#terrifying truly

[beautiful-basque-country]

The Spanish monarchy couldn't have chosen a better date to officially perpetuate itself for yet another generation.

[gods-favorite-autistic]

15 minutes left and the oh shit moment still has not happened im scared

[bisexual-horror-fan]

A horror movie that traumatized you for life?

The OG Pet's Sematary, not because of Gage or the animals coming back to life acting fucked up, nothing like that, it was the sister, the one with the fucked up back and her choking, the sister who was clearly too young to be watching her unable to do anything to help. That shit fucked with me.

[sometimesraven]

i can't believe i clicked the notes of a tumblr dot com post in the year two thousand and twenty three and witnessed steven universe discourse

[minwooks-moved]

every day i forget so.obin is tall……..

[ourtintedworld]

i know everyone talks about wanting to meet their favorite idols and celebrities and thats super valid and fair but like ,,, am i the only one who doesn't want to

i already struggle enough to talk to 'normal' people who i think are cool, i do not need to raise that pressure by a thousand. the idea of standing in a room with an artist i like and trying to remember to make eye contact while being coherent and not coming off as a Weird Guy is simply too much.

i feel bad sending asks to my mutuals, you think i want to attempt to hold a conversation with THE min yoongi??

[poorly-drawn-mdzs]

Soup solves everything.

[lilybug-02]

Final Bug Fact:

The world NEEDS bugs. They keep the soil healthy, pollinate, control pests, and contribute to the worlds' ecosystem. By the end of the century, it is estimated 40% of insect species may go extinct due to habitat loss. Yes, that is very scary. But with even one beetle spared, one caterpillar rescued, and one Hollow Knight comic of all things, things will change. Because I know there's a lot more Dewi's out there than most people realize. Stay curious.

Thanks for going on this adventure with me. ♥︎

First || Prev // END

Masterpost

Comic Thoughts and Pictures Below!

I wanted to put here how amazing and sweet everyone has been with this comic. I finished a 75 page comic in 3 MONTHS. I am at a loss for words. That sounds crazy and it IS crazy. But man was it fun. Even on days were I wasn't able to draw due to fatigue or business, I loved working on it from start to finish. And guess what!? This is my first ever FINISHED comic :D I'm so proud of myself. I know there's some things I want to change and the art is wonky in most places...... but I'm content to let it be. What an amazing summer adventure!

I'm hoping to post the full comic on another Comic website. I may or may not edit some of the art ^w^ So I'll let y'all know when I release it.

Interested in learning what you could do to help your local insects? This is the basic stuff. Maybe make some Insect Hotels if you have the time!!! And never forget to spread the word about bugs. They need our help just as any animal on earth.

Still Here? Well you can look in the tags for little lore dumps if ur looking for stuff like that ;)

[fuckingmeteors]

Dan calling their clothes sharing a "conspiracy theory" then admitting to borrowing phil's green shorts in the same sentence like babe that's not a conspiracy theory then 😭

[ceruark]

DANCE WITH THE DEVIL.

synopsis: yan! hsr men as slasher movie killers… and “love interests.” [blade, boothill, aventurine, sunday] words: 3.1k cw: yandere themes: obsession, stalking. slasher elements, gore. a/n: happy friday the 13th to all who celebrate

BLADE is already pretty much like Michael Myers from Halloween: large man, terrifying presence, unfathomable kill count, and cannot die. No matter what you do, no matter how many times you or the other survivors find a way to kill him, he keeps coming back, and with renewed vengeance every time.

The first time you’d been subjected to his knife was at a summer camp. Having gone there every summer for years growing up, you grew attached to the place and decided to pick up a role as a counselor in the summers following your high school graduation, and they passed peacefully. However, in the few months leading up to your college graduation, misfortune befell the small town where the camp was located. Someone’s grave had been dug up, and just weeks after that, people started turning up dead, their bodies littered with so many stab wounds that some were unrecognizable.

Given the ongoing investigation, the counselors and other camp staff requested that the summer camp not reopen, but the owners and even some parents insisted they stay open, and so despite your better judgment, you returned. You needed the money, and you knew how to defend yourself— if anything happened, you could keep yourself and your kids safe.

At least, that’s what you believed. When the man appears in the doorway of your cabin, his stocky figure silhouetted by the moonlight and leaving two red eyes gleaming down at you, you know there’s not a chance in hell you’re making it out of there alive.

You’d thrown yourself at him, yelling for your kids to escape through the back. He’s been merciless, sinking his knife into your flesh over and over again, but you persevered and fought back until you were sure every single one of your kids had made it a good distance away from the cabin. At some point you’d collapsed, from exhaustion and blood loss.

The doctors said it was a miracle you survived. They had your house guarded since he hadn’t been detained, but once word of his death by police gunfire got around, things calmed down significantly. You relaxed over the years, letting your guard down and believing that things could return to normal. Serial killings all over the nation popped up, but you worried not—after all, the killer you were concerned with was dead.

One of the survivors reached out to you five years after that fateful night, wishing to get together with the others who lived to get drinks and properly move on from everything. It was, of course, a set up; Blade had returned, and the man who invited you believed he’d be spared if he got the rest of the survivors together in one place.

He’d been the first one murdered that night. 

Once again, you narrowly dodged death, just barely managing to get yourself to a hospital before you received one stab wound too many. Time goes on, and no matter how many times they put a bullet through his head, he manages to come back. The list of survivors has grown, but the list of victims is now countless.

You’re in your thirties when the police reach out to the adult survivors. There’s a new survivor: a five year-old girl by the name of Yunli. Her parents had been ruthlessly slaughtered, but he hadn’t touched even a single hair on the young girl’s hair. She didn’t have any living family, and so, you agreed to take her in. 

Life is easier with Yunli in it. A bright, spunky little thing, she brings joy to your days and some semblance of a family that you’ve been too scared to seek out. It’s nice to have the sound of laughter filling your home.

That same laughter has you smiling tonight, the girl’s giggling floating down the hallway and into the kitchen, where you’re washing dishes. A quick glance at the microwave’s clock tells you it’s close to her bedtime, and she’s far more energetic than she typically would be at this time. You wipe your hands off on a dish towel and walk down the hall toward her room, wishing to find out what’s working her up at this hour and wanting to tell her to wind down before bed.

You knock lightly before turning the knob. You get the door open a crack before the sight on the other side of it leaves you frozen, horrified.

He’s in Yunli’s room, kneeling before her as she shows him the many dolls you’ve bought her. His knife is on the floor beside him, and the eyes that have haunted your dreams for years pierce into you, pinning you where you stand.

The girl seems… happier with you, than she had been with her parents. Perhaps he’ll have to be kinder to you this time.

BOOTHILL gives me Texas Chainsaw Massacre vibes in terms of how he kills and the brutality of it all, but not personality-wise. No, I actually think he’d be quite personable with that southern charm of his— so of course, no one would ever expect him to do anything unspeakable.

You and your friends are on a road trip when the car breaks down in the middle of nowhere. There’s nothing but fields of crops as far as the eye can see, and the only sign of civilization is a barn, some stables, and a few coops with two houses near them about a mile away from where you’re standing.

You all make the trek, hoping to be able to get some help from the people living there. Worst case scenario, if it’s all been abandoned, you can squat there and look for tools to help you fix the car. But to your surprise, when you knock, a kind-looking man with wild white and black hair opens the door, and after hearing about your situation, is more than happy to be of assistance.

He tows the car onto his property and takes a look at it, determining that the entire engine needs to be replaced. Given his distance from the nearest auto shop, he says he’ll leave for town Sunday afternoon and get the part on Monday morning. It’s going to be an all-day trip, so he likely won’t be back until early Tuesday morning.

You’ve got a couple days to get to know him, in the meantime. Your friends absolutely adore him, pointing out how good of a guy he is, some even pointing out how attractive he is. You scoff one night as he’s making dinner away from where you’re all sitting, as one of your friends starts a bet on if any of you will be able to sleep with him before all of this is over.

Sunday afternoon comes all too soon, though, and none of you get very far with him before he’s heading off in his truck toward the nearest town. You’re a bit shocked that he would so willingly leave a group of strangers in his house unattended, but you chalk it up to his kindness that seems to be boundless.

You should have been far more concerned.

You’re all woken up that night by the sound of a chainsaw revving, shortly followed by one of your friend’s horrible shrieking. The room devolves into panic and chaos as you watch her get torn to shreds by the very man who invited you into his home, now donning a mask of what you hope is animal skin.

You all flee in different directions, but he knows the property better than you do, and sure enough, your friends are picked off one by one until you’re the last one standing. You narrowly dodge some of the traps he’s set up and take refuge in the stables, struggling to keep yourself together as you hear your friend’s cries in the distance. 

While looking for something to defend yourself with, you find a box hidden in a pile of hay. It’s locked, but you force it open, dumping its contents on the floor. A pistol, a few handwritten letters, and pictures of a woman and a young girl. You place the pistol beside you before your curiosity takes over, causing you to slowly go through and study the pictures.

In your distracted state, you failed to notice that he’d gotten into the stables. You jump to your feet when the chainsaw revs just a few feet in front of you. You turn off the safety and raise the gun, your hand steady and your shot clear.

He’s lost so much in his life, and it’s driven him to madness. And you, you remind him of something— someone precious who he lost to illness, to the cruelty of life.

He can’t lose you again. He won’t allow you to leave.

And that’s not something you’ll realize until he’s staring at you from the barrel of a gun you believe is loaded, laughing for a reason you can’t understand.

AVENTURINE stepped right out of a Scream movie. He’s a classic Ghostface-type killer, phone calls and everything. He’s certainly got the charisma needed to make the intimidating phone calls, and I feel like he would enjoy stalking and toying around with his prey a bit before going in for the kill. 

You could probably argue that he’s not the type to want to make things messy, but I feel like in this case, he would be using this as an outlet, meaning all his kills are brutal and gory. (Creative, at times, too. The police will give him that.) There’s just something so comforting about being covered in blood, the warm liquid almost serving as a warm embrace.

For him, there aren’t any better targets than his close friend group. He knows all their darkest secrets, and has no problem using his knowledge to torment them and easily back them into a corner, too panicked to see him coming until it’s too late. These people have always been fake, anyway, and he knows they’ve always looked down on him. Can you really blame him for taking out the trash?

And then, of course, there’s you. You’re not a saint by any means— no, you’ve got your fair share of skeletons in the closet, and each secret you divulge to him because of the trust you foolishly placed in him is sweeter than any death he could imagine giving you. Maybe that’s what draws him to you so much; where everyone else wears a mask, there’s something about you that’s genuine, and it’s a side of you that you’ve entrusted to only him.

So when the killer finally shows up on your doorstep, he’s the one you turn to. As you’re on the phone with the killer, responding to his taunts in an attempt to figure out where exactly he is in your house, you’re texting Aventurine on the side and sending him what you believe is your last goodbye. 

“Do you want to be forgiven?” The disguised voice on the other line croons into your ear. “Do you think you should be?”

You’ve just pressed send on your message when a hand seizes you by the back of the neck and throws you to the ground. The impact of hitting the hardwood floor distracts you from the sound of a phone buzzing nearby. You scramble backward, attempting to get to your feet as you do, but the masked man grabs onto your foot and sinks his knife into your calf, ripping a pained screech from your throat.

He drags you back toward him before settling on top of you, his legs straddling your waist rather suggestively. He sinks his blade into you and drags it across your skin slowly, the scorching pain leaving you writhing and crying out in pain.

He flees once he hears sirens in the distance. The police find you on the floor of your living room with four stab wounds and multiple cuts. Aventurine shows up not long after them, disheveled and worried and flashing the police the text you sent him. They allow him to ride in the ambulance with you, admiring his intent to endanger himself if it meant saving you.

You’re so frazzled that you don’t even notice he showed up at your house way sooner than he should’ve, as though he was already nearby. You just blindly turn to him for comfort, clutching onto him for dear life. It’s cute.

He runs his hands through your hair soothingly, shushing you and gently rubbing your back as you sob into his shoulder. You shouldn’t worry so much, dear. He’s here now, and he’ll make sure no one else lays a finger on you ever again.

You don’t realize your grave mistake until you’re standing in Jade’s basement, her brutalized body at your feet and a metal pipe in your hands. You can defend yourself all you like, but it’s far too easy for the masked killer to evade your swings and land his blade in your shoulder, your stomach, your thigh. All places that won’t kill you, of course.

When you finally collapse to your knees, sobbing hysterically and succumbing to your fate, the killer unexpectedly drops to his knees beside you. He wraps his arms around you and presses his chest to your back, trapping you in his hold. You shudder as he runs his blade along your face and neck, smearing your own blood across your soft skin.

“It’s okay,” he coos, and the familiar voice makes you freeze. “I’m here. I’ve got you.”

The mocking laughter that follows makes your heart drop, and the rest of your hope vanishes.

SUNDAY is definitely involved in some Children of the Corn type of shit. Some supernatural slasher stuff where there’s a cult behind everything, and he’s at the head of it all.

Ena is not a kind god. Countless generations of Oaks have tried various methods of worship and offerings, but none work quite as well as the human sacrifice. This is something Mr. Wood had taught him from a very young age, explaining to Sunday their history as he methodically cut up whichever poor soul had wandered into their humble, hidden town that week.

As head of the Family, he’s exemplary. No one has ever wielded a blade quite like he has, his hand always steady and unflinching. His blessed hands bring prosperity to the land that has never been seen before, Ena’s favor raining down on him and his people. He is as revered as their god at this point, and there is nothing his people would not do for him.

The road trip you make every year to your parent’s house for Thanksgiving was a long one, and a sudden downpour along the way has you rolling to a stop in the nearest town. You plan to just take shelter at a restaurant and grab a bite to eat while you’re there, then fill up on gas and be on your merry way once everything clears up. 

Everyone is so kind, though. The locals in the restaurant make conversation with you, asking about your life and cooing at you once you explain that you’re on your way to visit your family. You spend most of your time talking to the people at the table next to you, a man and his sister, and you get so lost in conversation that you haven’t even realized night has fallen. You pay your bill and are ready to head out when the man stops you.

“You should stay the night at one of the inns,” he advises, a delicate hand placed on your shoulder. “There are still storm clouds, and it could start pouring again at any moment. It would be unfortunate to have to travel through that, especially at night.”

You check the forecast, and to your dismay, he’s right. With his help, you check into a hotel across the street, and you thank him for his assistance before you turn in for the night.

Your peaceful sleep is soon disrupted by a rag being held over your mouth and nose, startling you awake. At this point, you’ve already breathed in the chloroform, and you barely have time to register the formless figures around your bed dressed in shades of white and navy blue before you pass out.

You wake up in an underground cellar, stone walls encasing you in cold nothingness. There are four other people in the room with you, also bound and gagged and staring back at you with wide-eyed terror. There are screams of pain echoing down the stairs from somewhere above you all, the sound of synchronized chanting doing little to mask it.

It’s not difficult to guess what fate awaits you.

Young children dressed in extremely formal clothing bring you all food and water. They’re sweet to you all, terribly so. You’re not sure how long you’re down there, but the time you have left is counted down with each person that is taken out of the room. There are new people brought into the cellar, but once the original four you were with are gone, you know your time has come.

The next time the shapeless people in robes descend the steps, they reach for you. You’re injected with some kind of sedative before you even have the chance to lash out at them, and the blindfold they place over your eyes seems pointless, since you black out, anyways.

When you wake, your arms and legs are bound to some kind of marble slab that you’ve been laid on. You’ve been stripped, and your skin is covered in some kind of oil. It’s cold, and the vulnerability of being exposed just makes your situation all the worse.

Your breath hitches and your pitiful, muffled cries for help stop when you feel something sharp prick your skin. Sunday lightly applies pressure to the knife in his hand, carving beautiful patterns along the surface of your skin. With his free hand, he traces a gloved finger over the beads of blood the blade leaves behind, his touch so devout it’s downright sinful. The sight of you brings him pause, the knife stopping all too suddenly.

It is the first time he has hesitated during a ritual.

Perhaps… you’re not meant to be sacrificed. No, surely something as divine as you is meant for much more than that. Perhaps Ena has lured you here just for him, a reward for his unwavering faith, steady leadership, and all he has done for their people.

“As the highest among us,” Mr. Wood had said the day he named Sunday the new head of the Family, “you have first pick at reaping Ena’s blessings.”

Ena is not a kind god. But perhaps, just this once, they would allow him to be selfish.

[egg-and-wet-toast]

I'm terrified that the upcoming splatfest will end up like Red vs Blue in splatoon 1

[be-queer-do-arson]

Aftg is such a trip because like. The timing is objectively off. It's better that way. It's badly written but actually no it's not. Here's a whole new sport. We lied, its just lacrosse in a silly hat. Trauma galore. By all known laws of book tropes, the main couple should be toxic as hell. They're too cagey and paranoid and possessive not to be. But the main couple, not caring about trope law, creates the healthiest relationship ever written anyways. It's problematic as fuck. It's the best series ever. It's completely unrecommendable. It's gay, but not how you think it'll be in the first book. You'll hate it the first time you read it. Six months later you'll have a whole blog for it.

Aftg isn't a book, it's a fucking experience.

[uncanny-tranny]

Anger is such a normal part of recovery, and I wish it were normalized. I think it is genuinely harmful to depict recovery as this era of your life that only sets you free and makes you euphoric, and there will never again be a cloud in the sky because you have Ultimately Healed.

It's the fucking opposite sometimes. Recovery can feel violent, because the things you are recovering from are often (though not always) violent. It is so common to feel white-hot rage, grief, catharsis, elation, numbness - in essence, a whole host of emotions that aren't pretty, or aren't simple little categories to be neatly boxed and sorted and understood by the "normals."

Those recovering: Your emotions are real, and they aren't bad. You aren't a bad person for how you are processing and healing. You, however, aren't alone. You are doing so fucking well, no matter what it is you are healing from or for. I genuinely hope you can be proud of that.

[feelingtheaster99]

I cannot believe that Lou did not immediately consider Chungledown Bim would be Fabians’s nemesis

[fidelishaereticus]

so, old news obvious news blah blah, but i keep seeing people not getting this about my girl gideon nav so have to say: i think at first blush, people get the impression that Harrow’s got all the convolutions and layers and hidden vulnerability whereas gideon wears her heart on her sleeve and is just brazenly herself (a loveable rowdy himbo) & that’s the contrast. and yes, that’s there, but that’s not all. that dynamic itself is a part of their mutual (codependent) front, and like everything else in this book, it gets peeled back. 

i think the real contrast is that they’ve both got masks, and those masks are complimentary. they’re both kids who never got a childhood. they grew up tortured in the same place from very different angles with no one but each other to butt heads against. they both had to play-act grown up versions of themselves with few models for what a well-adjusted adult even looked like. so it’s cartoonish. gideon is the plucky hero of her own adventure story that will totally have a happy ending some day, far far away from her nemesis whom she’s totally not in love with. harrow meanwhile (to grossly oversimplify) has to imagine herself as someone cruel and cold enough to cope with being alive at the price of 200 other people. these two things fit very well together. gideon can play the hero to harrow’s villain, and harrow can enact cruelty toward gideon to make herself feel strong and mean (and generally just to vent anguish). the way they hate one another is a kind of mutual protection - it re-enforces the self-image that each of them needs to get through the day. but that’s the coping mechanism. harrow the ruthless bones overlord. gideon the hapless swords idiot, who thinks of nothing but tiddies & sweet sweet vengence (harrow’s corpse in various states of disgrace ) all day. and behind that they’re both tearing apart at the seems beneath caricatures of themselves that are deeply unsustainable and neither of them feels safe letting on the extent to which that’s the case. their hearts are a goddamned mess. neither of them is wearing that shit on their sleeve.   so yeah, there’s a lot more to gideon than being a swords himbo but that’s not the wild thing. the wild thing is she’s so convincing that she somehow manages to sell people on her no braincells act while being the pov character of entire first novel.

- 

[greenglowinspooks]

(DCxDP) Drowning in formaldehyde (Prologue)

—

Tw: Danny is having a Certified Bad Time™️, dissociation, vivisection mention, suicidal thoughts (kinda?), basically just heavy angst for now

Will be crossposted to AO3 eventually

Note: you don’t need to read this chapter to understand the rest of the story, it’s mostly just to explore Danny’s headspace when he first escapes the GiW

(Pt. 1)

(Subscription post/masterlist)

—

Danny rocked back and forth, trying to soothe himself as the truck he was in continued to speed along.

It had been an eternity since he was captured by the GiW. He didn’t know why they were moving him to a new base after all this time, but he knew it wasn’t a good thing.

Still, he couldn’t find it in himself to feel afraid.

He couldn’t feel much of anything these days. The GiW had a routine and they stuck to it religiously, and that routine had sucked every bit of Danny’s soul out of him.

Something churned in his chest regardless. Anticipation? Excitement, maybe?

Perhaps they were finally going to let Danny fade. Was that a bad thing? Danny couldn’t decide if it was or not.

He wasn’t scared of fading. It seemed inevitable, especially with how he was treated on the daily. He would stop hurting if he faded.

Still, he’d like to see Jazz and Tucker and Sam at least one more time before he does. That would be nice.

The truck continues forward, unmoved by Danny’s thoughts.

The sound is nice, Danny thinks.

The hum of the engine, the crackling of pebbles being crushed under the tires, the electrical buzz of the anti-ghost handcuffs and shield keeping him trapped.

The only sound Danny’s heard the last few years has been the clatter of metal tools, the crunching of bone, the sawing and thunking and squishing of surgery, the murmur of voices.

It’s nice to hear something new, Danny thinks.

Strange, but nice.

The truck stops again. Another red light, probably. Danny continues rocking back and forth, back and forth, like the ticking of a clock.

Seconds pass. Second after second after second.

Danny hears shouting now.

Gunshots crack outside, and Danny sees holes appear in the side of the truck.

That’s definitely new.

Chaos is erupting outside. There’s a lot of screaming, and frantic footsteps, and cars zooming away.

The driver door slams open and shut. The truck speeds off, tires screaming as the driver swerves erratically.

Danny is thrown back and forth in the back of the truck, bumping up against the many weapons and other miscellaneous inventions stored alongside him. Pain blooms in his head and chest, an agonizing heat lining his surgical wounds. Danny licks his lips underneath his muzzle. It would be nice if the driver was a bit better at their job, he thinks.

The truck continues careening wildly.

Danny counts the seconds.

Second after second after second.

After around two thousand, three hundred and seventy four seconds, the truck comes to a stop. Danny didn’t lose count this time. He’s proud of himself.

The driver door opens and closes yet again. There’s chatter outside, excitement clear in the voices that Danny hears. There’s lots of talk of ��congratulations,” and “lucky that the Bat didn’t follow you here.”

Then, the back of the truck is opened. Danny hears noises of confusion and shock. He turns his head, looking to see what’s happened.

There’s several men at the door of the truck. They’re wearing black tuxedo suits—Sam was right, black really is such a pretty color—and they’re staring at him.

They begin talking among themselves. Something about them not knowing about a kid, and not knowing what to tell the boss. It’s confusing to him. It’s not what he usually hears spoken.

Then, one of them climbs up into the truck. He approaches Danny slowly, speaking in a calm voice. He’s asking Danny if he can stand, he realizes, asking him if he knows why he’s in the truck.

Danny just stares at the silver glint of the gun at the man’s side.

It’s a nice one, he thinks. Semi-automatic, with a few modifications to make the reloads smoother and the gunshots quieter. His fingers twitch. He’d like to poke at it a little, see if he could improve it any.

The man notices where he’s staring and curses. He takes the gun and lowers it to the floor. Danny just continues to stare.

Silver is an ugly color, he thinks. He much prefers black.

Silver is the color of stainless steel, the color of lab and surgical equipment.

He doesn’t like it much.

The man reaches out a hand and grabs Danny’s shoulder, shaking him gently.

After a moment, he sighs, and hoists Danny up, carrying him effortlessly. He hands him to one of the men outside of the truck, hopping down himself a moment later.

They’re warm, Danny realizes.

He curls further into the new man’s arms, closing his eyes. It’s nice, he thinks, being held like this. He hasn’t been held with such care in a long, long time.

The man sets him down on a crate.

After a moment Danny opens his eyes again, watching as the many black-suited people take things out of the truck. He counts the inventions in his head as they do so, beginning to rock again.

Then, a new man enters the room, and everyone freezes.

He’s congratulating them, asking them about their escape, and then he spots Danny.

Danny would very much like to be invisible right about now.

“Where did you get him?” He asks, tapping his umbrella against the floor.

“He was in the truck,” the man who carried him says, “we don’t know why.”

The stout man looks at him closely.

“How did you get into a government weapon shipment? Did someone put you in there?”

Danny nods his head. He tries to speak, but his voice cracks painfully underneath his muzzle.

“You- someone get that thing off his face,” he says. Several of the other men scurry off, probably looking for something that can break the muzzle, “can you speak?”

Danny shrugs. He tries to talk again, but it seems that his voice doesn’t want to cooperate with him. The only sound he can make is a painful, broken wheeze.

“Hey,” the man says, resting a hand on Danny’s shoulder, “if it hurts to talk, stop trying, alright? We’re gonna get that muzzle and those cuffs off, and then we’ll figure out why you were in there. You know how to write?”

Danny nods.

“Good,” the man responds.

“You two, get something to write with,” he barks to a few of the other suited men. They, too, run off.

A few people come up, carrying a bolt cutter and a few other tools with them. They make quick work of the muzzle and handcuffs, the restraints falling to the floor with a clattering sound.

Danny looks down at his hands. They’re shaking. Slowly, slowly, he brings them up to his face. Thin fingers brush up against cracked, dry lips. He’s fascinated by the sensation.

Someone brought him a mirror, he realizes.

That can’t be right, though. The person looking back at him…isn’t him. That isn’t Danny.

That face is not his face.

Their cheeks are far too thin and sunken, their eyes dull and haunting. They’re far too old as well, they look like a young adult.

Still, they move when he moves. They stare at him with a look of fascinated horror that’s far too familiar.

He brings his hand up to his head, and they follow his movements. He trails his fingers over the stitches in his head, and they do the same.

Danny tries to speak, but is cut off by a painful cough.

One of the men brings up a pencil and notepad. Slowly, shakily, Danny writes down a question.

“What year is it?”

The man who had spoken to him earlier quirked his eyebrow up. He answers, and Danny freezes in place.

“What’s wrong?”

Danny looks down at his hands again. He looks into the mirror. The stranger staring back looks horrified. They look sad. They look…like him.

Danny lets out a mournful keening sound. He curls up into himself, covering his face with his arms. Distantly, he’s aware of someone rubbing circles into his back. He cries harder, his entire body shaking.

Three years.

It’s been three years since he was captured, three years of being cut open and sewn back together. Three years of burns and cuts and chemical damage and electrical shocks.

Three years of torture.

Danny sobs, hands gripping the thin fabric of his medical gown like a lifeline. Three years.

Danny’s being lifted up again. He wraps his arms around the person holding him and wails into their shoulder. Everything is quiet.

“I’ll deal with the kid,” the man holding him says, “the rest of you, finish unpacking the truck and dump it somewhere that the Bat won’t connect to me.”

The man brings Danny through the building, still rubbing his back comfortingly. He’s humming some song that Danny doesn’t recognize, occasionally pausing to bark orders at people.

Danny’s beginning to calm down now. He’s still shaking, but his breathing is beginning to even out.

It’s been a long time since he’s felt alive enough to cry.

He feels exhausted.

Danny tries to hold onto consciousness for as long as possible, but he’s so tired, and so sad, and he’s being held, and he’s warm, and…

Danny’s eyes flutter shut.

—