#tbh i don't think there are any actual spoilers here?

[sleepysebris]

felix exuberating theater-kid energy nonstop this season just makes me imagine his pv chat noir design being a parody of adrien's chat noir

[chocolate-cream-soldier]

-.-

[lunar-years]

Hmmm I agree that Roy and Keeley’s getting back together arc has been pushed back way too far for my taste (and I don’t love how drawn out both of their individual arcs were), but I think there’s still time for them to get back together in a fulfilling way. We have three episodes left- that’s plenty of time for them to have that long awaited heart-to-heart where Roy finally explains why he broke up with her, then time for them to rekindle their friendship, and eventually tentatively start things up again. There probably isn’t time left for them to work their way back to exactly where they were before, but I could totally see them agreeing to try again in the finale. And since it’s probably the last season, I wouldn’t be surprised if there’s a flash forward a few years later and they’re engaged or smth.

I’ll be honest, I haven’t cared much for Keeley’s arc this season either. I don’t care about the KJPR storyline – it’s boring since its all new characters, and Keeley doesn’t seem like she knows or cares about what she’s doing. It feels like they’re aiming for an arc where Keeley realizes that progress isn’t always about moving forward. It’s obvious that she does not fit into the corporate world, nor does she want to, and that she’d be much happier coming back to Richmond. And I bet that’s how Roy will tie into it: just bc you can move on, doesn’t mean it’ll make you happier. And I do really feel that the best ending for Roy’s arc about learning to let himself be happy is by actually letting himself be happy with Keeley again. Anyway I have faith that the writers love Roy and Keeley as much as the fans do, and that whatever way they decide to end will be the perfect ending.

Ohh I really love your take on Keeley's arc and what they're trying to show with it and I really hope you're right. Even if it's not solely coming back to Richmond, but coming back while continuing to take on a couple additional clients freelance, or branching off with Barb to start something smaller, just generally taking it slow instead of leaping in to being CEO of a whole PR firm like she's done this season. Building her confidence surrounded by people who love and support her and whom she actually has time to see because she's no longer making work her entire life.

Roy's arc I think has been building up to him allowing happiness into his life in more ways than just Keeley. I think it will be a number of things for him: finally having a reckoning with her over the breakup, but also gathering up with the Diamond Dogs as an actual member, admitting he cares about Jamie Tartt, taking on a larger role as coach (perhaps by doing more of the pressers, we saw how good he was at it tonight, especially if Ted goes back to Kansas)... going to therapy (**hoping, kicking, screeching, praying**)....

You may yet be right about Roy/Keeley! Before the season began, I had zero doubts in my mind they were endgame. Also, I forget sometimes that between a lot of these episodes, we're meant to believe like...actual months have gone by, so it's more spread out than I'm thinking it is. However, it's also that the show has a lot they need to wrap up in three episodes if this is the end of the end, & Roy and Keeley are only one part of it.

I think, ultimately, I care way more about their individual arcs ending well in a way that is both satisfying and sensical than I do about them getting back together in the canon timeline. I absolutely do need them to end on good terms though, preferably at least as close friends.

What I want more than anything and still believe is in the realm of possibility is for them + Jamie to sit down and admit they are all caught up in each other irreversibly at this point and won't be shaken away easily. That they care deeply about one another and will most likely care forever (terms & conditions undefined).

[todayisafridaynight]

Is there a character that’s like a Vegeta to you as in there’s so many interesting characters, but fans love this douche so we got to make him the center focus now!

there's like. legally only one answer to this question but i feel ???? saying it

[blindedguilt]

((from @booksofthelibrary ))

The young girl runs up behind the boy and sprays him playfully with a little bit of water. A harmless prank as she giggles before handing him a brand new net that she made for him. A 'R' carved into its handle.

"happy birthday!"

::RIVERSAL

"Waaah...!!" A sharp squeal erupted from the boy at the feeling of cold water on his back, the momentarily cry of shock quickly turning to a string of bright giggles as he flicked back a few drips from his hair towards Daffy. "Oi, you!! I'll get you for that, you know! You better watch your back, miss..."

He could hardly say he was displeased at her betrayal so much as pleased he had someone to play with! His brothers tried, but could never fully get in on his games, whether it be through confusion or other business they had to attend to.

Admittedly, though he would never say it out loud, he secretly felt rather jealous, perhaps even upset at the news of her getting together with Lukhege when he had initially found out. It was frustrating, in a way - he had finally found himself a friend to play with, and for what? ...Yet, even despite those initial worries, he was glad to be further comforted in the thought that he hadn't been forgotten by her presence with him that day.

The once beaming smile faded with the momentary rush of excitement and into curiosity as he was offered the finely crafted net. "Oh...This is..." A soft red creeped up to his cheeks with a sheepish, somewhat awkward look to his smile as he idly turned it over in his hands. It would have seemed forced in a way that he was trying to smile if not for the faint twinging at the corners of his lips threatening to break out into a wide grin. For someone who was usually so excitable, it seemed Riversal in particular had the most trouble accepting gifts - even compared to his younger brother Laum, who, while sheepish, was always capable of clearly showing his gratitude. Riversal, however...

The boy's long coat swayed as he rocked back and forth once on his heels, unable to fully look the other in the eyes as he spoke in a quiet, awkward little peep. "Thank you, Daffy... This is... Nice. Um...! Thank you. Well..."

Promptly, he spun on his heel, took a few awkwardly shuffled steps, and sat with his back turned and his feet spread to either side of the net he held between his legs. Though she couldn't see it, it wasn't hard to guess how red his face must have been as part of the kind gesture.

"...Come back later," He said suddenly, a flatly dismissive, determined tone to his voice, "I have something to think about." One of his tricks, now involving his new present, most like. "Thanks... Again."

His next words, though meant to be spoken in a tease, came off as nothing but a half-hearted suggestion in all his distraction. They were nothing more than a mouthed, near-inaudible whisper as he stared and plucked idly at the strings of the net with his fingers, too deep in thought to even notice the water dripping from his hair, much less to speak. "...Go chat with your boyfriend..."

Whatever could he be plotting? Whoever could he be plotting against? Riversal didn't speak, and sat there deep, deep in thought for a very long time.

"Hah! Got you!!"

...Ah, poor Leonard. It seemed that he had been chosen the unfortunate victim of his prank that evening. From a distance, the small Riversal could be seen standing triumphantly atop his older brother's back like a proud hunter with his prey. Leonard, conversely, would have been near invisible if not for his large form and the striking beige of his coat against the greenery of the forest. The poor hermit laid cruelly fettered on the ground, all that was visible being the blond of the head that laid face-down and the shoulders of both arms spread on either side. The net that had toppled him should have been relatively easy to remove from the foot tangled within it - his brother that stood on his back, however, was not.

"Please, release me at once!" The muffled plea sounded from the ground. With a dramatically boisterous laugh, Riversal's hands found themselves resting smugly atop his hips.

"No! I've got you, now, brother~!"

"Riversal! Please!!" A bit more insistence in his tone, and enough in a voice as deep as his to make the now 11-year-old almost immediately jump out of his skin and straight to the side of his ailing brother.

"Sorry, sorry! I'm sorry!!" Riversal was the one pleading now, his tone as frantic and shaky as his hands as he removed the trap net from Leonard's back. The eldest looked pale as he sat up on his knees, deathly silent in the face of his younger brother's apologies and concerns as to his wellbeing - his eyes were screwed tightly shut. He seemed shaken, with his shortness of breath, Laum noticed with a tiny frown.

...Maybe he was claustrophobic? Poor brother.

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 1)

I cannot figure out for the life of me how to make gifs so this will have to be a gif-less essay. If anyone more tech savvy than me wants to reblog with relevant media, please do!

I've seen a lot of people saying how Aziraphale's actions in the final ten minutes come out of left field and are OOC, and when I first watched the episode I felt the same, but now I think I couldn't have been more wrong. And I don't think Aziraphale is being controlled... I think the entire season showed us exactly what was going to happen.

On first watch, what struck me was the number of plot points that seemed disconnected. I couldn't figure out how Job related to the present, or the Victorian era, or the Nazi zombies (still at sea on the zombies part tbh). I didn't know where the Maggie/ Nina subplot was going, or why we were bothering with it. Then I put my "psych hat" on and it was like seeing one of those 3D pictures come into focus. It's a psychological networking rather than a plot-driven one, which is what Neil told us to expect.

Detailed analysis under the cut, with spoilers:

I went back through the season in my head and started asking myself: why is this element there? What does it contribute?

1. Start with scene one. Why include it? Does it matter for the climax that Az knew Crowley as an angel? YES. It's actually huge. Angel Crowley was joyful, he was bursting with delight at creation, he was idealistic. He wanted to be a part of everything rather than run away from it, and that's still how Aziraphale feels. He loves being a part of things. He's a joiner. He's a landlord. He dances at clubs and he makes human friends and he learns magic. Crowley the demon doesn't seem to want any of that, and I think that's hard for Az. He wants Crowley to be free of the cynicism he thinks prevents him from enjoying life now. At some level, I think he senses that Crowley is depressed (empathy's not his strong suit but I'm sure he's aware that Crowley's in a "what's the point of it all" kind of mood; see the eccles cakes scene). He wants to fix it. Aziraphale is a fixer. Metatron offers him a chance to do that.

Another thing is that Aziraphale knows Crowley ended up Falling just for asking questions that seemed innocent. That's not okay with him. He thinks that with the two of them in charge they can actually MAKE the changes that Crowley wanted to see way back at the beginning, starting with a suggestion box.

2. Okay, now Jim. Obviously Gabriel/ Jim is the central mystery, but why does he matter? First and foremost: he's there to show Aziraphale that angels can CHANGE. Gabriel terrorized and threatened Aziraphale. Az has been terrified of him. He ordered Aziraphale's execution. And now here he is, drinking hot chocolate, doing noble self-sacrificing things, with morals that suddenly align with Aziraphale's. What an absolute game-changer that must have been! He thought Heaven was unfixable, but here's Gabriel in his shop for weeks, slowly convincing him otherwise.

Then two other things happen. First, they find out that this all happened to Gabriel essentially because he fell in love. He was fired and his memories were stolen and the only reason he recovered was because Beelzebub happened to give him the one thing that could save him. That must have seemed like incredible luck. Now, how does Aziraphale feel about memories? He lives in a bookshop that is stuffed to bursting with the records of all of human history, essentially. His memories of his time with Crowley are incredibly precious. He sees, there at the end, that everything he is can be taken from him as a punishment for falling in love. Aziraphale doesn't have a magic fly container. He'd be forever robbed of Crowley, his life, himself. It's a very real threat in his mind when Metatron intervenes.

Which brings us to the second thing. Metatron saves Gabriel. Not only that, he prevents him from being punished for loving Beelzebub and lets them both go. What better way to win currency with Aziraphale? HE doesn't want to go off to Alpha Centauri, he never has, but suddenly he sees that Metatron might protect his relationship. And he's probably the only entity with the power to do so.

So we come to two conclusions: Aziraphale, when he goes off to talk with Metatron, is feeling like maybe it's not intrinsically bad to be an angel. He believed all the angels sucked, and only God was good... but now he sees that even Gabriel can change. He met Muriel, and he likes them. (He also had a huge crush on angel Crowley, which is neither here nor there but he loves Crowley in all his forms.) So if Crowley became an angel again, would that really be so bad? In his mind, it wouldn't change who Crowley is. It would just make them both safer and allow them to be together. (He's wrong! And Crowley doesn't see it that way! But this is a key miscommunication. Aziraphale doesn't really believe that becoming a demon changed Crowley. Back to the first scene, which Aziraphale references during the Job minisode. In his eyes, Crowley is the same person (just more cynical because of what's happened to him)-- so why would it matter if he's an angel again? I truly don't think he was trying to save Crowley, or saying that Crowley would be Better as an angel. To him, it doesn't matter what Crowley is. Which is reductive and harmful, but not the same as thinking Crowley needs rescuing from himself.)

Second conclusion: he sees that an angel and demon can be in love, but they have to run away to be together. Gabe and Beelz couldn't go home again. Earth is Aziraphale's home, but after the attack on the bookshop he learned that without Heaven's protection he can't really keep them safe there. Metatron says: "Come with me, do this thing, and you can have guaranteed safety AND be with the love of your life". Poor Aziraphale wants this with every fiber of his being. All he's ever wanted was for Crowley to be safe. He's never been able to offer it. Over the past four years, he thought they were safe, but he's just learned that he was wrong.

This is getting long. Continued in Part Two!

[iikisa]

heres more teacher rin au!!!!

ill have some more deets under the cut about this hehe

Welcome back aoex fandom… I’ve decided for this AU to be called “Tightrope”!!!! Haha,, yeah it’s definitely not what i was saying earlier in that ask..

But yeah!!! I’ll be tagging any post related to this AU under a tag from now on! ;)

(The rest of this will contain spoilers from the manga, but then again this whole AU has been spoilers..)

Alrighty, this time we’re going over the reason for Rin’s appearance… Just as in the manga, Rin becomes “unstable” through Yukio breaking his sword, except in this tightrope au, their relationship was much more rockier than it was in the manga. So much stuff that wasn’t cleared up, lots of avoidance, not so much emotional stability.. There’s a whole background to how Yukio and Rin’s upbringing would’ve happened in this AU because of their little aged-up situation— some events are interpreted differently to fit and others are just completely new, you can assume— so obviously things happened differently between them without Yukio being the cram school’s teacher and Rin actually attending said school to begin with…

So, now that Yukio left Rin for Illuminati, leaving him completely lonely and without a proper purpose to live for in life… Rin’s demonic nature is left in a “tightrope-like” situation.

See how the title relates? And boy does it apply for many other things too.

Where is Mephisto to help with all this you ask? Oh he tried to offer Rin help by going into the past, but even after learning of his origins (I don't think it helped his self-esteem much tbh) Rin still finds himself unable to "restabilize". Like in the manga, it's not until Rin truly accepts both sides to himself is he able to truly stabilize. This AU is obviously more heavy on the twins terrible communication and relationship, so obviously this will be harder for Rin.

For as long as he can remember, Rin's always thought of himself as a nuisance to his family. And with Fujimoto's death, everything seems to be Rin's fault and he's not stupid enough as to not notice the pattern. Unfortunately, this really eats away at Rin, especially with how distant Yukio was with him. So until Rin can learn to accept the uglier parts of himself, he won't be stable. And Yukio is the most important part for him to realize that.

Now… time for the appearance explanation.

When Rin first "unstabilizes" his hair, ears, and eyes change (other smaller details like his canines as well as the newest addition of little nubs on his forehead). The more "unstable" he is, the more prominent these features become—his hair is wholly whitish-blue, his ears and canines are pointier, his eyes are sharper and more vibrant, and his little horns get bigger.

After becoming a not-so-substitute-teacher for the cram school, these features start to become smaller or fade away!!!! Depending on Rin’s emotional state—negative emotions lead to instability and positive emotions leads to stability— his appearance changes. The happier and healthier he is, the more his black roots take place (his original hair color) and the duller his other features become!

Now as for his flames.. I think some logic may be off canon for this but it’ll be fine! He can freely use his flames like he does during the final war-against-satan arc, however, his state of stability changes how precisely he can use them. The more unstable he is, the broader and rougher the attacks. When he’s more stable, his attacks can be more precise and controlled, such as shaping his flames into weapons and other uses.

Anywho, I’ll have to start on making these differences more noticeable for the Rin’s I’m drawing out, because I do like to draw him at different times of his life (if you take note of his hair,,, its one of his best indicators ahah). But yes. Now that I’ve written this concept out (after I drew these sketches whoops) I’ll be showing off a little more of the story once some heavy inspiration hits me. I hope you guys enjoy hearing about this AU as much as I love writing and drawing it!!!!! I’d love to hear feedback or any fic recommendations..! They are my fuel.

Thank you for listening to the end, much love <3

[oh-no-its-bird]

I don't like the "tobirama was actually super racist and evil" takes for multiple reasons, but I have to admit that it's incredibly funny to me to think about that take in the context of one of those "tobirama time travels/edo tenseis and is revealed to have *gasp* loved an Uchiha once—?!??"

Like. Ok: fic w a stereotypically "all Uchiha are evil they are born to fall victim to their own hatred" Tobirama, but it's also one of those silly cracky fics where Tobirama gets edo tenseid and is revealed to have been in some kind of relationship with Madara

And everyone is like "omg,, maybe he wasn't racist after all? Was he... in love? 🥺"

But no. He is. And actually the messy break up was specifically bc he was Uchiha racist or whatever and wanted to end the relationship before "things get too serious and you fall victim to your curse of hatred"

(spoilers: him saying this directly to Madara's face did not help with any of his mental or anger issues. Curse of hatred ain't shit but a mentally unstable man who almost learned to forgive his brothers killer only to be told straight to his face that he is a man born to do nothing but hate and Tobirama will not love him for both of their own good— yeah that's a different story.)

Tobirama finds Madara doing his evil maniac thing or whatever and is like "tch. Told u it would happen,,"

Madara stops the slaughter just to yell at Tobirama ab how this doesn't prove SHIT.

Make it funnier actually, Tobirama has slept with multiple Uchiha. All the Uchiha. Mr Uchiha bicycle over here. That's including Izuna too.

Still hates them tho btw. Incredibly genuinley just actually racist. Clanist? Is it racism if it's a clan and not a race? Whatever.

Hashirama is like listing off this (honestly alarmingly long) list of Uchiha partners he's had as he just kind of stands there and everyone else have differently favored reactions of either "was the nidaime a whore?" or "omg,,, he must really like Uchiha,, how could he possibly be racist when he's been with so many 🥺🥺"

(Spoilers x2: you can absoloutley be racist while having some sort of fetish for a group of people at the same time. Those are statements that can co-exist.)

The real reason Danzo hates the Uchiha isn't just bc of Tobirama's racism being passed down, it's bc he walked in on him taking backshots from Hikaku, pass it on. He could have been bad but not genocide level racist against the Uchiha but that just kind of tipped the scales. Unfortunate tbh.

I am so sorry I'll see myself out now

[tyquu]

Absolutely love your prosthetic Ezra AU. Arts so wonderful and stunning (Sorry if I spell it wrong, English is not my first language)

If you don't watch Asoka show you can ignore my question, because of spoilers)))

I have a bunch of little questions. Ezra spent almost ten years in other galaxy. What is the quality of his prosthesis when he returned home? How did he deal with breakdowns without the right tools and parts?

Anyway, love your AUs and amazing art style!

Wahhh thank you so much! Glad to hear you like the AU!

So I haven’t actually finished Ahsoka (I know, im sorry 😭) but at this point I feel like I know roughly enough to take a crack at this! So here’s what I came up with;

So, Ezra’s cybernetic, as discussed in the post where I went into detail on it, requires pretty regular maintenance in order to function. Stranded on Peridea and without access to any med care/tech from the chimera, Ezra’s cybernetic would begin to go faulty within months.

At most he’d probably be able to make things just about work for three months post crash before it would have to come off. Grabbing a stick to use as a cane, there would be a few months where he has to really go back to basics, and it is not ideal.

However, Ezra would get crafty! Either with supplies he’d have stolen from the chimera or gathered on his own, and he’d end up with various self made peg legs! They aren’t perfect but with every iteration tend to get a bit better.

After staying with the Noti for a while, he’d finally have access to better materials and craftsmanship, and make a final design for his post crash prosthetic. It includes an adjustable buckle, prosthetic knee mechanism, and polished wood transtibial prostheses below the knee.

Obviously it would still need the occasional part replacement due to wear and tear as time goes on, but I don’t think it would change drastically from this point onwards, not until he gets back to lesser space of course, where I’m sure he’d go get checked out by a whole med team and possibly get his cybernetic replaced

But yeah!! That’s all I’ve got. I’m not a massive Ahsoka believer tbh, and I kinda split off in the middle to dabble a little bit on what an “Ezra and Thrawn in wild space adventures” prosthetic situation would end up being like. Especially with the possibility of introducing the ascendancy. But I decided to halt that train of thought for now so I could address the Ahsoka show specifically 🫡

Thanks again for the ask! Hope this sort of makes sense (and please do let me know if it doesn’t!) :D)

[felikatze]

I think Happily Ever After and The Cage both explore some similar topics in inverse ways and once again the Prisoner and the Damsel are twisted mirrors of one another

Pristine Cut spoilers and discussion of abusive relationships below. One suicide mention but it's STP what do you expect tbh

Compilation of rant I went on on discord 👍

prisoner and damsel are very much always parallels since u take the same path to get to them so they're both versions of the princess that you the player Trust, right. and the Greys are a betrayal of that trust if you kill them, and all that. obvs w the prisoner being reluctant trust and the damsel being unconditional because Knife.

but HEA and Cage are both about being Trapped. In Cage, the Princess has seen the same thing happen twice now, she's disillusioned, she's never going to escape. It will be The Same Thing, Forever.

WHICH IS. THE EXACT SAME AS HEA. The Princess believes she is never going to escape. That it will be Just This, Forever. And both of them believe that it *has* to be Just This Forever even if they don't *want* it to be.

Both of this is shown through an Externalized Force. in Cage, that is the Princess' body, which she has conceived as separate from herself. The body simply acts as it must, which she has no input over. Ignoring, of course, that she can *make it stop.*

And that's the same way HEA can't imagine she'll ever escape the Smitten! She's afraid and scared of change, of the torches going out!! But she wants it more than anything!!

Yet these two routes are foils for each other, too. Bcuz in Cage, it's the Princess who enforces the pattern, and in HEA it's the Hero. (part of him, anyways.) What's interesting here too that both of the routes result from a breakdown of communications.

I said in my big long rambly Cage post, but Cage route doesn't happen bcuz Fate, it's bcuz the Princess wants the Hero to carry her head out and he just *doesn't get it.* He just didn't understand what she wanted.

And the leadup to HEA, everyone in Hero's head is upset because they can't communicate to the Princess what is freaking him out, and Smitten tries to... well... show her, I guess.

(Post-rant addition: Hey, both the Prisoned and the Smitten kill themselves to get their points across. Add that to the parallels tally!)

also like abusive relationship metaphors on both ends tbh. Smitten doesn't respect Princess' autonomy at all. I think part of that is the end of Damsel means he doesn't think she *has* any interiority when it's Hero + Paranoid/Opportunist who want the Princess to be a person instead of a doll, which causes her to be a Person Again in HEA. But Smitten is, again, just so stuck on the vision of Damsel who no longer exists.

+ you could also read Damsel chapter in the context of HEA as just seeing that this is the first person who could conceivably save her so she is leaning in HARD to the romance angle because she sees it as the best way to finally get out. Got herself into the romance out of desparation and now she's stuck and regretting it.

So TLDR Smitten doesn't actually respect Princess as a person and just wants her to be this perfect image he has of her, and we see also in HEA how he literally restrains Princess + Hero and deliberately scares Princess when she even dares voice her own opinion. Smitten sucks so bad in this one and it's shit of him but also thematically interesting and again a good escalation of his character.

Cage on the flipside is the typical "I can't help myself" excuse. See, *she's* not at fault here. It's her *body* doing this! Really, nothing could change this. And u see the rebuttal of that angle from the Hero's dialogue options ("You're making a choice. You're choosing violence *right now.*)

No matter how often she says she's just a head, she's still the one who physically restrained the Hero (wow, just like the Smitten!), it's her who refuses to listen to anything the Hero has to say (wonder who that reminds me of), and it's her who is hurting him, on purpose, to feel better about herself.

the "good" endings to these chapters (as much as there are no wrong endings) meaning leaving with the cage's head / dancing with hea under the stars, both of these only occur once Hero/HEA are finally heard and acknowledged. Cage is so rattled that the Hero didn't bring the knife that she finally actually listens to a single word he's got to say and the two can break out, and the final torch in HEA only goes out once Princess says "I'm so tired of this." and has the courage to say what *she* wants and is *listened to.*

in conclusion (x2): STP good 👍 i love you missus the cage

[maliaelise6]

Ikepri Disney songs

Okay so I like finding songs of one artist or genre and finding one to dedicate to each ikepri character but I keep struggling trying to come up with ikepri characters connecting to (specifically) Disney love songs. I'm cool with leaving the love songs area but here's what I have so far if anyone wants to suggest songs or changes I'd love to hear it :3

Spoilers obv

Jin: Strangers like me from Tarzan - because I think the theme of him learning how to love and actually accept himself is kinda connected to the song. Also I just love him sm

Chevalier: Evermore from Beauty and The Beast (liveaction) as much as I hate live action, this is so good. It screams Chev. He knows Emma is always gonna come back and he doesn't know why but it makes him happy 🥺

Clavis: I won't say I'm in love from Hercules. Is it my favorite song? Yes. Is he my favorite character? Yes. But its so 'Emma being totally in love without realizing it and feeling horribly conflicted about her feelings because of her duty' coded. This is her song to him 1000%

Leon: a whole new world from Aladin. Man. Play the first chapter of his story if you don't already see it lmao. Mr. "Take my hand and I'll show you a whole new world/life" sounding ass

Yves: kiss the girl from the little mermaid. Just the sweetest boy, man. Licht, Jin, Leon, and Rio are DESPERATELY trying to make him make the first move.

Licht: Thats How You Know from Enchanted. Idrk enchanted very well and I don't know licht very well but ¯\_(ツ)_/¯ just silly Yves and nokto trying to get him to make a move

Nokto: a girl worth fighting for from mulan. This is where the "not a love song" problem comes in. I do think that if you take away the actual context you can make a connection between the beginning when all the guys are talking about what they want, that's just him messing with other women, but when things get serious its him realizing he doesn't actually want any of them, and that he has feelings he doesn't truly understand for Emma. Kinda a reach but I've never been one for accuracies in things like this lmao.

Luke: I see the light from tangled. Omg. "All those days, chasing down a daydream. All those years living in a blur. All that time, never truly seeing things the way they were." HIM REALIZING THAT HE SPENT HIS WHOLE LIFE WITH NOTHING BUT REVENGE AND HATRED AND AHHH. HIM CHANGING FOR EMMA. HIS WHOLE LIFE HAS TO CHANGE AND ITS SCARY BUT FOR THE BEST

Rio: so this is love from Cinderella? I really don't know for him tbh

Sariel: ma belle Evangeline from the princess and the frog. Idk it has old lovers vibes and thats what Sariel gives. Maybe it'd fit better for Rio? Idk I'm iffy on this one

Silvio: colors of the wind from pocahontas. Not exactly love but it fits well. Teaching him that value isn't purely monetary.

Keith: another one I really don't know. I love him sm but I really got nothing man. Please recommend something 🙏

Gilbert: once upon a dream from sleeping beauty. HE WANTS HER TO KNOW HIM. HES BEEN DREAMING OF MEETING HER FOR SO LONG. SUCH A 'we might not know each other now but I knew you once in a place so far back in my mind that it escapes me.'

Please give me ideas for Sariel, Keith, and Rio 😭😭

[clownery-and-fuckery]

As promised, my commentary on Hunter.... to the people that like him, im sorry.

Spoiler warnings and the like, this is pretty negative aside from like maybe three sentences?? Feel free to leave you're own opinions on this too ofc !!! >:)

I dont like Hunter.

Actually, that's not entirely true, I liked him in TCW season 7, when he was that silly man who fucked droids around the place, took no shit, and loved his brothers. I like the Hunter who, not putting this nicely, had a personality.

This is not a dig on him as a character, it's a dig on how he was handled, writing wise

Listen, I totally get that the "rugged-man-adopts-a-star-child" trope is popular, and I do LOVE that trope, really I do- I just don't really think it was done that well here? It's bothered me since s1 of the Bad Batch, and I don't think it's going to get any better this season....

My only real problem with the writing inconsistency of Hunter being an older brother of three to "Omega this, Omega that" and while I agree childcare is SUPER difficult at the best of times, Hunter had four brothers who were equally capable of taking care of Omega, too. It just never sat right with me that taking care of her became his ENTIRE personality

Hes a soldier, who despite being completely out of his element, had a routine he strictly followed for the whole war. Yet he seemed to completely forget about that ?? Stressed or not stressed, that worn in routines and LIFELONG LESSONS should not have left his head as quickly as they seemed to.

The most obvious and frustrating example of the oversimplification of Hunter's character is with Crosshair. I cannot even BEGIN to describe my anger when it comes to Hunter and Crosshair. It mainly stems from the way he just FORGETS his brother is with the Empire. Conveniently never bringing it up unless someone else did it first.

As the oldest sibling and squad leader, I personally think Hunter should have been the one to bring him up. It should not have had to be specifically mentioned by another character for Hunter to discuss it. He loves his brothers, he loved Crosshair, broody or not, he should have brought it up AT LEAST once, imo.

We also see this complete disregard for Crosshair AGAIN in s3, now that we have seen Hunter looking for Omega and not ONCE mentioning Crosshair. Has he forgotten that they were originally going to find Crosshair??? That they never actually FOUND their brother ??????? Annoyed me so much, tbh.

What else annoyed me was the singular language he used during the whole episode. "She's part of our squad." "Hemlock took SOMEONE from us." He's completely and utterly disregarding the OTHER TWO SIBLINGS that the Empire took away from him !!!!! It genuinely frustrates me so much.

I know I'm DEFINITELY nit-picking here, but even when Hunter looked to Tech's goggles, it was in a "He should've been here to do this." Way, not a "He should be here." Way. That's his brother, who died looking for another that Hunter has forgotten.

Hunter's tunnel vision is probably one my least favourite things about the Bad Batch, if I dare even MENTION that- and I love this show. It means so much to me, but I just can't handle this particular part of it...

I have so SO much anger directed towards the treatment of Hunter by the writers. I want the Hunter who was devoted to his WHOLE family, who fought for ALL of them, who would have NEVER allowed Crosshair to leave in the first place. Give me that Hunter back.

(Saying this- I do not mind Hunter and Omega's father/daughter and brother/sister relationship !!! I do really enjoy it- in small amounts. The fact that Hunter became nearly an extention of Omega really just- threw me off his whole character, really)

I specifically pick to ignore this when I'm making anything. Hunter has been a sergeant of three idiots(named endearingly) for the entirety of the war. One child who wanders around should not have taken up 100% of Hunter's attention, ESPECIALLY when he was surrounded and supported. It just bothers me, idk

Anyway, thats my rant !!! Back to some positives soon, promise !! I just had to get this off my chest, it's been BOTHERING me.

[tetric-electric]

tbh I think that the way Ashley Graves is so mischaracterized by the fandom says a lot about how people view grooming survivors (and autistic people). Let me explain:

Obviously, huge spoilers for Chapters 1 and 2 of The Coffin of Andy and Leyley. This is just a psychoanalysis of Ashley, however to do so involves a LOT of lore.

To start off, I'm just gonna put a trigger warning right here for LOTS of talk about grooming, as well as neglect and ableism. If you feel uncomfortable reading about these subjects you are more than welcome to click off. Please stay safe.

What made me decide to do this rant:

A few months ago, I got a text from someone who was upset about me having Ashley as my PFP. I was initially like "okay, they don't like TCOAAL, so what", and then immediately after I got a text from them responding to an Instagram story I had basically saying that Ashley was "so me fr fr".

"Let me guess, you also kin Valentino"

Valentino, from Hazbin Hotel, as in the blatant physically + verbally + sexually abusive piece of shit who is in no way redeemable.

I had brushed this off as "maybe they just don't like Ashley", until they listed why.

...all of the reasons they gave fell under the main categories of "she's clingy, she's flirtatious with Andrew, and her sprites are made for the male gaze."

The male gaze thing was because she didn't appear to be wearing a bra. Which like... sexualizing much? For fuck's sake, she's locked in an apartment about to die, do you think wearing a bra would be a priority?

Secondly, her behaviour.

Admittedly, she's not a great person. But that's because she never learnt how to be.

In-game there is so so so SO much emphasis on how she acts childish, and how literally no one gives two shits about her. It doesn't take a professional psychologist to figure out that she never was able to develop properly. That's why she's so clingy, because Andrew is the one person who at least pretends to care about her. And then there's her flirtatiousness.

It's revealed in several flashbacks that the only way she could ever get Andrew's attention is to do something fucked up, as seen by her as a child killing Nina. Andrew then gives her attention for this, which establishes the connection that homicide -> attention, and attention = care and love and affection.

Due to the fact that she never had any friends, she never was able to have any type of love (whether that be platonic, romantic, etc.) reciprocated. Except for Andrew.

Andrew, throughout the game, proceeds to subtly encourage Ashley's flirtatiousness. She has no reference of this type of stuff not being okay, and thus her social isolation made her the perfect target.

Social isolation, gaslighting, coercion, threatening to hurt the person if they don't do the desired behaviour. You know what those are?

Textbook signs of grooming.

I realized that people hate Ashley so much because since she's not aware of her situation being bad, she's unable to come to that realization. She's not perfect, let alone a 'good victim'. She only sexualizes herself because that's how she learned she can get affection and care.

So... where does the whole "Ashley is autistic" theory come from, then?

As stated by Renee Graves, Ashley was "a lot of work" as compared to Andrew (guess what, kids take work). Now, this alone wouldn't be any indicator. However...

It's shown that she was unable to make friends because she was "weird" and clearly didn't have an understanding of social cues and rules (which honestly hit close to home for me). It's also shown that she problem-solves differently (or at least differently than Andrew, who is seen as the "logical sane one") and also seems to be more of a hands-on learner (I forget if there's any actual proof of this, however upon analysis she is an ESFP, and ESFPs tend to be more hands-on (yes I'm aware that MBTI types are the psychology equivalent of horoscopes, but there is some truth to them)).

Not to mention how she's shown to have extreme emotions, and tends to have meltdowns (I apologize if this isn't the right word, I'm not sure what the term would be). The extreme emotions part can be part of how blatantly of a pwBPD she is, but BPD also tends to have a higher frequency of showing up in autistic people, especially autistic women.

In conclusion, people hate Ashley Graves because of how well-integrated ableism is in society, as well as the concept of a 'perfect victim'.

[kimpossibly]

THE CHAIN -> e. roundtree PART ONE: drummers' curse

PAIRING: eddie roundtree x fem!reader WARNINGS: mentions of minor injuries (NOTE: some warnings for this story include MAJOR spoilers for this series down the line, so I'll put those beneath the cut. If you don't want to get the story spoiled, then just ignore it ― but I did want to provide the chance for you to get an idea of how the story will go later down the line if you have any sensitive topics you'd like to avoid. please prioritize your mental wellbeing!)

AUTHOR'S NOTE: Apologies in advance for making Y/n the drummer and putting Warren on rhythmic guitar. I just loooooooove female drummers. Also can you tell that I love Karen and Camila? Because I love them with alllllll my heart and soul. Another sorry in advance because this one may break your heart a little ― it sure broke mine. NOTES ON THE WORK: I used the timeline from the book, mostly because I couldn't keep track of it in the show haha. I read the book twice before watching what episodes of the show were out, so the lines may blur between the two. For your convenience (and mine, tbh), I'll put the year all the characters were born underneath this note so you can reference it when you need to. I just couldn't keep track honestly. I think in the show they start the band when Graham is fourteen, but in the book he's around 18 when they add Warren on, so it's kind of confusing?? I decided to stick with the book because it was a more physical timeline. Anyways, enough talking, here's your guide! ― YEARS BORN (in order of age) Billy Dunne -> 1947 Camila Dunne -> 1949 Graham Dunne -> 1949 Warren Rhodes -> 1949 Eddie Roundtree -> 1949 Daisy Jones -> 1951 Y/n L/n -> 1951

WARNINGS (SPOILERS INCLUDED): reader has a terminal illness. Discussions about death and loss, depictions of grief, hospitals

It's no secret that the renowned 1970s band Daisy Jones & The Six went through its fair share of ups and downs. Until their inexplicable split on July 12, 1979, they were undeniably one of the biggest bands in the world. While a more detailed account of the band's history will be recounted in a more thorough transcript, this advanced edition will focus specifically on two of the band members: Eddie Roundtree and Y/n L/n. More specifically, it will focus on their individual and combined roles they played in the band's eventual downfall.

THE RISE OF THE SIX (1965 - 1972)

GRAHAM: Y/n grew up next door to us. She was a little younger, two years or so, so we never really gave her a second look. Until the day she wandered into our garage during band practice out of nowhere. She practically ripped the drum sticks out of Chuck's hand and just started...wailing on 'em. I mean, she could make your head spin. Here was this thirteen, fourteen year old girl next door, this kid, and she was the best fuckin' drummer we'd seen. I mean, in the neighborhood. She wasn't Mitch Mitchell, but she was the closest thing we had. And she was too good to be shoved in the back with a tambourine. But we couldn't just take Chuck's spot away and hand it over to the new girl.

CHUCK: I knew right then and there that they wanted to give my spot to the new girl. There was no doubt in my mind. And, you know what? I got it. This chick was good. Way too good. Did I feel threatened by her? Hell yeah, I did. And at the time I probably wanted to tell her to screw off, but now...now I get it.

EDDIE: She was good. Amazing, actually. Graham and I looked at each other and knew that she was something we'd be stupid to pass up on.

BILLY: When Chuck told us he wanted out, we were pissed, of course. We were heading off to open for Winters that week. It felt like things were going to look up, just like I always knew they would, and he was ditching. I know now that that wasn't really what it was ― he'd gotten into college, fan-fucking-tastic. It was a good opportunity for him, a sure thing. But right then it felt like a betrayal.

WARREN: So he ditched, and Billy just turned right to Eddie and said, "Go tell Y/n she's in." And he was just...terrified.

EDDIE: I said, "why me?" You know? It wasn't my band, it was Billy's. And here he was, ordering me to tell some new girl she was in. I was fifteen and could barely ask a waitress for ketchup. At the time, that was probably the last thing I wanted to do.

GRAHAM: He asked why it had to be him, and I told him the truth: he was the least intimidating. Billy, you know him. He had a tendency to get too focused on the task at hand and could get a little...harsh. And Warren? He had one of the biggest personalities you could find. He'd scare her off before we had a chance to offer her the spot...[Pauses] I probably could've done it, in all honesty. I just didn't want to screw it up. Eddie was better with words than I was, and we needed her in our band. Badly.

EDDIE: And I remember thinking, "Here goes fucking nothing."

The doorbell ringing was what got her attention. No one ever used the doorbell. It was always a knock ― that, or someone just walked in. The L/n's front door was hardly ever locked back then. Y/n's mom was a nurse, formerly a school nurse. She didn't want to risk the chance that some kid took a spill and had to limp home on an injured leg. So all the neighborhood knew, if you got hurt playing outside, you could march on over to Miss L/n's place to get yourself fixed up.

Y/n had her own share of walk-ins, too. By the time she was ten, she had seen her mom help out enough kids that she was practically a nurse herself. She could disinfect and bandage and stitch up any old case that walked through her front door. And if someone who was too busted up for first aid? She knew where the keys to the family Winnebago was and how to drive herself and them to the local hospital. She was only fourteen and didn't have a license, but it didn't matter. She was a safer driver than most everyone else on the road.

So when someone rang the doorbell, she assumed that it was someone too injured to knock. She grabbed the car keys and made sure her suture kit was within reach.

When she opened the door, she didn't see the blood and broken bones she was expecting. Instead, Eddie Roundtree stood on her front porch, hands shoved anxiously in his pockets. He looked all right, but that didn't stop her from asking: "You're not hurt, are you?"

"Um. No," Eddie said quickly, taking his hands out of his pockets.

"Okay," she said slowly, eyes narrowing. "Do you want to come in?"

"Yeah, sure."

Y/n turned and walked further into the house, prompting him to close the door and follow her. She led him to the kitchen. "Lemonade? I made it this morning," she offered, already opening the fridge.

EDDIE: That jug of lemonade was bigger than she was. [Laughs] I could barely watch her get it down. I was afraid she'd drop it on her foot. But she just took her time getting it from the fridge to the table. I found out later that her mom bought a pound of lemons a week because Y/n wanted something to offer every kid that came through their front door. [Pauses]. She was just like that.

He gave a nod. Y/n stood on her toes to grab two glasses from the cabinet. She poured one glass, hands shaking from the weight of the jug, and Eddie realized that this awkward silence was probably the best time to transition into his real reason for visiting.

"Chuck left the band."

"Oh," she said simply. "Sorry."

"Don't be."

She paused, looking confused. And Eddie, who's will to live was slowly draining from this conversation alone, raced to finish what he had (awkwardly) started.

"I just mean that...you're in. The band. If you want to be our drummer, you're in."

Y/n paused mid-pour, setting the pitcher down on the counter carefully. She turned around until her back pressed into the kitchen counter, arms crossed over her chest. "And you thought I'd jump at the chance to join?"

"No. No," Eddie said quickly. "We just wanted to offer you the spot if you still wanted it."

"Did I say that I wanted it?"

"No, but―"

"Okay, just making sure," she handed him a glass and hopped up onto the counter, crossing her legs underneath her. "So you need a drummer?"

"Yes. Badly."

She took a sip from her glass and paused, as if weighing her options in her mind. She swallowed. "Are there any other girls in the band yet?"

EDDIE: Yet. Like she knew it was going to happen. It was just a matter of time.

"No, not yet." he replied.

"Then be honest with me: are you guys sleazeballs?"

EDDIE: Sleazeballs. She didn't sugarcoat things. She wanted to know if we were creeps or if we'd let her play drums in peace. I get that, one hundred percent. but back then, it felt like she was trying to accuse us of something.

"No," he said quickly, "Well...Warren can be a little much, but he means well."

She took another slow sip, once again weighing her options in her mind. "When's your next gig?"

"We play pretty much every night, wherever we can find. It might take us a bit to teach you the songs, but―"

"I can learn them," she said confidently. "How soon do you need someone?"

"Soon as possible."

EDDIE: By then, I was terrified she'd say no. All these questions and never once did she seem really interested in joining. I was already trying to figure out which of us would be the least shit at the drums.

"Okay. I'm in."

EDDIE: And that was it. She said yes. I didn't appreciate how much she'd saved our asses right then, but I was relieved. That was for sure.

GRAHAM: Eddie came back, told us she said yes. She couldn't join practice until her mom got home ― she didn't want the house to be empty if some injured kid wandered by ― so we had about an hour and a half to teach her every song.

BILLY: She picked 'em up like [snaps] that. Never doubted it for a single second, either. Once she knew it, she knew it.

EDDIE: She showed up to the first gig in overalls and sneakers. She let Camila put a little makeup on her, too, but we could all tell she hated it.

CAMILA: She was sweet. And, surprisingly, a little shy. I could tell she was a little scared of the boys. That's why she was a little cold to them at first. But she was just the coolest kid. I mean, fourteen years old and joining a rock band? She was a little rockstar, right off the bat. She asked me to put some makeup on her before her first gig with the band. When I gave her a mirror after and asked her what she thought, she said, "I like it, but it makes me feel like a doll. Not a drummer." She liked the glitter the most, though. It became her trademark. She put it on her cheeks, in her hair, everywhere that would catch the light. She'd come off stage and you'd see a little pile of sparkles behind the drum set.

EDDIE: Right off the bat, first gig. It was enough to freak anyone out. She joined the band six hours ago, learned the songs three hours ago, and now she was playing in a club to a couple dozen people. It seems so small now, but back then? It was like starting at Wembley.

Y/n shook out her hands for the eighth time. It wasn't about loosening up for the gig anymore, she just needed something to do that didn't involve throwing a punch or screaming at the top of her lungs. She looked up at Billy, standing at the front of the group, cool and calm as ever, and she had the distinct urge to kick him in the shin. Why did he get to be so calm when she was right behind him, on the verge of throwing up?

She turned to anxiously twisting a single drum stick between her fingers, around and around, faster and faster. Eventually it became so mindless that she barely noticed as the stick slipped from her fingers, clattering to the floor. She bent to retrieve it quickly, hoping no one had noticed.

But, of course, someone did.

"Hey," Eddie said, looking back at her.

"Warren knocked it out of my hands." she said quickly.

Eddie glanced over at Warren, who was a solid two feet ahead of her, physically unable to have knocked a drum stick out of her hands. Y/n knew from that glance that he could see right through her lie. Now she really wasn't in the mood to talk.

EDDIE: She was terrified. And she was lying her ass off about it. I didn't want to run the risk that she choked up in the middle of the show and screwed up our set. So I figured I'd just, talk. And if she wanted me to screw off, she'd tell me. She had a way of saying exactly what she wanted.

"You've heard of the Drummer's Curse, right?" he asked.

She frowned in a way that told him no, she did not.

"First, there's the obvious stuff: drummers have to lug around the most shit out of anyone in the band. Drums sets are heavy and expensive, so there's that. But the worst part is that they're easy to overlook, you know? They're at the back of the stage behind all this shit, everyone stands in front of 'em. Drummers can fade into the background real easy. The best drummers can outshine anyone else onstage. You'll do that one day, but if you're freaked out now, just let yourself fade a little. You'll play better than anyone up there and the crowd'll know it, but you can let them focus on someone else if you want. You get what I'm saying?"

EDDIE: For a second, I thought she was going to punch me.

But then she nodded, wiped off some of the pink lipstick Camila had put on her with the back of her hand, and pushed her bangs to the side. "Drummers' Curse, huh?"

"Some people believe in it, some don't."

"And you?" she asked, turning to him. "Do you believe in that kind of stuff?"

Eddie paused. Shrugged. "Sure. Seems true enough to me."

Y/n nodded. "I don't. It sounds like bullshit to me."

Eddie frowned. She looked up at him. "I'm not going to let myself fade because I'm scared. I signed up for this, you know. The least I can do is own my place. If I outshine you, it's just because I'm that good," she said matter-of-factly. "I will need help carrying the stuff, though."

EDDIE: I didn't know what to say. I mean, [laughs] what the hell do you say to that?

He felt like he'd had the rug pulled out from under him. And then, he surprised himself: he laughed.

And Y/n surprised herself then, too ― she smiled.

EDDIE: That was just...[Shakes head. Smiles.] I don't know.

"I think we can manage that." he said with a smile.

"Ladies and gentlemen...The Dunne Brothers!"

WARREN: If I were still the guy I was back then, I would completely undersell her to you right now. I'd tell you she was an average drummer who was more in it for the thrill than the craft. But that wasn't it at all. She got up there and she just...shined.

GRAHAM: We all knew she'd be scared before the first gig. In fact, she looked about ready to throw up when they announced us on stage. But the second she hit those lights, it was like she was a different person. She waved and smiled like she'd done it a hundred times. The only other person I'd seen do that ― I mean really become another person on stage ― is Billy.

BILLY: That first show with Y/n was a little bit of a trainwreck. We were at least a half beat behind the entire show. And I'm not saying I blame her, but she was new and shiny. We got through it just fine, but I think we all felt it wasn't our best show.

WARREN: That show was bitchin'.

GRAHAM: It was a great show.

WARREN: Back in those days, we'd get off stage and start cheering for ourselves like we'd just won the goddamn lottery. Somewhere along the way, that stopped. We'd just pat each other on the back, say 'good job,' and that was that. But when Y/n got backstage? She was screaming and yelling like it was the best night of her life. And all of us joined in without a second thought ― well, maybe all of us except Billy. He was kind of a hard ass, even then. None of us had ever heard this girl talk louder than a glorified whisper, and then she came out of nowhere with this full-body scream. And who did she run to? Well, I think you can guess.

CAMILA: She just about jumped into Eddie's arms.

Adrenaline is a funny thing. For one, the effect is had on different people can be vastly different depending on who it was. Some people mellowed out, some people amped up. Y/n fell into the second category.

The second she got off the stage, a giddy laugh ripped from her chest, turning more into a scream of triumph halfway through. She was buzzing. Literally. Her hands felt numb ― or, more accurately, they felt like they felt more. Everything she touched was sharp and blinding.

The next person to join in on the screaming and jumping around was Warren. Then Graham. Then Eddie. And then, reluctantly, Billy. Eddie was the last to come off stage, slinging his guitar off his shoulders, and Y/n, without thinking much about it, ran straight to him, leaping directly into his unsuspecting arms.

The others were too hyped up on their own adrenaline rushes to notice that anything out of the ordinary had happened. She wrapped her legs around his waist hanging onto him like a koala. And Eddie, who couldn't deny adrenaline, held onto her back without a second thought.

After a moment, she leaned back, arms still wrapped around his neck, faces inches apart. "Drummers' curse, huh?"

EDDIE: She didn't fade. She couldn't, not even if she tried.

Eddie just smiled and shook his head. "Sounds like bullshit to me."

[thebruno65]

Don't mind me, just posting some veeeery normal Chapter 4 screenshots! 🥰

PD: I have not finished Danganronpa Another 1, I’ve only just recently beat chapter 5, so please don’t talk about any spoilers about chapter 6 onwards.

Tbh, the way Kizuna is treated in the main storyline is really odd. Like, for the most part I think its pretty nice, but it falls apart the moment the truth is revealed in the trial.

So, you’re saying that she was faking the moment she had with Akane and the rest? What was the point of the whole crying about that she is alone scene for then? Did she know Akane and Yuki were watching her, so she pretended? Or is it the other way around? Its just imo very dumb and one of the very few things I dislike about this game.

What makes it even worse, is that unlike other killers, she doesn’t really get a “Oh, I see, I understand why you did it” She just wants to get out of here. It would have been nicer if her motive actually did surround the note she found.

But then we get revealed that she wanted to kill beforehand, so everything gets thrown out of the window, and now she is basically unredeemable and not able to feel sympathy for, despite the fact I actually did feel sympathy seeing as how she died slowly and still tried to help us in her last moments but…. Her getting a more painful death isn’t a way to make someone more sympathetic.

[zeddylux]

I know I'm a little late to the party, meant to make this post yesterday but here we are. It's Arcane season at last baby!!! We've waited years for this and I know we're all excited but a few things to keep in mind for my page specifically.

1. I profoundly apologize to anyone who follows me for any other content it will simply be Arcane from now until probably into next year. I fully understand if you mute or unfollow me because of it.

2. We all know Netflix is being a massive cunt with password sharing so not everyone has access to the show. PLEASE TAG YOUR SPOILERS.

3. Please everyone be civil when discussing the very heavy themes involved in this show. If you cannot behave yourself in my comments and reblogs you will get blocked. End of discussion.

4. Just a few opinions I have specifically...I don't much care for Silco. I think his relationship with Jinx is very manipulative and creepy so keep that in mind if you choose to follow me. If you really like their relationship I'm probably going to make you mad. In addition Vi hate will not be tolerated. I know the shallow stupid opinions alot of you have about her character. Believe me I'm going to be fairly critical with how the series handles her transition (and hopefully later opposition) to being an enforcer as well as the revolutionary writing in general. But get your season 1 takes out of my face. Vi did not create Jinx. Stop it. Mel, Ambessa, Sevika, or Ekko hate will also NOT be tolerated. If you bring your racism and antiblackness to my discussions you will be blocked and reported. You have been warned.

5. As I mentioned above I will be fairly critical of how this season handles its political writing. I love Caitvi I do. They actually mean quite alot to me but I'll likely be the hardest on Cait this season. Speaking as an American there are alot of bad things going on here that she specifically represents and I'm hopeful and curious as to how the writing team chooses to handle her.

Other than that welcome to the discussion! I'll be watching the new season as soon as I'm able and I'm sure will be putting my rambling on here as I think of them. I've watched season one an ungodly amount of times I'm sure this season will be no different. I hope Netflix does these characters justice and I hope anyone who is new to this amazing series feels welcome and safe on my page to discuss. Let's fucking go!!!

Also this blog still stands with Palestine, Sudan, and Congo as well as all marginalized groups affected by fascism and imperialism around the world. Just gonna pin these rules for now!

Allright. Now that everything's over...I have some new rules. The above rules still stand but...tbh I really really hated that season. There were some things I enjoyed but for the most part I did NOT care for it. You're welcome to scroll through my blog to see my thoughts and various discussions between me and my mutuals. (Usually tagged Arcane critical or anti Caitvi). They did everyone so dirty and I'm EXTREMELY dissappinted. Especially with Caitvi. Please keep all these rules in mind before interacting with my posts. Asks are on very briefly while I take a two month hiatus. Please let me know if there is any bigotry of any kind in my comments, posts, or forums. I will take care of it immediately. Thank you!