#sydney lemmon

[andthesunrisesagain]

Sydney Lemmon

(+ version NB du 1er en dessous car je savais pas laquelle choisir)

[scenesandscreens]

Tár (2022)

Director - Todd Field, Cinematography - Florian Hoffmeister

"It is always the question that involves the listener, it's never the answer."

[loveandthings11]

She’s so me (😍)

[cantsayidont]

Teevee shows:

BLACK DOVES (2024): Keira Knightley attempts unsuccessfully to renew her action star credentials with this violent, very uneven Netflix miniseries from Joe Barton (creator of THE LAZARUS PROJECT). Knightley stars as 40-ish deep-cover spy Helen Webb, whose two little children and dull husband Wallace (Andrew Buchan), an up-and-coming Tory MP, have no idea of her real past, her real occupation (spying on Wallace for a shadowy espionage organization), or the fact that she's been having an affair with a man called Jason (Andrew Koji of WARRIOR, wasted), who's just been murdered. Ben Whishaw (looking like he's been scraped out of a lint trap) costars as Helen's friend Sam, a sardonic gay hitman who is supposed to be watching her back while coping with problems of his own. Set at Christmastime, BLACK DOVES has a weird streak of holiday sentimentality that sits uneasily with Barton's dry black humor (which is sometimes fun) and mean-spirited ghoulishness (which is not). Worse, Barton leaves Knightley flailing in a badly underwritten part that's completely overshadowed by both Sam and the supporting cast — there's never any reason to care about either of Helen's lives, and the script seems reluctant to take her motivations (protect her children, avenge her dead boyfriend) at all seriously. Unlike THE LAZARUS PROJECT, the more interesting character threads also feel divorced from the murky plot, which is convoluted and far-fetched, but short on imagination and never very interesting. CONTAINS LESBIANS? Several, with snotty assassins Williams (Ella Lily Hyland) and Eleanor (Gabrielle Creevy) the show's principal bright spots. VERDICT: Not so much "Ho Ho Ho" as "Oh ho hum," and I was dismayed by how disinterested it is in its ostensible lead. If you want "married mom is secretly a badass spy," try WHO IS ERIN CARTER, which is less gay, but more fun.

HELSTROM (2020): Muddled, dreary Hulu horror-drama based on D-list Marvel Comics characters Satana and Damian Hellstrom, Son of Satan, here known strictly as Daimon (Tom Austen) and Ana Helstrom (Sydney Lemmon). In the show, the adult siblings' now-institutionalized mother Victoria (Elizabeth Marvel) is possessed and their father is/was a demonic serial killer, so Daimon and Ana both have powers; Daimon, a college professor in Portland, has a sideline as a demon hunter and exorcist, while mean lesbian Ana is a trader in rare artifacts with a hobby of supernaturally assassinating rich assholes. A late holdover from the era before Marvel Studios TV projects became completely Mouseified, HELSTROM doesn't have the clammy deracinated theme-park blandness of the Disney+ shows, but it's still a wearisome slog. Daimon is boring, and I loathed his self-righteous noviate sidekick Gabriella (Ariana Guerra), but Ana's dead-eyed bitchiness, killer outfits, and silly haircut are kind of fun, at least in the early episodes. It might have worked better with an X-FILES/KOLCHAK-style monster-of-the-week format, but it fails to generate the atmosphere needed for a PG-13/TV-MA horror story, and the indecipherable plot bogs down in reactionary "redemptive power of family" horseshit. CONTAINS LESBIANS? The sole reason for watching, but while the show tells us that Ana is an inveterate womanizer, we never once see her kiss a girl! VERDICT: Ana Helstrom is great, but everything else is tedious and unappetizing. CWs apply for quasi-incest themes, medical torture, parental abuse, and an icky supernatural forced-pregnancy plot.

THE LINCOLN LAWYER (2022– ): Agreeable but very ordinary legal drama, based on the Michael Connelly novels, about L.A. defense attorney Mickey Haller (Manuel Garcia-Rulfo), trying to get back in the game after a stint in rehab and unexpectedly inheriting the clients of a colleague who's just been murdered. Becki Newton and Neve Campbell costar as Mickey's ex-wives, with Jazz Raycole as his client-turned driver Izzy, who chauffeurs Mickey around in a Lincoln SUV and acts as his sounding board, and occasional guest appearances by Elliott Gould. Created by David E. Kelley and Ted Humphrey, this is an utterly conventional lawyer show, with the usual contrivances and limitations (like recurring bouts of smug whorephobia), and even at his lowest moments, Mickey is much too affluent to really sell the "feisty underdog" shtick. Nonetheless, it's a well-polished formula, buoyed by Garcia-Rulfo's likeable lead performance, and it works better than the disappointing 2011 movie with Matthew McConaughey, although I wish that the show would allow more time for Mickey's smaller cases, which are more satisfying than the big case plots. CONTAINS LESBIANS? Izzy is gay, but it only comes up once or twice a season. VERDICT: Nothing special, but it goes down easily.

[himerobyn]

Sydney Lemmon Gif Pack

PAID CONTENT!  SYDNEY LEMMON – HELSTROM (PART I) – [670 gifs] / by clicking in the source link below you will find #670 gifs (250x141) of Sydney Lemmon in Helstrom s01e01-05. You are free to edit these as you please, just credit me where credit’s due. Please reblog this post if you found these useful! tw: violence, blood. 

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[taiturner]

Sydney Lemmon as ISABELLE FEAR THE WALKING DEAD – 7x06 “Reclamation”

[beerlady]

[esmecuckoo]

Real family helps you dispose of a body.

[cinemaquiles]

Dica de filme ruim: "Chamas da vingança ("Firestarter", 2022) para ver no streaming!

[somosorigen]

TÁR… Blanchett Es Un Monstruo

La mundialmente famosa Lydia Tár está a solo unos días de grabar la sinfonía que la llevará a las alturas de su ya formidable carrera. La notablemente brillante y encantadora hija adoptiva de Tár, Petra, de seis años, tiene un papel clave en la tarea. Sin embargo entre sombras que deambulan en su vida, Lidia Tár verá como su vida toma giros totalmente inesperados. (more…) “”

[vintagewarhol]

[frontmezzjunkies]

Max Wolf Friedlich's "JOB" Fires with Force on Broadway

#frontmezzjunkies reviews: #MaxWolfFriedlich's #JOBplay directed by #MichaelHerwitz starring #PeterFriedman and #SydneyLemmon #BroadwayPlay #TheHayesTheater #Broadway

Sydney Lemmon and Peter Friedman in Broadway’s JOB. Photo by Emilio Madrid. The Broadway Theatre Review: Max Wolf Friedlich’s JOB By Ross On a sharply defined theatrical space, now on Broadway at The Hayes Theatre after a triumphant run off-Broadway, a psychological standoff of intense proportions is what immediately snaps us straight into the emotionally volatile and fascinating world of JOB,…

[loveandthings11]

J TO THE OB

[hjbirthdaywishes]

August 10, 2024

Happy 34 Birthday to Sydney Lemmon.

[therealmrpositive]

Firestarter (2022)

In today's review, I find that old fire sometimes do burn brightly, as I attempt a #positive review of the 2022 Blumhouse remake of Firestarter #ZacEfron #RyanKieraArmstrong #SydneyLemmon #KurtwoodSmith #JohnBeasley #MichaelGreyeyes #GloriaReuben

Stephen King’s work has always been a very lucrative library to adapt for the world of T.V., Film, and Radio, and for each adaption, it doesn’t take long for another one to come along not that long afterwards. Blumhouse Productions has had a track record of taking previous properties and capturing the audience’s imagination for a new generation. In 2022, it came to the team at Blumhouse…

[chrisnaustin]

If only I were she!