#talked about making this last year with zoe

[lovefortayley]

"Somewhere lost in the colored annals of history lies a place that few have seen. A mysterious place called The Unknown. Where long forgotten stories are revealed to those who travel through the wood."

-Over The Garden Wall

[two-white-butterflies]

vienna waits for you

Description: A messy divorce with his college sweetheart sends Harvey catapulting into a bed of madness. He meets her years later, and the worst part is: they still love each other.

Pairing: harvey specter/singer!reader

A/N: i am obsessed with suits as of the moment, and i will be posting a lot about harvey specter regardless of his small fanbase. i have no idea if representing an ex-spouse is legal, but i saw jessica do it for her ex-husband so...by law of suits?

Harvey Specter does not have a positive outlook on love. His mom cheated on his dad, and subsequently his views on love were hinged on that heartbreak. Everyone around him knew that there was a great wall in the middle of Harvey and personal connections. He struggled to make friends - or in Donna's words, he is alone, has always been alone.

"What are you talking about?" Louis raised an eyebrow, a foot inside of Harvey's office. His eyes methodically darting back and forth between the two men. "Harvey was talking about his college sweetheart. She added him on Facebook." Mike lied.

Louis chuckles nervously, aware of Harvey's past.

It hasn't been that long ago, Harvey was still married to you during his early associate days. "She added you on Facebook?" Louis repeated the last words, his eyebrows were merged together. I don't mean to impose, but if Harvey's getting back with his ex-wife... Louis thought, and Harvey's jaw clenches.

He casts Mike a glance.

"If she added you on Facebook, then why didn't she add me?" Louis bites his bottom lips, Y/N likes me. I thought we were friends, Louis takes a deep breath. "Maybe it was a fake account, Louis." Harvey glares at him, his blue eyes piercing daggers deep into the other man's soul. Why couldn't have Mike thought of something clever-er?

There were three women that he could name at the top of his head, Scottie, Zoe, and that one waitress girl. "Oh, because for a second there I thought that..." Louis smiles bitterly. "Get out." Harvey rolls his eyes, mumbling something about closing the door on his way out. Louis quickly fades from view.

"What was that about?" Mike's eyebrows merged together. "None of your business," the older man replies curtly. Harvey didn't embrace the past with all of his heart. There were a million things that he could have done differently. He could be living a different life right now, had he made the right choice, but he didn't.

He has never experienced real love, but he was close, once.

"I get it," Mike sighs, aware that it wasn't smart to ask his 'mentor' personal questions. "I need those files by tomorrow." Harvey huffs, dismissing the associate. Way to ruin the day, Mike, Harvey thinks.

But it wasn't really Mike's fault.

(HARVEY SPECTER. 1ST YEAR AT HARVARD)

When you fall in love, everything happens in slow motion. As I'm watching this girl get off her motorcycle, everything happens in slow motion. She removes her helmet, and her hair is free - suddenly swaying with the strength of the wind, and when her face is free of her flowing hair - I see her face.

She's the most beautiful woman I've ever seen.

"Harvey Specter, right? I'm sorry for being late but I was the one that they tasked to tour you around the place. Courtesy of Jessica." She smiles at me, her helmet sitting snugly on her hip. "You don't have to," I found myself mumbling and she shakes her head.

"I insist." She smiles at me. I think I can hear a love song play in the background. Harvard of my dreams, woman of my dreams. "Harvey Specter," I introduce myself. She mumbles her name, and shakes my hand willingly. "I'm from the school of Arts. I hope that you'll be able to attend my song event next Tuesday. I'm inviting you." She says promptly, her tone reminding me of Jessica.

School of arts? Pfft, she must come from real money.

"Invite me? But we've only just met. Shouldn't you invite me to dinner before coaxing me into your bed?" I raise an eyebrow. She laughs at my joke, I don't even know if that joke was funny in the first place - but I know that it made her laugh. "It's a song, Mr. Specter. I'm not asking for your soul." Her eyebrows relaxed, and we walk inside the building - the warmth of the heater entering my body.

"- plus, I made a bet with this girl in class that I'll be able to get more guests than her." She winked as we entered our first classroom. "Give me a good reason, and I'll bring all of my friends." I chuckled.

(CURRENT DAY)

"It is always a pleasure to see you," Jessica smiles.

"I wish that I was here under different circumstances." You take a deep breath. These past few weeks have been a blur. "A million artists have been accused of plagiarism, but songwriting is a grey area. Pearson Hardman will fix this problem. I promise." She promises.

Jessica has never let you down.

"We'll have to prove to them that your song was written before they published theirs, which is easy because you keep all our song lyrics in a clear-book." Jessica remembers, versed in all the times that you rambled about your songs in her office, but a sigh escapes your mouth. "Proving that to them is the trickiest part." You confess.

"I lost my book. I don't know if I left it with Harvey - if it's stacked in between his bookshelves, or god knows where it is." A bitter chuckle escapes your mouth as you sink deeper into the seats.

"I could've gone to any B list law-firm if this was an easy battle but I'm willing to spend money on Pearson Hardman because I can't afford to lose." You articulated with a forced smile. Being accused of plagiarism was a stain on your reputation. Pearson Hardman needs to protect your honor.

"Jessica," Harvey's voice breaks you away from your thoughts. Suddenly, the office became smaller, and the twenty-feet distance between the both of you wasn't enough to contain your anger.

"Harvey will handle your case, he is our best lawyer." Jessica compliments. "No," you resist without apprehension. "- what I need from you isn't trivial. I really can't afford to lose." You breath. If this was Jessica's way of entertaining herself, then she needs to find another person to play with. "We should all be professional here," Harvey breaks his silence.

He sits down on the couch parallel you.

He has always kept to himself, even resisted from showing you the vulnerable parts of him in fear that you'd leave. In the end, you weren't the one that left - he was the one who filed for divorce.

How do you talk to an ex-husband without yelling profanities at each other? When the last time you saw each other was in the middle of a court room, unable to look each other in the eye. It would be better to leave things unsaid, but given the circumstance - given the fact that he was staring at you right in the eye - it was impossible.

"I am being sued for plagiarism. I know that you don't care about the truth, so I'll make this simple: losing is not an option." you emphasized, wording it in a way that would leave no questions.

Jessica hands him the files.

"I don't plan on losing," Harvey mumbles while skimming through the files. "- you were smart to come here."

3:00 P.M

The sight of him in his three-piece suit, his gelled hair, and his fresh cologne scent sent you reeling back into the past. How long has it been since you've seen his shadow? Even longer since you've last spoken without your lawyers acting as a medium.

Stars shine and burn, and your star crashed into extinction.

You continued staring at him as he read through your files (all magnificently compiled thanks to your years of proofreading his case files which did not happen if anyone from the D.A asks.) "How long are you going to stare at me?" He asks in a cold tone, it has been an hour since the both of you left Jessica's office. Opting to meet in his office instead, lest you fall asleep in Jessica's comfy fibers.

"You really are miserable without me," you spoke out loud. "What the hell are you talking about?" His eyebrows merged together. "You still don't know how to tie your necktie properly," your lips burrow into your lower lips, watching a fraction of a flaw in his tie.

To any untrained eye, his necktie was polished and flawless - but you know that when he does his necktie, his thumb is a little tight and the entire fabric is tighter around the middle. The back part of his necktie moves slightly to the right, but he fixes that by tucking it in.

"I'm sorry but some of us don't have the time to study little things," his tone comes out colder than he anticipated. There was a time where Harvey was just this little thing in between your palms - if the you refused to move to the mountains, then he moves the mountains to you, that was until the fallout.

"It is because of the little things that we live," you replied in your usual artsy way, one that sends a corporate man like him careening. "- I know that you hate me." You began but he interrupts you with a stare. "I don't hate you," his voice is gentler this time.

"Regardless, I hope that you understand how much this case means to me." You look at him with your puppy-eyes, begging for justice. "I graduated from Harvard, top of my class in a course that people don't take seriously. I make art, not just soulless marketable music, but art that actually has meaning, and to be accused of plagiarism offends me. It really does." You explained your side.

And it doesn't take a genius to realize that he believes you.

"I listened to your song," Harvey replies.

"I didn't see you listening to it." You mumbled.

"You went to the bathroom and I listened in the interim," he lies. He still has your vinyl albums on his vinyl shelf, but no one knows that. "The songs are similar." He pointed out. "Songs sound similar all the time," you snap but only because you know that you've never copied a damn thing in your entire life.

"You told Jessica that you wrote this song during our... do you have any proof of that?" He inquires, following his usual procedure of investigating his client. "No, but I wrote that song after our fight. If that means something." You chuckled bitterly.

(THE BEGINNING OF THE END)

The white blanket covered your body, providing warmth against the coldness of your shared apartment with Harvey. "Good morning, beautiful." He presses a kiss to your shoulder. "Good morning," you replied with a lazy smile, still taken aback by the beauty of his stare.

When you are thrown back into reality, that sinking feeling returns and permeates in the bottom of your chest. "This isn't going to make me forget about that thing with Cameron Dennis," you sharply reminded him.

"This is why I didn't tell you in the first place." He frowns, a bad start to the day. "- you were against me when I was in the grey. I am in the black now and I don't know what you want me to do." He argues.

It wasn't as easy as you narrated it, there were nuances to the problem. Cameron Dennis wasn't going to let him go that easily, when Harvey had the evidence to implicate him in a crime. He'd want to settle a score, and a man like Cameron Dennis was unpredictable, regardless of his moral code. "Leave," your answer was simple.

"- there is still a place for you with Jessica. But if you think that covering up for Cameron, this one time makes you exempt from all the other crimes that he's about to do in the future. You're wrong. Don't wait until it comes to bite you in the ass," you pleaded.

Greater than him have failed against corruption. You didn't want to see him become another clog in the machine, if he was in the black a foot inside of the room - then what shade would he be a year being inside of the room? "If your eyes are open, there's no reason to close them." You continued to persuade.

"It's not that easy." He repeats himself, and for a man of his stature - it really isn't easy. All he had to defend himself was you and Jessica. "I know that it isn't, but instead of involving yourself it would be better to leave before the tides become stronger." You advised, but judging by the look in his eyes - he wasn't listening to you.

5:00 PM

"Their estate replied, they're willing to settle on 40%." Harvey informed you, aware that it was the best deal that he could get out of this scenario. You didn't have a single evidence in your hands, none but your words and the stories attached to it. He believes you, but it would never uphold in court. "I want to settle on 0%." You insisted.

It is bold, but not even half of what Harvey settles on a daily basis. "They wanted 100 and I got it down to 40, unless you come up with an alibi or concrete evidence. I firmly advice you to accept their offer." Harvey tries to convince you, his tone mirroring yours all those years ago. "For Christ's sake," you mumbled - it was a losing game.

You couldn't let anyone take credit over your song.

This song means something to you.

It means something to your life.

"I hate you Harvey," you suddenly let out.

After all these years you still hold that divorce against him. It wasn't your fault in the first place, he allowed himself to be consumed by that corruption in Cameron Dennis' office. He blamed you for every little problem that he encountered, he pushed you away, told you that he never cared about you - even though that wasn't the truth. Not even close to the truth, because he was afraid.

Afraid that you'd cheat on him. Afraid that you'd leave him, he left first. So he'd be the winner.

"What is this really about?" He tried to keep his distance. "You can't even win this damn case." You insulted him, your words still able to cut through his thick walls. "- you defend capitalists. You're a clog in the machine, and you can't even defend an innocent woman." You were aware that your anger was misplaced, but he was the one standing in front of you - the object of your ire.

"You still can't let it go," his voice was a distant whisper. "- this world isn't a walk in the park. I told you that during the divorce, and I still mean it." He says the word 'divorce' with no reluctance, whereas he was avoiding that word a few hours ago. "You changed. I can't even recognize you," you chuckled mockingly. "What happened to the man who had a moral code?" You ask.

"You've been gone for a long time." He made an observation. "And we don't know each other that well. You were always away, building your career. Leaving me." He voices out his anger for the first time in decades. His jaw clenches again, but his eyes - oh you could tell from his eyes that he was heartbroken.

"So the divorce was my fault?" You queried.

"We barely spoke to each other. You didn't return my calls, you pushed me out, you made me think that there was someone else." He points a finger at you, raising his voice by an octave. "I was scared that if I answered you, then we'd fight. So I ignored you because ignoring you was better than losing you!" You yell.

The last years of your marriage was hell. Every little thing that unnerved you of each other was brought out, used in arguments - and the very swords that you promised to defend each other with, was used to stab each other in the back.

"You gave me the divorce papers, I told you that we could fix our marriage and you ignored me too. I'm not the villain that you're making me out to be, Harvey." You take a deep breath, regaining your composure and walking out of his office.

(A DAY AFTER THE DIVORCE PAPERS WERE GIVEN)

I take a deep breath.

In and out, like she always told me to do.

How long has it been since we've last spoken to each other? The only time that I was able to hear the sound of her voice was when the judge spoke to her and she requested for half of my properties. I should hate her for doing that but I don't.

"Harvey, I'm sorry for that plea with the judge. I don't know how to get your attention without suing you. We both made mistakes, but that isn't a good enough reason to let go. Let's fix us. I love you, and please call me back." The voicemail ends and I take the phone off my ear. I love you, three words that I have never said to her before.

I can see her sitting on the corner spot of the cafe - the cafe where we had our first date because the steakhouse that I booked mysteriously got shot down, and she insisted on having coffee for dinner. I can see her wearing the red dress that she wore on her song recital - the first time that I was able to hear her perfect voice.

I want to enter the room, but I can't.

I reach for my phone, dialing her familiar number.

It rings a few times, and I see her fish for her phone inside the bag.

"Hello?" I hear her voice on the other line. "Harvey, are you coming?" She asks, but I'm already here - without the courage to walk through the doors. "Harvey," she says my voice in a firm tone.

I open my mouth to speak but no voice comes out. I'm scared, and what if she'll leave me in the future? I should leave before she falls out of love with me, before she realizes that I'm not worth the sweat. "- for christ's sake. If you're here to laugh at me." Her voice becomes frustrated, and I see her stand up.

She hangs up.

"I love you too," but she was unable to hear me.

10:00pm

Harvey takes a swig of his beer, making his way to an apartment that he hasn't been in for a long time. This used to be your shared apartment with him, and he got ownership of it in the settlement. He opens the door with the keys in his pocket (keys that he's always kept in his pockets just in case he needed to return).

The apartment didn't smell like you anymore, it smelled like dust. The pristine white couch was now a muddied version of grey, and all the portraits you had together were covered with a thick layer of dust. He takes a deep breath, sitting down on the floor beside the vinyl shelf.

He took all of his vinyls and placed them in his office, but yours were still there. The Yeah Yeah Yeahs, Don McLean and Coldplay, your favorite artists - and he hasn't listened to them in a while. He doesn't understand how your marriage with him took a sharp turn - he valued your love, held it close to his heart, but in the end it slept away from his hands, carried on and never looked back.

He opens the dusty vinyl box and plugs in the song.

The song that you were being sued for, and the song that he has only listened to once because he couldn't bear listening to your voice.

Slow down you crazy child, you're so ambitious for a juvenile. But if you're so smart, tell me why are you still so afraid? Where's the fire what's the hurry about? You better cool it off before you burn it out.

He opens one of the albums in the shelf. Elvis Presley's That's The Way It Is, which the both of you voted as the best Elvis album of all time, the soundtrack of your love story with him.

You're gonna kick off before you even get halfway through? When will you realize, Vienna waits for you.

The song continues playing in the background, and to his surprise a paper napkin was folded in the middle of the album, creating an indent that he hasn't noticed before. He reaches for the paper napkin, afraid that it would disintegrate with his touch. He unfolds it gently and to his surprise, the lyrics to the song that you were being sued for: Vienna, was written there.

To my husband, please remember that I'll be here waiting for you.

12:00 AM

He knocks on your apartment door, and you groggily open the door for him. "What the hell are you doing here?" Your eyebrows merged together, surprised by his sudden appearance. "I can win the case," he says with certainty - but already knew that. Harvey Specter is the best lawyer in NYC.

"You don't like losing. I get it." Your voice had hidden meaning.

Your eyes only softened once you realized that he was holding a laminated paper napkin in his right hand. "You found it," you take a deep breath, which probably also means that he was able to read the note that you wrote. "I went to our old apartment and it was-"

"In Elvis' album," you finished his sentence. "I didn't expect you to still have that apartment. I expected you to sell it the moment that it was given to you," it was your turn to make an observation.

"I'm sorry for hurting you." He made it very clear that he regretted the divorce, but should a relationship be founded on regret?

"It's in the past. We both have moved on." You partly lied.

"I was there in the cafe when you called me, and I wanted to talk to you but I was scared." He admitted, finally able to voice out his thoughts after all these years of keeping it in. "I was scared to tell you the truth because everyone who has loved me, has left me." He repeated, and suddenly a great weight was placed on your back.

"I think about you everyday," you confess.

Your hands in his necktie, pulling him closer towards your body. "What if we hurt each other worse?" It was your turn to voice your concern, eyes mirroring his - your fears were tangible. "Let's try again. I'd rather live knowing that we tried again, than live knowing that we could have but didn't." Harvey begs.

You answer him with a kiss to the lips.

A/N: will do a pt 2 fluff 🙏🏻 idk if people still watch suits but i love this show and i live breathe it.

[augustinewrites]

[twenty-two minutes to midnight]

hange zoe is a special brand of stupid. 

at least that’s what levi thinks as his friend says, stupidly, “if neither of us are kissing anyone at midnight, i guess i’ll have to kiss you, levi.” 

levi ackerman makes it his special mission to be as far as possible from his friend before the clock strikes 12. when it comes to hange, his ever-scowling lips are for critical judgment and insults only. 

“pass,” he scoffs, rolling his eyes when they pout at him. 

“but what about all those times you asked me how to—”

“this conversation is over,” he deadpans, emphasizing his point by walking away. 

but levi has learned long ago that there’s no walking away from hange. they drags themselves up and away from the table to follow, throwing a heavy arm around his shoulders. “why not though? are you planning on kissing someone else tonight?”

their tone is teasing, but their eyes give them away. hange’s fishing for a specific answer. 

“no,” he answers much too quickly to be nonchalant.

his friend just smirks. “she’s here, you know. erwin said she just got back a few weeks ago.”

“i had no idea.” (he already knew.)

“she’s still single.”

“i don’t care.” (he might care.)

they hum thoughtfully. “so you wouldn’t mind if i kissed her instead?”

levi doesn’t answer this time, shoving his friend’s arm off his shoulder and trying to disappear into the party. 

erwin’s parties were always too big, in his opinion. he packed his penthouse apartment to the brim, and how anyone had this many friends, he had no idea. at least the sheer amount of people would allow him the opportunity to slip away, maybe hide in some quiet corner wearing a scowl that could repel the bravest souls.

(and if he hides, there’s no way he’ll run into you, right?)

[twelve minutes to midnight]

by merely thinking of you, levi’s mother would probably say he was tempting fate. his mother was almost always right, loathe as he was to admit it.

because, yeah, it’s barely twenty minutes later when he spots you across the room, sipping champagne while chatting with miche and hange. 

you have your back to him, but he knows that it’s you. it’s instinct— the way his eyes linger down the familiar shape of your body. he traces each curve draped in blue silk the way his hands once did.

levi could go over there. he could tell you that you look gorgeous in that dress. he could tell you that he misses you, needs you, loves you…

but then miche would make that face, and hange would fail to bite back that smile, and levi would have to block both their numbers and all their social media accounts again. 

he could tell you these things, but he’s never figured out how. levi likes to handle things on his own and refuses to show weakness to anyone. 

so he turns on his heel and heads in the opposite direction instead, towards the kitchen to look for a drink. he wasn’t really one for alcohol, but he needed it tonight. 

he’s frowning over the various bottles when erwin appears, a knowing grin on his face. he has a habit of materializing out of nowhere when levi’s at his weakest.

“looking for anything in particular?” the blond asks. 

“just a beer,” he mutters. 

erwin hums, contemplative, then lists various drinks. “let’s see. there are have craft brews, ipa, winter wheat—”

levi makes a face. when the fuck did beer get complicated? “what the hell is a winter wheat?”

“it’s beer, levi,” he chuckles, shooting him an amused look. it lasts a second too long, and is followed by, “you saw her, didn’t you?”

“what does that have to do—”

“are we talking about levi’s love life?”

“no, we’re not,” levi snaps, shooting miche a warning glare that his dumb friend chooses to ignore. 

“come on, we’ve known about your crush for years now,” the man continues, judging him slightly. “remember when you got drunk on hange’s birthday?”

“ah, yes,” erwin sighs, as if he’s recalling a particularly fond memory. “when you announced that you sorely missed—”

“oh my god. i hate my life,” levi mutters, turning on his heel and making his escape as the two grown men giggle like schoolgirls. he grabs the most expensive looking bottle of liquor, yanking the cork out and tossing it onto the counter. 

“maybe you’ll hate your life less if you get laid!”

levi flips them both off before slipping out onto the balcony, content to hide out here until the countdown is over. the door slowly slides shut behind him, muffling the mellow music and cheery laughter inside. 

he sets the bottle he’d swiped on the parapet, looking out at the twinkling city lights. these parties were much too suffocating, full of bright-eyed people that seemed keen on conversing with him no matter how reproachful his gaze. 

he doesn’t turn around when he hears the door slide open and shut behind. he already knows who’s followed him outside.

winter here provides a crisp cool, but levi doesn’t mind, slipping his suit jacket off and tossing it onto a patio chair. you don’t seem to mind it either, bare back pressed against the parapet as you smile over at him.

“you didn’t say hello,” you murmur, leaning towards him. levi steals a glance at you, eyes wandering down the column of your neck to the tempting plunge of your neckline. 

“hey,” he grunts, holding out the bottle he’d swiped in offering.

you accept it, taking a small sip. your face immediately pinches in displeasure, causing levi’s to crack with a small grin. 

“how’s your night?” you ask out of nowhere. 

“bored,” he answers stiffly, scuffing the toe of his shoe against the patio. “though i don’t suppose you actually care.”

you chuckle at that, your amusement barely audible over the breeze. you both know that’s not true. “just making conversation.”

“you’re pretty shit at it.”

the air between you both is suddenly hot, but levi shivers at the brush of your fingers against the corded muscle of his arm. your touch burns like fire across his skin as you murmur,

“shut me up then.”

his gaze falls to your mouth, pulse thundering in his ears as he leans forward and closes the distance. levi moves on instinct, locking a hand around your hip and pulling you closer. he swallows your surprised gasp with a kiss, but you don’t pull away.

he kisses you softly at first, each touch and movement of his mouth hesitant as he tests your boundaries. your hands move up his chest, grabbing fistfuls of his shirt collar and somehow pulling him closer, kissing him back with a fervor that makes him dizzy. your insistent mouth parts his lips, sending tremors through his nerves and awakening sensations he wants to feel again. it’s a good kiss. not bad for the first one you share in front of your friends (who are all gathered at the window) announcing your relationship as the clock the strikes midnight.

[sgiandubh]

No lies last forever, part 2: the (over)due confirmation

With the Happy Sad Confused Tenth Anniversary Live Special being made available online, I think all doubts have now been lifted about the entire Intergalactic Bullshit this fandom has been deliberately fed for years and years in a row, by a cheap, sad troll and his accomplice. Both imbeciles' determination being only matched by the cast's complete indifference to fandom drama and, as I already wrote (https://www.tumblr.com/sgiandubh/764711074507390976/no-lies-last-forever?source=share), ***'s incompetent, tone-deaf PR.

You can watch the entire recording here, by the way:

The part where S specifically addresses his (non-existent) 'friendship' with William Shatner has been explicitly planted by the end of Jack Quaid's dedicated segment. That it has been discussed and planned prior to the show is obvious. And this time, Josh Horowitz wasn't even subtle - he announced the topic way before it 'spontaneously' popped into the conversation (39:42):

Transcription follows:

Josh Horowitz (JH): 'So, what's the dream for further voiceover roles, do you want a Pixar movie, do you want Outlander -the cartoon, what do you want?'

[laughter throughout the panelists]

S: 'Oh, I'm a Star Trek fan, actually' [women in the audience boo and shout - I wonder why, seriously], 'I am a Star Trek fan, I grew up watching Next Gen, so maybe Below Decks is... come on, guys.. '

[Note: yeah, he's such a fan, he has no idea the correct name of the cartoon spin-off, in which Jack Quaid has a voiceover role, is Star Trek: Lower Decks]

JH: 'We'll get him out in a second' [note: Jack Quaid], we'll talk some Star Trek, amazing...'

See? Not even subtle, if you ask me. I think this is something S wanted out for a good while now. It doesn't erase or even ease the pain and the trauma brought to so many people in this fandom by a pair of idiotic bullies, but I think it was very brave of him and, at any rate, it's better later than never.

And so, I waited. And waited. And waited. And then, here it went (01: 02: 54):

JH (consulting notes):' Um, we also should mention Star Trek: Lower Decks, we talked Star Trek a little bit earlier...'

Jack Quaid (JQ):'And, by, the way, this is the last season of Lower Decks, but we would have loved to have you! What the fuck, I didn't know you watched the show! [inaudible, if someone caught it properly, something like 'that was so close', I'd love to know more and especially who said it - thank you] Unbelievable!'

S: ' That is so cool, man!'

JQ: 'Oh, thank you, dude! Oh, yeah, hey, let's get rendered (?), let's do this, we keep going, let's get him on, let's do it!'

JH: 'Isn't...isn't William Shatner a big Outlander fan? I feel like he is...'

S (very uneasy): 'Ah... erm... yeah... (scratches back of his head)...I hung out with him once, we went to his stables and I watched him like riding a horse and stuff.... And, I don't know, it was really weird, cause sometimes I wonder if I am speaking to him via messages and stuff, or if it's actually his assistant [JQ: 'oooh!'], I don't know...'

JQ: 'Does his assistant look a lot like him?'

S (chuckles): 'Kind of...Yeah, you can't tell them apart. Yeah, no, but I believe he was a fan, until he saw me ride'.

Despite the jocular tone, I think everything is pretty much clear, here. Definitely a prepared conversation, despite Horowitz's efforts to make it sound playful and spontaneous. Something he even took prior notes about and made sure to include in the panel - nothing more serious than that, in fact. As for the sad cretin mentioned there, what would be left to say... S sent the guy to Coventry in barely two phrases and actually poked fun at his appearance and demeanor ('you can't tell them apart'). So long for the fictional 'friendship' and 'communication' between S and The Assistant, so long for the braggadocio that horrible little man exhibited all the way, pretending he actually had a personal relationship with S (well, as we all see, he actually doesn't: he doesn't even have a name, in S's book, as acquaintances, let alone friends, do). His only claim to fame was what, in reality? Answering some X DMs sent by S to his employer? Hello? How about his threats, then? How about his repeated calumny of people he didn't even know, calling them 'crazies', 'in need of medical attention', etc?

And please, don't come after me with that sorry excuse that 'it's S's humor'. There was nothing humorous about it and I have proven it already.

I will leave you draw your own conclusions about the non existent friendship with Shatner, something that has probably been 'encouraged' ex nihilo by *** and taken to dramatic cheapness and conflict with and within this fandom by The Assistant himself, mainly, and his friend, the OG Troll. I do not remember hearing/seeing Shatner himself saying all those horrible things (please correct me if I am wrong), so until I am proven the contrary, it's only logical to have many thoughts and questions about these people's strange, very strange obsession with OL and its two main co-stars.

Not to mention the most idiotic threat I have ever read in this fandom. Something I fell upon by absolute chance this morning. I mean, I couldn't even believe people actually bought such primitive, kindergarten bullshit:

[July 29th, 2017]

' Do you still want OL to continue or not, people?'

Empty, illogical threats: why would *** cancel its actual cash cow show, just because two co-stars had something SO obvious, that people realized there was more than the official narrative to it? And what about the crazy story about Albrecht & co. investigating and allegedly menacing fans with going to court? Has this cretin ever realized the potential media scandal would have far outweighed the inanity of such a claim? That it could very well have a serious impact on ***'s company profile and future projects, even?

I really, really think both of these Unsavory Clowns should find another playground and another obsession to cling on (wasn't the first, would not be the last). Elsewhere. In a galaxy far, far away.

PS: Thank you, regular attendee who bravely spilled the tea and thank you, old shipper who came forward and confirmed. And many heartfelt thanks to all of you shippers, old and new, who also bravely stepped forward with their personal take on everything these two have done to this place.

Dare we hope this is the beginning of the end? What is sure, is that no lies last forever. Or as we say in Romanian: minciuna are picioare scurte și adevărul o ajunge/'a lie's got short legs and truth will always catch up with it'.

[Later edit]: edited to add a new, improved clip that actually does include the entire conversation.

[xoxochb]

⋆·˚ ༘ * please, please, please

warnings: set during that one scene from ttc, reader is a minor goddess of music/singing (to fit the sabrina carpenter vibe ykwim?), a bunch of quotes are not mine they are direct from the book so credits to uncle rick!! there’s also a lorelai gilmore reference at the end

pairing: apollo x goddess! daughter of aphrodite and ares

“absolutely not”

you give the sun god a look of pleading and he laughs at your desperation

“I don’t know what you’re talking about”

you hit his head “yes you do”

“she’s my dear old sister-” apollo begins

“exactly. along with her hunters and others”

“I don’t see the problem”

“the problem is that you can’t control yourself”

“well when I’m around you…”

“oh my gods!” you hit him twice this time “this is what I’m talking about. you’re an idiot”

apollo ignores your comment and drives (??) the sun chariot to the snowy ground

“I beg you do not embarrass motherfucker” you warn

when you step out onto the wet grass and before you have the chance to greet everyone apollo speaks,

"little sister!" he calls "what's up? you never call. you never write. I was getting worried!"

artemis sighs "I'm fine, apollo. and I am not your little sister"

"hey, I was born first."

"we're twins! how many millennia do we have to argue?"

"so what's up?" he interrupted. "got the girls with you, I see. you all need some tips on archery?”

“I need a favor. I have some hunting to do, alone. I need you to take my companions to camp half-blood”

"sure, sis" he then raised his hands in a stop everything gesture “I feel a haiku coming”

the hunters groaned but nonetheless he held up a dramatic hand and began to speak,

‘green grass breaks through snow

artemis pleads for my help

I am so cool’

he grinned waiting for an applause

“last line was four syllables” you point out

apollo frowns "was it?"

"yes” artemis agrees “what about I am so big-headed?"

"no, no, that's six syllables” he starts to mutter to himself but you ignore it, you could be here for days

one of the hunters, zoe you recognized turned to the demigods and explained how apollo had been into haikus since he got back from japan, and said god interrupted her soon after

"I've got it!" he announced "I am so awesome. that's five syllables!" he bowed feeling pleased with himself

"and now, sis” he continues “transportation for the hunters, you say? good timing. I was just about ready to roll”

"these demigods will also need a ride," artemis points to them

"no problem!" apollo checked them out "let's see... thalia, right? I've heard all about you."

thalia blushes "hi, lord apollo"

‘isn’t that his sister?’ you think

"zeus's girl, yes? makes you my half sister. used to be a tree, didn't you? glad you're back. I hate it when pretty girls turn into trees. man, I remember one time-”

you cut him off with an elbow to his stomach, he winces in pain. a black haired demigod- with sea green eyes to differentiate him from the others, he must be poseidon’s- eyes you before asking,

“are you a goddess? how come I don’t recognize you?”

“minor goddess” you confirm “of music. my parents are ares and aphrodite, and unfortunately I am married to this idiot” you give apollo an angry look but he throws an arm around your shoulder

the daughter of zeus chokes on nearly nothing “married?!”

you nod “twelve years”

artemis speaks again “how she can put up with him is a mystery”

“well we should get going” apollo interrupts

“yes, I agree” you say and pull the sun god’s arm off of you, he frowns at the loss of contact

the hunters and demigods pack up their belongings and you pull apollo to the side, he prepares himself for whatever you’re going to say, which he’s sure will be a scolding because he ignored the one thing you asked of him

“listen-” he starts

“how about I talk you listen?” you cross your arms

this was going to be a long scolding…

[dyk3tastic]

friends

victoria neuman (the boys) x reader

genre: angst, light smut, hurt/comfort(ish)?

summary: when victoria shows up unannounced at your apartment in the dead of night you want nothing more than to kick her to the curb, you let her in anyway. reader is a member of the boys, could be read as a follow up to my previous fic “cant have both” or as a stand alone. (now wiv a follow up u can read here)

warnings: weapons, language, slightly nsfw, light smut, mentions of sex

a/n: back with another one. getting back into posting ff, haven’t written for an ‘audience’ in a while, feedback is appreciated. enjoy! :)

“wow, you really gonna treat a friend like that?” victoria drawled, foot blocking your front door, stopping you locking her out. wide grin flashing her perfect white teeth. the last thing you wanted at 4am was to shuffle bleary eyed through your shitty apartment, glock firm in your grip by your side, to answer that incessant hammering against your door. when you open the door to see her standing you want nothing more than for the earth to open up and swallow you whole, dreading wallowing in the limbo between you both. the space between hate and longing, betrayal and understanding, where all interactions between you two now seemed to take place. you were tired.

staring up at you under her thick dark lashes, you knew you couldn’t get rid of her even if you wanted to. “we’re not friends” you croak out, voice rough with exhaustion. she just laughs at you, continuing to blink up at you like a fawn, flashing her predatory smile. “what are you doing here vic?” you hiss frustrated by her brazenness and lack of explanation.

“can i come inside? i want to talk to you”, she lets her smile drop. “please”.

you say nothing to each-other as you turn to let her in, she slides past you, eyes dragging down your body, heat prickles your ears as she clocks your batman underwear. she strides in, confident and assured as ever, walking towards the kitchen as if she were coming home from work, like she owns the place. just as you’re starting to become hyperaware of your lack of clothing she speaks again, voice gentle and relaxed over the quiet hum of the tv, “i knew you wouldn’t be asleep yet”.

“is that what you’ve come here to do, pretend to know me so well, tell me about my fucking sleeping patterns?” you mutter, irritated. resting against your kitchen counter you stood opposite her, taller than her now that she had her heels off. the low orange glow of the kitchen light illuminated her bronzed skin. victoria looks up at you, all brown eyed and beautiful, and it makes you forget what she’s done, what you’ve done, just for a second.

“i want zoe out. i want her far away from all this bullshit. i want out. i need you to help me undo this, to just leave it all behind. please.”

hissing, voice scratchy in your throat you half sigh, “you just turn up here and expect me to trust you, expect me to risk my life for you, blinking up at me like bambi and expecting me to feel fucking sorry for you.” “i trusted you, believed in what we were doing, in us. i thought we were working towards something right, some fucking justice for once. to find out those years of my life were useless, sisyphus pushing that rock up that never fucking ending hill for vought. when i told you about-“ you stop abruptly, tired of rehashing the past, take a deep, shaky breath and collect yourself. “coming round here talking about friends” you scoff.

chest rising and falling with uncertainty she stares you down, face unflinching. mocking and faux innocent she asks “we weren’t friends?”. “i’d say when i’d ride your pretty face til it was covered in my cum that we were friends, at least i definitely considered you my friend.” her smile is sharp. “when you’d rut against my leg all desperate and pleading you didn’t think i was your friend?” she added with an exaggerated pout.

you recognised the deflection immediately, could see that all she wanted was to crawl under your skin and pull you back to her. but you’d be lying to yourself if you said it didn’t effect you, the full truth of it all hanging in the air, your skin prickling with memory and mouth dry with the her boldness. “we’re not friends now” you say, proud of yourself for managing to keep your voice steady.

she steps forwards, encroaching in your space. “that’s okay, we don’t need to be friends”. she moves closer again, you don’t dare move, anxious not to scare her off, anxious to close the gap between you two. she breathes an “i’m sorry” into your neck, voice laced with what you so desperately want to believe to be sincerity. moving her head up, her nose bumps your cheek, plump lips pressing a soft kiss against your mouth. your arm moves of its own accord, snaking around her waist, urging her closer. her next kiss is less gentle, her mouth greedy and desperate against yours, chills run down your spine as you let out a quiet whimper. tongue swiping over her lower lip you let yourself get lost in her, in the kiss. transfixed by her touch heat pools deep in ur abdomen, your underwear growing sticky and uncomfortable.

the nights spent touching yourself, seething with anger as you imagined your fingers buried deep inside her, imagined pulling out those little pants and whimpers that made you want to never hear another sound again; those nights seething in your betrayal and wetness couldn’t compare to the electricity that ran through your body as her warm tongue licked lewdly into your mouth. nothing could compare to the feeling of her pressing her warm, petite but deadly body against yours. revelling in the feeling of her tits against your chest it was the bumping of her hip against the hard glock tucked in the thick waistband of your underwear that brought you out of your trance. both of you breathed heavy hot air against the others face, panting as you try to remember why you were here, to clear away you heady thoughts, to regain some semblance of control.

[14thcommander]

best kept secret and your biggest mistake | hange zoe x reader

summary: your relationship with eren is a facade, and hange is your secret lover. they wish it was more than that, but they’ll take what you’ll give them. (inspired by nobody puts baby in the corner - fall out boy)

cw: smut, 18+ ONLY. angst, cheating, drinking, sex under influence of alcohol, oral (f receiving), dirty talk, praise. afab!reader, they/them pronouns for hange zoe. the characters are flawed and reader has a personality. 

Parties have never been Hange’s scene.

Not in a superiority complex way – at least that’s what they like to think – it’s just that people aren’t really Hange’s thing. Although the consumption of alcohol has become an increasing habit in their life, the noise and social interaction are the worst parts of attending parties, they figure.

“Tch, can’t believe we’re being dragged to this shit.” Levi comments, rolling his eyes at his own boyfriend. The short man always seems to be stressed or annoyed, but this time it feels genuine. When it comes to his partner, though, it never lasts long – not really. “This is your fault, Erwin.”

Erwin Smith, ever the social butterfly and recognizable persona, is able to fluctuate through almost every social group in Mitras. Which is precisely the reason why they are entering Zeke Yeager’s birthday party, crossing the threshold of a luxurious two story house — Hange wonders if the guy isn’t a bit too old to throw parties like this anyway, but hey: it’s free alcohol. 

“Sorry eyebrows, gonna have to agree with your boyfriend.”

Erwin snorts at Hange’s words and Levi simply huffs in agreement. A typical conversation so far. The living room is crowded, the atmosphere pumps a generic pop song, and Hange already wants to leave. There are so many people Hange recognizes, realizing that they will have to greet most of them in order to be polite. They look around, scanning the room for something they know will hurt them. 

You.

“Don’t be so pessimistic, Levi.” The blond says, placing a hand on the brunette’s shoulder. The gesture is suggestive, something only lovers could share. “You’ll have fun, I’ll make sure of it.”

Hange scoffs at the scene before them, with a roll of their eyes and a bitter taste on their tongue.

“Ew, get a room, you guys are fucking disgusting.” They say, face contorting with faux discomfort. “I’m getting a drink.”

-

There’s a golden locket hanging from your neck, a collar as heavy as prison. The photo inside, blurry and bright, is of your boyfriend — which was an anniversary gift from last year, or something. The both of you are always breaking up anyway, so Hange doesn’t fully understand what the point of celebrating an anniversary really is. The jewelry doesn’t fool anyone when it comes to deceiving the mess that is your relationship. It isn’t like a necklace would make them forget how he treats you.

As if it would make you look away from his affair with Mikasa Ackerman. 

Hange can’t help but eye it, as it gleams viciously, almost as if inviting them to destroy it. Instead, they take another swing from the sweaty beer bottle in their hand. 

Everything about you is more complicated than it should be. Someone like you shouldn’t be dating Eren Yeager of all people — he’s petty, childish, the embodiment of everything you’re not. You are no saint either, however being with someone like Yeager is something that Hange takes as a personal offense. 

This is bullshit. All of it. 

“Gonna grab another beer. Want one?” Levi says, the baritone voice is somehow louder than the music that plays from somewhere in the living room. 

“Sure.”

It has been an hour or so since they have arrived, and Hange is a few beers deep in

Your boyfriend has a hand on your thigh, marking his territory just in case anyone dares to look at you with lust in their eyes. Hange fights the urge to punch him. This is bullshit. All of it. 

You mutter something to Eren, lips close to his jaw, pressing a kiss to it after you are finished speaking. Hange assumes it is something about wanting another drink. They wonder if your boy toy knows what you like, at all. For starters, you prefer silver — why would he gift you a locket that is fucking gold? 

-

Hange decides to go upstairs in order to escape from the hell that is this party, unable to watch that circus any longer. The house is crowded, causing the atmosphere to feel even worse. It’s almost claustrophobic.

And, for some unknown reason, your friends are into that. 

The bathroom — third door on the right — is thankfully empty. It is clean, too: no signs of drunken regret in the form of vomit. 

The luxurious bathroom is covered in marble with gold adjacents, from floor to ceiling. There is an enormous bathtub on the end of it. Hange if the Yeagers ran out of money when renovating the house: the bathroom is all marble but there isn’t fucking decent lighting. 

Hange locks the door, back pressed against it. They let out a sigh, something from deep in their lungs and even deeper in their heart. They adjust the thick oval glasses on the bridge of their nose, feeling emotionally exhausted after watching you play pretend with Eren.

“Fuck.” They mutter shortly before splashing their face with cold water, feeling droplets fall down their neck. It refreshes them, sure, but the sinking feeling in their stomach is still there. 

Objectively speaking, Hange knows it doesn’t have anything to do with them, or they are – the whole situation is entirely your fault. You are the one who is – allegedly – in a happy, committed relationship. Hange was merely caught in the crossfire of your desires. The jealousy that bubbles in their stomach every time they have to witness you kiss him is your fault. 

But they can’t bring themself to hate you for it. 

-

After all, is it greedy to want both of them? 

You dream of dark, charcoal eyes only to wake up to an ocean gaze staring at you. It is confusing, complicated. You wish you were not pulling and pushing, stuck in between two different worlds.

The party was becoming too much for you – too much noise, too many people. You go upstairs, to the second floor of the house, needing to get away from everything and everyone. Wondering if there is an option — begging for a sign from God — to escape all of this, your hand grabs the doorknob of the bathroom, only for it to twist magically.

And, on the other side of it, is Hange Zoe. Dimly illuminated, the first few buttons of their shirt undone, tanned skin glowing — almost reflecting, luring you in. 

“Oh.” Is all you can come up with. 

Standing face to face with the truth isn’t funny — or easy — in the slightest. The sight of Hange before you feels like the universe is taunting you with the possibility of a life you could have.

“Hi.” They greet you, voice as buttery as you remember. 

You are overwhelmed with flashbacks of car seats, foggy windows, whispered sweet nothings. The ghost of Hange’s mouth still sends chills down your spine.

And, here you are — red solo cup in hand, filled halfway with a nasty drink your own boyfriend made for you, apparently unable to know the basics of your likes and dislikes. The golden locket around your neck is so heavy, so heavy you almost drop to the ground and as your skin turns blue.

“Hey.” Your voice is barely above a whisper. Hange is a few inches from you, and you can breathe in their scent, as it intoxicates your lungs. They smell of cologne, and a subtle undertone of cigarettes. You want to ask, since last time you talked they had quit the poisonous habit – it’s as awkward as it is already, though. 

You haven’t seen them in a month, since the last time you got back together with Eren. Hange took the message when you started ignoring their texts, and posted a picture with him again on your social media. Still, they don’t understand why. 

“How long are you planning on avoiding me?” They ask, shoulder leaning against the door frame. Because fuck this — fuck all of this. Fuck Eren Yeager and his superiority complex, and how he has the only thing Hange has ever truly wanted.

You.

Considering your options, you realize you have the chance to play dumb and pretend you don’t know what they are talking about. Except, this is Hange, who knows you better than anyone else in this world — who knows your soul and brain and heart like the palm of their hand. 

“Hange,” the sound of their name tastes unbelievably sour on your tongue. “You know. You know it’s complicated.”

They know this – at least that’s what they tell themself. Hange does their best to understand you, to feel empathy about your situation. Your relationship is obviously unhealthy, maintaining you in a chokehold. Eren always has a short leash around your neck – in the form of a gold necklace, mainly. He is always around, always with an arm snaked around your waist or a hand on your shoulder. Well, except when he sneaks around to cheat on you with Mikasa. 

“Is it?” Their words make your heart beat heavily against its organic cage, begging to be freed from its confines. “You say that every time, yet you won’t leave him. I thought you had a bit more self-respect than that, to be honest. You don’t seem like the person I met anymore. Not at all.”

They take a step towards you, bringing themself unbelievably close. 

“What happened to you, huh? Little Eren made you his pet?”

Their words drip with venom, poisonous and ready to kill. They want to hurt you as badly as you hurt them, but truly, they would not be able to do so. Hange is all bark, and no bite. You, on the other hand…

“Fuck you. Fuck you from even saying that.” There are stubborn tears threatening to spill from your eyes, a mixture of anger and plead.

Hange knows they might have gone too far, their words intended to stab you in the heart and apparently they did. Alcohol doesn’t suit their anger issues, after all. 

“Tell me to step away. Tell me to fuck off and I will. I’ll go downstairs and pretend I haven’t even seen you.”

You know they would do it, in case you requested — or better, ordered. These days, you wonder if there is anything Hange wouldn’t do for you. There’s a brief moment of silence, voices echoing from the party downstairs, music pumping through the walls. 

They move closer, so close, until their forehead is pressed against yours. 

“Hange.” You mumble their name like a confirmation, like a warning. What it implicates sits heavy in your stomach. 

It is messy, you don’t know who moves first, however your lips end up moving against theirs, with a synchrony that should be long forgotten.

The disgusting liquid that you were once holding ends up splattered on the floor. Your drink of gin, that tasted like kerosene, stands out on the marble floor. Someone would have to take care of it, but not right now. Not now, that your tongues are intertwined. Hange tastes like beer, and you probably taste like something similar.

And just like that, Eren Yeager’s empire falls, right into Hange’s hands. 

They grab your waist, moving you towards the dimly lit bathroom, in order to give a bit of privacy. Smoothly, Hange closes the door and presses your back against it, the rage of Hange burning from deep in their heart — you can feel it on your bones, in your marrow. You know this isn’t a hate fuck, but it isn’t making love either.

No, this is way more intense, as they press open mouthed kisses on the warm skin of your throat. They notice you still wear the same perfume they once complimented, and they can’t help but think it’s because of them. Hange can’t help but wonder about the impact they have in your life, or if they have any at all.

They whisper something that sounds like your name, and it sounds so different from how your boyfriend says you. In this very moment, with Hange gripping your hips tightly, canine teeth grazing the side of your neck, you feel no empathy for Eren. You feel no regret at all, and if that makes you an asshole, then so be it. Being a goody two shoes, a people pleaser, has never gotten you anywhere.

“Fuck, I’ve missed this.” Hange confesses, as they pull your skirt up, guiding you to lay in the empty bathtub, on the other corner of the bathroom.

“I know. I missed you too.” You reply in the form of something in between a whisper and a moan. It's not what they said at all, but you know they mean it anyways. 

Your tits are exposed, bra tossed somewhere on the ground. Your skirt is a puddle around your waist, panties moved to the side — the sight of your glossy cunt exposed to Hange, as they offer you a smile that isn’t nothing short of wolfish. 

“Aw princess, your cunt is so wet already. So messy.” The condescending tone drips from their voice like honey, much like the wetness that drips from you.

Biting their tongue, they fight the urge to ask, is it all for me?

They take a moment to appreciate your body, fingers dancing along your soft skin, occasionally running through scars, unevenness, and a birthmark. Details they want to remember for the rest of their life, but would much rather be reminded of those every chance they get to see you strip for them. 

“Please.” You whimper, as your hips buckle. 

They shush you, fingers lightly grazing your pussy, teasing you through your wetness.

“I know, baby. I’ll give it to you, I promise. Just be good for me, yeah?” They say, pressing kisses under your year, on your neck, towards your collarbone. “Think you can do it?”

You whimper in agreement. They’ll take it

“Gotta be quiet, or someone might notice.”

Digits find themselves playing with your cunt, spreading your inner lips apart as Hange presses a single finger against your entrance, touching you just enough to drive you crazy. It sends a white hot feeling through your body.

“So fucking pretty, princess. Prettiest goddamn pussy I’ve ever seen.”

Given Hange’s history, that means something. Even if it didn’t, the praise would still make your body sing underneath them. It’s hard to properly explain the effect they have on you. 

Their experienced fingers finally find their way inside you, as a thumb rubs against your clit. It’s magical, it’s heaven. If you could choose to die like this, you would. 

This right here should make Hange feel bad, overtaken by a sense of regret at least, but they can’t. Not when you look this good, moaning and whimpering and begging. You have a boyfriend, and they couldn’t care less. 

Their fingers start pumping in and out of you, slowly at first, but growing in speed. Hange knows just how you like it, they right amount of pressure to press on your clit, and curling their fingers inside of your cunt.

“Fuck, ohmygod.” You pant, dignity long forgotten. It’s shameless, you are horny like a fucking teenager, but it feels so good. “It’s so good.”

Hange swallows another moan from you, mouth pressed to yours messily, a mixture of tongue and teeth and spit. 

“Gonna let me taste you, baby?” They ask, not showing you any mercy, already lowering their body in between your legs. “You have no idea how much I missed this pretty pussy.”

“Please, please.” You whisper in response. “Need it, Hans. C’mon.”

They smile wickedly at you.

“Know you do.”

And then, finally — finally, they press open mouthed kisses on your inner thighs, careful to not leave any marks. If there isn’t any proof of your crimes against Eren, then he can’t hold it against you. This is how it works. 

You want all they can give you, unable to quit them. 

Tiny explosions spread through your entire body, as you grind your hips against Hange’s greedy mouth. Now, this is greed — the overwhelming lust, the need to make you theirs. 

The bubble of warmth on your lower abdomen only grows, threatening to pop at any given second. 

The way Hange takes care of you with subtle touches, making it clear that they pay attention to your every reaction brings a bittersweet taste to your tongue. The contrast between them and your boyfriend is even clearer, starkly obvious. This is too intense: a mixture of passion for your lover and regret for your relationship. Somehow, it feels similar to falling in love.

Your hands find home in Hange’s dark hair, like they have many times before. For some unknown reason, this time is bittersweet – perhaps, the emotions, the touches that are so fresh on your body, send you into sensory overload. Tears escape from your eyes, like a broken dam. 

Your mind is a mess, and so is your body – wetness clings to your inner thighs, a thin layer of sweat covering your entire body. 

Their name falls from your lips like a mantra, as if your body is solely devoted to Hange – no one, not even Eren, is capable of earning such a reaction from you

You are so close – your hands pull on Hange’s hair lightly, just enough for them to moan into your cunt. Their teeth lightly graze your clit, sucking it like their life depends on it. The Earth stutters on its axis as you come, the bubble of warmth on your lower abdomen finally exploding, creating a mess out of you. Your legs tremble in pleasure, as Hange carries you through your height. 

It is quiet for a while, only your heavy breathing and the bass of music bumping from downstairs creating noise around you. Hange helps you get dressed, adjusting their hair and glasses shortly after. It isn’t silent, however wordless – an old choreography you have smoothly executed many times before. 

But, really, what is Hange supposed to say? See you next time? Can’t wait to do this again? Is this-

“I’ll leave him.” You mutter, while fixing your makeup in front of the mirror, attempting to clean it in the dim light. You look at them through the mirror, fixing your smudged eyeliner as you do so. It is still unclear if your boyfriend knows about your escapades with Hange, but you make sure to return to him as impeccably as you arrived to them. Maybe it’s better this way. 

They scoff once again. You sound like a broken record at this point, and they are tired of believing you. 

“I will-”

“Yeah, you said that last time.”

You sigh, turning around to look where they stand behind you, with a shoulder pressed against the door. Supporting your body against the sink, your gaze falls to the ground. 

“I mean it. I’ll leave him. I don’t know when, or how, but I will.”

Hange sighs.

“Alright.” They turn to you, one last time before opening the door. “But you gotta do this for you, not for me.”

With that, Hange leaves you – you wonder if this is what they felt after the countless times you were the one to leave them.

[likeadevils]

Midnights Timeline

This is a very long post that puts all the songs on Midnights in order of Taylor creating them. I’ve also included a few other songs she worked on while writing Midnights and quotes from Taylor and her collaborators talking about her process.

If you don't want to read all that, check out this playlist of the album in order, or this playlist of her entire discography. WARNING: there is a very large chunk on the playlists that I have no information on (Maroon-Dear Reader).

I’ve also added this color coded scale of how sure I am of the date: 

Confirmed: There is some type of official source for the date

Inferring: Nobody has officially said “This is when we wrote it,” but all available evidence points to that date

Speculation: This date is based off pure vibes and guesswork and is highly likely to change.

Unknown: All that is known is the year (from the US Copyright Offices

Renegade: March 7-15, 2021 (Confirmed)

Aaron: “I wrote the music [for Renegade] at some point after we finished [evermore], and sent it to her, because she was inspired by a llot of the Big Red Machine stuff we were working on. And she had already sung on Birch, a song that hasn't come out yet but is one of the major ones on the record. And I think she wanted to write a song for Big Red Machine. She very much feels like part of this community to me. So I wrote Renegade, the music, and sent it to her. And not unlike a lot of the things we've done together, one day I woke up to a voice memo from her and she had written this incredible song about how anxiety and fear get in the way of loving or being loved. And she was clearly thinking about Big Red Machine. And then we recorded her vocals and everything the week of the Grammys, when I was there in LA, and it was really nice to have something to think about that wasn't related to the Grammys - just to make music because you feel like making it." (transcript from jaimie)

High Infidelity and Would've Could've Should've: March 7-15, 2021 (Confirmed)

Aaron: [Would've Could've Should've], we wrote that song together, and recorded it while we were together in LA for the folklore Grammys. It goes back that far. And the same with High Infidelity. Those songs, we actually recorded in her house, the vocals, we recorded them then. And I just kept making music, and it was kind, after we had made folklore and evermore, I started to have ideas which I would share. And eventually, she obviously made most of Midnights with Jack, and it became something different. But High Infidelity, and Would’ve, Could’ve, Should’ve, and The Great War, and we made Hits Different with Jack and Taylor and I also, and it was great to be part of that record in that way. (transcript from @cages-boxes-hunters-foxes)

The Great War and Hits Different: between April-October 2021 (Speculation)

In the above quote talking about his songs on Midnights, Aaron says "Eventually, she obviously made most of Midnights with Jack, and it became something different," implying his stuff was written before the bulk of midnights in fall. He also says High Infidelity and Would've Could've Should've "[go] back that far," which implies they were some of the earliest stuff on Midnights, so it's safe to assume TGW and Hits Different come sometime afterwards.

Summer 2021: Jack has a session with Sounwave, Sam Dew, and Zoe Kravitz, where the instrumentals for Lavender Haze and likely Glitch are written

Rolling Stone interview with Sounwave: Before Antonoff began to work on Swift’s tenth album, he was cooking up tracks with Spears, Dew, and Zoë Kravitz [...] During a brainstorming session, the quartet put together a track that would eventually become “Lavender Haze.”

November 3 2021: It was announced that Joe has been cast in Stars at Noon, alongside Margaret Qualley, Jack Antonoff's then girlfriend now wife. Since Joe was parachuted into the film last minute, filming had already started, making it likely he left as soon as possible.

Taylor: We’d been toying with ideas and had written a few things we loved, but Midnights actually really coalesced and flowed out of us when our partners (both actors) did a film together in Panama. Jack and I found ourselves back in New York, alone, recording every night, staying up late and exploring old memories and midnights past.

November 8: Jack gets back from touring with Bleachers. Let the games begin.

Vigilante Shit: November 2021 (Speculation)

Vigilante Shit is the sole solo writing credit on the album, which implies it was written before her and Jack were holed up together 24/7. Also Scooter and his wife divorced in July. Beyond that there's no evidence this is early in the process, besides it making sense that Taylor wrote this alone, brought it to Jack, and then fell into a creative inferno.

Maroon, Anti-Hero, You're on Your Own Kid, Midnight Rain, Bejeweled, Labyrinth, Mastermind, Paris, and Dear Reader: November/December 2021 (Inferring)

I don't have enough info on the making of any of these songs to give them each their own little blurb, but if anything pops up I will update this post and reblog it letting y’all know.

Question..?: After November 21, 2021 (Inferring)

We know Rachel Antonoff, Dylan O'Brien, and Austin Swift were there the day they recorded it thanks to this behind the scenes footage of them recording the cheering vocals. Dylan was filming The Vanishings at Caddo Lake in Louisiana sometime between October 5 and November 20. I don't know exactly which dates he was filming-- he was in New York for All Too Well filming in late October and to attend the premiere on November 12, but since we know for sure he was in Louisiana on the 20th, I'm just gonna Occam's Razor it and say Question was written sometime after he got back from that.

You're Losing Me: December 5, 2021 (Confirmed)

December 17, 2021: Filming wraps on Stars at Noon, and with it the bulk of recording for Midnights.

Lavender Haze: Early 2022 (Speculation)

Lavender Haze, Snow on the Beach, and Karma are the only songs to have Henson Recording Studios credited (I can't find studio credits for the 3am tracks so there is possibly more on there). This could point to them all being recorded around the same time time, or it could be in reference to Jack and Sounwave's original recording sessions taking place at Hensen. I lean towards the former, since 1) it seems like the Winter 2021 sessions were mostly between Taylor and Jack, and the spring sessions have other collaborators, and 2) the tabloid rumors about Taylor and Joe getting engaged really started heating up in February 2022. On the other hand, Sounwave implies that there was a notable stretch of time between Lavender Haze and Karma, so I totally understand if you want to put it with the rest of the Winter 2021 sessions. Rolling Stone interview with Sounwave: A few months [after Jack and Sounwave wrote the instrumentals], Antonoff reached out to Spears, Dew, and Kravitz to see if he could pitch [Lavender Haze] to Swift, who loved it immediately. She wrote lyrics inspired by a Mad Men scene, numerous tabloid rumors and online gossip about her relationship status, and “1950s expectations.” “When Jack brought us in the hear for the first time, all our mouths dropped. She took it to a whole new world and made it her own. She created different pockets we did not hear.”

Glitch: Early 2022 (Speculation)

Rolling Stone interview with Sounwave: "Glitch,” one of the bonus songs on the Midnights (3am) edition, was born from the same studio session as “Lavender Haze.” I don't know if this means the instrumentals to Lavender Haze and Glitch were done in the same session, Taylor wrote the lyrics in the same session, or both. For the same reason as Lavender Haze, I lean towards this coming later in the process, as well as Glitch mentioning being together for six years, and in November 2021 Taylor and Joe had been together for a little over 5 years. That being said, Taylor could've assume the album was going to come out in 2022, and that she would stay with Joe until then, and bump up that date a bit. It's still very up in the air.

February 5, 2022: Taylor is photographed leaving Jack's house holding a keyboard.

Sweet Nothing: Spring 2022 (Inferring)

Joe is a co-write on this, meaning they likely wrote it after he got back from filming. It also mentions their trip to Ireland in 2021 and refers to it as "last July", implying it was written in 2022. While I was writing this timeline Taylor liked this post on twitter, implying that at least the second verse is in reference to Paul and Linda McCartney. The quote is from his poem Blessed, which you can read in this interview (TWs for death and cancer)

Bigger Than The Whole Sky: March 2022 (Inferring)

Claire Winter, a close friend of Taylor's, posts on Instagram that she miscarried. (I toyed with whether or not to add this, but seeing as Claire Winter made the information public herself, I decided to put it in. If she ever takes that Instagram post down, let me know and I'll delete this part.)

Snow on the Beach: April 1, 2022 (Inferring)

On April 1, Lana Del Rey posts a video on Instagram of Jack in the studio with an unidentified female voice in the background. Two days later she posts this photo, which Taylor and Jack both include in posts about Midnights/Snow on the Beach. Lana: Well, first of all, I had no idea I was the only feature [on that song]. Had I known, I would have sung the entire second verse like she wanted. My job as a feature on a big artist’s album is to make sure I help add to the production of the song, so I was more focused on the production. She was very adamant that she wanted me to be on the album, and I really liked that song. I thought it was nice to be able to bridge that world, since Jack [Antonoff] and I work together and so do Jack and Taylor. Taylor: And with Snow On The Beach, which features the genius Lana Del Rey, very lucky to have collaborated with her on that. And Dylan [O’Brien] was actually in the studio with me and Jack, because a lot of the time we record at his place, and Dylan was just hanging out, drinking wine with us, and listening to stuff, and he was just trying out the drum kit there. He wasn't serious. But we were drinking wine, and we were sort of like, 'We haven't recorded the drums for this one yet! See if you want to...' and he played the drums on the song. Sometimes it just happens like that. (transcript once again from jaimie)

Karma: Spring 2022 (Speculation)

Rolling Stone interview with Sounwave: The bubbly “Karma” came later [than Lavender Haze and Glitch], when Antonoff reached out to Spears for any other ideas he may have to contribute to the album and its synth-pop vision. “‘Karma’ was just a last-minute Hail Mary,” Spears says. “I remembered I was working with my guy Keanu [Beats] and had something that was too perfect not to send to her. As soon as I sent it, Jack was instantly like ‘This is the one. Playing it for Taylor now. We’re going in on it.’ The next day, I heard the final product with her vocals on it.”

April 19, 2022: Elle's interview with the Conversations with Friends cast is released, and when Joe is "asked if he hopes to continue writing songs, Alwyn simply says, “It’s not a plan of mine, no.”" It's possible this means Sweet Nothing was yet to be written, but I think it's more likely Joe was just denying in order to not create hype around a song that wasn't officially announced yet.

May 2022: Taylor teases Labyrinth lyrics in her NYU Commencement Speech and says m i d n i g h t very prominently on this instagram post, meaning by early summer she was likely confident in the album's name and which songs would make the tracklist.

And that's all for this timeline! Check out my others:

TIMELINES: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights PLAYLISTS: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights • entire discography GENERAL: tag

[persevereforahappyending]

Maybe in Another Life |8|

Pairing: Clarisse La Rue x Hunter of Artemis!Reader

Summary: You are a Hunter of Artemis, but you start to question what you truly want when you meet Clarisse and get to know her.

Warnings: Slight Titans Curse Spoilers

Word Count: 2.2k+

Main Masterlist | Series Masterlist

ch. 1 | ch. 2 | ch. 3 | ch. 4 | ch. 5 | ch. 6 | ch. 7 | ch. 8 | ch. 9 | ch. 10 | ch. 11 | ch. 12 | ch. 13 | ch. 14 | ch. 15 | ch. 16 | ch. 17

You trekked through the woods with your sisters until Artemis decided on a spot to settle for the night. It had been about two months since you left Camp Half-Blood, since you last saw Clarisse, since Zoe died and Thalia joined the Hunters, taking her place as lieutenant. You threw yourself into the Hunt as much as possible, focusing only on what you needed to. It didn’t work, you were still reminded of Zoe’s loss every time you looked up at the night sky. You thought the distance from Clarisse would kill your crush, if you weren’t seeing her every day and spending time with her, you figured your newly developing feelings would be quickly snuffed out and everything would go back to the way it was, you were wrong about that as well.

You should have known grieving Zoe wouldn’t be as quick as the others. Losing a sister was always hard, losing the person who’s been by your side for a thousand years, that pain was indescribable. You took risks during hunts, cutting it close a few times, a lot closer than necessary. All because you took chances Zoe would have never let you take.

Everyone handled grief differently, some moved on quicker, some, like you, were still dealing with the loss just as hard a few months later. Even in a group of Hunters, that traveled together, lived together, and were around each other every day, all grieved differently. A lot of your sisters came together, spending more time together and just appreciating each other more. You were the opposite, distancing yourself as much as possible. You’d still train with them, you could still work flawlessly as a team, but you didn’t talk to them, not really. Thalia was similar to you; she was clearly grieving Zoë as well. She was also still getting used to the whole Hunter thing, she was a natural leader but some of your traditions, you guess could call them that, she was still learning.

You helped your sisters unpack, setting up each of the tents around where the campfire would go. A few of your sisters were already in position around various points of the campsite to keep watch for the night. When everything was unpacked, and your sisters started gathering around the campfire next to Artemis, you made yourself scarce. You caught Thalia’s eye and gave her a nod to let her know you’d be back. She watched you for a second before returning the nod, redirecting her attention back to Artemis who she sat beside. You knew Thalia had questions or thoughts on what you did but she never questioned you, you appreciated that, you didn’t have anything to hide but you didn’t feel like discussing these things with her.

You made your way through the woods, the chatter of your goddess and sisters getting quiet the more distance you put between you and them. You smiled when you came upon the creek you had been anxious to get to. The trees opened up around the creek, revealing the night sky in its entirety. You looked up, your eyes instantly finding Zoe’s constellation. You sighed, before pulling out a gold drachma and your little mirror that helped you make a rainbow almost anytime you wanted.

You said your little prayer to Iris and tossed your gold drachma into the rainbow. It was only a few seconds before Clarisse’s face appeared in the rainbow. “Hey,” you said, smiling.

You and Clarisse had Iris messaged each other every week since you left camp. Usually multiple times a week, there were weeks you talked every day. You could only talk to her when you guys were making camp or taking a break, so communication was more on your front than hers, but she always answered. You always tried to give her a good idea when you’d be able to contact her again or when you knew you’d be out all night and wouldn’t have time. Your talks were a nice break from the day to day of hunting and failing to find what you were looking for; besides, it was just nice to talk to her still.

“Hey,” Clarisse greeted. “How’s the hunt going?”

You let out a tired sigh, despite immortality and all the other perks of being a Hunter, you could still get exhausted. “That good?” Clarisse chuckled.

“Castellan really knows how to hide,” you mumbled. “Not that he deserves the credit, he is having quite a bit of help.”

You didn’t know all the details about what happened on the quest, all you knew was that despite what Percy originally thought, Luke was still alive. When you and the other Hunters caught up with Artemis again, she informed all of you that your new mission would be tracking Luke, anyone working with him, and gathering whatever information you could. Despite the years of experience Luke had the help of Kronos, the monsters, and who knew how many others. Every time you guys got a lead Luke was already gone, days ahead of you.

“We made camp for the night,” you sighed. “It kind of reminds me of your spot.” You looked around at your surroundings, there was a stream under the moonlight, surrounded by trees. You could almost believe you were back at Camp Half-Blood, except for the fact that you were in a different state hundreds of miles away.

“How are things there?” you asked.

“Well, Jackson’s gone, so it’s been nice,” Clarisse stated plainly. You couldn’t help but chuckle at that. “Annabeth and I have been working on something.” A smirk appeared on her face.

“You and Annabeth are friends now?” you raised an eyebrow.

Clarisse was quick to scoff. “Let’s not go that far.”

“Oh, that’s right you don’t have friends,” you said, laughing at your own joke.

Clarisse made sure to flip you off and throw a glare that would intimidate most people through an iris message. Good thing you weren’t most people, and you found her glares harmless, they were actually almost adorable.

“What have you and Annabeth been working on?” You questioned when your laughter died down. If Clarisse was working with Annabeth on something, then it had to be important.

“I can’t tell you,” Clarisse said, giving you an apologetic look. You tilted your head at that, there wasn’t much Clarisse would keep secret from you unless it was absolutely important. “But I’ll be going on a secret mission in a few days so I might be unavailable.”

That made your heart drop and not just because you might not be able to talk with Clarisse. That uneasy feeling you got when Zoe was given her last quest came over you. It wasn’t as strong or as dire as the one with Zoe, but a little red warning light was going off in your head. You weren’t sure why, demigods went on quests all the time and Clarisse was more than capable, maybe you were reading too much into it because of your feelings for the daughter of Ares.

You had expected your feelings for the Ares girl to disappear after getting away from her, but it seemed with each passing day you only fell deeper. Every conversation, every new thing you learned about her, made you like her even more. There weren’t many people you could talk to for hours, but she was one, you didn’t even have to talk, even during an iris message the two of you could sit in silence and be comfortable.

“Who’s going with you on your quest?” You questioned. “Annabeth? That what the two of you are working on?”

“Actually…” she started. You scrunched your eyebrow when you saw Clarisse avoiding eye contact, which she never did. “It’s not an official quest.”

That sent a shiver down your spine, making you stand straighter. The only time campers left camp was when they were part timers and were going home for the school year or when they were going on a quest. Chiron never let campers wander out otherwise, it was much too dangerous for a demigod.

“What?” Your voice sounded hollow as you asked, already knowing you wouldn’t like whatever she said next.

“It’s a scouting mission,” Clarisse said. “Chiron asked for me specifically.” She gave you an apologetic smile, she clearly knew the risk of this mission but even through the iris message you could see the pride in her eyes.

“And Annabeth’s going with you?” you knew you were grasping for straws, but you had to hold onto the little bit of hope you had.

“No,” Clarisse admitted, straightening her back. “This is a solo mission.”

You looked to the ground, nodding your head. “Not going to wish me luck?” Clarisse joked, giving you her usual arrogant smile.

You couldn’t help but smile, lightly chuckling. “Luck is for losers,” you said. “Just…” you sighed, looking up at the sky, your smile sure didn’t last long. “Stay alive.” You looked Clarisse right in the eyes. You knew you shouldn’t ask that.

“I promise.” You knew she shouldn’t promise that.

Demigods should never promise to stay alive; it was nearly an impossible task. Demigods were created to go on quests, to run errands for the gods, to fight their wars, and to die in their name. If Chiron was sending a camper on a mission, that couldn’t even be classified as an official quest, alone, you knew it must be of the utmost importance. You didn’t know Annabeth very well, just that you liked her more than Percy and Thalia. You also knew she was smart and if she was involved in helping set up the scouting mission then you had to assume the mission wasn’t meant to be dangerous. Not that that mattered, every mission and quest for a demigod was dangerous, just walking down the street could be the death of them.

“How’s the princess doing?” Clarisse asked, breaking you out of your thoughts.

You chuckled, Clarisse had taken to calling Thalia princess and you couldn’t deny that there were certainly times she acted like a princess, though she also commanded like one as well. “I mean…” you started, glancing behind you when you heard branches breaking. “She’s capable but it’s not like she’s the best lieutenant we’ve ever had.”

“Rude,” Thalia said, walking up behind you but staying far enough back that she didn’t overstep into your and Clarisse’s conversation.

You couldn’t help but scoff. “You think you actually compare to Zoe?” you glanced back at her, raising an eyebrow.

Thalia rolled her eyes but raised her hands. “I have no notions of competing with Zoe.” You gave her a sad smile. You respected that though she might have taken over Zoe’s position, she was clearly not trying to replace Zoe, she understood you were all still grieving her. “Artemis wants you back.”

You nodded, watching as Zoe stepped further back, out of earshot of you and Clarisse. “Duty calls,” you said, looking back at Clarisse.

Clarisse nodded. “I shouldn’t be leaving on my mission for a few days, talk before then?”

“Of course,” you smiled as you both ended the call.

You sighed, you were going to talk to her at least one more time before her solo mission, hopefully. You were sure you’d be anxious until you got a call from her telling you she was back from the mission. You would happily listen to her recount the tales of her mission, exaggerating how heroic she was in whatever she was meant to be doing, you would listen to her for hours if it meant she returned alive.

“You two seem to have gotten close,” Thalia commented as the two of you made your way back to the campsite.

“We’re friends,” you mumbled, shrugging off the nerves you got at someone else noticing how much you seemed to care for Clarisse.

“Annabeth’s my best friend and even I don’t talk to her that much,” she mumbled.

“What are you implying?” you spun around, pulling her back by the arm.

You kept your gaze firm as you glared at her. You hadn’t broken your oath, but you weren’t sure you could deny your evolving feelings for the daughter of Ares if someone directly asked about them. You swallowed as you saw Thalia’s eyes scan over your face, widening slightly, the only reason you noticed was because you were inches from her.

“Nothing,” Thalia said, shaking her head. You frowned when she took a step back from you, Thalia never backed down and it was clear she had something to say. She pushed past you to walk back up the hill. “There’s nothing wrong with your friendship with Clarisse,” she turned her head just enough to barely glance back at you.

You watched her walk back up the hill. You couldn’t help but feel like there was a second meaning to Thalia’s words. You shook off the tense encounter before following her up the hill. The fire with all your sisters gathered around quickly came into view. Thalia took her seat at Artemis’s side. You took your place on the other side of Artemis, this was where you belonged, you needed to focus on the current objective and not worry about Clarisse. Who knew, maybe no contact for however long her mission took would do you some good, maybe your little crush on her would finally die.

Taglist: @cxcilla @touchmyfracturedomens @luclue @manu-007s-world

[thewidowsghost]

The Sky (Annabeth Chase x Jackson!Reader)

After hearing Annabeth gripe about her father for the last two years, (Y/n) had expected him to have devil horns and fangs. She had not expected him to be wearing an old-fashioned aviator’s cap and goggles. He looks so strange, with his eyes bugging out through the glasses, that she, her brother Percy, Thalia, and Zoe take a step back on the back porch. 

“Hello,” he says in a friendly voice, “Are you delivering my airplanes?”

Thalia, Zoe, Percy, and (Y/n) look at each other warily. 

“Um, no, sir,” Percy says. 

“Drat,” he says. “I need three more Sopwith Camels.”

“Right,” (Y/n) says, though she has no idea what he’s talking about. “We’re, uh, friends,” - not exactly - “of Annabeth’s.”

“Annabeth?” he straightens, as if (Y/n) had just given him an electric shock. “Is she all right? Has something happened?”

None of the demigods answer, but their faces must’ve told him that something was very wrong. He takes off his cap and goggles. He has the same sandy-colored hair as Annabeth, and intense brown eyes. He’s handsome, for an older guy, but it looks as though he hadn’t shaved in a couple of days, and his shirt is buttoned wrong, so one side of his collar sticks up higher than the other side. 

“You’d better come in,” Dr. Chase says grimly. 

The Chase’s house smells like fresh-baked chocolate chip cookies and jazz music is coming from the kitchen. It seems like a messy, happy kind of home – the kind of place that someone had lived in forever.

“Dad!” a little boy screams. “He’s taking apart my robots!”

“Bobby,” Dr. Chase calls absently, “don’t take apart your brother’s robots.”

“I’m Bobby,” the little boy protests. “He’s Matthew!”

“Mathew,” Dr. Chase calls, “don’t take apart your brother’s robots.”

“Okay, Dad!”

Dr. Chase turns to us. “We’ll go upstairs to my study. This way.”

“Honey?” a woman calls. Annabeth’s stepmother appears in the living room, wiping her hands on a dish towel. “Who are our guests?” she asks. 

“Oh,” Dr. Chase says. “This is . . .” He stares blankly at the demigods.

“Frederick,” she chides. “You forgot to ask them their names?”

The demigods introduce themselves a little uneasily, but Mrs. Chase seems nice to (Y/n). She asks if the demigods were hungry, and they admit that they were, and she lets them know she’d bring up some cookies, sandwiches, and sodas. 

“Dear,” Dr. Chase says. “They came about Annabeth?”

(Y/n) half expects Mrs. Chase to turn into a raving lunatic at the mention of her stepdaughter, but she just purses her lips and looks concerned. “All right. Go on up to the study, and I’ll bring you some food.” Her gaze rests knowingly on (Y/n), and she smiles at the daughter of Poseidon. “Nice meeting you, (Y/n). I’ve heard a lot about you.”

Upstairs, they walk into Dr. Chase’s study, and a gasp of amazement escapes from (Y/n)’s lips. 

The room is wall-to-wall books, but what really catches (Y/n)’s attention are the war models. There is a huge table with miniature tanks and soldiers fighting along a blue painted river, with hills and fake trees and stuff. Old-fashioned biplanes hang on strings from the ceiling, tilted at crazy angles like they were in the middle of a dogfight.

Dr. Chase smiles. "Yes. The Third Battle of Ypres. I'm writing a paper, you see, on the use of Sopwith Camels to strafe enemy lines. I believe they played a much greater role than they've been given credit for."

He plucks a biplane from its string and sweeps it across the battlefield, making airplane engine noises as he knocks down little German soldiers. 

(Y/n) smiles slightly, looking up at her girlfriend’s father. 

Zoe comes over and studies the battlefield. “The German lines were farther from the river.”

Dr. Chase stares at her. “How do you know that?”

"I was there," she says matter-of-factly. "Artemis wanted to show us how horrible war was, the way mortal men fight each other. And how foolish, too. The battle was a complete waste."

Dr. Chase opens his mouth in shock. “You –”

“She’s a Hunter, sir,” Thalia says. “But that’s not wy we’re here. We need –”

"You saw the Sopwith Camels?" Dr. Chase says. "How many were there? What formations did they fly?"

“Sir,” (Y/n) breaks in this time. “Annabeth, sh-she’s in danger.”

That gets his attention. He sets the biplane down.

“Of course,” he says. “Tell me everything.”

It isn’t easy, but they try. Meanwhile, the afternoon light is fading outside. 

The demigods were running out of time.

When they'd finished, Dr. Chase collapses in his leather recliner. He laces his hands. "My poor brave Annabeth. We must hurry."

"Sir, we need transportation to Mount Tamalpais," Zoe says. "And we need it immediately."

"I'll drive you. Hmm. it would be faster to fly in my Camel, but it only seats two."

"Whoa, you have an actual biplane?" Percy asks.

"Down at Crissy Field," Dr. Chase says proudly. "That's the reason I had to move here. My sponsor is a private collector with some of the finest World War I relics in the world. He let me restore the Sopwith Camel—"

Sir," (Y/n) says. "Just a car would be great. And it might be better if we went without you. It's too dangerous."

Dr. Chase frowns uncomfortably. “Now wait a minute, young lady. Annabeth is my daughter. Dangerous or not, I . . . I can’t just –”

"Snacks," Mrs. Chase announces. She pushes through the door with a tray full of peanut-butter-and-jelly sandwiches and Cokes and cookies fresh out of the oven, the chocolate chips still gooey. Thalia and Percy inhale a few cookies while Zoe says, "I can drive, sir. I'm not as young as I look. I promise not to destroy your car."

Mrs. Chase knits her eyebrows. "What's this about?"

“Annabeth is in danger,” Dr. Chase says. “On Mount Tam. I would drive them . . . but apparently it’s no place for mortals.”

It sounds to (Y/n) like it was really hard for him to get that last part out.

(Y/n) waits for Mrs. Chase to say no, but to her surprise, Mrs. Chase just nods. “Then they’d better get going.”

“Right!” Dr. Chase jumps and starts patting his pockets. “My keys . . .”

His wife sighs. "Frederick, honestly. You'd lose your head if it weren't wrapped inside your aviator hat. The keys are hanging on the peg by the front door."

“Right!” Dr. Chase says. 

Zoe and (Y/n) each grab a sandwich. “Thank you both,” Zoe says. “We should go. Now!”

The four hustle out the door and down the stairs, the Chases right behind them. 

“(Y/n)” Mrs. Chase calls as they’re leaving, “tell Annabeth . . . tell her she still has a home here, will you? Remind her of that.”

(Y/n) takes one last look at the messy living room - Annabeth’s half brothers spilling LEGOs and arguing, and the smell of cookies filling the air. Not a bad place, she thinks. 

“I’ll tell her,” (Y/n) replies, smiling slightly at her girlfriend’s stepmother. 

They run out to the yellow Volkswagen convertible parked in the driveway. The sun is going down, and (Y/n) figures they have less than an hour to save Annabeth.

. . . 

At the top of the mountain are ruins, blocks of black granite and marble as big as houses. Broken columns. Statues of bronze that look as though they’d been half melted. 

“The ruins of Mount Othrys,” Thalia whispers in awe. 

“Yes,” Zoe says. “It was not here before. This is bad.”

“What’s Mount Othrys?” Percy asks, feeling like a fool as usual.

“The mountain fortress of the Titans,” Zoe explains. “In the first war, Olympus and Othrys were the two rival capitals of the world. Othrys was –” she winces and holds her side. 

“You’re hurt,” (Y/n) says, ignoring her own possibly cracked ribs. “Let me see.”

“No!” Zoe protests. “It is nothing. I was saying... in the first war, Othrys was blasted to pieces.”

“But . . . how is it here?”

Thalia looks around cautiously as they pick their way through the rubble, past blocks of marble and broken archways. "It moves in the same way that Olympus moves. It always exists on the edges of civilization. But the fact that it is here, on this mountain, is not good."

“Why?”

"This is Atlas's mountain," Zoe says. "Where he hold s—" She freezes. Her voice is ragged with despair. "Where he used to hold up the sky."

They had reached the summit of the mountain. A few yards ahead of them, gray clouds swirl in a heavy vortex, making a funnel cloud that almost touches the mountaintop, but instead rests on the shoulders of a twelve-year-old girl with auburn hair and a tattered silvery dress: Artemis, her legs bound to the rock with celestial bronze dreams. This is what (Y/n) had seen in her dream - though it hadn't been a cavern roof that Artemis was forced to hold. 

It was the weight of the world.

"My lady!" Zoe rushes forward. 

But Artemis says, "Stop! It is a trap. You must leave now." Her voice is strained, and she is drenched in sweat. (Y/n) had never seen a goddess in pain before, but the weight of the sky is clearly too much for Artemis.

Zoe is crying. She runs forward, despite Artemis’s protests, and tugs at the chains. 

A booming voice speaks behind them: “Ah, how touching.”

They turn. 

The General is staging there in his brown suit. At his side are Luke - and half a dozen dracaenae bearing the weight of the golden sarcophagus of Kronos. 

Annabeth stands at Luke’s side - her hands cuffed behind her back, a gag in her mouth, and Luke is holding the point of his sword to her throat. 

(Y/n) meets her girlfriend’s gaze, her sword, Tsunami, still in pen form in her hand, a thousand questions running through her head. There is one message Annabeth is sending her, however: RUN!

(Y/n)’s face hardens. “Luke,” (Y/n) snarls. “Let her go.”

Luke’s smile is pale and weak. “That is the General’s decision, (Y/n). But it’s good to see you again.”

(Y/n) spats at him. 

The general chuckles. “So much for old friends. And you, Zoe. it’s been a long time. How’s my little traitor? I will enjoy killing you.”

“Do not respond,” Artemis groans. “Do not challenge him.”

“Wait a second,” Percy says. “You’re Atlas?”

The General glances at him. "So, even the stupidest of heroes can finally figure something out. Yes, I am Atlas, the general of the Titans and terror of the gods. Congratulations. I will kill you presently, as soon as I deal with this wretched girl."

“You’re not going to hurt anyone,” Percy says, and (Y/n) grunts her agreement. “We won’t let you.”

The General sneers. “You have no right to interfere, little heroes. This is a family matter.”

Percy frowns. “A family matter?”

“Yes,” Zoe says bleakly. “Atlas is my father.”

The terrible thing is: (Y/n) can see the resemblance. Atlas has the same regal expression as Zoe, the same cold proud look in his eyes that Zoe sometimes got when she was mad, though on him, it looks a thousand times more evil. The Titan was all the things (Y/n) had originally disliked about Zoe, with none of the good she’d come to appreciate in her friend. 

"Let Artemis go," Zoe demands.

Atlas walks closer to the chained goddess. "Perhaps you'd like to take the sky for her, then? Be my guest."

Zoe opens her mouth to speak, but Artemis says, "No! Do not offer, Zoe! I forbid you."

Atlas smirks. He kneels next to Artemis and tries to touch her face, but the goddess bites at him, almost taking off his fingers.

"Hoo-hoo," Atlas chuckles. "You see, daughter? Lady Artemis likes her new job. I think I will have all the Olympians take turns carrying my burden, once Lord Kronos rules again, and this is the center of our palace. It will teach those weaklings some humility."

(Y/n) looks at Annabeth. She is desperately trying to tell (Y/n) something. She motions her head towards Luke. But all (Y/n) can do is stare at her. (Y/n) hadn't noticed before, but something about her had changed. Her beautiful blond hair was now streaked with gray - but that didn’t make Annabeth look less beautiful in (Y/n)’s eyes. 

"From holding the sky," Thalia mutters, as if she'd (Y/n)’s mind. "The weight should've killed her."

"I don't understand," Percy says. "Why can't Artemis just let go of the sky?"

Atlas laughs. "How little you understand, young one. This is the point where the sky and the earth first met, where Ouranos and Gaia first brought forth their mighty children, the Titans. The sky still yearns to embrace the earth. Someone must hold it at bay, or else it would crush down upon this place, instantly flattening the mountain and everything within a hundred leagues. Once you have taken the burden, there is no escape." Atlas smiles. "Unless someone else takes it from you." He approaches the group, studying Thalia, (Y/n), and Percy. "So these are the best heroes of the age, eh? Not much of a challenge."

"Fight us," (Y/n) spits. "And let's see."

"Have the gods taught you nothing? An immortal does not fight a mere mortal directly. It is beneath our dignity. I will have Luke crush you instead."

"So you're another coward," (Y/n) snickers.

Atlas's eyes glow with hatred. With difficulty, he turns his attention to Thalia. "As for you, daughter of Zeus, it seems Luke was wrong about you."

"I wasn't wrong," Luke managed. He looked terribly weak, and he spoke every word as if it were painful. If (Y/n) didn't hate his guts so much, she almost would've felt sorry for him. "Thalia, you still can join us. Call the Ophiotaurus. It will come to you. Look!"

He waves his hand, and next to us a pool of water appears: a pond ringed in black marble, big enough for the Ophiotaurus. Percy can imagine Bessie in that pool. In fact, the more I thought about it, the more he was sure he could hear Bessie mooing.

Don't think about him! Suddenly Grover's voice is inside my mind—the empathy link. Percy could feel his emotions. He is on the verge of panic. I'm losing Bessie. Block the thoughts!

Percy tries to make his mind go blank. He tries to think about basketball players, skateboards, and the different kinds of candy in my mom's shop. Anything but Bessie.

"Thalia, call the Ophiotaurus," Luke persists. "And you will be more powerful than the gods."

"Luke . . ." Her voice is full of pain. "What happened to you?"

"Don't you remember all those times we talked? All those times we cursed the gods?

Our fathers have done nothing for us. They have no right to rule the world!"

Thalia shakes her head. "Free Annabeth. Let her go."

"If you join me," Luke promises, "it can be like old times. The three of us together. Fighting for a better world. Please, Thalia, if you don't agree . . ."His voice falters. "It's my last chance. He will use the other way if you don't agree. Please."

(Y/n) doesn’t know what he means, but the fear in his voice sounds real enough. She could believe that Luke was in danger.

His life depends on Thalia's joining his cause. And (Y/n) is afraid Thalia might believe it, too.

"Do not, Thalia," Zoe warns. "We must fight them."

Luke waves his hand again, and a fire appears. A bronze brazier, just like the one at

camp. A sacrificial flame.

"Thalia," (Y/n) mutters. "No."

Behind Luke, the golden sarcophagus begins to glow. As it did, (Y/n) sees images in the mist

all around us: black marble walls rising, the ruins becoming whole, a terrible and beautiful

palace rising around them, made of fear and shadow.

"We will raise Mount Othrys right here," Luke promises, in a voice so strained it is hardly his. "Once more, it will be stronger and greater than Olympus. Look, Thalia. We are not weak."

He points toward the ocean, and (Y/n)’s heart falls. Marching up the side of the mountain, from the beach where the Princess Andromeda was docked, is a great army. Dracaenae and

Laestrygonians, monsters and half-bloods, hellhounds, harpies, and other things (Y/n) can’t even name. The whole ship must've been emptied, because there are hundreds, many more than (Y/n) had seen on board last summer. And they are marching toward the mountain. In a few minutes, they would be there.

"This is only a taste of what is to come," Luke says "Soon we will be ready to storm Camp Half-Blood. And after that, Olympus itself. All we need is your help."

For a terrible moment, Thalia hesitates. She gazes at Luke, her eyes full of pain, as if the only thing she wants in the world is to believe him. Then she levels her spear. "You aren't Luke. I don't know you anymore."

"Yes, you do, Thalia," he pleads. "Please. Don't make me . . . Don't make him destroy you."

There is no time. If that army gets to the top of the hill, we would be overwhelmed. (Y/n) meets her girlfriend’s eyes again. Annabeth nods.

(Y/n) looks at Percy, Thalia, and Zoe, and she decides it wouldn't be the worst thing in the world to die fighting with friends like this.

"Now," (Y/n) says, and together, they charge.

Thalia goes straight for Luke. The power of her shield is so great that his dragon- women bodyguards flee in a panic, dropping the golden coffin and leaving him alone. But despite his sickly appearance, Luke is still quick with his sword. He snarls like a wild animal and counterattacks. When his sword, Backbiter, met Thalia's shield, a ball of lightning erupted between them, frying the air with yellow tendrils of power.

As for (Y/n), she does the stupidest thing in her life - which is saying a lot. She attacks the Titan Lord Atlas.

He laughs as (Y/n) approaches, her sword Tsunami springing to life in her hands. A massive javelin appears in Atlas’s hands and his silk suit melts into full Greek battle armor. “Go on, then!”

“(Y/n)!” Zoe calls. “Beware!”

(Y/n) knows what Zoe is warning her about. Chiron had told her a long time ago: Immortals are constrained by ancient rules. But a hero can go anywhere, challenge anyone, as long as she has the nerve. Once (Y/n) attacked, however, Atlas would be free to attack back directly with all his might. 

(Y/n) swings her sword, but Atlas knocks her aside with the shaft of his javelin. (Y/n) flies through the air, and slams into a black wall. It isn’t Mist anymore. The palace is rising, brick by brick. It’s becoming real.

“Fool!” Atlas screams gleefully, swatting aside one of Zoe’s arrows. “Did you think, simply because you could challenge that petty war god, that you could stand up to me?” 

The mention of Ares sets a jolt through (Y/n), and, ignoring her throbbing ribs, she shakes off her daze and charges again. 

The javelin’s point slashes towards (Y/n) like a scythe. She raises Tsunami, planning to cut off the Titan’s weapon at the shaft, but her arm feels like lead. Suddenly, the sword weighs a ton. 

And then (Y/n) remembers Ares's warning, spoken on the beach in Los Angeles so long ago:

When you need it most, your sword will fail you.

Not now! (Y/n) pleads. But it is no good. She tries to dodge, but the javelin catches her in the chest and sends (Y/n) flying like a rag doll. (Y/n) slams into the ground, her head spinning. (Y/n) looks up and finds herself at the feet of Artemis, still straining under the weight of the sky.

“Run, girl,” she tells (Y/n). “You must run!”

Atlas is taking his time coming towards (Y/n). My sword is gone. It had skittered away over the edge of the cliff. It might reappear in her pocket—maybe in a few seconds—but it doesn’t matter. (Y/n) would be dead by then. Luke and Thalia are fighting like demons, lightning crackling around them. Percy is fighting the dracaenae, and Annabeth is on the ground, desperately struggling to free her hands.

“Die, little hero!” Atlas says. He raises his javelin to impale (Y/n). 

“No!” Zoe yells, and volley of silver arrows sprout from the armpit chink in Atlas’s armor. 

“ARGH!” he bellows and turns back towards his daughter. 

(Y/n) reaches down and feels Tsunami back in her pocket. She couldn’t fight Atlas, even with a sword. And then a chill goes down her back. She remembers the words of the prophecy: The Titan’s curse must one withstand. (Y/n) couldn’t hope to beat Atlas, but there is someone who might stand a chance. 

“The sky,” (Y/n) tells the goddess. “Give it to me.”

"No, girl," Artemis says. Her forehead is beaded with metallic sweat, like quicksilver. "You don't know what you're asking. It will crush you!"

"Annabeth took it!"

"She barely survived. She had the spirit of a true huntress. You will not last so long."

"I'll die anyway," (Y/n) replies. "Give me the weight of the sky!"

(Y/n) doesn’t wait for her answer. She takes out Tsunami and slashes through her chains. Then she steps next to her and braces herself on one knee—holding up her hands—and touches the cold, heavy clouds. For a moment, Artemis and (Y/n) bare the weight together. It was the heaviest thing she'd ever felt, as if (Y/n) was being crushed under a thousand trucks. She wanted to black out from the pain, but (Y/n) breathes deeply. I can do this.

Then Artemis slips out from under the burden, and (Y/n) holds it alone. 

Every muscle in (Y/n)’s body turns to fire. Her bones feel like they’re melting. She wants to scream, but she doesn’t have the strength to open her mouth. She begins to sink, lower and lower to the ground, the sky’s weight crushing her.

(Y/n) concentrates on breathing. (Y/n) thinks about Bianca, who’d given her life so they could get to this moment. If she could do that, then (Y/n) could hold the sky.

(Y/n)’s vision turns fuzzy. Everything is tinged with red. She catches glimpses of the battle, but she isn’t sure if she is seeing anything clearly. There is Atlas in full battle armor, jabbing with his javelin, laughing insanely as he fights. And Artemis, a blur of silver. She has two wicked hunting knives, each as long as her arm, and she slashes wildly at the Titan, dodging and leaping with unbelievable grace. She seems to change form as she maneuvers. She is a tiger, a gazelle, a bear, a falcon. Or perhaps that was just (Y/n)’s fevered brain. Zoe shoots arrows at her father, aiming for the chinks in his armor. He roars in pain each time one finds its mark, but they affect him like bee stings. He just gets madder and keeps fighting.

Thalia and Luke go spear on sword, lighting still flashing around them. Thalia presses Luke back with the aura of her shield. Even he is not immune to it. He retreats, wincing and growing in frustration. 

"Yield!" Thalia yells. "You never could beat me, Luke."

He bares his teeth. "Well see, my old friend."

Sweat pours down (Y/n)’s face. Her hands are slippery. Her shoulders would've screamed with agony if they could. (Y/n) feels like the vertebrae in her spine are being welded together by a blowtorch.

In her daze, (Y/n) can’t place Percy’s or Annabeth’s positions. She watches, however, as Artemis advances. The goddess was fast, but the Titan’s strength is impossible. His javelin slammed into the earth where Artemis had been a split second before, and a fissure opens in the rocks. He leaps over it and keeps pursuing her. The goddess was leading him back towards (Y/n). 

Get ready, the goddess speaks in her mind. 

(Y/n) is loosing the abulity to think through the pain in her ribs. Her responce is somthing like agggghh-owwwww.

“You fight well for a girl,” Atlas laughs. “But you are no match for me.”

He feints with teh tip of his javelin and Artemis dodges. (Y/n) sees the trick coming. Atlas’s javelin sweeps around and knocks Artemis’s legs off the ground. She falls, and Atlas brings up his javelin tip for the kill. 

"No!" Zoe screams. She leaps between her father and Artemis and shoots an arrow straight into the Titan's forehead, where it lodges like a unicorn's horn. Atlas bellows in rage. He sweeps aside his daughter with the back of his hand, sending her flying into the black rocks.

(Y/n) wasnts to shout her name, or run to her friend’s aid, but she can’t speak or move. She couldn’t even see where Zoe had landed. Then Atlas turns on Artemis with a look of triumph in his face. Artemis seems to be wounded. And she doesn’t get up. 

"The first blood in a new war," Atlas gloats. And he stabs downward.

As fast as thought, Artemis grabs his javelin shaft. It hits the earth right next to her and she pulls backward, using the javelin like a lever, kicking the Titan Lord and sending him flying over her, (Y/n) sees him coming down on top of her and she realizes what would happen. (Y/n) loosened her hold on the sky, and as Atlas slams into her, she doesn’t try to hold on. (Y/n) lets herself be pushed out of the way and she rolls.

The weight of the sky drops onto Atlas’s back, almost smashing him flat until he manages to get to his kness, strugging to get out from under the crushing weight of the sky. But it is too late. 

"Noooooo!" He bellows so hard it shakes the mountain. "Not again!"

Atlas is trapped under his old burden. (Y/n) tried to stand and fell back again, dazed from pain. Her body feels like it was burning up.

Thalia backs Luke to the edge of a cliff, but still they fought on, next to the golden coffin. Thalia has tears in her eyes. Luke has a bloody slash across his chest and his pale face glistened with sweat.

He lunges at Thalia and she slams him with her shield. Luke's sword spins out of his

hands and clatters to the rocks. Thalia puts her spear point to his throat.

For a moment, there is silence. 

“Well?” Luke asks. He tries to hide it, but (Y/n) can hear the fear in his voice. 

Thalia trembles with fury.

Behind her, Annabeth comes scrambling, finally free from her bonds. Her face is bruised and streaked with dirt. "Don't kill him!"

"He's a traitor," Thalia says. "A traitor!"

In her daze, (Y/n) realizes that Artemis is no longer with her, and Percy had taken the goddess’s place at her side. The goddess had run off toward theblack rocks where Zoe had fallen.

"We'll bring Luke back," Annabeth pleads. "To Olympus. He . . . he'll be useful."

"Is that what you want, Thalia?" Luke sneers. "To go back to Olympus in triumph? To please your dad?"

Thalia hesitats, and Luke makes a desperate grab for her spear.

"No!" Annabeth shouts. But without thinking, Thalia kicks Luke away. He looses his balance, terror on his face, and then he falls.

"Luke!" Annabeth screams.

Percy helps (Y/n) as they rush to the cliff’s edge. Below them, the army from the Princess Andromeda had stopped in amazement. They are staring at Luke’s broken from from teh rocks. Despite how much (Y/n) hated him, she couldn’t stand to see it. She wants to belive the son of Hermes is still alive, but that is impossible. The fall is at least fifty feet, and he isn’t moving.

One of the giants looks up and growls, "Kill them!"

Thalia is stiff with grief, tears streaming down her cheeks. (Y/n) pulls her back as a wave of javelins sail over their heads. They run for the rocks, ignoring the curses and threats of Atlas as they pass.

"Artemis!" Percy yells.

The goddess looks up, her face almost as grief-stricken as Thalia's. Zoe lies in the goddess's arms. She is breathing. Her eyes are open. But still . . .

"The wound is poisoned," Artemis says.

"Atlas poisoned her?" Percy asks.

"No," the goddess says. "Not Atlas."

Artemis shows them the wound in Zoe’s side. (Y/n) had almost forgotten her scrape with Ladon the dragon. The bite is so much worse than Zoe had let on. (Y/n) can barely look at the wound. Zoe had charged into battle against her father with a horrible cut already sapping her strengh. 

(Y/n) feels a hand lacing through her’s. She glances over to find Annabeth standing beside her. 

“The stars,” Zoe murmurs. “I cannot see them.”

“Nectar and ambrosia,” Percy says. “Come one. We have to get her some.”

No one moves. Grief hangs in the air. Even Artemis is too shocked to stir. The demigods may have met their doom right there, but then (Y/n) hears a strang buzzing noise. 

Just as the army of monsters come over the hill, a Sopwith Camel swoops down out of the sky. 

“Get away from my daugther!” Dr. Chase calls down, and his machine guns burst to life, peppering the groud with bullet holes and startling the whole group of monsters into scattering.

“Dad?” yells Annabeth in disbelief.

“Run!” he calls back, his voice growing fainter as the biplane swoops by. 

This shakes Artemis out of her grief. She stares up at teh antique plane, which is now coming back for another strafe. 

"A brave man," Artemis says with grudging approval. "Come, We must get Zoe away from here." She raises her hunting horn to her lips, and its clear sound echoes down the valleys of Marin. Zoe's eyes are fluttering.

"Hang in there!" Percy tells her. "It'll be all right!"

The Sopwith Camel swoops down again. A few giants threw javelins, and one flew straight between the wings of the plane, but the machine guns blazed. I realized with amazement that somehow Dr. Chase must've gotten hold of celestial bronze to fashion his bullets. The first row of snake women wailed as the machine gun's volley blew them into sulfurous yellow powder.

"That's . . . my dad!" Annabeth says in amazement.

They don’t have time to admire his flying. The giants and snake women are already recovering from their surprise. Dr. Chase would be in trouble soon.

Just then, the moonlight brights, and a silver chariot appears from the sky, drawn by the most beautiful deer (Y/n) had ever seen. It lands right next to them.

"Get in," Artemis says.

Annabeth helps (Y/n) get Thalia on board, and Percy helps Artemis with Zoe. They wrap

Zoe in a blanket as Artemis pulls the reins and the chariot sped away from the mountain,

straight into the air.

"Like Santa Claus's sleigh," (Y/n) murmurs, still dazed with pain.

Artemis takes time to look back at her. "Indeed, young half-blood. And where do you think that legend came from?"

Seeing them safely away, Dr. Chase turns his biplane and follows like an honor guard. It must have been one of the strangest sights ever, even for the Bay Area: a silver flying chariot pulled by deer, escorted by a Sopwith Camel.

Behind them, the army of Kronos roars in anger as they gather on the summit of Mount Tamalpais, but the loudest sound is the voice of Atlas, bellowing curses against the gods as he struggles under the weight of the sky.

. . . 

Annabeth and (Y/n) fly along side by side on the back of the pegasai. 

“Your dad seems cool,” (Y/n) tells Annabeth. 

It was too dark to see her girlfriend’s expression. She looks back, though California is far behind them now. 

“I guess so,” Annabeth replies. “We’ve been arguing for so many years.”

“Mhmm,” (Y/n) hums. “You mentioned that.”

“You think I was lying about that?” It sounds like a challenge to (Y/n), but a pretty half-hearted one, like she is asking it of herself.

"I didn't say you were lying. It's just . . . he seems okay. Your stepmom, too. Maybe they've, uh, gotten cooler since you saw them last."

She hesitates. "They're still in San Francisco, Percy. I can't live so far from camp."

(Y/n) doesn’t want to ask her next question. She is scared to know the answer. But I asks it anyway. "So what are you going to do now?"

They fly over a town, an island of lights in the middle of the dark. It whisks by so fast they might've been in an airplane.

"I don't know," she admits. "But thank you for rescuing me."

"Hey, you’re my girlfriend. I would go through Tartarus to rescue you."

"You didn't believe I was dead?"

"Never."

She hesitates. "Neither is Luke, you know. I mean . . . he isn't dead."

(Y/n) stares at her. She doesn’t know if Annabeth is cracking under the stress or what. "Annabeth, that fall was pretty bad. There's no way —"

"He isn't dead," she insistas. "I know it. The same way you knew about me."

Word Count: 5630 Words

[mydearlybeloathed]

THAT HEROES OF OLYMPUS IMAGINE WAS SO GOOD FR like nil it reminded me of the eternals BUT PLEASE PRETTY PLEASE MAKE A PT2

𝐅𝐎𝐑𝐄𝐒𝐈𝐆𝐇𝐓

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: the eight get together for first time since Y/N's funeral, and it's a cause for some serious looks into their future.

𝐩𝐚𝐢𝐫𝐢𝐧𝐠: allusions to leo x fem!reader, heroes of olympus x fem!reader

𝐚/𝐧: omg you're so right it is like the eternals AND THANKS SM 🥰

Christmas Eve hadn’t ever been so crowded, and honestly, Sally was a bit overwhelmed. Nevertheless, she'd never wish it any other way; her son was happy, and his wife was happy, so she was happy.

Besides, she wasn't stuck to the kitchen all alone. Estella and Paul were right at her side, and so were her grandchildren, Margot and Zoe.

Well, Margot and Zoe were fighting more than helping, spreading puffs of flour into the air with every punch and chokehold they threw out.

Sally let out a breath to calm herself as she very nearly dropped the tray of casserole due to their chase around the kitchen. Paul, who had gained a sense for Sally's temper, looked up form across the room and noticed the furrow of her brow as she squeezed her eyes shut.

"Girls," he snapped, snatching the rolling pin from Zoe and grabbing Margot by the back of her hoodie. "Please, take it outside."

Zoe, ever the oldest, nodded and dragged her sister out into the front yard. Hopefully, thought Paul, there wouldn't be a Christmas trip to the ER.

Further into the house, away from the stress of the kitchen, laughter rang throughout the house.

In the living room, sat around the hearth, were the eight Heroes of Olympus.

Hazel sat on the edge of the couch, every once in a while looking toward the kitchen she'd been thrown out of. Sally insisted she didn't need any more help, but Hazel couldn't help but feel the need to.

Annabeth and Percy sat on the rug, criss crossed and side by side as they thanked Hestia no arguments had yet to break out. It seemed things were finally getting back to how they used to be; that is, good.

On the couch, right next to Hazel, was Frank. There was a polite enough distance between them, but every once in while they'd lock eyes and smile. The conversation between them wasn't what they'd like it to be, but slowly, they felt the ice slowly begin to melt. Both were hoping for a second chance, but neither knew how to ask for it.

"You're still doing quests, right?" Hazel asked him.

He rubbed at the back of his neck. "Not really quests. A search party, more like. Searching for more demigods."

Her head tilted as she turned to face him. "How are you finding them?"

"Luck, mostly," he said. "It's just me and Lavinia right now. We're following monster patterns for the most part, as well as just going to Olympus and asking... well, asking for a roster."

Hazel laughed behind her hand. "A roster? For all the people they've, erm, been with?"

Nodding, Frank chuckled too. "It's effective."

On the other end sat Y/N and Leo, the latter completely captured by whatever the son of Hephestus said. His hands were quick as he worked with several gears and pieces of metal, not realizing as his friend got closer to his shoulder to watch what he was doing.

When he was done, he held up a tiny model dragon, which he handed to her before going on about all that had happened since last they talked, which had been some months ago, upon her crashing her own funeral.

Y/N grinned down at the dragon, setting it on her knee as she propped her arm on the back of the couch and rested her head there, eyes finding Leo's profile again as she hung on every word he said.

"What happened to Calypso," she asked in a moment of pause. She'd been wondering that for some time, even before her "death." She'd been on good terms with everyone during their decade of disagreement and had spoken to Leo every few years or so, and eventually, Calypso stopped showing up to their lunch get-togethers.

Y/N never had the nerve to bring her up, mostly because she didn't want to come off... the wrong type of way about it.

Leo blinked, not expecting that, and shifted to face her. "Oh. Uhm, we didn't work out." His lopsided grin turned melancholy. "Took me three years to figure that out."

"I'm sorry," she said, and she meant it. He'd been so happy with Calypso, and as much as that was hard to swallow, she wasn't about to put an end to that.

"Eh," Leo shrugged, noticing how her face had fallen. "It's fine. We're good now. Better as friends, I think."

The pair fell silent at that particular choice of words, an echo of a past they'd rather not bring up in their heads.

It hadn't been so long ago, to them at least, when they were sixteen, and better as friends had put some kind of impassable bridge between the close friends.

For some reason, they both reflected, sharing a brief glance, that bridge wasn't so impassable anymore.

On the soft armchair across from them were Piper and Shel. Piper had her legs thrown over Shel's, her upper body leaned against the side of the chair as she talked with Jason, who lay on his back on the floor. To her surprise, Shel and Jason got along really well.

"So you can fly?" Shel asked, a brow raised as she looked between her girlfriend and the son of Jupiter.

Jason sat up and nodded. "Yep."

Shel scoffed. "I don't believe you."

Piper and Jason shared a look, mischief in their eyes. "Oh yeah?"

"Yeah," she answered, shaking her head. "Just cause you're a demigod or whatever doesn't mean the laws of gravity don't apply to you."

"Well, they do still." Jason shifted so he was sitting right in front of Shel. "It doesn't work like that, really. I just bend the wind to lift me up."

"There's no way you're a fuckin' airbender, dude."

"There is a way, and I'll prove it--"

"Mom!"

Annabeth's eyes shut as she sighed to keep her patience. Meanwhile, Percy nudged her and wondered aloud. "How come they never call for me when they're angry?"

Ignoring her husband, Annabeth looked up as her daughters ran one after the other into the living room. Margot shoved Zoe aside to get there first, sending her older sister spiraling into the wall.

Zoe jumped back up with a grunt, just in time to catch her mother's stern glare and shape up real quick.

Margot pointed at her sister and shouted, "Zoe punched me! For real punched me. In the eye!"

"Was it aggravated?"

"Percy."

He raised his hands in defense. "It's a valid question."

Annabeth pinched the bridge of her nose, though a little grin was fighting its way onto her lips. "Zoe, do not deck your sister in the face."

"Ha!"

"Margot," Annabeth warned. "Do not do anything garnering a deck in the face."

The sisters glared at each other before they said in unison, "Yes, Ma'am" and ran back outside, this time with their Aunt Stella marching after them, slouching and frustrated at being sent to be their babysitter by her mother.

Annabeth sighed and leaned into her husband's side, feeling his laughter in his chest before she heard it. He rubbed at her shoulders. "We haven't decided whose genetics trumped the others yet."

"It's obvious," Y/N said, looking up from the little toy dragon in her lap.

The parents shared a look before Annabeth asked, "Really?"

Y/N nodded. "Yeah. Margot may look just like Sally, but she's all Annie's sass and smarts. And Zoe's a tiny little Percy, except maybe a bit more self-aware."

Percy scoffed, nearly offended, as Annabeth chuckled. Y/N leaned back, reclining into the soft couch, and let her exhaustion get the better of her as she confessed, "I can't wait till I have kids someday."

An instant later, her cheeks were rosy as she sat straight up, glaring at Hazel's little snicker. "I mean, not mine, obviously."

Leo's brows quirked as he turned to face her entirely on the couch. "Why obviously?"

She realized then she'd actually never told anyone. "Oh, uhm," she stammered. "I... uh, I learned a while back I can't. Something in my DNA. I dunno..."

Suddenly, her little slip up wasn't so funny. Piper shifted so she was sitting up, beside Shel on the armchair. "Oh, sweetie, I'm so sorry."

Y/N was quick to shake my hands in dismissal, a tiny grin on her face. "No, don't be. I have other options, if I ever get a life and move out of the Big House."

Annabeth tilted her head at that, her hand still in Percy's. "But you love being a counselor?"

"I do! Don't get me wrong," she said, starting to laugh a little awkwardly now that everyone was looking at her. "I just... I wish I hadn't clung to Camp like I had, you know? I shoulda gone to New Rome and gone to college with you guys instead of settling for never getting passed tenth grade."

Now it was Frank that turned to face her. "Y/N, you know it's not too late, right? NRU has GED programs."

Percy nodded. "And then you can apply. I'm sure Reyna and Jason would give you a recommendation or something."

"Definitely," said Jason.

Though the prospect of it was exciting, she ducked her chin and sank deeper into the cushions. "But... guys. I'm bordering on twenty-five..."

Before anyone could say anything else, reassure her it wasn't too late, the man beside her blurted, "I'll do it with you."

Everyone's heads darted in Leo's direction. Leo was smart. Insanely smart. But he'd made it clear school just wasn't for him. He was well enough off, and had a good job working at a garage not too far from the Waystation. He had no need to go back to school.

"What?" Y/N voiced the thought whirling around the room.

He just shrugged. "I've been thinking about it for a while, to be honest."

"You're not just saying that?" Y/N asked. "Cause I-I don't need you to do that for me, Leo. I know how difficult it was for you."

"I'm serious," he insisted. "Fixing motorcycles and cars is fun and all, but there's only so many oil changes a man can do before he has an existential crisis."

He wanted to be an engineer. He'd always wanted to be engineer, really, but it always felt so far away. He'd felt alone, but Y/N was there, and she also wanted more out of life. She too had regrets, probably some regrets they shared, and he wasn't just letting that go.

So he shrugged again, offering her his signature smirk, and raised his fist up to her. "What'dya say? Back to school?"

Y/N probably stared at his fist long enough to make it weird, before her eyes snapped up to meet his, and a smile spread from cheek to cheek. "Okay."

She fist bumped him, letting out a loud laugh as Piper whooped and started a round of applause that soon had the living room nearly too loud to handle.

It was still going on when Sally and Paul entered the room, the mother ripping an oven mitt off her hand and crossing her arms whilst her husband snickered under his breath. He cast her a look and wondered, "Did we miss something?"

[immaturityofthomasastruc]

Every Episode of Miraculous Ladybug Season 5 Ranked (Part 2)

Part 1

(This site's stupid 30 images per post forced me to do this, so thanks for nothing, Tumblr)

#14: Transmission

I swear, I'm not doing these on purpose. This is just how I've been ranking the episodes.

Like I said in the last part, this episode just did not need to happen. The first half is cheap melodrama between Marinette and Adrien and the second half is a run of the mill Akuma fight with two different heroes. This is the story that seriously warranted two parts this season?

I just can't stand the fact that Marinette and Adrien gave up their Miraculous so easily here. Maybe if it was Season 2, Season 3 at the latest, I'd buy it, but near the middle of Season 5? They honestly view their love lives as more important than the battle with Monarch. If it was anything else like the stress or physical danger, I'd also be understanding, but Tikki and Plagg decide that Marinette and Adrien are so miserable that they need to be happy by losing their Miraculous without a fight. Remember, this was just two episodes after “Reunion”, which showed Joan of Arc was a Miraculous holder. So fighting in the Hundred Years' War didn't get so much as an ounce of concern from Tikki, but teenage angst is too much for her little heart to bear?

Maybe it's the benefit of knowing this won't be permanent, but the issue I have is how much the show draws this out for so long, as if the audience is supposed to buy it. “It's really happening, guys! Ladybug and Cat Noir won't be the stars anymore, we swear!” This kind of plot can work under the right circumstances. All you needed to do is at the very least, make it something they choose to do instead of their Kwamis taking their Miraculous away so we can see them weigh the benefits of giving up life as a superhero in ways that aren't exclusively about their love lives. I'd even buy it if it's something Ladybug and Cat Noir actually agreed on before quitting.

While I can sort of get Alya becoming Scarabella due to her experience with the Ladybug (even if she chose to give up using any Miraculous at the end of Season 4), Zoe getting the Cat just feels like the writers put a bunch of names in a hat and picked hers. The two just don't have as compelling a dynamic as Ladybug and Cat Noir do, because they don't get a lot of time to know each other. Alya and Zoe have almost never interact with each other, so the masks don't really shake up their relationship, because there's no relationship to speak of.

Also, the Akuma here was really forced. We know nothing about this new character while the show acts like we're supposed to know who he is based on some minor hints with Nora calling earlier. While I will give the show credit for arguably giving us the most powerful Akuma of all time due to being both a man and a bear, he's as forgettable as a villain as Kitty Noire is as a hero.

Just about nobody here comes out smelling like roses in this episode. The Kwamis are morons for caring about one ship becoming canon, Marinette and Adrien are selfish cowards for giving up their Miraculous with little hesitation, their friends are ignorant buffoons for thinking some random attempt to get Marinette and Adrien to talk will somehow seal the deal, and Alya and Zoe are idiots for not thinking that they should take off the shiny ring that tracks their every movement. It's a terrible episode, and the only reason why “Deflagration” is ranked higher is because it didn't irritate me as much as this one did.

#15: Determination

And now we're onto the really bad episodes this season.

This episode is pretty much what you've come to expect by Season 5. People keep forcing Marinette into situations she's clearly uncomfortable, and we're supposed to just laugh at her anxiety, because we still have eight episodes to go before the show decides to take her mental health seriously.

What makes this episode really sting for me is that it's Luka and Kagami that are forcing Marinette into these unfunny antics this time. For the most part, they never really stooped to this level and didn't try to force anything with their respective love interests until they had trouble in their relationships that required them to communicate. But now, even though one knows Marinette and Adrien are superheroes while the other is usually very blunt with her feelings (at least, before she became this season's next victim), they're going to try forcing Marinette and Adrien to spend time together even they both know they have feelings for each other and MY GOD, THIS IS SO STUPID! It's just a cheap excuse for more pointless shenanigans that stopped being funny years ago.

Yet somehow, that's not the worst of the Love Square drama this episode. It's here where we learn that Adrien fell in love with Marinette over a season ago, during a scene where she violated his personal space. In addition, Adrien somehow showed no signs of attraction to Marinette until the plot demanded it, and came right after another episode showing him falling for her. Why not make it the fake confession Marinette practiced with Cat Noir in “Glaciator 2”? The kiss Marinette gave Adrien at the end of “Heroes' Day”? I'd even take another umbrella scene callback like in “Mr. Pigeon 72”. But no, it's the statue scene that the writers decided on. It's like they noticed all the criticism Marinette got in that episode and were like “Joke's on you! Adrien actually liked being lusted over like an object!”.

And then the masks come on and make things even more convoluted. Adrien at least got to reflect on the events of a previous episode to explain his new feelings for Marinette, but what caused Ladybug to suddenly fall for Cat Noir after four seasons?

The writers don't even bother with an explanation for this. Ladybug spontaneously becomes attracted to Cat Noir with absolutely no foreshadowing, buildup, or even callbacks to earlier episodes. The writers either wanted to complicate things one last time before Adrienette became canon, they wanted to bury the Ladynoir conflict arc from last season in the sand, or the most likely option, a combination of both.

The idea of the public turning on Ladybug was an interesting one to take, seeing how she's been universally beloved for the past four seasons. But despite hinting at it in “Multiplication”, this is the farthest is goes, and even then, guess who's behind it? You can't keep raising points against the main characters if it's only Chloe who does it. It doesn't open debate on the story and essentially tells the audience that they're wrong to agree with her, no matter what kind of point she makes.

As dumb as the way it happened was, Ladybug still screwed up and endangered the city by losing the other Miraculous, but we can't actually challenge children by acknowledging that the hero actually did something wrong and needs to grow as a person. We need to use a recurring character as a strawman to tell the audience that only bad people think this way! Way to remove any interesting internal conflict, writers.

The Akuma was pretty weak, just being an older Puppeteer, down to using wax statues like what happened in “Puppeteer 2”. The army of wax heroes could have been interesting, but there wasn't enough time to do much with the idea. The one thing I liked was how the Ox Miraculous' Resistance was used. It felt like an upgrade instead of a core power Manipula got.

This episode pretty much set the stage for a new level of frustrating Love Square drama this season, and it was one of the season's first outright awful episodes.

#16: Conformation

The only reason this episode isn't at the bottom is because the rest of the ones on this list are far worse by comparison. Make of that what you will.

Like most season finales, this one continues the tradition of being better at buildup than actual execution. Gabriel's plan is pretty decent, even if it's just Heroes Day on a global scale. He utilizes his public influence and business skills to plan out a plan to get almost all of humanity working for him. While I don't like the Miraculized, I still think Gabriel being on top works here, especially since he's not going out into the field like the last three finales.

But other than an okay evil plan, this episode is still pretty bad. Marinette being infected with nightmare dust only happens to get her to the Agreste manor because the writers forgot that Marinette learned Gabriel was Monarch last episode. It could have been a decent way to up the stakes by showing Ladybug not being at 100%, but like everyone else, she just fights off the nightmare dust and doesn't have a single problem during her fight with Monarch. In general, the nightmare dust isn't really utilized well, only being an excuse to bring out the Miraculized. It doesn't impact everyone fighting off the Miraculized, and there's no lesson or theme about fear that's conveyed here.

Speaking of nightmare dust, I'm pretty sure the only reason why it was introduced in the first place was to bench Adrien, which is still easily one of the dumbest decisions the show has ever made. While everyone else had no problem resisting the nightmare dust, Adrien is just physically incapable of doing so because of some half-assed character arc the show pretended happened. So either Adrien got a more potent dosage of the nightmare dust, or Adrien's just too weak to actually overcome his fears. “Sandboy”? Never heard of it! The fact that the writers also tried to claim they were being subversive with fairy tale tropes and cliches didn't help, since it devalues Adrien as a character even further. He's not a superhero and Ladybug's closest ally. He's just some damsel in distress who needs to be saved. Let me just remind you, if the genders were reversed, this would not be seen as some bold move, but the same overused cliche trying to be something new.

I already talked about my problems with Nathalie in “Passion”, and the stuff she does here isn't really different. Despite enabling Gabriel for five seasons, the episode has the balls to act like Nathalie always had morals and is appalled by Gabriel planning to sacrifice someone to save his wife. Just remember, “Passion” established that Nathalie had a history as a treasure hunter, so this is like Indiana Jones not knowing what the Holy Grail does. Nathalie only got dumber than in “Passion” because she somehow thought she could take on a supervillain with nothing but a crossbow and a body that already has one foot in the grave. And just like Felix, Nathalie can't even apologize to Ladybug for the aiding and abetting a terrorist thing. Between Nathalie, Felix, and Gabriel, does using the Peacock Miraculous just make you an idiot?

While the buildup is decent, it's just not enough to really get audiences excited for the second part.

#17: Representation

This episode is yet another example of the show's double standards.

Without going into detail too much, this episode came right after “Revolution”, the one that essentially portrayed Audrey taking control of Chloe's life as a karmic punishment. What happens in this episode? We learn Felix's father literally took control of his life and it's portrayed as wrong as child abuse should be. That's why this episode is still better than “Revolution”. It at the very least understands how serious child abuse is, and tries to tell Felix's story with as much dignity as two teenagers in white onesies can have.

With that being said, there's a reason why this episode is as low as it is. The Sentimonster play used to tell Marinette about Felix is just so stupid. The sets and costumes look ridiculous, it's hard to take the story seriously with Felix and Kagami doing all the voices, and most of it is unnecessary since the whole point is to tell Marinette that Gabriel is Monarch... something that the writers decided she needed to find out on her own in the next episode. It comes across less like Felix trying to alert Ladybug to who Monarch really is and more like he's just trying to justify his own actions. Hell, the actual reason he decided to tell Marinette about Gabriel was because he and Kagami were worried about their own relationship being ruined by him. And yet somehow, Ladybug lets him on the team at the end of the season.

The stuff with Adrien was also pretty dumb. It's cheap fanservice that reminds the audience of Cat Blanc when none of the characters should know who Cat Blanc is. You can call him Anticat all you want, but everyone can see that he's just Cat Blanc with blue hair. It's bad enough that this was what all the times Cat Noir almost Cataclysming people this season was meant to lead up to, but this is pretty much the reason why Adrien is benched during the finale.

This episode really shows how desperate the writers are to make people take this show seriously by showing serious topics like genocide and child abuse, as if the show didn't already ignore the horrible implications previous episodes (like the very last one before this) raised and will continue to raise during the season finale. So much of the episode is just dark for the sake of being dark. It's nothing too horrifying for children, of course, but the issue is how obvious it is that the writers are trying to raise the stakes right before the season finale and show how mature the show's writing is. For lack of a better term, it's this show's equivalent to “Ow The Edge”.

#18: Revelation

Get ready for the episode where the writers abandon all attempts to be subtle and create an episode specifically to attack people who think Chloe isn't the most evil character on the show. Because how dare they be optimistic and try to see the good in people! What do they think this is, a kids' show?

While a big problem with the Lila episodes was how stupid the class is, this episode made it so Marinette got to join in on losing brain cells too. Despite outright admitting to neglecting her duties as class representative (as absurd as it is to be in charge of notifying teachers about student progress they should be aware of), we're supposed to agree with her for not telling her teacher about Chloe cheating. Not only does this make no sense since you'd think Marinette would want to see Chloe get punished, but her claiming that all Chloe does is abuse her privileges loses any point to it because Marinette admitted to not doing her job as class representative, making her just as lazy as Chloe and unintentionally helping her through not telling the teachers. And that's not even getting into how many times Marinette has broken the secret identity rule despite also being the one to enforce it the most as the Guardian.

If the episode at least admitted to Marinette having personal issues that prevented her from displaying any form of professionalism towards Chloe (especially since this episode takes place after “Derision”), that'd be fine. Sometimes, people just can't let bygones be bygones and let their emotions dictate how they handle things. If she willingly resigned from her position by admitting she was just as at fault for Chloe getting as far as she did with her cheating, that would have worked. Instead, the episode does the same things it did with Adrien for the last few seasons: Go out of its way to vindicate Marinette's complaining and never even consider the idea of her being wrong in the slightest.

It's also hilarious to see Ms. Bustier act like an actual teacher for once and plan to work with Chloe to help make up her missed work, but portray it as a bad thing because in Marinette's eyes, that's not a punishment. Since the school year is almost over, Chloe will have to attend summer school at best and be held back or even expelled at worst. How the hell does that not count as a punishment, Marinette?

And don't forget how she gets not one, but two separate scenes insulting people for being idealistic and not wanting to write off people as beyond saving, the second one being copied from Astruc's Twittter.

And remember, this was right before a string of episodes where characters were able to change their ways, including Sabrina (Chloe's accomplice), Andre (Chloe's enabler), and Gabriel (Chloe's supervillain contact). How the hell is Chloe the only one being written off as irredeemable when she didn't pull off any of her evil plans without help? You can still punish Chloe. All I want is for the other characters to be punished as well.

But let's talk about the main event for this episode: Lila. In one of the most confusing “twists” in the show's history, she's now an identity thief who lives with three different mothers. Why? Because the writers have no idea how to hype people up for her being the main villain for Season 6, so they think just making her mysterious for the sake of making her mysterious is enough to build her up as a villain. It's like the writers realized Lila had absolutely zero resources of her own, so they felt like they needed to establish her as an evil genius to compensate. “Who cares if there's no logical explanation for how she's gotten as far as she has despite constantly boasting about her celebrity connections in public? We have to make her vague and mysterious, damn it! It worked for Judas Traveller and Kaine, didn't it?”

This episode takes multiple shots at fans and tries to make Lila seem more compelling than she actually is. It feels more like damage control than an actual plot-relevant episode.

#19: Illusion

Want to see the main characters acting like idiots for almost a half-hour? No? Too bad!

So much of this episode's conflict, the characters trying to investigate a possible lead related to Monarch, comes from everyone making stupid decisions. Nino tries to get one of the most influencial men in Paris akumatized, talks about it in public, falls for his trick, and lets him into his secret alliance. This season really cemented his role as the Zapp Brannigan of Miraculous Ladybug with how incompetent he is. If you really want to start portraying Nino as a tactical genius, maybe you should actually show him doing something smart instead of getting outsmarted by obvious tricks.

Of course, the other characters aren't immune to Nino's stupidity either. Marinette, Adrien, and Alya just go along with his asinine plan to get Gabriel akumatized, never question his logic, and ultimately still go along with the Resistance despite how obnoxious their leader is. The worst part is Ladybug not recognizing her own partner being stung by Venom... when they're fighting someone with access to over a dozen Miraculous. I know Cat Noir was born with glass bones and paper skin, but I don't think he literally freezes in terror when he's scared. And of course, Ladybug never questions the tiny invisible men who stunned Cat Noir after this scene.

The cafeteria scene is something that should really be cited as an example of how terrible this show is with acknowledging continuity. You thought there would be some compelling drama discussing the secret identity rule and all the double standards it has? NOPE! It's a funny joke about how confusing the identity stuff is at this point. The fact that Nino somehow doesn't understand the concept of secret identities in this scene is yet another reason as to why he isn't even qualified to lead an anime club, much less a resistance against Monarch.

The idea of Monarch using an illusion to fight Ladybug and Cat Noir was an interesting one, but it still had some holes. For one thing, what if the two heroes can't dodge one of the illusion Collector's attacks? What if they're fast enough to try tying him up, only to dispel the illusion? The entire plan pretty much relies on the fact that Ladybug and Cat Noir are too slow to catch the Collector.

But one scene that has only become more questionable after the finale is Ladybug trying to reach through to the illusion Collector. Like several episodes this season, it comes across like the show is spitting on idealism and wanting to solve problems peacefully because Monarch tricked Ladybug into believing he willingly rejected an Akuma. Remember kids, if someone says they want to change, it's really a trick as part of an evil supervillain's plan to maintain his secret identity.

This episode is like a microcosm of everything wrong with Season 5. Poor morals, characters acting like idiots, shooting down any potential for plot development, and being told characters are right when their actions say otherwise.

#20: Confrontation

Ladies and gentlemen, I give you the episode where the writers just gave up.

There is just so much that happens in this episode that the writers cram in. There's Marinette's “final” confrontation with Lila, the battle with Reflekta, Sabrina's redemption, Juleka's character development, Ms. Bustier's character development, Mr. Damocles' character development, and the reveal of Lila's true nature. I don't think I need to tell you that the writers struggle to make all of these plot threads work in less than a half-hour.

First off, Marinette and Lila. The previous episode implied that Marinette let Lila have this short-term victory because she had her own plan to expose her. This episode puts that plan into action. See, she has the genius idea of going along with submitting school application forms to Lila and Chloe with no actual countermeasure in place, waiting for Sabrina to have a sudden change of heart so they can work together to expose Lila and Chloe through a bathroom peephole. This is the kind of tactical intelligence that will be studied in the history books, let me tell you. There's just no weight to Marinette and Lila's final battle of wits because there isn't any. There's no series of gambits or scenarios that actually pit their minds against each other, so you don't get a lot of satisfaction from Marinette's triumph over Lila. It doesn't help that there's more focus on Sabrina than on Marinette, but I'll get to that later. Even the actual payoff is anti-climactic. Most of the class' apology to Marinette was deleted because Mr. Damocles using a Magical Charm shield was just too important to leave on the cutting room floor according to the writers.

This episode really shows just how Marinette's classmates are like NPCs in the Lila-centric stories. They don't second guess Lila's accusations due to their past experiences with Marinette, and as soon as Marinette's name is cleared, they instantly apologize to her and don't even think about how easily they were fooled by Lila and Chloe. The worst example is Alya, Marinette's confidant and someone who was trusted to temporarily use the Ladybug Miraculous last episode, falling for this and not trusting Marinette. My sister in Christ, your friend goes out and saves lives on a weekly basis at least. How can you fall for Lila's story? This is why I think the Lila episodes should have all been set pre-Season 4, so Alya falling for Lila's lies is a little more believable since she isn't already in on Marinette's biggest secret.

I also have to roll my eyes at how melodramatic the talk about everyone's “futures” is. Yes, I don't know a lot about the French education system (If there's anything I'm getting wrong here, don't hesitate to let me know), but I don't get why they're treating their high school choices like such a big deal. Maybe if it was college, I'd get it, but high school? Why can't you just transfer if it doesn't work out? But then again, this is the same show created by a man who thinks school uniforms are a sign of fascism.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Speaking of futures, this episode also showed just how little the writers cared about Adrien at this point, with how a supposedly heartwaming moment is him having no plan in life other than Marinette. I know this might seem weird given my problem with him last season was his refusal to think about anyone but himself, but there's a difference between wanting someone to follow orders without complaining and giving them absolutely no motivation outside of their significant other. And once again, if you swap the genders, this becomes sexist as hell.

But the big problem comes in the form of how the side characters are utilized. I don't know why the writers decided to focus on developing characters like Sabrina, Juleka, Ms. Bustier, and Mr. Damocles with five episodes left in the season. This should have been done in earlier episodes, not in the middle of a major story arc. I'm just left not caring about the development because it takes away from the conflict between Marinette and Lila, to say nothing about how little Adrien and Alya contribute to the story.

To me, this episode feels like the writers had no idea how to make Marinette outsmarting Lila into an episode, so they crammed in all these half-assed character arcs to pad out the runtime. While “Revelation” personally upset me more, I personally think this is the worse episode of the two from a writing standpoint.

#21: Revolution

Given how often I've criticized the way Chloe has been handled over the years, I bet you're surprised that this one isn't at the bottom of the list. You'll be even more surprised to learn that I think Chloe is one of this episode's saving graces.

This episode (along with “Derision”) provide an example of the Chloe we should have gotten ever since Season 3 ended: A villain who's allowed to be a threat while still being funny. So much of the past two seasons have done nothing but portray Chloe as nothing but an incompetent joke, but here, near the end of the season, she's in a position of power and is taken seriously. The episode does a good job showing how tyrannical Chloe's rule as Mayor is while still making it funny and in-character for her. She uses her power on frivolous things because she's a teenage girl who doesn't understand the complicated issues that come with politics. It's also why her idea of punishment involves detention, because it's something she's more familiar with as someone in middle school. Of course, even the episode all about Chloe ruling Paris with an iron fist isn't stupid enough to actually let Chloe be a compelling antagonist. No, we need to constantly remind the audience that Chloe is being played, as if we're supposed to see her as nothing more than a pawn even though the show still wants us to see her as an irredeemable monster.

Putting aside that one speck of something interesting, this episode is still incredibly bad. So much of the story is dependent not on how smart the villains' plan is, but rather, how lazy the heroes are. Not only is there not a single moment where Ladybug and Cat Noir acknowledge that the whole reason why Chloe was able to take over as Mayor was their fault, they act as if Chloe abusing her power to make everyone's life a living hell isn't enough of a reason to stop her. What kind of Prime Directive bullshit is this? YOU JUST HELPED SOMEONE LEAD AN INSURRECTION AGAINST A POWERLESS CIVILIAN! HOW IS THIS ANY DIFFERENT?! If there was at least something involving Ladybug and Cat Noir taking responsibility for what happened or at least showing that they played a part in this (especially since they “grow up” in this episode), I'd get it. Instead, because this is Season 5, our heroes are perfection incarnate, and can't ever be wrong. Even when they finally decide to get off their asses and stop Chloe, they didn't know she was akumatized, and nobody seemed to care before Chloe blurted it out, so Ladybug and Cat Noir have no excuses for slacking off.

The final battle is just a joke. Not only is it another excuse to force the Resistance into the plot, it shows Ladybug and Cat Noir unlocking the full power of their Miraculous in the most anti-climactic way possible. Even though they spent most of the episode caring more about their personal lives than actually stopping the obvious threat, somehow, this means they “grew up”. There's no buildup, no explanation, and no catharsis gained from this achievement. All of a sudden, Ladybug and Cat Noir are adults now. There's one decent scene with Adrien, but that's far from an actual explanation. What, did you actually expect an explanation for something this huge? Too bad! We need to have Marinette tell Chloe she's not afraid of her anymore even though she was never afraid of her prior to this season. Of all the things that happened this season, this is the one that makes it clear that Season 5 was supposed to be the end. There is no way Season 6 can happen unless the writers come up with some crap that undoes this, because Ladybug and Cat Noir have essentially unlocked god mode.

But I saved the worst for last, and you all know what it is: Chloe's punishment. I still can't get over the fact that there's actually a scene heavily implying we're supposed to be happy Chloe is going to live with her emotionally abusive mother in the same season that's trying to tell a serious story about child abuse. There's already been so much said about all the horrible things this implies, so I'm going to try and bring up something else. Specifically, how everyone is just okay with this. I can buy Ladybug given all the things Chloe has done to her, but it's pretty odd that Cat Noir, Andre, and Zoe all decide to wash their hands of their association with Chloe as if they never knew her. They don't even feel bad that it had to come to this, and feel absolutely no sympathy for her. Remember in episodes like “Malediktator” and “Queen Banana” that showed Adrien and Zoe still cared for Chloe despite all the terrible things she's done, teaching kids a lesson about trying to show compassion to your enemies? The writers sure didn't, because Adrien and Zoe don't get to say a thing about Chloe after she's defeated. Way to establish connections between characters and do nothing with them, writers!

This episode had so many things wrong with it, and it only got worse the longer it went on, to the point where the ending is essentially condoning child abuse. It's disgusting, but at the very least, it means we're not going to have to deal with Chloe in Season 6.

.....

#22: Adoration

This is one of those episodes I honestly didn't think would hate as much as I did.

I think of all the episodes this season, this is the one that shows how frustratingly inconsistent the characterization is. Characters will either announce how much someone has changed or will take a complete 180 while the show makes it clear this is how things have always been. Not only does the show say Zoe has somehow changed and suddenly developed feelings for Marinette, but Chloe's view of Sabrina has gotten even lower, to the point where she calls her an underling to her face. Because actually showing character development and changing interpersonal relationships is too hard for these writers. It's like that rule everyone knows: Tell, don't show. That's how it goes, right?

Before anyone gets on my case about this, I'm not trying to say that Zoe having a crush on Marinette was a bad idea. The issue is more how it comes across like the show is trying to earn brownie points with LGBT+ audiences with the reveal. The issue is that this major revelation isn't about Zoe, but rather, Marinette. It's from a Marinette-focused episode all about her heterosexual feelings for Adrien while Zoe's coming out story is nothing more than a cautionary tale to get Marinette to finally try kissing Adrien. I'm not saying Marinette should have dumped Adrien to be with Zoe. The point I'm trying to make is if you want to show something as huge as a character coming out as sapphic, maybe put more focus on that character's struggles than the struggles the straight main character goes through. Maybe instead of being an afterthought in the story, make the episode about Marinette helping Zoe confess her feelings to a girl she likes.

This was also the episode that laid the groundwork for Andre and Sabrina's “redemption arcs”. Normally, I wouldn't mind something like them changing, but it's less to show a character becoming a better person and more to vilify a different character. Andre went from a corrupt politician who abuses his power to please his daughter to an honest politician who is forced to abuse his power to please his daughter. Sabrina went from Chloe's loyal friend who chooses to help her make people miserable to Chloe's underling who is being forced to help make people miserable. Both of them were perfectly willing to go along with Chloe's acts in the past, and as we saw in “Revolution”, being a pawn didn't excuse her from being punished, so by that logic, they shouldn't get a free pass either. It's also strange how this wasn't the episode where Andre and Sabrina officially cut ties with Chloe, considering they already had issues with them. There wasn't really a reason to wait if they already made their issues clear, especially Sabrina. Somehow framing Marinette here is okay but doing it a few episodes later is too much for her?

Also, Lila served no purpose in the episode. Just like in “Collusion” and “Revolution”, all she does is tell Chloe to do things she was perfectly capable of doing in earlier episodes. We're supposed to see her as a mastermind, but I don't get why she has to hold Chloe's hand here. Why can't Lila come up with her own plan or manipulate different people from behind the scenes? It only further highlights the double standards because while Sabrina being a lackey to Chloe earns her sympathy, Chloe being a lackey to Lila doesn't for some reason.

I am getting really tired of the whole “Nobody believes Marinette” formula that every Lila episode relies on (Chameleon, Ladybug, Risk, Revelation, Confrontation). It's the exact same story. Everyone who has known Marinette for the past four seasons suddenly loses all trust in her, only instead of instantly believing Lila, it's Chloe. CHLOE. This is worse than Lila, because she's at least in good graces with other people, but this is the same season that solidified the idea of nobody liking her at all. They seriously take her words at face value over Marinette, someone whose friends know has tormented her for a year at least (Derision)? Put aside how I feel about Chloe, this is a story that depends on trusting someone nobody has any reason to trust, and it makes no sense.

There are just so many minor issues in this episode that pile up enough to really piss me off. It's like a death by a thousand cuts.

#23: Collusion

I normally don't try to get political on this blog unless I absolutely have to, and talking about this episode is one of those occasions.

If you've been around since the early days of this blog, you'll remember that Astruc once compared Chloe to Donald Trump, and not too long after the January 6th attack on the Capitol Building at that.

Even before that thread, Astruc made a joke comparing Trump to Chloe less than a week after the attack.

Whether you agree with Astruc's views on Trump or not, the point is that he kept up with American politics and strongly opposes him. So anyway, let's get to the episode where the heroes let someone lead a small army to storm the mayor's office and force him to resign, which is totally different from what Trump did.

I cannot get over just how confusing this episode is. For a show created by someone who usually keeps up with American politics, this is such a tone-deaf episode. I get that the story is trying to lean into French history, and I'm not sure how far into production the crew was when the attack on the Capitol happened, but given how Astruc was aware of the drama, he and his team should have at least considered the implications this episode could raise. The problem with the discussion around January 6th is that the supporters see it in as righteous a light as Miss Sans-Culotte is. As far as they know, what happened wasn't a violent invasion of government property, but a peaceful demonstration. Sure, none of the talking balloons said “Hang Andre Bourgeois!”, but it still brings similar imagery to mind.

Something that also harms the French Revolution narrative is the fact that all of Miss Sans-Culotte's supporters are helping her against her will. Much like countless Akumas throughout the show's history (Darkblade, Kung Food, The Puppeteer, Princess Fragrance, Despair Bear, Befana, Zombizou, Malediktator, Gamer 2.0, Mr. Pigeon 72, Hack-San, Revelation, Confrontation), Miss Sans-Culotte brainwashes innocent civilians so they can help her cause. This goes against the idea that she's speaking for the people, because her victims don't have a say in this. She's not reenacting the French Revolution, she's reenacting Order 66!

Also, this is something I've neglected to discuss. Why make Miss Bustier pregnant at all, much less akumatize her while pregnant? Outside of her students telling Chloe not to make a scene because the stress caused from dealing that is bad for the baby, Ms. Bustier's pregnancy adds nothing to the story. Seriously, the story thinks Chloe annoying the class is more dangerous for Ms. Bustier's baby than Ms. Bustier herself running around and getting into fights with her baby inside. It could have made for some interesting drama where Ladybug and Cat Noir are hesitant to hurt a pregnant woman, even if she's been akumatized. While the writers do try to work around it by giving her minions to do the fighting (as much as it mucks up the themes of this episode), it still doesn't explain why she needed to be pregnant during this episode in the first place.

Putting aside how unlikable Miss Sans-Culotte is in this episode, you can't even enjoy seeing Andre getting kicked out of office because this is the same episode where the writers really want us to feel bad for him. Look at how sad the rich white politician is. Let's ignore the fact that he's a big part of the reason why Chloe is as bad as she is, has abused his power multiple times, and is all around the cause of his own problems. But even though this is a show that tries to take an anti-capitalist stance (which I'll get to more in “Emotion”), we're supposed to side with one of the biggest symbols of everything wrong with capitalism and political corruption. Even then, Andre is framed for corruption instead of the several instances he actually abused his power, as if they're trying to say he was never a corrupt man. He just loves his daughter. Is that too much to ask for? His daughter herself? Eh, who cares? You really need to support the rich white man. Are we sure this show was created by a liberal?

But the biggest issue is the moral. It's impossible to frame Miss Sans-Culotte storming the mayor's office as a peaceful protest because she's clearly inspired by one of the bloodiest and most violent revolutions in history. If she was supposed to be a violent warrior who needed to learn there was a better way, that would work, but instead, the show downplays how dangerous she is... when she has a guillotine blade for a weapon. You can't claim Miss Sans-Culotte is non-violently protesting Andre's administration when she brainwashes innocent civilians, storms into the building, and demands he resign without any question. Even taking all that into consideration, the moral ends up backfiring because forcing Andre out of office caused an even bigger problem with Chloe taking over, and the very next episode threw the non-violence message out the window.

Whether or not you want to consider the political implications here, this is still a terrible episode with a terrible moral.

#24: Pretension

I've always had issues with Felix, and after the trainwreck that was “Emotion”, let's just say this didn't exactly do anything to raise my opinion of him. Just like his other appearances for the last few seasons, he did absolutely nothing to help Ladybug, focused on only doing things that benefited him, and making everyone's lives worse due to his incompetence. And somehow, this idiot is the one who moves the plot along the most.

The entire conflict happened because Felix kidnapped Kagami without even coming up with a plan. Even when he believes that Kagami is a Sentimonster (I apologize for saying that word Felix hates, but once again, the show provides no alternative to it), he doesn't think of Tomoe being able to track her or command her to leave even at a far distance. He doesn't even try to explain himself to Ladybug and Cat Noir and spends more time running away from everyone who wants to kick his ass. But by the show's logic, he just needs friends, even though his entire deal is that he works alone to get what he wants.

It's bad enough that Felix has to screw up everything he touches, but now he's dragging Kagami to his level. Kagami has cemented her role as Felix's lackey/girlfriend and nothing more. People give Marinette crap for the way the behaves around Adrien in and out of universe, but Kagami knows nothing about Felix, yet a single conversation about his past is enough for her to fall head over heels in love with him. She went from someone not willing to take any bullcrap from Marinette and Adrien to believing Felix's story in a fraction of a heartbeat. This season really likes ruining the few likable characters the show has left.

I also have to roll my eyes at the conversation Marinette and Gabriel have about fashion. For one thing, it's one of the few times the entire season remembers that Marinette wants to be a fashion designer and doesn't really factor into her rivalry with Gabriel. This season made their conflict revolve around how to treat Adrien, not their views on fashion. It feels like they only brought it up to remind viewers that Marinette is still into fashion. Well, that, and also to take a stance on artistic integrity... supposedly.

And on that note, it's amazing how the writers display little to no self-awareness during this scene. The show that embraces sticking to the status quo and rejecting almost any attempt at keeping consistent continuity is now trying to teach children about the importance of being willing to take risks when creating something. This is like Hannibal Lecter trying to promote veganism. I get the message, but the messenger's history is keeping me from buying it. It doesn't help that for a scene trying to point out how outdated certain views are, the show ultimately chooses to take the side of the man with the “wrong” mindset by the end of the season.

The pancake metaphor really confuses me too. It's meant to be a running gag that the only thing Gabriel knows how to cook is pancakes, but A) Nothing is really indicated to show how terrible they are as a metaphor for how bad his outdated views are other than Marinette's verbal assessment of them, and B) We later learn Gabriel used to be poor, so either he never knew how to cook prior to earning his fortune or being rich somehow made him forget basic living skills. I'm just saying, when an episode of Sid the Science Kid manages to better convey someone doing a terrible job making pancakes, you might need to put in a little more effort to show how bad Gabriel's pancakes supposedly are.

Finally, Tomoe. This episode didn't really do much to show her as a compelling threat, given all she did was nag Gabriel and try to shoot her daughter when she didn't even try commanding her to fight back when she was kidnapped. She's nothing more than a female Gabriel and is another example of how overstuffed this show's cast is,

This episode is awful, plain and simple. It took aspects from previous episodes that were already questionable, and doubled down on them while acting like there weren't any problems at all.

#25: Derision

And now we're onto the really, REALLY bad episodes this season. One of the reasons why this post took so long to make was that I wasn't sure how to rank these last three episodes. Thankfully, I managed to find a way to rank them based on the morals are executed. With that being said, let's start scraping the bottom of the barrel.

Ah, “Derision”. You're the only episode that makes the backlash caused by “Chameleon” seem like a pleasant breeze. It's incredible to see just how much negative a reputation this episode has in the fandom. Virtually nobody likes it because it manages to upset everyone with its poor characterization. I'm talking Marinette fans, Adrien fans, Chloe fans, Kim fans, and pretty much every other character's fans. I've only seen a few die hard fans defend this episode, and they're the people on Tumblr who defend pretty much everything done this season.

I have just one question to ask about this episode: Why did it need to happen? We didn't learn anything new that we didn't know already. We know Chloe is mean, and we know Marinette used to be more timid and had no friends. We didn't even need that much of an explanation for why Marinette acts the way she does around Adrien, seeing how it was usually played for laughs

Speaking of which, let's talk about the fact that the episode tries to shame the audience for laughing at the jokes about Marinette's reactions to Adrien. You know, something that was the show's primary running gag ever since Season 1? A running gag the writers ran into the ground by the end of Season 3 but still chose to go with it? Now we're not supposed to have laughed at it, assuming we laughed at it all. Way to insult even the small portion of viewers who didn't get on your case about this, writers.

I only have about two positive things to say about this episode. For one thing, Chloe actually served as a pretty decent antagonist in the flashbacks. Much like in “Revolution”, when the writers actually let her be a villain on her own without being made a pawn, she can be somewhat entertaining. If this was the Chloe we got after Season 3, I don't I would have been as upset at the direction Astruc's team took with the character.

In addition, the thing that saves this episode from being at the bottom is that unlike the next two, it actually understands that what the antagonist did was wrong. They don't make up excuses for what Chloe did and she actually gets called out as a result. It doesn't lead to anything major, but it's something.

Like with “Queen Banana”, there's not much else I can say that hasn't already been said. There's plenty of retcons, the characterization for everyone is off, it attacks the audience, and the message about trauma got fumbled by the show's usual double standards. It's been said over and over again, and it's become a symbol of how much the show's quality has degraded.

#26: Emotion

I think if you've kept up with my reviews of this season, you should know by now that I don't exactly like Felix, and most of the problems I have with him can be attributed to this episode. In fact, for a while, this was going to be my choice for the bottom slot.

It's clear that the writers want to make Felix this wild card who's only in it for himself, but like most of the show's antagonists, they want to show Felix as this devious mastermind... but he's also not really evil, and you should feel bad for him. For most of the episode, Felix does nothing but make everyone's lives worse during his first outing as Argos. He smears his cousin's reputation yet again, tricks his girlfriend into dancing with him, condemns some rich kids for the crime of being rich when he's just as rich, and eventually wipes out all life on the face of the earth. But he's just doing it for his cousin, we swear!

While Felix has understandable motivations for what he does, wanting to free Adrien and Kagami, the way he tries to achieve his goal makes it hard to sympathize with him. If the whole point was that what he did was wrong and that he needs to find a different way, that could work. Instead, we're supposed to see him as this tragic figure who was forced to do terrible things when the episode shows him happily singing while causing chaos. It's the same problem with Gabriel, wanting a sympathetic character to do unapologetically evil things. The fact that he has to be told that genocide is bad doesn't make us want to sympathize with him when he breaks down crying. It paints a picture that he's crazy but the show wants to act like he isn't.

Even putting all the crap with Felix aside, the episode is still unbearable. The stuff with Marinette was poorly executed and was just done to get her involved in the plot, and later become the first one to excuse Felix for betraying her. Other than the dance scene, you could easily just have Marinette swing in as Ladybug when Argos starts his rampage and nothing would really change. The episode tries to make jokes about how unnecessary this is, but as usual, its attempts to be self-aware come across like its saying “What we're doing it wrong, we know it's wrong, but we're gonna do it anyway!”

Speaking of the dance scene, I can't stop rolling my eyes whenever Felix tries to be all “We live in a society” to Marinette. Forget the corrupt politicians, corporate moguls, human traffickers, and despotic rulers of foreign nations. The absolute worst section of humanity is composed of the teenage children of the 1%. Sure, you'd have to break my legs before I'd agree to supervise them at this party, but I don't get why these are the people we're supposed to see as irredeemable monsters. Do the writers think because these kids associate themselves with Chloe, we'll automatically hate them? Newsflash, but if I had to choose between hanging out with some annoying kids and a mass murderer, I'd stick with the annoying kids.

Rewatching this episode was what helped me finally realize just what my problem with the show's anti-capitalist message is. How the hell am I supposed to hate the villains on this show for being rich when several characters are rich or at the very least, are successful thanks to their connections to the rich? Think about it for a second. Putting aside Adrien and Kagami, you have Marinette, the daughter of two of the most popular bakers in Paris and earned the respect of multiple celebrities, Alya, the daughter of a chef who works at a five-star hotel, Nino, someone who got to DJ at a major fashion show, Rose, who is friends with a literal prince, Luka and Juleka, the children of a popular rock star, and Max, the son of an astronaut with access to cutting-edge technology. Somehow, these people are supposed to be poor? They make Monica from Friends look like Oscar the Grouch. It's why I can't take the message seriously. You can't write a story about a class struggle when both classes are shown to be pretty well-off.

The only thing that saves this episode from being at the bottom of the list is the fact that despite committing genocide while singing, Felix at least gets what he did was wrong and makes up for it. It doesn't fix everything else he did in this episode, but that's better than nothing. As for the villain featured in the episode that's at the bottom of this list? If you've been keeping track, I think you know who I mean.

#27: Re-Creation

I'll admit, I'm sort of cheating here. I'm judging this episode more as a finale than an individual episode, but I'm making an exception because the plot is tied to wrapping up all the loose ends this season.

I'm mentioning this because for a season finale, the stakes just feel so low. The fight between Bug Noire and Monarch doesn't have any weight to it because they've barely interacted at all for the last five seasons. These are supposed to be two mortal enemies, but you can't really buy the enmity between them. It ultimately cheapens the moment of Bug Noire triumphing over Monarch in the end... before Monarch triumphs over her not long afterwards, but we'll get to that.

The stuff with the Miraculized doesn't help either. We already know that the Ladybug and Cat Miraculous are in the Agreste manor, so the Miraculized's goal is impossible to achieve. It's never even explained why the Miraculized don't go back to the manor to help Monarch beat Bug Noire, since they should still be able to track the Miraculous. All of the fights with them just come across like filler, and there's no real sense of danger or hopelessness to be found. Whether the Miraculized win or lose is irrelevant. Nothing will happen either way because the important stuff is happening in the Agreste manor.

This extends to the part where all the heroes appear to help. It doesn't come across as an Avengers-esque moment for the climax, because it doesn't change anything. The episode never explains what any of these characters were doing prior to the events of this episode and why only now they're helping out. The United Heroes are the most egregious example because unlike Fei or Su-Han, they're a major organization whose members include the president, and they didn't do a damn thing when Monarch stole all of the other Miraculous. Speaking of, there is no way in hell that Su-Han taught Mirakung-Fu to three random people over Ladybug and Cat Noir, much less that those three people are actual masters after about two months at best. Maybe they got to train in Bunnix's Burrow? After all, she's not doing anything else to stop the end of the world other than sending four people over to Paris. This whole sequence really highlights how bland the other heroes of this universe are. If they're not slacking off when they're needed, they're criminally underdeveloped because there's a slim chance they'll get spin-offs to flesh them out.

But I think the biggest issue me and other people have with this finale is the resolution. In what is easily one of the most baffling decisions the show has made, Bug Noire doesn't defeat Monarch, and Monarch gets to make his wish. I don't care how many times the writers technically say she won because she beat him in a fight. Gabriel backstabbed her at the last minute and got her Miraculous to make his wish. Yeah, he died, but he succeed in achieving his goal, never faced any real consequences, didn't get any closure with his son (much less apologize for abusing him), told Marinette to lie about the monster he was to him, and was turned into a martyr with a statue made of the same things he used to control the world.

This ending infuriates me because it not only makes Marinette out to be a terrible hero for failing to do the one thing she was chosen to do (get the Butterfly Miraculous back), but it also ultimately makes Gabriel out to be a decent person even though he destroyed and recreated the world. All Marinette did was take credit for saving the world, and even then, Gabriel got more celebration in the end. Our hero, ladies and gentlemen! She got outsmarted by an abusive parent and didn't even get a new statue in her honor!

But the most damning thing of all this is the fact that this finale retroactively makes everything that's happened over the last five seasons completely pointless. If Gabriel making a wish wasn't as bad as it was supposed to be, why didn't Ladybug and Cat Noir let him borrow their Miraculous? Why make the stakes this high if you're going to downplay the impact of a madman recreating the world in his own image? Follow-up question: why make the stakes this high if the wish being made is ultimately shown to have huge benefits for society? In an attempt to wrap things up with a happy ending, the writers accidentally made the conflict completely meaningless.

That's why this resolution is the ultimate example of the writers refusing to allow any major changes to happen. If they're willing to treat the end of the universe as less important than Ms. Bustier becoming mayor, why should we assume they'll ever take their story seriously? For God's sake, every character you know and love is essentially dead, and we're supposed to act like that isn't a big deal? That's how you wanted to end the show originally? Then again, at least they tried to resolve something, unlike the Love Square. We still haven't gotten a reveal, and I don't think we ever will at this point. These writers will drag out the story until the show stops becoming profitable, which won't be for a long time.

And with that, I am officially done with Season 5. Honestly, after having to rewatch this season again, I'm not sure if it's even worth giving Season 6 a shot. There's nothing to look forward to, and Lila becoming the main villain isn't really appealing to me. At the very least, I have the movie review to look forward to, meaning I can watch something good for a change.

[hangenderzoe]

I Want You (Hange x Reader)

summary: you save a stressed Hange Zoe from commander duties

tags: canonverse, mentions of death, hurt/comfort, pinning, hopeful ending, stressed hange zoe, spoilers, gender neutral reader, nonbinary hange

The land inside the walls is small. Everyone knows everyone. You were from the same hometown as Hange. They were a childhood friend who lived a few steps away from your house.

Young Hange Zoe, to put it simply, was a chatterbox. They loved talking about anything under the sun. They especially wouldn't shut up about the heroes of humanity, aka the survey corps. Their fascination and love towards the survey corps were contagious.

One day, they break the news that they will be joining the survey corps. It caught you off guard, but of course, it's the Hange Zoe. There is no other path that suits them better.

The thought of Hange leaving was gut-wrenching, but you were supportive of them nonetheless. Bidding your goodbyes and best wishes, you and Hange share a hug for what you thought was the last time.

Existing without them was dull. You missed the only person who brought some thrill to your life. To somewhat alleviate your sadness, you two remained in touch by exchanging letters.

Despite being a handwritten document, the letters make you feel as though Hange is still with you as the bright creature they are. You learn about the fascinating things about their job, the titans, their gear, and some silly stories about their peers. In a way, their letters make you feel included.

Years pass. Eventually, you realize that the walls are suffocating. You wanted to do something worth your time. Soon enough, you find yourself in the same spot as Hange, training, learning, and dedicating your heart to humanity.

To say Hange missed you is an understatement. During the time they were away, they longed for your presence; Yearning for the warmth and comfort you provide them. 

It wasn't long before Hange Zoe became the new commander. It was a big change for the survey corps. From hundreds of soldiers, to just a small team of youngsters.

Life has been devastating. To top it all off, witnessing Hange go from their bright and bubbly self to stern and grim is heartbreaking.

You watch days go by as Hange skips meals, sleep, and rest. They've locked themself at their office, finishing paperwork and working on research. It hurts to watch Hange waste away like this. There's nothing more you wanted to do but to help even just a little bit. However, seeing their state makes you fear that they would just push you away even more.

One day, you woke up to do your normal morning routine; Freshen up, change clothes, and eat breakfast. Uneventful as always, which was a wake up call for you. 

With heavy steps, you walk to Hange's office, an apple and a piece of bread in your hands. You contemplate knocking, but the door suddenly opens. It's Levi. He shut the door before confronting you, "What are you doing?". 

"I don't think Hange has eaten, so I brought these for them." You manage to blurt out. Levi eyes you up and down before walking away. "Go ahead."

You take a deep breath before entering the office, you forgo knocking which surprised the person slumped over the desk. You placed the apple and bread at the edge of their table which wasn’t scattered with papers and unfamiliar objects. Then, you leave the room. No formalities, no greetings, no words exchanged.

Lunch went by, you didn't even register that you didn't see Hange until dinner time. You realized that you’ve gotten used to their absence. Losing your appetite after the realization, you consider bringing them food again, risking the chance of seeming annoying to Hange. 

With a tray of food and a cup of water. You step inside Hange’s office once again. Noticing the state of the table, it was neater than when you last saw it. You place the meal on the table, away from the papers to avoid making a mess. You leave the office again without making conversation. 

Bringing them food has now become a routine. You have also become more mindful of the time, making sure you bring them something to eat for every meal of the day. 

It was another day, you brought Hange breakfast to their table until they hesitantly called your name. You face them with a smile. “Yes, commander?”. They groaned at the honorific. “Dude, shut up. Acting like we’re not childhood friends.” You lightly chuckle at that. “Well…?” You asked.

Hange took a quick glimpse of your face before looking away abashedly. “Can you um.. Can you maybe help me with these papers? Like categorize them? Of course you don’t have to. You might be busy-”. Hange rambled before you cut them off. “I’d love to help you, Hange! Of course, I can help you.”.

“Are you serious? I mean, really? You don’t have to-”. Hange continued to chatter, but you ignored them. Bringing a chair to sit in front of them to begin categorizing the papers which prompted Hange to stop blabbering. 

Silence filled the office until Hange began to speak again, “Thank you… really.”. You smiled, proud of yourself. “It’s nothing, Hange. You know I love to help you.”. I love being around you, is what you wanted to say. 

You’re almost finished when you think you hear your stomach rumble. “Um, Hange? I’m about to finish this soon. Do you want to eat lunch after?” Hesitation is written all over their face before giving you a meek nod. “Yeah, sure. You made my work lighter after all.”. Your face presented a grin, but you were celebrating and dancing in your head. 

Later that afternoon, you eat in comfortable silence in front of the commander. You can’t help but notice the way they brighten up just from stepping outside of their office. "Wow, I missed this.". They say as they chuckled heartily. 

"Yeah? You should take breaks, commander.". You said while gazing at them to see if they would react to the title you called them. "Well, cadet." They played along. "I just have so much work to do. I don’t have the luxury to even eat meals outside of my office anymore." They answer with a sigh. 

"I would love to help you, Commander Hange. With anything. May it be organizing your papers or assisting you with your experiments or research." 

"Are you sure?" They asked, frowning. "Yes, I would really love to.". 

i actually dont know what the fuck im doing but thanks for readinggg ⸜(｡˃ ᵕ ˂ )⸝♡ divider by @/saradika

With soft eyes, Hange accepts your offer. "Thank you, y/n. I’m really grateful." Stuttering a little. You smile in response, finishing the last bits of your food.

[caleohateclub]

My fav random details from TTC:

Chiron wears curlers in his tail

Artemis doesn't like when her hunters "Grow up" or "get too silly"

Grover got a black eye trying to help the hunters into their cabin.

The Hunters have a silver flag for CTF!

The Hunters have won CTF 56 times in a row

Grover camped outside the Hunters' cabin at night "Just to be near them."

All the Hunters' skin glow like they've been "taking showers in liquid moonlight"

Bianca's eyes vaguely remind Percy of someone famous but he couldn't think of who

Percy was gonna give Poseidon a seashell patterned tie for fathers day

Percy was planning on using riptide to write Christmas cards

Anytime Percy is near a beach, hippocampi will ask him to help them with their problems

Percy can see the heat of living forms and the cold of the currents when he's deep underwater

Camp sells orange thermal underwear at the store

Luke's hair was pretty grey and his scar was an ugly red as if it had recently been re-opened

Percy has always been a pretty good pitcher (but he's not really a baseball guy)

"Many mortals will fight for any cause as long as they are paid"

Grover played "race car driver" when sitting in a Lamborghini

Percy had a "The White Stripes" CD that sally loved because they reminded her of Led Zeppelin

Apollo's fake name of choice is "Fred"

Percy got freaked out talking to Bianca when the thought of her looking 12 for years after he died came into his brain.

Bianca only felt comfortable leaving Nico at camp because she figured he would be safe if there were people like Percy there

Percy really liked talking to Bianca

Bianca, after finding out how long she'd been trapped in the Lotus Casino, checked her hands to make sure they weren't wrinkled

Bianca wanted to take a hair clip shaped like a moon that turned into a Hunter's bow she found

Percy found an electric guitar shaped like Apollo's lyre

Bianca's last words were "Get it to raise its foot!"

Zoe has ancient beef with naiads

Rachel's hair is "Reddish-Brownish"

Zoe got bored and started shooting arrows at billboards and Target store signs as she was flying

Zoe dressed Percy up in a ragged flannel shirt, jeans three sizes too big, bright red sneakers, and a floppy rainbow hat

As Percy was fighting Nereus, he waved to a crowd of tourists "Yeah, we do this every day here in San Francisco".

Percy wanted to ask Nereus about Annabeth because "that's what he cared about most"

The Ophiotaurus is 500 pounds

Dionysus's blessing cause the sun to be tinted with purple, and the air to smell like wine

A guard bit his gun like it was a sword and ran around on all fours like a dog

Percy was basically about to confess that he liked Annabeth on Olympus

[onekindredspirit]

This photo is the last remaining evidence that I once stood before the mystic portal of the O.K. Corral. Everything else except memory has been taken with time, and so I deposit this remnant here in salt and light and code. The O.K. Corral was a crumbling, condemned 5 bedroom Victorian villa that featured in my life when I was young. I rented it with a friend for, initially, $40 per week. That price was later negotiated down to 'rent free'. Mr. Fox, our landlord, was seen only once more, and on that occasion he tried to sell the place to us for $10,000. The current market value is around $1.5 million ... but money isn't everything. The O.K. Corral was a 'Dude Ranch' and the definition of that is "... an all-inclusive immersive vacation that includes lodgings, meals, horseback riding, fishing and hiking and more." Okay, there was no horseback riding, fishing or hiking but there were other things going on ... and more. Interestingly, the word 'dude' has changed meaning over the last 140 years. Today 'dude' means something like 'bro' but back in the 1880's, when 'Dude Ranches' first began, it was slang for an urbanite. As I write, things continue to fall into place.

I had known my friend since I was 6 years old. I don't think I liked him much back then. He was an extrovert and pushy when getting the painting resources at school. I didn't sit with him anyway because I was a 'foreigner' and I had to sit next to the only other foreigner in the class, Elizabeth Federinko, a Ukrainian girl who couldn't speak English and drew horses all day. I think it was the horse drawing that eventually drove me crazy or maybe it was something else ... possibly bad blood. Anyway, I'll call my friend 'Bukowski'. By the time we were 20 years old I quite liked the guy. Sure there were other arenas of male competition but I found myself better equipped to deal with those. The cool thing about pushy people is that they make thing happen and 'Bukowski' was no exception. For example, he could cook. We had a litany of weirdos and 'freaks' pass through the O.K. Corral. A note to the sensitive - to be called a freak back then was the highest form of compliment in our subculture. It was all a little crazy and you would be disappointed in me if I told you about life at the O.K. Corral, so I won't. Let's talk about something else. One day 'Bukowski' decided to move to another region of New Zealand, some place warmer that would better suit a boho gentleman with alcohol thinned blood. I have rarely lived alone but for a week I did until one morning I was woken at 1am by someone sitting on the end of my bed and talking to me. I wasn't clear as to what she was saying but I wasn't at all concerned as this was probably 'normal' when you don't lock your doors. Realising I was now awake she turned on the light.

I didn't know her but I knew who she was. I'd seen her riding around the city on a Norton Commando motorcycle which had impressed me because of her small size and once she had smiled at me as we passed each other on a city street. I remember that smile, it was powerful enough to stop and turn me around. It was a beautiful smile. The following morning she returned with her possessions and we shared my bed. I feel I had been looking for this person most of my life but when you dream someone into your life there's a danger that the results may be "... reductive and diminutive and I think basically misogynistic ..." as the writer Zoe Kazan once said in an interview when discussing the 'Manic Pixie Dream Girl' trope. Clementine, in the movie 'The Eternal Sunshine of the Spotless Mind' warns Joel - "Too many guys think I'm a concept, or I complete them or I'm gonna make them alive. But I'm just a fucked-up girl who's looking for my own peace of mind. Don't assign me yours". One thing though, I was never quite sure if she was my projection or if I was, in fact, the projection of her own desires. But I'm comfortable with that. We lived together. She taught me a lot. I gave her love in return. 'Clementine' eventually moved to Australia, a place better suited to her large personality. Years later I was sitting having an espresso at Fidel's Cafe on Cuba Street when 'Clementine' walked past the large plate-glass window. I had only a glimpse of her face but from that brief moment I sensed that she was not happy and that her health was not good. I didn't get up and rush out to catch up with her. I didn't run after her seeking some meaningful reunion. I let her go ... and watched as she disappeared into the crowd. Sometime in the not too distant past I had discovered that the person I had been looking for all through my youth and into later life was myself. I let 'Clementine' go. But the night I wrote this I dreamed of 'Clementine' and it was a beautiful dream.

- One Kindred Spirit

[moniquill]

FOR FELLOW RI VOTERS

directly copy/pasted from the ACLU news dispatch on this topic:

Let's debunk some ideas about a constitutional convention (AKA con con). Some people urging you to vote for a con con seem to think we're overreacting or fear-mongering, even though our constitutional rights would be at risk in the process. We're going to fight against anything that chips away at our rights from the very start – which means urging everyone to vote against holding a convention in the first place.

Debunking #1: The idea that we just want to "keep the status quo" and avoid "government reform."

A delegate from the 1986 convention said in an interview that hot-button issues took over the last convention immediately, pivoting the conversation from government reform to social issues. And for the government reform amendments that were put before voters, many were rejected because they were too watered down.

Our job at the ACLU is to protect the civil liberties of all Rhode Islanders, and our opposition to a con con is to avoid a really damaging set of constitutional amendments.

Debunking #2: Proponents frame our words of caution as being anti-democratic and not letting the voters decide.

Our concern is not a lack of trust in Rhode Island voters, but a lack of accountability the delegates have to the voters. Unlike legislators, who assumably want to get re-elected for another term, once delegates are elected, they have free rein to propose any amendments they want to – regardless of what promises they campaign on.

Additionally, voters can't make informed decisions when they're not getting all the information. In 1986, the ballot included an amendment that restricted abortion rights, but the description of the amendment all voters received omitted ANY reference to the anti-abortion clause. It's not exactly a "let the people decide!" situation when the people themselves can't know what they're voting for.

Finally, we believe individual rights should not be subject to majority rule, especially in a process that historically has damaged the rights of minorities the most.

Debunking #3: They think we talk too much about special interest dark money affecting the result.

We're not overstating how much money will be spent on ballot amendments: In MA, over $26.7 million has already been spent on their referenda items, most of the money coming from out-of-state, according to a recent WCVB news report.

Realistically, money really matters. All the organizations in our small state working to protect our rights – many of which you may donate to – can't possibly outspend the millions of dollars that out-of-state special interests can to get specific messages in front of voters.

Fighting against bad amendments (that could have been avoided!) is not where we want to be spending our budget in the coming years.

So, for any of you who are thinking, "let a convention happen, and then we'll sort the good from the bad!" We're not waiting for a convention to be approved and then to fight against the proposed anti-civil liberties amendments. We're starting now, and we need you to reject Question 1 and spread the word.

Forward this email, or our website page explaining what Question 1 is to three friends and family to help us work preventively!

In solidarity,

Zoe Chakoian Communications Associate, ACLU of Rhode Island