#tagging it as such just to be safe!!!

[implexisfatum]

@incubabe replied - Ildiko smoking weed…

fuck it, we ball

[cafeyote]

me and gang at the haunted house

[poorly-drawn-mdzs]

I love you Safety Wizard.

(Inspired by @keroascrazy)

[egophiliac]

don't think I'm not still obsessing over 7-12

[humming-fly]

The 2D vs 3D contrast of the sonic and shadow generation hubworlds cracks me up the more I think about it

Bonus:

[pippynsworld]

Soap's first ride as a backpack.

[meggalice]

I’d like to think Cait checked up on Vi while she was recovering.

[solymn]

so I make mmvs for fun now and I just finished my second one (this one Witch Hat Atelier, the first was dungeon meshi) and thought I'd commemorate it by making some gifs of some of the video moments \o/ Full video: https://youtu.be/GNINFn8ssOg

[buggachat]

honestly what I love about miraculous and what I think a lot of people seem to hate about it is that the show is completely character-driven. it absolutely follows the rule of "would" rather than "should". episodes and plot lines and everything make so much sense and are so easy and engaging to follow when you understand that everything happening is because that's what the characters would do. things like: marinette would lie to protect someone's feelings, chloe would need more than just being queen bee to change her, adrien would forgive someone and try to see the best in someone who has shown him nothing but red flags. these aren't things they should do, it's just what they would. they don't change their behavior to tie up every loose end, they aren't vessels to give the audience moral lessons, their interpersonal conflicts are sometimes never addressed head-on and instead remain as a constant noise in the background of their relationship, they are all so stubborn and complicated. the plot bends to them, not the other way around. i see all the time people complaining about how the show is so bad/a failure but in the same breath say that they love the characters, as if the show's primarily goal is not to create and facilitate those same compelling characters that you love and let you watch as the story unfurls around them.

i mean, it's completely fine if you hate it. it's fine if you'd prefer every loose end to be tied, if you prefer the plot and story to take center stage, if you don't like it when a plotline seems to be forming but the characters decide against it, etc. it's a narrative choice, and not a "good" or a "bad" choice, just a choice. we all have our preferences. but your hatred of it is not any more "objective" than someone else's love for it. sometimes being a character-driven-story lover is difficult when online media criticism seems to always see it as a bug and not a feature.

[toss-a-coin-to-your-stan-account]

doing great chat

[f0x-gl0ves]

On that cowboy shit again (pls click for better resolution probably ♡)

[poorly-drawn-mdzs]

What a lovely family portrait👨🏻‍👨🏻‍👦🏻🖼️

Enhanced image of A-Yuan's first sword flight.

[vintrage]

fire cannot kill a dragon BITCH

[dragondawdles]

the beastie <3

[itseghost]

a few meager cr3 sketches :] ft feywild fearne, orym's sending stone blues, and the revival scene from blood and dust that i sketched ages ago and decided i was never going to finish lmao

[abyssal-ilk]

playing as a tabris warden and especially playing as a fem tabris warden is just a constant over and over gut punch. you're getting married but then you, your cousin, and several other women from your alienage are kidnapped during your wedding by the arl's son. you slaughter your way out of it to save your cousin and the other women, but there isn't a victory in it— you know there will be retribution for killing a palace full of guards and several nobles even though you were defending yourself and your kin. you're forced to leave your home and join the grey wardens without being given even a single night to recover. you know there will be a purge. you don't know if you'll ever see your family again.

you're taken to ostagar where you are the only woman amongst the grey wardens, and not only that, you are the only elf among them. you remember nessa, the girl in your alienage who was afraid of leaving because she feared what the soldiers would do to her after going so long without seeing a woman. your status as an elf and a woman are constantly remarked upon. you have no choice but to stay. you are fed darkspawn blood by duncan; the blood kills one man while he slaughters the other in front of you. you are supposed to feel grateful to have survived this.

and even later when you seek help from the dalish, what do you learn from zathrian? the same injustices that were inflicted upon you have been repeated over and over for centuries. what do you learn when you seek help from the mages? templars lurk in every corner, always watching, driving mages to the same violence you yourself committed. what do you learn in orzammar? to be a castless woman is to be not considered a person, who's only worth is the children she can bear for the same nobles who keep the castless subjugated. to be chosen by a noble is supposed to be an honor. why does this feel familiar?

AND THEN. what do you learn from the deep roads? darkspawn in all of their corruption are no different; you learn of the broodmothers. it is the same everywhere, no matter where you look. nothing changes. even your other party members, leliana and zevran, have their own stories. and you don't have another choice but to keep pushing on.