#tales from an english major

[pemberlaey]

if anybody cares my essay on may welland / the systemic infantilization of young women in old new york high society was finally published <3

[deitybird]

jason would get so annoyed when someone (probably dick or tim) is watching a show like bridgerton and comments on their language by saying it's old English but he keeps it in because he's trying to be a better brother...

only to snap when they KEEP doing it and he's like, "NO. NO, IDIOT. IT'S NOT OLD ENGLISH! IT'S A MORE FORMAL ENGLISH! CLOSE TO EARLY MODERN ENGLISH, PROBABLY! JUST LIKE FUCKING SHAKESPEARE!" and said sibling (again, probably dick or tim) is just like, "wow, jay. you care a lot about english." and jason stares at them unblinkingly before storming out.

[britneyshakespeare]

my professor scanned a reading from the new edition of the norton anthology textbook (that's not available for those of us using older editions) and uploaded it to blackboard upside down. lol

[cowabummers]

Gawain and Ragnelle, I was not familiar with your game.

[ao3org]

Updates to AO3 "Mythology" Fandoms

Hi AO3 users! You may have noticed that recently, fandoms previously canonized as "Mythology" are being updated to "Religion & Lore". This renaming project is part of a wider ongoing process on AO3 about respectful treatment and naming of various religions, spiritual beliefs, faiths, and collections of folklores belonging to a particular religious or cultural tradition. This includes both major and minor religions, as well as reconstructionist, ancient, and modern religions.

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[ybklix]

𝐬𝐞𝐱 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐜𝐢𝐭𝐲

dear lord, when i get to heaven, please let me bring my man (ෆ˙ᵕ˙ෆ)♡ fr omg

★ pairing: idol!lee felix x fem!reader

✦summary: You got your dream job on one of the most important day for fashion industry, everything seems like a fairy tale, until you meet one of the people you are working for, which complicates your thoughts, a guy with an angelic face, however he is for you the devil wearing custom couture Tommy Hilfiger.

✭ content - tags - warnings: smut / one night stand / use of “y/n”/ handjob / oral sex / soft degrading / dom felix / semi public sex / unprotected sex / etc lol

word count: 5.1k

(masterlist)

♡ notes: 2024 felix at the met gala ♡

a/n: had to write smth ab my man looking this good on a big day, oopsies / all fiction, don't really know how's behind scenes lol / i'm watching the series so i'm romanticizing the carrie type of writing, enjoy!

There’s an old saying… “what happens in Vegas, stay in Vegas”, and for the New Yorkers with enough amount of luck, the equivalent of that would be: “what happens in the Met Gala, stays in the Met gala.”

You either had to be a celebrity with high status, or a very wealthy person… or sometimes, just part of the staff; yes you were in last link, but you were still happy.

There you were, on the first Monday of May, standing outside of the iconic decorated stairs of the Metropolitan Museum of Art, on the also iconic, 5th avenue of East side of Manhattan. Living your dream, because this year, you were inside, and not anymore as a viewer.

Life was going great for you, you’ll graduate from college exactly in nine days, and you were booked as a tour guide in the Met Gala a month ago. It was your dream job, even though you majored in journalism, working for Vogue was always your dream to be, you’ve been applying for the Met ever since you turned eighteen, and finally there you were wearing a vintage YSL black dress, from a vintage store in Soho, whose rent costs more than you apartment’s, with some Manolo shoes, living your little Carrie Bradshaw fantasy. But that didn’t matter, yeah, she was a woman with a steady job and you only a freshly graduated who expected to get hired as soon as you get your diploma.

They prepared you the whole past month, and you picked up your ID last week; this was going to look wonderful in your resume. You loved fashion, arts, writing, you didn’t care there was another 500 people doing exactly the same as you, you were there, living inside your bubble of the gossip girl and devil wears Prada vibes.

A lot of people hated New York; but you never could, you had a nice apartment on west side of Manhattan and an incredible fashion taste. You had to work as a staff for one the most emerging kpop groups, Stray Kids, or at least that’s what you read about online, you did your research: eight male members, only two of them fluent in English and the rest of them just shy to speak it out loud… you weren’t that unfamiliar at all, you recognized kpop is one of the greatest genres these days, but you were twenty one and going through your finals as the provided you that information, so you followed their social medias, caught up a little in their updates, learned their names and faces —which was very important—, but couldn’t fully concentrate in how handsome they were or at least get yourself a little of fangirlism. Once again, you were sinking in the lasts and very important moments of college.

So the thing was simple, they usually bring their own people around but for this event was the exception, once they stepped on the radar of these popular stairs, they were under the Met Gala staff, that’s when you get in.

You were waiting for them standing among the group of people who would be working the same as you, all with their dress code in black-only etiquette, to go unnoticed. It was your first Met Gala, although you didn't want to flatter yourself either in such a big way, but you had chosen a sexy dress with your back uncovered, you wanted simplicity, but not too much. The heels were starting to bother you a bit until, as fate would have it, a stout black man in charge of monitoring, with headphones on his bald head and clipboard in his hand shouted in a strong New York accent to the group of people you were in.

“The following celebrities are Stray Kids, I repeat so you can listen in the back, Stray Kids is coming! Their team step up to lead them in.”

Nerves got the better of you, it was your turn; you had seen your other ‘colleagues’ guide their respective assigned celebrities, so now it was your time. You hurried to the entrance, along with another girl and two other men. The large black van pulled up to sidewalk and finally, just as you had researched, eight pretty East Asian looking men exited one by one.

You tried to identify the one you had previously studied as their leader and one of the English speakers, until he finally emerged just to one side of you.

“It's this way, boys” your coworker, who was a little ahead of you, led the way.

The eight of them walked a bit and met their designer, the legitimate Tommy Hilfiger, while among the chaos of noise and nerves you tried to identify each one you were working for; they were all wearing long coats but you could distinguish that it was just to hide their real attire.

But apparently you were not the only one nervous, it was also their first Met Gala, an incredibly big event, a bit out of what they knew, in one of the countries where the music market was of utmost importance to consider and succeed, each one of them recognized that this was an important day and simply one more step in their artistic career. They were all nervous and excited; but even so you noticed a somewhat monotonous expression on each of them, you thought it was just nerves. You got a good look at them all as they talked to their designer in charge and noticed how each one had their own charm, they were attractive and smelled quite nice. You thought about how much fun this job is for you, being around celebrities.

“And y/n, right?” he came up to you, the man who had previously been giving directions to your boys.

You nodded, confused, he went on to say:

“I’m informed that you will be going into the museum with them, you can take the lead” he said in a strangely kind tone.

You smiled at him, you had forgotten the last time you met a nice New Yorker. It was when you realized it was time, you took a breath with your cheeks and released them, once you saw they finished their little talk, you took a step so everyone could see you and introduced yourself; it was part of your job and you had been trained for it. You started with a “hi, guys”, told them your name and added that you would accompany them to the exhibit. You looked forward to going in there.

You got the attention of all eight of them, after all they were still men, foreign men excited for a new experience. Once you turned around as you led the way you questioned if wearing that open back dress was the best choice, you hadn't really intended it that way; you also didn't expect them all to be 100 times more attractive in person, the pictures you saw on the internet didn't do them justice.

All the members of Stray Kids were with their respective emotions on edge, but especially one of them didn't know how to control himself. Felix, who at all times kept a serious countenance was more than excited and his body was reacting to it, betraying him, he was aroused. He wasn't exactly in the mood for sex, but somehow he felt uncomfortably hard. He was simply an excited little Asian boy with a not-so-little problem. An erection in his pants.

Felix had the experience at these kinds of fashion events, but simply something about this city drove him incredibly crazy. Somehow he was thirsty for sex… but he didn't feel like he was at this very moment. He had to put on his best show and control his body, he slyly checked his pants and it was a relief that the design was perfectly loose so it couldn't be noticed. But it all got worse when he saw his pretty young guide and staff for tonight, with her pretty makeup and perfect hair done, with her back uncovered.

Felix read her name on her ID hanging on her body and checked slyly if anyone else of his friends and colleagues thought the same as him… he could notice it in the look of his friend Bang Chan, however Felix noticed the little importance that Chan himself gave her and continued treating her with kindness and courtesy, who from time to time gave her a certain look was his other friend Seungmin, who was the master of disguise, but not for Felix, not after knowing him so long and living with him.

But that was just the thrill of the moment, as Felix took full control of his body as he approached his final stretch, an interview and then the longed-for Met Gala stairs. Like a pro idol, he knew how to handle it, and everyone had a spectacular and memorable entrance.

You saw them from afar, Bang Chan had introduced you to each one of them and thanked you for accompanying them even though you hadn’t start yet, you thought he was an unreal man, in fact all eight of them were, their perfectly manicured faces and the subtlety of their make-up were to you so…. You were speechless; but if you had to choose one, putting yourself in the shoes of millions of girls around the world even of your age discovering an attractive boy band, maybe among them all… it would be the only blond guy with long hair. You thought between sighs how cute he was, you were down bad when it came to cute boys, also the long-haired ones.

You remembered his name, Felix; a little strange, it sounded like an old name but somehow it fit him so well, you thought; now you were not only fulfilling your dream job, you would be together with eight handsome men, you almost wanted to let out a little giggle, but it was time to monitor how well they took the pictures of your “bosses” as they posed on the carpet.

You waited a moment more before finally entering, it seemed like hours, until finally the doors opened for you and there suddenly you felt your heart burst, not even Felix's pretty face could have impacted you so much, the exhibition of unique pieces in the haute couture of fashion history.

“You can start to separate and see freely” you mentioned to them.

You saw them, they looked totally lost.

“Mm, I don't think so, we like to stay together” Chan answered with a nervous smile.

“Well, if you like, we can start here…” you spoke.

You didn't want to keep them tied up nor did you want to feel like a big deal, you were only going to accompany them and follow their instructions, however they seemed to follow yours; you gave yourself the task of showing them every corner and giving them a little summary of what each exhibit meant, however you couldn't help hiding your excitement, your eyes shone with care and all eight noticed your adorable expression, even those who couldn't fully understand you because of the language barrier, your expressions spoke for themselves. And Felix couldn't take his eyes off you the whole tour.

Felix didn't understand what was wrong with him, whether it was the excitement of the foreigner, the significant change of time zone, his pretty part of the assigned staff, or the incredible urge to have sex. He wasn't normally like that… well, at least not in places like these. He left the dirty thoughts for later when he was in the quiet of solitude. But just now he had those thoughts of how hot it must be to be fucking someone while wearing that perfectly tailored suit, making a mess among all the tidiness that went with it all.

He wasn't like that… but the more he thought about it, the more he was tempted, he thought it would be the only time he would see you, that you had to be professional and not at all indiscreet, that it would only be one night. He was becoming more and more convinced, what was wrong with him? He was handsome, young, successful and very well endowed, he only needed to show his gifts to someone. Felix thought if that someone could be you; this was not Felix who thinks dating and love were important, suddenly something came over him, like a haughty alter ego blinded by his dazzling fame, ready to just have sex.

The main event started, the dinner and the show, you had gotten a table, only confirmed by the exclusively selected staff in perhaps, one of the worst areas, still you were in, from going to see the Met outside on the street, to being seated next to a bunch of celebrities in the same room; you were so happy you could die the next day thinking you made it.

But once the show was over, little by little so was your spark, it was time to go back to your reality and take a cab home; the folks at that table were mentioning something about an after party, among them and a bunch more… but you didn't want the smell of celebrities and fame to leave your pores and get lost in some stranger's apartment.

You were about to check out when a short woman rushes up to you asking if there was any Stray Kids staff at the table.

“Here, me!” you showed her your ID quizzically. “What's going on?”

“What are you doing here? They're escorting you to the after party.”

Puzzled, you mumbled a “what?” and followed her hurried pace as she was leaving.

“After party, with who?”

The woman stopped in her tracks and turned to look at you.

“Well, who are you working for.”

Impossible, you thought. You were supposed to check out and you weren't allowed to go outside the museum, they couldn't just invite you like that, could they? Why would they? Besides you were working for the museum, not for them. Sadly, you had to make it clear to them.

You walked towards them who were already at the main exit leaving with other celebrities, you got up the courage and approached them.

“Nice to meet you guys, but I think it was a misunderstanding, I can't accompany you, I work for the museum… they didn't give me directions to follow you.”

“And what time do you leave?” Chan asked you with a hoarse voice and eyes fixed on you.

“Just now…” you added awkwardly, not knowing what to say as the eight men stared at you.

“Perfect” Chan said in a thick accent with a smile.

“Now you work for us, let's go to the after party” spoke in a cold, distant and arrogant tone the pretty blond boy who had caught your attention.

You had not heard him speak, not until now. You were too surprised by the contrast of his angelic face and his incredibly thick voice.

You were able to register your exit and hurriedly kept up with the boys.

“We liked the way you explained the exhibition, we will have you as translator now” Chan told you as he quickened his pace leaving you behind.

It didn't make the slightest sense what he just said. You don't even speak Korean.

You sighed and could not deny the excitement of living another adventure, it was not like they were forcing you, you were now going to go to the legendary Met Gala after party.

You got into a dark van along with more of their staff and in the minutes of traffic you were finally there. You couldn't believe it, for a moment you stopped thinking that things made sense.

Luckily you were not alone, but accompanied by another girl in the staff, all looked great but it was evident that no one wanted to socialize with you and it was difficult for you to do so; so you felt uncomfortable and out of place, questioning if you should really be there.

After a few minutes you noticed that Felix stood up from his seat, taking the button of his suit and slyly approached you.

“Can you come with me?” he whispered in your ear with his deep voice.

You froze, and followed him without thinking too much, something wasn't right when it came to him…. besides, you thought you had to follow his instructions.

Felix went to a private bathroom, you wanted to think that maybe he wanted you to take care of his coat… if not, why else would he ask you to accompany him; he entered quickly, in a suspicious way and then came out quickly looking around frantically, until he pulled you by the arm and took you with him to that small elegant bathroom, locking the door. You couldn't process the speed of the actions and suddenly, you saw his piercing gaze in front of yours.

What was going on?

Felix had enough, watching you flirtatiously talking to Chan, sweet talking all his friends, there was nothing else to explain but that he was horny and wanted to have you right now. You weren't stupid, you noticed his looks but wanted to ignore them, but it turns out that wasn't what he wanted.

So there you were, inwardly struggling whether to play along with whatever he intended to do or put your ethics above… you analyzed him, he looked so good with his long hair and white suit, you'd probably never see him again, you wanted to bite your lip just thinking about how dangerous and fast-paced some kind of sex like that would be, on the sly. But you couldn't make up your mind, this was about Conde Nast, your dream, not easy access to fuck.

Felix noticed too the early darkness in your gaze, reflecting lust, he was already hard from just thinking about your ass slapping his pelvis as he thrust his cock in and out your pussy mercilessly. You so wet, making a mess, the two of you indulging in passion while a bunch of people decide to party outside.

“I don't normally do this but… I may only see you once in my life…”

Felix said in a voice thicker than what you had heard and came dangerously close to you, who were glued to the door, perplexed.

“Felix…” you wanted to think clearly but his full lips in a perfect heart shape were distracting you.

“If you want to fuck me… you have to promise me to never tell anyone.”

Felix whispered plaintiff in your left ear, losing himself in the scent of you hair. You couldn't take it anymore, if he kept talking, you might cum at any moment.

You understood the situation of things and the importance of his comment, after all he was still a global superstar. But not telling would not only be a beautiful secret to take to your grave and something fun to remember, but it would also be beneficial for you, because under no circumstances should a female employee have sex with her assigned celebrity. You would be banned from all of Manhattan or the city if possible, public enemy number one.

He moved closer to your ear, thinly brushing his lips on it and making you lose control little by little by his approach. You closed your eyes, completely lost, fuck it, you would fuck him and never see him again, at least not this intimacy.

“Why would I fuck and tell...?” you whispered completely lost in desire.

He chuckled, and finally grabbed you by the waist. Felix sought your lips and you kissed slowly, deeply and passionately, the kiss was so strong that you felt the pressure of his upturned nose on your face. You knew it was so wrong at any angle analyzed… but it felt so right, his lips were soft and he moved them with agility, your hands were still glued to the wall in surprise, but gradually you relaxed and managed to hold on to the ends of his jacket.

Felix also relaxed and his right hand moved down to your naked back and slowly and nimbly he moved his hand in until he squeezed and caressed your ass, his actions surprised you that you almost moaned at the touch, separating you a little from the kiss.

He pulled a few inches away from your lips and, as he ran his hand all around your ass, he looked you over with a look of superiority.

“You're such a slut, only wearing a fucking thong, almost like you were ready for me” he said with a husky voice.

This time you felt his noticeable bulge brush against your belly and his soft touch made you wetter and wetter.

“Get on your knees, beautiful.”

He ordered and you obeyed. Felix was sick of feeling horny, he wanted a quick fix, to strip the tight garments off his cock and be attended to urgently, once he had enough of his own, he was going to take over pleasuring you fully.

Your breath was getting shorter and shorter and you felt his member on the fabric, you thought about how good he looked from below and in all possible angles, then you pulled down his pants, ready to give him the best blowjob ever —or at least you hoped so—, you couldn't resist, you simply pulled down his underwear too, finding his throbbing and delicious cock so needy, its tip was bright pink and poor Felix was already showing signs of small droplets of pre-seminal fluid, and to think he had a fine and angelic face…. You had never felt so hungry and desirous, you were totally possessed; you wanted it in your hands, in your mouth, pounding your face, pounding your cervix… so you felt it, that firm hard manly hunk, at the mercy of your hands, feeling every texture of his skin.

Felix gasped, lifting his buttoned shirt a little, revealing a bit of his smooth but working abdomen. You took some of his fluid and spread it all over his length, lubricating it, it felt so good, but you were also so needy and desperate, and the thin fabric covering your intimate area didn't help at all, you felt the garment getting smaller and smaller, you felt your wet pussy growing and throbbing causing a delicious friction; but you thought you had to be more careful, your whole outfit was black, one stain of semen or fluids and you had to pay for the dress.

You moved a little away from him, hoping that no droplets of him fell on your attire, still you held his erection tightly with your left hand, making frantic movements, back and forth.

He was ecstatic, it was all he needed, to be sexually attended to; the New York air suited Felix Lee wonderfully, and the New York girl… he thought… she was out of this world, her hands felt fantastic on his hard manhood. He wanted to cum roughly, but he wanted to do it dirty in his employee's mouth and pretty face… he would never act like the beastly thing he was doing in Seoul, but new place, try new things.

So between sighs and gasps, he lowered his gaze and tried to communicate with her.

“Use your pretty mouth.”

You never thought he was going to ask, you didn't hesitate for a second, and the grotesque sound of your saliva dripping on his cock were heavenly; his sex was hot and smooth, the texture felt so good inside your cheeks but once again, you are desperate for him to take you and start moving your guts.

Within minutes, Felix cum in your mouth amid moans and groans, and the softest but most effective hair pulls, to make you go exquisitely deeper. You never thought he was so vocal, with a voice like that, you were in heaven; and it took you only a few seconds to drink his cum, as a reward.

“I think we need to get rid of that dress” he said trying to catch his breath. “I'll buy you 3 more, no worries.”

He took you by the chin, inviting you to stand up and helped you take off the dress, you were so excited that your vision was blurred and you couldn't think clearly… what was his next move….

You were amazed at how incredibly hard and standing still he was even after he had just cum, you thought, after all kpop idols did have it all, great stage presence, big penis, music talent, and for sex too.

He sat you on the small counter, him facing the mirror, the stone was cold and you were finally, almost, completely naked in front of him, wearing only your thin thong. Felix wasted no time and positioned himself between your legs, kissing you deeply and desperately as you carefully felt the tip of his penis brush your wet center each time they came closer, he moved his kisses down, to your neck, massaged your breasts and kissed and sucked them mercilessly, you wanted to scream with excitement but you were acutely aware that there were people outside, never mind the noise of the party. Once on your chest, he turned his angelic face up, with a dark mischievous look and that's when you felt his thumb caress your clit.

You moaned in relief, finally your exhausted pussy was going to be given attention. His movements were slow until each time he increased the acceleration, you couldn't help but writhe in pleasure and when your body contracted ready to climax, Felix introduced his fingers inside you, he felt the softness of your insides so lubricated and ready to feel his erection beating you frantically.

“Look at me” he asked once he saw that your attention was focused for a few seconds on his right hand playing with your pussy.

“Uh-mm” you murmured, nodding softly, almost in moans.

You weren't thinking clearly but decided to hold back the urge to cum just to feel his fingers inside you for a few more moments. You looked into his big dark eyes; you felt that he looked more calm and serious with that gaze locked on you and his innocent freckled look, unlike you that your eyes was totally submissive and you were almost about to cry with pleasure, oh and Felix loved that, all that mess because of him.

“I'm going to cum, Fe…” you moaned.

But you couldn't even speak, he accelerated his movements and your belly contracted so pleasantly bringing you to your first orgasm.

“I'm not done yet; let me clean up that mess you made.”

And without warning, Felix leaned down, gripping your thighs tightly, two of his fingers still freshly wet from my fluids, marked on your thigh; Felix ran his hot tongue across your cunt, licking all your cum.

He began to eat your pussy carefully, almost accomplishing step by step and you loved the delicacy of what he was doing, you were seeing stars, you didn't want this to ever end, you wanted him on you all the time. You took advantage and also took hold of his tightly tied hair. He did it so well that you had to cum a second time.

And finally, the act you both had been waiting for since he locked the door; Felix had saved the urge and was once again swollen and throbbing, screaming for attention and action. He cleaned the edges of his mouth in a attractive manner.

“Shit, I don't have a condom” he said in annoyance.

“It's okay, I'd never have your baby anyway.”

Felix smiled and you watched his erection in front of your pussy, until he gently pushed it in, until you closed your eyes once again in pleasure.

“I'm going to cum inside you and make sure your pussy misses every part of me.”

Felix whispered hotly in your right ear as you pressed your bodies closer and closer together, until you ended up with your legs wrapped around his waist, crushing bit of his outfit, and your hands on his shoulders. And then, he rammed you fast and as delicious as no one else had ever done, you moaned softly to avoid any strange noises from outside. It was incredible, you thought, his rhythm was strong and constant and when you began to lubricate his penis more indicating your soon orgasm, Felix separated from you and in quick movements he changed your position, lowered you from the counter, turned your body and introduced his penis making you stand still and making you both see yourselves in the mirror.

You couldn't be happier, you loved the fiction of his shirts stuck to your body of the clothes he still had on, and he began to pound more frantically and wildly, giving way to the sound of your skins colliding and your fluids combining. Felix held you tightly by the waist as he pulled your body away and closer, controlling it in his own way, you wanted to help him, moving your ass a little but his grip was too strong. You were with your back arched, holding tightly to the sink, giving choked moans as you felt his strong thrusts. Watching him fuck you in the mirror was fucking hot, he looked so attractive with his half-open mouth letting out soft moans and his concentrated countenance, frowning and his eyes locked on your ass, then on you.

Felix grabbed your hair in his fist and pulled it to pull you closer to him and glued you to his body, just when you thought it couldn't get any better, his thrusts were deeper that way and you were touching the edge.

“Do you like the way I fuck you, little slut, huh?”

You tried to nod between gripping your hair.

“Say it.”

“Yes-yes, Felix, ahh it feels good.”

“You feel good too, sweetheart, you're doing a great job.”

His dirty talk close to your ear were just more elements to make you cum faster and faster and each time you were more and more surprised, as his pace increased, finally making you climax, for the third time.

Felix smiled in victory as he felt your pussy muscles first tighten and then relax releasing more of your luscious fluids, wetting and hugging his hard cock, Felix continued another small moment, until he cum gloriously inside you and a little more above your ass.

You were perplexed. The sexual connection had been real. You both tried to catch your breath, he helped you put your dress back on and as you changed, Felix felt a little bad about just using you for his carnal desires, for you honestly it had been just a good fuck and you had your feet on the ground being aware that someone like him and you could never be together.

“So… Are you officially working on something related for Vogue?”

You smiled, as you tried to touch up your makeup, it was a bit badly retouched.

“No, it's my dream, they just hired me as a one-off for this year.”

“Maybe you should learn Korean and move there, Vogue Korea is still Vogue, isn't it?” he mentioned flirtatiously.

You chuckled again, that implied many things and at the same time none for you.

“Go out first, y/n, then I'll go out. I'll transfer you for the dresses outside, I don't even have my phone here” he said, finally in his deep voice calmer, almost looking tender, in his thick accent.

You smiled and looked at him one last time, before finally leaving for the party. Leaving you wanting more, but also with nothing more than just sex in the city.

[prythiansprincess]

written in the stars.

pairing: theodore nott x reader. song inspiration: until i found you by stephen sanchez feat. em beihold. author's note: boyfriend theo is the best theo. if you're wondering, then yes writing this hurt me as much as it hurts reading it but like in the best way possible.

Theodore Nott has always had an affinity for the stars. 

When he was younger, Theo's mother used to take him to the rooftop of Nott Manor and point out the constellations to him. The stars told stories, his mum had said. Theo listened with rapt attention as she recounted the tales of Aquila, Heracles, and Orion as they glittered against the backdrop of the English countryside.

The two of them would make an entire evening out of it. Laying on his back atop a nest of blankets and pillows, little Theo watched as the stars climbed higher and higher, filling the horizon with hope and light. Stargazing had been their special secret. The one thing that wasn’t tainted by his abusive father. Theo guarded the memory of those nights in his heart like a priceless treasure.

After his mother’s passing, Theo continued their tradition of stargazing. Even if she was no longer alive, all he had to do was look up at the sky to feel her with him. For that reason, the stars were special to him and he’d never shared its meaning with anyone. 

Until tonight. 

“Watch your step, cara mia.” Theo said as he guided you by the small of your back. 

The dark cloth covering your eyes prohibited you from seeing, but you trusted your boyfriend to keep you from falling. Though you weren’t a fan of surprises, Theo was impossible to resist. All he had to do was flash those pretty watercolor eyes at you and you were an absolute goner. 

For you, Theo had always been the exception. 

He guided you up a staircase, keeping a firm grip on your waist as the two of you ascended. Wherever you were going, it was pretty high up. You smiled as Theo took hold of your waist, knowing that you weren't the biggest fan of heights. Sometimes it felt like he knew you better than you knew yourself. When you reached the top, Theo unfastened his tie from behind your head. 

“You can open your eyes now, sweetheart.” 

You blinked, letting your eyes adjust to the dark. The wind whistled through the stone arches of the Astronomy Tower, framing the starkissed night with its marble pillars. The soft glow of the moon illuminated the nest of blankets and pillows arranged in the middle of the wooden floor. 

“Did you do all of this for me, babe?” 

Theo smiled. “I thought you might like to go stargazing with me,” he said, his voice soft. “Do you like it, my love?” 

“I love it, Teddy.” You beamed, standing on your tiptoes to kiss his nose. “But not nearly as much as I love you.” 

Theo grinned before pulling you in for a proper kiss. His lips were soft against yours and he tasted like peppermint. Butterflies erupted in your stomach as your knees buckled slightly. Theo never failed to make you feel like a lovestruck school girl. It never stopped feeling like this despite how many times you kissed this boy.

As if reading your thoughts, Theo smiled against your lips. “Come on, Y/N. I want to show you my favorite constellations.” 

The two of you laid down beneath the stars, making yourself comfortable amidst the blankets and pillows. Wordlessly, Theo pulled you into his arms and you nestled into the crook of his neck, breathing in the familiar scent of sea salt spray and sun kissed skin. 

“Tell me the story of the stars, Teddy.” 

He smiled, brushing your hair back. “That one right there is Ursa Major. Otherwise known as the Big Dipper, but if you look at the entire constellation, it actually forms a bear.” 

“I remember learning about that when I was little,” you said, gazing up at the sky. “Didn’t it have something to do with Zeus?”

Theo nodded. “In Greek mythology, the Olympian God Zeus fell in love with Callisto and got her pregnant. After she gave birth to the child, Hera was so mad she turned Callisto into a bear.” 

“That hardly seems fair,” you responded with a frown. 

“Zeus was a bit of a wanker,” Theo said in agreement. “Hera was even worse. She cursed Callisto to wander the forest for years in bear form until she was hunted by her own son Arcas. Just as he raised his spear to strike her down, Zeus stepped in and sent them up to the heavens. Callisto as Ursa Major and Arcas as Bootes.” 

“The Greek gods were truly a piece of work,” you replied. “But at least we got those constellations out of them."

You squinted, pointing at the cluster of stars hovering in the east. “What’s that one?” 

“That’s the constellation of Leo,” explained Theo. “Named after the Nemean lion that Heracles defeated during the first of his twelve labours.” 

“Didn’t he make a cloak out of the lion’s pelt?” 

“Smart girl,” Theo said proudly. “The cloak made Heracles invincible and more fearsome than he already was. The Nemean lion’s heart is made up of the star Regulus, which is associated with the arrival of spring.” 

“The Little King. I read that it burns hotter than the sun.” 

Theo couldn’t help but smile. Before he met you, he never thought he’d find someone to share such a special and intimate thing with. He was worried that no one else would understand his love for the stars, but as he watched you peer curiously up at the sky, your nose scrunched in careful concentration, Theo felt all of his doubts fade away. 

“Regulus is unique because it can be seen in both the Northern and Southern hemispheres.” 

The blue star glittered brightly above your heads, as if it was showing off for the occasion. “It’s beautiful,” you breathed. 

Theo stared at you, at the childlike wonder shimmering in your eyes, and he felt like the breath had been knocked out of his lungs. The gravity of what he felt for you hit him all at once. 

“Yeah,” Theo said softly, still looking at you. “Beautiful.” 

You grinned, intertwining your fingers and kissing his knuckles. “How do you know so much about the stars, Teddy?” 

“My mum taught me.” Theo answered, drawing circles on your hip. “When I was little, she used to take me to the rooftop of the manor and tell me the story behind each star. She was fascinated by them. Before she met my father, she wanted to teach astronomy at the Stati Magia.”

“The Italian School of Witchcraft?” 

Theo nodded. “My mother attended the Stati Magia, just like her mother and her mother before her. A tradition that I unintentionally broke, as nonna Lucia loves to remind me. Sometimes I think the old bat wishes that I was born a strega instead.” 

You giggled. “You would’ve been a very pretty witch.” Theo chuckled as you propped your head up in one hand. “Did your mum end up becoming a professor?”

“No,” Theo said sadly. “After I was born, my father said that her place was at the manor. He refused to move to Florence, even though he knew it was my mother’s dream.” 

You stroked his hair, nodding emphatically. Theo rarely talked about his mother. You knew that her passing was a painful subject for him, so you never pushed him to talk about it unless he wanted to.

“That’s awful. I’m so sorry, my love,” you said. “But at least she was able to pass down her love of the stars to you. In a way, she lived her dream by teaching you.” 

A soft smile tugged at your boyfriend’s lips. “I suppose she did.” 

You laid back down, but this time you cradled Theo against you. He rested his head against your chest, listening to the calming sound of your heartbeat. Talking about his mother will always be hard, but you helped ease the pain. 

“What about those stars?” You asked, pointing to the north. “What did your mother tell you about them?” 

���Perseus and Andromeda,” Theo answered. “Those are actually her favorites.”

“The chained maiden.” 

Theo stirred, inclining his gaze to the horizon. “Andromeda was the Princess of Aethiopia, the daughter of King Cepheus and Queen Cassiopeia. She was said to be very beautiful. Her mother bragged that Andromeda was fairer than the Nereids, which angered Poseidon. As punishment, the Sea God sent the creature Cetus to ravage that coast of their kingdom.” 

You nodded, recalling the story. “King Cepheus chained her to a rock and offered her as a sacrifice to appease the sea monster.” 

“Luckily for Andromeda, the hero Perseus found her before Cetus could attack again. Perseus fell in love with Andromeda and defeated the monster so he could free the princess. They ended up marrying and became king and queen of Mycenae. When they died, the goddess Athena placed them side by side in the heavens so that they would never be parted, not even by death.” 

“A love written in the stars,” you said with awe and wonder. “I can see why it’s your mother’s favorite.”

“When I was a boy, she told me that she hoped I’d experience a love like theirs, minus the sea monster of course.” You chuckled. Theo knit his brows together like he did when he was deep in thought. When he spoke again, his voice was barely audible. “It’s sad to think that she never found her Perseus.” 

You brushed his hair back, running your fingers through his curls gently. “She might not have found her Perseus, but she did have her Theo.”

Theo turned over and looked at you. The intensity in his gaze made you shiver. He was so ingrained in your heart that it felt inaccurate to continue calling it yours.

“After she died, I never thought I’d share her stories with anyone again, but I’m glad I shared them with you.” 

“Thank you for trusting me, Theo.” You said as you placed a kiss on his temple. “It means the world to me that you not only shared your mother’s stories, but her memory as well. I would’ve loved to meet her.”

The tender smile on Theo’s face was heartbreaking. Then softly, he whispered. “She would’ve loved you, Y/N.”

Your heart cracked open, his words spilling like sunlight over every crevice, warming you from the inside out.

Tears formed at the corners of your eyes, but you forced yourself to give Theo a watery smile. “Because I’m a nerd who memorized obscure mythological facts?”

Your boyfriend smiled. “No,” he said gently, caressing your cheek. “Because you made her wish come true. You are my love written in the stars, cara mia.” 

The moonlight kissed Theo’s tan skin, the silver beams caressing his face like a lover as if the moon and the stars craved to commit his beauty to memory as badly as you did. Gods, he was breathtaking. 

This was the Teddy you knew and loved. Your Teddy.

Those watercolor eyes shimmered with emotion. “Sometimes I think the gods made you just for me, like our souls are linked in a way that neither logic nor magic can explain. Whatever it is, I think I’ve loved you since before the heavens and the earth existed and I’m fairly certain that I’d still love you even after the last star falls out of the sky.”

“You’re the love of my life, Theodore Nott.” Tears streamed down your cheeks as this boy—this beautiful boy ensnared your mind, body, and soul. “I’d find you in any universe and in any galaxy. Maybe someday we’ll be immortalized in the stars too.” 

Theo held your face in his hands. His expression was open and vulnerable, like he wasn’t afraid to lay himself bare before you. As if it was the most natural thing in the world. 

“We’re two halves of a whole,” Theo said. “I loved you yesterday. I love you today and I’ll love you tomorrow. You’re it for me, Y/N. You and no one else.” 

“You and no one else, Teddy.” 

Under the constellations of the star crossed lovers, Theo kissed you so gently that it made your heart ache. As Andromeda and Perseus kept watch over the horizon, Theodore Nott knew one thing for certain.

Someday the stars would tell your story too.

[nostalgebraist]

I feel like I've had the same experience several times now: someone does a new translation of a non-English literary classic, and all the critics praise it to the moon, so I go and try to read it, and it's turns out it's just . . . bad? Like, really bad? And weirdly bad?

A while back, I wrote about the case of Pevear and Volokhonsky. Here's another example, which I encountered while doing background research for my novel Almost Nowhere.

----

One of my novel's major characters is a literary translator, famous for his rendition of the Persian epic poem Shahnameh ("Book of Kings").

To help me write this character, I tried to read the Shahnameh myself. I started out – where else? – with the translation that seemed to be the gold standard, and which was certainly the most critically lauded.

Namely, the 2006 translation by Dick Davis, in prose with occasional shifts into verse.

Here's how the Shahnameh begins, in Davis' translation:

What does the Persian poet say about the first man to seek the crown of world sovereignty? No one has any knowledge of those first days, unless he has heard tales passed down from father to son. This is what those tales tell: The first man to be king, and to establish the ceremonies associated with the crown and throne, was Kayumars. When he became lord of the world, he lived first in the mountains, where he established his throne, and he and his people dressed in leopard skins. It was he who first taught men about the preparation of food and clothing, which were new in the world at that time. Seated on his throne, as splendid as the sun, he reigned for thirty years. He was like a tall cypress tree topped by the full moon, and the royal farr shone from him. All the animals of the world, wild and tame alike, reverently paid homage to him, bowing down before his throne, and their obedience increased his glory and good fortune.

And here is the same opening, in the 1905 translation by Arthur and Edmond Warner (which I only discovered much later in the process of writing Almost Nowhere):

What saith the rustic bard? Who first designed To gain the crown of power among mankind? Who placed the diadem upon his brow? The record of those days hath perished now Unless one, having borne in memory Tales told by sire to son, declare to thee Who was the first to use the royal style And stood the head of all the mighty file. He who compiled the ancient legendary, And tales of paladins, saith Gaiúmart Invented crown and throne, and was a Sháh. This order, Grace, and lustre came to earth When Sol was dominant in Aries And shone so brightly that the world grew young. Its lord was Gaiúmart, who dwelt at first Upon a mountain; thence his throne and fortune Rose. He and all his troop wore leopard-skins, And under him the arts of life began, For food and dress were in their infancy. He reigned o'er all the earth for thirty years, In goodness like a sun upon the throne, And as a full moon o'er a lofty cypress So shone he from the seat of king of kings. The cattle and the divers beasts of prey Grew tame before him; men stood not erect Before his throne but bent, as though in prayer, Awed by the splendour of his high estate, And thence received their Faith.

Now, I can't speak at all about the source text. I have no idea how faithful or unfaithful these two translations are, and in what ways, in which places.

Still, though. I mean like, come on.

This is an epic poem about ancient kings and larger-than-life heroes.

This is a national epic, half myth and half history, narrating the proud folkloric lineage claimed by a real-world empire.

There is a way that such things are supposed to sound, in English. And it sure as hell isn't this:

What does the Persian poet say about the first man to seek the crown of world sovereignty?

Excuse me? That's your opening line? I thought I was reading a poem, here, not taking a fucking AP World Literature exam!

----

Postscript

Some of the critical praise for the Davis translation, quoted on the back cover of my copy (emphasis mine):

"A poet himself, Davis brings to his translation a nuanced awareness of Ferdowsi's subtle rhythms and cadences. His "Shahnameh" is rendered in an exquisite blend of poetry and prose, with none of the antiquated flourishes that so often mar translations of epic poetry." (Reza Aslan, The New York Times Book Review) "Thanks to Davis's magnificent translation, Ferdowsi and the Shahnameh live again in English.” (Michael Dirda, Washington Post) "A magnificent accomplishment . . . [Davis’s translation] is not only the fullest representation of Ferdowsi’s masterpiece in English but the best." (The New York Sun)

[damienkarras73]

An essay on Furiosa, the politics of the Wasteland, Arthurian literature and realistic vs. formalistic CGI

Mad Max: Fury Road absolutely enraptured me when it came out nearly a decade ago, and I will cop to seeing it four times at the theatre. For me (and many others who saw the light of George Miller) it set new standards for action filmmaking, storytelling and worldbuilding, and I could pop in its Blu Ray at any time and never get tired of it. Perhaps not surprisingly, I was deeply apprehensive about the announced prequel for Fury Road's actual main character, Furiosa, even if Miller was still writing and directing. We didn't need backstory for Furiosa—hell, Fury Road is told in such a way that NOTHING in it requires explicit backstory. And since it focuses on the Yung Furiosa, it meant Charlize Theron couldn't return with another career-defining performance. Plus, look at all that CGI in the trailer, it can't be as good as Fury Road.

Turns out I was silly to doubt George Miller, M.D., A.O., writer and director of Babe: Pig in the City and Happy Feet One & Two.

Furiosa: A Mad Max Saga is excellent, and I needn't have worried about it not being as good as Fury Road because it is not remotely trying to be Fury Road. Fury Road is a lean, mean machine with no fat on it, nothing extraneous, operating with constant forward momentum and only occasionally letting up to let you breathe a little; Furiosa is a classical epic, sprawling in scope, scale and structure, and more than happy to let the audience simmer in a quiet, almost painfully still moment. If its opening spoken word sequence by that Gandalf of the Wastes himself, the First History Man, didn't already clue you in, it unfolds like something out of myth, a tale told over and over again and whose possible embellishments are called attention to in the dialogue itself. Where Fury Road scratched the action nerd itch in my head like you wouldn't believe, Furiosa was the equivalent of Miller giving the undulating folds of my English major brain a deep tissue massage. That's great! I, for one, love when sequels/prequels endeavour to be fundamentally different movies from what they're succeeding/preceding, operating in different modes, formats and even genres, and more filmmakers should aim for it when building on an existing series.

This movie has been on my mind so much in the past week that I've ended up dedicating several cognitive processes to keeping track of all of the different ponderings it's spawned. Thankfully, Furiosa is divided into chapters (fun fact: putting chapter cards in your movie is a quick way to my heart), so it only seems fitting that I break up all of these cascading thoughts accordingly.

1. The Pole of Inaccessibility

Furiosa herself actually isn't the protagonist for the first chapter of her own movie, instead occupying the role of a (very crafty and resourceful) damsel in distress for those initial 30-40 minutes. The real hero of the opening act, which plays out like a game of cat and mouse, is Furiosa's mother Mary Jabassa, who rides out into the wasteland first on horseback and then astride a motorcycle to track down the band of raiders that has stolen away her daughter. Mary's brought to life by Miller and Nico Lathouris' economical writing and a magnetic performance by newcomer Charlee Fraser, who radiates so much screen presence in such relatively little time and with one of those instant "who is SHE??" faces. She doesn't have many lines, but who needs them when Fraser can convey volumes about Mary with just a flash of her eyes or the effortless way she swaps out one of her motorcycle's wheels for another. To be quite candid, I'm not sure of the last time I fell in love with a character so quickly.

You notice a neat aesthetic contrast between mother and daughter in retrospect: Mary Jabassa darts into the desert barefoot, clad in a simple yet elegant dress, her wolf cut immaculate, only briefly disguising herself with the ugly armour of a raider she just sniped, and when she attacks it's almost with grace, like some Greek goddess set loose in the post-apocalyptic Aussie outback with just her wits and a bolt-action rifle; we track Furiosa's growth over the years by how much of her initially conventional beauty she has shed, quite literally in one case (hair buzzed, severed arm augmented with a chunky mechanical prosthesis, smeared in grease and dirt from head to toe, growling her lines at a lower octave), and by how she loses her mother's graceful approach to movement and violence, eventually carrying herself like a blunt instrument. Yet I have zero doubt the former raised the latter, both angels of different feathers but with the same steel and resolve. Of fucking course this woman is Furiosa's mother, and in the short time we know her we quickly understand exactly why Furiosa has the drive and morals she does without needing to resort to didactic exposition.

Anyway, I was tearing up by the end of the first chapter. Great start!

2. Lessons from the Wasteland

Most movies—most stories, really—don't actually tell the entire narrative from A to Z. Perhaps the real meat of the thing is found from H to T, and A-G or U-Z are unnecessary for conveying the key narrative and themes. So many prequels fail by insisting on telling the A-G part of the story, explaining how the hero earned a certain nickname or met their memorable sidekick—but if that stuff was actually interesting, they likely would have included it in the original work. The greatest thing a prequel can actually do is recontextualize, putting iconic characters or moments in a new light, allowing you to appreciate them from a different angle. All of season 2 of Fargo serves to explain why Molly Solverson's dad is appropriately wary when Lorne Malvo enters his diner for a SINGLE SCENE in the show's first season. David's arc from the Alien prequels Prometheus and Covenant—polarizing as those entries are—adds another layer to why Ash is so protective of the creature in the first movie. Andor gives you a sense of what it's like for a normal, non-Jedi person to live under the boot of the Empire and why so many of them would join up with the Rebel Alliance—or why they would desire to wear that boot, or even just crave the chance to lick it.

Furiosa is one of those rare great prequels because it makes us take a step back and consider the established world with a little more nuance, even if it's still all so absurd. In Fury Road, Immortan Joe is an awesome, endlessly quotable villain, completely irredeemable, and basically a cartoon. He works perfectly as the antagonist of that breakneck, Road Runner and Wile E. Coyote-ass movie, but if you step outside of its adrenaline-pumping narrative for even a moment you risk questioning why nobody in the Citadel or its surrounding settlements has risen up against him before. Hell, why would Furiosa even work for him to begin with? But then you see Dementus and company tear-assing around the wasteland, seizing settlements and running them into the ground, and you realize Joe and his consortium offer something that Dementus reasonably can't: stability—granted, an unwavering, unchangeable stability weighted in favour of Joe's own brutal caste system, but stability nonetheless. It really makes you wonder, how badly does a guy have to suck to make IMMORTAN JOE of all people look like a sane, competent and reasonable ruler by comparison?!?

…and then they open the door to the vault where he keeps his wives, and in a flash you're reminded just how awful Joe is and why Furiosa will risk her life to help some of these women flee from him years later. This new context enriches Joe and makes it more believable that he could maintain power for so long, but it doesn't make him any less of a monster, and it says a lot about Furiosa's hate for Dementus that she could grit her teeth and work for this sick old tyrant.

3. The Stowaway

Here's another wild bit of trivia about this movie: you don't actually see top-billed actress Anya Taylor-Joy pop up on screen until roughly halfway through, once Furiosa is in her late teens/early twenties. Up until this point she's been played by Alyla Browne, who through the use of some seamless and honestly really impressive CGI has been given Anya's distinctive bug eyes [complimentary]. It's one of those bold choices that really works because Miller commits to it so hard, though it does make me wish Browne's name was up on the poster next to Taylor-Joy's.

Speaking of CGI, I should talk about what seems to be a sticking point for quite a few people: if there's been one consistent criticism of Furiosa so far, it's that it doesn't look nearly as practical or grounded as Fury Road, with more obvious greenscreen and compositing, and what previously would've been physical stunt performers and pyrotechnics have been replaced with their digital equivalents for many shots. Simply put, it doesn't look as real! For a lot of people, that practicality was one of Fury Road's primary draws, so I won't try to quibble if they're let down by Furiosa's overt artificiality, but to be honest I'm actually quite fine with it. It helps that this visual discrepancy doesn't sneak up on you but is incredibly apparent right from the aerial zoom-down into Australia in the very first scene, so I didn't feel misled or duped.

Fury Road never asks you to suspend your disbelief because it all looks so believable; Furiosa jovially prods you to suspend that disbelief from the get-go and tune into it on a different wavelength. It's a classical epic, and like the classical epics of the 1950s and 60s it has a lot of actors standing in front of what clearly are matte paintings. It feels right! We're not watching fact, we're watching myth. I'm willing to concede there might be a little bit of post-hoc rationalization on my part because I simply love this movie so much, but I'm not holding the effects in Furiosa to the same standard as those in Fury Road because I simply don't believe Miller and his crew are attempting to replicate that approach. Without the extensive CGI, we don't get that impressive long, panning take where a stranded Furiosa scans the empty, dust-and-sun-scoured wasteland (75% Sergio Leone, 25% Andrei Tarkovsky), or the Octoboss and his parasailing goons. For the sake of intellectual exercise I did try imagining them filming the Octoboss/war rig sequence with the same immersive practical approach they used for Fury Road's stunts, however I just kept picturing dead stunt performers, so perhaps the tradeoff was worth it!

4. Homeward

Around the same time we meet the Taylor-Joy-pilled Furiosa in Chapter 3, we're introduced to Praetorian Jack, the chief driver for the convoys running between the Citadel and its allied settlements. Jack's played by Tom Burke, who pulled off a very good Orson Welles in Mank! and who I should really check out in The Souvenir one of these days. He's also a cool dude! Here are some facts about Praetorian Jack:

He's decked out in road leathers with a pauldron stitched to one shoulder

He's stoic and wary, but still more or less personable and can carry on a conversation

Professes to a certain cynicism, to quote Special Agent Albert Rosenfield, but ultimately has a capacity for kindness and will do the right thing

Shoots a gun real good

Can drive like nobody's business

So in other words, Jack is Mad Max. But also, no, he clearly isn't! He looks and dresses like Mad Max (particularly Mel Gibson's) and does a lot of the same things "Mad" Max Rockatansky does, but he's also very explicitly a distinct character. It's a choice that seems inexplicable and perhaps even lazy on its face, except this is a George Miller movie, so of course this parallel is extremely purposeful. Miller has gone on record saying he avoids any kind of strict chronology or continuity for his Mad Max movies, compared to the rigid canons for Star Trek and Star Wars, and bless him for doing so. It's more fun viewing each Mad Max entry as a new revision or elaboration on a story being told again and again generations after the fall, mutating in style, structure and focus with every iteration, becoming less grounded as its core narrative is passed from elder to youth, community to community, genre to genre, until it becomes myth. (At least, my English major brain thinks it's more fun.) In fact there's actually something Arthurian to it, where at first King Arthur was mentioned in several Welsh legends before Geoffrey of Monmouth crafted an actual narrative around him, then Chrétien de Troyes added elements like Lancelot and infused the stories with more romance, and then with Le Morte d'Arthur Thomas Malory whipped the whole cycle together into one volume, which T.H. White would chop and screw and deconstruct with The Once and Future King centuries later.

All this to say: maybe Praetorian Jack looks and sounds and acts like Max because he sorta kinda basically is, being just one of many men driving back and forth across the wasteland, lending a hand on occasion, who'll be conflated into a single, legendary "Mad Max" at some point down the line in a different History Man's retelling of Furiosa's odyssey. Sometimes that Max rips across the desert in his V8 Interceptor, other times driving a big rig. Perhaps there's a dog tagging along and/or a scraggly and at first aggravating ally played by Bruce Spence or Nicholas Hoult. Usually he has a shotgun. But so long as you aren't trying to kill him, he'll help you out.

5. Beyond Vengeance

The Mad Max movies have incredibly iconic villains—Immortan Joe! Toecutter! the Lord Humongous!—but they are exactly that, capital V Villains devoid of humanizing qualities who you can't wait to watch bad things happen to. Furiosa appears to continue this trend by giving us a villain who in fact has a mustache long enough that he could reasonably twirl it if he so wanted, but ironically Dementus ends up being the most layered antagonist in the entire series, even moreso than the late Tina Turner's comparatively benevolent Aunty Entity from Beyond Thunderdome. And because he's played by Chris Hemsworth, whose comedic delivery rivals his stupidly handsome looks, you lock in every time he's on screen.

Something so fascinating about Dementus is that, for a main antagonist, he's NOT all-powerful, and in fact quite the opposite: he's more conman than warlord, looking for the next hustle, the next gullible crowd he can preach to and dupe—though never for long. For all his bluster, at every turn he finds himself in way over his head and writing cheques he can't cash, and this self-induced Sisyphean torment makes him riveting to watch. You're tempted to pity Dementus but it's also quite difficult to spare sympathy for someone who's so quick to channel their rage and hurt and ego into thoughtless, burn-it-all-down destruction. When you're not laughing at him, you're hating his guts, and it's indisputably the best work of Chris Hemsworth's career.

It's in this final chapter that everything naturally comes to a head: Furiosa's final evolution into the character we meet at the start of Fury Road, the predictable toppling of Dementus' precariously built house of cards, and the mythmaking that has been teased since the very first scene becoming diagetic text, the last of which allows the movie to thoroughly explore the themes of vengeance it's been building to. A brief war begins, is summarized and is over in the span of roughly a minute, and on its face it's a baffling narrative choice that most other filmmakers would have botched. But our man Miller's smart enough to recognize that the result of this war is the most foregone of conclusions if you've been paying even the slightest bit of attention, so he effectively brushes past it to get to the emotional heart of the climax and an incredible "Oh shit!" payoff that cements Miller as one of mainstream cinema's greatest sickos.

Fury Road remains the greatest Mad Max film, but Furiosa might be the best thing George Miller has ever made. If not his magnum opus, it does at least feel like his dissertation, and it makes me wish Warner Bros. puts enough trust in him despite Furiosa's poor box office performance that he's able to make The Wasteland. Absolutely ridiculous that a man just short of his 80th birthday was able to pull this off, and with it I feel confident calling him one of my favourite directors.

[breelandwalker]

Wolf Moon - January 13 2025

Shake off the cold and sing to the sky, witches - it’s time for the Wolf Moon!

Wolf Moon

The Wolf Moon is the name given to the full moon which occurs in the month of January. The name is said to be derived from the sound of wolves howling with hunger while prey is scarce in the midst of winter. Given that we now know that wolves howl mostly for communication, my personal opinion is that people huddled in their homes during a very dark and dangerous time of year probably noticed these sounds a lot more readily with little else to occupy their time as they waited out the winter, and thus were set to worrying about ravenous beasts invading their villages and farmsteads. (It’s worth noting that wolves preying on livestock was a very real concern for most people outside major cities for many centuries, so this isn’t entirely unfounded.)

The name also calls to mind the howling of the wind during winter storms, or whistling around the eaves during the long cold nights. And for those of us who might not have been careful with our spending over the holidays, I might cite a tongue-in-cheek reference to the wolves being at the door when those credit card bills come due.

[For those not familiar with the English phrase, to have “a wolf at the door” is a saying that refers to some imminent hardship or disaster. In modern parlance, this is usually applied to poor finances or looming bankruptcy.]

This month, the moon peaks at 5:27pm EST on Monday January 13th, so the moon may appear to be full on the nights of the 12th or 13th, depending on where you are in the world.

Some North American indigenous names for the month of January and its’ moon are Cold Moon (Cree), Center Moon (Assiniboine), Severe Moon (Dakota), Ice Moon (Catawba), and Spirit Moon (Ojibwe). Other names include Mantis Moon (South African origins), Quiet Moon (Celtic), and Moon After Yule (Anglo-Saxon).

What Does It Mean For Witches?

As a new year dawns, it’s time for rest and reflection before we set out on the next phase of our journey. While the cold weather lingers, take some time to sit by the fire, literally or metaphorically, and take stock of where you stand, what resources are available, and what you plan to do with them.

Check in with your near-and-dear following the mad rush of the holiday season as well. Make sure that friends, family, and community members around you are doing all right. Offer support and kindness where you can, but don’t overextend yourself. It’s your time to recuperate too, and it is good and healthy to set boundaries which allow time and space for yourself.

While it's a bit early to expect progress on our goals and resolutions, the beginning of a new calendar year is a good time to lay the foundation for what we intend to do with the year to come and to reflect on the year that has just ended. It's also the perfect time for self-assessment in your craft. Take a moment to acknowledge where you are, how you've grown, and what you might like to do next. Perhaps do some journaling on the subject, if you're so inclined. You can outline your craft knowledge and beliefs, mark the lessons you've learned, or record your progress. (This is a great way to measure future milestones and personal growth!)

What Witchy Things Can We Do?

Winter is a prime time for storytelling. Back in the days before internet or television or radio, people would often read to each other or tell tales to pass the time. Consider re-reading a favorite book that inspires you or exploring some region of folklore or mythology you’ve been meaning to look into. If you have children who are of an age to enjoy stories, read them some of your favorites or introduce them to something new. Share stories and discussions with your witchy circle too!

While you’re at it, take a moment to examine the role that folklore and stories play in your practice. If you subscribe to a particular mythos, be it through deities or just general belief, consider which parts of it resonate the most with you and why.

Consider also the lessons of the winter season - the necessity of rest between periods of growth and activity, and the role of death, cold, and darkness in the natural cycles of life. What do these things mean to you and your practice? Are they a source of fear or fascination? Do you come alive in the winter or bundle up and wait for spring? How can you best remind yourself to pause for breath as the year goes on?

And of course, the beginning of a new year is an excellent time for goal-setting and divination. You’re making resolutions for your mundane life, so make a few for your craft while you’re at it, and pull out your cards or runes or pendulum for a New Year forecast on how things might go. If you need some ideas or inspiration, you can check out this article on Casting The Bones or try this craft-building exercise to Create Your Own Personal Runes.

Happy Wolf Moon, witches! 🐺🌕

SOURCES & FURTHER READING:

Bree’s Lunar Calendar Series

Bree’s Secular Celebrations Series

Wolf Moon: Full Moon in January, The Old Farmer’s Almanac.

Why The 2025 January Wolf Moon Is So Insanely Powerful, The Peculiar Brunette.

Casting The Bones: How to Read and Throw Bones, The Peculiar Brunette.

Witchcraft Exercise - Creating Your Own Runes, Bree NicGarran. (Masterlist here)

Moon Info - Full Moon Dates for 2025

Calendar-12 - 2025 Moon Phases

Everyday Moon Magic: Spells & Rituals for Abundant Living, Dorothy Morrison, Llewellyn Publications, 2004.

Image Source: What Is A Wolf Moon?, The Fact Site.

(If you’re enjoying my content, please feel free to drop a little something in the tip jar, check out my monthly show Hex Positive, and find my published works on Amazon or in the Willow Wings Witch Shop. 😊)

[literaryvein-reblogs]

Poetic Genres

Whereas a poetic "form" defines the way a poem arranges sounds, rhythms, or its appearance on the page, a poetic "genre" is something like the poem's style. Many poetic genres have a long history, and new poems almost always seek to explore a new aspect of the traditional style and thus to redefine the genre in some way. The following list is a selection of the major genres of poetry.

allegory A narrative with two levels of meaning, one stated and one unstated.

aubade A song or poem greeting the sunrise, traditionally a lover's lament that the night's passion must come to an end.

ballad Broadly speaking, the ballad is a genre of folk poetry, usually an orally transmitted narrative song. The term "ballad" applies to several other kinds of poetry, including the English ballad stanza, which is a form often associated with the genre.

blason A Renaissance genre characterized by a short catalogue-style description, often of the female body.

cento A poem composed entirely of lines from other poems.

dirge A funeral song.

dramatic monologue This might be called a "closet soliloquy": a long poem spoken by a character who often unwittingly reveals his or her hidden desires and actions over the course of the poem. The "I" of the dramatic monologue is very distinct from the "I" of the poet's persona. Robert Browning was a master of this genre.

eclogue A short pastoral poem; Virgil's eclogues are one of the first examples of this genre.

ekphrasis Originally a description of any kind, "ekphrasis" is now almost exclusively applied to the poetic description of a work of art.

elegy This genre can be difficult to define, as there are specific types of elegiac poem as well as a general elegiac mood, but almost all elegies mourn, and seek consolation for, a loss of some kind: the most common form of elegy is a lyric commemorating the death of a loved one. Greek elegiac meter, which is one source of what we know as the elegy today, is not normally associated with loss and mourning.

epic A long narrative poem that catalogues and celebrates heroic or historic deeds and events, usually focusing on a single heroic individual.

epigram A brief and pithy aphoristic observation, often satirical.

epitaph A tombstone inscription. Several famous poems end with the poet writing his own. (See, for example, Thomas Gray's "Elegy in a Country Churchyard" or W.B. Yeats's "Under Ben Bulben.")

epithalamion A song or poem that celebrates a wedding.

fable A brief tale about talking animals or objects, usually having a moral or pedagogical point, which is sometimes explicitly stated at the end. Aesop and la Fontaine are perhaps the most famous fable-writers.

georgic The agricultural cousin of pastoral, a georgic is a poem that celebrates rustic labor.

hymn A song of praise.

invective A personal, often abusive, denunciation.

lament An expression of grief.

light verse Poetry that is mostly for fun: this can mean anything from nonsense verse to folk songs, but typically there is a comical element to light verse.

lyric This genre encompasses a large portion of the world's poetry; in general, lyrics are fairly brief poems that emphasize musical qualities.

masque Courtly drama characterized by elaborate costumes and dances, as well as audience participation.

occasional verse Poetry written with reference to a particular event.

ode A long, serious meditation on an elevated subject, an ode can take one of three forms.

paean A song of joy or triumph.

palinode A recantation or retraction, usually of an earlier poem.

panegyric Poem or song in praise of a particular individual or object.

parody A comic imitation.

pastoral Originally a poem that depicted an idealized singing competition between shepherds, "pastoral" has come to denote almost anything to do with a rural setting, although it also refers to several specific categories of the genre. Associated genres of varying synonymity are idyll, bucolic, eclogue, and georgic.

psalm A sacred song.

riddle A puzzling question that relies on allegory or wordplay for its answer. Riddles are often short, and often include an answer to the question posed, albeit an unsatisfying one. The riddle of the Sphinx, which Oedipus solved, is a particularly famous example: "what walks on four legs in the morning, two at midday, and three in the afternoon?"

romance An adventure tale, usually set in a mythical or remote locale. Verse forms of the romance include the  Spanish ballad and  medieval or chivalric romance.

satire Ridicule of some kind, usually passing moral judgment.

tragedy This genre originated in ancient Greek verse drama and received extended treatment in Aristotle's Poetics, which made the downfall of the main character one of the criteria for tragedy. The genre has since expanded to include almost anything pertaining to a downfall.

verse epistle A letter written in verse, usually taking as its subject either a philosophical or a romantic question.

If these writing notes helped with your poem/story, please tag me. Or leave a link in the replies. I'd love to read them!

More: Word Lists ⚜ Writing Resources PDFs

[vixen-academia]

Free MIT online courses that sound interesting

Arts & Literature

Introduction to World Music

Reading Fiction

Literary Interpretation: Virginia Woolf's Shakespeare

Introduction to Photography

Foundations of Western Culture II: Renaissance to Modernity

Studies in Poetry - Briths Poetry and the Sciences of the Mind

Studies in Literary History: Modernism: From Nietzsche to Fellini

Screen Women: Body Narratives in Popular American Film

Studies in Poetry: "What's the Use of Beauty"

Queer Cinema and Visual Culture

Monteverdi to Mozart: 1600 - 1800

Writing and Experience: Reading and Writing Autobiography

Advanced Topics in Hispanic Literature and Film: The Films of Luis Buñel

Major Authors: Rewriting Genesis: "Paradise Lost" and Twentieth-Century Fantasy

Arthurian Literature and Celtic Colonization

Contemporary Literature: Britsh Novel Now

Studies in Poetry: 20th Century Irish Poetry: The Shadow of W. B. Yeats

Writing About Literature: Writing About Love

Introduction to European and Latin American Fiction: Great Books On The Page and On The Screen

Popular Culture and Narrative: Use and Abuse of the Fairy Tale

Victorian Literature and Culture

Reading Poetry

English Renaissance Drama: Theatre and Society in the Age of Shakespeare

Introduction to Fiction

International Woman's Voice

Major Authors: Oscar Wilde and the "90's"

Prizewinners: Nobelistas

American Authors: American Women Authors

Shakespeare, Film and Media

Japanese Literature and Cinema

Woman's Novels: A Weekly Book Club

Classics of Chinese Literature

Major English Novels

Topics in South Asia Literature and Culture

Introduction to Literary Theory

History & Social Studies

American Classics

The Middle East in the 20th Century

Africa and the Politics of Knowledge

The Rise of Modern Science

European Imperialism in the 19th and 20th Century

Philosophy of Love

Human Rights: At Home and Abroad

The Nature of Creativity

Introduction to Comparative Politics

Riots, Rebellions, Revolutions

Introduction to the History of Technology

Ancient Philosophy

Youth Political Participation

[geminimoonmadness]

✰NEPTUNE IN ARIES✰

A once in a lifetime astrological event!

©️GeminiMoonMadness

✧･ﾟ:*✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:*

Neptune takes roughly 165 years to transit the whole zodiac and has been happily swimming through his own sign of Pisces since 2011. Neptune will transit Aries from 2025 to 2039, spending about 12 and a half years there in total, with a few dips in and out at either end. This represents the start of a new cycle of inspiration and change.

✧･ﾟ:*✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:*

Here are the dates:

-Enters Aries on 30 March 2025

-Retrogrades into Pisces on 22 October 2025

-Re-enters Aries to stay from 26 January 2026

-Dips into Taurus on 21 May 2038

-Final visit to Aries from 21 October 2038

-Enters Taurus to stay on 23 March 2039

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:*

Neptune was last in Aries from 1861 to 1875 and brought to light humanity´s impulsiveness translated into wars, the creativity to invent and the determination to discover.

As Neptune transits the signs, it reveals what we idealise and look to for redemption or salvation. In Capricorn (1984-1998) it fed the idealisation of corporations and big business and in Aquarius (1998-2012) it idealised science and technology. In Pisces (2011-2025), it appears to be idealising deception itself because we’re all drowning in fake news and propaganda in a crazy-making post-truth hall of mirrors.

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:*

WHAT HAPPENED IN HISTORY THE LAST TIME NEPTUNE WAS IN ARIES?

60 – 73 CE

-In Rome Christianity was spreading fast

-In Palestine there was a Jewish uprising against the Romans in 66 and Josephus wrote his history of the Jewish War which became a major source on Jesus.

388 – 401

-Christianity had become the official imperial religion of the Roman Empire in 391

-Theodosius prohibited all pagan cults and worship.

432 – 419 BCE

-The ancient Greek city states were always having falling outs/battling.

-The Peloponnesian War between Athens and Sparta began and ran for decades.

879-892

-Alfred the Great created a small fleet of ships to fight naval battles against the Vikings.

1206 – 1219

-Genghis Khan began his conquest of Eurasia

-The Christian Crusades were in full swing

1370 – 1383

-The Hundred Years War between England and France was going strong, it started in 1337 and ended in 1453.

-The Catholic Church split in 1378 and there were two rival popes until 1417

-The Church came under attack from 1377 by John Wycliffe, an English theologian.

-John Wycliffe (as above) completed the first translation of the Bible into English in 1382.

-1370s, the story of Robin Hood began to circulate (a tale of a classic Aries character).

1534-1547

-Henry VIII broke from Rome and declared himself supreme head of the Church of England

-This led to the dissolution of the monasteries in 1536 and the destruction of religious relics and churches, and endless fighting between Catholics and Protestants.

-In the 1540s Valerius Cordus wrote Dispensatorium, the first pharmacopeia covering medicinal plants, minerals and how to make drugs, published in 1546. He also discovered ether in 1540, which was used in pain relief for surgery – and for getting as high as a kite!

1697 – 1711

- Lots of fighting and rebellions in Europe over various things, including the War of Spanish Succession in which England took Gibraltar in 1704.

-England was getting tired of fighting the Scots, and in 1707 the Act of Union formed a new entity called Great Britain, unifying England and Scotland.

1861-1874

- American civil war commenced

- germ theory was invented

-Violence on the Australian goldfields

-Slavery

-Abraham Lincoln becomes president

-Franco-Prussian War

(Can you notice a trend?)

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:*

PREDICTION FOR 2025-2039:

Neptune in Aries could bring pioneering visions that reach into every part of society, with lots of new ideas and progressive thinking. There could be idealistic revolutions and social activism, visionary rebellions, crusades for truth and religious wars. Wars may be fought based on lies and deception (nothing new there then), or fought with bioweapons, chemicals and viruses.

At best, Neptune could inspire compassionate action and leadership that takes us away from the potential for war. But it could just as easily reveal the corruption and weakness of leaders that create power vacuums and trigger war by accident.

There may also be a massive loss of faith in leadership, a loss of belief in the nation or the system. People could turn away from the system out of disillusionment or even boredom, and lose themselves in escapist pursuits, like gaming or virtual reality.

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:*

WHAT HOUSE IS YOUR NEPTUNE IN?

WHAT HOUSE IS YOUR ARIES IN?

WHAT DEGREE IS YOUR NEPTUNE?

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:*

[lostloveletters]

Give Me Shelter, The Night Is Dark (Vampire!Michael Corleone x Reader)

Summary: Local superstition and a reclusive man offer you refuge when your parents grievously misstep in Sicily, putting your life in danger in more ways than one.

Note: Female reader, but no other descriptors are used. This incredibly self-indulgent gothic romance-esque idea came to me while I was half-asleep, and the time period is intentionally vague, but it’s not a modern setting (here's a little aesthetic tag for this fic). Do not interact if you’re under 18, terf or radfem, or post thinspo/ED content.

Word count: 4.6k

Warnings: Major canon divergence. Canon-typical violence. Emotional manipulation. Vampirism, including non-consensual blood drinking and compulsion (in the context of it being an ability vampires possess and can use on humans). Sexually explicit content involving elements of bloodplay. Do not interact if you’re under 18.

You couldn’t remember what had brought your family to the village of Corleone, only that your father had promised you and your mother an extravagant Sicilian vacation. Three days of beachside paradise in Mondello, eating fresh seafood cooked to perfection and entertaining the antics of handsome men with scars that stood out like bolts of lightning against their tanned skin were hardly enough to sate your voracious appetite for the weeks of bliss you were promised. 

Despite your attempts at bargaining to stay in Palermo on your own, your mother refused, insisting she’d be better off throwing you into shark-infested waters than alone with the men who came calling to your hotel. Some days of travel through the breathtaking Sicilian countryside later, you and your parents arrived in Corleone, a village that appeared all but frozen in time, as if decades had passed it by with no one any the wiser. 

To your dismay, you found the selection of eligible men to spend your time with far more limited than in Palermo. The working young men were too tired from their labor in the fields or their trades to engage in foolish antics with a vacationing foreigner. The rest were mafiosi, as you gathered from the veiled comments and numerous euphemisms the older villagers used. 

These elderly became your companions during your stay in Corleone, talking wildly with their weathered hands over coffee or wine. Filomena, a woman of nearly eighty years and fluent in English, lived in the house next to the one your family was renting. Her husband Gianni only left the house if absolutely necessary, and she considered him a burdensome hermit. Each morning, she fetched you to accompany her into town. Some days, you’d do little else than sit outside of a cafe on the sleepy main street, eating and drinking and gossiping. 

Your Sicilian improved immensely in the near month you kept up with their chatter. Those women always had their ears to the ground, as far as knowing more about your father’s business in Corleone than you did. The vacation he promised you was little more than a gesture of confidence toward Don Manusco, a man notoriously difficult to meet directly with. That your father achieved this naturally generated interest in the village, as no one knew of him. When pressed for more information about your own family’s line of work, you answered what you knew, that your father invested, mostly in stocks, but occasionally in new business ventures. 

You were privy to little else, much to the disappointment of your companions, who moved onto other topics of discussion. One woman’s son sought work in Milan and within three months of getting hired at a factory, married a Northerner, much to her displeasure. In contrast, Filomena’s daughter was cloistered elsewhere in the countryside, preparing to take her vows and become a nun. 

Their superstitions, however, intrigued you most of all. A curse and blessing existed for nearly every conceivable situation. The most striking tale they spun regarded an abandoned villa about a mile past the rental house. Foreboding and hostile, its faded facade peeking out from thorny vines, it was once the envy of the village. At one point in time, though no one could agree quite when, the Don of another family lived there. He took in a strange young man, reclusive yet polite, wandering the countryside with two armed shepherds as bodyguards. He married a local girl, but the marriage ended tragically soon after the wedding. In a sudden blaze of fire and betrayal, she was killed. The strange man vanished not long after, and anyone associated with the villa—including the old Don Tomassino—were soon found dead or had disappeared altogether. Thus, no one dared approach it for fear of the curse surely cast upon the place.

Some of the gruesome murders in the vicinity of the villa could have been attributed to the tradition of violence Don Manusco carried on following Don Tomassino’s death. It didn’t explain the livestock dying of unusual causes, an older woman interjected. Even the land surrounding it was cursed, and the local shepherds knew better than to let their flocks graze nearby, explaining the abnormally tall grass and overgrown foliage that surrounded the villa.

Yet another woman claimed to have seen a demon or ghost in the form of a man wandering the villa’s grounds at night. Of course, she didn’t get close enough to take a good look, instead uttering Hail Marys as she ran into the local church to take refuge until her husband found her some time later.

Your mind drifted to the villa sometimes, this forbidden and mysterious monument to grief and superstition that seemed to cast a longer shadow over the village than the mafiosos who ran it. Like Don Manusco, who your parents were joining for dinner one evening, and Filomena insisted you join her and Gianni instead of eating alone.

The scent of stewing summer tomatoes with garlic and mouth-watering spices invited you inside the house, its windows open for hopes of cool breezes moving through. Gianni offered you wine and a simple antipasto spread of cheese and oranges to snack on while Filomena cooked dinner. Despite his reclusiveness, he somehow knew that your father’s dinner with Don Manusco involved more business than a friendly visit, the final chance for your father to seal what he hoped would be a lucrative deal with the mafia boss.

Two hours later, you sat across from Filomena at the small wooden table in their kitchen, filling your plate with the delicious meal she prepared. You ate silence while Filomena spoke, bickering with Gianni every now and then. As the sun set over Corleone, unease crept over you, though you chose to attribute it to the heat of the day and eating too quickly.

Until a commotion erupted up the street, almost deafening as it approached, finally arriving outside of Filomena’s house. Frantic Sicilian shouting mingled with rapid pounding on the front door startled you into dropping your fork. Filomena and Gianni shared a worried glance before both getting up from the table to answer. 

Wailing. 

Screaming. 

Arguing. 

All you found yourself able to do was sit in confused silence. When they returned to the kitchen with a few other locals, panic truly set in.

“You have to leave!” Filomena cried, pulling you out of your seat by your arm.

“What’s going on?” you asked.

“Your father’s a fool–”

Gianni shook his head. “A dead fool–”

“Your father should have never brought you here if he were going to try to cheat Don Manusco!” an older woman said.

Another cursed. “Selfish bastard!” 

“Go! As far from here as you can!” Filomena implored.

A hard push toward the back door was the extent of the help you’d receive from the villagers of Corleone. 

Blood pounded in your ears, your heart beating in time with your feet against the uneven dirt path that nearly tripped you up in your desperate rush to the rental home. You opened the door, scrambling upstairs in a frantic half-crawl to reach your room.

You shoved clothes and essentials into a bag, hardly paying attention to what exactly you were packing, just knowing you couldn’t flee empty-handed and hope to rely on the goodwill of strangers. 

In the kitchen, you grabbed what you could from the pantry and shoved everything into a wicker basket. With just that and your suitcase in hand, you clumsily ran across the uneven countryside roads, hoping to find somewhere to take shelter for the night. Every rustle of leaves and animal cry sent chills across your skin. Just when you felt hopeless for a place to hide, you saw the abandoned villa's high walls, overgrown with vines and bramble in the distance. Superstition be damned, it was better than dying at the hands of a mafioso.

The iron gate was closed, but not locked. You held your breath as you opened it, sending out silent thanks to the universe that it didn’t release some otherworldly screech and announce your presence. Hardly visible in the dead of night, the villa peeked out from beneath the plants that had overtaken it. Even from a distance, it appeared as if the building were hollowed out somehow. It remained your best bet. 

Superstition offered you refuge, as masculine voices drifted above the villa’s high walls, the structure still sturdy despite the general state of disrepair.

“Should we go in?”

“You sound as much of a fool as that old man. That place is cursed. Even if she were in there, she'd be dead anyway.”

Their heavy, rushed footsteps against the rocky terrain fell silent after a few moments. You sighed in relief, allowing yourself to relax just the slightest bit. Until you glanced back at the villa again, a new sense of dread making your stomach turn at the prospect of having to go inside the place. While you didn’t believe all of the rumors you’d been told over the previous few weeks, being in its presence unsettled you.

Then again, feeling unsettled in an abandoned villa was preferable to whatever would happen if Don Manusco’s men got his hands on you.

After a moment of hesitation, you approached the shadowy building, hoping your luck wouldn’t run out when you got inside. 

To your surprise, the interior wasn’t as poorly maintained as the exterior. The furniture betrayed the wealth of whoever lived there previously, though they’d seen better days. Dark wood scuffed or splintered. Dull fabrics that must have been rich violets or crimson upon their initial purchase. 

You walked into the living room, freezing upon seeing lit candles around. Someone was living there after all. 

“Hello? Is anyone–” you gasped upon seeing a man standing on the other side of the living room, partially obscured by shadows.

Even in the cover of darkness, his features rendered you speechless as he approached. Handsome seemed too pedestrian of a word to describe him. His raven hair fell across his forehead with a deceptive boyishness. Brown eyes, almost black as the night itself bore into your own. His skin wasn’t nearly as tan as the villagers you’d met, but you supposed someone who lived in such a place was wealthy enough to not have to partake in the grueling manual labor typical of the area, the strong Sicilian sun giving its residents a healthy glow which he lacked. 

“What are you doing here?” he asked quietly.

“The men who were outside before—I think they’re going to kill me,” you said, panic overtaking your senses as his face remained unmoved by your explanation. “Please, I didn’t know anyone lived here.”

“Why do they want to kill you?”

“I think my father tried to cheat Don Manusco. I don’t know all of the details, but if they don’t want to kill me, then they’ll probably—“ Your voice caught in your throat. 

“You can stay.”

“I’ll leave tomorrow and find a way to get back to Palermo.”

He shook his head. “You have a vendetta out against you now. Getting back to Palermo so soon will be nearly impossible, especially if Manusco has allies there.” He watched in unreadable silence as hopelessness ate away at your resolve. “You can stay,” he finally repeated. “Don’t leave the villa. Not during the day, and especially not at night. You’ll be safe.”

“Thank you. I owe you my life.” You offered him your name, as a courtesy and as collateral. More valuable than anything else you carried with you, he could use it to betray you for his own gain whenever he wished. You prayed it wouldn’t come to that.

“Michael Corleone,” he said.

“Like the village.”

He smiled the slightest bit, his dark eyes shining an almost betraying crimson in the moonlight. Ethereal. That was the right word for him. “Yes, like the village.”

Your host led you upstairs, helping you with your meager belongings despite your insistence you could handle your small suitcase and a basket of food, which you left on the console table in the foyer. The villa had certainly seen better days, its plaster walls cracked, crumbling in some places. You would’ve used caution going up the stairs if Michael hadn’t been so confident as he ascended them. 

He paused at the top of the stairs, glancing at each of the doors along the hallway. After a few moments, he seemed to settle on one, leading you to a dark bedroom, full of odd shadows that made you pause. It seemed otherwise better taken care of than the rest of the villa you’d seen up to that point.  

“It’s just me here. I’m afraid I’m not the best homemaker,” he half-joked in response to your hesitation to enter the room. 

“No, I’m sorry. It’s nice. I can’t thank you enough, Michael.”

He nodded. “I have insomnia, so you’ll see more of me at night than during the day. The cellar stays locked, but you can have the run of the place otherwise.”

You bid each other good night. 

When he shut the bedroom door behind you, you collapsed onto the bed and cried into your pillow, both from heartbreak and exhaustion, until you fell asleep. 

The following morning, you awoke to fresh bug bites on your arm–inflamed and itchy, though perfectly in line with each other, oddly enough. Beggars couldn’t be choosers, and you supposed you’d rather deal with mosquito bites than whatever Don Manusco and his soldiers had in mind for you. 

True to his word, Michael was nowhere to be found when you went downstairs to eat a breakfast of bread and hard salami. Again, not ideal, but you’d make do with what you brought with you. For the rest of the day, you explored the villa, acquainting yourself with your new albeit temporary home.

You found yourself with little to do to pass the time. Venturing out onto the surrounding grounds of the villa was hardly an option, most of it so overgrown you couldn’t take a proper walk. There were a few books in the house, but often you found your mind drifting to your parents, what their fate looked like and what could await you if Don Manusco found out where you were hiding. By the time you’d finally see Michael around in the evenings, you’d force yourself to stay up as long as you could to be in his company. Soon, your schedule nearly matched his nocturnal one.

Over the following weeks, you got to know Michael. At times, you couldn’t help but stare at him, but sometimes it felt as though you couldn’t do much else if you tried. He was a gracious host for how you imposed on him, showing concern for the bug bites you tried to hide from him. A good thing he noticed, as he brought you a cup of tea, a deep maroon color that he explained was a natural remedy from the village for the discomfort you were experiencing. A common occurrence that you’d been fortunate enough to avoid since arriving in Corleone.

“You’re not from around here either,” you said one night. “I can tell from your accent.”

“I’m from New York, but my father was born here,” he explained. “My last name is a mistake from when he immigrated.”

“Do you miss it?”

He was silent for some time, lost in thought before answering with a soft, “Terribly.”

“But you can’t go back.”

“No, I’m very sick. I wouldn’t survive the trip.”

“I’m sorry,” you said, your curiosity getting the better of you when you asked, “What do you have?”

“What I have is incredibly rare, there’s no word for it. Sunlight puts me in excruciating pain, and my appetite is abnormal.”

“How long have you been sick for?”

“Years. More than you’d believe.”

“You know, everyone in the village thinks this place is cursed. If you just talked to them, then they’d understand what was going on and maybe be able to help.”

“I can’t be around people. It’s not safe for them.”

“I don’t understand,” you said. “Are you contagious?”

He hesitated. “Not how you’d think.”

“No matter what you have, it’s not good to be alone,” you argued.

“You’re here now.”

“Only until it’s safe for me to go to Palermo and leave Sicily.”

He shook his head. “You won’t be able to leave. Not when a man like Don Manusco has a vendetta out against you,” he said, his intense gaze boring into you. Your chest grew tighter as he spoke. “This villa is the only place you’ll ever be safe.”

“Michael, you’re scaring me.”

“I’m sorry, sweetheart. I just know what he did to your parents…he and men like him have done to many others on this island, too.” Your silence perturbed him. He grabbed your shoulders, squeezing them gently, though his eyes seemed to blaze with fury. “I’m keeping you safe here, aren’t I?”

“Yes,” you whispered, your voice nearly catching in your throat.

“Then what’s there to be afraid of?��

“Nothing.”

“That’s right, as long as you stay here.”

“I can’t stay forever.”

He hummed dismissively, not bothering to acknowledge your statement. You soon excused yourself to go to sleep, a sudden uneasiness settling in your stomach.

You awoke late into the afternoon the following day, judging by the amber sunlight that streamed through the broken shutters. Still, your limbs felt heavy, and your head pounded as if you’d hardly slept at all. A quick glance at your arm revealed twin bug bites on your wrist again, this time darker than the previous ones, leaving your skin tender to the touch. 

Dizziness turned the room over when you sat up from the bed, and you nearly considered going back to sleep, if it weren’t for the hunger that ached in your bones. 

You ventured down into the kitchen, relieved to find a pot of tea sitting out. You didn’t even bother reheating it, though the consistency was odd, thicker in its room temperature state. The texture didn’t deter you, as the more you drank, the better you felt, your dizziness and aches gone as the tea overflowed from the corners of your mouth and dripped down your chin, insatiable until there was nothing left. Wiping off your face, you went back up to your room and fell back asleep.

A knock on the door woke you up in the pitch black some hours later. You lit the candle on your bedside table before getting up to answer. You knew it was Michael, concerned about why you hadn’t joined him yet. 

Just as you got up to answer, he opened the door, letting himself into your room–except it wasn’t your room. It was his, and you supposed he could enter whenever he wanted. 

Frozen in place by his gaze alone, you stood still and silent as he approached, demeanor darker and more intense as his presence filled the room, as if his essence somehow intermixed with each breath you took. A citrusy sweetness with a bloodcurdling undercurrent of violence filled your lungs. Despite this, you felt no fear, but rather anticipation when he finally reached out and caressed your cheek, his hand freezing against your warm skin.

“Michael,” you whispered.

“Don’t fight me, sweetheart.”

And you couldn’t. Not even if you tried. His eyes took in your face with a softness that betrayed his fondness for you. His lips pressed against yours, a chaste kiss to start, but it proved to be insufficient for him, as he claimed your mouth with the fervor of a man long starved for affection. His desire for you tangible as you kissed him back, allowing his hands to roam your body above your nightgown until his fingers brushed your thighs, pushing the hem up to your hips. 

He laid you back on the bed, ridding you of your panties and slipping his fingers between your folds. “Tell me how it feels,” he said, his lips against your skin. “Tell me everything.”

Before then, you would have died rather than admit it to him, but at his urging, the dam broke. Of course your thoughts of him weren’t always innocent. Some nights, when you were sure he was elsewhere, you touched yourself to the thought of him. The confession slipped from your mouth so quickly that shame couldn’t catch you, not when Michael pushed his fingers inside you, the heel of his palm rubbing against your clit, denying you any sensation but absolute pleasure. 

“I’ve wanted you since I first saw you,” he whispered, pressing desperate kisses into your neck. “You have no idea how hard it’s been for me not to–”

Your whine interrupted his train of thought, and a knife-sharp pain jolted through you when he sunk his teeth into your throat, breaking the fragile skin. His fingers curled inside you, a moan clawing its way out of you as you came, ecstasy pulsing through your limbs in waves that threatened to drown you in it. Spots clouded your vision and breath evaded you, the poignant scent of copper mixed with your sex made your head spin. 

“Michael, I–” You passed out, though you awoke later, curled up next to him, your body sore and more fatigued than ever. You winced when you tried to move your head, a dull ache coming from your neck. “What did you do?” you mumbled.

“Sweetheart?”

“To my neck.”

“I’m sorry,” he said, petting your hair. “I got carried away. I haven’t felt this way in a long time.”

“Me either,” you admitted. 

He smiled, pressing a kiss to the crown of your head. From then on, he was ravenous, and like a woman possessed, you gave in to him every time. Nights with him blurred together as thoughts of escaping Sicily and the danger that waited for you outside of the villa walls were almost nonexistent. 

Some time later, though you’d largely stopped keeping track of the days by then, you realized your food supply was running low. Michael would go out at night and get some for you if you asked, though he never revealed where exactly he went. Still unsure of your safety from Don Manusco, you figured the farm up the road would be a good place to swipe some fruit from the orchard and anything else they might have lying around and not exactly miss.

The sun felt especially harsh when you went outside. Each step brought about unimaginable fatigue that made your bones ache. You hardly made it halfway to the farm before you had to rest beneath a large tree’s shade to rest your tired limbs and eyes. 

“Excuse me, miss? Are you okay?” 

You jolted awake, surrounded by a handful of elderly villagers from around the countryside. You recognized at least one of the older women as one of your old cafe companions in Corleone.

“I’m fine.”

The woman in question squinted at you. “Where do I know you from?”

“We’ve never met before,” you said, voice tight with panic. “I have to go. Goodbye.” You forced yourself up, using what little strength you had to return to the villa, ignoring their calls for you to wait. Exhaustion swept over you by the time you made it inside, promptly collapsing in the foyer. They had recognized you, and surely they had seen you retreat into the villa and were on their way to let Don Manusco know of your whereabouts. They’d be foolish not to with the price on your head.

Michael was nowhere to be found, and you worried that by the time you finally saw him that night, it’d be too late to tell him what transpired. Tears rolled down your cheeks as fear and guilt crept up on you. Your carelessness had put Michael in danger, too.

With no way of knowing how long it’d be until word got back to Manusco, you considered the layout of the villa, which you knew like the back of your hand, and the best place to hide if he or his men intruded in search of you.

In hindsight, the kitchen cupboard was a more obvious choice for a hiding spot, but it was the most your fatigued brain could come up with while you were panicked. 

Your instincts had been right, though. The inevitable intrusion did come.

The voices that echoed through the foyer were the same ones from the night you first arrived in the villa. You kept a hand over your mouth, the other with an iron grip around the kitchen knife. 

“Come on, Don Manusco isn’t angry with you. He just wants to talk,” one of the men called out.

“It’s a misunderstanding,” the other added. “He knows you didn’t have anything to do with your father’s schemes.”

You couldn’t take a chance on whether or not they were telling the truth. 

Footsteps approached, growing louder with each passing second. You readied yourself for attack, until you heard a blood-curdling scream rip through the night and you dropped the knife in shock. 

With all of the foolishness of your father, you opened the cupboard door. Blood pooled around the man’s head, a look of terror etched into his face, betraying his final thoughts. Your gaze lifted, and you stumbled backward, unable to comprehend the gruesome sight before you. If you hadn’t been watching Michael with your own eyes, you would have assumed an animal attack was responsible for the carnage at your feet. What more, after the initial shock wore off, an almost physical pull drew you to the spilled blood.

The villagers had been right. It wasn’t mere superstition, but reality, one more horrific than any of them could have fathomed. The unexplained murders, the livestock deaths, all by his hand. His illness a fabrication to conceal the true nature of his being, something unnatural that existed in the worlds between life and death with a hunger to match. He’d been feeding from you for weeks, allowing you to carry on believing lies. Of course you felt awful, constantly fatigued. You could only hazard a guess as to what was really in the tea you’d been drinking like a fiend.

You wished you could scream at yourself for your naivete, as if he’d help you out of the kindness of his heart and not expect something in return. Your willful ignorance of his odd behavior in exchange for refuge in the one place where you’d be safe from who you thought were the only men who wanted to harm you. But he saved you from Don Manusco and his men. He kept you alive. He could gain little from drawing out your death for so long. Unless…your eyes widened, and you looked at him in horror.

Michael spoke your name softly. “Do you understand now?”

“You–You’ve been making me like you.”

“I should have done it sooner. It’s the best way to keep you safe.”

“Why didn’t you tell me?”

“Would you have believed me?”

“I guess not.”

He cupped your face in his hands, “Things won’t be that different. We’ll be together. No one will be able to hurt you.” 

“How–How much longer until I’m–”

“As soon as tonight, if you’ll let me.” Sensing your hesitation, he pressed a bloody kiss to your forehead. “There’s nothing to be afraid of. You trust me, don’t you?”

“Yes,” you whispered, overwhelmed by the urge to trust him, to commit to an eternity of all-consuming, reclusive violence with him. “I want to be with you. I want to be like you.”

His hands drifted down to your neck, his fingers digging into your pulse as he leaned in, his teeth grazing the half-healed wound he’d inflicted all those nights before. “I knew you’d make the right choice.”

[apoloadonisandnarcissus]

As a Art History and Heritage researcher, I have to say “Nosferatu” (2024) geniality cannot be underestimated. This is an absolute historic triumph. Robert Eggers recreated the early 19th century setting, way of thinking and behaving, so masterfully, he actually convinced the general audience into believing the Victorian characters are the “good guys” here, and the Eastern European Pagan shaman-priest is the villain of the story, and that his protagonist Ellen is a passive victim at his hands. And now many are starting to realize that’s not the case and are throwing a fit or making weird mental gymnastics to validate their incorrect interpretations.

This isn’t surprising because this tale has years on the making, and it’s an entirely new story under a familiar make-up. Academics and researchers helped shape this story (History and Romanian folklore; Eggers is an occult scholar himself but he only talked about it publicly once); Academic thesis were used to create the script and the world building (“Dracula” literacy analysis; Şolomonari connection to Zalmoxis worship); a dead language was reconstructed for this (fictional but very well-researched alongside linguistics specialized on Balkan extinct languages); two different types of English are spoken (late 16th century and 19th century). The historical accuracy of everything is on point: Romanian Folklore, Victorian sexuality views, Victorian medicine, demonization of Pagan beliefs by Christianity, 19th century racist theories; the threat of female sexuality as a contagious disease (Ellen), etc. If this wasn’t horror I would even recommend this film as a study tool to understand the early 19th century.

The comprehension of these references and themes are way out of your league. Many of these are academic-level knowledge; others should be general knowledge (Victorian era as sexually repressed) but apparently aren’t(?) Either way, the entire “discourse” around this film comes from the general audience lack of historical knowledge and ignorance about these themes and references. I’m an academic myself, and I had to breakdown the entire story to see what this is actually about. Some of you watched this film once and already think you know? When you can’t even interpret one scene from this film correctly, and think Orlok appeared to Ellen when she was a little kid or that Ellen’s father abused her?? The prologue and her scene with Von Franz contradicts both these “interpretations”. Most of you don’t even realize it was Ellen who cursed Orlok to be a strigoi, to begin with (or probably don’t know what a “strigoi” is).

The cast and crew already explained what this film is about in interviews, but there appears to be a weird rejection of everything the creators of this story have to say. But Robert Eggers probably isn’t concerned because he didn’t make this film for you. The way modern audiences digest Art is extremely bizarre to me. This is not how interpretation of Art works, and I tell you this as someone who interprets Art in its historical context for a living. This is my job. And this is a director obsessed with historical accuracy and with a strict artistic view. There are no “multiple opposite interpretations” here. Because he’s using specific academic thesis to create his story. On a personal level you can see whatever you want to see, but if your intention is to understand this story know you are incorrect. And the majority of the “breakdowns” and “interpretations” out there are incorrect and the only world I can use to describe them is “bullshit”. Because these content creators and influencers have no idea of what they are talking about. But the Internet gave them the illusion they do, and they are very proud in displaying their ignorance to the world. Or those who are going around making jokes about “wanting to bounce on Orlok crazy style”. Your anti-intellectualism gives me second-hand embarrassment. This is the peak definition of functional illiteracy, and what’s worse is that the folks who want to know will come across this content and think “yeah, that’s what’s this film is about”.

This entire story a huge middle finger to Christian Victorian society. This a celebration and vengeance of Paganism on Christian civilization, embodied in both Orlok and Ellen characters. Robert Eggers called Ellen the only heroic character of his story; and Ellen and Orlok share the same spirit, the same nature (one Ellen rejects until she embraces it, at the end). They are the true heroes here. The Pagan priestess and the Pagan priest-shaman bringing death and plague upon the Christian civilization that demonized them using their Sex Magick, and end it with Sex Magick too, to give birth to the New Age of Aquarius (which was already the occult meaning of the 1922 “Nosferatu” ending, Eggers included the divine feminine instead of the “virgin sacrifice”). That’s why Eggers describes his ending as a “sacred marriage” between Ellen and Orlok: their sexual encounters are ritualistic, and always have been, and it’s Ellen sexual energy that conjures Orlok, every time: she’s the one who calls out to him, always. She has full agency over their connection (and Herr Knock ritual scene should tell you this; Ellen ending their connection when she met Thomas, and sending the maiden token to reconnect).

Everything that happens in this story is according to Ellen’s will. She has Orlok where she wants him to be; and, yes, she plays both Thomas and Orlok, and weaponizes them against each other (“Wuthering Heights” inspiration, hello?). Because she’s a dark character (like every Gothic horror protagonist), and her innocence and naivety are a front she puts on for Victorian society, her true self is only shown in some occasions because this story gives you several POVs. And that’s why Lily-Rose Depp tells us Ellen is “not a victim at all” because “she’s the one calling the shots the entire time”. She’s like Catherine; she wants to fuck around with Heathcliff/Orlok, while being married to the respectable Edgar/Thomas. But here it’s Orlok that’s not having any of it. I would even say the only victimized character here is Thomas himself, who gets caught up in the middle of something he doesn’t know nor understands and gets his entire life wrecked as a result (like Edgar Linton).

This whole story is about Ellen liberating herself from Victorian society, taking ownership of her own sexuality (one that according to Victorian era belongs to her husband) and embracing her nature, as she fully accepts Orlok at the end. She’s as evil and as good as he is. It’s not that hard to understand.

[brotherwtf]

How about Gale overhearing John talking about him to someone? (with positive outcome)

oooo now this is a very interesting prompt, thanks anon!!

decided to basically mash up all of my fave clegan scenes into one big rainbow scene, I hope you guys enjoy :))

----

John often ran his mouth, both sober and with a drink in him, but the stories always seemed to flow more with the flow of liquor into his system. Always bragging, always galavanting about someone or something to any ear that would listen, especially if it was about his favorite subject, Gale Cleven.

Exaggerating stories until the Major seemed more myth than man, talking to anyone who would listen about all of their escapades, good and bad.

And John would do it no matter if the man himself was there or not, and often did it despite Gale's best wishes.

But even now, as Gale sits on the edge of the dance floor, he can hear John's loud and unabashed laugh as he starts to weave another tale for the poor dames he has coerced. Gale noticed the slightly tense smiles of a woman who was originally only interested in getting beneath John's uniform now being blathered at by a Major far drunker than she expected.

"Nah but my buddy, Buck, here, he don't like sports. Not team sports anyway, likes boxing, 'test of manhood' or whatever the fuck that means," John says, eyes lazy as he points jovially back at Gale, recalling the night Curt lay an RAF pilot on the ground with a singular jab. Gale couldn't help but smile at the memory.

"Was gonna slug that RAF pilot himself the nasty fucker. Ah, he had it coming, don't you worry girls. Buck woulda knocked him straight on his British ass I just know it, there's nothing our Buck can't do, can probably take on the whole Luftwaffe by himself, all engines feathered. Hey, Buck!" John says, turning back towards Gale with loose limbs and gesturing for him to stand next to him.

Usually, Gale would be content to sit on the sidelines and watch John act a fool, but John was gesturing so heavily that it felt like he had a string attached to Gale's chest, pulling him over with just a beckon. Even when Gale puts himself right in the crook of John's body, right where he seemed to fit, John so easily puts his arm around Gale's shoulder.

"Tell em, No-Engine Cleven, nah I'll tell em, he's the best damn pilot in the 100th, hell, maybe even the whole air force, my Buck here is just too good, I wish I could fly half as good as him," John says, leaning his weight into Gale's, leaning so that his face is dangerously close to his.

Gale feels warmth bloom in his stomach but he just lets himself roll his eyes, wrapping a stabilizing arm around John's waist to prevent him from toppling over, giving the women a friendly yet tight smile.

"Easy there, Major, now I think it's best we turn in for the night. It was lovely meeting you ladies," Gale says, keeping his voice clipped and polite despite hearing the girls murmurs of how drunk John seemed to be.

The cool of the English night hits Gale's hot cheeks as soon as he drags John out of the officers club, hiding his tight smile into the night.

"Don't gotta go bragging on me, Bucky, I can hail my own victories," Gale says, breath misting in the air.

John smiles at him, swaying dangerously into Gale as they walk clumsily back to the barracks.

"It's all true, my love, someone's gotta say it and it might as well be me," John says, planting a wet smacking kiss to Gale's cheek.

Gale really should be more careful, but he seems to be getting drunk just on John's warmth and turns his head to press a careful kiss to John's lips, one that's far too slow for John's liking.

"It's my pleasure, Gale, you're my favorite thing to talk about," John says, a rogue hand coming up to squeeze Gale's cheeks and bring him in for another kiss, not being able to help the smile that spreads across both of their faces.