more so. Aegon would still be palatable with either or both traits because it doesn’t make him worse than Rhaenyra. Rhaenyra had three bastards with Harwin because Laenor’s gay, so it makes her affair understandable and valid. Aegon was forced to marry his own sister as a young teen, and clearly despises the whole targ-incest tradition. Why is it a crime that he doesn’t find his little sister sexually or romantically attractive???

Aegon’s basically a Greek tragedy made flesh. The eldest son conceived to be a long-awaited heir, yet simultaneously cheated out of a birthright. Born wanted yet unwanted, the heir who is not an heir. Meant to be loved, yet raised without it, with a mother’s disdain and fear as his only companion. His father stopped wanting him sometime after his second birthday (probably around the time Jacaerys was born), and his mother never wanted him anyway. His mere existence is a threat to a crown he never wanted, yet nobody cared when they placed it on his head. He wants love but no one loves him, and contrary to popular belief, that lack of love didn’t just stem from adulthood. He was a little boy once too, who very much didn’t deserve that level of apathy.

Married to his sister despite his clear disdain for his family’s incestuous tradition. Forced to father children on her at the grand old age of sixteen (and she fourteen). The only thing he ever really loved was his dragon, and the children he had. And even those he loses to tragedy, and someone else’s doing.

It’s not at all a surprise that Aegon’s defining trait is his love for Sunfyre. A ridiculously strong bond, born from years of having only each other. Moreover, a dragon is the symbol of power, which Aegon has little of. He can’t protect himself from his own family’s abuse or machinations, and unless he claims the crown everyone he loves will die. Dragons also represent freedom, and the ability to just fly away. And if there’s one thing Aegon wants more than anything in the world, it’s to run away from his family and the accursed throne.

In that, he’s not so different than a young Rhaenyra (pre-personality change anyway). Young Rhaenyra hated having to conform to societal standards. Hated having no choice but to marry, and to whom. She too wanted to fly away to freedom. There’s too many parallels between the two, even down to their ages pre-timeskip. Rhaenyra was about 18, and Aegon now is only 20. Yet Rhaenyra at 16’s only problem was whether her infant brother would replace her as heir, while Aegon’s was being forced to play house with his sister and newborn twins.

Perhaps misogyny and society would always be Rhaenyra’s greatest opponent, and the same Aegon’s ally when it comes to their claims, but it was not the only issue. Precedent declared that Aegon would be heir ahead of her, yet it was Rhaenyra’s position and honor that Viserys defied law for, even when she committed high treason against the crown thrice. She got everything; Aegon had nothing. He’s the underdog of the story, not her. So had they not made him an on screen r*pist (unlike Daemon who was off-screen one and merely an on-screen pedo and wife-killer), it would’ve been very hard for the writers to push their “Rhaenyra good, TG bad” narrative. Those two would’ve had too many parallels and foils for it to work, and they really couldn’t have that, could they.

No, Aegon has to be the villain; Rhaenyra has to be the hero. It’s a black and white war, good vs evil. That’s the story HOTD is trying to sell, and not at all the complex tragedy of a family tearing itself and its dynasty into pieces over greed and idiocy.

[thewertsearch]

I guess everyone is reacting to their parents' deaths in this arc. Dave's relationship with Bro has always been a little... complicated, so this should be a very interesting conversation.

TG: oh my fucking god […] TG: we just got done talking and agreed it would be awesome if you didnt bother me for a while […] GC: OH GC: TH4TS R1GHT GC: 1 FORGOT! TG: it was five seconds ago

Girl, get your damn timelines in order!

GC: D1D YOU LOV3 H1M D4V3? TG: no

I believe you.

There's something about the Strider brothers which I noticed a while ago, but haven't had the opportunity to talk about. This is the perfect moment to discuss it, though, because it explains a lot about why Dave is the way he is.

So - let's talk about the Strife fights.

When John first attacked his father with a hammer, I decided to roll with the assumption that this fight was symbolic, rather than literal. John loves his dad, and it can be safely assumed that he doesn't want to kill the guy.

Instead, this scene serves as a stand in for the familial strife between father and son. John finds his father's parenting style to be mildly frustrating, and their interactions sometimes feel like a fight to him.

Likewise, Rose (probably) isn’t actually going for Mom with those needles. Instead, their fight represents Mom’s 'ironic' negligence, and the gifts that Rose refuses to believe are from the heart. The Lalonde relationship is clearly more fraught than the Egbert one, but I don't think Rose actually wants to skewer Ms Lalonde.

Jade doesn't really fight her Grandpa, but their Strife clearly demonstrated how deeply in-denial she is - not about his death, but about the fact that her life isn't normal. She's desperately trying to have the same childhood that John and Rose are describing, but she can't, because she doesn't have a parent to bicker with.

Now, I'm sure you've guessed where I'm going with this. What, exactly, did Dave's Strife scenes represent?

Well...

...first of all, it's worth noting that Dave is the only Player to explicitly describe the events of his Strife to a third party. We've never heard John reminiscing about bludgeoning Dad, but Dave's constantly complaining about getting beaten up by puppets.

And - rather more worryingly - Dave is the only Player to retain his Strife injuries, even after this ostensibly 'metaphorical' fight is over.

In fact, one of those Strife injuries still marks him to this day.

The point I am obviously dancing around is that I don't think Dave's Strife was a metaphor at all. Unlike his friends, there's no pretense to these fights. They're literal. Dave's brother routinely attacked him.

Odds are, this was Bro's way of 'preparing' Dave for the game he surely knew was coming - but you don't need me to tell you that he took it way too far. The guy might have been Dave's assigned Guardian, but he really shouldn't have been raising anyone.

[fructidors]

like who did this (me). who decided i was deserving of this (it was me i made the tracklist)

i need to stop putting my unreleased tmg tape on in the background it’s not good for my physical health

[hey-bigday]

what's that? TGS gem au!

these are honestly a bit old by now (2 month-ish? oh geez) but they have never left my head. If you want to know more, there is a massive yap wall under this cut with some lore and design ideas

First, Jekyll and Hyde's gems!

My first instinct was giving them hearts for gems, since we only ever see one Spinel in Steven Universe.

But I ended up remembering this that I read in the wiki a long time ago, that Spinels would have differently shaped gems based on playing card suits. I was suddenly hit with the fact that we do see both Jekyll and Hyde referred to with card symbolism in Just a Song at Twilight! This was very good for me, because I don't know anything about cards at all.

Jekyll also had a lot more diamonds scattered around his design– both a nod to his gem and his 'rule-following' attitude. Hyde only has the bare minimum to signify his court.

Trying to make a Sapphire is hard, and clothes are even harder, but I ended up making the choice to give Lanyon longer hair. He secretly hates it and reforms with shorter hair the first chance that he gets, but for now he has to keep up appearances

Figuring out Everly was also pretty hard, but that's mostly because she doesn't have that many appearances in the comic. I hope I got her right, even though I'm not entirely sure about making her a quartz.

Now...

LORE DUMP TIME!!!

Red Spinel (aka Henry Jekyll) was originally meant to be Pink Diamond's playmate. However, not long after her (his) creation, it became clear she was an off-color. An imperfect gem had no business being so close to a diamond, but due to the rarity and high-cost of spinels she was spared and instead sent as a 'gift' to a successful commander, Star Garnet (aka Lanyon Sir.)

Star Garnet was well-known for shaping up off-color gems into perfect fits for their roles. While this mostly earns the reputation of a fearsome leader, Star Garnet isn't actually cruel to her gems, she simply organizes thought-out training regimens to fit every gem's disabilities. Still, this exact reputation is what led to her being gifted Red Spinel. While she did not have any use for a Spinel seeing as she is war commander, she couldn't exactly refuse a gift so important as a spinel from the diamonds.

One of Star Garnet's gems that stands out the most is certainly her sapphire. Sapphires are aristocratic gems of high-standing, and so, are not under control of gems such as garnets. This sapphire, of course, is a special case. Tall where a sapphire is small, rowdy where a sapphire is calm. Sapphire (Robert Lanyon) has struggled her whole life to have a fraction of the respect a gem of her standing is supposed to have before she simply gave up. If no one is going to take her seriously for her predictions, then she'll give them a real reason.

Disrespecting orders, messing around with 'lower' gems and being generally disrespectful are Sapphire's specialty. She began to take quite a liking to interacting with the other gems in the Station: soldier, technicians... They all looked at her with the adoration befitting for a sapphire, but an adoration she had never seen directed at her before. Interacting with 'lower' gems made her feel a type of control she simply never felt in her life, and it was easy to leave once they got to attached–, or stars forbid–, accidentally tried to fuse with her. The fusions never worked, seeing as only one side felt the connection, but it was enough to prove her influence and leave gems ashamed.

Of course, things started to change with Spinel's arrival.

Seeing as Garnet had no use for a playmate, Spinel mostly walked around their space station like a particularly unnerving jester before meeting Sapphire. The two quickly hit off as Sapphire used Spinel as an excuse to escape most of the time, and Garnet mostly approved in hopes that Spinel might to Sapphire some good. The two gems ended up bonding, finding secret rooms to scurry off to and share experiences.

Spinel wasn't what Sapphire thought a spinel would be like, and Sapphire wasn't what Spinel thought a sapphire would act like. They both talked about their experiences, with Spinel admitting she wasn't particularly good at making people smile or fond of playing, not to mention her extreme curiosity for the works of peridot's (who have grow a bit scared of the red gem that keeps staring at them intensely from the shadows).

Now, while Sapphire didn't know how a spinel was actually supposed to act like, it was clear Spinel did not emerge with any knowledge of etiquette (which Sapphire actually did, another reason for her insecurities. She did everything right, so why was she never enough?) so Sapphire took upon herself to teach what she knows to Spinel, who took to the lessons like a fish in water. That's how the "gentlegem" lessons started.

As their friendship grew, so did Spinel's charm and confidence. She was a natural at being charismatic and while she wasn't a natural playmate, she was very good at boosting gem's morale with speeches and words. This completely erased most of Spinel's past reputation as 'that-one-creepy-gem', except for the peridots who were still a bit... Wary. But that's fine.

While Sapphire was a bit bitter about this (because, really, why was Spinel better at this than her, the gem who was supposed to be born for this role?) she was still floored by a torrent of new feelings as the time passed by. It didn't take long for her to realize what these feelings were. This care, this adoration, it was what those gems she so toyed with in the past felt for her. Spinel completely took away her control and didn't even realize it, and now Sapphire had to live with the consequences. She was unquestionably in love.

Even with all of these confusing feelings and the growing pressure on Sapphire, they still met up in their secret spot every few rotations. It was in one of these meetings that Sapphire took one of those fancy gadgets of recorded music that higher gems had from Pink Diamond's balls. Spinel didn't know how to dance, but Sapphire teached her. They danced, they harmonized, they glowed. Fusion was inevitable, and it felt amazing, but upon realizing what was happening their fusion immediately broke under the torrent of their feelings. Sapphire was the first one to react, and she ran, leaving Spinel dazed and alone.

Spinel tried acting like nothing happened after, and maybe Sapphire would've done so too if it wasn't for what happened next. Star Garnet came with a brand new soldier, a rose quartz (Everly Solanki), specifically to keep Sapphire in line and finally make her do her job. When Sapphire went to talk to Spinel directly and say they couldn't keep up with their arrangement anymore, Spinel was the one to leave first this time, now leaving Sapphire dazed and alone.

While Sapphire's and Rose Quartz's relationship was rocky at first, they ended up growing as friends by the end, relating to each other's struggles and expectations. Meanwhile, Spinel fell to an uneasy depression, greatly worrying her friends. This was about the time Spinel truly let herself indulge in the alchemy and technology she always loved, hoping, praying that she could find a solution that would make her less of a broken gem, a disposable clown. Studying the properties of a gem's, well, gem– Spinel manipulated what is supposed to be a gem's very being, their coding, their brain and sense of self. The injection that she delivery directly to her gems was supposed to separate herself from all that made her defective, it created Hyde instead.

I have more plans for this au– like how Jekyll didn't actually create the society before making Hyde. Star Garnet and her fleet will eventually be put in the Earth's gem war which will result in a part of her gems to mysteriously rebel and steal a ship. These gems, (which included Spinel, Sapphire and Rose) would come to make the Society in the future! Spinel would end up naturally taking a leading role in their escape and he appointed their leader. The plan would be that they settled down in a distant part of Earth's moon and would only visit the planet many years after the war was over. These visits would end up with them learning about things like names and gender so you don't have to call characters by their gems all the time, those are their dead names now! (← silly)

Thank you for anyone who had the patience to read all of this, love you all 🫶

[lu-is-not-ok]

Sorry if you've already analyzed this recently but it would be neat if I could possibly get your thoughts about this.

I'm currently trying to theory craft for The Surrendered Witnessing (Canto 8), so I was looking at the Limbus TGS Teaser for more hints. Cuz the background art has been quite accurate so far.

When you look up Hong Lu on Google one of the first pictures you get is that art of him in the white outfit with the dandelion.(Which is also briefly shown on the TGS Teaser) At first I thought he was blowing the dandelion as a symbolism of being carefree and whimsical, similar to how children blow on dandelions to make wishes.

But then I noticed a few things. First, he doesn't necessarily seem happy, or really showcasing any kind of 'whimsy'. Also, the dandelion isn't up to his mouth. It's not positioned in a way where he can blow. It seems more likely that he is watching a common weed blow off in the wind with more freedom than he would ever get while he's with his family. Dandelions in general are also a symbol of hope, which means this could be a representation of him feeling hopeless.

But then, the screen briefly shows a zoomed out version before jumpscaring you with Heathcliff.

At first I thought this was a rebellion with the sheer amount of grey bodies seeming desperate. But then I realized they are reaching. Are they possibly reaching for Hong Lu? Do they just wish to be in his shoes-- desperately wanting just a sliver of his family's influence and wealth? Or is their desperation more focused on the red paper?

Hong Lu also doesn't seem that pleased, the zoomed out version seems way more bored than the zoomed in version.

The dandelion seeds turn into something red. It could be red envelopes used to gift money, but I don't know why Hong Lu or his family would even bother using something so formal on people with such low status. A very unlikely theory is that it could also be related to Hong Lu's previous mention of a 'red passport'. Though I'm just assuming it has significance specifically where Hong Lu's family resides, either something important within his house or something that has to do with how the district works.

--

Another interesting thing that pops up is a speech bubble. I'm not fluent in any other languages so I had to Google translate it, so it may very likely be wrong, but it says "it's almost like filming a play". I don't have a clue if that has been a previous line from Hong Lu, but the outline is in Hong Lu's color. So maybe he's referencing an event after the sinners return to his residence.

The other thing to note is the positioning of this picture directly over the dandelion picture. The only other person that really has that happen in the teaser is Sinclair, but that is because the Sinclair images happen within the same cutscene in-game. I have zero clue if the positioning in the video is that purposeful to make an entire theory on it, but I think the lineup is interesting. The image used is from The Unloving.

--

The last glimpse I'll talk about is the lil angy/displeased Hong Lu.

That looks like Outis' hand grabbing him by the shirt. I was trying to find any other pictures of sinners grabbing each other by the shirt-- but the only shirt threatening content we've gotten are both in The Unconfronting. One by Virgillius (not a sinner) and one by Don Quixote.

So my assumption is that this displeased Hong Lu could either happen during The Nocturnal Sleeping or The Surrendered Witnessing. Likely The Surrendered Witnessing because no intervallo art seems to have been out in the teaser. (All of the characters that already have cantos have art in the TGS that doesn't surpass their focus cantos, though that also could be due to Project Moon not wanting to spoil too much from the initial 3 release cantos)

Anyways! That's my thoughts! I kinda wanna hear yours if possible, no pressure though. :3

(Also, sorry if the formatting is weird I have zero clue how Tumblr's ask formatting works)

Oh boy that's a lot. Ok. Let's see how I wanna get into this.

Let's start with the bits I know I can explain for sure.

First, the dialogue lines. Last time I checked, every single dialogue line shown in the TGS teaser comes from the first three Cantos. Which, if you think about it, makes sense, as those were likely the only Cantos actually fully written by that point.

The line you pointed out specifically comes from Canto 2, it being the second half of this dialogue line that happens after the Sinners beat the Tingtang Gang.

I think its purpose in the teaser is mainly to reinforce the idea that Hong Lu's understanding of reality is very strange compared to other people in the City, him comparing whatever's happening to something as benign as a movie set.

You could probably also make a case for it being used to highlight the theme of the blurred line between Fiction and Reality, what with him comparing a Real situation to that of a Fictional scene one would be filming for a movie.

Second. The angry Hong Lu CG.

I've already discussed that CG at length in this post, but to summarize: this is a scrapped Canto 1 CG, from what I believe to be the original version of the scene where Yuri reveals her backstory, which in the original draft took place outside of the dungeon with all of the Sinners around and thus available to respond. The person grabbing onto Hong Lu's shirt is Gregor, and the reason his skin looks like that in the video is because of the heavy color overlay effects over the teaser itself. I included the clearest picture we have of the full CG in the post I mentioned.

We don't know whether this CG was scrapped before or after the TGS Teaser was made, so it's much harder to ascertain the purpose behind its inclusion here. Regardless of which it is though, it's clear that Project Moon deemed it important to show Hong Lu's capacity for anger in such an early teaser, meaning it was something they were focusing on as a point for his character even back then.

Now. Onto the things I get to actually speculate about.

Let's just first establish this - we have no way of knowing how similar Canto 8 will be to what Project Moon may have initially planned it to be. I'm not one of those people who claims that PM are serial retconners, but I'm also realistic in that I doubt they have more prepared future Cantos than maybe some rough outlines at most. As such, the scene shown in the TGS Teaser might not end up being framed in the exact same way as it was initially planned to be.

This is especially important to note as Vellmori CGs, aka the ones shown in the Teaser itself, are not being used beyond the ones already in the game. We can tell from Canto 6 and 7 that there's no guarantee that we'll get any exactly equivalent CGs from the current artist either. After all, we did get two whole scenes of a Heathcliff arriving to Cathy's funeral, but neither was framed in any way similar to the teased CG.

Here's some of my own observations though.

First - according to recollections from multiple DOTRC readers, the outfit Hong Lu is wearing in both CGs might be a reference to the mourning robes Baoyu wears after Daiyu's death. Considering how sensitive Hong Lu is about things that seem to remind him of an event that is very likely Limbus's equivalent of Daiyu's death (as I discuss in this post), it's likely that Canto 8 will put a notable amount of focus on that event and its aftermath.

Second - in higher quality versions of that first CG, it's possible to see that the shadow cast by the dandelion is a different color to the rest of the shadows being cast - it's notably more red in hue.

This could be another nod to Daiyu, as their Land of Illusion counterpart was the Crimson Pearl Flower. I think you're onto something here with Hong Lu not actively blowing at the dandelion, but rather merely watching it blow away in the wind by itself. It could be a representation of how fragile Daiyu's life ended up being, swept away as if by a gust of wind.

It makes me think of the Flower Burial Song from DOTRC (as do many things around Hong Lu in all fairness), which in itself also represents Daiyu's own mortality. Flowers fall, people perish, and neither of them know.

Third - A few notes about that second CG.

For one, I don't believe that the dandelion seeds are being turned into the red papers (for a lack of a more specific term to call them). You can see that the seeds are actually floating Among the papers, implying they're both falling at the same time rather than one turning into the other.

For two, while it's a bit hard to see in the particular screenshot you took, you can see that Hong Lu has his other arm thrust forward, while still holding the dandelion with the one he held it in the previous CG. This I believe implies he's not just watching the people below, but is actively throwing whatever the red papers are down towards them.

Now.

Here's my own unhinged theory as to what those (now unused) Canto 8 CGs might be showing.

Obviously, I already made it clear that I believe this is taking place after Daiyu's death ,what with both Hong Lu's robes and flower symbolism.

However, I believe the specific event that is happening here is Hong Lu creating a distraction for his Family so that he can escape.

I've made it no secret that I believe Hong Lu is in fact a runaway, and that the "sent out to experience the world" thing he mentions as his reason for leaving his home is in fact a blatant lie. After all, if it were true, why would his Family be searching for him? Why would they want to prematurely cut him off from experiencing more of the world? Add the Lasso Hong Lu corrosion voice line to this, where he's clearly acting out what his Family might sound like once they catch up to him, and you can see why I think this might be the case.

It's also not that hard to imagine why Daiyu's death would be the catalyst to Hong Lu deciding to take a chance and attempt an escape. Daiyu's death has been implied to be an event that not only deeply hurt him, but is also alluded to being the one thing capable of rousing Hong Lu's anger enough to actually lash out. If there was one thing that could make the otherwise docile and obedient Hong Lu act out in such a way, it would be crossing a certain line he believed should never be crossed.

What I believe we're seeing is Hong Lu drawing a group of desperate people towards a likely otherwise very secure household (if his musings about defense systems in Canto 6 are anything to go by). Perhaps, the things he's giving out are specifically invitations, as in Canto 6 Hong Lu mentions (in a way that almost feels like he's speaking from experience mind you) that having an invitation protects one from a mansion's security measures.

So, by "inviting" in as many disruptive people as he can, Hong Lu could be creating the perfect distraction for the Jia Family to deal with while he himself assumedly slips away unnoticed.

At least, that's my theory.

Hope this helps, or is in any way coherent WHEEZE.

[komaedasclovers]

this cookie is symbolism. (it's not I'm going crazy. I love TGS)

it's green on the bottom, signifying hyde and all the repressed bits of jekyll. a part of jekyll's true self because jekyll is both him and hyde, whether he wants it to be like that or not. the red on the cookie represents jekyll, specifically the part of him he presents to the world and others. from the top it looks like it overpowers the green (pic 1) but from the side it's clear the green is there more (pic 2). this shows how jekyll's true desires are there but are hidden and not presented as much. the green circular around the red represents the true desires (hyde) creeping in and wanting to be seen. that black spot on the red part represents a sliver of self doubt and jekyll's "perfect" persona slowly slipping and becoming hard to hide.

the black cookie represents jekyll as a whole. holding things together as best as he can. , but slowly falling apart as it’s too much to handle.