#systemic

[aziebites]

PROJECT ANNOUNCEMENT

Systemic - A three part illustrated poetry collection exploring personal trauma and what it means to find wholeness in fragmentation.

Coming 2025

[dustedmagazine]

Divide and Dissolve — Systemic (Invada)

Photo by Su Cassiano

Divide and Dissolve continues to provoke, even if some of the questions are becoming a bit familiar: Can instrumental music express a politics? Is there anything intrinsically subversive in the fact of women of color making heavy music? Is doom metal the right (sub)cultural space for indigenous-identified women wishing to promulgate a socially conscious, anti-colonial agenda? Systemic doesn’t provide any evidence or assertions that will settle those issues, even as the band’s public-facing discourse and promotional chatter strike ever more righteous rhetorical stances. This reviewer is down for the politics. The music is a more complicated proposition.

Doom metal is conventionally possessed of feeling tones that seem suited to Divide and Dissolve’s project: misery on tectonic scales, anger that smolders and simmers and then erupts into sudden conflagration. Other bands have coupled that tonal range with left-leaning socio-political messaging; for recent examples, see Forlesen’s ecologically minded folky doom, or Mordom’s application of glacially paced bum-out music to the problematics of dope addiction. Even more relevant are many of the records released by the Body over the last fifteen years — see especially No One Deserves Happiness (2016) or many of the cover songs compiled on Anthology (2011). Somehow the political content of the Body’s music is both more and less didactic than what Divide and Dissolve has succeeded in articulating, and certainly it’s a lot more compelling, aesthetically and ideologically. 

That’s not so damning a criticism, given the Body’s excellence, which is tough for any band to compete with. But it’s worth noting. Divide and Dissolve gets most didactic on Systemic with “Kingdom of Fear,” which includes a spoken word performance from poet Minori Sanchez-Fung. Over the band’s cool drone and occasional stirs of noise that evoke Earth’s more recent work, Sanchez-Fung intones, “In the kingdom of fear, a shadow hovers over my cover of leaves and violets,” and later, “I have pleaded to consult the chorus of night, to hold the strands of moon that tether me to beauty and let me rest.” The language isn’t straightforward enough to stir politicized passions, and while the images sustain a reading that underscores women’s productive powers, they collapse into an earth-mother symbolics that feels dated and a little soft, when a more militant response seems necessary to confront the injustices attending our current conjuncture. 

The record is better when the music does the talking, as it usually does for Divide and Dissolve. “Indignation” commences with a couple minutes of woodwinds, interlaced and gesturing toward symphonic textures, performed by Takiaya Reed. The inevitable, deafening entrance of Reed’s guitar sounds simultaneously like explosion and collapse, which is not easily done, and which is a fitting sonic complement to indignation: the emotion moves toward the world with aggressive rage, and also back into the person feeling indignant, who insists on the overriding validity of her feeling, her ideas, her sense of fairness. That’s the sort of interest that Divide and Dissolve is capable of generating. 

Of course, none of that relative complexity controls what a listener might tend to feel indignant about. Tune into the various permanently outraged talking heads on The Daily Wire, for instance, and you’ll hear a whole lot of indignation: Matt Walsh’s moronic (and always creepy) reactionary chatter about the status of the noun “woman,” or Candace Owens’ latest bit of semi-coherent clickbait (this reviewer was particularly grossed out by her defense of the cause of the American Confederacy on putative social class terms). Perhaps doom metal would not be the first choice to soundtrack those bits of rightwing bilge — but I can hear Moonsorrow’s insipid, Viking-obsessed, musical muscle-flexing whenever Walsh or Josh Hawley start yip-yapping about masculinity. 

But that’s me. Music’s nonrepresentational access to feeling may be its most distinct and its most powerful aesthetic property. In that aforementioned promotional chatter, much is made of Divide and Dissolve’s investment in the unifying power of non-verbal communication, and the undervalued extent of that non-verbal communication’s presence in our lives and experiences. But the non-verbal is still socially constructed and patently representational. See the recent transformation of the thumb-to-forefinger “OK” sign into an emblem for white power, which occurred through the functionality of social media-driven symbolics. Divide and Dissolve make heavy music, and these are indeed heavy times. To intervene effectively, the heaviness may need the iterative and representational power of the verbal. And when it’s invoked, that language may need to be political, focused and forceful. 

Jonathan Shaw

[11oh1]

*systemic

[notbeingnoticed]

Harvard Admission rates based on race:

Asians: 12.7%

Whites: 15.3%

Hispanics: 31.3%

Blacks: 56.1%

Actual systemic racism.

[grouchydairy]

I am cautious about how it is presented as a cure-all for systemic issues, telling students unfunded for an extra year to catch up after the pandemic that the way to cure their worries is not to provide concrete financial support but to be grateful for being a part of the program at all.

#MentalHealth

[eggwhiteswithspinach]

I am cautious about how it is presented as a cure-all for systemic issues, telling students unfunded for an extra year to catch up after the pandemic that the way to cure their worries is not to provide concrete financial support but to be grateful for being a part of the program at all.

#MentalHealth

[heavensky79]

🦊 Where there is a lot of light there is also a lot of shadow 🦊 ☺️ Wo viel Licht, da viel Schatten 🌞 HeavenSky aka Nicolas Sebastian 12/2022 😊 The more light, power, ressources, creativity a person has, the more shadows are in his/her personality. This is a fact. If you look at outstanding personalities like Frida Kahlo, Janis Joplin, Nikola Tesla, Mozart, Steve Jobs, Jimi Hendrix, etc. etc. you will find personalities with lots of light... And shadows. This represents also the systemic (psychology) principle of balance. 🤓 #valuecoaching @valuecoaching #light #shadows #emotions #sunlight #clouds #trees #treephotography #coaching #psychology #sun #shadows #emotions #heavensky #systemisch #wertecoaching #values #valuecoach #valuecoaching #systemic #balance #heavenskypopartica #nature #power #nature #naturelovers #systemischescoaching #stgallercoachingmodell #nicolassebastianfitz (hier: Kummenberg) https://www.instagram.com/p/CnAIM_iKk-1/?igshid=NGJjMDIxMWI=

[leebrontide]

Ok so my kid had an ear infection, right? As kids often do.

The doctor scraped out a bit of earwax to have a better look inside.

I was sent a bill for $200 PER EAR for this 5 second procedure which I did not give permission for them to do.

That was key- they did not ASK me if they could do this "procedure". And, as I OWN a medical practice (it's me. The medical practice is me, sitting in my house on video calls) I knew to call them when this bill came in to be like "You did not obtain informed consent for this procedure, and it was not en emergency procedure. You had full ability to gain my consent and didn't. I'm not paying."

And the massive hospital who owned the bill said "yuh-huh you do have to pay."

And I said "I own a practice. I know these laws. I do not owe you money for this."

And they conducted an "internal review" and SURPRISE! Decided I totally owed them money and they had never done anything wrong ever.

And so I called my state's Attorney General office, and explained the situation because, as I mentioned, I know the law. The AG got in touch within a couple days to say they were taking the case and would send the massive hospital conglomerate a knock it off, guys letter.

Lo and Behold, today I have a letter where said hospital graciously has agreed to forfeit the payment.

"How not to get screwed over by companies" should be part of civics class.

Know your rights and know who to call when they're infringed on. This whole process cost me $0 and honestly less effort than I would have expected.

May this knowledge find its way to someone else who can use it.

[mostly-funnytwittertweets]

[daylighteclipsed]

ENTRY LEVEL MEANS NO EXPERIENCE. IT MEANS NO PORTFOLIO OF RELEVANT SAMPLES. ENTRY LEVEL IS ENTRY LEVEL

[victusinveritas]

[roboticnebula]

Pros of re-reading your own fic

a good time;

Has exactly the tropes you like and the characterization you want to read;

Gratification: yes you did finish a thing and yes you did do good;

just a very fun time all around.

Cons of re-reading your own fic:

Is that another TYpO

[sailing-ever-west]

the trolley problem vs. systemic oppression: a comic.