#t. e. shaw

[nerdyhistoryenjoyer]

Flight-Lieutenant R. G. Sims descriptions of T. E. Shaws voice. Taken from "T. E. Lawrence by his friends" edited by A. W. Lawrence.

Pages 549, 551, 552

"... He spoke in a very low distinct voice —I have never heard him speak otherwise — but there was no question that any officer could speak to him, or get him to speak, except on the business for which he had appeared.

Several times after this I spoke about Service matters to him on the telephone, and I loved to hear that beautifully quiet, distinct voice answering with ‘Bridlington R.A.F. detachment, A.C, Shaw speaking’. Then he would answer very politely, giving the information required in the fullest manner, and the fewest possible words, calling me ‘sir’ most meticulously at every sentence. I never heard him address an officer otherwise."

"... He then said: ‘Ah, yes. Cobble built, repaired with brick facings, about sixteenth or early seventeenth century. Nice cottage.’ He had an attractive way of saying Yes, slightly biting the first part, and making the end a little bit sibilant. His voice and choice of words were both quite perfect."

"... Words cannot describe the terrific charm of T.E. He walked as on silent wheels, perfectly smoothly, without any perceptible jolt. In fact, he made no noise at all. I never heard him clear his throat, cough, sneeze, or even splash about in the bathroom. His voice was particularly quiet, but so clearly did he speak that one never lost a syllable. ..."

[thosearentcrimes]

I was going to read the next Dune book once I figured out which one it was, when I realized I still hadn't read the original. In Seven Pillars of Wisdom, Thomas Edward Shaw (né Lawrence) narrates his experiences of the Arab Revolt as a participant of the British mission to it. The testimony ranges from routine to highly implausible, but so long as you don't actually believe any of the claims he makes, it makes for an interesting read.

There are five major elements the author blends and transitions between quite seamlessly. The most common is descriptions of the geography of Arabia. As all physical descriptions, this does extremely little for me, but could be of interest to people with visual imaginations.

There is also a fair bit of reporting of both details and general principles of guerilla warfare. As with all texts about guerilla warfare, the principles are incredibly simple. Volunteer forces are even more dependent on morale than usual, the most important principle is to conserve forces, the function of guerilla warfare is ersatz strategic depth, and some way or another you should try to slowly compose a regular force in a location protected by your guerilla strategic depth because you don't want to fight a guerilla war if you don't really really have to. This can all be found in any of the major texts, while the applications and local contexts are all fiendishly complicated and non-transferable.

The author also spends a great deal of time racially characterizing the Semite, and more rarely anyone else he happens to run into. Very unpleasant stuff, but arguably useful as a reminder of just how racist people were about a hundred years ago. But while the racists certainly have gotten a lot more subtle, the substance of the arguments is entirely unchanged. As always, it is almost entirely characterizing obvious cultural adaptations and socio-economic phenomena as being instead genetically encoded, and a pathetic sense of superiority.

Sexuality occupies a fascinating amount of space. I won't try to puzzle out the author's, since he mostly doesn't see fit to share it, but I will note that he is on balance neutral towards homosexuality, and viscerally opposed to heterosexuality, and doesn't appear to consider women's sexuality at all. Mostly it seems like he hates and disdains women, and consequently considers straight sex undignified and condescending at once, like bestiality. But when he's not being a massive piece of shit, he can be quite endearingly tender about homosexuality. Or disquietingly bizarre.

Finally, the author has a mortification of the flesh and scrupulosity OCD problem the size of Jupiter. This manifests in very weird ways, and was certainly not helped by the whole attempted rape and torture thing, or the several years of deceiving his friends to best subjugate them to an empire he definitely still likes but also definitely understands it is not actually nice to be subject to. Others might think the arguably pathological mentalities are the result of these experiences, but I think it's more likely part unfortunate coincidences and part self-fulfilling prophecy.

Returning to the joke from the beginning, Dune obviously does owe a lot to Seven Pillars. Some of the pathologies even rhyme - both obsessed with genetics but in Dune it shows up with a far more individualist bent, partly because it's American but mostly because it's a fantasy novel with a protagonist. Also Dune/Seven Pillars forces you to spend a lot of time trying to figure out what exactly is wrong with Frank Herbert/Thomas Shaw. Oh and the misogyny, though Herbert is terrified where Shaw is dismissive. The big difference is Herbert is a massive homophobe. 50 years of social progress, everyone!

[iwilltrytobereasonable]

Oh hey is that my fandom from a decade ago rising up to meet me?

****

The Portrait Is Watching You

On TE Lawrence and the folly of biography

A dear friend once declared, “I want to see you write a book on why SOME people shouldn’t write about Lawrence…”

“NOBODY should be writing about Lawrence!” I interjected.

“...didn’t you JUST write a story about him?”

“YES!” I have, in fact, written a few.

It is an almost irresistible temptation, because TE occupies such a sparkling place in history and art that, entirely apart from any quirks of his personality he would already be a prime target for examination by all and sundry. Add to this all the buttons and questions of his identity - heroism, failure, friendliness, isolation, queerness, kink, trauma - the first instinct of even the most casual critic is to find out some aspect that nobody has puzzled out so well, and in doing so claim a piece of him for England for oneself.

This is not to say all his eager biographers LIKE him. Indeed, in puzzling out the pieces, Richard Aldington first and famously despised what he discovered, to the point of attempting to dodge the accusation of libel by labeling his book “A Biographical Enquiry” - he’s just asking questions, folks. I keep a quote from said book on my desktop:

The irregular situation of a father who had four daughters by his wife and five sons (of whom TE Lawrence was the second) by another woman is obviously the clue to Lawrence’s abortive career and tortured character. Of course the fact must not be abused and dragged in to explain everything -

The image of that quote is very fondly named “fuck you too Aldington.jpg” by the bye. I harbor a cherished hope someday to have the works of Aldington and Lowell Thomas on my shelf, bound together in caution tape. They are very much two sides of a coin.

Lowell Thomas made a name for himself as a sort of adventuring journalist. He wrote about the joys of travel and was paid in free tickets by rail companies for the advertisement. All places he went were exotic, all people he met extraordinary. The man was made for the propaganda machine, and while it was useful, TE used it. And when it ceased to be useful, TE tried to refuse it and Lowell Thomas refused to understand. Lowell Thomas had his own piece of Lawrence - in some ways, the first one. A flattering one? The first chapter of With Lawrence In Arabia is, after all, titled “A Modern Arabian Knight.” The second, worse, calls TE “The Uncrowned King of Arabia.”

I am always reminded, in these and the awfully orientalist captions of Thomas’s photographs, of a story told by Sheikh Hamoudi in Lawrence By His Friends. Hamoudi was surprised by the request for tales about TE because he hadn’t known yet that he was dead, so there’s a terrible sort of shocked sadness in his chapter of the book. He recalled going with TE to his home in Oxford before the war, along with Selim Ahmed, known as Dahoum. As a foreigner relying on the native TE for translation, he observed the excitement of people who came to talk with them, and that TE was repeatedly smiling and saying “No” to people requesting something. On interrogation, TE revealed that these people wanted to pay for photographs - they wanted to pay a great deal, apparently. Hamoudi challenged him for refusing, and TE Lawrence challenged him right back, saying it would make them a monkey and the man displaying that monkey for the public.

TE Lawrence knows what you are doing with him. He knows the shape of history, his story, the narrative built around him. He knows it’s happening, that there’s no way to stop it, that there’s hardly any point in trying to guide it, but he’s trying to guide it all the same. He is watching you, from the past, take him and reshape him into a piece of art that you can own.

“Poor Joan, I was thinking of her as a person, not as a moral lesson,” TE says, to Charlotte Shaw, defending his distaste in the ending of GB Shaw’s Saint Joan. In two consecutive letters, TE contrasts the play - turning away from Joan’s suffering to the reflection of the fire on the faces of her tormentors - with his own work specifically describing his torture at Deraa. Whatever else one might take from this, not the only time TE expressed fellow feeling for the sufferings of a female protagonist, I am inclined to hear him saying this: “Poor me, I was a person, now I’m a moral lesson.”

It’s easy to summon some righteous response to Aldington, and indeed he sparked a fury of refutations and qualifications and publications of previously withheld documents in TE’s defense. Fewer are thinking of defending Lawrence from With Lawrence in Arabia, but Lowell Thomas’s work has its own broad spreading ripples of effect, images of Lawrence in pure white, the archetype of the White Savior, larger than life (better put Peter O’Toole in the role, at nearly a foot taller than TE himself, he has the stature for it.) Most biographers position themselves to be less sensational, less confrontational than these.

I find myself, after a decade of not writing this ode to the folly of writing about Lawrence, falling into the trap in the footsteps of a much more reasonable writer. Edward Said, wonderfully, wrote a scathing response to Knightley and Simpson’s The Secret Lives of Lawrence of Arabia. Like Aldington, these sensationalist biographers did meticulous research but made extraordinary claims on it, and Said wisely declares that it is folly to pinhole Lawrence as anything. Said declares that Lawrence can only be pinned down as a man who wouldn’t be pinned down to anything. Defiant against definition, to the end, as a defining trait.

I like this. I especially like, in it, the face of Lawrence studying the portraits made of him, figuring out who exactly is being depicted there. TE did find his image very interesting, and talked about various incarnations of it like they were people he was watching, to find out how they tick. Among the accusations that have been leveled against him, one of the strongest is that he was a social chameleon, wearing the personality expected of him in every context.

I like how Said mentioned TE’s home at Clouds Hill, treated as a generally owned space rather than a possession of TE as host and owner. Said could not resist also saying this was an aspect of TE claiming and then refusing everything that came into his hands. It might be. Said might have the right of it.

But I think all we eager writers carry too much of ourselves into the space of this particular chameleon, so he takes on the colors we place as his backdrop. I know a few people who remind me of TE - a dear friend struggling with scrupulosity OCD, another who is trying his best to catalogue the behaviors and motivations of his own neurodivergence by watching other people, a third who is awkward and brilliant and eager to share everything he knows and has nobody, really, to talk to. The TE I would write would look an awful lot like them.

The TE I would write would be wonderfully human, giving Charlotte Shaw a full description of the eating habits of a cat he gave an eclair, doing her husband the hilarious disservice of legally taking his name when GB Shaw said it troubled him as much as Lawrence must trouble TE, forcing GB to tell people that TE was not his son for the rest of his life - but I am that terrible fool of fools, a fan. I’m the worst of all to write about TE Shaw, that little shit.

[mccoys-killer-queen]

something something terror twins something something guys being dudes

[shaw-punsexualnerd]

for everybody's glee I've got more pain coming

[sebastianshaw]

“You know, your voice is kind of nice when your mouth isn’t screwing it up.” Nilza

"Why, thank you. And my mouth is also MORE than nice when it IS SCREWING." @southern-belle-outcasts

[betterbooksandthings]

"The best fantasy audiobooks for adults sweep readers away with deft narration. I cannot recommend them more for fun listening.

Audiobook sales have skyrocketed over the last five years. As of 2023, audiobook revenue grew to $2 billion, continuing the trend of growth in the space. With the rising accessibility and affordability of audiobooks through apps like Libby and Hoopla, as well as the growing collection of audiobooks on paid platforms like Spotify, Audible, Libro.fm, and Audiobooks.com, it’s unsurprising. It has never been easier to listen to your favorite books.

There is nothing better than listening to heroes conquering proverbial or actual dragons in fantasy worlds. Or, better yet, listening to those dragons get vengeance because they were never the bad guys in the first place. Whatever the story, a good audiobook can completely change its reception.

It’s important to point out that what makes a good fantasy book does not always make a good fantasy audiobook. So, I took into account how the narrator or narrators sounded at regular speed as well as 2x, 3x, etc. Sometimes a narrator sounds excellent, and then you want to get through the chapters a bit faster and realize you cannot understand them at all in 2x. I also took accessibility into account so all the fantasy audiobooks for adults included in this list can be found on Spotify Premium, Libro.fm, Audible, and Audiobooks.com."

[ravensrevcnge]

As Aisley moved closer, Kara continued to step back, almost following her lead towards the outside in a sense. Would it be better or worse to keep the demon within the bar or outside in the world? She didn't think there really was a better or worse in this situation, just a how it was. And how it was was Aisley, possessed, and losing the battle against the demon that was trying to claw its way back to the steering wheel Aisley had stolen away from it.

Kara only stopped moving when she felt her back press up against the doors of the establishment, keeping her momentarily contained and weighing her options as Aisley struggled. She wanted to help, she so desperately wanted to help - but maybe the best way to do that was to find someone else who could better help than she could.

"I'm not leaving you," she said carefully, watching the witch - or was it the demon, now? "I'll get you help, Aisley. We'll - you'll be okay...I'll find someone who can help and come back..."

As the demon rose back to her feet Kara pushed back on the doors to make a run for it and do as she said. Find someone who could actually help.

Aisley dragged herself towards the door, her mind focused on reaching the outdoors so she could try to ground herself in the earth. It might give her the boost she needed to shove the demon out of her. Moreover, she needed to get as far away from Kara as possible. Bad enough the town seemed to be suddenly full of demons creating chaos everywhere, possessing people and getting them hurt or killed.

But Kara . . . she was one of the town’s wolves.

The very idea of a werewolf possessed sent a shiver through her. If humans could cause so much trouble, how much worse would it be for a wolf? Or a vampire? Could they be possessed? Aisley didn’t know, and she didn’t want to find out.

“Try . . . trying . . .” she coughed out in response to Kara’s words.

The demon struck, and she folded over her knees, head pressed to the ground as she fought, feeling her body shaking as the clear, clean natural magic clashed with the black of the pit. She could feel herself being dragged back, and she didn’t know whether or not she screamed as she tried to hold it off.

Just another moment.

“K-Kara . . . r-run . . . go!”

Then felt herself swatted to the side yet again and the demon’s fury rushed through her veins. It shoved itself to a standing position and turned, eyes burning black to stare at Kara.

"You should have run."

[escapisttt]

a little late for this but idgaf. my university shut down for election day so have my thoughts on redacted couples costumes!!

milo and sweetheart: morticia and gomez addams DUHHHH AND THEY ACT LIKE IT. this or kermit the frog and miss piggy (you can choose who’s who but in my heart of hearts milo is miss piggy c’mon now)

david and angel: toji fushiguro and the fucking worm from jujutsu kaisen. david was convinced because of how simple the costume is for him; just slapped on his black muscle compression t-shirt and found some big ass pants and called it a night. meanwhile angel slathered their entire body + their tank top and shorts in purple paint and put on a bald cap. (david carries angel on his shoulders the entire night)

asher and baabe: cruella deville and ash just as a dalmation dog (baabe is dragging him around with a leash and he’s living his best life) this or mermaid man and barnacle boy.

sam and darlin’: octavious and jedidiah from night at the museum come ON. literally no question about it. if sam was more fun, darlin’ would have them go as clawdeen and draculara from monster high, but he will probably never cave.

group shaw pack costumes: the walking dead themed. sam is rick. david is negan. ash is glenn. milo is michonne. darlin’ is daryl. sweetheart is maggie. baabe is carol. angel is carl. and they’re not dressing based off of the characters’ relationships within the show or else things would be weird.

vincent and lovely: just any tim burton couple. jack skellington and sally? emily and victor from corpse bride? edward scissorhands and the girl whose name i forgot? it’s either that or walter white and jessie pinkman.

damien and huxley: deadpool and wolverine (again you can pick who’s who but i think it’s obvious)

gavin and freelancer: donkey and dragon from shrek. to be clear gavin is the dragon and he’s wearing a slutty pinkish-reddish dress with his tail on full display, a pair of fake wings, and a full face of makeup while freelancer is in a donkey onesie from walmart or something. oh and caelum dressed up as the gingerbread man.

lasko and dear: if you wanna go basic, milo thatch and kida from the animated atlantis movie. but that’s boring and lasko doesn’t just wanna be himself. so if you wanna be fun and accurate about it, they’d be gimli and legolas from lord of the rings. lasko is gimli. let him live out his d&d, fantasy-loving dreams.

porter and treasure: phantom of the opera and christine. masc treasure can dress up in a white suit or just anything fancy and white, doesn’t have to be a dress. i just need phantom!porter hnnngh. alternatively if they’re feeling a little goofier they’d go as marceline and princess bubblegum from adventure time.

anton and his lover: no one talks about them enough i will bring them up at any opportunity. that being said, wall-e and eve. anton is wall-e and his lover is eve and they hold a little plant together. i’m crying.

[nerdyhistoryenjoyer]

Another meme dump

[blackwoolncrown]

Reading list for Afro-Herbalism:

A Healing Grove: African Tree Remedies and Rituals for the Body and Spirit by Stephanie Rose Bird

Affrilachia: Poems by Frank X Walker

African American Medicine in Washington, D.C.: Healing the Capital During the Civil War Era by Heather Butts

African American Midwifery in the South: Dialogues of Birth, Race, and Memory by Gertrude Jacinta Fraser

African American Slave Medicine: Herbal and Non-Herbal Treatments by Herbert Covey

African Ethnobotany in the Americas edited by Robert Voeks and John Rashford

Africanisms in the Gullah Dialect by Lorenzo Dow Turner

Africans and Native Americans: The Language of Race and the Evolution of Red-Black Peoples by Jack Forbes

African Medicine: A Complete Guide to Yoruba Healing Science and African Herbal Remedies by Dr. Tariq M. Sawandi, PhD

Afro-Vegan: Farm-Fresh, African, Caribbean, and Southern Flavors Remixed by Bryant Terry

Barracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston

Big Mama’s Back in the Kitchen by Charlene Johnson

Big Mama’s Old Black Pot by Ethel Dixon

Black Belief: Folk Beliefs of Blacks in America and West Africa by Henry H. Mitchell

Black Diamonds, Vol. 1 No. 1 and Vol. 1 Nos. 2–3 edited by Edward J. Cabbell

Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors by Carolyn Finney

Black Food Geographies: Race, Self-Reliance, and Food Access in Washington, D.C. by Ashanté M. Reese

Black Indian Slave Narratives edited by Patrick Minges

Black Magic: Religion and the African American Conjuring Tradition by Yvonne P. Chireau

Black Nature: Four Centuries of African American Nature Poetry edited by Camille T. Dungy

Blacks in Appalachia edited by William Turner and Edward J. Cabbell

Caribbean Vegan: Meat-Free, Egg-Free, Dairy-Free Authentic Island Cuisine for Every Occasion by Taymer Mason

Dreams of Africa in Alabama: The Slave Ship Clotilda and the Story of the Last Africans Brought to America by Sylviane Diouf

Faith, Health, and Healing in African American Life by Emilie Townes and Stephanie Y. Mitchem

Farming While Black: Soul Fire Farm’s Practical Guide to Liberation on the Land by Leah Penniman

Folk Wisdom and Mother Wit: John Lee – An African American Herbal Healer by John Lee and Arvilla Payne-Jackson

Four Seasons of Mojo: An Herbal Guide to Natural Living by Stephanie Rose Bird

Freedom Farmers: Agricultural Resistance and the Black Freedom Movement by Monica White

Fruits of the Harvest: Recipes to Celebrate Kwanzaa and Other Holidays by Eric Copage

George Washington Carver by Tonya Bolden

George Washington Carver: In His Own Words edited by Gary Kremer

God, Dr. Buzzard, and the Bolito Man: A Saltwater Geechee Talks About Life on Sapelo Island, Georgia by Cornelia Bailey

Gone Home: Race and Roots through Appalachia by Karida Brown

Ethno-Botany of the Black Americans by William Ed Grime

Gullah Cuisine: By Land and by Sea by Charlotte Jenkins and William Baldwin

Gullah Culture in America by Emory Shaw Campbell and Wilbur Cross

Gullah/Geechee: Africa’s Seeds in the Winds of the Diaspora-St. Helena’s Serenity by Queen Quet Marquetta Goodwine

High on the Hog: A Culinary Journey from Africa to America by Jessica Harris and Maya Angelou

Homecoming: The Story of African-American Farmers by Charlene Gilbert

Hoodoo Medicine: Gullah Herbal Remedies by Faith Mitchell

Jambalaya: The Natural Woman’s Book of Personal Charms and Practical Rituals by Luisah Teish

Just Medicine: A Cure for Racial Inequality in American Health Care by Dayna Bowen Matthew

Leaves of Green: A Handbook of Herbal Remedies by Maude E. Scott

Like a Weaving: References and Resources on Black Appalachians by Edward J. Cabbell

Listen to Me Good: The Story of an Alabama Midwife by Margaret Charles Smith and Linda Janet Holmes

Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination by Melissa Cooper

Mandy’s Favorite Louisiana Recipes by Natalie V. Scott

Medical Apartheid: The Dark History of Medical Experimentation on Black Americans from Colonial Times to the Present by Harriet Washington

Mojo Workin’: The Old African American Hoodoo System by Katrina Hazzard-Donald

Motherwit: An Alabama Midwife’s Story by Onnie Lee Logan as told to Katherine Clark

My Bag Was Always Packed: The Life and Times of a Virginia Midwife by Claudine Curry Smith and Mildred Hopkins Baker Roberson

My Face Is Black Is True: Callie House and the Struggle for Ex-Slave Reparations by Mary Frances Berry

My Grandmother's Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies by Resmaa Menakem

On Her Own Ground: The Life and Times of Madam C.J. Walker by A'Lelia Bundles

Papa Jim’s Herbal Magic Workbook by Papa Jim

Places for the Spirit: Traditional African American Gardens by Vaughn Sills (Photographer), Hilton Als (Foreword), Lowry Pei (Introduction)

Post Traumatic Slave Syndrome by Dr. Joy DeGruy

Rooted in the Earth: Reclaiming the African American Environmental Heritage by Diane Glave

Rufus Estes’ Good Things to Eat: The First Cookbook by an African-American Chef by Rufus Estes

Secret Doctors: Ethnomedicine of African Americans by Wonda Fontenot

Sex, Sickness, and Slavery: Illness in the Antebellum South by Marli Weiner with Mayzie Hough

Slavery’s Exiles: The Story of the American Maroons by Sylviane Diouf

Soul Food: The Surprising Story of an American Cuisine, One Plate at a Time by Adrian Miller

Spirituality and the Black Helping Tradition in Social Work by Elmer P. Martin Jr. and Joanne Mitchell Martin

Sticks, Stones, Roots & Bones: Hoodoo, Mojo & Conjuring with Herbs by Stephanie Rose Bird

The African-American Heritage Cookbook: Traditional Recipes and Fond Remembrances from Alabama’s Renowned Tuskegee Institute by Carolyn Quick Tillery

The Black Family Reunion Cookbook (Recipes and Food Memories from the National Council of Negro Women) edited by Libby Clark

The Conjure Woman and Other Conjure Tales by Charles Chesnutt

The Home Place: Memoirs of a Colored Man’s Love Affair with Nature by J. Drew Lanham

The Jemima Code: Two Centuries of African American Cookbooks by Toni Tipton-Martin

The President’s Kitchen Cabinet: The Story of the African Americans Who Have Fed Our First Families, from the Washingtons to the Obamas by Adrian Miller

The Taste of Country Cooking: The 30th Anniversary Edition of a Great Classic Southern Cookbook by Edna Lewis

The Tuskegee Syphilis Study: An Insiders’ Account of the Shocking Medical Experiment Conducted by Government Doctors Against African American Men by Fred D. Gray

Trace: Memory, History, Race, and the American Landscape by Lauret E. Savoy

Vegan Soul Kitchen: Fresh, Healthy, and Creative African-American Cuisine by Bryant Terry

Vibration Cooking: Or, The Travel Notes of a Geechee Girl by Vertamae Smart-Grosvenor

Voodoo and Hoodoo: The Craft as Revealed by Traditional Practitioners by Jim Haskins

When Roots Die: Endangered Traditions on the Sea Islands by Patricia Jones-Jackson

Working Conjure: A Guide to Hoodoo Folk Magic by Hoodoo Sen Moise

Working the Roots: Over 400 Years of Traditional African American Healing by Michelle Lee

Wurkn Dem Rootz: Ancestral Hoodoo by Medicine Man

Zora Neale Hurston: Folklore, Memoirs, and Other Writings: Mules and Men, Tell My Horse, Dust Tracks on a Road, Selected Articles by Zora Neale Hurston

The Ways of Herbalism in the African World with Olatokunboh Obasi MSc, RH (webinar via The American Herbalists Guild)

[iwilltrytobereasonable]

From Kennington’s memory of when T E first saw his Arab portraits:

Oh DID he

[mccoys-killer-queen]

[dried-mushroom]

Masterlist

House of the dragon

My Queen (Aemond Targaryen x female reader)

Aemond and Rhaenyra's daughter, the reader was extremely close as children and were on the precipice of being betrothed, until reader was forced to move to Dragonstone after Luke took Aemonds eye and when the reader returns for Luke's petition for the driftwood throne, no one could prepare for the tension (mainly sexual lol) between the two. Warnings: mentions of violence, lil angst, incest (uncle & niece), oral sex (m receiving), public handjob, fingering, missionary sex, porn with plot, short slow burn, Aemond is head over heels for you, soft! Aemond.

The Black phone

Breed (Albert Shaw/The grabber x Reader)

Why? (Albert Shaw/ The grabber x reader)

P♥r♥o♥v♥e♥ ♥I♥t (Albert Shaw/ The grabber x reader)

Do you believe in magic, Doll? (Albert Shaw/ The grabber x reader)

Fallout

TBA

Game of Thrones

TBA

AHS

TBA

Stardew Valley

TBA

Vice principals

Goddamn it Gamby! (Lee Russell x AFAB reader)

Be mean to me (Lee Russell x female reader)

[literaryvein-reblogs]

Writing Analysis: Cannery Row (Cultural References)

John Steinbeck’s Cannery Row (1945) opens with the following declaration:

“Cannery Row in Monterey California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream” (1).

Set in a fictionalized version of Cannery Row in Monterey, California, Steinbeck uses his cast of homeless people, drunks and prostitutes to express profound truths about humanity. 

Abacus (6): A counting device that was used before the creation of calculators.

Belles-lettres (64): A type of literary work, one that is usually expressed in essays, poetry and deals with intellectual subject matter.

Beret (123): A soft hat that has no bill and no brim. Often worn in the military.

Billings, Josh (61): The pen name for Henry Wheeler Shaw, a respected humorist of the 20th century.

Black Marigolds (171): A poem written by E. Powys Mathers.

Bloomer League (140): A baseball league that was comprised primarily of women that started during the early 1900’s.

Carborundum (90): Another name for silicon carbide, which is the sole chemical compound of carbon and silicon.

Chalmers (154): A type of car that was created and sold during the early 1900’s.

Chorea (144): An illness that causes involuntary movement in various parts of the body.

Collier’s (magazine) (139): Founded by Peter Collier, Collier’s Once a Week debuted in 1888 and went on to become one of America’s most popular magazines.

Count Basie (114): A prominent figure during the swing period of jazz, as well as a good example of big band style.

Dadaist (122): An artist or a writer who practiced Dada, a movement that rejected traditional art and contemporary culture.

Daisy Air Rifle (104): A brand of rifle created by the historic Daisy company.

Distemper (134): An infection in dogs that can be diagnosed through symptoms of a runny nose, poor appetite, and coughing.

“Fighting Bob” (111): A reference to Robert M. La Follette Sr. fight against Washington and other politicians who choose to enter WWI.

Ford Model T (61, 106): A truck built by Ford Motor Company.

The Great Depression (16): A result of the 1929 stock market crash, which left many Americans without money or jobs.

Great Fugue (163): A musical work by Beethoven.

Goiter (97): The enlargement of the thyroid gland.

Influenza (89): An infection more commonly known as the “flu.” It was responsible for claiming the lives of millions worldwide before effective vaccines were created to treat and prevent it.

Knights of Columbus (130): A Catholic organization that seeks to aid family members within the organization who are in financial need.

Knights Templar (130): A group of knights who originated in Jerusalem during the year of 1119. Though shrouded in mystery, the Knights Templar are believed to have protected the Holy Grail.

Laudanum (107): A mixture of opium and derivatives of alcohol.

Masonic Lodge (104): A meeting place for Freemasons or former Freemasons.

Mastoids (89): The skull bones that house the ear.

Mastoiditis (90): Mastoiditis occurs when an infection in the middle ear spreads to the mastoids and then causes an infection that produces fevers and headaches.

Monteverdi’s Hor ch’ el Ciel e la Terra (119): A song by the Italian musician Claudio Monteverdi, who lived in the 16th and 17th century.

Novena (88): A prayer that is said over a nine-day period that requests a special favor from God.

“Panama Pacific International Exposition of 1915” (111): The 1915 Worlds Fair that was held in San Francisco, California.

Petrarch (119): A famous writer of the 14th century who is credited with being the founding father of Humanism.

Point Lobos (64): A state reserve on the central coast of California in Monterey County.

Prohibition (72): A move by the United States government to reduce the amount of alcohol consumed in the United States through limiting individuals and businesses who sold alcohol.

Purse Seiners (67): Fishing boats equipped to fish with a purse seine, a kind of fishing net.

“Remember the Maine” (111): The sinking of the U.S.S. Maine, which was the catalyst for the Spanish-American War.

Rimbaud (124): A 19th century French writer who is most remembered for his contribution to the symbolist movement.

Robert Louis Stevenson (61): A Scottish author who is most famous for works such as Treasure Island and The Black Arrow.

Saturnalia (112): The week of December 17th-23rd during which a feast was held by the Romans to celebrate their dedication Saturn’s temple.

Scarlatti (129): Last name of Giuseppe Domenico Scarlatti, an Italian harpsichordist born during the 17th century who later moved to Spain and continued to practice music there.

Sculpin (135): A kind of small fish.

St. Francis (of Assisi) (144): A saint in the Catholic church who is known for his great love for God, animals, and the sick.

Treasure Island (64): A book written by Robert Louis Stevenson.

Vaudeville (109): A form of American variety entertainment that marked the beginning of popular entertainment as a lucrative business.

“White Sale” (103): A sale either of household goods, or when a store drastically reduces their prices for a short period of time.

Source ⚜ More: Writing Notes & References

[vulpineknave]

T. E. Lawrence’s letter to Charlotte Shaw, 28.09.1925