#tamil mythology

[demigod-of-the-agni]

hi pavitr nation i'm back

art to celebrate the first happy birthday of the first mmau fic. happy birthday it is love that conquers all. everyone say happy birthday

[nidhi-writes]

Krishna: Hi, My love!!

Aandal: Yes, My Kana..

Krishna: Where is my daily dose of Flower Garland?!?

Aandal: I am in middle of writing Kanna!!

Krishna: 🥺🥺🥺🥺

Aandal: Oh, not the puppy eyes... Come over, you heart stealer, come and get it.

Krishna: 🏃🏃🏃🏃🏃

[zeherili-ankhein]

ancient Tamil writers' backs must hurt from carrying the entire Harihar (/romantic) fandom for so long

R.I.P ancient Tamil writers y'all would have loved AO3 and fanfiction.net

But honestly they spread their agenda perfectly lol 😭

[dreamconsumer]

Kartikeya.

[karnananna]

Hi, I haven't posted here in a while so here's my schedule for this week. I'm a Tamil/English Vtuber trying to foster an inclusive community. I'm Queer & Minority friendly (Being both myself). If you want chill vibes and occasional cursed conversations come by! My community is 82 followers strong and we're just getting started. At 100 followers, my discord server, Club Karna, opens up. Hope to see you soon! https://www.twitch.tv/karnavt

[sivavakkiyar]

also sorry to go all fandom but I have to live healthy and happy and for the new Zelda now. I have responsibilities

[mano-digital-art-777]

(via "Yali - The Mystery creature" Magnet for Sale by MillionaireMF)

[jeevanjali]

Valmiki Ramayana Part 134: मनुष्य को हाथी समझकर राजा दशरथ ने चला दिया शब्द भेदी बाण,अनर्थ की हुई आशंकाValmiki Ramayana: वाल्मीकि रामायण के पिछले लेख में आपने पढ़ा कि राजा दशरथ को अपने द्वारा किए गए एक दुष्कर्म की याद आई जिसे वो अब अपनी पत्नी कौसल्या को बताते है।

[whencyclopedia]

Chidambaram

Chidambaram (Cidambaram) is an important Chola temple site in Tamil Nadu, southern India. Most of the temples at Chidambaram were built in the 12th and 13th centuries CE. The site is dominated by the huge gateway tower of the Nataraja temple but Chidambaram also boasts the first Devi or Amman shrine, the first Surya shrine with the distinctive stone chariot wheels which would adorn many subsequent temples, and the first large Siva Ganga tank. In this respect Chidambaram is something of a transitional site, linking elements of the old and new styles of Indian temple architecture.

The name Chidambaram, one of several from antiquity, derives from the Tamil Cirrambalam, meaning 'little hall'. The site was chosen because according to mythology it was the precise spot where the Hindu god Shiva had once danced in a grove of tillai trees. The dance was, in fact, a competition between Shiva and Parvati and naturally the great Shiva won. The story became a popular subject in Hindu art over the centuries.

The site is enclosed within four perimeter walls and covers a rectangular area of 55 acres. Within the compound are shrines, halls, temples, ornamental gateways, and a large ritual bathing pool, known as a Siva Ganga tank, which is surrounded by cloisters. Inscriptions claim the site was built by various Pandya kings and local rulers but none are contemporary with the dates the buildings were actually first constructed. The walls and east gopura (gateway) may be ascribed with greater certainty, and were probably built by Kulottunga III, who reigned from 1178 to 1218 CE.

The Nataraja temple was constructed between c. 1175 and c. 1200 CE. The actual temple shrine is relatively modest as by now in Indian architecture the gopuras had become the most important structures, at least in terms of aesthetics. The twin sacred chamber was, however, adorned with copper sheets covered in gold by successive Chola kings. The shrine is preceded by a dance hall and large entrance porch with columns (mandapa).

The massive granite and brick east gopura dominates the site but there are three other gopuras on the north, south and west sides (the earliest). The corbelled roofs diminish as the structures rise and are finally topped with the usual barrel-vaulted roof (sala), the eastern gopura also having a row of 13 decorative finials. The east gopura has a proper interior floor at each of its nine levels and there is an interior staircase which climbs to the very top of the building. All four gopuras have false windows on their facades, typical for this kind of structure, and pairs of pilaster columns set at regular intervals. The second floor of each gopura also has a passageway which worshippers ritually walked around. The entrance archways all have coffered ceilings decorated with relief panels.

Of particular note at Chidambaram are the thousands of sculptures adorning its buildings. In particular there are many statues of women in a wide variety of dance postures. Many statues are accompanied by quotations from Hindu literature which provide an invaluable reference for scholars. There are also figures of the four dvarapalas (guardian demons), the dikpalas (cardinal directions), many figures of Shiva performing heroic deeds, various other deities such as Vishnu, Devi, Sarasvati, and, unusually in southern architecture, river goddesses.

Finally, Chidambaram is also famous for its 17th century CE Nayaka ceiling paintings which decorate the Shivakamasundari shrine of the Nataraja Temple. More than 40 panels depict scenes from the life of the saint Manikkavachakar, a devotee of Shiva.

Continue reading...

[haggishlyhagging]

The goddesses of ancient Greece also displayed the characteristics of flesh and blood menstruants: Medusa, her hair writhing with vaginal snakes, had an ability that was also imputed to menstruants in some cultures: she turned living things to stone with her gaze. She is the menstruant naked, out of control, without protective cosmetikos. Gaia, the earth, was a chasm guarded by a great python. Long-tressed Demeter was also the earth, and her daughter Kore, or Persephone, the maiden, was portrayed holding the menstrual pomegranate. Kore disappeared and her mother went to look for her—a common menarchal drama for some peoples. Hera was "the bride," dressed austerely in long gowns. Hecate was the dark moon, portrayed as an old woman. At Sumer, alabaster statues of the large-eyed moon goddess Ningal were dressed, fed, and washed; even the urbane goddess Inanna was portrayed in one statuette holding a scratching stick, adorned with the cosmetikos of a temple courtesan.

Frequently ancient figurines portray two women together, sometimes melded like Siamese twins, side by side. Often these "dolls" wear skirts, eye and lip makeup, and hoop earrings. Frequently they are stained red. Similar dolls are still made for girls to play with in North Africa, India, and parts of the Middle East. Some of the modern dolls are of a man and woman side by side. My guess is that the paired icons were originally two sisters, representing synchronous flow. The dolls, I was told vehemently by the import shop clerk, have nothing to do with lesbianism, and I'm certain that in any current patriarchal religious system, that is true. But in more female-centered older societies, the Andean, for example, and in many parts of Western society, homosexual relations have a rightful, appropriate, and even sacred place. It thus seems significant that in the south of India, among goddess-worshiping Tamils of the Untouchable caste, a name for lesbian lover is "sister-sister."

Many goddess mythologies feature two creation sisters. Pele, the Hawaiian volcanic fire goddess who creates the earth's surface, has a sister who is "Sea Mist." Among the Pueblos, sister goddesses Naotsete and Uretsete create objects under a blanket they hold between them. Sometimes one sister dwells in the world below, "in the shade," the place of the dark moon, while the other rules above, as with Egyptian Isis and her underworld sister Nepthys. The oldest known menstrual narrative of the meetings of two such sisters is the Sumerian poem, "The Descent of Inanna to the Underworld," whose metaformic meanings I will decipher later. A Caribbean proverb summarizes an ancient attitude of female "flow": "When a woman loves another woman, it is the blood of the Mother speaking."

-Judy Grahn, Blood, Bread, and Roses: How Menstruation Created the World

[aliciavance4228]

Honestly Alexander the Great as a mythological figure is extremely underrated for example there is syncretic Muslim-Hindu tradition in Tamil Nadu that still alive today where they defy Alexander the Great, by identifying him w the Hindu warrior god Skanda and There’s also a dead tradition of identifying Alexander with the Buddhist guardian deity Vajrapani

Aaand there's also his mother Olympia, who claimed he's the son of Zeus. Gotta admire the fact that this guy made his way into different cults and religions.

[nidhi-writes]

Andal: *continues to pretend, then looks up with a smirk* "Yes, may I help you?"

Kanha: *holding out the garland* "Here, you owe me my daily dose of flower garland."

Andal: *playfully* "Well, you have it in your hand; wear it yourself."

Kanha: *gasps dramatically* "Blasphemy, how could you!"

Andal: *smiling.* "Well, what do you owe me if I wear the garland first?"

Kanha: *leaning in, whispering,* "Me."

Thus, my dear people, Ranganatha(Kanha) always wears the garland once adorned the chest of his lovely Andal/Kothai.

@whippersnappersbookworm  @harinishivaa @thelekhikawrites  @willkatfanfromasia  @yehshuhua  @arachneofthoughts  @vibishalakshman @nspwriteups  @thirst4light  @hollogramhallucination   @celestesinsight ​  @curiousgalacticsoul  @themorguepoet @tranquilsightseer @nature-writes29

[zeherili-ankhein]

OKAY OKAY SO

I don't think it's fair to credit ONLY ancient Tamil writers for the Harihar yaoi cult cuz in some Shakta beliefs Vishnu is seen as an avatar of Shakti, and HENCE...

Vishnu and Shiva are... technically married...canonically.... if u think about it

So a big shoutout to ancient Shakta writers as well!

I like to think that the North Indian writers were planning to make them a canon ship but were a little too hesitant so the Tamil and Shakta writers stepped in and said "Fuck it. We'll do it instead. Tumlogo se nahi hone wala."

Honestly BIG slay. They were TIRED.

EXACTLY LIKE THE ENTIRE KRISHNA = KALI THING PROVES THIS

Does that also mean Krishna stepped on Shiva-

Honestly the North Indian writers should have done that :/ sad they chickened out

The Tamil and Shakta writers honestly had a Thanos moment and said “fine I'll do it myself” AND THEY COOKED 🥘🥧

[demigod-of-the-agni]

PLEASSEEE TELL US ABOUT YOUR MYTHIC MUMBATTAN AU PLEASE PLEASEE

>:) very well, my people (currently screaming because i wrote a response but i accidentally CTRL+Zd everything out of existence lmao)

The Mythic Mumbattan AU is me pouring the following ingredients into an explosive mess:

Hindu mythology and Indian culture overload

college!Spider-Man shenanigans

revamping the original Spider-Man: India plotlines and expanding the lore

character studies!!! my favourite :)

a potential and self-indulgent crossover with another indian superhero (if we ever get there)

the horrors.

Pavitr and his personal cast!!! just!!!! THEY!!!!!!

(keep reading if you want more goodies >:D)

So the CoffeeBean is a coffeeshop that existed in the mainstream Marvel universe and in real life but that's another thing; the cast below frequently drop by to hang out with one another. The Mumbattan-equivalent of the CoffeeBean is actually the TeaHouse which is another real life thing but shh and so in-universe they're called the TeaHouse gang, but in my heart they'll always be the CBG 😌

Everyone goes to Brihanmumbai State University (BSU). Lots of crazy things happen here. Pavitr's relationship with the others is always in flux but ultimately they're super close with one another (fuck it, they might as well be poly). Their personalities I try to keep as close as I can to the mainstream universe E616 comics, but I'm being creative and letting a few things from the SMI comics and ATSV influence them:

Pavitr Prabhakar — Tamilar (Tamil); he has the charm and skills from his ATSV counterpart and the smarts from his SMI counterpart; he can be a bit of a jerk and a flake, but he tries to be a good friend, and is much more open than he was in high school.

Meera Jain — Kannadiga (Kannada); basically how I've written her in tibim: everyone's first impression of her is that she's carefree and seems to not worry too much about life. She secretly deals with a lot of self-doubt and personal fears, but the gang's presence is enough for her to push them aside.

Gayatri Singh — Gujarati (Gujarati); she's probably the most quiet of the gang, but undeniably the kindest. She's more similar to Pavitr, in that she's stubborn and quick to judge. She's the glue of the gang and always willing to extend a hand to others

Hari Oberoi — Maharashtrian (Gujarati/Marathi/Hindi); the son of the man who tried to bring literal hell to earth, but other than that he's okay. He's a people-pleaser despite having everything, and struggles with his own self-image and who he should become

Ekansh "Flash" Travasso — Goan (Marathi); the high school jock who's grown more understanding and compassionate. He knew Pavitr the longest, so they have quite an interesting collection of interactions. (ALSO I'M SO SORRY I WROTE THOMPSON IN THE ART POST INSTEAD OF TRAVASSO 😭 maybe i should go back and edit that)

Spider-Man is Spider-Man'ing. Mumbattan loves him (sort of. Inspector Singh has mixed feelings). But another question: why is that every where Spider-Man goes the demons of yore all start showing up and begin wrecking havoc? Why is that? I am taking the magic in Spider-Man: India and dialing it up to five million — horrors and magic of every kind! I can get my hands real dirty and /really/ push Pavitr to his limit >:)

That is all for now. There will be more characters, but they'll show up in time. Lots of stories too, all old and new and revamped and crazy, but they'll be told when they're ready. Perhaps this is enough to satiate everyone's hunger? (unless you want to know something else, then by all means go ahead and ask!!!)