#textile museum
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Met up with some guys in Borås.
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Textilmuseum St.Gallen | St. Gallen, Switzerland
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Trapesty from Zhytomyr, XIX century
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Cynthia Schira, Table/Cloth, (handwoven linen and cotton), 1998 [Smithsonian American Art Museum, Washington, DC; Gift of the artist in memory of Patti Zoppetti. © Cynthia Schira]
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Folding fan depicting scenes from the history of ballooning
French; c. 1785; reformed [horn] protein sticks and skin leaf painted with gouache, diamond paste studs in rivet, brass ring; maximum open of 50.5cm.
Currently in the collection of the Museum of Fine Arts, Boston, accession no. 43.2078
#archaeology#art#textiles#isaac.txt#museum of fine arts#mfa boston#modern history#baroque#fashion history
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#TextileTuesday:
Embroidered Drawn Net Bed Valance with Bobbin Lace Border
Russian, 1766-1833
Linen ground, linen embroidery threads
The Cone Collection, BMA
on display at “Making Her Mark: A History of #WomenArtists in Europe, 1400-1800” exhibition at Baltimore Museum of Art
#animals in art#european art#museum visit#Russian art#18th century art#19th century art#Textile Tuesday#double eagle#textiles#lacework#embroidery#exhibition#women artists#Cone Collection
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Anna Wintour in bespoke LOEWE at the Met Gala 2024
'Inspired by a circa 1944 evening cape by 20th century designer Charles James and tailoring from the LOEWE Fall Winter 2024 women’s collection, Anna’s tuxedo in wool with a silk satin shawl collar is decorated with floral motifs using hand-dyed feathers, tonal beading, and pearl embroidery. The jacket is paired with a long sleeve dress in bias-cut silk satin.'
'Awakening Flower Bouquet' embroidery inspired by Tulipes Hollandaise fabric by Charles Frederick Worth, 1889, from the Met's archives.
#anna wintour#met gala 2024#met gala#red carpet#loewe#fw24#fashion history#fashion#met museum#charles james#couture#couture embroidery#plumasserie#surface decoration#textile design#textiles#tulip#tulipes hollandaise#charles frederick worth#1889#1880s#woven fabric#pattern#surface pattern#surface pattern design#pattern design
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open-air museum in Kuligów (2) (3) (4) by Krzysztof Kozłowski
#museums#historical village#traditional house#thatched roof#inside a room#textiles#wood building#poland#masovian voivodeship#mazowieckie voivodeship
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mother tongue (2020) Suchitra Mattai
#art#art stuff#museum#art appreciation#art history#fine art#suchitra mattai#guyana art#guyanese#guyana#mother#sari#fabric art#fabric#textile art#textiles
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🪡🧵Romanian women have been coding signs for ages. Their threads bind apotropaic symbols into scrolls of fabrics and garments, according to complex systems, which have been developing since the Neolithic ages. In this pocket size comics collection I tried to gather bits of the pixel's long forgotten story. The rough English version of the 36 page publication is available here >>> https://issuu.com/sorivazelina/docs/mostrar2_eng
To flip through the Romanian version please visit the exhibition, at the Peasant Museum in Bucharest, open till the 9th of January 2025. It was built as a reflection on a unique anonymous textile piece, discovered in the archive of the ASTRA Museum in Sibiu. The hyper-sensorial works, leading up to this marvel of over 200 embroidered motifs, belong to artists such as Aurelie Morillas, Marlene Herberth, Marin Raica, Sillyconductor, Anamaria Lungu, Atelier Vrac, all brought together by the Dala Foundation and Ovidiu Daneș, who has been saving the local architectural, intangible and natural heritage, together with his wife Luminița, for more than a decade, also via the CUCA festival.
#comicstrip#comic art#comics#folklore#crafts#romanian#traditional art#romania#embroidery#yves saint laurent#la blouse roumaine#ie#port popular#Lena Constante#Florica Zaharia#Muzeul Țăranului Roman#Romanian Peasant Museum#motifs#textiles#tapestry#patterns#handicraft#publication#zine#folk art#arta populara#pixel#tesaturi#scoarte#public exhibition
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六廠紡織文化藝術館 (CHAT 六廠)
CHAT (Centre for Heritage, Arts and Textile)
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Young Girl Bathing
Artist: Attributed to Pierre-Paul Prud'hon (French, 1758 - 1823)
Date: 1782
Medium: Oil on canvas
Collection: The Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA, United States
Information
Few works from the earliest period of Pierre-Paul Prud'hon's career have survived, making it difficult to attribute this painting on stylistic grounds. Although the signature and date at lower left were partially effaced when the painting was cleaned, photographs made in the early twentieth century show that the canvas once bore the date 1782. This was the same year that the young and ambitious artist first went to Paris from his native Dijon, and this date, if accurate, would make the work one of the earliest known paintings by Prud'hon. While in Paris, Prud'hon lodged with the Fauconniers, a family of fellow Burgundians. A member of this family owned this painting as late as 1874. In addition to the circumstantial evidence for an attribution to Prud'hon provided by this provenance, the work resembles in some of its details, such as the draperies, certain drawings Prud'hon made in this early period of his career. As a mature artist, Prud'hon became known for his idiosyncratic and proto-romantic interpretation of the then-fashionable neoclassicism and for his extensive work for the Napoleonic court.
#painting#female figure#genre art#bathing#forest#trees#stream#nude female#oil on canvas#fine art#textiles#bathing nymph#fantasy#french culture#pierre paul prud'hon#french painter#french art#oil painting#artwork#european art#18th century art#the huntington art museum#18th century painting
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1881
#historical fashion#fashion#historical#history#historical clothing#historical dress#long dress#textiles#victorian#victorian era#the gilded age#1880s fashion#1880s dress#1880s#1800 dress#1800s dress#1800s fashion#dress#fashion dress#high fashion#old fashioned#gown#the metropolitan museum of art
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Inherited Legacies by Darby Raymond-Overstreet
Currently showing as part of the Nizhónígo Hadadít’eh, They are Beautifully Dressed exhibition through September 29nth 2024
#Darby Raymond-Overstreet#Diné#Navajo#Mixed Media#Canvas Print#Lapidary#Pyrite#Red Coral#inlay#Textiles#Contemporary Art#Indigenous Art#RISD#RISD Museum#Current Exhibitions
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Erling Mandelmann (photograph), Jan Groth and Benedikte Herlufsdatter(-Groth) in the tapestry studio at Bråde on Sjælland, 1965 [Stavanger Art Museum, Stavanger. © Erling Mandelmann]
↗ Jan Groth, Galleri Riis
#art#photography#textile#weaving#tapestry#erling mandelmann#jan groth#benedikte groth#stavanger art museum#galleri riis#1960s
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