#takes place DECADES before canon

[totaldramafan-lauri]

Make Use Of Me (chapter 1, preview)

Dec. 7 EDIT: ONCE MORE, WITH BRAVERY THIS TIME. No more chickening out. You can read this thing FOR REAL now. Sorry for being weird, and now....sorry if this wasn't worth it. XD

O-OK...here goes....

First thing's first: I am not expecting a lotta people to read this. I'm not asking people to read this. At this point, I'm making this mostly as a passion project, and if anyone enjoys it, it'll be a really cool bonus. My writing style isn't gonna be for everyone, and the characters I write aren't the most....popular characters in the CRK X Reader community, and I imagine this isn't really something a lotta fans'll be demanding more of.

This is LONG. This one chapter is 56 pages long. I am a VERY wordy writer,

So......why'm I posting this preview? Well....partially as an interest gauge for people who WOULD wanna read it, but...mostly as a motivator. As something to remind myself of whenever I get lazy. After all....I can't quit after I made the first chapter public, right? By doing that, I put myself out there...And, hey, I even tagged it, so, if by the off chance, someone did read it, I'm basically promising them more eventually.....

But, again, I'm not forcing anyone to read this.

Not only is it long, but.....This first chapter is probably my least-favorite thing I've ever written. By posting this chapter by itself, I'm testing to see if it does its job of making people wanna read the rest, cuz....right now, I'm not so sure how well it succeeds at that.....

This is the boring part of the story. It's a bunch of setup, and me jumping through hoop after hoop after hoop to just get everything started. I know setup is important and all, but....I'm already a very wordy writer, so....oof....There is some interesting stuff that happens, but it takes a while to get there.

I-I....kinda hate it, actually. The only reason I didn't scrap it is that I didn't realize I hated it until I was about halfway through it and the "good part" hadn't started yet. And I still spent a month writing the thing, so....I finished it.

I'm tagging this...as an experiment. If you wanna read this, go ahead. W-well, read my tags first, THEN go ahead. XD

All I can really say in this chapter's defense is that....I do try my best to salvage it. It's just setup, but I TRIED to make it interesting. And everything that seems like it didn't go anywhere, will later. This isn't the whole story, it's just the beginning of what's gonna be a BIG story. Anything that seems weird in this chapter, gets explored in the other chapters. This does set up a bunch of stuff that becomes important later (The friend character shows up later, the Colosseum becomes relevant later). This chapter is boring, but I tried not to make any of it pointless.

For the future: I'm aiming for five chapters. Chapters 2 and 3 will be a series of smaller vignettes that take place over the course of a few years, chapter 4 will be the climax, and chapter 5 will be something of an epilogue. After that, there will be two endings to choose from (which will make sense when we get there).

This probably won't be my favorite thing I've ever written, but it will be the most ambitious thing I've ever, and probably will ever, write. I haven't written something like this before, and it's all to flesh out this story and make it believable.

Right now, I.....I want to finish this. I'll probably still be writing this in February at the rate I'm going, but...at this point, I've put too much into it to give up on it. However, I'm STILL not completely ruling out the idea of my motivation dying before then. It COULD happen. So, what I'm planning to do is...setting a short-term goal of finishing chapter 3. After I do that, I'll post the first three chapters on AO3 together, and work on the rest. That way, even if I don't finish it, I'll at least have it over half done, and chapter 3 will end on a somewhat high note.

So, yyyyeah....Not a lotta people will read this preview. Overly wordy writing style + boring setup part of story + 56 pages long + assumed lack of interest for X Readers of this character (At least, I haven't SEEN many simps for her, m-maybe I'm wrong, I might be, I-I haven't checked any tags cuz I've been nervous, b-but it doesn't make my writing any better. In that case, this is my first time writing her so I'm trying super hard to do her justice >//////<)

I-if you wanna read this, and see if this first chapter does a good job of making you wanna read the better chapters, then...Go ahead.....

Some notes:

-This is still not the final draft. It's finalized enough for me to share, but I'm still not considering it finished. Even tho I'm working on chapter 3 right now, I STILL go back and edit this, even very recently. So, chances are, even if the story is finalized, small details and sentences are still subject to change. I know for a fact that there are still SOME placeholder bits in here that will change after I get some stuff cleared up. Recently, I even considered chopping off an entire section to make it shorter. I decided not to, but hey, it could still happen. I don't wanna waste anyone's time. The first chapter of a story, even if it's boring, is still very important, and I wanna make sure it's the best version of itself.

(A-and yes, this means that I've finished chapter 2 as well. The reason I'm not sharing it is that, unlike chapter 1, it was finished VERY recently, so I might still need to give myself time to edit it. From what I have, tho, I do like it a LOT more than chapter 1. There are some parts of chapter 2 that I'm legit proud of.)

-Even tho this first chapter is completely clean, I-I should mention that....this fic is for adults. The full version, at least. Chapters 3 and 4 are gonna contain some light N/S/F/W moments (the "fade to black" variety, so nothing explicit) and there'll be other slightly racey comments here and there. Just a heads-up. I'm gonna be uncomfy with minors reading this.

Th-that's all? I-I think that's all.......O-OK, so......h-here goes..... E-enjoy....

[saetoru]

✩ ‧₊˚ ✩ my life with you (that’s way over now)

synopsis. some people get drunk calls from their exes, maybe even flowers with hand written apologies. you get a knock on your front door with two random kids and a murder case

length. 3.0k words (once more it was supposed to be short)

contents. exes to lovers, ex boyfriend! suguru, gn! reader, slightly deviated from canon (he doesn’t kill the entire village + doesn’t defect), slightly a fix-it fic, blood, murder, child abuse + neglect (canon events with suguru and the twins), angst to slight fluff with hopeful ending (pretty much happy tbh), mentions of family + kids, suguru pretty much being a broke and depressed lil guy lollll

notes. idk what this is but it was written for me i just wanted to write it so here. take it and look away

right before you graduate, you and suguru break up. you don’t want to, but he insists it’s only fair—he can hardly be there for you the way you need him to be, he says. something’s changed in him, it has since that day last year. but still—you don’t want to break up.

so you argue, he stays firm, you cry, he doesn’t change his mind, you break up, he leaves, and the world momentarily collapses.

it’s the way things work, you suppose. they don’t quite always go the way you planned. you graduate not long after that, leaving him behind to throw yourself into work while you toe into the baby steps of adulthood. real adulthood—the jujutsu world has a way of thrusting you into that faster than normal, anyway.

by the time it’s late summer, you get your first apartment. it’s a rundown place—the bathroom tiles look dirty no matter how much you scrub, the walls haven’t been repainted in what seems like decades, and the thermostat never works properly to feel like what the temperature indicates.

but it’s yours—you leave jujutsu high fresh into the real world, paying your taxes and buying your groceries all while you exorcise curses for a living. barely an adult, barely getting by, barely alive as you get up each day and live.

and then suguru comes knocking on your door half past midnight.

“hey,” he says nonchalantly, like there’s nothing wrong with standing there—but you know him better than that. you can hear that detachment in his voice as he stares between your eyes, but not quite in them.

“you—” you start, staring at him incredulously before you decide to give up. there are no surprises with suguru, not anymore you suppose. you don’t really know him anymore. “suguru, it’s midnight,” you sigh—and that’s when you see them: two small children that can’t be much older than five.

bruises are clear as day on their arms, even while standing in the darkness outside. there’s also the slight swollen curve of their eyes, and you can’t help but notice how they’re practically skin and bone. children who have probably not yet even lived for five winters, and you almost wonder if they’ve been through more than you have in you’re entire lifetime.

suguru clears his throat before you can stare at them any longer.

“this is nanako,” he gestures at the blonde, “and this is mimiko.” the brunette one seems more shy, curls behind his leg further as her name is uttered.

you don’t know what to say, so you settle for smiling—you’re not sure if it comes out too genuine, but you try. it’s all you can offer, really.

“hello,” you hum for a moment. and then you turn back to suguru, “it’s midnight.”

“i know.”

“you should be at school grounds.”

“i know.”

“suguru,” you sigh, eyeing the blood stained on his cheek. you don’t like where this is heading. there’s a sick feeling twisting in your gut, bubbling, bubbling, bubbling.

bile. you can taste it. something’s not right.

“where did you find these kids?”

“on a mission,” he says simply, “village heads were keepin’ em locked in a cage like animals. can you believe it?”

again, that casual tone. it almost as easy as humming your favorite tune, as smooth as your skin on freshly washed sheets, as quiet as the first day of snow when the world is still. but something about it is hollow—something’s not right.

“why’d you bring them here? instead of school? shoko should look at them—”

“i told them they’d be safe here.”

they’d be safe anywhere, you think. as long as suguru’s there too. as long they’re under his watchful gaze, nothing could hope to beat down on their youth like it already has their whole lives. but you don’t say that—something tells you he won’t believe you.

maybe not right now.

you don’t look at him. you can’t. something’s not right, but there are children present. so you throw on your best smile and open the door wider, offering them to come in.

your apartment is small, just one bedroom and one bath. there’s hardly enough food for yourself for tonight, you still have to go grocery shopping this week. the missions were lined up back to back to back—but that’s just life as a sorcerer, you suppose. most days you hardly have the energy to eat more than a few apple slices when you return home anyway.

you wave your hand at your place dramatically as you say, “come on in, ladies. your humble abode awaits.”

they giggle slightly at that—it’s the first time suguru hears them laugh. you have that effect, he knew you would. it’s why he brings them here and not there. and…well, there’s a more complicated issue at hand. but that’s for later.

right now…well, for right now, he lets you guide them to the bathroom.

“you have money on you right?” you ask. he blinks, staring at you for a moment before slowly shaking his head.

“spent the last of it on cigarettes this morning.”

great, you think, before sighing and trudging over to grab your wallet as you press a few crisp bills of cash in his hands.

“here.”

“what’s this for?” he raises a brow.

“go buy them clothes,” you look at him like he’s stupid. he might be, in all honesty. just a little. “i’m not putting them back in…those once they’re all cleaned.”

“wha—i’ve never shopped for children before,” he gapes, “and i don’t know what size they are, or—”

“figure it out, suguru,” you say tiredly. it’s half past midnight—by now, you’d be passed out from your mission. he seems to take the hint. “and bring some snacks too. should be enough.”

“fine,” he grumbles—and then he’s walking out the door.

for a second, it feels familiar watching him leave. but then you decide not to dwell on it—there are much more important matters at hand.

you turn to the two girls before crouching in front of them with a gentle smile, “who’s ready for bubbles?”

——————

nanako and mimiko have never had a bubble bath before. you decide to let them taste the first tendrils of youth by splashing in your tiny bathtub while you find suguru for some much needed answers.

he sits on your couch, shirt wrinkled and hair falling loose and blood still staining his cheek as he hunches over his legs, elbows resting on his thighs as he thinks. and thinks. and thinks and thinks and thinks.

you wonder about what—what could be plaguing his mind? a lot you’re sure, but this isn’t suguru. not the one you know, at least.

the one you knew, the voice in your mind hisses—do you really even know him at all anymore?

“so,” you sit on the opposite side of the sofa, curling your legs under yourself as you eye him from the side, “care to explain?”

“i killed them,” he mutters. you go still. “the village heads. i did it without hesitating. that’s bad, right?”

“well fuck, suguru,” you breathe, restless, “that’s certainly not good.”

“i had a reason,” he argues, “all i needed was one.”

“there’s nothing that excuses murder—”

“oh, but we can excuse locking kids in cages, is that right? why? cause they’re sorcerers? they’re not—they’re children.”

“i didn’t say that,” you rub your forehead. this is all too much. too, too much.

being a sorcerer is too much. being in front of suguru is too much.

you finish your third year with a broken heart and graduate in spring—at one point you’d hoped graduating wouldn’t change anything between you and your friends, between you and the boy you loved. everything would be the same, even if you’d leave the place that held you all together—you’d still find a way back to each other, you liked to think. but then it all changes before you can even comprehend.

haibara is dead. nanami is hardly coping. gojo is everywhere but here. shoko is in high demand. suguru is hardly present even when he’s right in front of you. nothing is the same and you don’t think it ever will be. you lose the one thing you count on being yours forever, and now, he’s right here again. but not really here—not with you so much as near you.

suguru has killed people, sitting on your couch with you while the two children he finds are bathing happily in your bathtub.

there’s some irony in that—maybe in a perfect world, suguru and you would sit on the couch, much happier than right now, though. maybe you’d be tucked under his arm and curled into his side as you both chuckle at the happy squeals in the distance. maybe in a perfect world.

but this world is cruel. too cruel, in fact. it forces children to grow up too fast during some times and lets adults continue to be children during others. it’s sickening and all too much.

but this is the world you live in. there’s not much to change in that—not much you can change. maybe sitting on the couch with suguru is what you should be grateful for, whether it’s in this world or another.

“i came here because it’s safe,” he mumbles, quieter this time, “i don’t…i didn’t trust anywhere else.”

something tells you he’s not talking about the kids. you look at him for the first time that night—really look at him. you take in the lost weight, the sunken cheekbones and the bruised under eyes from the lack of sleep. the cracked lips from being chapped and the dry hair that’s lost its normal shine.

something’s not right—you won’t be able to mend it, but you think you can keep it from getting worse.

“it is safe here,” you murmur, nodding in assurance, “but you can’t…i can’t let you do that. not again.”

“what? kill people?” he snorts in dry amusement. it’s quiet for a bit—you open your mouth a few times like you want to say something, but nothing ever comes. he finally decides to fill the silence. “i don’t know what’s right and what’s wrong anymore. people shouldn’t kill. but some people shouldn’t live.”

“i think jujutsu is supposed to save people. not everyone will deserve it, but i suppose we wouldn’t be much better than them if we used it for anything other than that,” you whisper. he looks over at you at that, peers at you deep in thought as he contemplates your words.

“that’s funny,” he chuckles, “i used to think that too.”

“what changed?”

“everything.”

“then change it some more,” you shrug, “until you think it again.” he looks at you incredulously at that, eyeing you like you’re crazy.

“you’re an idiot,” he scoffs.

“says the killer,” you scoff back. you look at him this time, in the eyes and full of conviction, full of promises you couldn’t make before but fully intend to keep now. “don’t kill anyone else and i’ll help you. with those kids, i mean.”

“you want to co parent with me?” he chuckles.

co parent—the word makes your stomach twist. even after all this time, after all the hurt and pain, suguru is easy to imagine that with. he’s easy to imagine anything in the future with, really. he’s always been perfect like that, but you’re starting to realize there’s a lot more imperfections to him than you initially thought.

but it’s okay, you think. if you didn’t stop loving him before, you certainly don’t stop now. blood on his hands or not, he’s yours—even if he doesn’t want to be.

“don’t say it like that,” you murmur softly, hugging your arms around yourself, “please.”

you let yourself be vulnerable for just a moment—not because you want to, but because he needs to know. he needs to know how unfair he’s being and how patient you are with him despite it all. you deserve that much.

“sorry,” he mutters—he has the decency to look away and drop his smile.

“you don’t kill anyone, and i’ll look for a bigger place. deal?”

“for us…all?”

“yes. just until you figure it out, i’ll help you out with them. and then you’ll responsibly use your paycheck as a full time special grade sorcerer and maybe send a few checks my way to say thanks to my good will.”

he chuckles at that, shaking his head. “i’ll repay you,” he hums, tapping his foot. he does that when he’s nervous, you still remember—you could never forget anything about him. “i…i owe you, anyway.”

it’s quiet some more. you don’t know what to say, and quite frankly, you don’t want to say anything at all. but once more, he fills the silence for you after a while.

“what if…” he starts, “what if i want to co parent with you?”

“you dumped me,” you point out, unable to hide the bitterness any longer. it cracks from your tongue through your words like honey that went dry. “remember that? cause i sure remember.”

you’re an adult now, just barely, but an adult all the same. you should handle this the mature way—but you’re still young. still hurt. still blanketed in the fresh wave of nostalgia that leaves you aching with grief.

so you let yourself be bitter. suguru can handle that much after he left you to pick up your shattered pieces.

“i didn’t want to,” he says quietly. “i never wanted to.”

“but you did.”

“i didn’t…you didn’t deserve to see me unstable.”

“you’re not very stable right now either,” you pinch your nose tiredly, “you killed people, suguru. but somehow you can manage to have two kids now. but not me.”

“they need me,” he defends.

“i needed you too,” your voice cracks.

you did. you needed him—and you like to think he needed you too. maybe it wasn’t perfect, nothing ever is, especially not when you fight curses and see their ugliness every day. but that’s the best part of having each other—having something pretty amidst the hideousness.

he left you with more ugly than you knew what to do with. it’s unfair, you think for a moment, unfair that two girls who hardly know him at all have more of him than you ever did. he’d never abandon them—that much you know for sure.

you’ve laughed with him, held him and wiped his tears and kissed him under the moon until it became the sun. you’ve seen him with his hair down and his guard lowered. you’ve seen him in every way possible but in the end, he walked away.

they’ve seen him for less than a day and somehow, he’ll be there forever. there’s something unfair about that and you hate that you’re bitter with children but the world in cruel like that.

suguru slowly inches over—it’s cautious at first, and then he fills the gap all at once. you pretend you don’t feel the way your thighs touch.

“i need you too,” he admits, voice small. there’s a small, shaky crack that eats away at your heart, trying to gnaw into the raw part. the easy to reach part. the part you shouldn’t let him see anymore. “i…i always needed you. i’m sorry.”

“we were supposed to need each other,” you sniffle.

“we do,” he slowly slumps his head onto your shoulder. you let him stay there—don’t dare move a muscle in case he pulls away. “you’re the only thing that keeps me stable. i don’t think that’s fair.”

“needing someone isn’t unfair, suguru,” you scoff.

“okay,” he grabs your hand, squeezing. for the first time, he lets it all go. lets tears slowly slip from the corners of his eyes as he slumps into your side. he cries for riko. for kuroi. for satoru and the time he lost him for a moment. for their youth. for haibara. for not being enough even when he shouldn’t have had to be. somewhere amidst all that, your arms wrap around him and he’s pulled into your chest—that familiar feeling of your fingers threading into his hair makes the world start spinning again. “i need you,” he chokes.

“okay,” you say shakily, nodding slowly as you let yourself hope, “as long as you don’t stop this time.”

he buries his face into your chest, and you kiss the crown of his head.

cruelty is an unstoppable force. your love for suguru is an immovable object. neither is going anywhere, but perhaps they can coexist.

“satoru’s gonna have a massive headache when he explains this one to the higher ups,” you snort after a while.

he laughs into your shirt, real for the first time in a long time. “i’ll buy him something sweet. should make up for it,” he hums. and then he looks up, smiles innocently as he asks, “wanna lend me some cash? i’ll pay you back when i’m a responsible handler of money.”

“you’re hopeless,” you chuckle, “but at least you’re here.”

————— BONUS —————

“okay,” satoru starts, holding his hands up in surrender as he stands before the higher ups. damn old geezers, he thinks. “so he did kill a person or two…but—”

“there is no excuse,” a voice hisses.

“he didn’t mean it,” he huffs indignantly, “it was an accident. those can happen sometimes.”

“what—”

“he’s going through a phase, okay? let him work through it, he’ll be fine.”

“that’s not—”

“i’ll let him off the hook this time,” satoru grins, pushing his glasses up his nose as he shrugs, “he’s got a family now, y’know? kids and a spouse, and they’re looking for a home. can’t take that away from them.”

“he’s not even married—”

“it’ll happen eventually,” he insists, “so let’s all just calm down, yeah? great, thanks!”

“gojo—”

“see ya!”

he walks out, flashing an obnoxious peace sign at the higher ups as they hiss at him to return as he’s walking out. that takes care of that, he thinks, as long as suguru doesn’t make his life harder and kill more people, he can handle it—you did promise him kikufuku if he does.

satoru is babygirl defender no. 1 ain’t nobody doing it like my guy 🤞🏽 he would be loyal to you while you were in jail no doubts

[dyaz-stories]

casual (1) || gojo satoru x reader

chapter 1: i like the way you kiss me

synopsis: Getting recruited for a double position as a teacher for Jujutsu High in Tokyo and a strategist, tasked with assigning missions to sorcerers in the region is the perfect situation for you. It pays well, it's well regarded, and it's as safe as possible — by sorcerer standards, anyway.

There is one problem though, and his name is Gojo Satoru. The one who's supposed to collaborate with you and answer to you.

The one you can't keep your hands off...

word count: 9.5k

genre: 18+, friends with benefits to lovers, coworkers to lovers, canon divergence, smut, emotional slow burn but they fuck like rabbits

warnings/tags (chapter): fem!reader (she/her pronouns, reader is afab), takes place ~5 years before jjk0, teacher!reader, sorcerer!reader, canon-typical violence, mild angst, smut (semi-public sex, fingering [fem receiving], vaginal sex, sorta dom!gojo, corruption kink if you squint), mentioned slut shaming (not the sexy kind), gojo satoru is a little shit

A/N: This is quite the Behemoth of a first chapter, I'm sorry to say. I love really long chapters, but I can only hope you all do too and this isn't too intimidating! This is a fic I've had in mind for ages and finally got around to start an outline for and actually write it. There are actually a couple of drabbles here and there on my blog for this couple already, happening at various points of their relationship.

I really hope you will enjoy this first chapter!

‘Make use of Satoru Gojo however you see fit.’

Such are the first words spoken to you by the higher-ups, at the end of an exhausting recruitment process. You nod sharply at the instruction.

“Duly noted.”

Truth be told, you don’t see why they need to specify it. You had assumed that went without saying from the very beginning.

The job offer had, at first glance, been for a strategist who would work directly under the higher-ups for the region of Tokyo. Devising teams, advising the council, and assigning missions were supposed to be the main tasks you would have to fulfill.

‘Supposed’ because, when you were one of only three candidates left, the higher-ups had revealed that there was, in fact, a second role you would be expected to perform. One that you had not imagined would be available for decades.

A new teaching position at the Tokyo Jujutsu High School was opening up, though you couldn’t understand why for the life of you. You had no connection to the establishment yourself, having left Japan as a child and trained abroad your whole life, never returning for more than a couple of months at a time, yet you knew, as did the entirety of the sorcerer world, that Satoru Gojo had been appointed there less than a year before. Well, rumor had it that he had appointed himself, and you had to wonder if that was why they were keen to have a more… traditional teacher by his side, since firing him was an option.

In that case, your lack of ties to Satoru Gojo, Masamichi Yaga and to the Jujutsu Headquarters could explain why your name ended up being the last one on the ballot. You were the best placed to be an independent monitor.

The distorted voice keeps going, bringing you back to the present.

“Unless stated otherwise, always send him to battle first.”

You school your face so you do not let any emotion appear, though the statement surprises you. You have to assume that they don’t mean for any mission you receive, because that would be catastrophically ineffective. Then again, sending him on Grade 1 missions, if he is available, makes some sense.

“Report to us if you encounter difficulties with him,” the voice adds before falling silent without elaborating.

You understand, from the finality of their tone, that you have been dismissed, and bow your head, your movements polite and sober.

“Thank you for the trust you are placing in me. I will not disappoint you.”

“We know you won’t,” another sepulchral voice answers.

In the dark, candle-lit room, it sounds sinister enough to chill you to the bone. You wait just a second longer, in case something needs to be added, before turning on your heels and walking away. No one calls you back, and you’re more relieved about leaving the room than you would like to admit.

Outside, the summer sun is high and bright. You tilt your head backwards and close your eyes to let its rays warm your face. It will take a while before the cold instilled in you in that meeting room dissipates.

You’re expected in Jujutsu Tech by the end of August. Being a teacher there is as close to the ideal position as it gets, for a sorcerer. The pay is excellent, the risks minimal, and it commends great respect from the society at large. You have no doubt that, had the offer been for that position in the first place, numerous sorcerers far more qualified for teaching than you are would have thrown their hats in the ring. You wouldn’t have made it past the first interview.

You got lucky. Just this once, you’re going in the right direction.

You inhale deeply. For the first time in a long time, you no longer envision your life as an endless successions of missions, countries, and houses that never become homes.

For the first time in the long time, you think you have a future.

There is a spring in your step when you make your way down the stairs, away from this freezing place and the ghouls that haunt it.

Behind you, the Headquarters; ahead, Jujutsu Tech.

Masamichi Yaga is a cautious man. His handshake is warm and firm when he greets you, and though his voice is calm and steady as he guides you through the hallways of Jujutsu Tech, he remains evasive. He provides all the information you might need, answers any question you have when you ask them without missing a beat, and yet you can tell he is guarded, keeping you at arm’s length.

You cannot determine why that is with certainty, though you have a handful of hypotheses. It could just be that he isn’t used to the presence of strangers. Dealing with a total stranger is a rarity within sorcerer society, even more so in Japan. You doubt that he would know anyone who could talk about you, let alone vouch for you. You understand why that would make you a suspicious character.

Another option is that you were forced onto him as a member of his staff by the higher-ups, though you haven’t heard anything about that. With you being a complete outsider, he would not have any valid reason to outright reject your presence, not when his only teacher is frequently gone for days at a time, but that would not mean that he’d be pleased with it — or view you as trustworthy, for that matter.

The third possibility, of course, is that he just finds you off-putting.

‘Cold’, that’s how you are often described by the people around you. You don’t do it intentionally, but you also cannot pinpoint what it is that you do ‘wrong’. Something about your tone, your expressions, or lack thereof, your cold eyes, the way your mouth naturally curves downwards.

That and, of course, the trail of bad omens that you bring with you everywhere you go.

These don’t tend to be active problems when it comes to sorcerers. With normal humans, now, it’s a different story. Oh, there are exceptions, who find that this all makes you intriguing, but it typically makes it hard to build actual connections with other people. You wouldn’t normally care, but in a situation where you have to collaborate with others, you could see that becoming an issue.

You had seen that coming, of course — it wasn’t like it was new information to you. As a result, you had made sure to be on your very best behavior from the moment you’d stepped foot within Jujutsu Tech grounds. You had nodded with interest, you had reminded yourself to smile, you had asked all the right questions, and yet you could feel that you had not once managed to turn yourself into a likeable person.

Ah, well. Not being likeable would not stop you from doing your job right.

“I’ll introduce you to the rest of teaching staff,” Yaga announces, his voice deep, as he reaches a new door. His hand is hovering over the doorknob when he stills, turning to look at you. “Are you ready for this just now? They were both students here, but I assume this can all be overwhelming for a newbie.”

That is a kind sentiment.

“I’m okay.” Then, because answering in monosyllables is not what likeable people are supposed to do, you add: “I read the files available to familiarize myself with the school grounds before coming here.”

His eyebrows jump up behind his glasses, but it’s followed by a hearty chuckle.

“You’ve come prepared.” He nods, appreciative. “Good. It will be nice to have someone who takes their job seriously around here.”

You don’t have the time to question the sentence before he opens the door.

The room is small and reeks of cigarette smoke. In the middle of it, a desk, and behind it, sprawled on an elegant black chair, a white-haired man that you recognize at first glance. You let your eyes slide over him. You wouldn’t want to look too, um, curious, just yet.

The brown-haired woman with the long white coat who is perched on a window sill, doing her very best to look inconspicuous, is the one responsible for the smell. You identify her as Shoko Ieiri, school doctor and reverse cursed technique prodigy. Next to you, Yaga sighs.

“Shoko,” he protests with a paternal disapproval, “I thought you’d quit smoking?”

“I did,” she answers, staring at him, her eyes dark and tired, “and then I had to regrow a lung. Do you have any idea how much of a pain it is to regrow internal organs?”

A light laugh comes from the man in the middle of the room, and you consider that this gives you permission to look at him without coming off like you’re gawking.

He has his feet propped up on the desk, and he’s using them to push himself backwards in a precarious balance. White hair spills on the dark leather, long arms hang on both sides of the chair, and he hasn’t bothered to so much as glance in your direction so far — or at least, you don’t think he has, because white bandages are wrapped around his head, covering his eyes.

Even without being able to spot their signature blue, you know who he is. There isn’t one sorcerer in Japan, nor in the whole world, who doesn’t know his name.

Satoru Gojo, in the flesh.

“Maybe if you hadn’t cheated your way through medical school, it would be easier, don’t ya think?” he asks Ieiri with fond familiarity.

“Don’t—” Yaga takes two steps into the room, kicks the legs from underneath the chair. “—sit at my desk, Satoru.”

Effortlessly, Gojo jumps off the chair before it hits the floor and lands on his feet, facing Yaga. He is just as tall as the Principal, and from the wide grin on his face, it’s obvious that he is thrilled to have gotten a rise out of him.

“Then get me my own office already, what are you waiting for?”

“We’ll see which one of you gets an office first,” Yaga sniffs, and it doesn’t sound like Gojo is at the top of his list. “First, there is someone you need to meet.”

Ieiri has been observing you since you’ve walked into the room, not looking away when you had met her eyes. Yaga’s words have Gojo finally directing his attention to you, though, and something in the room shifts. You can’t see them, yet you know his eyes are on you, dissecting you and your cursed energy, collecting every possible bit of information on you. He walks past Yaga, burying his hands in his pockets as he approaches you. He has an easy smile placated on his lips, but you know when you’re being judged.

Behind him, both Ieiri and Yaga are still, tense. Yaga’s jaw is set, and Ieiri fiddles with a pack of cigarettes in her pocket, clearly itching for a new one. Ah, so this is the real test.

You don’t back off, staying rooted in your spot. He towers over you easily, and you have to tilt your head back just to look at him. You’d heard he was a handsome man, but you hadn’t expected it to be so obvious, even with the bandages on. He studies you, sharp jaw clenching, before the dazzling smile returns.

“Right! You’re the substitute teacher, aren’t you?”

His voice is light and airy, the previous tension completely absent from it. You blink.

“She will be teaching instead of you when you’re away on missions,” Yaga intervenes, “but that doesn’t make her a substitute. C’mon, Satoru, we’ve had this conversation already.”

On that last sentence, his voice turns into a threatening rumble.

“Sure, sure,” Gojo dismisses him without looking back, “and you’re the one who will be giving me missions as well, right?”

He keeps his tone cheerful, makes it sound like he’s just trying to have a conversation, but there is an edge in his voice, a bite. You cannot tell what he is trying to achieve with the question, though, or why he is being hostile, so you choose not to engage.

“Indeed,” you answer, bowing your head politely. “It is an honor to be meeting you all.” You make quick work of giving your name and briefly mentioning that you hadn’t grown up in Japan.

You’re met with silence, Gojo’s lips pressed together as he tries to read you. You do your very best not to give him anything to sink his teeth into.

“Your family’s known for their precognition, aren’t they?” Ieiri asks from the other side of the room.

“Foresight, yes”, you reply. Your answer is rehearsed, polished. Your family has somewhat of a reputation within the sorcerer world, but fortune tellers are a dime a dozen, even among non-sorcerers, and the results vary greatly — it’s not an ability that inspires trust, even for a legitimate sorcerer like you. You don’t wish to reveal too much of yourself just yet. “I look forward to working with you.”

A smile finally forms on her lips.

“Well, don’t take this the wrong way, but I hope I won’t be seeing too much of you. Would be a shame if I had to patch you up. If you want to go out drinking though, just let me know. I know all the best bars in the city!”

“She does, and she’s banned from half of them,” Gojo chimes in. Now that his focus is back on her, his tone is softer; teasing, still, but no longer harsh. “She could use an actual designated driver instead of exploiting her kouhais though, don’t you think, Shoko?”

She laughs at that, sincerely, her eyes creasing.

“Fuck you, Gojo,” she answers fondly.

“I apologize for these two,” Yaga says, wincing at the coarse language. “We’re very happy to have you here. I’m sure it will do the kids some good, having someone serious to take after.”

“Hurtful,” Gojo protests, pouting. “They’re good kids,” he adds, directing his attention back to you. He sounds proud now, no trace of his earlier defiance left. “They’ll be great soon. They just need a little push to get there.”

At that, you nod.

“Of course. I’ll do my very best to help them on that path.”

There is a second, between the moment when you finish speaking and the moment when a wide smile splits his face. In that second, his lips part, and you feel his eyes plunge into you, digging into the very core of your being. He doesn’t look pleased. No, he is sizing you up, and you doubt you measure up to his expectations as well as you should. You’re the only one facing him, though, and when he smiles, just a little too late, it all vanishes like it never happened.

“Good to hear! As long as that’s the case, I’m sure everything will go smoothly.”

It’s said differently, but it’s as threatening as the higher-ups’ last words to you. Still, behind Gojo, Yaga heaves a relieved sigh and exchanges a look with Ieiri that tells you just how worried he’d been about your arrival. To him, it looks like the situation is resolved.

“Why don’t we all go and get a drink together to welcome you properly, if we’re done here?” he asks, walking over and slapping Gojo in the back.

“Sounds good to me,” Ieiri hums.

“As long as we go somewhere with good desserts, I’m in,” Gojo declares, intertwining his fingers at the back  his head.

“You better be, Satoru,” Yaga grumbles, “you’re paying.”

“Not sure the Gojo clan has enough money for your appetite,” he sighs dramatically, “but I mean, I can try.” Then, eyeing you, “You coming or what?”

“Of course,” you say, swallowing around the unexpected knot in your throat. “Thank you for having me.”

You follow them cautiously, keeping quiet as the banter continues, hands held behind your back, observing. You had not expected to feel welcome here. You could have done without Gojo’s strange hostility, but with your track record, you had expected far worse.

“Let me know if Satoru makes your life harder, alright? I’ll talk some sense into him,” Ieiri tells you, placing a cigarette between her lips.

“And I’ll beat it into him if I have to,” Yaga adds, snatching it from Ieiri’s mouth and crumpling it between his fingers.

“I’d love to see you try,” Gojo grins.

“Noted,” you answer, “but I’m sure everything will be fine.”

This last part is a lie. Even as he’s joking around with everyone, you know he is still observing you, courtesy of the Six Eyes, watching your every move, waiting to find a fault somewhere so he can figure out what to do with you. You can’t blame him. You will be the one sending him into action, after all, even if the higher-ups would review missions assigned to grade 1 sorcerers and special grade sorcerers. Of course he’d need some time to figure out whether or not you’re trustworthy.

Not that his opinion on the subject matters to you. You’re not the type of person who needs other to like you. You don’t even need him to trust you. All he has to do is let you do your job.

Everything else is futile.

It is no surprise that the first few weeks at your job are slow. The end of summer and the beginning of fall are always quiet periods for sorcerers, and as a result, you don’t have many missions to hand out just yet. The few, low-level ones available in Tokyo are systematically claimed by Gojo before you can look into them, as training for his students.

“Kids gotta learn somehow, right?” he tells you with a grin the first time it happens.

He’s just waltzed into your classroom and he’s leaning over the desk, elbow conveniently resting on the mission files. You try not to think about how brazenly handsome he is right now, even when he is openly provoking you. You stare at his bandages, right where his eyes must be. He may be smiling at you, but there is no sincerity behind it, no joy, and that wasn’t really a question.

You shrug.

“Alright.”

The smile falters.

“Yeah? That’s alright with you?”

“Certainly. If you think these are good exercises for them, and if you plan on being there to supervise them, I don’t see any issue with it. Just return the files if there are any they can’t clear, and I’ll transfer them to the appropriate person.”

He tilts his head. Watching. Assessing.

“You should join us!” he exclaims cheerfully, smile back in its place, clapping his hands together. “The more, the merrier, isn’t that right?”

Oookay. He is testing you. The infuriating part of that is, you have no idea what he is testing you for, what he wants you to display — or fail to display. Trying to see if you’re good enough of a teacher? You have nothing to prove here, certainly not to someone who has been on the job for such a short time. Then again, you don’t see any harm in humoring him.

“No problem. Just let me know when you intend to take care of them, and I’ll be there.”

His smile widens, but you’re not sure if it means you’ve succeeded or failed his test.

“Good,” he hums. “I’ll be taking that, then.”

In one swift movement, he retrieves the files from your desk, and he walks away with them before you can say anything.

You roll your eyes — this whole song and dance are so unnecessary — but you don’t see any reason to stop him, so you just watch him leave. You catch him stopping in the doorway, turning back to look at you. The smile is still dancing on his face, all edge and teeth.

“You’re not what I expected.”

You stare at him just a moment longer, brow furrowing, before he vanishes and you’re left with nothing to look at.

‘Not what he expected’. You turn the sentence over in your mind a couple of times, trying to conjure up an image, a personality that would fit better for the role you’re supposed to play, but nothing comes up. You have two roles: teaching the future generation of sorcerers, and assigning missions. If doing one task can facilitate the other, there is no reason not to do it — and you find it even harder to comprehend why he wouldn’t have expected you to do just that.

You shake your head, willing his words out of your mind. You’ve never felt the need to meet anyone’s expectations, so why should you start now?

Taking kids to a cemetery for a mission seems in poor taste, but that’s not what you tell Gojo when he announces it as his first choice.

“The mission is for a number of grade four curses and a couple grade three,” you state instead, “but considering the spot, it’s likely more powerful ones went unnoticed. Are you sure that’s appropriate for first-years?”

“Well,” he answers, hands casually in his pockets, towering over you with all his height, “it will be good to see how adaptable they are and their abilities in the face of danger. Plus, they’ll have two guardian angels looking after them, won’t they?”

There’s that toothy smile again.

You still don’t know what it means.

“As long as you’re here, it will be fine, I guess” is what you end up answering him with a shrug.

This time, he doesn’t say anything as he leaves, doesn’t stop to look at you.

You suspect that you said exactly what he was expecting from you.

Contrary to popular belief, cemeteries don’t typically harbor powerful curses. The smaller ones are numerous, born out of loss and grief, but the bodies of non-sorcerers don’t take the pain they endured with them in the grave. They leave it all over their houses, leaking through the walls and ceilings, seeping through the cracks in the floor, cursing their loved ones.

Cemeteries remain clean.

The exception to that rule is a notable one. In any place where cursed energy accumulates for long enough, there is a risk for it to congregate to the point where strong curses can emerge. This slow growth means they learn to better hide themselves, and it makes them harder to spot and eliminate. In an ideal world, there would be a sorcerer expedition every other decade to ensure nothing big can develop, but sorcerer numbers being what they are, that is impossible to ensure. There is also a high likelihood that it would be useless anyway, a waste of time and resources, far too much firepower for the bunch of fly heads sorcerers would find.

Still, you keep an eye on the three, baby-faced first years, and chew on the inside of your cheek as they start to make their way through the alleys.

You don’t like this.

“Don’t tell me you’re scared,” Gojo says lightly, next to you. “You’re a grade one sorcerer, aren’t you? There’s nothing more powerful than that here. I’d know it if there was.”

“My evaluation took place in Europe. I don’t know if I would have ranked that high, had I taken it here.”

“Aw, c’mon, if even you think you’re that weak, who’s going to believe you’re strong?”

The sentence surprises a chuckle out of you. A grade two sorcerer is nothing to turn your nose at, but you can’t say you’re shocked that the Satoru Gojo would equate that status to weakness. He is so far off the scale that he would break it altogether if it wasn’t for the convenient, murky ‘special grade’ title.

You look at him, find him already turned in your direction. His lips are parted in surprise. You don’t realize it, but you have somehow managed the feat of getting Gojo’s undivided attention. The Six Eyes are focused on you, dissecting you, taking you in. This is— new. People are predictable. It’s not always a bad thing, though it gets a little boring. You— you keep catching him off guard while doing things that seem completely natural to you.

For once, you’re the one who is smiling, and he’s stunned into silence.

“It doesn’t matter to me, whether or not people think I’m strong. All I care about is—”

Teeth reflected in a pupil. Muscles like lead. A hand raised in defense. Flesh that turns into mist, there one second, gone the next. Clicks like a laugh, coming from behind. ‘Morino Iori — 1954-2010’, splattered with blood. A curse with its head thrown back, an arm coming out of its open mouth, disappearing when it swallows. Tears dripping down from the chin to the ground, barely diluting the puddle of blood that has formed there.

The rest of your sentence is lost when you turn around and take off running.

There is a string of cursed energy pulling you in the right direction, one that found its way to you, one that the cursed technique engraved in your brain knew how to decode. You’re old enough not to question it, not to struggle with the vision, and following it comes as a second nature. Just as you get there, you see Sota rounding the corner slowly, looking around, squinting, searching for something he isn’t finding. Your fingers close around the weapon at your waist, withholding your cursed energy — for now.

To a non-sorcerer, you would appear to be holding nothing but a stick. A sorcerer would know it’s a cursed weapon, though most would not be able to figure out its use.

At least, not until the curse emerges from the fog, only two steps behind Sota. In a flash, you let cursed energy irrigate your weapon, and a blade of sheer energy appears. The stick is now a scythe.

It’s in poor taste, in a cemetery, but you don’t linger on that.

You’re between the boy and the curse before he can turn around. The curse’s abilities must allow it to hide its presence, would allow it to disappear back into nothingness a mere moment after the kill, but you don’t give it the opportunity to do that. The scythe cuts through it like butter, splitting it in two. The two halves haven’t yet hit the ground that you’ve already lowered your weapon, emptying it from cursed energy as soon as you’re done.

“Are you okay?” you ask Sota, turning around to face him as you anchor it back to your waist.

“Um,” he says. He doesn’t look scared, just mildly surprised. “Yes. I’m fine.”

“What happened to seeing his abilities in the face of danger?”

You bite your lip, glancing at Gojo. He is standing atop a headstone, balancing without any struggle and watching the two of you with unmistakable amusement.

“He freezes in the face of danger,” you answer.

Sota’s eyes go wide, and he turns away from you, shaking his head. He isn’t doing it for you, though, but for Gojo.

“That’s not true! I’ve exorcised curses before, you’ve seen me do it!”

He’s desperate to prove himself to his teacher, and something sinks within you. You don’t need a vision to tell you what will happen next.

“The kid’s got a point,” Gojo lets you know. “That precognition thing of yours, how accurate is it?”

There was a time when those words would have sent you reeling back. Even now, when you’re expecting them, you feel the blood withdrawing from your face as he speaks them. But you swallow, school your features. You know better now. Fighting now will only delay the inevitable. Gojo was standing next to you anyway. With the Six Eyes, he must know for certain that you hadn’t activated any sort of cursed technique when you took off running. That alone would be enough to make him suspicious, if he didn’t already doubt you.

Cassandra’s Bargain. Tell the truth, and save only those who believe you.

Unlike others, explaining the workings of your cursed technique doesn’t make it more effective — it makes it useless. If you try to tip the scale in your favor now, you will all pay a high price for it later.

You know what Gojo is implying, about your accuracy. Most people who have foresight see a number of futures. If he suspects you saw one in which Sota died, your actions must make sense to him.

“Enough to keep me safe,” you answer, tight-lipped.

“That’s what I thought. Let’s give the kid a fighting chance from now, what d’ya say?”

That’s not how it works, but it doesn’t matter. At least Sota gets to keep his arm — until next time.

What a waste.

“Of course,” you say with a nod.

You would do it again in a heartbeat if you had to, but you no longer feel threads of cursed energy, threads of fate, pulling you in one direction or the other. Oh, they’re all around you, and you’d know much more if you activated your cursed technique, but you know how it functions. That had to be the worst that could happen. Things should be fine now.

“Start running Sota, you’ve got some catching up to do!”

“Yes, Mr. Gojo, sir!” the kid replies, all but saluting. “I won’t disappoint you.”

Gojo’s laugh at that, as the kid takes off sprinting, couldn’t be more genuine.

You lean against the pristine Morino Iori headstone — it’s disrespectful, and you formulate a silent apology, but all you can do is hope they won’t mind. You’re exhausted, and yet the tension is keeping your body in hypervigilance, refusing to go away.

Gojo approaches you, hands in his pockets. The ghost of his usual smile is dancing on his lips. For once, though, it doesn’t feel mean-spirited.

“We have to save them if they need us,” he says, voice surprisingly soft, “but it’s as least as important that we teach them how to fend for themselves.

“I don’t disagree with that.”

This kind of reasoning just isn’t worth losing an arm over.

Gojo steps closer, leaning towards you, so close his nose is almost touching yours. You suck in a quick breath through your mouth. From up close, it’s much harder to ignore how handsome he is, even without seeing his eyes. You blame your accelerating heart rate on the fact that you’re in a high-stress kind of and you’re particularly pent-up at the moment. If your skin tingles when you feel his breath against it, it’s because of the cold. Must be. Whatever it is, you don’t let it show, and you hate that you’re finding it harder to breathe.

“You’re not what I expected.”

He’s said it before, but his voice is lower now, deeper, vibrating through your body, and something that you recognize all too well twists, deep in your abdomen.

Desire.

You don’t answer. You didn’t know what to say the first time, and you sure as fuck have no clue now — don’t know what he means, don’t know what you’ve done that you weren’t supposed to, don’t know if the interest in his voice betrays the same feelings rushing through you right now. So you glare at him until he laughs, light and airy, and takes a step back.

“If you need me, I’ll be on top of the temple, watching the kids.”

You wait for him to disappear between the tombs, keeping yourself still, too still, probably, to be inconspicuous, and it’s only once you’re sure he’s gone that you let yourself exhale very, very slowly. The urge to laugh at yourself bubbles inside you, because what the fuck is wrong with you? It’s not the right time, not the right place, and not even remotely the right person.

You’re fully aware of all of that, know it in the deepest parts of your soul, and yet your eyes still trail towards the temple. You could imagine that you’re seeing Gojo’s silhouette there, if you didn’t know better.

Except you do. You do.

When you look away, you know full well you’re doing it too pointedly.

You don’t get a chance to involve yourself in the Kyoto Goodwill Event. With the beginning of fall, files are starting to accumulate. Since you’re still getting your bearings in Tokyo and familiarizing yourself with the sorcerers you can send on missions, that is what you dedicate yourself to.

Or, well, that’s what you’re told.

You know that you’re more than capable of doing several things at once without botching any of them. Masamichi Yaga and Satoru Gojo are the ones who disagree. You’re called into Yaga’s office, and Gojo is already there, leaning against the wall behind him. For once, he isn’t wearing the bandages, but rectangular sunglasses. Even from behind them, you see the faint glow of his eyes, and it takes a lot — a lot more than it should — not to stare.

“The students taking part in this year’s event will be exclusively second and third-years. Satoru knows them well.”

“Yeah, and they’ve been training for a that for a while,” Gojo says without missing a beat. Where Yaga is stern and serious, his voice is relaxed and pleasant, lightening the mood without trying to. “The third-years have already won once, so they know what they’ve got to do for a repeat.”

That’s right. Tokyo won last year, under Gojo’s guidance, for the first time since… well, since he stopped competing himself, according to what you’ve heard.

“Satoru had already started putting this year’s strategy together by the time you joined Jujutsu Tech,” Yaga adds, trying his best to sound apologetic. “So there’s no need to concern yourself with that. It’s already well-oiled.”

As far as you’re concerned, the only thing that’s well-oiled here is this routine they’re performing, all for your sake. You click your tongue, not bothering to hide your annoyance, and watch as Yaga’s fingers curl, as Gojo’s chin lifts and the blueish glow focuses on you. There’s politics in the air, you can smell it, with a role you have to play. So they think, at least. Unfortunately, you lack knowledge when it comes to Japanese society, and you cannot quite identify what that role is.

To be fair, you also don’t care for it.

“Was it really necessary to waste all of our times with this charade?”

“I beg your pardon?” Yaga asks in response. His voice thunders dangerously. He’s warning you not to cross a line.

“If you don’t want me involved, you can just say so,” you answer with a shrug. “Now, if you’ll excuse me, I have missions to assign.”

You don’t wait for him to dismiss you to stand up, rolling your eyes once you have your back turned on them. How bland. You’ve never seen the point of engaging with this kind of theatrics when there are such greater things at play. Having you help the kids come up with a strategy of their own, going over the basics of planning, now that could have been interesting and helpful. It’s not that you doubt Gojo’s abilities in that domain, you don’t, but it is your specialty, and you’ve had to learn to survive with resources that are significantly more limited than his. Instead of doing that, in the name of whatever internal conflict is going on here, the kids have been deprived of that experience.

How boring.

Once the door has closed behind you, Gojo lowers his head, shoulders shaking. Yaga turns around, frowning, only to find him quietly laughing to himself.

“Told you she was a weird one,” he says once he’s caught his breath.

“Maybe,” Yaga mumbles, “but there must be a reason why she was placed here.”

Gojo hums. Outside the office, he follows your cursed energy. It has always been diffuse, fickle, fizzling out around you until it becomes hard to tell where it ends — even for him. Must have something to do with your cursed technique, but he hasn’t seen you use that yet. You go straight to your classroom, where you sit behind your desk to work, like you do every day until it’s late in the night.

Yaga is right, of course. There must be a reason. But you’re at least making it fun for him to figure out.

The Kyoto Goodwill Event does not go over well.

Maybe you should get some petty satisfaction from it, but there is none to be found, just a bitter taste in your mouth. Next to you, Utahime, the Kyoto school teacher, does not look up at the screens provided by Grade 1 sorcerer Mei Mei. She has her eyes on her hands, and she is nervously rubbing her fingers. In fact, while a few outsiders who have come to see the game for their own enjoyment exclaim at the students’ impressive moves, there is only one member of the schools who seems to be enjoying himself, and that is Principal Gakuganji.

Kyoto is methodical in their approach. On an individual level, you suspect that Kyoto is far ahead of them, but as a team, they have come up with the perfect strategy — at least against the Tokyo team. They have done their research, know everything there is to know about their adversaries. Then again, having one member of the Zen’in and one member of the Kamo family on their side, even if neither have access to their families’ historical techniques, must have been quite the help to gather that information.

You don’t see them doing anything revolutionary — if anything, a team such as theirs could have been composed hundreds of years ago — but they have no need for it, not with how brutal they are willing to be, leaving devastation in their wake. They’re prepared, efficient, collected. They’re also quick, having adapted to this modified version of capture the flag, one that involves curses, without hesitation.

Tokyo defends to the best of their abilities. They prove themselves especially capable when it comes to improvising on the spot, which means that Gojo’s teaching works on that front is working, at least. The match ends up closer than Kyoto must have been hoping for, but it doesn’t change the end result.

It’s a resounding victory for Kyoto.

“Well,” Gakuganji is the first to speak as it ends, “that was quite the beautiful display of sportsmanship, don’t you think, Satoru?”

You glance at Gojo, who is sitting next to you. There’s real anger in the way his jaw tenses at the question, but by the time you blink, he’s already relaxed it.

“That was really impressive!” he laughs, throwing his head back and clapping enthusiastically. “They’ve progressed so much since last year, haven’t they? I never imagined they would be able to come this far.”

You press your lips together at the barely veiled insult.

“Indeed, that is what realized potential looks like,” Gakuganji replies, stroking his beard. “Such a shame to see your promising pupils crashing and burning… Although that’s not the first time you’ve seen that happen, is it?”

That is the least charitable way of looking at what happened there, but it is impossible to argue with the facts: Kyoto bested Tokyo. You can’t say you appreciate the way he’s talking about your students, but you don’t think it’s your place to say anything.

Gojo’s smile thins.

“Well, I’ll be looking forward to the individual tournament tomorrow,” Gakuganji adds, standing up. “In the meantime, Yaga, I assume you have planned for accommodations, and all this action has given me quite the appetite.”

He leaves the room with an unmistakably pleased smile, Yaga getting up after him. He gestures at Gojo to join them, and he’s not hiding his scowl when he stands up, unfolding his long limbs slowly. The other sorcerers follow suit, Utahime included, though she is sporting a somber expression too. You’re the only one to linger in the room, in no rush to suffer through more of Gojo and Gakuganji’s quips.

When you do leave, you stop by the infirmary, where you find Ieiri cursing through her teeth as she works on the students. Even though several of them are fully healed, they’re keeping themselves huddled up together, shoulders hanging low, eyes on the ground.

Defeated.

“Professor Gojo has already come by,” one of them informs you without bothering to look at you. “We’re fine. We’ll do better tomorrow.”

“Yes, you will,” you confirm, and you see flashes of hope on their faces, mistaking your confidence for a prophecy. Truth be told, you haven’t seen anything for the next day, but this is often the best way of using the aura that surrounds you. “But you did well today. They saw a weak spot, and they exploited it. As long as you learn from it, there is no shame in this defeat.”

That deflates them, and Ieiri snickers, glancing at you with a grin.

“Quite the pep talk you’re giving here.’

She’s right. You’ve never been good at this.

“You’re all excellent sorcerers, but even you can be defeated by people who are not as good as you, provided they’ve prepared adequately. That is what you need to take away from today. Conversely, you will be able to defeat much stronger adversaries than you, with the right approach.”

Some look thoughtful at your words — most still look just as dejected as they were when you walked in.

“We’ll work on that once this tournament is over. For now, all you need to do is rest. You’ll prevail tomorrow.”

Smiles finally break on their faces, and you take that as your cue to leave, before you can say something that would ruin it again.

You’re in no rush to join the other sorcerers just yet, so you wander through the hallways, intending to go back to the classroom that’s become your refuge in the school. You’re one corner away from it, when the window that leads to the outside slides open, and Satoru Gojo jumps in, right in front of you. It is the second floor, yet you can’t muster surprise.

He shoots you a smirk that knocks the air out of you, but it’s nothing compared to what he does next. He looks back towards the window, looking displeased, and that’s when you notice voices calling for him — Kyoto students and low-level sorcerers. You’re about to look down when he catches you. He wraps a hand around your wrist to pull you away, presses the other on the wall, next to your head, and you freeze. He’s close, and everything you’ve been feeling for weeks at this point comes rushing back in.

“You know what’s a great way of getting people’s attention off you?” he asks, smirk even wider, if possible.

“Wh—”

Then his lips are on yours.

He tastes sweet, you’re surprised to find.

It’s playful, the way he kisses you, a press of his mouth against yours, stolen, daring. It’s also all you need to admit to yourself how badly you’ve been wanting this. That’s why you’re the one who wraps your arms around his neck, kissing him back harder. He lets out a surprised noise into you, maybe a chuckle, but he certainly doesn’t fight it, even if he wasn’t planning on it. In fact, it’s quite the contrary.

He reaches greedily for your hips, pulling you to him and keeping you pressed against his hard chest. When you part your lips, there is not a moment of hesitation on his part before he pushes his tongue in, swirling it against yours. You crane your neck to give him better access to your mouth, all while holding on tight to his neck to lower him towards you. Your back is against the wall, your body arched a way that would be uncomfortable if you weren’t so hot all over, set ablaze by his touch.

When he pushes his thigh between your legs, flexing it so it rubs against you just right, your knees buckle under you. It doesn’t help that, in this position, his semi-hard cock is pressed against your abdomen, and that awakens a very special kind of hunger within you.

There is no softness to the kiss or to the way your bodies move together, just pure lust. Wetness is pooling between your legs already, in anticipation for more, more of him, more of his body, more of his touch. He’s so tall, it’s like he’s everywhere, his scent surrounding you, his body caging you against the wall effortlessly, his mouth demanding more and more of you. You roll your hips against his, trapping his cock between your bodies, and he hisses into you, his grip turning bruising — not that you mind.

“Tease,” he manages to mumble as he takes a quick breath.

There’s no room for any more words before he reattaches his mouth to yours, almost biting into you, and fuck it feels good. His lips are soft, but that must be the only thing that is soft about this kiss. He moves your skirt out of the way, one hand coming to grab your thigh so he can lift it up, and that is when your eyes snap open, some reason coming back to your lust-filled brain at last.

“Wait,” you mumble, “not here.” Your eyes dart around the dark hallway — empty, but far too in the open for your liking. Problem is, your body is aching with how much you want him, and, even if it would be the smart thing to do, you can’t bring yourself to stop now. “Classroom,” you conclude, pulling him with you.

He lets out a breathless laugh, but follows. The second the door is closed, he has you against the wall again, this time with his chest pressed to your back while his lips find your neck, teeth pulling at the skin mercilessly before dragging his tongue on the sensitive area to soothe it. You let out a sigh, but it comes out much louder than you’d intended, almost a moan, and you have to lift a hand up to cover your mouth. He snickers, but doesn’t waste any more time on teasing you.

Instead, he snakes his hand into your skirt, and this time, you don’t stop him. Long fingers move past the hem of your panties to brush against your clit and you jump, biting your lower lip to keep quiet. His lips stretch into a smile on your neck.

“You’re so fucking wet already,” he comments by your ear, rubbing his fingers over your pussy lips, purposefully not entering you.

You groan in frustration, and push your ass against his now rock-hard cock. The low moan he lets out in surprise is delightful to hear.

“As if you’re one to talk,” you reply.

“Is that how you want to play it?”

Before you can answer him, he easily pushes two fingers inside you. They’re long and they fill you so well, you have to focus every fiber of you that’s not lost in pleasure on keeping quiet. Gojo’s free to take his fingers out, then plunge them into you once more, and you can’t help clenching needily around them.

“See,” he says, and oh his low voice, the way it makes his chest vibrate against your back, it all goes straight to your core, making you gush around his fingers some more, “that’s expected of me, ‘cause everyone knows I’m sorcerer society’s problem child. Aren’t you supposed to be the good girl?”

It’s no easy task to think with his fingers pumping in and out of you relentlessly, but even through the haze of pleasure, the words make you frown.

“Says— Ah— Says who?”

He uses the heel of his palm to press against your clit, and you’d conclude that he is actively trying to render you speechless if pleasure wasn’t shooting through you like electricity.

“Hmm, I don’t know, I’d say you’re being pretty good right now, wouldn’t you?”

“Would you— fuck— would you stop talking and just fuck me already?” you still manage to bite out.

He laughs again, delighted and maybe a little fond, but he stills his fingers inside you. You get some time to catch your breath, and use whatever self-control you have left not to try and fuck yourself on his hand.

“You sure?”

“As long as you’re clean, I’m safe,” you say — maybe not your smartest moment, but you can’t find it in yourself to care right now.

He pulls his fingers out, and you glance at him over your shoulder. He’s still wearing the bandages over his eyes, but his jaw is uncharacteristically taut, and his movements lack their usual fluidity. You grin. Good to see you’re having an effect on him too. It becomes even more obvious when he pulls out his cock, hard and veiny. You’re not surprised by how big he is, and you find yourself licking your lips, clenching around air at the prospect of what’s to come. Shit, you cannot wait to have it inside you, stretching you out.

“I’ve been wanting to mess up that skirt for weeks,” he mumbles, mostly to himself, as he pushes it out of the way and lowers your panties.

“Then what are you waiting for?” you ask with a click of your tongue. He is still talking way more than he should.

The smirk he gives you should concern you. He presses the tip of his cock to your entrance, and then, instead of penetrating you, as you’re frozen in anticipation, slides his length against your pussy lips, sending jolts of pleasure through you, but not giving you what you need right now. You whimper pleadingly, not catching yourself fast enough to keep yourself silent. You worry that he will keep teasing, but it appears he has reached his limits too, because soon he is pushing the tip of his cock inside you, and fuck, it’s even better than you’d imagined.

You hear him grunt behind you as he starts pushing himself inside you at a devilishly slow pace. You expected him to do it all at once, so you turn around once more, ready to throw another quip at him for his relentless teasing, but the words die on your lips when you see his face. His teeth are planted in his lower lip, and his face is contorted in a pleasure that he is clearly trying to reign in, his breathing quick and shallow, his chest heaving. The sight leaves you breathless, so you stay quiet.

“So fucking tight,” he all but whines as he keeps pushing himself inside you.

He bottoms out at last, and he stills for a few seconds, all so you can adjust and not at all because he is going to come too fast if he can’t get used to how warm and welcoming you are around him first. The discreet groans he was letting out turn into a full moan when you move forward, pulling him out of you, then back, sheathing him inside you completely once more. You’d keep moving, but he grips your hips tightly, fingers digging into the flesh, to stop any movement you could make.

It doesn’t last long though, because after that, he starts moving himself, and the pace he sets it merciless. The slapping of skin on skin echoes obscenely in the empty room, but you can’t find it in yourself to care, not when you can barely think, not when your knees are failing you and his hands on hips are the only thing keeping you standing, not when tiny whimpers keep spilling past your lips, no matter how much you try to keep them in.

“Couldn’t be even just a little patient, hm?” he asks you. It’s undercut by the gasps that interrupt him, the pleasured moans that escape him too.

This time, you don’t find anything to answer. The angle, with you bent over, hands on the wall in a desperate attempt to stay on your feet, makes you feel so, so full that you can’t think straight. Pleasure is coursing through you with each time he hammers into you, and you clench around him helplessly each time he pulls out. He’s fast, relentless, but if the way his moans keep getting more-pitched is any indication, he’s close to reaching his climax. You’re not far yourself, you just— just need— just a little—

One of his hands abandons your hip, and you would stumble forward if he wasn’t holding you so firmly. His free hand finds its way to your clit, and pinches it expertly, just as he snaps his hips into you harder than he has so far, spilling himself inside you. The orgasm hits you like a thousand volts, and your hips jerk back uncontrollably, whole body shaking, as you ride the wave of it on his cock until it ends. Ah, you needed this so badly that, as it recedes, you can only feel content, the pleasure it gave you still tingling in your body.

For a while, the sounds of you and Gojo’s panting are all that fill the room. Finally, he pulls his sensitive, softening cock out a you with a hiss, and you ignore the squelching sound it makes. He tucks it back into his pants, and you finally find it in yourself to pull your panties back up, readjusting your skirt. Your hair is messy from the kissing earlier, but apart from that, you’re still rather presentable — you hope.

“Didn’t think you had that in you,” Gojo comments. He’s still catching his breath.

“At what point are you going to admit that you’ve just misjudged me?”

He laughs, but the smirk he shoots you, hands in his pockets, standing a few feet away from you, is proof that the distance between the two of you is back to what it was before. You don’t find yourself minding all that much. This is as good a way as any other to release tension, and you’re more relaxed than you have in weeks. The lightness of his voice tells you the same is true for him. Seems like you both got the same thing out of it, and that’s fine by you, even if it doesn’t bring you any closer.

“Once I know I was wrong,” he says. It sounds ominous, but, well, if he wants to keep clinging to that image he’s made of you, that is his problem. So far, you’d argue that it has rather worked in your favor.

You shrug.

“If you hadn’t felt that way, Tokyo would have won today,” you tell him matter-of-factly.

His smile widens.

“Guess we’ll have to see about that next year, hm?”

“I guess we will.”

Silence grows between the two of you. You normally wouldn’t mind. Now, you feel the need to say something.

“This should stay between us,” you finally manage to say. Sorcerer society can be— harsh, on women, to say the least. The last thing you need is for someone to know you’ve fucked your coworker. You’d be branded as a whore, and while you find this all horribly regressive, you’d still rather not have to deal with the fallout.

Gojo hums in agreement.

“I’m not really the type to want all my business out there either,” he tells you in a surprising display of sincerity. It’s ruined when he smirks and adds, “Next time, I think I should fuck you on your desk.”

You scoff, but you know you both hear your lack of denial loud and clear. You’re not opposed to there being a next time, provided this doesn’t get out. By the look of things, it would be mutually beneficial.

You don’t bother to answer him before you open the door, glancing outside. No one in sight. He would have known if that had been the case, of course, but you’re still relieved. You slip outside unceremoniously — it’s pretty clear you’re done here anyway — and he does nothing to hold you back.

Later, after you’ve taken a quick shower in the facilities available at the high school and you’re sat by Ieiri around the dinner table, Gakuganji can barely hide his smugness.

“Where you have been off to?” he asks Gojo, his tone making it clear just how pleased with himself he is. “Licking your wounds?”

“Something like that,” Gojo answers lightly, and you’re careful to keep your eyes on your food.

The conversation fades into the background. Your thoughts move to the upcoming solo tournament, the next day, to your students, to the missions you have to assign. And then, for the first time in forever, you find yourself distracted by something that isn’t work-related. You welcome the respite it gives you.

On your desk, next time, huh?

You could work with that.

thank you all for reading and getting all the way here! interactions are what keeps me writing, so please comment/reblog/send an ask to feed your author and have my eternal gratitude!

tagging people who expressed interest in the first chapter: @sapphiccloud @saccharine-nectarine @calypsothegoddess @aspiring-bookworm @aerismonia

[faint-taste-of-almonds]

yes there's a lot of things to criticize about Star Wars but one thing i will always love it for is being so unabashedly tragic

i'm sure it's been said before, but one of the main things i think powers the SW fandom (fics in particular) is the (in)evitability of it all

time travel fix-its are one of the most popular sub-categories of fics that i've seen (for the prequels at least) but i see it much more rarely in other fandoms. i know each fandom has their own niches that they dig into but star wars fic writers took one look at this decades long story of people who were doomed from the start and said 'not in my house bitch'

and i'm never tired of it, because there's so many places where just one different action could have changed the story entirely, but didn't

was it over the moment Palpatine succeeded in feeding Anakin's fears and his distrust toward the Jedi? the moment the Sith gained control of the senate? what about when the war started, when the Jedi were made generals of men designed to be their executioners? what about when Dooku left the order? when Qui-Gon Jinn died, leaving barely-knighted Obi Wan Kenobi to raise a child he had no idea how to care for? when the Jedi massacred the Mandalorians at Galidraan, leaving Jango Fett primed (hah) for revenge? when Palpatine, and thus the Sith, first gained influence? when the Jedi were tied to the Republic, all the way back at the Ruusan Reformation?

there are so many little moments that turn into this huge web of cause and effect when you take a step back. and in canon, these characters are dooming themselves while we watch, but what reason do they have to do anything different? they don't know they're in a tragedy - its dramatic irony at its goddamn finest

but there's this thing about decisions: for it to be a choice, there has to be another option. and our heroes make their mistakes because that's what they do, while we aren't privy to that other option, leaving that little what-if. it's a favorite human pastime, to think about what might have been.

we start at episode 4, though, fourty or so years after what you could arguably call the start, and find ourselves watching the dominoes fall in place throughout 1, 2, and 3.

and we can hate the choices, hate the tragedy, hate what happened to our beloved characters, but we knew. we had the luxury of knowing.

it's a love story, it's political intrique, it's sci-fi at its finest, and they were dead from the start.

[d1stalker]

The Feeling's Mutual | Part Three

Summary: At last, you're about to face whatever—or whoever—is behind all this chaos, but what you uncover will haunt you, and Logan's connection to it makes you realize that you’re only a piece in someone else’s game

PART ONE | PART TWO | FINAL PART

Warnings: canon-level violence, manipulation, soft moments, plot-twist WC: 7.9k - MASTERLIST

----

Well, this is it. 

The day you and Logan have decided on to investigate the location has come. Standing side-by-side, you both peer down at the old rusted metal grate beneath your feet. It creaks ominously under your combined weight, the sound echoing through the empty lot. 

You can’t help the grimace that crosses your face as you take a step closer to the edge. "Please tell me this isn’t a sewer," you mutter, the disgust in your voice impossible to hide.

Logan shoots you a sideways glance, his expression a mixture of amusement and exasperation. "Not a sewer," he grumbles. "And even if it was, we got a job to do. Now shut up and focus."

"Just saying," you mumble under your breath, rolling your eyes. "If we're about to wade through god-knows-what, I might need a minute to mentally prepare."

Your remark is ignored as he crouches down to grip the edge of the grate. With a grunt of effort, he lifts it up, revealing a gaping hole that descends into darkness. A musty, stale smell wafts up from below, and you can’t help but wrinkle your nose in distaste. Already securing the grate to the side so it won’t fall back into place, he straightens up and gives you a pointed look.  "You ready?".

"Yeah," you reply, bracing yourself, and trying to sound more confident than you feel. "Let’s get this over with."

Logan gives a short nod before pulling out a flashlight from his belt, clicking it on. The beam of light cuts through the darkness below, revealing a rusty ladder bolted to the side of the tunnel. The metal rungs look old and worn, covered in grime and dust, but they seem sturdy enough. Without hesitation, hesteps forward, testing the ladder with one hand before starting his descent.

You watch as he climbs down. The tunnel seems to swallow him whole, and soon all you can see is the faint glow of his flashlight moving deeper into the darkness.

"Come on," his voice echoes up from below, gruff but encouraging.

You take one last look at the dim, overcast sky above before gripping the cold metal of the ladder and starting down after him. The further you descend, the colder and damper the air becomes, clinging to your skin like a shroud. The sound of your own breathing is unnervingly loud in the confined space, and the occasional drip of water from above only adds to the uncanny atmosphere.

As your feet finally touch solid ground, you let out a small breath of relief, but the oppressive darkness around you quickly snuffs out any sense of comfort. The tunnel is narrow, the walls slick with moisture, and the air smells of damp earth and rusted metal.

Logan’s flashlight beam cuts through the abyss, revealing a long, empty passageway stretching out before you. The walls are lined with old pipes and cables, some of which look like they haven’t been used in decades. The faint hum of electricity buzzes in the background, the only sign that this place might still be connected to the world above.

"Isn’t this just cozy," you say sarcastically, as you click on your own flashlight, adding a second beam of light to murky gloom.

He shoots you a look, like he’s trying to keep you calm. "Ain’t nobody enjoyin’ this," he says. "But we’ve got to check it out. Could be nothin’, or it could be somethin’ we need to deal with."

You hum, forcing yourself to focus. The truth is, you have no idea what’s down there—whether it’s just an abandoned tunnel or something more sinister. That uncertainty gnaws at you, making each step feel heavier than the last. You remind yourself that Logan wouldn’t be here if he didn’t think it was important. He’s got a sense for these things, a gut feeling that’s saved both your asses more than once.

"Stay sharp," he says, his voice a low rumble. "There could be traps set up, or worse—mutants under control waitin' for us."

The tunnel seems to go on forever, each step echoing back to you like a warning. The beam of your flashlight dances across the uneven floor, picking out old, broken pipes, patches of moss, and the occasional rat scurrying away into the darkness. The air gets cooler the further you go, the damp chill seeping into your bones.

"How far do you think this goes?" you whisper.

"Hard to say," he replies, his eyes fixed straight ahead. "But we’ll know when we’re gettin’ close. Trust me."

Even though you can’t see in the dark,you nod. The two of you move cautiously down the tunnel, the only light coming from your flashlights. Every creak, every drip, every distant clank of metal sets your nerves on edge. It’s all so oppressive, as if the walls themselves are closing in on you, the weight of the earth pressing down from above.

"Ever get the feeling you’re being watched?" you ask, trying to keep your tone light, but you feel genuine fear.

Logan doesn’t miss a beat. "All the damn time," he grunts, his eyes flicking to every shadow, every dark corner. "Keep your head in the game, Knifey. We ain’t alone down here."

His steps slow ahead as you approach a corner where the tunnel bends sharply to the left. He holds up a hand, signaling you to stop as he slowly walks forward, checking to see if there is anything hiding. You freeze in place, your heart pounding in your ears as you listen. For a moment, the only sounds are the steady drip of water and the faint rustling of something—probably a rat—somewhere in the dark.

When you round the bend, the passage suddenly opens up into a larger chamber, the walls lined with more old, rusted equipment. The floor is uneven, slick with dampness, and the space feels almost too large, as if it’s swallowing the sound of your footsteps entirely.

"Feels like a setup," you whisper, your eyes darting around the chamber.

He hums grimly, his senses on high alert. "We’ll move fast, hit hard if we need to."

You both move cautiously into the center of the chamber, your flashlights sweeping the room. The emptiness is unsettling, the silence even more so. There’s no sign of life, no indication that anyone—or anything—has been here recently.

Then, in the far corner of the room, your flashlight catches something—a small metal door, half hidden behind a stack of old crates. It’s slightly ajar, just enough to let a sliver of darkness leak through.

"That’s gotta be it," you say.

"Stay behind me," he orders.

Nodding, you follow close as he approaches the door. The tension is palpable, every nerve in your body hyper-aware. The closer you get, the more you can feel it—the oppressive presence that seems to emanate from behind that door, like a thick, invisible fog.

He reaches out, pushing the door open with a creak that echoes through the chamber. The darkness inside is absolute, swallowing the beam of your flashlights like a black hole. You can feel the hairs on the back of your neck stand up, your instincts screaming at you that something isn’t right.

The room beyond is large and dimly lit, the walls lined with screens displaying endless streams of data, numbers, and images flashing by in rapid succession. In the center of the room, a figure stands with their back to you, seemingly engrossed in their work.

As Logan steps forward, you can feel the tension radiating off him in waves, a stiffness that mirrors your own. His body is coiled tight, muscles flexing beneath his skin, ready to spring into action at any moment. His claws slide out slowly, gleaming dangerously in the low light. With a menacing growl, he commands, "Turn around."

The figure doesn’t react immediately, their movements unhurried, almost casual. Then, slowly, they turn to face you, and the shadows reveal a woman with sharp, severe features. Her eyes are frosty, cunning, but there’s a glint of satisfaction in them that sends a shiver down your spine. When her eyes settle on the man next to you, a cruel smile spreads across her lips. 

"Hello, Wolverine," she purrs, her voice dripping with venom. There’s a twisted pleasure in the way she speaks his name, as if savouring every syllable.

Logan’s eyes narrow, and something something haunting and painful crosses his face. "Shadowmind," he spits, full of contempt and hatred. The name rolls off his tongue like a curse, heavy with the weight of what must be their shared history.

Your gaze snaps to him, practically breaking your neck as you turn your head. Your heart pounding in your chest, and you can feel the tension in the room thickening, almost suffocating. "You know her?" you whisper, desperate for understanding.

He nods, though his eyes never leave the woman, the intensity of his gaze enough to burn through steel. "Yeah," he mutters. "She was one of the experiments in Weapon X. Thought I killed her."

Shadowmind’s smile widens, her features gleaming with sadistic pleasure. "You almost did," she replies bitterly, her tone laced with fury and twisted pride. "But you didn’t quite finish the job, did you, Wolvie? You left me broken, traumatized… but not dead. And now, I’m going to make sure you regret that."

His claws twitch, his hands flexing with the barely contained fury boiling just beneath the surface. "So all of this—sending those mutants after humans, after us—it was all to get to me?"

She nods slowly, the smile never fading from her lips as her gaze shifts to you, her eyes raking over you like a predatory its prey. "At first, yes," she confesses, almost conversationally, as if they’re discussing the weather. "I wanted to draw you out, make you suffer. I thought having mutants wreak havoc on people would get your attention. But then…" She trails off, her eyes lighting up with a twisted joy as a manic cackle bursts from her throat, bouncing off the walls of the chamber. "Then she fought back and killed them! Your little friend here is a mutant—and a powerful one. She made my job so much easier.”

You felt like you had just been bitch-slapped by the biggest bitch of all time. All of the attacks, all of the deaths—they weren’t just random acts of violence. Yes, you acted in self defence, but you didn’t know they were being controlled. You didn’t know that you were a mutant. Maybe if you had, you wouldn’t have killed them. Guilt starts crawling up your throat—you might throw up. 

"You twisted them," Logan seethes dangerously, like the rumble of thunder before a storm. His eyes burn with a rage that’s barely held in check, the kind of anger that promises violence. "You twisted those mutants’ minds just to get at me. Made them your fucking pawns.”

Shadowmind shrugs, the gesture so nonchalant it scares you. "I did what I had to," she says cooly, while bringing her hand up to her face as she looks at her nails. "You took everything from me, Wolvie. My life, my sanity… now it’s time for you to lose something."

Then, you scream.

It’s a raw, painful sound that scratches your throat as it crawls up and out of your mouth. Your mind feels like it is being split in two, the agony so intense that you can’t even think. Your hands fly to your head, clutching it as if you can physically hold yourself together. The flashlight slips from your fingers, clattering to the ground with a hollow, clanking sound that echoes in the room. Your vision blurs, the world around you spinning as you struggle to stay upright.

Logan’s head whips toward yours, and for a moment, you catch a glimpse of something in his eyes you’ve never seen before—terror. Pure, unfiltered terror etched into his features, cutting through the usual stoic mask he wears. "Fight it!" he shouts, his voice sharp, urgent, but it feels distant, like he’s speaking from the end of a long tunnel. "Don’t let her take control!"

You try to obey, to resist the overwhelming force pressing down on your mind, but it’s like trying to swim against a riptide. Your limbs betray you, moving without your consent, and you can only feel horror wash over you as your hand reaches for the blade hidden in the side of your boot. Your fingers close around the hilt, the metal cold and familiar, but the ease with which you lift it feels wrong—alien.

"Logan, I—" You choke out, desperately trying to warn him, but the words come out strangled, distorted by the crushing weight of Shadowmind’s influence. The connection between your mind and body is fraying, slipping away.

Then it happens. Her grip tightens around your consciousness, squeezing until everything goes black. The world around you dissolves into a dark, endless void where the only sound is the incessant whispering of voices, all chanting the same sinister command: Kill him. Destroy him. Hurt him.

You can’t think. You can’t see. It’s like you’re drowning in a sea of dark, suffocating orders, your own thoughts buried beneath the onslaught of the woman’s will. The weapon in your hand feels heavy, but it’s not your hand anymore—it’s hers. Your body is no longer your own.

"Fight it!" A voice tries to cut through the fog, but it’s distant, muffled, like he’s shouting at you from underwater. It’s too far away, too weak compared to the relentless chorus in your head. Kill. Hurt. Destroy.

Without conscious thought, your body moves. The lava-like energy surges through your veins, your hands glowing an intense, fiery orange, the heat building until it feels like you just stuck your hand in a volcano. You lunge at Logan, the blade slashing through the air with a ferocity that isn’t yours.

He barely dodges the strike, his claws moving as he counters your attack. "Push back, don’t let her in!" he yells desperately as he blocks another of your strikes, the force behind it sending him staggering back a few metrs. But you can’t hear him—not really.

Your powers flare uncontrollably, the heat in your hands intensifying until it feels like your skin is about to burst into flames. A scream that’s more Shadowmind’s than your own tears from your throat, and you swing your fist. The molten energy collides with his claws, heating through the adamantium like it’s nothing. He grunts in pain but doesn’t back down. Instead, he grabs your wrist, trying to pull you out of the mental prison you’re trapped in.

"Come on, Knifey! I know you’re in there!" His voice is fervent, pleading. 

"Poor little Wolverine. Can’t even protect your little friend?” Shadowmind’s tyrannical laughter echoes through your thoughts. “She’s mine now. You can’t save her. Just like you couldn’t kill me.”

He grits his teeth, his muscles straining, hands melting, as he tries to hold back the power surging through you. But the voices won’t let you stop. They won’t let you think. You’re just a puppet on strings, forced to do this woman’s bidding. You lash out with your other hand, the blade slicing across Logan’s side, drawing blood. He hisses in pain but refuses to let go, his grip on your wrist tightening as he tries to bring you back to yourself.

"I know you can break free!" Logan shouts, his voice cracking with emotion. "You’re stronger than her!"

Shadowmind’s grip is ironclad, her control absolute. The whispering in your head grow louder, more frantic. Kill him. Hurt him. Finish him. You wrench your arm free from Logan’s grasp and drive your fist into his stomach, pushing him back against the wall.

He stumbles but doesn’t fall. He fights back with everything he has, his claws slashing through the air as he tries to subdue you without killing you. It’s no use—neither of you can die, and she knows it. She’s watching the two of you tear each other apart, a smile on her lips like she’s enjoying a show.

"You can’t stop it, Logan," She taunts. “You’re just delaying the inevitable."

His eyes flash in desperation as he roars in frustration, dodging another one of your attacks before grabbing you by the shoulders. "Fight it, damn it! " he shouts, shaking you. "Don’t let her win!"

But you just can’t. It’s impossible. The sounds—the whispers—block out everything, leaving you with nothing but the burning need to obey. You slam your fist into the clawed mutant’s side again.

"Come back to me!" he yells. "Come back to me!"

To shut him up, your hands grab him by the back of the neck and, with all your strength, you slam his head against the concrete wall. The impact is sickening, the sound of bone hitting stone reverberating through the chamber.

Logan’s body goes limp, his grip on your shoulders loosening as he crumples to the ground, unconscious. The voices suddenly go silent, the mental chains around your mind shattering as Shadowmind’s control slips away.

You blink, disoriented, the world around you coming back into focus. Your hands are still glowing with that flowing energy, your heart racing as the realization of what you’ve done sinks in. You look down at your friend’s motionless form, horror flooding your veins.

"What… what did you make me do?" you whisper, your voice trembling as you take a step back, staring at your hands as if they belong to someone else.

Shadowmind laughs, the sound cold and mocking. "You did exactly what I wanted you to do," she says sweetly, sickeningly sweet. "You proved that no matter how strong you think you are, I can break you. Both of you."

You shake your head. "This isn’t over," you say, anger and fear dowsing you. "We’ll come for you. We’ll end this."

Her smile widens, a dark, knowing look in her eyes. "Oh, I’m counting on it," she says softly, almost affectionately in its cruelty. "But for now, I think I’ll let you live with what you’ve done. After all, the real torture comes from the inside, doesn’t it?"

She waves a hand dismissively, and the remnants of the mental pressure that had been suffocating you vanishes completely. The sudden release makes you lurch forward, your knees nearly buckling as the full weight of your actions crashes down on you. The chamber feels like it's closing in, it’s hard to breathe as you watch Shadowmind step back toward the console, her gaze lingering on Logan’s unconscious form with a sense of triumph

"I’ll be waiting, Wolverine," she says. "And next time, I’ll make sure you both suffer."

With that, she melts into the shadows, disappearing like a phantom, leaving you alone in the silent chamber with Logan’s still form. The only sound that breaks the quiet is your ragged breathing, the pounding of your heart a deafening roar in your ears.

You drop to your knees beside him, your hands trembling violently as you reach out to touch him, your fingers hesitating, afraid of what you’ll find. Relief floods through you when you feel the steady rise and fall of his chest, his breaths shallow but present. But the sight of the blood trickling down from where wound would have been on his head—where you slammed him against the wall—makes your stomach churn with guilt.

"I’m sorry," you whisper, your voice cracking as tears blur your vision. "I’m so sorry, Logan…"

He doesn’t respond, his face pale and still. For what feels like an eternity, you just sit there, cradling his head in your lap, your fingers brushing through his hair, now matted with blood. 

----

After a few more minutes, and with trembling hands, you manage to lift Logan’s unconscious form, his body limp in your arms, and haul him onto your back. Thanks to your mutant strength, he’s not heavy—physically, you can carry him with ease—but the emotional weight of it, the burden of what you’ve done, makes him feel like he weighs a thousand pounds.

The Wolverine, silent and motionless—it’s something you’ve never seen before, and it’s terrifying.

The tunnel is dark and seemingly endless as you make your way back, every step feeling like a battle against the overwhelming tide of despair threatening to pull you under. Tears stream down your face, silent and unchecked, as you hold onto him, his head resting against your shoulder. 

Eventually, you reach the van, the sight of it a small beacon in the abyss. With great care, you lower his body into the back, laying him down as gently as you can. His face is still so pale, his breaths too shallow, and the sight makes you feel worse. 

You climb into the van beside him, your hands trembling as you search for something to wipe away the blood. Once you find a cloth, you gently stroke his face. The only response is the rhythmic sound of his breathing, and the silence that fills the van is suffocating. You lean over him, your forehead resting against his as tears continue to spill from your eyes. "I’ll fix this," you vow. "I’ll find a way to fix this… I promise."

----

The drive back to the warehouse is a blur. Logan doesn’t stir, not even when the van hits a rough patch of road. Not even when you make a shitty turn. You keep glancing back at him, hoping to see those familiar eyes staring back at you, but there’s nothing. Just the steady rise and fall of his chest.

When you finally arrive at the warehouse, you just sit there, gripping the steering wheel so tightly your knuckles turn white. Then you move.

You slowly slide Logan out of the van, his weight heavy against you as you half-drag, half-carry him toward the bed—his bed. The place where you’ve slept for the past few nights while he took the couch. Laying him down, your hands shake vigorously as you arrange him as comfortably as you can.

He’s still unresponsive, and all you can do is sit beside him, your heart hammering in your chest as you wait, watching him closely for any sign that he’s waking up. The minutes drag on, each one feeling like an eternity. Your mind races, replaying every second of the fight, the way Shadowmind twisted your thoughts, the way your body had moved against your will.

You’re lost in those dark thoughts when you finally see it—a faint twitch of his fingers, a slight furrow in his brow. Your breath catches in your throat as his eyes flutter open, slowly focusing on the ceiling above him. For a split second, he looks disoriented, then those steel eyes shift toward you.

Before you can stop yourself, you practically launch yourself at him, covering his body with yours, throwing your arms around his neck and pulling him into a tight hug. The suddenness of it makes him stiffen for a moment, his body tensing under your touch. But then, slowly, you feel him relax, his arms wrapping around your waist in return, holding you close.

His broad chest is warm and solid beneath yours, the strength in his arms grounding you in a way that makes you think nothing else can. You can feel the beat of his heart, steady and strong, and it calms the storm inside you just a little. Letting yourself melt into the embrace, the overwhelming relief of feeling him alive and whole washes over you.

But then your thoughts catch up to you, and you pull back slightly, your heart racing for an entirely different reason. What the hell am I doing? You force yourself to push away the thoughts of how good it felt to be in his arms, how comforting his strength was. Not the time or place.

When you make eye contact, you realize how close you still are. Your faces are just inches apart, and for a mere moment, neither of you move. His eyes, intense and unreadable, lock onto yours, and you feel a jolt of something electric shoot through you.

"Logan, I’m—" you start to apologize, but the words catch in your throat.

He shakes his head slightly, silencing you with a look. "It wasn’t you," he says softly, tightening his hold. "I know it wasn’t you."

The sincerity in his eyes almost breaks you, but you manage to hold it together. The two of you sit there in silence, the weight of what just happened hanging in the air. And yet, there’s something else too—something that lingers in the way your gazes stay locked a moment too long, in the way his hands still rest on your hips, the warmth of his touch seeping through your skin.

You pull back completely, breaking the moment. Standing up, you take a deep breath to steady yourself, trying to ignore the way your heart is still racing.

"I was really worried that I actually hurt you," you admit, your voice barely above a whisper as you look anywhere but at him.

Logan sits up slowly, his movements a little stiff, but he’s already recovering. "I’m tough to get rid of," he says, a faint smirk tugging at the corner of his mouth, but his eyes are serious. "But thanks."

You nod, swallowing hard as you try to shake off the residual tension. "You should rest," you say, gesturing to the bed. 

He studies you for a moment, as if he’s trying to read something in your expression. Then he yields, lying back down, but not before he gives you one last look. "You need rest too, Knifey.”

"Yeah," you agree. "I will."

But as you walk away, you can still feel the ghost of his touch on your skin, the memory of his arms around you, and you can’t help but wonder what the hell just happened between you.

----

The warehouse falls into an uneasy silence after you step away from the bedside. The faint light filters through the cracks in the windows, casting shadows across the cluttered space. You move to a nearby chair, sinking into it with a heavy sigh, your mind still spinning from everything that’s happened. The weight of what you did under Shadowmind’s control sits heavily on your chest, the guilt plaguing you even as you try to focus on the immediate future.

You can hear Logan’s breathing slow and even out as he drifts back to sleep, his body needing time to recover from the ordeal. You know he’s right—both of you need rest—but you can’t bring yourself to close your eyes just yet. The memory of the fight, of your body acting against your will, is too fresh, too raw. You keep replaying the moment you slammed his head against the wall, the sickening sound of the impact still reverberating in your ears.

Time passes slowly. The warehouse is quiet, save for the occasional creak of old metal and the distant hum of the city outside. You sit there, watching over the mutant, your body refusing to relax. Eventually, exhaustion starts to creep in, and your eyelids grow heavy, but every time you start to drift off, you’re jolted awake by the memories.

After what feels like hours, the first rays of dawn begin to pierce the darkness. There isn’t much light, but it brings a sliver of comfort, a reminder that the night is over. You glance over at Logan, who is still asleep, his chest rising and falling steadily. Despite the bruises and the cuts that have healed, he looks peaceful—something you don’t often see.

Unable to sit still any longer, you get up and start pacing the warehouse, trying to work off the restless energy that’s been building up inside you. The physical movement helps clear your mind a little, but it doesn’t do much to ease the knot of emotions tangled up in your chest.

As you walk, your thoughts keep circling back to Shadowmind. The way she taunted you, the way she manipulated your mind so effortlessly—it’s infuriating. And then there’s the way Logan looked at you afterward, the way he didn’t want your apology. When you remember the way his strong arms around you, the way you felt so small but safe in his embrace… It sends a chill throughout your body, and you quickly shake off the thought.

Focus, you tell yourself. There’s no time for this. You have a job to do.

Yet even as you try to push those thoughts away, they keep creeping back, resurfacing whenever you’re not paying attention. The connection you felt in that brief moment of vulnerability lingers, and it’s unsettling. Your friendship with him has improved tremendously within the last week, building on trust and mutual respect, but this…this feels different, and you’re not sure how to deal with it.

By the time the sun is fully up, you’re mentally and physically exhausted. You decide to make some coffee, hoping the routine task will help ground you. The familiar sounds of the coffee maker, the scent of fresh brew filling the air, offer a small comfort. You pour yourself a cup, savoring the warmth as it spreads through your body, chasing away the last remnants of the night’s chill.

Sitting back down, cradling the mug in your hands, you hear movement behind you. You turn to see Logan stirring, his eyes blinking open as he slowly pushes himself up into a sitting position. He looks around, taking in the light streaming through the windows before his gaze settles on you.

"Morning," he mutters, his voice rough with sleep.

"Morning," you whisper. "How’re you feeling?"

Logan stretches, wincing slightly as he does, his muscles protesting the movement. "Feels like I got hit by a truck," he mutters with a half-smirk, trying to lighten the mood. But then, his expression softens, the humor fading from his eyes as he looks at you with genuine concern. "But I’ll be fine. You?"

You hesitate for a moment, unsure how to answer. "I’m… okay," you finally say, though you’re not sure if that’s entirely true. After a moment, you add, "I just… I’m sorry, Logan. For what happened. For what I did."

He shakes his head, his eyes locking onto yours with an intensity that makes it clear he doesn’t want you to carry this burden. "I told you, it wasn’t you. Shadowmind’s the one to blame, not you. You fought her as hard as you could."

"But I still—" you start, but he cuts you off with a look.

"You didn’t have a choice," he says firmly, leaving no room for argument. "And we’re going to make sure she pays for what she did. Together."

The mention of her name—Shadowmind—casts a shadow over Logan’s face. It’s the same haunted look you saw down in the tunnels, when he saw her again. There’s clearly more to the story, more to the pain that’s etched into his expression. You hesitate, unsure if you should press further, but curiosity and concern for him win out. "Logan," you ask quietly, "who is she? What’s the history between you two?"

He leans back against the wall, the tension in his body not easing but shifting as he gathers his thoughts. Sucking in a harsh breath, you can tell that whatever he’s about to say is something he rarely, if ever, shares.

"Her real name is Lorna Mallory," he begins, his voice carrying the weight of memories long buried but never forgotten. "We crossed paths years ago, back when I was with Weapon X."

"She was one of the many mutants that Weapon X experimented on," Logan continues bitterly. "She had powerful telepathic and telekinetic abilities, but the scientists wanted to push her beyond her limits, see just how much they could get out of her. They messed with her mind, twisted it, just like they did with me. But Lorna… she wasn’t like the others. She fought back, hard. She wouldn’t let them break her."

He pauses, his eyes distant, as if he’s seeing the past play out in front of him. You can almost picture it too—the cold, sterile labs, the cruel, calculating scientists, and the unending pain they inflicted on those they deemed as nothing more than tools. "I was different back then. More… feral, more under their control. They used me as their weapon, their enforcer. And when Lorna started resisting, they sent me after her."

Your heart sinks as you begin to piece together the story, the tragic and brutal connection between Logan and Shadowmind. "What did they make you do?" you ask, though part of you dreads hearing the answer.

His jaw clenches, his muscles tightening so much so it’s like he’s physically bracing himself for the confession. He looks away, unable to meet your eyes, the shame and regret palpable in the air between you. "They sent me to stop her. To… subdue her," he gets out. "I didn’t have a choice. I wasn’t in control of myself any more than you were back there." 

Finally, he looks at you. "I attacked her. Hurt her badly. But she survived. Barely. The damage I did wasn’t just physical—it shattered her mind. Turned her into the monster she is now."

The room is laden with the weight of Logan’s confession.

"And now she wants revenge," you say quietly, understanding the gravity of the situation.

He nods grimly. "She’s been waiting for this chance. I think in some twisted way, she blames me for everything that happened to her. And she’s right. I was the one who pushed her over the edge."

"But it wasn’t your fault," you insist, repeating the words he had said to you earlier. You can see the parallels between your situation and his, both of you victims of forces beyond your control.  "They used you, just like she used me."

He doesn’t seem convinced. "Doesn’t change what I did. And now, she’s come back to finish what she started. She wanted to lure me out, make me suffer, and when she found you, she saw a way to do it."

You can see the pain in his eyes, the guilt that he’s been carrying for so long. It’s clear that this fight with Shadowmind isn’t just about survival for him—it’s personal. 

Reaching forward, you grab his hands in yours, holding them tightly. "We’ll stop her," you say. "We’ll find her and put an end to this."

Logan looks at you, a flicker of something softer passing through his gaze. "Yeah," he agrees quietly. "We will."

----

The two of you decide to spend the next week doing nothing. There isn’t much to do anyway, you know your goal, you just have to act on it. But you don’t want to—not now. You want to savour these moments with Logan where it feels like you hadn’t tried to kill him. Where, for a little while, you can forget about the darkness that still persists in the corners of your mind.

So much has changed, you think, since the encounter with Shadowmind. From the point that he shared more about his past, it’s like the floodgates have opened. Logan no longer hides behind his rough exterior, letting you in to see who he is when his guard isn’t up. 

The small moments of bickering have turned into playful banter, the non-committal grunts have evolved into full-fledged conversations, and the sidelong glances have turned into lingering looks. What was once tension between you now feels like a quiet comfort, a connection that’s deepened with each passing day. You’ve gone from being reluctant allies to something more—something you’re not sure either of you are ready to name, but it’s there, undeniable in the way he stands a little closer, in the way his touch lasts just a little longer, in the way your heart skips a beat every time your eyes meet.

That’s why after a particularly quiet start to the day, you decide to cook something—a way repay Logan for letting you seek shelter with him, and lending his shoulder for you to lean on when you need to. But cooking has never been your strong suit, and as you stand in the kitchen, surrounded by half-chopped vegetables and a sauce that’s beginning to smell suspiciously burnt, you realize you might be in over your head.

Logan appears beside you as if summoned by the smell of impending disaster, his arms crossed over his chest, a bemused smirk tugging at the corner of his lips. "You tryin’ to burn the place down, or what?"

Placing your hand on your hip in mock defiance, you huff, turning to face him. "I’m making dinner, obviously. Do you have eyes?”

He raises an eyebrow, clearly unconvinced. "That what you call it? Smells like you’re tryin’ to poison us both."

You roll your eyes, but there’s a playful glint in them. "Ha ha, very funny. I’m just… experimenting."

Snorting, his amusement is evident as he steps into the kitchen, surveying the scene of culinary carnage. "Experimentin’? Well, let’s see what you’ve got so far." He peers into the pan, his expression growing even more dubious. "You know, maybe I should take over before you really do burn the place down."

You make a face, reluctantly stepping aside as he moves to the stove with the confidence of someone who’s rescued more than a few meals in his time. "Fine, but only because I don’t want you to complain about my cooking for the next week."

He chuckles, shaking his head as he starts to salvage the meal, adding a few more ingredients with practiced ease, adjusting the heat, and stirring with impressive skill–and you didn’t even know that stirring required skill!

You hover nearby, more a spectator than a helper at this point, and you go to reach for something on a high shelf—maybe the salt or some spices, you’re not entirely sure—but as you stretch, you lose your balance. Before you can grab the counter to stabilize yourself, Logan’s hands are suddenly on your hips, steadying you with a gentle grip. For a moment, you just stand there, your back pressed against his chest, the world narrowing down to the steady rhythm of his breath, the solid warmth of his body anchoring you.

"You okay?" he asks lowly, close to your ear.

A bit breathless, and feeling the solid warmth of him behind you, all you can do is nod and try your best to string together a sentence. "Yeah, just… clumsy."

He doesn’t let go immediately, his hands resting on your hips for a second longer, as if to make sure you’re really steady. When he finally does, you turn to face him, a small smile tugging at your lips. "Thanks."

"Anytime,” he hums.

You both fall into a comfortable rhythm after that, working side by side in the kitchen. There’s a bit of bickering—mostly about your questionable cooking methods and his insistence on doing things his way—but it’s light, teasing, and you realize how much you love this. The ease, the banter, the way he seems to know exactly what you need without you having to say a word.

And when you sit down to eat later, the meal actually turning out better than you expected, there’s a sense of calm that settles between you. He catches your eye, and there’s something in his gaze—something warm, reassuring. "See? Told ya I’d make sure we didn’t get poisoned," he says with a small smirk.

You roll your eyes, but you can’t help the smile that spreads across your face. "Yeah, yeah. Don’t get too cocky."

An unexpected banging on the warehouse’s metal doors shatters the quiet moment. You and Logan freeze, both of you instinctively tensing as your eyes meet in confusion and alarm.

“Does anyone know you live here?” you ask tightly, eyebrows furrowed. 

His expression darkens, his brows knitting together in a deep, foreboding frown. “Fuck no,” he growls.

The pounding on the door continues, relentless and ominous, each thud vibrating through the metal like a warning. Wordlessly, Logan moves toward the door, his steps slow and cautious, every muscle in his body taut and ready for whatever might be on the other side. You follow him closely, your senses on high alert, every nerve in your body tingling with anticipation.

He reaches the door and hesitates for a fraction of a second, his hand hovering over the latch. His eyes flick to you, a silent communication passing between you—be ready. Then, with a swift motion, he unlatches the door and yanks it open.

In an instant, a mutant leaps at him with insane intensity, teeth bared and claws outstretched. Logan barely has time to react before they’re both locked in a brutal struggle, his claws flashing out as he fends off the attack. The sheer force of the mutant’s assault drives them both back a few steps.

“Logan!” you shout with urgency as you watch them grapple with each other.

But before you can even think to help, a wave of mutants surges toward the open doorway, their movements are eerily synchronized, as if driven by a single, malevolent will. Panic surges through you, your instincts screaming at you to act. You lunge forward, grabbing the nearest mutant and hurling them back with all your strength. The mutant crashes into the others, causing a brief moment of chaos among them.

“Get the door!” Logan shouts over his shoulder, his voice rough with exertion as he continues to fend off the mutant still trying to tear him apart.

You rush to the door, throwing your weight against it as you struggle to push it closed. The mutants on the other side slam into the door with relentless force, their growls and snarls mingling with the metallic screeching of the hinges, turning the warehouse into a scene of barely controlled chaos. The metal groans under the strain, the door trembling against your efforts to hold it shut.

“Logan, help me!” you cry out, your voice strained as you use every ounce of your strength to keep the door from giving way. You might have super strength, but against a hoard of mutants? Impossible.

He finishes off the mutant he was grappling with, leaving the attacker a bloody mess on the floor, then he’s at your side in an instant, hands bracing against the door as he leans his full weight into it. The mutant who attacked him now lying on the floor, a bloody mess. Together, you manage to push the door closed, the sound of the latch clicking into place reaching your ears. But the pounding on the other side continues, the door shaking under the persistant assault of the mutants.

“They’re being mind-controlled,” you gasp, your breath coming in ragged gulps as the whole situation hits you. The fear it causes seeps into your bones. The thought of these mutants being puppeted, forced to attack against their will, is horrifying enough—but the idea that Shadowmind has found you and Logan, that she’s orchestrating this, petrifies you. “But how did they find us?”

Logan grunts, his face twisted in concentration as he braces his shoulder against the door. “No clue.”

A sudden, horrifying thought strikes you, and you feel your blood run cold. “The van,” you whisper, more to yourself than anything.

Realizing the same thing your thinking, his eyes widen. “Shit… the GPS tracker.” His voice thick with anger and frustration. “They must have used it to track us down.”

You curse under your breath. “How didn’t we think of that?”

But there was no time to think of that now. The door shakes violently as the mutants on the other side continue to slam into it, their growls and snarls growing louder, more frenzied. You can feel the door beginning to buckle under the pressure. You press harder, using every ounce of strength you have, but it’s clear the door won’t hold much longer.

“Fuck,” Logan mutters, understanding washing over him as his knuckles whiten against the door. His jaw tightens, and for a moment, he looks like he’s staring down a ghost. “They’re here for me.”

“What?” you snap, turning to him with wide eyes, confused and afraid. “What do you mean they’re here for you?”

“This is Lorna’s doing, for sure,” he growls. “She wants me.”

The implication behind his words isn’t lost on you. Your heart drops into the pit of your stomach, a cold dread settling in. “No, no, no, don’t do this,” you plead, the desperation clear in your voice as your mind races to stop the train of thought you know is forming in Logan’s mind.

Your hands tighten on the door, as if you can physically hold him back from whatever reckless plan he’s considering. “Don’t even think about it.” 

“Let me go,” he says firmly. “Let me see what she wants.”

“Are you out of your mind?” you exclaim. The thought of Logan walking out there alone, straight into Shadowmind’s trap, sends a new wave of terror crashing over you. “She’s going to kill you!”

He sends you a grim smirk. “I can’t die, remember?”

But the attempt at reassurance does nothing to quell the fear that’s twisting in your gut.

“Please, no,” you beg, voice breaking as tears prick at the corners of your eyes. The thought of losing him, of watching him walk into danger alone, is unbearable. “Why can’t we do this together? We’ve been through everything else side by side—don’t make me sit this one out.”

His expression softens for a split second, something tender and conflicted passing through his eyes. He reaches out as if to touch you, but stops himself short. “I can’t drag you into this any further than I already have,” he says lowly. 

“Logan, please…” you start to say, but before you can finish, he pushes you back with a shove, the suddenness of it sending you stumbling as you try to regain your balance. The door creaks under the pressure from outside, but Logan doesn’t hesitate. He yanks it open, and with one last look at you, he steps through with a determined stride.

“NO!” you scream, but the door slams shut behind him before you can reach him. You’re left standing alone in the dim light of the warehouse, your heart pounding with fear, anger, and helplessness.

Rushing to the door, you press your ear against, trying to catch any sound, any sign of what’s happening outside. The muffled sounds of the struggle reach your ears—grunts of pain, the clash of claws and flesh, the heavy thuds of bodies hitting the ground. You can hear Logan’s grunts and snarls, his feral side taking over as he fights off the attackers, but there’s something else too—a sinister laughter, one that you heard once before, that sends chills down your spine.

“Logan!” you shout, banging on the door, your fists pounding against the cold metal. “Logan, don’t do this! Don’t you dare leave me alone in here!”

But the only response is the sound of the battle raging outside, growing more distant as if being carried away by the wind. Knowing that that Logan is out there alone, on his way to face whatever horrors Shadowmind has prepared, destroys you. You sink to your knees, the cold of the warehouse floor bleeding into your skin as everything crashes down on you.

----

A/N: so….how we feeling??? some Logan POV next chapter!!

----

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comment to be added!

[artsekey]

Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

              But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

[levshany]

Tandem, this is an AU in which the Collector possesses Philip, and there are a lot of things happening afterwards. but now we’ll just retell how it basically started

@angstyhikka drew a couple of arts and helped me with coloring

This is an alternative development of events after the ending of the fanfic “At The Dawn of The Light” (it's not finished yet, but there is already an AU from the ending, yes). The idea belongs to @lasymit, and I (Lev) picked it up :3

Before King's Tide, all events take place according to canon. And then the following changes occur: the witches capture Philip and lock him in a cave in the Titan's skull. The draining spell is stopped without the help of the Collector, but he himself is not found. His mirror remains lying at the bottom of the pit.

For 10 years, Philip was under a sleeping spell. Everything would be fine, but when the Hexside squad wakes up Philip to make him help them with one super important problem, not only does he become mischievous but he also has problems in his head now. Luz and the team think that Philip is manipulating them (you can't blame them for this, Philip is Philip, even with a leaky memory and a leaking roof, he manages to be such an asshole), and therefore they torture him to force him to cooperate with them.

While Philip was sleeping, a cozy corner appeared in his head, in which there was nothing but a green hill, a small house and an apple tree. There, Philip, in his child form, lives with Caleb, who is a figment of his sick mind. During his 10 years in this mindscape, Philip convinced himself that this was reality. And the Boiling Isles, the cave and the witches who torture him are an endless nightmare. Because, on the Boiling Isles, he sometimes remembers that he killed his brother. But this simply cannot be reality.

At some point, Luz and Hunter realize that Philip is not pretending that he is seriously ill and no matter how much he denies it, he needs help, and they soften towards him somewhat. Although both have rather mixed feelings towards their dementia grandpa.

Even in the moments when Philip remembers himself fully enough, his attitude towards the Boiling Isles, Luz, Hunter and even his own mission has changed greatly in any case. He no longer cares about the destruction of witches and revenge for his brother. Philip is tired. Deadly tired. All he wants to do is sleep. He slept for ten years, and this was perhaps the first time in decades of his life that he felt peace and happiness.

While he is in this state, it happens that he encounter the Collector. This is a difficult meeting for both of them, but it all ends with the forgiveness of all grievances. They both don't want to lose each other now. The collector is still locked in the disk, but Philip has the opportunity to let his friend into his subconscious. Seeing the deplorable state of Philip's mind, he decides that he must help - after all, Philip is still his only friend. Collie asks Philip not to go to "sleep" forever, but Philip replies that he has no joy in waking up here. All he dreams of is never returning to the world of the Boiling Islands. The collector, frightened that his only friend is about to leave him, possesses Philip and promises him that he will get them both out of this nightmare.

This is how Tandem's story begins

a huge amount of detail has been omitted to avoid spoilers for "The Dawn". if you wanna learn more go check the fanfic *wink wink*

[vigilskeep]

hey harker! very much enjoying the lucanis/illario/general crow posting, and im gonna encourage more: now that you’ve had some time to sit with the game i was really curious to hear more about your opinion on lucanis becoming first talon. i can’t help but feel like it’s completely glossed over that lucanis is definitely going to get chewed up by this job in most save states. i have mixed feelings about it personally - but setting those aside because i’m asking about yours.

i TRULY cannot express this enough: that villa is a tomb and if we do not get him out of there we are burying him in it

lucanis does not want this job. he has straight up canonically always avoided thinking about this by assuming he would die before it becomes something he has to deal with. he reacts with paralysed disbelief to being given it and seems to have barely registered it for the rest of the game. and even if he did want it, lucanis is not capable of this job. none of his skillsets are managing people, or making ruthless calls, or watching out for himself. the only driving force behind him being pushed into this is caterina, who will not be around to do the admin and protect him from external threats forever. and she only wants him to do it in the first place because she had a good heir—his mother—and has needed to project that dead daughter onto lucanis for his whole life, to believe she hasn’t already gambled and irrevocably lost her family’s future decades ago. but lucanis’ incapacity to ever say no to her, which is what lets him stay that eternal teacher’s pet, is one of the most obvious shining examples why he would be so bad for the job!

it would be an uphill battle for anyone to recover control of an assassin house that until last week was being run by your cousin who tried to kill you. it would be an uphill battle for anyone to lead the crows in the aftermath of the antaam occupation. it would be an uphill battle for anyone to cope with the fact that relying on viago and teia—which lucanis with his resources and skills has no choice but to do here, even if he didn’t simply like them and make choices based on liking people because he is not a strategist—presents them as an alliance that any other ambitious talon must cut down to get anywhere. three out of eight of the talons is such a ludicrously dangerous number. it does not take an overwhelmingly brilliant mind to notice that there’s more of us than there are of them

the best man for the job would still be fighting for their life, and lucanis is far from the best man. caterina was! and she still lost five children and six grandchildren holding it! that’s so many! have you guys ever seen that one post about people who kept getting a new outdoor cat every time the last one got eaten by cougars and it was pointed out they were basically just feeding cats to the cougars. that’s what caterina dellamorte was doing having kids

the points in lucanis’ favour off the top of my head are the weight of the dellamorte name and reputation, that his victory over illario was decisive and public, and simply the fear factor that he is a god slayer and, lest we forget, a fucking abomination. is that enough to keep him alive? for how long? under what level of constant anxiety and moral degradation for his very soft over-caffeinated heart? all for the questionable gain of several large and empty villas and the privilege of dragging out the slow and lingering death of a family that, you guessed it, you love it, it’s the thedas favourite: has no! next! generation! heirs! at all!!!

(unless illario has a bunch of kids somewhere. i think that would be objectively pretty funny, a sentence i managed to type most of before feeling ill. oh god we need to get them out.)

i apologise that my tone here is somewhat hysterical but i have been living in the mind of my rook, a character very aware of the realities of crow politics who loves lucanis very much. it does not surprise me that lucanis was once again incapable of even conceptualising saying no to his grandmother and accepted the title, or that the idea of abandoning her legacy and his family would seem insurmountable to him when he has been raised to believe it’s all he’s for and he is the last one shouldering the weight. but i am saying this with total and absolute confidence: this is another prison and he is going to die in there if nobody gets him out.

[slepiesheep]

SpongeBob Truman show AU lets gooo!! Discussing with friends and feeling motivated. Setting takes place decades later. I will analyze, include about my theories, and intentions how the series ends. I made this for FUN, don’t take it too seriously. It's likely that you might not fully understand this if you haven't watched The Truman Show or are unfamiliar with the television theory by Alex Bale. I highly recommend watching the Television theory.

Just a quick note before we start: in the SpongeBob SquarePants universe, the show is canonically a show within the show. For instance, we've seen pirates getting excited about the first SpongeBob movie. Even Patchy the Pirate, the biggest SpongeBob fan, knows about SpongeBob's existence in real life (within the show). If i remember correctly, in the Sponge out of water movie, a child even saw SpongeBob and called out his name. I think that Scientists will do anything to make the show interesting and profitable.

There will be 2 parts of this story.

Part 1

SpongeBob, Squidward and Mr. Krabs gets to celebrate The Krusty Krab anniversary. Mr. Krabs wanted to set sail on a boat trip with SpongeBob, a father-son bonding experience. Mr. Krabs dressed in his sailor hat, a dark blue trenchcoat, and SpongeBob also wore sailor clothes. Yeah Mr. Krabs fucking dies because he took 50% of the show's profits and didn't perform his duties properly 😂 The producers decided to eliminate him from the show, leaving SpongeBob traumatized for his life to increase viewer interest. A horrible thunderstorm hit. SpongeBob tried to pull up Mr. Krabs, but his scrawny arms couldn’t do it. He only managed to grab his trenchcoat. Mr. Krabs’ body was never to be found. Now, SpongeBob is the manager of the Krusty Krab, responsible for keeping the secret formula safe. He opens a notebook to write down important information. Due to aging, SpongeBob started wearing glasses. Plankton tried to exploit his naive nature, but SpongeBob slowly became more mature and courageous like Mr. Krabs. It began to feel like a repeating pattern for SpongeBob. He wanted to get out from Bikini Bottom and experience a new life and travel around the wonders of the nature before growing old and dying. However, when he tried to purchase a ticket for a trip outside of Bikini Bottom, he found that it wasn't an option for him. Strange events happened to keep SpongeBob preoccupied and ensure his continued stay in Bikini Bottom. On his way to work, SpongeBob accidentally bumped into an elderly man, only later recognizing him as Mr. Krabs. Unforeseen, two men appeared, abruptly pulling Mr. Krabs away. creating a distraction with a group of anchovies.

Mr. Krabs boarded a bus as SpongeBob began to question why Mr. Krabs, who was presumed dead, was somehow still alive but never came back to him. Confused, he shared his thoughts with Squidward, who dismissed it and pretended nothing was wrong. Feeling unsettled, SpongeBob decided to visit Sandy at her treedome to talk about what he had seen. Just before putting on his water helmet, it hit him, how could Mr. Krabs have drowned when they all lived underwater? The thought made no sense, and the more he thought about it, the more his suspicions grew. He used to believe this kind of logic was normal. Unsure of what to believe, SpongeBob went to Patrick’s house to tell him about the strange encounter. Patrick seemed confused but not entirely surprised. It felt like Patrick knew something too, as if he'd experienced something similar, but he wasn't ready to talk about it. To distract SpongeBob, Patrick suggested they head to Goofy Goobers for ice cream, hoping to lift his friend’s spirits. The next day, SpongeBob had his driving test. Ms. Puff sat next to him in the boat, still baffled by the fact that after all these years, SpongeBob had yet to earn his license. Determined to do something different, SpongeBob unexpectedly drove off the course, speeding up. Ms. Puff panicked and shouted for him to stop. She was about to take control of the wheel but hesitated, knowing a sudden turn could cause an accident. Despite her pleas, SpongeBob kept going, lost in his own thoughts.

When he drove out of town, he encountered a crowd of people blocking the road. He slammed on the brakes just in time to avoid hitting anyone. A police officer quickly approached and explained that there had been a toxic gas leak in the area, and the entire place was being evacuated. "There’s no way through," the officer warned. Before letting him go, the officer added, “Make sure to drive slower, SpongeBob.” Hearing his name snapped something in SpongeBob, and without thinking, he floored it, trying to make a run for it. The police swiftly caught up with him, arrested him on the spot, and threw him in jail. He was locked up for just one second before they kicked him out again, sending him back on his way.

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I'm exhausted. I just ate 15 bite-sized waffles while writing this, and honestly, I have no idea what I just wrote. I'll reread it tomorrow morning and fix any mistakes.

[goosegoblin]

no bitch has ever gone as hard as commander wake, actually. like:

take over and unite a disorganised insurgency group to become one of the greatest threats ever presented to an immortal god

learn about, identify, locate and somehow KILL??? a monster that multiple lyctors have died trying to kill, then make said monster's body into weaponry for better god-killing abilities

identify the saint of duty and make him violate his duty, sexual-style. it's okay, because the 'duty' really refers to his cavalier, who you are also dating. succesfully two-time two people who are sharing a body. how do you even do this.

connect with even more lyctors and, rather than getting killed on sight, agree to help kill the emperor. this part contains child murder but okay!

when the relevant material dies, who cares? you've got a perfectly good womb, a syringe and seemingly immortal sperm!

inseminate yourself with god's semen ???

succesfully evade the saint of duty for the duration of your pregnancy. when cornered, succesfully a) get to the right place b) induce labour and c) deliver your child

get kicked out an airlock. this one is a bummer. reroute your oxygen to your child, which would be a sweet gesture if it wasn't specifically so your child can be killed at a more useful time

refuse all attempts by ninth house spirit-callers, other than yelling the name of the lyctor that killed you. 'sacred forgotten names' my ass

like. that's already genuinely insane behaviour! and that's only stuff that happens before book one!

because then your soul is so bitter and determined and angry that you somehow hold onto your bones for a VERY long time and you don't go insane, and then you end up in a sword for literal decades and you still don't go insane, and then some mega necromancer gets hold of The Sword With You In It and you hate her so much you can make her projectile vomit just by being near you- and, again, you are a ghost inside a sword at this stage-

also you simultaneously haunt the necromancer's brain and fuck up her attempts to rewrite history by being like 'what if i was there and also i had a gun. what if that.' and you're so hard to kill that they have to summon the ghost of the coolest bestest big boy soldier who ever lived just to try and step to you.

and also you got the necro to stab a body so you can puppet the corpse around a spaceship, which you use mostly to try and kill lyctors (and, also, to try and fuck)

also, you canonically named yourself after 'lose yourself' by eminem.

[bunji-enthusiast]

Hope you're doing well!! Please take however long you need to get your creative juices flowing <333 may I order a Dogday recognizing Poppy's Angel is actually the former Playtime Co. employee he and many others came to love and cherish due to their kindness? The reader is THAT employee that others envy, many of the toys LOVES them and prefer to be taken care of by them.

Maybe the reader had found out the sinister nature of the company but is understandably afraid to speak up about it as they realized their old co-workers maybe weren't just fired or " quit " out of thin air after all... Perhaps something happened behind the scenes that made the reader " quits " ( Maybe they could be threatened but by a lot of pleading and bargaining, they're spared but has to keep their mouth shut and never come back, otherwise... )

The toys are devastated, angry and just lots of mixed emotions. The reader feeling more and more guilty as they venture through their once happy place and having to harm the ones they once swore to care for.

The rest is up to you! Please again, take care and take your time, all the best in everything <333

I'm So Sorry

Note || oh my hearttt the angstttt, lovely to write this as always. In the form of head canons if that is alright? ^^

WC || 1,035

Sypnosis || you knew otherwise, presumably what went on. You just didn’t mean to harm those around you.

Being aware of something most employees where not had dug you a thorough grave, you didn’t want to leave your beloved friends in the toy factory. A factory misconstrued on a basement of lies and futility you may as well be well over with, and bury it in the ground. Yet, bury in the ground they did. 

Your superiors had learned of your knowledge of these things, and began sending letters. Bit by bit, they had only started off by threatening you; telling you to keep quiet. They didn’t want their precious reputation to be ruined by the likes of you. Still, you continued to stay, you didn’t want to leave your loved ones. All the friends you’ve come to love, eventually becoming like family for you.

You weren’t deaf nor blind to what the superiors at Playtime Co. do, quite literally you’d have to bandage your eyes or plug your ears to ignore all that was happening behind the scenes, you didn’t let it fall on deaf ears however. Eventually soon enough it was eating away at you to actually just quit, just straight up disappear from Playtime Co.’s eyes. 

Among the many toys; Huggy, Kissy, Mommy, and Poppy, hell even CatNap began to wonder where you went. Why did you flat-out depart from working at the Factory so suddenly? One day you were visible and present, the next you had not shown up. Oddly enough they soon had gotten their answer when the Hour Of Joy had occurred, Huggy Wuggy had come across your paper of termination when he had taken upon himself in the act.

So long ago, that was a decade past you left that life behind. You really wished you would have granted them goodbyes before you had gone, yet it seemed you got that chance to do so when you received a paper in the mail that had appeared to be from your co-workers. Word for word you could remember reading, everyone thinks the staff disappeared ten years ago, we’re still here. Find the flower.

The only reason you even had to come back to the factory in the first place was because of the guilt easily overwhelming your logic, you needed answers. You needed to know what happened to your co-workers and all the toys you cared deeply for, yet you had an overwhelming suspicion you really knew what happened to all the staff in Playtime Co. you simply just weren’t present for it. Having technically already left. 

Seeing Huggy Wuggy on the pedestal again brought back some memories for you, he was certainly a hoot. In a way, you really liked him along with the rest of the toys. He was certainly a unique one out of the few–especially along with Kissy Missy. You thought they were a cute pair together, Kissy always managed to calm his murderous tendencies and Huggy was always someone you can count on for a good hug if you ever had a bad day.

Killing is not something you would ever dare think of doing, it was simply not in your mind or blood to do so. So why did you have to resort to killing Huggy? You silently wept, having no time to grieve for him properly as you had to trudge on along to the flower.

Poppy was the last person (or toy, ahem) you expected to find in that case you came across. Now you find yourself in the game station, seeing her get pulled away like that right after she offered to give the code to you had you on the steels of your nerves, you were immediately very close to being in an angry mood. 

Now you had to deal with Mommy’s antics, you felt for her, but you certainly wouldn’t want to go through the trouble of trying to get the code from Mommy. Least of all having to resort to killing her, as she would not listen to your words. Convincing her was impossible to do, trying to make her remember you was a whole different story.

Crap.

Why’d she have to go in a rage? Now she’s dead too, and what in the seven circles of hell did she mean by “HE’LL MAKE ME PART OF HIM! YOU CAN’T DO THIS TO ME!” You shudder when a mechanical hand comes to pull away Mommy’s corpse, you mentally make a note that is the Prototype. As you’ve come to learn the name after you had scavenged Elliot’s office. 

Soon you learn what Mommy had meant, arguably enough you were angry that Poppy had derailed your only train to get out of Playtime Co. but your heart had ached too much to not finish what you started. Now CatNap was hunting you while you ran around in Playcare, you just never expected to see such an untimely sight that nobody should be put in.

DogDay was hurt, real bad. His legs were severed, he wasn’t long and limber like you remember him to be. His life seemed to be completely drained and sucked away from him, you wince when he moved, movement appeared to be harsh to even put energy into. Your heart bleeds for him, yet you are surprised when he actually recognizes you from before, all those years ago. 

“Angel, you! Y-You're the one that cared for so many of us.” You nod, parental instinct already kicking in to free him from his belts from which he hung from. DogDay doesn’t deserve a fate like this, not then and especially not now. “You don’t need to, leave me here.”

“Oh hell no, you need to live.” You refute, shushing him before DogDay begins to protest. You sigh in relief once he finally is free, as selfish as it may be, he hadn’t ever attempted to kill you. You wanted someone with you that actually remembers you and doesn’t try to gun for you the moment you even step into the vicinity.

Gosh, you really hoped to get this over with. Guilt weighing heavily in mind as you had to kill so many toys, so many that you cared for. 

At Least it meant to be in the name of self defense.

Right?

[redfoxwritesstuff]

Posting schedule: Friday Misdemeanor, and Wednesdays for one the occasional one shot. Tag lists are always open. 

Join us in the VoxTek Discord server for a Vox themed Hazbin place to hang and get teasers for upcoming chapters! 

my AO3 and Kofi

A Misdemeanor Of The Heart 

Cover done by @redvexillum

Human Alastor x married reader Rated Adult for adult themes,triggering content and sexual content. Potentially DD:DNE, mind the warnings Series Trigger Warnings: Adultery, stalking, Sexual assault, Rape, smut, Domestic Violence, Time period accurate views on women and domestic violence and skin color, murder

Summary: Fading away in an abusive marriage, each day passes just the same as the last. Painful monotony eats at you until a pair of warm brown eyes sparks the idea that you could have something more. When a business deal between men sparks a torrid affair, how long can you keep things going before the fire either leaves you a burnt out shell or burns up everything around you?

And what becomes of the radio host who thought he was above the fickle fires of the heart when the match he strikes burns his hand instead? Can he possess what rightfully belongs to another man without leaving everything he has fought for in ashes?

Chapter 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59. 60

MisD Sidepieces: One shots or fics that take place in a MisD AU or are MisD canon but written by another.

Inappropriate Demeanor by @nyx-umbrakinesis (Canon placement, end of chapter 22)

Audio Chapters by Nyx Productions: Chapter 1: part 1 part 2, Chapter 2:  Part 1, part 2, part 3, chapter 3, Part 1, part 2, part 3, Chapter 4: Part 1, Part 2,  Chapter 5: Part 1, Part 2, Chapter 6: Part 1, Part 2

For Eternity (Completed)

Banner by @redvexillum

Alastor x Angel!Wife Oc (Isabel) Rated: Adult Warnings: This fic contains sexual content, explorations of consent within Angel Dust's contract in relation to sex work, Sexual assault, Possessive and obsessive behaviors, Power dynamics, Adam being an ass, kidnapping, Vox is in hell for a reason, Val is in hell for a reason, Vox has a weird thing for Alastor, Angel Dust is sweet as pie, murder, revenge, implied sexual assault and harassment, miscarriage and death.

Summary: Isabel died young, leaving behind her husband to pick up the pieces. Finding herself in Heaven, she waits for her husband to join her. And waits. And waits. Years and decades pass as she faces the realization that Alastor may not be joining her in Heaven, leaving her largely alone in a realm of double standards and fake smiles.

She must decide if she is going to move on from her marriage or do whatever it takes to reunite with her husband. Would he even still want her? Would she survive the dangers to find him? Would the cost be worth what could be gained?

Is Heaven really Heaven if the one you love isn't there with you?

Chapter 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13

Another day in Paradise (On hiatus)

Pairing: Eventually Alastor x OFC, later- light Alastor x ofc x Lucifer Rated: Adult for eventual smut Content warnings: It's Hazbin Hotel- this feels redundant. Sex, eventual smut, referenced implied suicide to be discussed in more detail later, drugs, drinking, poor coping, toxic behavior, controlling behavior, cannibalism, idk, it's fucking Hazbin Hotel, if it's worth a content warning it's probably going to come up at some point? Religious trauma. reader has a name/is a oc.

Chapters: 1, 2, 3, 4

A Taste of Sugar

Alastor x reader Rated: Adult for smut TW: blood kink, bondage, reader with trauma from food insecurity Summary: As you work through the trauma of your life and starving to death, you dismantle your stash of snacks for what you hope will be the final time. Snack cakes, cookies and crackers are given to everyone around you, except one resident in the hotel whom you knew wouldn't enjoy or consume the treats. Then, as the flow of treats tricked to a stop, stash dismantled, small brown boxes containing treats began to appear at your door. Simple, delicious and seemingly homemade treats without so much as a note.

He watched and he waited, each week for your offer. Each week, no offer came and again he left his gift at your door. Why would you not think of him? Why would you not see him? What did he have to do for you to consider him?

Chapters: 1,  2 

Wild Flowers (One shot)

Alastor x readerRated: Adult, 18+ Content warnings: Sex pollen trope and related questionable consent due to intoxication, oral (f receiving), multiple orgasms, knotting, praise, dancing that shouldn't be that sexy, biting, a touch of blood drinking, female masterbation, some possessiveness, Alastor being a bit of an ass

Summary: You had always loved flowers, so when you found a patch of pretty purple wildflowers growing in the small forest behind the hotel, you didn't think twice about picking a small handful to bring back to your room. While they smelled lovely, you were wholly unprepared for the side effects of exposure or the repercussions of offering the terrifyingly handsome Radio Demon a smell on your way to your room.

With your body burning from the inside out with an overwhelming need and a displeased Radio Demon pushing his way into your room, you have no idea what you're in for.

All you wanted was to pick some flowers but you got so much more.

Audio version brought to you by @nyx-umbrakinesis,  Pt1, Pt2, Pt3, Pt4, Pt5, Pt6.

Steamy Situations 18+  (One shot)

Alastor x readerRated: Adults only Warnings: Smut. It's shower smut. Female bodied reader. Careful with your shower sex.

Summary: You're hot and bored and your husband is busy working. If only there was a way you could distract him, get some of his attention and cool off. Audio Fic credits: Read by the lovely @nyx-umbrakinesis (Audio fic part 1, part 2)

Read me to sleep? (One shot)

Alastor x readerRating: G Summary: After a long, shitty day out and about you drag yourself home to the hotel to seek shelter and comfort in the one place you knew you could find it.

Home is where the heart is (One shot fluff) 

Vox x Reader Rated: General Warnings: I accidently spilled a little angst on the fluff serving. Sorry?

Summary: You're cooking dinner when your secret boyfriend comes home. Caught up in the moment, confessions are made and hearts are put on the line.

A Bed of Electric FLowers (One Shot)

Header done in part by the wonderful, amazing, fantastical @redvexillum

Vox x ReaderRated: Adult CW: Sex pollen trope, sex toy use, female masterbation, Vox's glowstick dick, way too many tv details, Male receiving oral,

Summary: A unexpected floral arrangement is delivered to your door as you're trying to ignore the lingering absence of your flat faced boyfriend. When Vox returns home and finds you in a compromising position, he's eager to assist even without a clue as to what has you so worked up.

Sister Dearest (One shot)

Requested: Vox x Alastor’s!Sister!Reader rated: Adult

Summary: Sneaking out of the protection of the protection of your brother's district was dangerous. Not only did you risk Alastor's wrath, you risked catching the eye of some unsavory characters. While you could meet many friends upon the streets of the forbidden tech district, you find Vox and his alluring promises of a good time.He knew of your brother and seemed to hold no animosity, surely he was a friend to the Radio Demon, right? Surely you could trust his company, right?Right?

Power (One Shot)

Vox x Reader Rating: Explicit 18+ Warnings: Porn without plot, Power dynamics, Secretary reader, Choking on dick, Office blowjob. 

Summary: Vox is wound tight after his on air showdown with the newly returned Alastor. The show must go on though and you have just what he needs to get into the right headspace to move forward. 

(None, for now)

(None, for now)

[leth-writes]

yandere spiderverse

today I’m kinda going insane over the idea of a yandere spiderverse. Just the idea of your death being a canon event in pretty much every universe, the thing that makes or breaks each spider-person (spider-being?). Your death is what either motivates them to become a better hero, or the very thing that corrupts them completely. It’s the difference between being a hero and being a villain. So, you kinda serve as a Gwen figure for most of the spiders.

As a result, when they see Miles’ universe and you’re just… alive, all hell breaks loose.

Since Miles’ universe is a little to the left, especially with all the anomalies, you’re able to slip through that cosmic crack and avoid your death completely. I can honestly see you being a close friend of the Peter that died in Miles’ universe, so when the others all go to Aunt May’s to access his lab, there you are.

You’re giving everyone a tour of the lab, explaining to Miles all the different suits and their purposes and their histories, and they’re all just staring at you, this person they’ve all lost. Peter B.’s having a flashback to you falling, Penny’s thinking about holding you in her arms as you bleed out, Noir’s thinking about seeing you be shot, etc etc. Chaos ensues. They’re NOT letting you get involved, no matter how much you want to help them. You’ve spent the better half of a decade working with Blond! Peter, and you’re used to engaging with all the craziness that comes with the spiders. You’re so used to that particular brand of obsessive you probably don’t even notice how weird they’re all being.

I’m just imagining that it’s a universal constant among the spiders to be a little bit obsessive. I mean even in the films, Andrew Garfield’s Spider-man self-admittedly stalks Gwen all the time. It’s normal for them to keep track of the people they love, using any means necessary. I’m talking following you around, taking pictures of you, stealing your stuff, getting rid of any threats, saving you in case of danger, even trackers in your bag or clothing.

You don’t even blink, you’ve been through all this with Blond! Peter before. It’s honestly a bit comforting, like he’s still watching over you. You’ve had any idea of a normal relationship completely twisted.

That sense of normalcy is also what saves you from being completely kidnapped; if you run, you activate that predator sense they have and they’d give chase, it’s like a horror movie. They definitely let loose, showing their more spidery habits, including that insane flexibility and strength.

You hide behind a dumpster and Peter B. picks it up with one hand, stuff like that.

Anyways, so you don’t run. They still keep you confined to May’s place, who’s more than used to this and doesn’t really notice.

You’re trying to help with the planning and suddenly they’re all blocking your view from the terminal, looming over you, and they’re all like “It’s okay :) Go sit down :) Let Peter B. bring you a hot chocolate, maybe give you a back massage!”

They love that loose, easy sense of affection you have. It’s nice, many of them have been completely isolated since your death, too emotionally wrecked to feel comfortable reaching out or making new friends. Besides, no one could replace you.

You’re probably closest to Peter. He lost you almost a decade ago in his universe, so it’s like looking into the past. He has this almost paternal sense looking at you, he’s so protective he won’t let you out of his sight. He’s particularly disarming, so even if he’s not letting you leave, it comes off almost as a joke. Still, he can be intimidating when he’s pinning you down to the chair with webs and telling you not to worry, that he’ll take care of the Prowler once and for all, that he won’t let you get hurt ever again.

Gwen hadn’t known you very well when she’d lost you, she hadn’t even gotten the opportunity to kidnap you; you died in the same incident that took Peter from her, and that caused the rift between her and her father. It practically ruins her life, losing everyone and everything she’s ever loved in one moment. It hurts even worse knowing she’ll never get to grow closer to you; she was trying not to weird you out with how intense her feelings were. It’s her greatest regret, not just kidnapping you when she got the chance. She makes sure to work with Peter, keeping you trapped in May’s house. She’s the most likely to physically restrain you, with or without her webs.

Noir is used to the grim realities of his world, but losing you sucked every last bit of variety and life out of him. He becomes disillusioned with the system, harsher and harsher and less likely to pull back when fighting. He loses all regard for himself or for others. Seeing you is the most intense burst of color he’s ever seen; he never realized what he was missing, not being able to see the shine of your skin, the gleam in your eyes, the way the sun catches your hair just right so you look like you’re glowing. He’s entranced by your beauty, and you’re most likely to find him just kinda staring at you. It’s honestly kinda creepy, but hey, all the spiders stare at you, so you find yourself putting it out of mind.

[mikodrawnnarratives]

so i got more ideas for an extension of this post

Ideas about how the acquire this child below, if details don't line up with canon pls be nice i have the memory of a goldfish sometimes

The King finally being able to remember the forgotten island is the first step out of many to being able to recover what happened to it and how to recover its culture and ppl

It takes a while for ppl to realize this tho, and about a decade after the events of act 6 happen, Odile finds out that ppl are now able to travel to the island. Results are mixed, many report that if you get lost you have a slim chance of coming back out remembered, but the more successful trips bring back things like shells and fruit from the island

Odile shares this information with the gang when they all visit Bonnie, closest place to the island, and Siffrin really wants to go. And since Siff is going, everyone else is too. They paint on everyone's arms necessary information in case they get separated and temporarily forget, and get a long ass rope to tie to everyone.

The moment they get to the island they discover quite a bit but the entrance to the cities and civilization is blocked up with highly advanced mechanics.

Siffrin, in some way, finds a path from this and discovers a room. A room coated in wish craft of some sort. Inside there is a baby in a crib sleeping peacefully. Stepping inside makes the wish craft fade, and the baby begins to cry hysterically. A very very VERY confused Siffrin tries to comfort the baby but for xyz reason has to rush out of the room. Maybe someone set off a trap idk.

Siffrin and the gang make it back to the boats, they still have a lot to do before the island can be unforgotten and rediscovered, but for now they have this KID to deal with

Most prominent, and correct, theories are that someone wished for the baby to be kept in a state of inertia right before the wish that made the island forgotten. Siffrin stepping into the room made it vanish since the wish wanted the baby to be okay until ppl on the island were back to normal, Siffrin, an islander, set it off.

Siffrin would be so so lost but still trying their best with the baby, everyone else also trying their shot. Bonnie might try to see if they have anything a baby could eat but ofc they don't they didn't anticipate a baby joining the party for the short trip. Odile finds the situation both humorous and aggravating. Baby eventually stops crying, back in Siffrin's arms and everyone finds it adorable to see Siffrin acting borderline parental to the kid. It looks like they are biologically related too! Both with blackless hair and clothing of the same material. Isa melts at the sight.

When they get back they'll get the infant a check up to ensure everything is okay and the wish craft didn't have any adverse affects. While waiting, the fam has a lot to talk about. Mainly Siff and Isa. Discussion of where the baby is gonna go ensues alongside plan for getting farther into the island. The baby stays in the care of a nursery until Siff and Isa decide if they'll take the baby in. Isa's never been against the idea of having kids, and Siff has never considered it until this point. They'd have a bunch of worries about messing it up, but overall they want to keep a close eye on someone so connected to their country. And if they are investigating the culture, maybe the baby would have a better chance at learning it if it stayed with them...

A month of discussion and preparation, they sign the adoption papers, or do whatever in the world of isat that would confirm the baby is part of their family

They might name the baby something related to Inertia, and if its literally "Inertia" then a cute nickname would be Tia, I like the idea of them getting a bby girl. If we're being honest though they 100% would name her smthn like a pun i just can't think of anything creative atm. So lets just go with tia for now. Their friends would celebrate in the way all their different cultures do and bby's got a loving family.

Isa and Frin decide early on that they are going to try to raise the kid bilingual, Frin trying to speak the forgotten island's language as much as possible. Research into the forgotten island continues as Tia grows up, including how to teach the language and write it down. It's slower than anyone would like to admit

Tia grows up and upon learning that they were found twenty years after the island was forgotten, tries her shot at underage drinking "Y'know, ✨✨I'm actually twenty years older than i appear✨✨"

it never works

[weirdmarioenemies]

Name: Neo Bowser City (aka Koopa City in PAL regions)

Debut: Mario Kart 7

Do you ever think of all the weird locations we only ever see in Mario Kart games? Despite being the biggest of all of Mario's spin-off franchises, when you really get down to it, remarkably few Mario Kart courses are actually based on established Mario locations!

It's not none, there's the occasional Donut Plains and Tick-Tock Clock and Airship Fortress, but most of the courses are these weird one-off locations we never see outside the context of that specific racetrack.

But have you ever taken a moment to step back and like, think of the Lore Implications of some of these places?

Like okay! Bowser just owns this whole dang cyberpunk city and we only ever see it in the context of Kart Racing! How messed up is that?!

One day Mario and Friends were looking for new places to race, and Bowser must have said something like "Gwah-hah-hah! I bet you puny punks could NEVER beat me in a race in my cyberpunk metropolis!" and right then and there it was established that Bowser owns a cyberpunk metropolis. Neo Bowser City is a city that exists in the Super Mario World and aside from returning in other Mario Kart games, it hasn't been acknowledged before or since.

Neo Bowser City first appeared in Mario Kart 7, as the third course in the Star Cup. Despite its flashy visuals, it actually doesn't really have a whole lot going on. It's a difficult track with some tight turns made more difficult by the rain making things more slippery, but besides that it doesn't really have any of the Wacky Obstacles that define so many Mario Kart courses.

Then it returned in Mario Kart 8 looking more gorgeous than ever! The bright colors really pop out, and the whole track is just oozing with detail that really emphasizes the scale of this city!

But like, the emphasized scale really only further raises the question of where this exists in the Mario World. Clearly, the fact that Bowser is plastered all over the billboards and the fact it's named "Neo Bowser City" helps us deduce that this city probably belongs to Bowser. Is this located in Bowser's Kingdom? Just how big is Bowser's Kingdom? And why does he own so many separate castles?

Maybe Neo Bowser City exists in the future? Is this a bad timeline? I mean, Mario Kart is allowed to have time-travel shenanigans. There's a Splatoon battle arena and that exists thousands of years in the future so sure, dust off Mario's Time Machine and head to the bad future where Bowser wins. Should've pressed that New Super Mario Bros. big yellow P-Switch!

I asked my friend Mod Chikako for their input and their theory is that Neo Bowser City isn't the future of Mario's world, but of our world. Clearly Bowser just couldn't take Wreck-It-Ralph losing the Oscar vote!

But in that case I guess it's a cooler cyberpunk future than the one we're living in right now. Corporate monopolies that run mass-surveillance with little government intervention due to their extreme wealth giving them extensive political power? No thank you! Neo Bowser City has bright neon colors, and flying cars! If I'm going to live in a dystopia, I want it to be a fun one. The only advertisements I want to see plastered everywhere are ones advertising Bowser!

Boo! That's the bad guy! Thumbs down!

The course returns again in that pitiful mobile game with another redesign, this time letting us see his Coney Island Disco Palace off in the distance. Does Bowser live in his Neo City? Is this worldbuilding we've been missing out on for decades, finally answered by a kart racer? Is this the capital city of Bowser's Kingdom? Am I once again falling victim to my perpetual hubris of overthinking the Mario franchise?

Really, I can't offer too much in terms of wacky fan theories, because I'm still thinking about this location existing in the first place. I'd love to know the Lore and worldbuilding here, but I guess the nature of Mario's canon is that it doesn't need to be over-analyzed. Bowser simply owns a cyberpunk metropolis, we'll only ever see it in the context of kart racing, and maybe that's okay.

Of course, this post wouldn't be complete if I didn't mention Dinohattan from the 1993 Super Mario Bros. Movie, which we've barely talked about on this blog somehow. You see, when the meteor hit, some of the dinosaurs escaped into a parallel timeline where they then evolved into humans, and then they built Dinohattan instead of Manhattan. Get it? Yeah, that movie is all sorts of bonkers. I wouldn't say it's very good, but I kinda love it. I'd recommend checking it out, if only to see a vastly different take on Mario than you'd be used to.

Anyway I bring this up because it's a completely separate instance of a version of Bowser building a large cyberpunk metropolis, and it actually predates Neo Bowser City! Do you think they could be connected? Are Dinohattan and Neo Bowser City one and the same...?

[rozcdust]

I don’t speak to whores

Pairing: Bonten x AroAce!GN!Reader

Genre: Crack, SMAU

Word count: 500ish

Warnings: Canon divergent, profanity, ooc, whore behaviour, NO ROMANCE, just reader bullying Bonten

masterlist

The breakfast passed with Kazutora stubbornly trying to get to know Kakucho better - no matter the man’s valiant attempts of evading Kazutora’s curiosity - the latter was a relentless chatterbox in hours even Sanzu would find ungodly early to try and speak.

By ungodly early, Kakucho means before 1 p.m.

He picked up on the fact that Kazutora was apparently an early bird, the habit of waking up at 6 a.m. sharp still heavily instilled in him, even if it has been nearly a decade since he got out of prison - today was an exception, considering the events of last night exhausted everyone present, but still.

Kazutora clearly perfected the art of being both a talker and an excellent listener, with a soothing smile and perfectly placed nods whenever the conversation demanded it, bright, amber eyes shining with more life than Kakucho has personally seen in years.

It probably said something depressing about his joyless excuse of a life.

Kazutora’s optimism and genuine desire to get to know him made Kakucho feel exceedingly small. Kazutora, even while knowing his background, seemed kind, gentle, lithe shoulders perfectly relaxed even in the company of a wanted criminal, silky smooth hair cascading down his back, back slightly slouched so his collar bones were revealed, showing off the end of his tattoo.

You seemed to ignore the conversation between the two men entirely, only offering brief, sarcastic commentary upon request, busy braiding and unbraiding a small section of Kazutora’s hair as if it were the most interesting thing in the world.

The coffee was better than anything Kakucho has tasted before.

“So yeah, y/n loves to trash Fight Club, but they rewatch that damn fucking movie at least once every other month.” Kazutora smiled at your scowling face, only a roll of your eyes indicating your true annoyance as you proclaimed Kazutora a traitorous bastard, letting go of his hair only to take hold of it again.

“It is a homoerotic, satirical movie mocking toxic masculinity, and then dudebros salivate over Tyler Durden and call him an alpha male. That man is a peacock*. I’m not admitting I like that shit publicly.”

“I think Ran likes that movie, actually.” Kakucho remarks, tilting his head - he’s pretty sure Ran told him about it before.

You snort, shaking your head.

“Of course he does.” You clicked your tongue, “He doesn’t get it. Next you're gonna tell me he loves Clockwork Orange too."

“Y/n is a bit of a movie snob.” Kazutora took your hand into his - he glances up at you, silently asking your permission - upon a slight nod of your head, he smiled, planting a soft kiss on your wrist.

Such an innocent little gesture.

It has Kakucho's chest aching.

"I don't think he does." Kakucho tilts his head, scratching his cheek, "He mentioned how he hated the main character."

Your quirk an eyebrow, sipping your coffee.

"Well. Maybe he isn't a hopeless dumb bitch."

"He truly isn't that bad."

You choked on your drink, glaring at the scarred man - he shrunk under your gaze.

"Get out of my house."

a/n: i'm alive. shockingly.

Taglist (i need to start a new one so please do say if you wish to be tagged):

@rinsie @r-xochitl @7rkx @sunahyejin @yamaguccitadashi @minoozi @trashmemebitch @sup-zfam @xashiui @hana-patata @erza-uzumaki @sh4nn @sisnot @kneeapartman @anahryal @reiners-milkbiddies @satsuri3su @aretheea @bluerskiees @winterv-black @astropheia @requiem-of-a-fool @kunikya

(rest of taglist in the comments, so sorry if i tagged anyone twice!)