#tells them about her brother
Explore tagged Tumblr posts
marypsue · 1 year ago
Text
Keep seeing that post where OP starts like 'Thinking about...grieving the undead' and then adds on about like. Real life situations where people have not died but have left your life and you would have reason to grieve them.
All respect, that's an important concept, but that is not what I am thinking about when I read 'grieving the undead'.
54K notes · View notes
cassandracain52 · 6 months ago
Text
Reverse trope
where instead of the Bats forgetting that they’re adopted (something actual adoptees do on occasion and is hilarious) they forget that some of them *cough Damian cough* aren’t
_______
Jason in the heat of a probably ridiculous argument: Yeah well YOU’RE adopted!
Tim just as invested in said argument: So are YOU! We all are!
Damian who had previously been quietly watching this unfold while he drank his tea: Actually I’m not
Tim and Jason who didn’t realize he was there but are already DoneTM: …… Damian continuing to sip his tea entirely unbothered: :)
Damian: Because I’m not an orphan-
Jason: ok, yoU KNOW WHAT-
____
or like in their group texts (that we know they have thanks to Nightwing (2016) #79)
*Steph changed the group chat name to “Bruce Wayne’s Personal Orpanage”*
Jason: Really?
Steph: ¯\_(ツ)_/¯
Steph: It’s the truth Damian: Both my parents are very much alive
Steph: Shhh you don’t count
Cass: Mine too Duke: Technically so are mine
Barbara: I still have a dad so there’s that
Steph: YOU GUYS ARE RUINING THE JOKE
Tim: Stephanie aren’t BOTH of your parents alive???
Steph: KNOW WHAT? FINE
*Steph changed the group chat name to “The Technicality Police”*
Tim: well that’s more accurate at least
Steph: :)
_____
Damian in his 10th argument with Tim of the day: That’s- this is-
Tim in full Antagonizing Big Brother mode: I’m listening
Damian -a Gen Z and best friend to Jon Kent- extremely frustrated: This is such Motherless behavior!
Tim taken aback: [voice cracking] W-what-?
Damian who didn’t mean to say that but doubling down anyway because his bloodline doesn’t believe in admitting mistakes: THIS! This is such Motherless behavior!
The rest of the family who is also motherless: :O
Cass whose been spending way too much time with Meme Queen Stephanie Brown and not involved in the argument but finding it entertaining regardless: [nodding along seriously] Facts
Tim: [visibly betrayed] CASS WHAT-
A video copy of the interaction gets sent out anonymously to the entire family. Barbara is the prime suspect but there is no proof as of yet (and they will never find any)
Steph, Cass, and Duke continue to respond “Motherless behavior” everytime one of the bats does something they deem questionable/insane. It is said often
It only stops when one night in the middle of patrol. Batman is in full Dark Knight mode (possibly in the middle of threatening someone) and descends from the ceiling into the middle of a warehouse drug deal, dark cape billowing out behind him-
and Steph just automatically whispers “Motherless behavior” forgetting her com was still very much on
She immediately realizes what she said and frantically apologizes but it’s too late.
Bruce just- Blue Screens. Completely stunned into silence
Dick -who was unfortunate enough to be the one teamed up with Batman tonight- is fighting for his life to choke back his laughter
Jason doesn’t even try to stop his and has collapsed to his knees from lack of air from how hard he’s laughing. Cass try’s half heartedly patting his back to help to no avail
The criminals are terrified into surrender from The Red Hood just laughing hysterically at seemingly nothing while Batman just Stands There
Damian ends up being the only one still functioning enough to continue arresting everyone, though he is privately amused and strangely proud
Tim and Barbara have saved both the com recordings and cowl footage to at least three different servers and sent it to absolutely everyone before Batman even recovers
Duke finds out second hand the next morning and is furious he missed the chance to see it in person. He declares he is moving to the nightshift so it doesn’t happen again. (He is all talk and goes to bed by 9 pm)
Bruce bans the phrase for life and promises swift and server punishment to anyone who dares to use it again
1K notes · View notes
clairenatural · 1 year ago
Text
okay but you see sam has ALSO fallen for dean's act. sam also believes dean to be the macho, daddy's soldier, beer boobs cars guy he presents himself as. this is why sam makes fun of dean whenever he even lightly steps out of that mold and thinks it's harmless banter instead of attacking an insecurity. it's why he laughs when john talks down to dean in the early seasons and it's why he seems surprised when dean is more comfortable with himself in the later seasons. it's why he just scoffs but doesn't push it when dean puts up a front and refuses to talk about his emotions and just accepts whatever excuse he makes at face value. it's why he offers dean a strip club to make him feel better when cas dies. and this isn't his fault!! dean has spent a very long time perfecting this image in front of everyone and ESPECIALLY to sam because along with it comes safety and security and stability and the only person. who has consistently been able to see through it. is castiel
2K notes · View notes
bumblydumbly · 3 months ago
Text
i think that if kabru saw that “laios meeting falin for the first time” strip he’d be sobbing uncontrollably
378 notes · View notes
puppetmaster13u · 8 months ago
Text
Prompt 245
Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 
Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 
And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 
So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 
And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 
1K notes · View notes
turtleblogatlast · 11 months ago
Text
Big Mama must have lost some serious standing in the yokai underworld because it’s gotten apparent that she keeps being beaten by a small group of teenagers and the occasional rat man, and when it’s not them then she’s taking L’s from her own schemes working against her.
And in the ensuing power vacuum, the Hamatos accidentally become the most feared crime family known to all the big bads of the Hidden City.
After all, they’ve publicly outplayed Big Mama multiple times, a couple of them have taken out the heads of two of the most well known criminal organizations, one took out Heinous Green, two are responsible for the destruction of Witch Town, they have ties to both the infamous Baron Draxum and Captain Piel, they won the Doom Dome death race, they’re Battle Nexus Champions, they’ve displayed insane feats of power and defeated impossibly strong enemies, most of them have been to jail, and they regularly mingle with humans.
You can just imagine the notoriety they’d accumulate from word of mouth alone.
764 notes · View notes
racke7 · 3 months ago
Text
De-aged and injured Danny
Danny is found out by his parents. They don't take it well.
Clockwork is very upset about this, because he'd gambled on almost-certain odds of them being chill about it. So now he has to run damage-control before this very unlikely time-line goes even further off the deep end.
Unfortunately, Danny needs to be in the living world, not the Infinite Realms. Which means that Clockwork needs to put Danny somewhere safe. Somewhere where nobody will find him.
And double-unfortunately, the only place that remotely fits this bill is to contact Lady Gotham.
City-spirits aren't... super-reliable. They're Neverborns who very very rarely consider "humanoid shapes" worth figuring out. So they just kind of... exist. An ectoplasmic presence that's undeniable, but also extremely difficult to have a conversation with.
Thankfully, Lady Gotham is (for all of her... quirks) generally very hero-aligned. Which is why she's the best one to ask for sanctuary for Danny.
Danny who Clockwork de-aged as a way to "limit his injuries" of being vivisected.
Lady Gotham agrees, but she only has one "safe place" to put him. And her Knight is a little bit too paranoid for her to just dump an injured child in his lair, without causing more trouble than it's worth.
But it's hardly a difficult thing, to arrange a few things, and place Danny in a spot where his injuries will cause her Knight to hurry to his aid.
Such as... in a room filled with medical equipment, right next door to where Joker has just lost a fight with Batman.
Things escalate somewhat when Batman finds him and makes some assumptions about what Joker has been up to. Tempers run a bit high, someone loses a few extra teeth, someone else has to physically drag Bruce off Joker's body before he beats him to death, and the Joker considers the whole thing a grand old laugh (he has no idea what's going on, but it sure pissed off Batty, and that's always a treat).
Of course, the Batfam has to actually investigate the scene, evacuate Danny, give Danny medical aid, and then also ask Danny about what happened.
Danny wakes up and is very confused about a lot of things.
He's no longer being vivisected. Great. Love that part.
He's somewhere he doesn't recognize (the Batcave). Could be good, could be bad. At least the bed is pretty nice?
He's very small. This feels like a personal attack. He might not have gotten a good growth-spurt yet, but taking away what he had is cruel and unusual.
And there's a weirdo in an... armored bat-costume? Who isn't setting off his ghost-sense? What the hell kind of "normal" person wears something like that?
Still, Danny does answer the questions that Batman asks him, because... well, there's a green post-it-note in his pocket that says he shouldn't lie.
So Danny tells Batman about his parents cutting him up "for science". And Batman hears that the Joker somehow managed to hire two mad scientists who (upon the tiniest bit of suggestion from the Joker, who'd definitely seen the similarities between Danny and Jason and thought it would be a "funny prank") had leapt at the opportunity to vivisect their own son.
This is definitely worrying, because from the phrasing, they'd been "wanting to do it for a long time". And considering Danny's slow heartbeat and low body-temperature? They'd been wanting to do it because he was a meta.
So, somewhere out there (the Bats had found no trace of the two) were two deranged lunatics who wanted to cut open metas to "see how they worked".
Batman does the very reasonable thing and actually contacts the rest of the Justice League with their descriptions, just in case they'd managed to leave Gotham before the Bats had tracked them down.
238 notes · View notes
slickricklj · 5 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Jill Valentine + Chris Redfield - When you know, you know.
Tumblr media
Bonus:
Tumblr media
#Resident Evil#Chris Redfield#Jill Valentine#Valenfield#Jill X Chris#Chris X Jill#Reviledit#vgedit#videogameedit#gamingedit#Resident Evil Revelations#Resident Evil 5#Resident Evil Death Island#those who enjoy their dynamic...enjoy! :D#those who know the lore and dialogue should find plenty of the layered subtext here#They've been obvious from day 1 and I love how their relationship has been such a focal point in the story#other characters are totally aware they have something between them and it's been exploited multiple times#Wesker took advantage of their feelings in RE1 and RE5#Raymond put a lifesize dummy of Chris for Jill and O'Brian baited them by having them think the other was missing LOL#People BS about Ada but didn't even pay attention to the lore to see she actually was connected to RE5 when they established Irving#leaked the info HE obtained on Spencer's whereabouts meant for Wesker to get. They showed up the same night...it's no coincidence#Ada is known for having reliable info she shares and doing things behind the scenes uncredited IJS#RE4make made it even clearer for those who didn't have a clue ADA was against Wesker and had no bad intentions#Claire witnessing her brother's reactions to Jill and even him telling her to leave and he'd stay despite low ammo and no comms..#Sheva telling his personal business he was keeping private and his reaction which... he made no excuses for what he was doing.#And yeah I threw in some Ada/Leon stuff because Chris and Leon clearly were aware the girls were special to them plus MANY parallels exist#threw in an old ref I made about MVC3 in another post. It may be non-canon but point remains.... :P#I did also include Brad spotting them on the helipad to go with the theme but also to show how they bring each other peace/hope#flashing gif tw#biohazard
136 notes · View notes
corsairspade · 2 months ago
Text
Halenthir scenario where they get married for tax benefits (in a platonic good friends sort of way) and fall in love long distance via sending each other letters with ideas on how to best leverage their marriage for tax evasion.
#Haleth has never paid taxes before moving to brethil#And is FUMING about the idea. So she sends a letter to Caranthir who mentioned something about *evading* taxes#In this setting I guess they part on good friendship terms#She visits him for a crash course in tax evading and they get drunk and someone mentions marriage giving you tax benefits#They wake up the next day and decide “you know what. Let’s actually get married for tax evasion purposes. It would be hilarious”#Up to you whether they get married in the elven way or just in the human way#Haleth fucks off back to brethil with a bunch of gifts from Caranthir like “bye bestie” and he’s like “👍. Bye bestie.”#And they strike up a proper correspondence#Because they’re married obviously#not because they’re having fun talking about loopholes in the tax code#That would be ridiculous. Obviously they are writing each other erotica.#All of Caranthir’s brothers find out because Caranthir ticks married on his tax return#Maglor voice: YOU GOT MARRIED? AND YOU DIDNT INVITE US?#Caranthir voice: It was pretty low-key. Now tell me. Did Fingolfin cry upon seeing how I leveraged my marriage for tax concessions.#Literally all his brothers: various sounds of sudden realisation this is a tax scheme#half of them don’t even believe haleth is a real person. She might have just been made up for tax reasons#Obviously this leads to a comedy of errors and classic finwean snooping#at one point Haleth hits one of Caranthir’s (half) cousins with a shovel for snooping#claims her name isn’t haleth (despite all her people calling her Haleth) and dares them to call her out on it#they can’t btw she is terrifying#silmarillion#the silmarillion#tolkien#caranthir#morifinwe#haleth of the haladin
97 notes · View notes
starry-bi-sky · 4 months ago
Text
Stillborn? No, still born au -- Dani Phantom! Clone girl herself. :]
She can't exist in this au. And it's not that I don't want to add her -- although I'll be blunt, I don't, I'll be the first to admit that I think she's more often than not nothing more than a narrative deadweight used to prop up Danny and I don't like adding characters as props -- but her existence quite literally goes against and muddies the Vlad and Danny dynamic I have for this au. Ellie's existence in canon itself states that she was created -- and Danny's other clones too -- because Vlad gave up on trying to convert him to his side and decided to just make a son instead.
Something that just, doesn't happen in the stillborn-still born au. See, for folks who are only just hearing about this au or didn't see my post about Vlad in this au, he and Danny have a complicated love-hate relationship where they mutually want to adopt each other, but their morals and way of doing things -- mainly Vlad's insistence on getting revenge against the Fentons -- gets in the way of them being able to do that in full.
Vlad knows Danny wants him to adopt him, and is only fighting him on it because he refuses to let Vlad kill the Fentons for essentially killing the both of them. He's succeed in 50% of his goal. Canon Vlad never even made it to 1%. With that in mind, stillborn Vlad has no reason and sees no reason to clone Danny, he has his son. He just needs to convince him to let him avenge them both.
Dani simply has no place in the stillborn-still born au. And in fact, if Vlad did decide to clone Danny -- for whatever reason, -- it would damage his relationship with Danny damn near beyond repair. That's because Danny would view it the same way he views Damian's existence; as a replacement for himself. He would become beyond furious and hurt, and not for the typical 'I can't believe you cloned me, you creep!' reason, but for a 'I can't believe you cloned me, you said I was your son!' reason.
I am not pulling any punches here when I say Danny wants Vlad to be his dad just as much as Vlad wants Danny to be his son, there's just a lot of factors getting in the way. They are, as the french say, ✨mentally unwell.✨ Danny has a ton of abandonment and trust issues due to his experiences in foster care. He would immediately become jealous, insecure, and incredibly furious and hurt. He'd despise her on principal and want nothing to do with her, or Vlad for that matter. He'd just fucking haaate her. It's not her fault she was made but Danny doesn't really care, he's lashing out and pushing people away because he's been betrayed yet again.
The only way they could get along or for Danny to actually like her in any capacity would be if it was his idea to clone himself. Which is like, kinda obvious but considering most clone plots tend to be non-consensual it's kinda gotta be said. He has to have a hand in creating her, that's the only way I can see him liking her in any way. Or if someone other than Vlad created her. If Vlad clones him though, all bets are off the table and he'll despise her.
TL;DR: Dani can't exist in this au because she goes against the narrative I've got for the two most fucked up half-dead could-be-father-son duo in existence, but if she did exist Danny would despise her.
#dpxdc#danny fenton is not the ghost king#dpxdc crossover#dp x dc#dp x dc crossover#dpdc#danyal al ghul au#stillborn? no still born au#stillborn danny#danyal al ghul#dpxdc au#vlad masters#dani phantom#he's what the french like to call 'emotionally unstable' <3. vlad is a possessive parent thats obvi but DANNY is a possessive son#he is SO not mentally okay. he's a good kid! but he's also mentally unwell and incredibly traumatized <3#he doesnt play nice with his biological siblings unfortunately :((#danny as a default pushes his people away from him and flinches away from most conventional affection bc he thinks its insincere#and it takes a while to convince him that yes you do actually care about his well being and you're not going to hurt him.#he really is just a traumatized cat that you have to coax into letting you pet it. he clings onto the people he trusts like a terrified cat#have you ever tried pulling a cat down from something when their claws are dug into it and the only way you can get them down is by hurting#them a little because you have to yank them off? yeah that's danny.#if dani DID exist and Danny and her DID get along she'd spend a lot of time also convincing him to let vlad kill the fentons. danny keeps#trying to tell her murder is wrong. dani just says 'but they got you and dad killed' and unfortunately she is as stubborn as her brother an#dad. she gets to be a little evil. as a treat <3. she also doesnt like damian but that's because she too is a possessive sister#who doesnt like to share and damian already *has* a bunch of older brothers. he doesn't *need* danny. and also he's a replacement#we love complicated family dynamics <33 THE most dysfunctional half-dead not-family ever.
103 notes · View notes
myimaginationplain · 4 months ago
Text
I've decided to make rhaenyra x willem blackwood my new "what if?" au rarepair. they would've been a power couple, I just know it
76 notes · View notes
Note
You ever think about how in spite of knowing their exact locations, the game never gives any indication that templar Carver has reported his mage sibling, Merril (a blood mage) or Anders (an abomination) to his superiors?
I do think about that a lot, even though I tend to ignore the Templar Carver route because I know Warden Carver to be true in my heart and soul... but I totally get the appeal of Templar Carver within DA2's narrative, y'know?
It's so fascinating, really. I've never played a run with Templar Carver, I just can't bring myself to do it, so I know I'm missing out on smaller details of it. From what I do know, this drives me crazy in the best way possible.
Deciding whether to bring him or not to the Deep Roads is such an important choice, not only because it affects his fate, but how it affects his relationship to Hawke. He tells you that he wants to go, he makes it very clear that it's important to him that he goes, too... and Hawke can just leave him behind and it hurts him. I don't think that registers enough with some people just because of how Carver is, like it doesn't matter what Hawke's motivations are [staying behind for his safety, not wanting to bring him, thinking someone should stay with Leandra, etc] it still hurts him because it tells him that Hawke doesn't need him, and Carver wants to be needed.
And yes, there are other contributing factors to why he joins the templars, but it doesn't matter what your relationship is to him, it doesn't change the fact that he doesn't turn Hawke or his companions in.
Sure, the meta reason is it's a video game and you're playing the main character. You're never in any actual danger of being captured by templars, and you're not going to lose your companions to them that easy.
But if we look at it through the narrative and Carver's character, that's when it gets interesting. You can max out his rivalry and be an utter asshole to him [there's a point where you can call him a brat and mock him for being stuck in your shadow, like Hawke can be real cruel about it] but it doesn't matter, you're still his sibling. He even makes a remark about how you might not know what that means [referring to leaving him behind] but he does. He refuses to kill Hawke in the end when Meredith makes the order, too.
Which can I just point out that Hawke has the option to let Bethany die in the end if she's with the circle and they side with the templars? Just saying, Carver NEVER does that no matter what, but Hawke has the option to betray Bethany like that and it's fucked and interesting and it makes me want to eat my chair-
As for Merrill and Anders, I think he knows that if he turns either of them in, then the chances of Hawke being brought in as well skyrocket. They're all friends, they're in the same group... bring one in, and you'll probably get the other two.
I also think Carver just genuinely likes Merrill. Yes, I'm a Carver/Merrill shipper, so I have a bias, but even if you remove anything romantic from their dynamic I believe that's true. Of all the companions, Merrill is the only one who doesn't make fun of him, or find him annoying, in party banters. He never snaps back at her, like he's never defensive with her, he's just a little awkward and nice.
Like, HE'S SO NICE TO HER! He tries to find common ground with her! She asks him about "swording" and he's taken aback by her saying he's good at it, but you KNOW that if someone like Anders asked him the same question, he's be all, "shut up, you're stupid, stop talking to me >:["
Think back to that banter Carver can have with Aveline post-act 1 where they're talking about how the guard wasn't the right place for him [hard disagree with you there, Aveline] and Carver says he was a bit of a tit, wasn't he.... and every companion will agree except Merrill. She doesn't say anything, whereas other companions like Anders will be like "ugh maker YES" and if you have a purple Hawke, they'll go on to other ways Carver was a tit like?? I think Carver and Merrill got along and he doesn't want to turn her in because she was nice to him! And she's a blood mage! He knows what will happen to her if the templars get ahold of her! He doesn't want to see her made tranquil or killed!
At that point, he's witnessed what bad blood mages can do, assuming you've brought him along for those quests, but even so. He knows Merrill isn't like that and he likes her, so of course he's not going to turn her in despite that being his literal duty.
Then there's Anders who Carver doesn't like. If you're in a romance with him, Carver will tell him that's why he doesn't turn him in but c'mon Carver, you know that's not the only reason. My theory is Carver may not like Anders and he knows the man's got a spirit of justice inside of him... but Anders also runs a free clinic. If he's ever taken in by templars, then so many people [including a LOT of Fereldan refugees] will be without free health care and will suffer for it. I think in Carver's eyes, Anders might be irritating but he doesn't more good than harm. Carver knows first hand how shitty refugees and poorer people are treated in Kirkwall. Anders' clinic is the one place they can go for help and actually get it, and he's not going to be the one to take that away because the templars say "magic bad."
So yeah, I'm not as informed about the Templar Carver route, but I do think about how if I did do that route, he wouldn't betray Hawke or their companions no matter what and what that says about him.
#asks#dragon age 2#da2#carver hawke#da2 merrill#da2 anders#listen i love carver hawke okay he and bethany are my favorite companions in da2#i could talk endlessly about the twins and their roles in story and how unfair it is that only one of them can make it to kirkwall#meaning we hardly get to see them interact with each other before one dies and UGH#like i get it their stories rely heavily on them being the only mage or non-mage in the sibling trio so both of them living#would've meant writing two different origins stories for them with different attitudes affected by having another siblings that like them#but also i think if hawke's a rogue then leandra should've died and we could've worked it out okay#ANYWAY... templar carver amirite? i know i should go that route just to say i have and to see it for myself but hhhnnnggggg...#it physically pains me to think of not bringing him to the deep roads though it's so important to him and my hawke works so hard#to repair his relationship with his brother okay i max out carver's friendship every time and it's so worth it#you don't understand okay friendship carver is the best he's so goddamn sweet i can't handle it#it's actually so interesting how bethany and carver start out versus how they end because bethany starts out as the super sweet one#whereas carver's surly and bitter... but past act 1? it's like they flip?? at least on the warden paths like bethany is BRUTAL#she's so fucking bitter and rude and I love it?? like her relationship with hawke is in the trenches whereas carver's is vastly improved#again no matter your approval with him when you reunite in act 2 he will ALWAYS tell hawke that 'i'm sure you did your best'#referring to leandra's death but bethany's response will change depending on your approval with her#and if i remember right the rivalry response is OOF#carver and bethany turn me into a little giggling gremlin i love them so much
75 notes · View notes
fromtheseventhhell · 9 months ago
Text
It's crazy that people still uphold show!Sansa as a well-written character and pretend that liking her is the pinnacle of feminism when it would be infinitely more impactful to acknowledge her terrible and misogynistic writing. This is the same character who, while written by two men, was thankful for the abuse she suffered because it allowed her to grow. The same character who we had to be told was smart because the writers were too lazy to develop or show her intelligence. The same character who had to rely heavily on the men surrounding her and ended up accomplishing nothing on her own merit ( and no, thinking that she deserved to be Queen doesn't mean that she earned it). She is not well-written, she is not complex, and she is not a feminist character. Which is fine! If you enjoy her then good on you, but please stop pretending that she's something she isn't just because you feel the need to justify liking her character
#anti got#anti d&d#anti show sansa#anti sansa stans#like literally one of the worst written characters on that show because they tried so hard to make her the most important#while being entirely incompetent and their only method of doing so was to steal from other characters which ruined the plot#the only arguable achievement was defeating LF but even then it's written in the script that she had to go to Bran to explain things#/she rallied the Vale army!/ no she didn't 😭 she wrote a letter to LF and he did everything. instead of showing her arc in the Vale and#her learning about politics to rally them herself they took the quickest route to give her a /badass/ savior scene#which only ended up making her look selfish + power-hungry for putting her brothers' lives at risk for not telling anybody about said lette#and idiotic in the aftermath after relying once again on LF even though he was very obviously manipulating her#/pawn to player/ sounds catchy on paper but without seeing that growth/development it doesn't work#Arya was terribly written but at least we /saw/ her training in a way we never did with Sansa#and people try to apply this same logic to the books and think she's gonna suddenly spring forth as a political mastermind#when that's not how George writes...we see characters develop and make mistakes on page and get actual earned growth#feminism isn't defending the writing of two men who gave her a rape plot not in the books because they thought it was /interesting/#when the only aspect of that plot they adapted was a woman suffering abuse :/#and as per usual with stansas their only /evidence/ of her being well-written is accusing you of being misogynistic if you don't like her
119 notes · View notes
dell-amor-te · 1 month ago
Text
Emmrich’s that dad who will take every opportunity to ramble on about his kids and how proud he is of them. And if there is no opportunity to take, he will create one. No, I am not taking notes at this time.
49 notes · View notes
greenerteacups · 3 months ago
Note
oooh please someday tell us what you think of GOT
oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.
SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)
so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!
so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.
the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!
now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.
here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.
but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.
so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.
anyway, that's what I think went wrong with game of thrones.
#using the tags as a footnote system here but in order:#1. quentin MAY not be dead according to some theories but in the text he is a charred corpse#2. arianne is great and i love her but to be honest. my girl is kinda dumb. just 2 b real.#3. faegon is totally a blackfyre i think it's so obvious it may well be text at this point#it's almost r+l = j level man like it's kind of just reading comprehension at this point#4. relatedly there are some characters i think GRRM has endings picked out for and some i think he specifically does NOT#i think stannis melisandre jon and daenerys all will end up the same. jon and dany war crimes => murder/banishment arc is just classic GRRM#but i think jon's reasoning will be different and it'll be better-written.#im sorry but babygirl shireen IS getting flambeed. in response stannis will commit epic battle suicide killing all boltons i hope#brienne will live but in some tragic 'stay awhile horatio' capacity. likely she will try to die defending her liege and fail#faegon will die there's zero chance blackfyres win ever#now jaime/cersei I do NOT think he knows. my brothers in christ i don't think this motherfucker knows who the valonqar is!!#same with tyrion i think that the author in GRRM wants to do a nasty corruption arc + kill him off but the person in him loves him too much#sansa i have no goddamn idea what's going to happen. we just don't know enough about the northern conspiracy to tell#w/ arya i think he has... ideas. i don't think she's going to sail off to Explore i am almost certain that the show doing that was a cover#because the actual idea he gave them was unsavory or nonviable for some reason. bc like.#why would arya leave bran and jon and sansa? the family she's just spent her whole life fighting to come back to and avenge?#this is suspicious this does not feel like arya this does not feel right#bran will not be king or if he is it'll be in a VERY different way not the dumbfuck 'let's vote' bullshit#i personally think bran is going to go full corruption arc and become possessed by the 3 eyed raven. but that could be a pipe dream#the thing is he's way too OP in the show so the books have to nerf him and i think GRRM is still trying to work out#a way to actually do that.#i don't think he told them what happened with littlefinger or sansa. i think sansa's story is vaguely similar#(stark restoration through the female line etc)#but the queen in the north shit is way too contrived frankly. and selfishly i hope she gets something different#being a monarch in ASOIAF is not a happy ending. we know this from the moment we meet robert baratheon in AGOT#and we learn exactly what GRRM thinks of the people who 'win' these endless wars of succession#and they are not heroes#they are not celebrated#and they are neither safe nor happy
41 notes · View notes
mortiscausa · 8 months ago
Text
i can't stop thinking how funny it would be if gareth's brothers did in fact recognise him and were just like 'well clearly he has his reasons so let's all be good big bros and pretend we don't know him' and then spend the next few weeks before he goes off on his quest pretending extremely badly that they have never ever met this kitchen boy before nope not at all even while other knights are looking at them and looking at gareth and going 'hmmm'
135 notes · View notes