#telugu literature

[thozhar]

“What about ordinary and poor Muslims like me? We never had any jagir or any piece of land or even enough bread to survive the day. I know hundreds and thousands of Muslim families living in utter poverty. The ashraf and nawabi families – both from Muslims and Hindus as well – never cared for our daily basic needs of food, water, or housing.”

Jeelani Bano and Dasarathi Rangacharya also brought out the contradictions apparent throughout pre-1948 Hyderabad. Bano’s novel Aiwan-e-Ghazal features a set of Muslim women characters from various strata of Asaf Jahi Hyderabad navigating both the zenana of the patriarchal nobility and the forests that served as the battlefields against the princely state’s rural gentry.

Nizam-ruled Hyderabad was a dominion where the feudal oppression of women and the exploitation of lower castes were woven within its pluralistic fabric.

— Hyderabad 1948: Literature Tells Better Stories Than WhatsApp University

[nagakoushik6]

What is it to read an inconsistent man's mind...

Asamardhuni jeeva yatra

Hii all,,

Yes,as this is gonna be my first Blog u might not find anything or something useful in this read,which I can't help tho.And also ignore as many errors u could .I wanted to start personal Blogging coz I need something to let me say whatever I'm shit thinking and to find my niche which probably I can't find in this galaxy..

So, this will be regarding my recent read `Asamardhuni Jeeeva yatra` written by Gopichand. I have started reading some books lately not a good number, but yes. I came to know this from an insta page saying this book can haunt you.

As I would love to know new genres,this is the first telugu psychological novel. Which means most of the story happens in the mind of the protagonist.

As after knowing about the book,I ordered it the next day as I have never read a proper telugu novel yet.

At the start of the book,Sitaramrao's father on his deathbed,asks his son to maintain the family's honour as passes away.He easily believes everyone around him initially and goes nuts,loses his job and wealth. And also who is curious about to know everything and does nothing about it because anything curated him . As the saying A idel mind is a Devil's workshop, he starts to overthink and can't control his doings.

as he perceives the social life,community and international affairs falsely,he fails as a person and becomes A well knowledgeable idiot.

And this book really made me think like his consciousness and in the meantime I was also digging wikipedia for some other info. which I do whenever I get interested over some other thing(probably will cover this in next blog,if think to write about it).And made me something which is not me usually and also had an argument at home.And they really thought I having stress over balancing over work and career lately and advised to take care of my mental stress by meditation.

And in this read I have noted following which I really made me entertain for knowing these: All these things will be discussed to Sittharam rao by Ramayya in the story..

* About how we humans are evolving over a period of time. (Pashu dasha, Aadhathmika dasha and Bhothika dhasha). Society does contain all three kinds of people and habitat together and developing over with cultures, theories(siddantham) and philosophies we have.

*We can't say old theories are wrong, but we are learning through experiences.

*And we cannot control over the thinking abilities and capabilities of various societies, nature and not even ourselves. We can't control over what we should be thinking...

*Life has come into existence for no purpose as even nature. But we mistakenly come with the thinking ability. Nature has not set an inspiration to achieve, but we do live with it.

If u are till here, you should comment something upon this so called blog for me..

[mplanetleaf]

చతుర్నేత్రుడు Part 44 Chaturnetrudu Folklore Novel శంభూకుడు

[reyitsukka]

Telugu, using “తాను/తను” (tānu/tanu), a gender-neutral pronoun in literature and music is my Vijayanagara empire !

[desigrrrl]

List of Telugu learning Resources

Writing

Script: about, history and development, impact of writing tools in its evolution

Alphabet: multibhashi, wikipedia, wikibooks, edzym

Reading

Textbook: intensive course (archive.org), ncert school books, ap scert school books, ts scert school books, hindi-telugu praimaru, grammar (written in telugu)

Prose: kids’ stories, stories, collected manuscripts, parikini, soundaryalahari, barrister parvateesam, history, translated quran,

Poetry: kinnerasani patalu, movie songs book, maha prasthanam, tyagaraja kirtanalu

Blog/Misc: chandamama kathalu magazine, kavithalu, saaranga magazine, hasam magazine, bharati magazine, swathi weekly, sakshi news

Dictionaries: andhrabharati, tel-eng by sankaranarayana, eng-tel by venkatacharyulu, tel-eng by percival, tel-sans, hin-tel.

Vocabulary

MyLanguages

MeaningInHindi

1000MostCommonWords

proverbs: sametalu (written in telugu)

Grammar

malik’s absolutely goated guide

praveen ragi

vakyam (written in telugu)

Apps

Mango

Multibhashi (android)

HelloTalk

Dasubhashitam (android)

Learn Spoken Telugu From English (android)

Websites

Languages Home

Goethe-Verlag

LearningTelugu

Learn 101

Desi Bantu

YouTube - Native

Telugu teachers: telugu vanam, teach me telugu, pr learning hub,

Beginner level/Kids content: koo koo tv, jum jum tv, paa paa tv, horror planet

General: permit room, sumakka, chai bisket, naa anveshana, my vilage show, ragadi, chitra alochana, thyview, mahathalli, vikramaditya, yevarra meerantha, aye jude, dhethadi, chari not sorry

YouTube - Learners

Mexico: Christina

USA: Kari, Isaac Richards, Manasa (Danya), Omar Crockett

Italy: Franchesca /Telugutalian

Denmark: BigAReact

Poland: Zbigsbujji Chetlur

Sweden: Karl Svanberg

Online Keyboards

lexilogos

typingbaba

branah

gate2home

[chakori]

[aadabhyderabad]

Reading Bliss: 3 Must-Read Telugu Novels of the Year

Telugu literature has a rich tradition of storytelling, and every year, new novels continue to captivate readers with their compelling narratives and profound themes. Here are three must-read Telugu novels of the year, offering readers a glimpse into the diverse and vibrant literary landscape of the Telugu language.

1. "Pellama, Podham" by Rachakonda Viswanatha Sastry: 

"Pellama, Podham" is a heartwarming family drama that delves into the intricacies of familial relationships. Written by the celebrated Telugu author Rachakonda Viswanatha Sastry, the novel paints a vivid picture of the ups and downs of life within a joint family, where love, conflicts, and emotions entwine. The story explores the journey of a newlywed bride as she navigates her role in the family and her quest to create her own space while preserving the traditions of the household. This novel is a beautiful portrayal of the cultural nuances and dynamics of Telugu families.

2. "Vennela Vekkali" by Mullapudi Venkata Ramana: 

Mullapudi Venkata Ramana, a revered figure in Telugu literature, is known for his insightful storytelling. "Vennela Vekkali" is a poignant exploration of the human experience and the intricacies of love and longing. The novel weaves a narrative that captures the essence of life's joys and sorrows through the eyes of the protagonist. It is a beautifully crafted tale that offers readers a deep, emotional journey.

3. "Kurukshetram" by Jai Simha: 

"Kurukshetram" is a historical fiction novel that transports readers to the epic battle of Kurukshetra, as depicted in the Mahabharata. Jai Simha, the author, skillfully reimagines this ancient tale, providing fresh insights into the characters, events, and moral dilemmas of the epic. The novel's meticulous research and vivid storytelling make it a captivating read for those interested in history, mythology, and timeless narratives. Visit our website to learn more about the Latest Literature News in Telugu!

[hindulivesmatter]

I'm from the USA and took a lot of Indian history courses at my university. You might already know this or have guessed it, but a lot of what we learned was taught from a leftist--and at times explicitly Marxist--perspective. This was even stronger in other (but thankfully not all!) social studies departments where there were classes focusing solely on various social ills of Hinduism with regard to caste and issues of feminism, yet almost nothing negative could be said if it might be critical of Islam or Muslim figures, (Mahmud of Ghazni being a notable exception for one of my professors.) There was a whole class on British colonialism; no details were spared. Horrible famines in the Deccan, Odisha, Bengal. The decimation of the textile industry. Banning bharatanatyam. The salt tax. Accounts of how a British man kicked one of his servants to death, and another of how the poor and sick congregated outside the gates of a hospital in the south that at the time would only help Europeans. Jallianwala Bagh. But Aurangzeb? Completely whitewashed. You would think Sikhs carry a kirpan for no reason. It was only through reading additional books and documents for my essays and projects that I learned about how he tore down temples, smashed murtis (and stole valuable ones,) levied a double tax on non-Muslims, etc. I remember reading an account of a traveler going through the south at the time of the Deccan wars, remarking on how you could find entire villages empty and deserted fields full of unharvested crops because the people had fled advancing armies. In one region his forces simply killed some Telugu-speaking Brahmins serving the local king rather than force them to convert, and in another his forces captured a royal scribe, forced him to convert to Islam, and forcibly circumcized him before the man killed himself. Obviously the history of all things under the umbrella of Hinduism or any other system is not perfect, but there was a huge difference in how critical you could be of Hinduism (and even western traditions/ideas) compared to Islam.

Sometimes I daydream about what it would have been like to study Sangam literature in India or to experience Andal without needing an English translation, or going to translate old Sanskrit copies of the Mahabharata whose telling is unique to a certain village or something. But ultimately I'm glad I chose to be a research scientist instead and have a career in that, because I don't think I would have been able to succeed in academia unless I were a leftist. :\ Honestly I feel like even going to hang out with ISKCON for a few days would be a better introduction to Hinduism for the average person abroad with zero knowledge than a class called "Intersections of Gender and Caste in Hinduism" or something.

Very telling how Hinduism, and even Christianity is ripped apart in academia, yet when it comes to Islam, it is a religion of "tolerance, and beauty that respects women."

Honestly, though, it's because of how severely they react when their religion is criticized or even inspected. Apostates are given death, women who do not obey are given death, anyone who utters a word against their precious prophets is given, you guessed it! Death.

No religion is perfect, humans can be horrific creatures, and even Hinduism cannot escape that. But Islam has committed far more war crimes than any other religion.

It absolutely boils my blood to see traces of colonizers in our cities. One side of my family hails from Aurangabad, named aftre Aurangzeb, and you already know the atrocities he committed.

It's so fucking insidious to see how the youth have been told what to think. My own friend claimed to me, verbatim: "You cannot be neutral in the Israel-Palestine war. Either you support Palestine, or you support genocide."

Support Hamas? Support terrorism? The same terrorism that affects us? Has everyone forgotten 26/11?

It makes me so sad to think of the future we could have had. Sanskrit would be the most spoken language, instead of English. Gurukuls would exist, and India would still have all of its wealth.

You're right, even ISKCON is better than the propaganda they feed people about our religion.

[kingmabry]

G.V. SUBBARAMAYYA,

part 2

My first pilgrimage to Sri Ramanasramam was on 8th June 1933. From Kanchipuram, where I had accompanied my mother to attend a function, I travelled alone to Tiruvannamalai. I was at that time in great sorrow, having suffered my first bereavement the previous December when my two-year-old son died from what the doctors could only describe as heart failure.

For over two years I had been reading the works of Sri Bhagavan and other ashram literature. My main interest had been literary rather than philosophical. I had been struck with wonder at the style of the Telugu Upadesa Saram that, in its simplicity, felicity and classic finish, equaled that of the greatest Telugu poet Tikkana. I had felt convinced that a Tamilian who could compose such Telugu verse must be divinely inspired. I wanted very much to see him. However, in view of my recent bereavement, my immediate quest at that time was for peace and solace.

I had my first darshan of Sri Bhagavan on the morning of my arrival. As our eyes met, there was a miraculous effect upon my mind. I felt as if I had plunged into a pool of peace. With closed eyes, I sat in a state of ecstasy for nearly an hour. When I came back to normal consciousness, I found someone spraying the hall to keep off insects, and Sri Bhagavan mildly objecting with a silent shake of his head.

Sri Bhagavan was speaking to someone. Since he seemed to be in a mood to talk, I boldly asked him my first question: The Bhagavad Gita says that mortals cast off their worn-out bodies and acquire new bodies just as one casts away worn-out clothes and wears new garments. How does this apply to the death of infants whose bodies are new and fresh?'

Sri Bhagavan promptly replied, 'How do you know that the body of the dead child is not worn out? It may not be apparent, but unless it is worn out, it will not die. That is the law of nature.'

This was the extent of my interaction with Sri Bhagavan on this first visit. Immediately after lunch, I left the ashram without even taking leave of Sri Bhagavan. I came and went incognito as an utter stranger.

As I write these words more than twenty years after this first meeting, I still feel the glow of joy that was revealed to me in that first darshan. But to capture the untrammeled exhilaration of that meeting and the transforming effect it had on my life, I have to go back to an ecstatic poem I wrote not long afterwards:

Eureka! I've found it! I've found it!

the missing link of this well-knit chain,

the keystone of this unending arch,

the correct solution of this cross-world's puzzle,

the only way out of this vicious circle, the pass to heaven's banquet,

the patent for immortality,

the armor against fate,

the death destroyer.

I've found it! I've found it!

the meeting point of matter and spirit,

the spell of beauty, the enchantment of love,

the magic touch that makes all beings one,

the fountainhead of joy,

the true philosopher's stone,

the secret of secrets,

the grand mystery,

I've found it! I've found it! Eureka!

- The Power of the Presence, III

[bcrgamvts]

INTRODUCING ... DANIKA CHAKRAVARTHY

FULL  NAME:  danika  chakravarthy

NICKNAMES:  dani

BIRTHDAY:  january  18,  1992

AGE:  thirty2

PRONOUNS:  she/her/hers

SEXUALITY:  bisexual  /  biromantic

OCCUPATION:  ghost  writer  /  video  game  concept  artist

HEIGHT:  5’9”

EYE  COLOR:  dark  brown

HAIR  COLOR:  black

BIRTHPLACE:  upper  west  side,  manhattan,  new  york  city

CURRENTLY  LIVES:  cardinal  hill

SPOKEN  LANGUAGES:  english,  telugu,  hindi,  &  spanish

FACECLAIM:  sobhita  dhulipala

BIOGRAPHY

danika  was  born  into  a  family  invested  in  literature  —  her  father  a  longstanding  editor  for  random  house  before  its  big  merger  with  penguin  in  2013,  while  her  mother  is  a  beloved  gothic  and  victorian  literature  professor  at  columbia  university.  it  became  less  a  matter  if  danika  and  her  siblings  would  enjoy  reading  as  a  hobby,  but  when.  especially  since  books  were  oftentimes  scattered  around  the  brownstone  townhouse  the  bustling  family  lived  in,  from  the  novels  being  discussed  in  her  mother’s  courses,  to  the  manuscripts  in  her  father’s  office  that  danika  would  more  often  than  not  sneak  into  to  read.

creativity  was  embraced  in  the  chakravarthy  household,  but  not  to  an  extent  that  should  danika  or  her  siblings  find  more  academic  holding  in  stem  that  it  should  deter  them.  danika  herself  would  discover  her  dual  love  for  art  and  writing  at  an  early  age,  oftentimes  drawing  illustrations  to  work  alongside  the  short  stories  she  would  write.  she  remembers  the  encouragement  of  her  parents,  even  going  to  show  her  how  her  passion  for  her  two  skills  can  be  applied  to  many  creative  forms  whether  that  be  children’s  books,  comics,  or  even  graphic  novels.  to  danika,  her  artistic  ability  shined  brighter  than  her  storytelling  abilities.  for  this  reason  she  would  sharpen  her  focus  on  her  drawing  skills,  practicing  enough  and  enrolling  in  extracurricular  classes  that  would  allow  her  to  hone  in  on  her  craft.  her  parents’  income  allowed  for  danika  to  be  tutored  privately,  keeping  her  grades  up  across  the  board  so  she  could  later  on  apply  to  the  rhode  island  school  of  design  for  drawing.

high  school  fades  into  college  where  danika  does  go  on  to  pursue  an  illustration  degree  from  rhode  island  school.  during  this  time  she  still  writes,  dabbles  in  her  journal  with  short  stories  and  ideas  for  potential  future  writings,  but  that’s  all  she  ever  really  views  it  —  dabbling.  for  as  much  as  danika  would  like  to  write  her  own  book  and  have  a  finished  manuscript,  like  the  ones  that  look  at  home  on  her  father’s  desk  in  his  office,  danika  struggles  putting  the  pieces  together  to  form  a  full  and  cohesive  narrative.  or  so  she  tells  herself.  it’s  with  that  in  mind  that  she  decides  her  future  holds  best  a  career  that  showcases  her  art.  her  undergraduate  years  are  filled  with  hard  work  and  fun,  before  danika  is  walking  across  the  stage  with  her  degree  in  hand.

danika  takes  up  odd  jobs  here  and  there  in  the  first  three  years  post  college  when  she  moves  back  home  to  manhattan,  not  quite  feeling  fulfilled  at  what  she’s  doing  with  her  art  when  she  knows  she’s  capable  of  so  much  more.  it’s  on  a  whim  that  danika  decides  to  apply  at  a  video  game  company  for  their  open  concept  artist  position  despite  not  being  much  of  a  video  game  person  herself.  her  flair  for  details  between  conceptual  character  art  and  landscapes  is  what  earns  her  the  job  and  as  she  settles  in,  danika  comes  to  realize  that  she’s  found  her  place.

as  the  years  progress  and  danika  enters  her  late  twenties,  she  meets  her  partner  where  the  two  would  eventually  go  on  to  become  engaged.  danika  settles  into  her  career  with  a  promotion  and  pay  raise  before  slowly  dipping  her  toes  back  into  writing.  she  may  have  stopped  writing  in  her  journal  as  much,  but  it’s  with  the  insistence  of  her  father  that  she  doesn’t  bury  her  voice  and  somehow  finds  herself  in  the  side  gig  of  a  ghost  writer.  her  parents  both  think  danika  is  more  than  capable  of  fully  devoting  herself  to  writing  her  own  book  and  it  being  successful  on  its  own  merit,  but  for  now,  danika  is  happy  to  write  out  the  inner  machinations  of  someone  else's  mind.  danika  pushes  her  own  self  doubts  regarding  her  creativity  to  the  side  and  enjoys  the  budding  collection  on  her  bookshelf  of  books  she’s  technically  written,  but  have  the  name  of  someone  else.  the  books  act  as  a  physical  reminder  that  her  writing  is  good  enough  to  be  published  even  if  she  hasn’t  ever  taken  the  plunge  with  her  own  ideas.  danika  is  content  with  where  she  is  in  both  her  art  career  and  her  writing  pursuits.

in  terms  of  her  romantic  life,  danika  wishes  she  was  as  thriving  as  she  is  in  her  career.  she  and  her  partner  were  together  for  five  years  and  engaged  for  a  year  and  a  half  when  things  began  to  get  rocky.  her  partner  suggested  moving  to  their  hometown  of  blue  harbor,  illinois  due  to  their  new  job  offer  in  chicago.  both  believed  a  change  of  scenery  and  pace  was  what  their  relationship  needed.  fast  forward  eight  months  and  the  two  come  to  the  mutual  decision  to  end  their  relationship.  each  claim  a  differing  reason  as  to  why  they  grew  apart,  but  the  only  agreeable  bit  of  information  is  that  the  two  are  stuck  together  in  their  lease  for  another  few  months  since  whoever  breaks  it  is  responsible  to  their  share  of  rent  until  the  other  is  able  to  find  a  secondary  roommate  to  takeover,  or  pay  until  the  end  of  the  lease.  as  it’s  a  fairly  pricey  apartment,  neither  want  to  be  the  one  to  waste  their  money.

never  one  to  retreat  with  her  tail  between  her  legs,  danika  keeps  her  complaints  to  the  confines  of  her  family  and  is  sticking  it  out  in  hopes  of  moving  onto  the  next  chapter  of  her  life  soon.  sharing  an  apartment  with  your  now  ex  is  less  than  desirable,  but  danika  is  hoping  that  it  at  least  builds  character.  now  she’s  stuck  in  the  town  of  her  ex  and  his  family,  wishing  she  was  back  in  manhattan  but  also  slowly  growing  to  enjoy  blue  harbor.  to  her,  it  feels  almost  like  a  betrayal  with  how  her  life  flipped  since  arriving  and  she  tells  herself  once  her  lease  comes  due  in  four  months  that  her  bags  will  be  packed  once  again  for  new  york.

[reyitsukka]

In Telugu, intimacy can be expressed by saying “నిన్ను కంటికి రెప్పలా చూసుకుంటాను/ninnu kaṇṭiki reppalā cūsukuṇṭānu” meaning “I will look after you like my own eyelids look after my eye”

Because… to love, is to cherish. To cherish, is to protect.

[desigrrrl]

— Sarojini Naidu, Humayun To Zobeida (From the Urdu)

[mohit34434543]

culture of India

India, often referred to as the land of diversity, is a cultural kaleidoscope that has fascinated and enchanted people from across the globe for centuries. Its rich heritage, traditions, languages, art forms, and cuisines reflect a civilization that has evolved over millennia, leaving an indelible mark on the world. In this blog, we embark on a journey to unravel the multifaceted culture ,culture of India delving into its historical roots, religious practices, artistic expressions, and modern-day manifestations.

Historical Background:

The cultural history of India can be traced back to ancient times, with evidence of human habitation dating back to the Stone Age. The subcontinent has witnessed the rise and fall of numerous civilizations, including the Indus Valley Civilization, which flourished around 3300 BCE. Subsequent waves of migration and settlement by various ethnic groups, including Aryans, Dravidians, Greeks, Persians, and Mongols, contributed to the diversity of India's cultural landscape.

Religious Diversity:

India is the birthplace of major religions such as Hinduism, Buddhism, Jainism, and Sikhism, and has also been a melting pot of diverse faiths, including Islam, Christianity, Judaism, and Zoroastrianism. The religious tolerance and syncretism prevalent in India have resulted in a vibrant tapestry of rituals, festivals, and spiritual practices that coexist harmoniously. From the grand celebrations of Diwali and Eid to the solemnity of Buddhist retreats and Sikh gurdwaras, religion permeates every aspect of Indian life, shaping its customs, beliefs, and social structures.

Art and Architecture:

Indian art and architecture are renowned for their intricacy, symbolism, and spiritual significance. The ancient rock-cut temples of Ajanta and Ellora, the majestic forts and palaces of Rajasthan, and the exquisite carvings of temples in Khajuraho are testaments to India's rich architectural heritage. The country's artistic traditions encompass a wide array of mediums, including painting, sculpture, pottery, textiles, and performing arts such as dance, music, and theater. Classical dance forms like Bharatanatyam, Kathak, Odissi, and Kuchipudi, with their roots in mythology and spirituality, continue to captivate audiences worldwide with their grace and elegance.

Cuisien:

Indian cuisine is as diverse as its culture, with each region boasting its own unique flavors, ingredients, and cooking techniques. From the fiery curries of the south to the aromatic biryanis of the north, Indian food is a gastronomic delight that tantalizes the taste buds with its rich spices and bold flavors. Staples like rice, wheat, lentils, and vegetables form the foundation of Indian meals, which are often accompanied by chutneys, pickles, and dairy products like yogurt and paneer. Street food is also a ubiquitous part of Indian culinary

culture, offering a tantalizing array of snacks and sweets that cater to every palate.

Literature and Language:

India has a rich literary tradition dating back thousands of years, with ancient texts like the Vedas, Upanishads, and epics like the Ramayana and Mahabharata shaping the cultural consciousness of the nation. Sanskrit, the classical language of ancient India, has been the vehicle for some of the world's most profound philosophical and literary works. Over the centuries, regional languages like Tamil, Telugu, Kannada, Bengali, Marathi, Gujarati, and Punjabi have flourished, producing a wealth of literature in poetry, prose, and drama. The Indian diaspora has also made significant contributions to world literature, with writers like Salman Rushdie, Arundhati Roy, and Jhumpa Lahiri garnering international acclaim for their works.

Modern Cultural Expressions:

While India's cultural heritage is deeply rooted in tradition and history, it is also a dynamic and evolving entity that continues to adapt and innovate in response to changing times. The advent of globalization, urbanization, and technology has ushered in new forms of cultural expression, from Bollywood films and indie music to contemporary art and fashion. Social media platforms like Instagram and YouTube have provided a platform for young Indian artists, musicians, and influencers to showcase their talents and connect with audiences around the world. Despite the challenges of modernization, India remains proud of its cultural heritage, embracing both tradition and innovation in equal measure.

Conclusion: India's cultural tapestry is a testament to the resilience, creativity, and diversity of its people. Across the length and breadth of the subcontinent, from the snow-capped Himalayas to the sun-drenched beaches of Kerala, the spirit of India's cultural heritage continues to thrive, enriching the lives of millions and inspiring generations to come. As we celebrate the vibrant mosaic of traditions, languages, and customs that make up the fabric of Indian society, let us also recognize the importance of preserving and safeguarding this invaluable legacy for future generations to cherish and embrace.

[akhzi]

THE SUBALTERN VOICES OF INDIA

Many of us ,truly are convinced that we have completely secured a hold on the ferocious atrocities and centuries longing discrimination against the Dalit community, but the truth is ,the Dalit community were ostracized and are being ostracized till date. Most of us aren’t even made aware of the atrocities which took place years back. During the phase of pre independent India , though there were formidable and meticulous pieces of literature , most of them were written by non Dalit authors. It was only during the nationalist movement that we’ve witnessed some authentic Dalit works. When India was getting close of being liberated after its prolonged period under colonial rule, some of the greatest ever Dalit works were produced in India, for our Telugu speaking states , the infamous “Gurram Joshua” with his outstanding work ”Gabillam” , and throughout the whole Dravidian territories we had the much more celebrated author and leader “EV Ramaswamy Periyar”. People don’t realize Ramaswamy’s influence and power in upholding the rights of Dalits .A man who passed away almost 40 years back , yet his ideas are evidently subsisting among the Tamil population who refuse to vote for Hindutva positioned parties , all because the Periyar movement is still instilled in their living. Most of the dalit literature focuses on the way we think even right now, which is problematic but also extremely normalized. In the book “KARUKKU”, bamma talks opposing the present belief of how one shouldn’t look down on the physical labour, she also talks about this physical labour slowly turning into incessant labour for the Dalit communities as their access to other lots of work gets occluded. Babytai, in her book “ the prisons we broke” recollects an unnerving tale of how Mahar women were forced to carry the feces of newly wed Brahmin women as Hindu custom required the Brahmin women not to leave the house even for the purposes of defecation during this period to ward off evils and because of the Hindu custom being averse to the idea of building toilets inside homes for the purposes of sanctity and purity of the household. It is deplorable and despicable for India , for sheltering this practise this long. Though the Sc and St atrocities act was enacted in 1989, the viciously planned Tsundur massacre which took place in 1991 is an utter disgrace to the state and also exposes the lack of concern for efficiently shielding the vulnerable communities. We do see and think India is well progressed to have a Dalit woman as its president but the constant fear of Dalit communities in competing with the upper caste groups at the grass root levels still remain unheeded.