#tales of the four nations zine

[atlazine]

✨ PREORDERS OPEN ✨

"Generations" is the 3rd volume of our ATLA/LOK series! More info on our products below. Sales are open from Oct 6 - Nov 10!

🛒 ORDER HERE!

---

🪞 AVATER CYCLE (FULL BUNDLE) 🪞

Includes: physical zine, 2 sticker sheets, 4 prints, 1 washi tape. Eligible for all stretch goals!

🪞 PHOENIX KING (HALF BUNDLE) 🪞

Includes: physical zine, 1 sticker sheet (random), 2 prints (random), 1 washi tape. Eligible all stretch goals!

🪞 EARCH MONARCH (ZINE ONLY) 🪞

Includes: physical zine. Not eligible for stretch goals!

🪞 TRIBAL CHIEF (DIGITAL ZINES) 🪞

Includes: PDF copies of zines - Vol 1: Tales of the Four Nations - Vol 2: ELEMENTAL - Vol 3: GENERATIONS Not eligible for stretch goals!

🪞 VOLUME 1 PHYSICAL ITEMS 🪞

Includes: physical zine, 1 charm, 1 sticker sheet, 1 die-cut sticker, 1 enamel pin. All purchased individually. Limited quantities, sold until stock runs out. Not eligible for stretch goals!

🪞 STRETCH GOALS 🪞

15 orders: foil upgrade for washi tape by @eveenstudios

25 orders: Aang and Korra double-sided charm by @jaradraws

50 orders: sky bison enamel pin by @astrolunos

[pinceauarcenciel]

This is my advertising for you to read the Kyoshi novels! Read them! They're so good! I loved discovering Kyoshi's story of getting more and more badass over time >O<!! You can also get this as a print with the @atlazine volume III - Generations; check it out: it's full of awesome art, writing and merch for Atla fans from every generation to enjoy!

🪭 Preorders are open until November 10 🪭

※ Fanart: Avatar: The Last Airbender © Michael Dante DiMartino & Bryan Konietzko ※ Based on Caspar David Friedrich's Kreidefelsen auf Rügen

[firelxrdsdaughter]

Literally keep forgetting we’re allowed to post these now. LOL a piece I did back in January/February for @atlazine .

As always I really enjoyed doing this! Thanks again for the opportunity guys!

[otakubeast-1010]

Eyyy we can post full pics now! These are the art pieces i sumbited, the one with the mother tree being the cover. The text graphics were placeholders, and not the graphics used in the official zine. I had a lot of fun with this zine, and i'd be more than happy to contribute for another one @atlazine

[flourchildwrites]

“I want all my alchemists, current and former, to lay low for the time being while we reassess the State Alchemy program. I am here to ask what you want in return for your service and your discretion.”

Behind the reflective surface of his horn-rimmed glasses, Grumman’s eyes shift to the foot of Alphonse’s bed where Izumi’s cookbook sits open. “Your just deserts, as it were,” he adds with a smirk.

Alphonse doesn’t have to ponder what their plans are.

“All we want is to go home, sir, to Resembool,” Alphonse answers. He smiles to lighten the mood; loose skin pulls around the corners of his grin. “And I’d also like to see a few friends. Maybe try some of the foods from my list before we leave Central."

Fandom: Fullmetal Alchemist: Brotherhood & Manga

Relationships & Characters: Alphonse Elric & Edward Elric, Izumi Curtis/Sig Curtis, Gracia Hughes, Elicia Hughes, Grumman, Winry Rockbell, Pinako Rockbell

Genre: Character Study, Post-Promised Day, Recovery, Just Deserts

Trigger Warnings: Underweight Character

Rating: G

Word Count: 2,967 words (Complete)

A/N: I'm incredibly excited to share the fic I wrote for @fmacookbookzine, Tastes of Amestris! Most of the desserts mentioned in the story have recipes in the cookbook. I owe a special thanks to the zine moderator as well as my betas, Tas and @vino-and-doggos. I appreciate kudos, bookmarks, subscriptions, comments, likes, and reblogs if you feel so inclined.

Kintsugi is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum. The repair becomes part of the object’s history and enhances its beauty.

...

There is a plate in the china cabinet of Pinako’s kitchen that Alphonse likes best. It looks the same as the others with pale pink vines looping along the fluted rim. Yet, this particular piece is set apart from the rest. Once cracked in half, Alphonse’s favorite plate has a vein of gold that binds the fractured parts together.

He was there when it happened on Winry’s sixth birthday. Ms. Sarah assembled an unorthodox birthday dessert in honor of the occasion, an elegant presentation of fresh berries, whipped cream, and puffs of baked meringue. The final touch was a pinch of mint, and once combined, Winry gazed excitedly at her mother’s handiwork stacked atop the fine china. In her wonder, the child’s footing faltered.

All told, it was an everyday accident that had Pinako tutting softly under her breath as she picked up the pieces; however, precious little went to waste in the Rockbell household—a place where broken things (and sometimes people) came to be restored. With the conscience of a healer and the precision of a surgeon, Granny carefully glued the jagged edges together with golden lacquer. Raised lines stuck out along the break and dried, leaving the piece even more beautiful for the story it had to tell.

When Alphonse looks in the mirror now, his face also tells a story. Though, he thinks that it is not a tale the hospital staff wants to hear. They are thankful for the large red letters that read ‘CONFIDENTIAL’ stamped across his medical chart. They look away from the sunken eyes and gaunt cheeks that stare back at Alphonse from the mirror Sig is holding for him. Each time Alphonse sees himself, he half expects to confront a gunmetal helmet with half-moon holes glowing red and horizontal vents instead of gutting cheekbones. The reality is disorienting but not unwelcome.

Like the metallic bond holding together his favorite plate, Alphonse likes the way his golden eyes gleam with the satisfaction of seeing his and Edward’s bodies restored. All except for his brother’s leg, and perhaps Edward does not regret that loss. It was a price paid-in-full for the people the Elric brothers helped and the lesson they learned, albeit the hard way.

Alphonse’s fingers tremble as he grasps the razor. He glances up from the mirror to the burly bear of a man holding it. “Press the razor to your face and gently pull upward,” Sig kindly instructs. “Let it do the work for you.”

The young man nods and does as instructed, ready to savor the task of shaving for the first time with the most patient person as his teacher. Alphonse takes his first pull of the razor, and it glides across his upper lip with little resistance until, at the very end, his hand trembles again.

He feels a sharp sensation, and while examining his visage in the mirror, Alphonse notices a red mark above the corner of his mouth mingled with traces of shaving cream. Sig holds out a handkerchief.

“You should have seen my first attempt. You did well,” Sig says with a pleasant grin.

A warmth fills Alphonse’s hospital room, crammed with four people who function as a family, just as they did back in Dublith. Edward reclines on the bed next to his brother with his arms stretched lazily behind his trademark braid. Izumi watches the exchange between her husband and Alphonse with a small smile, barely keeping up the pretense of reading her recipe book. She keeps her vigil at Alphonse and Ed’s bedside despite her injuries.

There’s a staccato series of knocks on the door. Between the abrupt sound and the sudden appearance of an officer drenched in Amestrian blue, the spell of domesticity is broken. It is replaced by a colder reality: Ed and Alphonse Elric are being kept by the military. They remain unsure who is being protected from whom and to what end.

Their guard straightens up. A sheen of sweat collects on his brows and the collar of his woolen uniform. His voice is strained as he pulls up into a rigid salute to address Ed. The Fullmetal Alchemist cocks his brow incredulously at the formal display.

“Sorry to intrude, Major Elric,” the officer finally announces, “Mr. Alphonse Elric. You have a visitor.”

“A visitor?” Ed parrots; a sharp remark is already on the tip of his pitchy tongue. “If it’s that Colonel Bastard, again, you can tell him-”

“It’s not Colonel Mustang,” the officer interrupts. “It’s Genera- I mean Führer Grumman.”

The collective attention of the room turns as a shorter, older man emerges from behind the guard. He moves slowly and smiles through his thick, white mustache. The deep blue of his immaculate uniform contrasts the faded fabric of the lower-ranking officer ahead of him. Service ribbons in every color weigh down the left side of the gentleman’s long jacket.

“Acting Führer,” he corrects with adroit, disarming syntax. “But then, we’re all friends here. Who cares about a little thing like formalities?”

...

Alphonse scratches at his freshly shaven upper lip as the usual introductions are observed. It seems that Ed will be doing the talking, and with that in mind, Alphonse expects a brief visit. Nevertheless, Grumman paves the way for pleasantries as well as business. Not five minutes into the discussion, Alphonse realizes that the new acting Führer speaks with authority.

It would be wise, Alphonse decides, to listen carefully.

When Führer Grumman asks Izumi and Sig to step out for an afternoon cup of tea, the request is not a suggestion. The strong-willed teacher rises with the help of her husband, and the couple leaves begrudgingly. Alphonse grins sympathetically at them as they exit. It bolsters his confidence when Izumi returns his smile with an assertive nod.

Grumman does not hesitate to fill the seat their teacher vacated. Gravity bears down on Alphonse’s frail shoulders, but he sits as tall as he can.

“The way I hear it, you boys saved the day,” the Führer proclaims, flashing a set of pearly whites. “I’d say my government owes you both a debt of gratitude.”

With all the rough-edged diplomacy he can muster, Ed responds. “Yeah, well, we didn’t do it for the government, old man. And I’m done being a dog of the military. Whatever plans you’ve got in mind, count us out.”

The Führer’s reaction is nearly nonexistent. Instead, he leans against the hardback of the chair and immediately winces.

“Dreadfully uncomfortable,” he announces, shifting forward. Grumman waves a hand to draw the guard in closer. “Be a helpful lad. See that Mrs. Curtis is given more comfortable seating.”

The young officer scurries off, closing the door behind him, and the older gentleman turns his attention toward Alphonse.

“Oh, I understand perfectly. The military will ask nothing further of you if that’s what you want,” he replies. “But the situation we find ourselves in is unusual—a conspiracy in the upper echelons of the government, a nation-wide episode of unconsciousness, the condition of Alphonse’s body, and the inexplicable connection it all has to alchemy. These are the sort of concerns that fuel the rumor mill.”

The older gentleman pauses, idly twisting the ends of his mustache between his fingers as he divulges the political landscape of Amestris.

“I want all my alchemists, current and former, to lay low for the time being while we reassess the State Alchemy program. I am here to ask what you want in return for your service and your discretion.”

Behind the reflective surface of his horn-rimmed glasses, Grumman’s eyes shift to the foot of Alphonse’s bed where Izumi’s cookbook sits open.

“Your just deserts, as it were,” he adds with a smirk.

Alphonse doesn’t have to ponder what their plans are.

“All we want is to go home, sir, to Resembool,” Alphonse answers. He smiles to lighten the mood; loose skin pulls around the corners of his grin. “And I’d also like to see a few friends. Maybe try some of the foods from my list before we leave Central. When I can eat solids again, that is.”

“Your list?” the Führer asks.

“It was in a book he used to keep,” Ed explains. His tone softens, as it always does when he speaks of his brother. “It listed foods he wanted to try when he was inside... Anyway, I think we lost it.”

“I see.”

Grumman’s response is curt. With a final flourish, the old man straightens his cap and rises from the chair. It seems that he’s heard all he needs to hear.

“I’m going to keep an eye on you boys,” he concludes. “Just the one, mind you, for whatever that’s worth. It’s a fine idea for you both to return to Resembool. Recuperate and rest, and when you figure out what you’d like to do with your time, give me a call.”

The old man produces an ivory card from the pocket of his uniform; a phone number is scribbled on the front. The card itself is an innocuous thing, but the peace offering reeks of political maneuvering. Ed frowns as Führer Grumman places the card on the small table between the brothers’ beds. Alphonse is torn, equal parts intrigued and wary of the strings attached to this phone number.

“The good people here tell me that Alphonse will be ready to travel in four months,” Grumman continues. “In the meantime, I’ll see that you are allowed visitors and suitable food that Alphonse would like to become reacquainted with.”

Alphonse focuses on the task at hand. He thinks of the timeline and of the way Edward approached his recovery from the automail installation. A determined glint ignites in his golden eyes, almost glossy with the lacquer of conviction. Alphonse is weak, but his spirit remains tireless.

“I’ll do it in two,” he says.

Edward, only too happy to put the politics of Central City behind them, nods in agreement.

...

A month’s time sees Alphonse with his hair clipped short; his once sunken cheeks have regained some fullness. Edward, Sig, and Izumi have long since been discharged, but they take turns keeping Alphonse company from the spare couch of his hospital room. Just like Führer Grumman promised, it’s more comfortable than the standard chairs, but that doesn’t mean Alphonse is content to linger.

Now more than ever, he’s determined to go home, walking unassisted down Resembool’s roads. However, for the moment, it’s all Alphonse can do to steady his awkward gait by digging his toes into mats and bracing his arms against the parallel bars. He thinks something as simple as walking should come easily; his legs have other ideas. Another fall brings his physical therapy to an end for the day, and Alphonse returns to his hospital room.

He takes the bumps and bruises in stride. He makes it a point to smile at the staff even when their treatments bring him pain alongside progress. From the confines of a wheelchair, Alphonse greets his guard—a man called Doug who likes comic books and whistles to fill the silence. Doug never pries and is quick to look the other way when Ed overstays his official welcome.

“Ready for more visitors?” Doug asks.

Alphonse’s face lights up with anticipation, and he cranes his neck to peer around the doorframe. Tawny brown hair and emerald eyes fill his field of vision as the small body of a precocious child lunges toward him. She nearly jumps into his lap before her mother pulls her back while balancing a covered plate with one arm.

“Elicia! Ms. Gracia!” Alphonse greets. Recognition washes over both visitors' faces at the sound of Alphonse’s voice.

“So that’s what you look like,” Elicia observes. She giggles madly, rocking back and forth from heel to toe.

Alphonse is quick to change the subject; he also refuses to think about the way Elicia’s gregarious nature reminds him of a certain someone.

The visit is pleasant and predictable. Gracia frets about his weight and serves him a double portion of adorable pudding domes that mother and daughter whipped up for the visit. The vanilla concoctions are cleverly molded into cat-shaped faces, painted with slanting eyes and curving mouths. Soft and creamy with a hint of coffee, they are as sweet as Elicia.

Between the confection and the company, Alphone passes an hour or more catching up on life and letting the child bounce between the walls of his hospital room. When mother and daughter depart (with promises to return with quiche), the silence feels harder to swallow. Alphonse cannot help but think of Winry and Pinako, of apple pie and strong coffee mixed with the smell of automail oil.

He wants, more than anything, to go home.

...

The doctors are surprised when Alphonse meets his deadline; Ed, ever faithful, is not. Alphonse leaves Central City General with his head held high and only stops to rest when the hospital is out of sight. His senses are overwhelmed by the feeling of a starched collar against the back of his neck, the pull of a new vest across his chest, and the weight of Grumman’s card in his pocket.

Alphonse follows Ed’s lead through neat cobblestone roads that feel familiar and yet entirely different, steeped in a tactile reality that he can touch, feel, and taste. Thick exhaust from passing cars sticks to the back of his throat on their way to the train station. Yet, the stench is suddenly replaced by delicious aromas wafting from a nearby café.

His rumbling stomach is drawn to a wide store window where rounds of raspberry mousse cake sit proudly on display. Chilled pink and green tinted layers sit beneath a tempting red glaze that appears sticky, smooth, and oh-so delectable. Alphonse imagines that the confection tastes tart and tangy with notes of brandy and pistachios. He wants to charge into the cafe and order every morsel that’s for sale, but his brother has other ideas.

“Better get going,” Ed says, throwing an arm around Alphonse’s shoulders to steer him away from temptation. “We’ve got a train to catch. You’ve been waiting a long time for what Winry’s whipping up.”

Reluctantly, Alphonse tears himself away from the sight but not before committing the name of the confection and the café to memory. He leaves Central swearing that, when the time is right, he’ll be back.

...

Their return isn’t quite as Alphonse imagined. There’s no hero’s welcome; only a few nods of recognition are offered as they make their way down Resembool’s country roads. But as soon as Alphonse sees the Rockbell residence, a place that marks their journey’s end, accolades don’t matter.

Edward offers to carry him, and Alphonse refuses, bracing himself against his walking stick instead. With gratitude, he thinks of the people that have propelled the brothers along their quest—especially the travelers from Xing. He hopes that they, too, made it home.

And in the blink of an eye, their dream is realized. Den pounces upon Alphonse, recognizing him despite the amount of time that has passed. Winry isn’t far behind. She tackles the brothers to the ground and wraps her arms around them. The trio is a mess of blonde hair and tears of joy.

“Dummies, welcome home!” she exclaims, and for now, Alphonse is inclined to believe this is where he belongs. In this home and amongst these people, he intends to reconcile the pieces of himself while his appetite for the sweet things in life returns.

Winry serves him her famed apple pie on the pink porcelain plate, its halves still bound together by golden lacquer. It’s wonderful and not just because of the flaky crust that crumbles under his fork or the cinnamon sweetness of the soft apples. It’s wonderful because, for the first time in a long time, Alphonse is precisely where he wants to be.

...

Many apple pies are shared around Pinako’s dinner table. There are also birthday cakes for Alphonse (two to be exact) and pans of bread pudding served with blueberries and vanilla sauce. He eats and laughs and grows stronger by the day.

When Alphonse looks in the mirror now, he still likes what he sees, and the girls in town tend to agree. His favorite white-collar shirts hint at the toned torso hiding beneath, and his square jaw exudes newfound confidence. Yet, his ambition to make their world a better place remains the same—too loud for a quiet country backdrop.

Alphonse realizes that the path he is meant to walk extends much farther. His studies, inspired by the prospect of adventure and letters from a feisty alkahestress, resonate with the Dragon’s Pulse. Finally, Alphonse is compelled to dial the number scribbled on the back of the old ivory card and is delighted when he’s connected to the nation’s most powerful man straightaway.

“Had your fill of Resembool yet, son?” Führer Grumman asks. “Are you ready to add to that list of yours?”

“Funny you should bring up my list,” Alphonse retorts, more than willing to play Grumman’s game of allusion. “There’s this Xingese dessert that Princess Mei Chang goes on about in her letters, a red bean soup. It would be a shame if I never tried it, don’t you think?”

Grumman chuckles. “Suppose you could use some diplomatic credentials for the trip. Try not to cause an international incident until Mustang takes over.”

The golden glint in Alphonse’s eyes makes no guarantees. His well-mannered innocence is tempered by past mistakes and fused with a gunmetal resolve.

“I can’t make any promises,” he replies.

[grrrenadine]

A crop of the wallpaper I made for one of the digital bundles for  ELEMENTAL: Tales of the Four Nations Volume II (currently on sale!) I also have one piece in the zine proper, the details of which I’d posted previously.

@zine-scene @zinefeed

[b-u-n-n-i]

The piece I did for Tales of the Four Nations avatar zine @atlazine. I had a headcanon that the construction of the western air temple was a collaboration between earth kingdom and air nomad ladies, long long ago.

[crowingoverthis]

Preview of my piece for ELEMENTAL • Tales of the Four Nations an ATLA and LOK zine @atlazine It was very fun to work on and preorders are already going! ✨ PREORDERS OPEN   —   ATLA ZINE ✨

[kenmazine]

Learn more about our mods under the cut. 

Mod ALWINS Art Direction, Communications, Organization Twitter || Instagram

Urban Legend: A DRRR!!! Fanzine Art Direction, Communication, Organization, Graphics

Liberation a Paranormal Liberation Front Zine Art direction, Communication, Organization

BFA with an Emphasis in Illustration. Art History Minor.

Excellent visual analysis skill. 10+ College level art history courses passed with A.

Real-life experience as a stage manager and general theatre technician at Parker arts and cultural events center.

Strong organizational and communication skills.

Freelance illustrator/Graphic designer for logos and full illustrations

Multiple Youtube clients for full illustrations, Series logos, thumbnails, banners, branding.

Proficient in InDesign, Photoshop, Adobe Illustrator.

Contributor to 25+ Zines.

Knowledge as a contributor as well as a moderator allows clear and fair communication across the team.

Mod Lucy Graphics, Layout Twitter || Instagram

BNHA Katsukitchen Graphics, Layout, Communications

BNHA Versed in Quirky Poetry Graphics

BNHA All You Can Eat Graphics & Layout

BNHA Girl Power! Graphics & Layout

BNHA Kiribaku Holiday Graphics & Layout

MYSME 707hearts606 Graphics

BNHA Liberation Graphics, Layout, Social Media

Participated in events and zines as an illustrator

BFA in Graphic Design

Proficiency in HTML/CSS, Adobe Photoshop, Adobe Indesign, Gsuite

Designed, printed, and assembled — single handedly — books during her BFA: Perfect Bound, Saddle Stitch, Hand Stitched, Coil Bound, Accordion, French fold

Mod Madin Writing Direction, Betaing, Social Media Tumblr || Twitter

ATLA Tales of the Four Nations Organization, Communication, Social media, Beta reading

BNHA Wanderlust Organization, Communication, Social media

BNHA Youkai Parade Organization, Communication

Haikyuu Team Zines Social media, Communication

Death Parade Memento Mori Social media

HXH Downtime Organization

DRRR Urban Legend Writing mod

Greek Myths Zine Social media

Contributed in 10+ zines as a writer

Mod Nash Production, Shipping Tumblr || Twitter

BNHA Eras Zine Finance, Production & Shipping

Taberu: A HQ Cookbook Finance, Production & Shipping

Participated in 3 zines as a writer

Has experience in organising the production of multiple university events including workshops and tombolas.

Mod Keii Finance Twitter || Twitter

Fate/Alternative Vol 1 (+Vol2 ongoing) admin, general, finance, production/shipping

HanaTabi Tarot admin, general, finance, graphics, production/shipping

Boku no Youkai Parade admin, finance

Fate/Cullection general, finance, production/shipping

Fan the Flames finance

+Ongoing projects as finance mod

Contributor in 10+ zines

BA in Business Accounting

4 years of business accounting education

3 years of accounting/finance work experience

[kim-jooha]

(Canadian) Futures of Comics at Fumetto 2019

At Fumetto International Comic Festival 2019 in Luzern, Switzerland, I installed an exhibition / public library of Canadian comics; held four talks with reading and discussion sessions; and gave a talk at the symposium. It was part of Futures of Comics, one of ten main programmes of the festival, directed by Ilan Manouach; and curated by Manouach and Jana Jakoubek, the festival artistic director. Francesc Ruiz, Aarthi Parthasarathy, Guillaume Dumora, and Josh O’Neil also took part in the edition of Futures of Comics. The Phrontistery hosted the programme. 

Talks

“Appropriation / Collage / Comics: From Sources to Subjects”

“Notes on Deskilled/Ugly Comics”

“Feminist Critiques of Comics Histor(iograph)y” 

“On Trans/National Comics: the Canadian Case”

“An Elegy For Comics��. Futures of Comics Symposium. 

List of Canadian comics exhibited: 

Hot Potatoe by Marc Bell

Undocumented by Tings Chak 

Hellberta by Michael Comeau

Rudy by Mark Connery, edited by Marc Bell

Leaving Richard’s Valley by Michael DeForge

REAKER UNTLD IV by DDOOGG

Carpet Sweeper Tales by Julie Doucet

Fluorescent Mud by Eli Howey

Climb-ing Mushrooms Fabric Zine by Ginette Lapalme

Meow Means Hi by Ginette Lapalme, Mark Connery, and Zuzu Knew 

Roaming Foliage by Patrick Kyle 

Hey, I don’t mean to be condescending or anything, but we’re friends, you don’t have to be afraid of me by Victor Martins

Sprawling Heart by Sab Meynert 

Flash Marks by Carel Moiseiwistch 

310,310 and 978-91-87325-43-4 by Mushbuh 

Nexus by Aeon Mute

Red Rainbow and It’s Time to Wake Up Now by Hue Nguyen

Somnambulance by Fiona Smyth

Boundless by Jillian Tamaki 

The Palace of Champions by Henriette Valium

Condo Heartbreak Disco by Eric Kostiuk Williams

Magical Beatdown by Jenn Woodall

Seasons of Butterfly by Kendra Yee

Above pictures are from @thephrontisteryluzern on instagram

[atlazine]

✨ PREORDERS OPEN   —   ATLA ZINE ✨

In celebration of Legend of Korra coming to US Netflix, we are excited to announce that sales are officially open! ELEMENTAL: Tales of the Four Nations Volume II is a fashion anthology that features characters of ATLA and LOK in the modern world. The zine contains over 90 pages of gorgeous artwork and written content!

If you missed volume I, we are offering it again with LIMITED QUANTITIES. Only 50 copies are available! They are sold first-come-first-serve so don’t miss out!

Sales are open from AUG 14 - SEPT 20!

↓ Info on bundles and stretch goals below ↓

Stretch Goals (eligible for PHYSICAL orders only)

50 orders: shaker charm upgrade

75 orders: holographic postcard upgrade  

100 orders: enamel pin

150 orders: acrylic standee

The Louvre (zine PDFs)

Vol. 1: Tales of the Four Nations

Vol. 2: ELEMENTAL

Dolce & Gabbana (physical zines)

Vol. 1: Tales of the Four Nations (LIMITED QUANTITY!)

Vol. 2: ELEMENTAL

Haute Couture (half bundle)

Vol. 2: ELEMENTAL zine

2 buttons

1 random sticker sheet

1 random acrylic charm

1 random postcard

Avant Garde (full bundle)

Vol. 2: ELEMENTAL zine

3 buttons

2 sticker sheets

2 acrylic charms

2 postcards

1 bookmark

Museum of Modern Art (digital merch)

Avatar Kyoshi wallpaper

Avatar Aang and Korra wallpaper

[vellumed]

pre-orders for Tales of the Four Nations: An Avatar: The Last Airbender Fanzine are now open!

a preview of my piece for @atlazine, an avatar: the last airbender zine which features slice of life illustrations set in the world of the series. my piece features princess yue.

[abkdkzine]

MEET THE WAYFARERS: MOD TEAM

Introducing the WANDERLUST — A BAKUDEKU ZINE mod team!

Mod Ari — Head Moderator & Graphic Design

‘Sup!! I go by Ari, but some people also call me Alice! I'm the head moderator and graphic designer of this zine. I'm super friendly, can be a bit of a chatterbox, and somewhat of a silly dork, but I love meeting new people even if I sometimes get a little shy at first. I draw art on the side for fun as well! :’)

Mod Fif — Finances & Planning

Hi!! I’ll be taking care of the finances! I’m an artist and writer who has been running zines ever since the young age of 15, and I absolutely love working with people and helping out in creating awesome atmospheres and even more amazing zines~! Thank you for having me! ^_^

Mod Grim — Social Media & Planning

I’ll be in charge of Twitter mainly! I've helped moderate some events on Tumblr – mainly big bangs – and I'm also currently helping moderate another zine right now, but that's about it with my experience! I'm pretty shy at first, and I don't usually say much, but I am getting better at it. I also really love helping people, so thank you for having me!!

Mod Madin — Social Media & Organisation

Hello, I'm Madin! I'll be working on organization and managing the Tumblr for this zine. I'm also currently a moderator for the ATLA Tales of the Four Nations Zine and participating as a contributor for a few other ones. I can't wait to see how this project turns out! 

Mod Maj — Editing & Marketing

I’m Maj! I wrote The Night We Met on AO3 and love bakudeku above all else. I'm a newbie to the zine scene, but I'm a certified English tutor and have done extensive work with nonprofits, so I'm hoping to translate that experience into making this zine beautiful! Let's do our best, everyone!!

We’re all so delighted to meet your acquaintance, and we hope to bring you a fantastical fanzine! 

Please stay tuned for our individual moderator posts, which will be posted on consecutive days and will have more information and facts about all of us, as well as for our upcoming update log post!

About — Schedule — Twitter — Ask — Applications

[sambinnie]

What Is To Come

1. We do not know what is to come. We know it doesn’t look immediately good, or at all good if nothing changes – I mean! our free time is increasingly gobbled up by our all-connected devices, which harvest our thoughts and our data to strengthen the wealth and power of international companies! our wages are weak against our cost of living, with employment rights potentially being weakened further after our exit from the EU, so we do whatever we can to get whatever we can! we are encouraged to spend our leisure time side-hustling and girl-bossing because it a) gets us extra and b) reduces our time to think freely, so it’s encouraged as a positive thing by those who benefit from this! we volunteer to be sold to, constantly, relentlessly, as a hobby and a citizen, and those ever-growing companies are delighted because the more we want, the bigger their profit, and the more we want, the less we’ll fight for everything they take from us in return! inequality is rising! divisions are growing! we are all, in the words of Mitchell & Webb, looking like the baddies! – but the fact is this. Something has to change. 

It is literally not sustainable; either we go, or dramatic change must come; unfettered capitalism cannot maintain itself when soil is barren and air is unbreathable, I think; things will be bumpy, at the very least, and all we can do is hold on tight to what we believe makes humanity worth battling for. Art, and humour, and story, and discovery, and creation, and sharing, and forgiveness, and responsibility: community and togetherness, if you like, or privacy and peace, if you prefer. And of course those things have historically been used in dark ways sometimes! Of course everything has a middle path! And this isn’t even a recent thing, more a tipping point we’re at right now; in Matthew Sweet’s 2001 book, Inventing the Victorians, he talks of the Victorian era as a time when “crudely speaking, work patterns shifted from those following the rhythms established by families and communities to those timetabled by managements keen to optimise the productivity of their workforces. At the same time, traditional leisure pursuits were being undermined… There was a switch from locally-generated activities and community-based entertainments to increasingly officialised ones: national cricket and football leagues, public swimming baths dance clubs, museums, exhibitions, arcade games, ticket-only entertainment events.” I know, right. I know. So it’s not as if all Olden Days were a utopia – we’ve made progress in so many ways, and that’s the progress we’ve got to keep fighting for, that general direction of so many things, but we have to find a new way of fighting that isn’t going to end with the whole world blind. 

And it is necessary to remind ourselves somehow, somehow, that our children don’t need iPads as a human right, and maybe we’re all doing ourselves more favours if we remember that adults also need to go for walks, or make bread from scratch, or listen to something positive on the radio as a group, or discover more about our local trees or birds, or learn to sing a song together, or make a zine, because not everything has to have a goal of building a career or becoming a giant success or being acclaimed, sometimes just doing something quietly is great, and yes, I also know that some people don’t have the time to do those things, the freedom, or the headspace but my god, what are we doing propping up a society where almost everyone I know logs several hours a day on their phone, minimum, but we don’t have time to make eye contact and volunteer and actively be with people, rather than just tapping our screen and being “connected”. What is it we truly need? 

A v gloomy recent Salon piece which, honestly, I can’t even link to here because it set off heavy panic in me, did at least end with some useful suggestions, about actively being with people, and attending marches and writing and creating, because staying online basically just makes us all melt down, and who is a better consumer than a panicking, deeply unhappy one? “Action is the answer”, it said, because those people and organisations that like complacency and an easily controlled populace rely on our inaction. 

So please, please, please. I want so much better for the future of humanity. Please share the actions we can take. Please put your devices away and give yourself the gift of a life unlogged. Please work together for change. 

2. Most of this all came about because January was spent without a TV, but with plenty of books, running, radio plays and puzzles (both jigsaw and -book versions) instead. I was struck as I always am in these instances, how much better I feel when I’m not mindlessly, automatically slumped in front of a screen, how valuable and rich my hours seem, how many more thoughts I have, how much more varied my input is, yet how much calmer my brain is. (Having said that, I did miss my usual Mad Men January watch, because it is the best television ever made, and also because the crippling January depression I usually get didn’t come this year; and I do still want to give everyone access to the Watchmen TV series, which I watched at the end of last year and haven’t been able to stop thinking about, and I have also been to the cinema four times since the start of the year, and also stayed up one night watching all of Adam Driver’s SNL sketches on my phone which yes, is very much a cheat, and no, I don’t regret it.) I understand the gross lolling privilege of my position recommending bread and Radio 4 as the cure for all ills, but I suppose my point is that we should have the freedom to choose those things if we want them, and I believe our economy, our society, and our deliberately addictive technology undermines both the chance to make those choices, and the ability to make them. 

3. Some podcast recommendations: 

Two excellent episodes of Desert Island Discs: Daniel Kahneman (who said his passion for economics developed from listening to his mother gossip, and understanding the power of narrative) and Lemn Sissay (I think I’ve recommended this elsewhere, but it keeps popping into my brain and I love it) 

This episode of Heavyweight, which generally always makes me cry, but this tale of soul mates divided — or not? — is, somehow, both devastating and utterly beautiful and warming. But really, every episode is brilliant. 

While I disagree with lots of what he says, this episode of Seth Godin’s Akimbo is quite interesting, on the Gift Economy as an alternative to the Private Property Economy. 

I love Jenny Slate’s description of her twenties as a ‘surprise second adolescence’ in this episode of the sadly defunct The Cut on Tuesdays. That’s so accurate, and it’s staggering looking back that as twenty-somethings we are just let loose in the world to work and breed and live alone and vote and everything. We don’t know anything! I’ve been thinking so much about how we find the balance between fresh, new, innovative ideas to kick against defunct traditions, and ceding an ear to experience and wisdom. Old people aren’t always wise, I know, and young people aren’t always inventing the newness they think they are, but I see more and more the importance of experience and the dangers of binning something because it comes in a particular package. (I know I am entering middle age because I’ve started rolling my eyes at some of the drums I see teens and twenty-somethings banging. Please don’t invite me to your parties, I wish I was more fun.) 

4. Next time, I promise: recipes for sourdough starter and a sourdough loaf, and a blood orange cake that will blow your mind. 

[grrrenadine]

A crop/detail of my submission for ELEMENTAL: Tales of the Four Nations Volume II, which is currently in preorder stage! I have one piece in the zine proper and one as a wallpaper available in one of the digital bundles (preview forthcoming).

[fanzinewatch]

*:･ﾟ✧*:･ﾟ✧  Click here to see all zines for sale *:･ﾟ✧*:･ﾟ✧ 

📅 Monday, November 30th

Contributor apps close - Shaped Like a Friend (Kirby)

Preorders close - Captive Prince Lingerie Calendar 2021 (Captive Prince)

Preorders close - L.O.V.E. (Kimetsu no Yaiba)

Preorders close - Once Upon a Season (Miraculous Ladybug)

Preorders close - Haikyuu Playlist: Childhood Friends (Haikyuu)

Preorders close - KNY Future Zine (Kimetsu no Yaiba)

Preorders close - Every Child Matters (Percy Jackson and Heroes of Olympus)

Preorders open - Crossroads (Haikyuu)

📅 Tuesday, December 1st

Mod apps close - Our Future Days (The Last of Us)

Contributor apps close - Heroes on Fire (Kipo and the Age of Wonderbeasts)

Contributor apps close - Phantom (My Hero Academia)

Contributor apps open - Yu-Gi-Oh! Antagonists (Yu-Gi-Oh!)

Contributor apps open - Ozai’s Angels (Avatar: The Last Airbender)

Preorders close - Holidays!!! On Ice (Yuri!!! On Ice)

Leftover sales open - Elemental: Tales of the Four Nations Vol. 2 (Avatar: The Last Airbender)

Preorders open - Focus (Original - Positive events during COVID-19)

📅 Wednesday, December 2nd

Contributor apps close - Unnamed (Dororo)

Preorders close - Four Seasons of Love (Fire Emblem)

📅 Thursday, December 3rd

Contributor apps close - Reminiscence (The Promised Neverland)

Zine released - Robots of HS (Homestuck)

📅 Friday, December 4th

Contributor apps close - Not My Forte (My Hero Academia)

Contributor apps close - Women in the World (Original)

Preorders close - Behind the Scenes (Promare)

Preorders open - With Passion and Purpose (Dangan Ronpa)

📅 Saturday, December 5th

Mod apps close - Amaryllis (Haikyuu)

Contributor apps open - Creati's Craft Compendium (My Hero Academia)

Interest survey closes - Lover's Tryst (Fire Emblem: Three Houses)

Contributor apps close - Unnamed (Monster High)

Preorders close - JoJo's School Adventures (JoJo’s Bizarre Adventure)

📅 Sunday, December 6th

Contributor apps close - MiyuSawa Zine (Ace of Diamond)

Contributor apps close - Bulletproof Heart (Final Fantasy VII)

Contributor apps close - Road to Gold (Multi-Fandom - Olympics)

Preorders open - The Arts of War (Original - Fantasy weapons)