#swan lake jester

[sadly-never-after]

One of my favourite things to think about is adult Duchess and how unbelievably bittersweet she will feel once she has to stop dancing.

The best and luckiest ballet dancers in the world retire around their early 40s (and that’s only if they are very very lucky), with most of them retiring around their late 20s-early 30s.

She would be the first descendent of the swan princess to find herself unable to dance. She would be the first to undergo the chronic pain and muscle cramps that will lead her to abandon her biggest passion. I can’t help but imagine how, even if it will be painful to abandon the art she has perfected throughout her life, it will also be a symbol of longevity, something that will be hers purely. It’s a medal that tells the world “Look at me! I got my happily ever after!”

[lovelyballetandmore]

Wang Zi as the Jester in Swan Lake | Hong Kong Ballet | Photo by Conrad Dy-Liacco

[literallys-illiteracy]

Project Moon Reading list

this is mt attempt at a comprehensive list of the references in Project Moon Games.

if you have any that arent listed, feel free to share them.

Lobotomy Corporation:

SCP-049 (Plague Doctor) (Speculated)

Portrait of Dorian Grey (Portrait of Another World; Mirror Of Adjustment) (Speculated)

Bible (One Sin and Hundreds of Good Deeds, Plague Doctor, Skin Prophecy, Flesh Idol, Burrowing Heaven, Express Train to Hell, Whitenight, Carmen)

Midsummer Nights Dream (Fariy Festival)

[Radio Station] UVB-76//The Buzzer (1.76Mhz)(Speculated)

Necronomicon//General Lovecraft (Skin Prophecy)

Colour Out of Space (Fragment of the Universe) (speculated; Thematically almost certainly lovecraft inspired)

The Little Match Girl (Scorched Girl)

Beauty and the Beast (Beauty and the Beast)

The Red Shoes (Red Shoes)

The Wonderful Wizard of Oz (Scarecrow searching for wisdom; Warm Hearted Woodsman)

Colour Out of Space (Child of the Galaxy) (speculative)

The Snow Queen (The Snow Queen)

Rudolph the Red Nosed Reindeer (Rudolta of the Sleigh)

[Opera] Der Freischutz (Der Freischutz)

Snow White and the seven dwarves (Snow White's Apple)

Alarune (Alriune) (speculative)

The Little Prince (Little Prince)

Little Red Riding Hood (Little Red Riding Hooded Mercenary; Big and Will be Bad Wolf)

Three Little Pigs (Big and Will be Bad Wolf)

The Six Swans (Dream of a Black Swan) (Speculative)

[Music] Bethoven's Moonlight Sonata (Il Pianta De La Luna, Silent Orchestra)

[Film] Spirited Away (Mountain of Smiling Bodies) (Design) (Speculative)

Wonderlab specific:

Alice's adventures in wonderland (Red Queen, Hookah Butterfly)

The Wonderful Wizard of Oz (Scaredy Cat and the road home)

The little mermaid (Piscence mermaid)

Midsummer nights dream (Titania)

[Conjecture/Heavy Speculation] Snow Queen or Snow White and the Seven Dwarves (Nobody Is)

Rapunzel (Tangle)

Lady in the Lake (White Lake)

Mythology and Folklore:

[Buddhist] Preta (Clouded Monk)

[Celtic] Faerie (Fairy Festival)

[German] Der Freischutz "The Freeshooter" (Der Freischutz)

[German] Doppelganger "Double Walker" (Nothing There) (thematic)

[German] Nachtkrapp "Night raven" (Big Bird) (Speculative; Personally unconvinced)

[Greek] Stymphalian birds (Punishing Bird) (Speculative)

[Greek] Pygmalion//Galatea (Pygmalion)

[Japanese] Baku (Void Dream)

[Japanese] Jubokko "Tree Child" (Grave of Cherry blossoms)

[Jewish] Kabbalah (Tree of life, Malkuth, Yesod, Netzach, Hod, Tifret, Gevurah, Hesed, Chokma, Binah, Keter, Ayin)

[Jewish] Succubus//Incubus (Porccubus)

[Korean] Urban Legend regarding "Grape Welch Soda" (An Opened Can of Welcheers)

[Norse] Yggdrasil (Parasite Tree) (Speculative: Giant Tree Sap)

[Roman] Justicia // Lady Justice (Judgement Bird)

[Roman] Laetitia (Laetitia)

[Russian]  Zhar-ptitsa "The Firebird" (The Firebird)

--------------

Library of Ruina:

Library of Babel

Do Androids dream of electric sheep? (Thematic, Achievement name)

The Wonderful Wizard of Oz (The Adult Who Tells Lies, Scaredy cat and the road home)

The Marvelous Land of Oz (Ozma)

Town Musicians of Bremen (The Musicians of Bremen)

The Jaunt (WARP trains)

Nosferatu (Nosferatu)

Macbeth ("And then is Heard no more")

[Film] The hour of the wolf (Tanya)

[tarot] The fool (Jester of Nihil)

[poetry] Sky, Wind, Stars, and Poem (SPB&TP mili song) (thematic)

[poetry] Orlando furioso /& Orlando Innamoratto. (Roland and related cast (Argalia, angelica, etc.))

---------------

Limbus Company

The Divine Comedy (Dante & surrounding cast)

The Wings (Yi Sang & co.)

Faust (Faust)

Don Quixote (Don Quixote)

Hell Screen (Ryoshu)

The Stranger//L'etranger//The Outsider (Meursault)

Dream of the red chamber (Hong Lu)

Wuthering Heights (Heathcliff & Co.)

Moby Dick//The Whale (ishmael & Co.)

Crime and Punishment (Rodion & Sonya)

Demian (Sinclair & Co.)

The Odyssey (Outis, Cyclops)

The Metamorphosis (Gregor)

Limbus Company - Minor References:

Peter pan (Smee)

Sherlock Holmes: (Timekilling Time Stage Names)

Scandal in time (Scandal in Bohemia)

A Case of the Gallows (A Case of Identity) (speculative)

The Adventure of three detectives (The Adventure of Three Students)

The White Scarved League (The Red Headed League)

The Clock Tower of Fear (Valley of Fear)

The Final Problem (The Final Problem)

Midsummer night dream (Midwinter Nightmare EGO gift)

The Time Machine (Hubert from TKT) (Speculative)

The Stars (Alfonso and Stephanette)

The Old Man and The Sea (Indigo elder) (Speculative)

Murder on the Orient Express (Murder on the WARP express)

Vampire the Masqurade (Casseti) (Speculative)

The Masque of the Red Death (Casseti) (Speculative)

The one who rules (Stage name "the one who lords") (speculative)

Real People:

League of nine:

Kim Kirim (김기림) (Rim)

Yi Hyoseok (이효석) (Aseah)

Lee Jong-myeong (이종명) (Yurang)

Kim Yu-yeong (김유영) (???/ Unnamed Member)

Chi-Jin Yoo (유치진). Pen name: Dongrang (동랑) (Dongrang)

Cho Yong-man (조용만) (Aneung)

Lee Tae-jun (이태준) (Sang-heo)

Jeong Ji-yong (정지용) (Young-ji)

Lee Mu-young (이무영) (Gap-ryong)

Park Taewon (박태원) (Gubo)

Kim Hae-Gyeong (김해경). Pen name Yi Sang (이상) (Yi Sang)

Park Pal-yang (박팔양) (???/ Unnamed member)

Gim Yujeong (김유정) (Dongbaek)

Kim Hwan-tae (김환태) (Nul-in)

other(s):

Agatha Christi (Grade 1 Fixer Agatha)

Kim Sakkat (Bamboo Hatted Kim)

Alphonse Daudet (Alfonso)

Vergil (Vergillius)

EGO and Abnormalities:

Midsummers Night Dream (Midwinter Nightmare) (EGO gift)

Carmilla (400 roses Anormality) (Carmilla EGO gift)

Metropolis (Resident of Metropolaris) (Speculative)

Snow White and the seven dwarves (Ebony Queen's Apple)

Pride and Predgudice (Spider of Marrige)

Poem of a dying butterfly (no.10 Crows Eye View) (A Dying Butterfly

Rudolph the red nosed Reindeer (Sandolph)

[Religion, Abrahamic religions] (Skin Prophet) (Heavenly Executioners throne) (Sign of Roses) (Heavenly Commanders Throne) (Broken Wings) (ichthys (Headless ichthys))

[Religion, Buddhist] (Ya Śūnyatā Tad Rūpam EGO) (My Form Empties)

[Folklore, Celtic] Faeries (Fairy Long-Legs, Fairy Gentleman, Faelantern)

[Folklore, German] Der Freishutze (Der Freishutze) (Der Fluchshutze)

[Folklore, Korean] The Green Frog (Blubbering Toad)

[Folklore, Korean] Dol hareubang (Wishing Cairn) (Pagoda Veneration)

[qirarey123]

Villains in Spider Ballerina's Universe

La Folia Vert (The Green Madness)

In the Spider Ballerina universe, Le Farceur Vert takes on the role of the Green Goblin, infusing the chaotic and mischievous spirit of a jester with the iconic menace of the Green Goblin.

Josephine's encounters with Le Folia Vert are marked by a dance of unpredictability. The jester's penchant for turning crime into a dark performance challenges Josephine's commitment to restoring order and beauty. Their dynamic is one of unpredictable twists and turns, as Le Folia Vert takes pleasure in turning the city into their chaotic stage.

••••

L'Ébéne Cygne(The Ebony Swan)

In the Spider Ballerina universe, L'Ébéne Cygne is a symbiotic entity inspired by Odile, the Black Swan from Swan Lake, combined with the malevolent nature of Venom.

Josephine faces a formidable adversary in The Ebony Swan, whose darkness is a twisted reflection of her own grace. L'Ébéne Cygne aims to corrupt the beauty of ballet, turning it into a nightmarish dance of shadows.

••••

The Pirouette Puppeteer(Doc Ock)

In the grand theaters of Paris, the Pirouette Puppeteer weaves a tale of mechanical marvels in form of ribbons and puppetry, bringing a unique blend of technology and dance to the Spider Ballerina universe.

Josephine's encounters with the Pirouette Puppeteer are a clash of artistic expression and technological innovation. The Pirouette Puppeteer sees Josephine as an obstacle in her quest for revenge, while Josephine struggles to understand the motivations behind the mechanical ballet of her former colleague. Their conflict is a dance of tragedy and technology, a battle between the elegance of ballet and the cold precision of machinery.

••••

The Charming Marquis(Chameleon)

In the aristocratic circles of Paris, the Charming Marquis is a master of disguise and manipulation, using his balletic finesse to infiltrate high society and weave a web of intrigue in the Spider Ballerina universe.

Josephine, unknowingly entangled in the Charming Marquis's schemes, finds herself facing a foe who uses elegance and charm as weapons. The Charming Marquis sees Josephine as a symbol of everything he believes was stolen from him, and their conflicts are a dance between grace and deception. Josephine, in turn, must navigate the intricacies of the social web to uncover the Charming Marquis's true identity and put an end to his manipulative ballet.

I actually have more ideas on Villains but this will do for now.

[athena-xox]

Here is my tentative timeline with all the webisodes in chronological order.

Within series canon at least I think it’s right, I’m going to have to watch it in order to make sure there’s nothing out of place.

The next step is adding the books + diaries which I think will mean shuffling around the order.

You might be thinking that that won’t work because the books conflict and are a different timeline. But there’s a perfectly good explanation for that … I just haven’t thought of it yet.

If anyone’s planning on doing a rewatch perchance use this playlist that I made. If you notice anything wrong please lmk. For the specials I just put one trailer and that means to switch to Netflix or if you don’t have Netflix to use this link.

Anyways without further ado hers my timeline + justification

First week:

A take of two tales

Maddie in chief

Apples princess practice

Here comes Cupid

Catching Raven

This is all the first week of school. The reason I put apples princess practice at the start is because it should take place before here comes Cupid, because Hunter has a bit of a crush on Apple. And then Maddie in chief should go before then bc in apples princess practice, Apple acts as if she is study body president. And catching raven just makes sense at the start of the year.

Stark mad raven

true reflections

briars study party

the shoe must go on

The cat who cried wolf

cedar wood would love to lie

I put stark mad raven and true reflections a bit later because Apple says last week in stark mad raven and tbh true reflections makes sense to be a little bit later so I decided to keep them together. Briars study party I also put a bit later, we know it’s at the start of the school year because blondie says but I think that it makes sense in the second week. The others are just in release order

Legacy day

The day after ever after

Replacing raven

Blondies just right

Rebels got talent

Mirrornet down

Class confusion

From legacy day - blondies just right, it’s release order and makes sense to be the direct aftermath of legacy day. Rebels got talent imo has to take place earlier on in the year, I’ll explain why later. Class confusion would be around mid November for a start of new term.

True hearts day

Cupid comes clean … kinda

The beautiful truth

Once upon a table

Poppy the roybel

O’hairs split ends

Kittys curious tale

Lizzie hearts fairytale first date

Lizzie shuffles the deck

Duchess’s swan lake

Cerise’s picnic panic

This is mostly just release order. Kittys curious tale has to take place after poppy the roybel since poppy is referenced to. And kittys curious tale has to be before Lizzie shuffles the deck because kitty is playing on the Royal croquet team. I assume because she pranked Lizzie, Lizzie kicked her out onto the rebel team.

Thronecoming

And the thronecoming queen is…

Best feather forwards

Ginger in the BREADhouse

Just release order, and it makes sense

Spring unsprung

Ashlynn’s fairytale frolic

Save me darling

The forest festival

Apples birthday bake off

Save me darling canonically takes place in April and it should be before wtw. Apples birthday webisode is moved to her because it should take place in may

Way to wonderland

A big bad secret

Rosabella and the BEASTS

In my mind apples birthday is Saturday/Sunday and wtw is the Monday after. A big bad secret is moved so that it happens before Ramona’s first appearance. And Rosabella’s episode canonically takes place in may

Dragon games

Moonlight mystery

Wish list

A tale of two parties

Piping hot beats

There’s no business like snow business

Epic winter

Release order and there’s no business like snow business moved to be before epic winter

The legacy orchard

Canonically takes place in September and the start of a new school year. We know this is the next school year because bunny and Alistair are there

What’s in the cards for courtly jester?

It comes out with all the chapter 3 webisodes in which a majority of them take place in the following school year. I think it makes sense that she’s allowed to go to school at the start of the next year and the webisode takes place during courtly second/third week

Sugar coated

Because the yearbook plot from legacy day orchard is mentioned we know it takes place after. And the canon month is October

Meeshell comes out her her shell

The talent show is mentioned and we know it’s a year after rebels got talent because it’s the same talent show except in rebels got talent Maddie is MC and in Meeshell comes out of her shell, Maddie has an act.

Croquet-tastrophe

Canonically takes place in November. Is 100% this school year because of the yearbook plot

Fairest on ice

Yearbook plot we know it takes place in this year. Canonically January

Heart struck

Takes place in February and the first day of spring … yeah I’m not sure why spring starts in February

Bunny and Alistair forever

Takes place in March. Because apparently spring starts in February spring unsprung could have taken place in February and this webisode taking place shortly after. Imo it’s makes more sense to take place the following year.

Beanstalk bravado

Because Meeshell is seen in it, I think it makes sense for it to take place the following year. I think around April/may makes sense, just because there aren’t really any other webisodes from March - June

Tri-castle-on

Canonically takes place in June, the end of the school year. And again… the yearbook plot.

If you notice anything wrong please lmk. Keep in mind this is a first draft.

If you use my playlist and want to keep an eye out for mistakes: if you see Hunter and Ashlynn together publicly it means it’s after true hearts day, if you see poppy in the school it means it’s after poppy the roybel, if you see bunny or Alistair it means it’s after spring unsprung, if you see Ramona … well thar could mean a lot of things, if you see Meeshell that means it’s either right before Meeshell comes out her shell or right after.

So if anything’s out of place feel free to dm or reblog/reply to this post. Also if there’s anything else that confirms or denies the timeline that I missed.

Edit: also if you see Meeshell in a webisode besides hers or beanstalk bravado please lmk. Or Ramona somewhere other than big bad dexter, moonlight mystery, dragon games or epic winter 🙏

(Ps also thank you to @roybelmirrorcast for their timeline on TikTok that really helped me place the larger specials/webisodes)

Now I’m going to work on adding the books 😭😭

[tobiasdrake]

Digimon Adventure 01x51 - Hell's Jester, Piemon / The Crest of Friendship

Previously on Digimon Adventure: Jou decided he needs to forge his own path by following in Yamato's footsteps. Meanwhile LadyDevimon made everybody extremely uncomfortable as part of Piemon's master plan to squick the Chosen Children into leaving his front door.

Now, with LadyDevimon's death, Piemon has come out to attend to what remains of the assault team in person.

We open on Jou searching for Yamato, while Yamato's harmonica music paradoxically plays in the background.

Narrator: Around this time, Jou, with harmonica in hand, was searching for Yamato. Gomamon: JOU, LOOK!!!

Gomamon draws Jou's attention to an abandoned swan boat.

Gomamon: IT'S YAMATO'S BOAT!!! He must be around here! Jou: But we don't know how long it's been here. We aren't even certain that Yamato was the one who used it. Gomamon: That's fine! We're sure to find him. By now, Yamato probably also thinks that it's about time he rejoined us anyway.

Jou examines Yamato's harmonica.

Jou: You're right. It was my idea to go look for Yamato. I can't be having second thoughts now! Gomamon: Yeah, exactly! You've become a lot more manly lately. Jou: What's that supposed to mean? (playful, pokes Gomamon) Are you saying I wasn't manly enough before?

Jou and Gomamon both break into laughter. Gomamon seems very pleased by Jou's decision to forge his own path, but he was also satisfied when they were still with Mimi's nakama. So it seems like Gomamon's just happy regardless of what Jou chooses.

As with Gabumon, it's most important to Gomamon that Jou be the one to make the choice for himself.

The dub opens by implying that Joe and Gomamon have been searching for a while now.

Joe: We've looked everywhere, Gomamon, but we still can't find Matt. Gomamon: Maybe your harmonica playing has been keeping him in hiding. Joe: (sarcastic) Mm. Everybody's a critic. Gomamon: Hey, Joe! LOOK OVER THERE!!! Joe: What is it? (Swan Boat) Gomamon: It's Matt's boat! He must be close by! Joe: But we have no idea of when he left it, or if he was using it at all! Come on, we'd better keep looking. Gomamon: Don't be such a downer; This is our first clue in a long time and I want to see a little Get Up and Go-mamon!" (Joe inspects the harmonica) Joe: I guess I'm still pessimistic 'cause when we found Matt's harmonica, it led us nowhere. But you're right. He could be nearby. Gomamon: Now, that's the spirit, Joe! You've become a real man lately! Joe: Oh, I get it now. (playful, pokes Gomamon) So you're saying that I wasn't a real man before, huh? Gomamon: (laughing uncontrollably) Joe: Are you man enough not to laugh when I tickle you?

This is really good. The bits about their search fudge the events a bit. They followed the harmonica music to Elecmon, who told them about the swan boat. Then they crossed the lake to pursue the swan boat, and now they've found the swan boat. This has been a pretty straightforward tracking mission so far.

The dub seems to imply that, after crossing the lake, they found nothing and had to wander aimlessly for a long time. But now they've stumbled back onto the trail by chance. This is a much messier version of events.

However, the playful banter between the two is a top-notch and entirely faithful adaptation of the original dialogue. Dub Gomamon also implies that Joe's been (badly) trying to play Matt's harmonica in the time since we last saw him, which is a funny mental image.

Meanwhile, outside Piemon's observatory, WarGreymon is on the offensive.

Calling Dramon Killer as an attack, WarGreymon volleys rapid-fire stabs at Piemon but struggles to land any of them. Piemon darts and weaves too easily through his attacks.

WarGreymon finally manages a solid hit when he surprises Piemon with a kick, knocking him back into the roots of a large tree. But Piemon picks himself up, seemingly no worse for wear.

Taichi: GOT HIM!!! Piemon: Muhahahahaha! Do Chosen Children truly rely on such childish tricks? Taichi: (surprised) What!? Piemon: My expectations have been dashed. I thought you'd be tougher than this. Koushiro: WarGreymon's attacks aren't having any effect at all! Hikari: (worried) Onii-chan, are we okay? Taichi: (determined) We're fine.

This fight is going badly. They landed a hit, but didn't seem to do any damage and had their successful hit written off as 子供騙し kodomodamashi, a composite of 子供 kodomo meaning "child" and 騙しdamasi which means "deception".

Kodomodamashi is a transparent, juvenile trick that only a child would think is clever.

Of course, what it says about Piemon that he fell for a kodomodamashi goes unremarked upon due to how intimidating he is right now.

In the dub, WarGreymon calls Dramon Killer as "Mega Claw". Probably to avoid the K word, even though they already solved that problem in the past by calling them "Dramon Destroyers".

Tai: I think we won! Piedmon: Hahahahahahahaha! Thank you for the sparring match, WarGreymon. Now I'm ready for the main event. Tai: Oh, no! Piedmon: Once upon a time, there were these DigiDestined. And then Piedmon destroyed them all. The end. Izzy: No offense to your storytelling skills, but I'd like it better if your ending were different. WarGreymon: IT WILL BE!!! Kari: We can't win unless we're all together! Tai: (worried) Where are they!?

This scene is very different. Piedmon isn't so dismissive of the children's abilities here; He simply blusters menacingly, including a callback to the Dark Masters' debut when he told the kids a twisted faerie tale of their own impending deaths.

Kari and Tai here use their lines to remind the audience that we're trying to buy time for reinforcements to arrive. It also makes a stronger transition into the next scene, as we find Sora and Takeru searching for the others.

Angemon seems to have reverted to Patamon between episodes, as the three of them are all riding Birdramon's talons. Sora uses her Digivice's radar function to try and scan for the others.

Sora: The Digivice still isn't reacting to anything. Patamon: The powers of darkness must be too strong. Sora: (thinking) How are we supposed to find them in this vast Digimon World? Takeru: ...Sora-san? Sora: What? Takeru: Will we find Onii-chan? And all of the others? Sora: ... Takeru: Sora-san? Sora: We'll find them, no matter what. (starting to freak out) If we can't then we're all.... Takeru: Sora-san! Sora: Ah! Takeru: ...are you okay? Sora: (polite laugh) Sorry about that. I'm fine! We'll find them.

Despite the fact that Sora is clearly only pretending to be okay while the stress eats her alive from within, Takeru accepts that answer with a smile. He's eight.

Sora: (thinking) I have to bring everyone back, or else we won't be able to defeat Piemon. This world... We won't be able to stop it from being destroyed.

Despite her attempt to keep Takeru from fretting over it, the stakes coupled with the seeming impossibility of her task are weighing heavily on Sora's mind.

In the dub:

Sora: The Digivice isn't responding at all. Patamon: I hope we find them soon; I'm getting airsick. Sora: (thinking) We'll never find them all. The Digital World is too big. They could be anywhere. T.K.: Hey, Sora? Sora: What? T.K.: We'll be able to find Matt and the others, right? Sora: (thinking) Should I tell him the truth? T.K.: Well, Sora? Sora: The only thing I can say, T.K., is.... (crying noises) T.K.: ...are you alright? You're not crying, are you? Sora: Just something in my eye! Don't worry! We'll find them, T.K! (T.K. smiles) Sora: (thinking) We'll find the others because we have to! Unless we fight as a team, we'll never defeat Piedmon! We can't let him destroy the Digital World!

Pretty straight adaptation.

They cut Sora's implication that Piemon is going to kill them all, replacing it with Sora breaking down into non-verbal sobbing.

Cutting back to the fight, WarGreymon attempts to land his Brave Tornado. It's gone two for two on Ultimate opponent kills so it's a good choice.

It does not go well. Continuing to fight circles around him, Piemon hurdles the attack with a jolly flip. Emerging from the ensuing dust cloud with scuff marks all over his armor, WarGreymon looks like he did more damage to himself with that attack than to Piemon.

Tailmon: He's strong! Hikari: Onii-chan-- Taichi: Everyone, stay back! Hikari: But why, Onii-chan!? Taichi: Wait until Yamato and the others get here! You just fought LadyDevimon; You need time to recover your stamina!

Taichi is still thinking ahead. Focusing on the next fight and not this one, even though the next fight is technically a part of this one. Banking not on winning this fight, but on WarGreymon holding the line until they can hit Piemon all at once.

The dub calls Brave Tornado as Terra Force.

Gatomon: He's tough. Kari: We should all fight. Tai: Everyone stay where you are! Kari: But Tai! Why not!? Tai: The Digimon are still too tired from our fight with LadyDevimon. We have to wait until we're at full strength, when Matt and the others rejoin us.

Another faithful adaptation. Kari does manage to spell out what she wants to do, where Taichi cuts off Hikari and leaves it implied. But what she wants is clearly the same in both versions.

From there, we finally go check in with Yamato and see what he's up to. He is in a hole.

Narrator: After Yamato separated from Taichi's group and became a solitary child, he tried to put his thoughts in order. Before he knew what was happening, he found himself lost, wandering through a dark cave. Gabumon: Yamato.... I have a bad feeling about this cave. Let's hurry up and find a way out. Yamato: Yeah. You're right.

Yamato agrees verbally with Gabumon, but he doesn't hurry up. Instead, he loses himself in memories, flashing back on Takeru announcing that he rescued himself from Pinocchimon's mansion.

(Flashback) Takeru: I was able to protect myself all on my own this time! (End Flashback) Yamato: (stops walking) I.... Gabumon: Huh? What is it, Yamato? Yamato: I kept saying that Takeru needed me. The truth is, I was the one that needed him. Convincing myself that Takeru needed me is how I found my place. But.... (Flashback) Hikari: That's incredible! Taichi: That's awesome, Takeru! Congrats! Mimi: We were so worried about you! Jou: You sure have grown up, without any of us realizing. (End Flashback) Yamato: Takeru has everyone supporting him. And Taichi acted more like a real big brother than I ever did.

Yamato doesn't answer. Silently, he starts walking deeper into the dark cave.

The dub takes its first commercial break following the previous scene, then we come back to Matt. They don't have the narrator to poetically set up Matt's metaphorical-made-literal surroundings, so Gabumon has to do the job. He plays the spooky cave for nervous laughs.

Gabumon: Matt? Matt: Yeah, Gabumon? Gabumon: Maybe we've been traveling in this direction a little too long. This cave is starting to give me the creeps. Let's hurry up and get out of here! I'm still not sure what you mean by 'trying to find yourself' but I'd appreciate it if you didn't look in here! Matt: Sure. Whatever.

The dub's flashback is only slightly altered; T.K. says "I told you I'd be back" instead of "I told you I could do it." But it's by far the most consistent a dub flashback has been yet.

(Flashback) T.K.: See, everybody? I told you I'd be back! I can take care of myself just fine! (End Flashback) Matt: I've been living a lie. Gabumon: You're not a real blond!? Matt: (heavy sigh) I kept saying T.K. needed me but, really, I was the one that needed him. Gabumon: What do you mean? Matt: I used to think that my one purpose in life was to protect my little brother. But then.... (Flashback) Kari: You're the man! Tai: Nice going, T.K.! Great job, buddy! Mimi: We were so worried about you! Joe: Boy, for a little kid, that was a pretty big escape! (End Flashback) Matt: He didn't need me to protect him anymore. And Tai was much better at acting like a big brother than I ever was....

Tonally inappropriate blond quip aside, this is still a pretty straight adaptation.

Gabumon's not about to let that last remark from Yamato go unquestioned.

Gabumon: What are you talking about? You are Takeru's older brother, Yamato! Yamato: I don't deserve to be Takeru's big brother. I just used Takeru so that I could feel secure in my place as his brother. I needed to believe that Takeru had no one else but me.

As Yamato speaks, a tendril of concentrated darkness moves through the cave behind him. Yamato, unnoticing, sits down in the cave and pulls his knees to his chest.

Yamato: That's why I got so mad at Taichi. I felt like he was trying to take Takeru away from me. Taichi is decisive and has strong leadership. Most of all, he treats Takeru like a man. Gabumon: Now what's brought this on, Yamato? There are so many great qualities that are unique to you too! Yamato: I always thought of Taichi as tactless and dim-witted, but I just couldn't see. Gabumon: Yamato....

This is the discussion they were trying to have back with Jureimon. This time, Jureimon isn't here to direct Yamato's anxieties. But Yamato's been thinking about this long enough for his anxieties to become self-sustaining.

He's still wandering the forest of lost souls.

In the dub:

Gabumon: But you don't have to act. You are T.K.'s brother! Tai isn't! Matt: That's just the point. I don't act like a brother at all. And even though it made me feel good to think that I was the only one there for him, in reality, all the kids were. Gabumon: Let's talk about this outside. There's something strange about this place.... Matt: That's why Tai made me so mad! I thought he was trying to take T.K. away from me! (Matt sighs and sits by the wall) Matt: Tai might be real bossy and hard-headed sometimes but he never treated T.K. like a child, which is how I've always treated him. But I'm the one who's childish. Gabumon: Matt, stop putting yourself down! Sure, you have some teenage angst, but you've been a great brother to T.K.! Matt: I used to think Tai never thought about anyone but himself, but that actually describes me a lot better. Ugh.... Gabumon: Oh, Matt....

"You have some teenage angst", Gabumon? I'll take "Lines that remind you that these children were written by thirty-year-olds".

(Matt isn't even a teenager!)

Gabumon gets an extra line so he can say, "Can we have this conversation in a less spooky and thematically resonant place?" Which is a valid interjection.

Suddenly, Gabumon notices the swirling darkness around them.

Gabumon: (gasp) Yamato! Something's wrong with this place!

The darkness of the cave surrounds and engulfs Yamato. He doesn't even seem to notice as it pours into him; His eyes glazing over with darkness.

Yamato: There's no hope for me. I can't go back and rejoin the others' nakama. Gabumon: STOP THAT!!! (scolding) Without you, Yamato... If the eight of you don't come together then this world is doomed! Yamato: They don't need me. It wouldn't matter if I was there or not. Gabumon: YAMATO, GET A HOLD OF YOURSELF!!! Yamato: Forget it. Just leave me alone. Gabumon: HOW CAN YOU SAY THAT!?!? Yamato: ... Gabumon: (tearing up) Yamato....

Gabumon's saying correct things but it doesn't matter when the other person is not in a mindset to be told. Yamato's depression is spiraling, and he's dissociating. He's not really here in this conversation, and eventually he stops responding entirely.

This is intercut with imagery of Yamato sinking into a vast, bottomless ocean of darkness.

In the dub:

Gabumon: (gasp) OH, MATT!!! I THINK YOU'D BETTER TAKE A LOOK AT THIS!!! Matt: Whatever. I'm no good. I can never go back to being their friend. Gabumon: You have to! Don't you understand that if the eight of you don't get back together, the Digital World will be destroyed forever! Matt: They don't need me. And besides, seven is a luckier number than eight. Gabumon: HEY, MATT, SNAP OUT OF IT!!! Matt: Just go away. I want to be alone. Gabumon: Come to your senses! Matt: ... Gabumon: (tearing up) Matt, listen....

Super inappropriate time for a quip, dub team. Again, this is pretty straightforward in its translation, apart from the futile attempts to inject levity.

At this point, Yamato shuts down entirely. He's as still as the grave, and trying to break through with reason has failed. Only one option left: Resort to violence.

Gabumon bites down on Yamato's leg hard enough to break him out of his dissociation. Yamato gets up suddenly, backhanding Gabumon off of him.

Yamato: OW!!! WHAT THE HELL ARE YOU DOING!?!?

As Yamato stands up, there's a single-frame animation error where he and his darkness aura briefly separate. As a mistake, Yamato physically goes back to his previous frame instead of into the next frame of his standing up animation, then teleports to a standing position in the frame after. Meanwhile his aura continues on into the next frame and then the one after like it was supposed to.

The aura goes 2-3-4-5 while Yamato goes 2-3-2-5.

This implies that Yamato and the aura are being animated separately, which I find fascinating. How did this mistake happen, I wonder?

Anyways.

Gabumon: There is only one Yamato in this world! Am I wrong!? So then why do you keep comparing yourself to Taichi!? Obviously you and Taichi are different! You're Takeru's big brother, aren't you? It makes no sense to say Taichi's a better brother than you are! Yamato: ...Gabumon...? Gabumon: Besides.... What would I do if you were gone!? I spent so long in this world waiting for you, and you alone! Yamato: Gabumon.... Gabumon: Do you truly want to be alone, Yamato? Because if so, then I'll leave this place by myself. But only if that's what you really want.

Gabumon's teethmarks in Yamato's leg do wonders for getting him to pay attention and engage with what Gabumon is saying. This time, he seems to actually be listening and processing Gabumon's words.

In the dub:

Matt: OW!!! WHAT ARE YOU DOING!?!? ARE YOU CRAZY!?!? Gabumon: Don't you understand, Matt!? You've got to quit comparing yourself to Tai! You're not him! It's like ice cream; He's vanilla and you're rocky road. But only one of you is T.K.'s real brother and it's not him! No matter how much he impresses T.K., Tai will never be able to break the bond that you two brothers share! Matt: Gabumon.... Gabumon: And besides, don't you think it would break my heart if you weren't here? After all, I didn't wait my entire life for you to arrive just so you can wallow in self-pity! Matt: Huh? Gabumon.... Gabumon: But Matt, if you really want to be left alone, then I'll respect your wishes and disappear. But only if that's what you really want me to do.

Accusing people of wallowing in self-pity is rarely a convincing argument against continuing to wallow in self-pity, Gabumon. In fact, that's a great way to kill an intervention by getting them defensive.

This was a little thing that's slowly been compounding but I don't like Gabumon's tone of voice in the dub. In the original, he's pouring his heart out and sounds on the verge of breaking down in tears. Which makes sense since he's actively crying.

The dub voice sounds aggressive and accusatory. There's not as much empathy for Matt here as there is for Yamato.

Also, they're still desperately trying to insert quips to keep this light, and they are failing miserably. This is still a dark and serious conversation even with Gabumon and Matt making tonally-inappropriate jokes here and there.

Faced with Gabumon's emotional earnestness, Yamato clenches his fist and answers.

Yamato: No. When I said I wanted to be alone... that was a lie. I was putting on a front. Since I was young, I've been pushing people away like that. But the truth is....

Yamato flashes back on his parents' divorce. The camera closes in on his face, as he watches Natsuko take Takeru away.

Yamato: Really, I'm lonely. I told myself no one would ever see me cry. If I had to be alone, then I was going to be a great man who can do anything by myself. But... what I wanted to do was cry. Gabumon: Yamato.... Yamato: (crying) I hate being alone.

Gabumon pulls Yamato into a hug.

Gabumon: I'm here for you! You can depend on me the way I depend on you. If you do that, then we can persevere (ganbaru) through anything!

Finally, Yamato unpacks the effects that his divorce trauma has had on him. Like Gabumon said back at the Jureimon encounter, Yamato is still, deep down, an empathetic young boy who wants to be loved and accepted by others. We've seen it multiple times throughout the series. He's always been driven by his empathy, even if he couldn't acknowledge it.

But he closes up and becomes defensive when his nerves are exposed. His fear of abandonment motivates him to push people away and try to act like a lone wolf. Even though he's really, truly not one, and never has been.

If anything, by his behavior, he's always been Team Mom, constantly looking out for the welfare of the group as a whole. Because that is his truth, buried beneath the lie he's been trying to convince himself to believe.

In the dub:

Matt: No, I don't really want to be left alone. Sorry, I never meant to hurt you. I've never let anyone get close to me before. Not since my family split up. (Brief divorce flashback) Matt: Ever since then, I've been alone. I figured if my family didn't want me, then I would just keep to myself and never tell anyone what I was feeling. And I swore I would never let anyone see me cry. But really, all I wanted to do was cry. Gabumon: Then cry. Matt: (crying) I hate being alone. (Gabumon pulls Matt into a hug) Gabumon: I'm here for you, Matt! I used to be lonely too! I wandered around the Digital World without any friends at all! And then, after I met you, I'd never be lonely again!

Yamato says that his lone wolf behavior is a deliberate ruse. That his behavior is fake. He pretends (poorly) to be a self-made island of a man who doesn't need anything or anyone, as a defense mechanism. But really, his behavior only isolates him further and makes him irate and miserable.

He is a very unhappy social butterfly, because he denies himself connection and pours all of his need for human contact onto Takeru. Who, as previously noted, slips through his armor because he can lie further and tell himself that he doesn't need anything but Takeru needs him.

Matt touches on that, but only goes as far as to say that he keeps people at arm's length. He explains that he closed himself off because "my family didn't want me", which is an obviously untrue childish exaggeration. Especially since we've met his family and we know how they feel about him.

Yamato describes himself as 一人 hitori, alone, as a result of the divorce, but doesn't cast blame for it. His story is focused on what happened in his head due to the divorce. He never implies that his parents hurt him intentionally.

Which makes it seem like this whole thing came from Matt just... misunderstanding the cause of his parents' divorce and thinking they broke up because of him. Yamato needs therapy. Matt needs a hug from his mom.

Then Dub Gabumon starts bald-faced lying about his background. Gabumon has never been alone. From the day he hatched, he's had a social network around him. He's thinking of Gatomon. He stole her backstory in order to pretend he could relate. The bastard.

Credit for letting Matt cry in the dub, though. Past episodes have taken a strong anti-boys crying stance, so that was a pleasant surprise to see.

Inspired and touched by Gabumon's words, Yamato responds.

Yamato: (smiling) You're right. Gabumon, because you were with me, I was able to make it this far. Even in the depths of this dark cave, you're still here, chasing after me. I don't have to be alone. Gabumon: Yamato! Yamato: I have the nakama too. And Takeru, Dad, and Mom.

Yamato flashes back again. This time, rather than the divorce, he sees the reunion with his parents and Takeru shortly after VenomVamdemon's defeat.

Yamato: (thinking) I'm sure I'll look much happier next time. Dad! Mom!

In the dub:

Matt: I know what you mean. Me too. After all, you're the main reason I came to the Digital World in the first place. And here I am, lost in this dark, strange cave, and you're still right by my side. That's the sign of a true friend. Gabumon: Aw, shucks. Matt: I guess I have friends. And that includes T.K. and my Mom and Dad! (Brief flashback) Matt: (thinking) Now I realize I was never really alone. People like me. They really, really like me!

Matt says "you're the main reason I came here" like that was a choice he made.

As a finisher, "People really like me" feels like a much weaker closing argument than "I'll look much happier next time my family sees me" in my opinion, but that may just be personal taste. This isn't incorrect; I just don't like it as much.

As Yamato self-actualizes, the darkness is purged from him and rises into the cave, swirling overhead. At last, Yamato sees it for himself.

Gabumon: Yamato, look! Yamato: What is that? Gabumon: It was coiling around you this whole time! Didn't you notice? Yamato: Not at all. Gabumon: I think it was trying to get inside your heart, Yamato. Yamato: It's black. ...I understand. These are the black feelings that I was experiencing just now. But you're wrong. Gabumon: About what? Yamato: That thing wasn't trying to get inside of me. It pulled out the darkness I already had inside. I think I've been carrying that darkness deep in my heart all this time. Gabumon: I see. Yamato: My isolation is what drew this darkness into me. But everything is different now!

Adding onto the thematically resonant nature of this hyperbolic place, the dark swirly-swirl is itself the manifestation of Yamato's feelings.

(I believe he has found the part of the Digital World that came from Silent Hill's data.)

In the dub:

Gabumon: Matt, look! Matt: What is it!? Gabumon: It's been around you this whole time! You mean you haven't noticed it until now? Matt: Not at all. Gabumon: It was weird. The more you talked about being alone, the bigger that thing got. Matt: It's pitch-black. ...that's exactly the feeling I had in my heart just a minute ago. I know what it is! Gabumon: Please tell me. Matt: It's the darkness that I've been carrying around with me this whole time. The darkness that's been buried in my heart. Oh, Gabumon, now it's ready to swallow me up whole! Gabumon: Like Jonah and the whale? Yamato: I have a feeling that if I didn't recognize it just now, it would have taken over my whole life. But I'm not gonna let that happen!

(spit take)

Okay so we can't use the word "holy" but referencing specific Bible passages is fine.

Then again, there was that one time Sora's mom yelled "Christ", but I'm still convinced that was an ad-lib no one caught.

Man, threading the needle of acceptable Christian references under 90's cartoon censorship is hard.

In any case, this is pretty solid. My one note is that they again removed the discussion of Yamato's feelings of isolation. Matt says this is the darkness he carries but does not go into detail about where that darkness came from, what it means for him personally. Instead, he treats it like an external threat trying to destroy him.

Which is. Y'know. The opposite of what this scene is meant to convey about Yamato's internalized darkness. That's his little trauma ball up there. Let's whack it with a stick! A stick made of love.

(Not you, Sora, this is not your time yet. Yamato has to learn to love himself first.)

Yamato: After all, I'm not alone anymore! Gabumon: That's right! Yamato: Thank you, Gabumon. Gabumon: Yamato! I've always, always wanted to thank you, ever since we met!

Yamato hugs Gabumon, and as they embrace, the swirling mass of Yamato's darkness disintegrates into pixels.

(God, I hope that thing isn't going to reincarnate into a Digitama. ...oh, wait, the Village of Beginnings is... Aww, I made myself sad. Piemon's darkness domain sucks! I hate it here!)

Yamato: You've been by my side, and I never realized. I've always had you! Gabumon: (happiness noises) Yamato: (stands up and grips Gabumon's claws) You might have to put up with a lot from me from now on, but I'm counting on you. Gabumon: I can handle that. Yamato: And I'm not going to complain anymore. Gabumon: It's fine! You can complain to me all you want. Haha! Yamato: Alright, then. I'll whisper my complaints to you very softly.

Gabumon and Yamato share a laugh. As they do, the cave around them distorts and fizzles out of existence. It was never real to begin with.

In the dub:

Matt: It can't hurt me because I'm not alone anymore. Gabumon: That's the spirit! Matt: I want to thank you, Gabumon. Gabumon: Don't mention it. That's what friends are for. Besides, I should be thanking you! You're the best friend a Digimon ever had. (Matt hugs Gabumon) Matt: Let's make a promise that we'll always be there for each other, no matter what happens. Gabumon and Matt, friends for life. Gabumon: (happiness noises) Matt: (stands up and grips Gabumon's claws) What do you say? Do we have a deal? A handshake makes it official. Gabumon: Will a pawshake do? Matt: And I promise not to complain anymore either. Gabumon: Don't start that again. If you're upset about something, you should get it off your chest. Matt: Alright, if you insist. I'll still complain once in a while, but only to you!

I appreciate Dub Gabumon calling Matt out for the "no complaining" thing. No, Yamato, suppressing your feelings and refusing to communicate what's going on with you is not the correct takeaway from this. Try again! Use your words! XD

The dub's take on the cave scene has been touch and go but I like this part. And yes, you are permitted a quip here. Now is the proper time for tension-killing gags.

As the cave fizzles out of existence, Yamato and Gabumon unpack what that was just now.

Gabumon: The both of us were just inside this huge cave of darkness.... Yamato: We've been lost for a very long time.... Jou: HEEEEEEEEEEY!!! YAMATOOOOOOOOOOOOO!!!

Due to a lack of pronoun, it's unclear if Yamato is saying "We've been lost" as in they were in the cave for a long time or "I've been lost" as a reference to the psychological cage he'd imprisoned his mind in for years. This ambiguity may be deliberate, as both are appropriate context for this scene.

The abrupt sound of Jou screaming for them brings Yamato back to the present.

Yamato: (surprised) Jou!

Jou sprints up to Yamato, then stops and gasps for breath. Once he's caught his breath, he starts laughing and whips around to face Gomamon.

Jou: Ahahahahaha! I told you we'd find him! Gomamon: I never said we wouldn't. Yamato: (amused) What's all this, now? Jou: While we were walking here, I told myself everything would be fine as long as I believe in my path! Yamato: I see. Jou: Oh! Here.

Jou offers Yamato's harmonica to him.

Jou: This is your harmonica, isn't it?

Yamato takes it, closing his hand around it and closing his eyes for a moment. Basking in sentimentality. Then he opens his eyes again.

Yamato: Thank you.

Mission complete! I hope this helps Jou feel better about himself.

As Gabumon and Matt unpack the cave experience, the dub doesn't quite capture the poetry of the original.

Gabumon: Uh, correct me if I'm wrong on this one, Matt, but weren't we just in a big, dark cave a minute ago? Matt: That's right, and we were completely lost! Joe: HEY!!! MATT!!! OVER HERE!!! Matt: It's Joe! (Joe runs up, then stops to catch his breath) Joe: Hahahahaha! Who's the man now? I told you I'd find him! Gomamon: I never doubted you for a single minute, Joe! Matt: What's going on? Joe: I said to myself, "Joe," I said, "Just follow your own path and sooner or later you'll run into Matt!" I'm just glad it happened before I retired! Matt: I see! Joe: Oh! That's right. I forgot. Here. It's your harmonica, isn't it? (Joe gives Matt his harmonica) Matt: Thanks, Joe.

Joe's a little dub Joe about it but the whole exchange between him and Matt is nonetheless pretty accurate.

From here, we cut back to the fight with Piemon.

Piemon fires off his Trump Sword, throwing four swords at WarGreymon two-by-two. WarGreymon deflects the first pair with his Dramon Killer gauntlets, but the second pair slice past his exposed legs.

Then, moving of their own volition, the four swords fly up into the air to rejoin each other and come back around for another go. This time, all four swords slice past WarGreymon unblocked, carving him up.

Koushiro: WarGreymon is.... Hikari: (covers her eyes) No! I can't watch! Taichi: Shit!

Further attacks from the persistent projectiles bring WarGreymon to his knees. With WarGreymon struggling to even stand back up, the swords return to Piemon. Two by two, he catches and re-sheaths them on his back.

(Piemon vs. King Bradley, go!)

Tentomon: (distraught) Koushiro-han, put me in! Taichi: DON'T!!! Koushiro: (uncertain) Taichi-san!? Taichi: (thinking) Yamato, hurry!

Taichi's still holding the others in reserve for when the real battle begins, but he's running out of time and the others are beginning to question his decision.

The dub keeps the name Trump Sword for Piedmon's attack.

Izzy: WarGreymon's exhausted! Kari: (covers her eyes) I can't watch anymore! Tai: Stay tough! (WarGreymon continues to get slaughtered out there) Tentomon: Please, Izzy, let me help WarGreymon! Tai: No! Izzy: WarGreymon needs help! Tai: (thinking) Come on, Matt, where are you!?

Subtle change in that Izzy directly argues back at Tai. It's minor and makes sense for the dub's more assertive take on the character. Otherwise, mostly identical.

Cut to Sora and Takeru searching for the others.

Takeru: Ah! What's that?

Takeru points out Yamato's discarded swan boat.

Sora: Let's go take a look.

The Birdramon Express comes in low for a landing, and we go to commercial.

Can I just say that this swan boat is the unsung MVP of Digimon Adventure? Between this and the PicoDevimon sub-arc, it's put in so much overtime work to keep these children together despite their repeated insistence on splitting up.

In the dub:

T.K.: Look down there! Sora: That's Matt's boat! T.K.: But... where's Matt?

XD Sora, you weren't even there for the "Matt must have used the swan boat" conversation.

Hell, when they split up to reunite the team, it was Tai and Joe that took the boat across the lake! Matt stayed on land! You know this! You were stalking them!

Matt used the boat one time and suddenly everybody knows it as Matt's Boat forever. I hope this haunts him for life. I hope when they're forty years old, they're having a team reunion in the park and someone sees a swan boat on the lake and goes, "Matt, someone's stealing your boat!"

I mean. It is Matt's boat this time around.

But other people have used it too! That could be Mimi's boat! You don't know! XD

(Mimi, of course, having escaped being reunited by the boat this time around. Last time it was Koushiro who slipped the boat's notice. The boat does its best but there are many children and it can only do so much to gather them.)

Coming back from commercial, Sora and Takeru set foot on land.

Takeru: Onii-chan is nowhere to be found. Sora: (thinking, distraught) WHY!?!? At this rate, Taichi and the others.... (focused, determined) I'll find them. I promised! I have to find everyone and bring them back!

As if in response to her thoughts, a black void appears beneath Sora's feet. Darkness swirls, climbing up her legs. Takeru notices quickly

(There are benefits to being short.)

Takeru: Sora-san! Some black thing is crawling up your legs! Sora: Eh!?

Before she can react, a black void opens up beneath Sora, which then materializes into a deep, dark hole. Sora plunges into it.

Sora: (scream) Piyomon: SORA!!!

They don't emerge. Takeru stands at the edge, calling down into it.

Takeru: Sora-san!? SORA-SAAAAAAN!!!

(Did the boat know this would happen? Perhaps it is more nefarious than we realized. It did bring Yamato to Digitamamon's diner, after all....)

The dub lets Sora begin the conversation.

Sora: I hope he's not hurt somewhere. T.K.: We'll never find him. What are we going to do? Sora: (thinking) T.K.'s right. Maybe we should go back and help the others fight? (focused, determined) No. Tai asked me to find the others and that's what I'm going to do. I won't let him down! (Darkness appears and starts snaking up Sora's legs) T.K.: SORA, WATCH OUT!!! THERE'S SOME BLACK THING COMING OUT OF THE GROUND!!! Sora: Whuh? (Void becomes a hole and Sora falls in) Sora: (screams) Biyomon: (also screams, diving in) T.K.: Sora! SORAAAAAAAAA!!!

You get the impression that Sora's worried in the dub, but she's not quite at the "knife's edge of sanity" point that her Japanese counterpart is hanging out at.

Original Sora is hanging on by a thread, something that's apparent in both this and her previous scene. The stakes are so high but her task is seemingly impossible, and she's cracking under the pressure of those two conflicting realities.

In fact, this is the second time in as many scenes that she's had to suppress intrusive thoughts about Piemon killing them all. It's no wonder the darkness entity or whatever it is has taken an interest in her now.

Whether or not Sora can hear Takeru crying out for her, somebody does hear. Yamato and Jou come running.

Yamato: TAKERUUUUUUUUU!!! Takeru: (gasp) Onii-chan! Yamato: Takeru!

Yamato's first order of business is to hug his brother.

Takeru: Where were you!? I was so worried! Yamato: I'm sorry. I won't leave you like that again. I promise. Takeru: Huh? Onii-chan, you look a little different. Yamato: Don't worry about that, Takeru. What are you doing here, anyway?

Suddenly, Takeru remembers the current crisis. He points at the hole.

Takeru: Sora-san fell down there! Jou: (runs to the edge) EHHHH!?!? Sora-kun did!?

The boys peer down into the ominous unknown.

Takeru can be forgiven for being so excited to see Yamato again that he completely forgot Sora plummeted to her possible death two seconds ago. It's his brother, y'all.

In the dub:

Matt: T.K.!!! T.K.: Hey, that sounds like Matt! Matt: It sure does! (The brothers hug) T.K.: Oh, Matt, where have you been!? I was so worried about you! Matt: Sorry, T.K. I needed time to get my head straight, but I won't leave you again. I promise you. T.K.: Gee, Matt, you look different. Did you cut your hair or something? Matt: Nah, I just haven't been using as much gel. Where is everybody? T.K.: Some black thing pulled Sora down into that hole! Matt: Huh!? Joe: (runs to the edge) What!? Is she alright!?

I'm not sure the dub really understood the meaning behind Yamato "looking different", so they made a quip out of it. This is connected to Yamato saying that he'll look happier the next time his family sees him. Takeru's commenting on the visible change in Yamato's disposition.

Without that context, the quip's a bit of a non-sequitur, but it can be explained easily enough by T.K. having not seen Matt in a while.

I love the "That sounds like Matt!" "It sure does!" exchange. That's cute. ^_^

Gathering at the edge of the pit, the boys peer down into it. It looks eerily familiar to two of them.

Gabumon: Yamato, this.... Yamato: Yeah. This is the same cave we were trapped in earlier. Takeru: What is it? Jou: Whatever it is, we have to save her!

The boys climb down slowly into the black hole of darkness.

Jou: I have a bad feeling about this. Takeru: It's scary.... Yamato: It's okay! Don't be scared, Takeru. Your fear will agitate the darkness. Takeru: Oh! Got it!

Descending into the cave, a rock under Jou's foot gives way and he falls onto his butt.

Jou: UWAAGH!!! Oww..... Yamato: Are you okay? Jou: Yeah, the bottom wasn't too far down. I wasn't sure where I was falling to.

Once that's settled, Yamato directs the group's attention to the spooky cave.

Yamato: This is it. Jou: Where's Sora-kun? Takeru: It's so dark, I can't see. Patamon: I hear voices that way!

Everyone turns to look at the tunnel behind them.

Jou: (firmly) We'll start there.

Okay, I don't know about you guys but if someone said to me, "Your fear will agitate the darkness," that would be some scary shit that would absolutely not help me control my fear better. I was terrified of the scary hole and I am now pissing myself in the scary hole, thank you.

In the dub:

Gabumon: Hey, Matt, does this remind you of anything? Matt: Yeah! It looks just like that cave we were trapped in before. The same black thing must have gotten Sora! T.K.: You've seen it!? Joe: Come on, guys! We've gotta help her! (The boys start climbing down) Joe: I don't have a good feeling about this. T.K.: It's scary! Matt: Whatever you do, don't be afraid, okay, guys? I've realized that it's your fear that feeds the darkness. T.K.: That's easy for you to say! (Joe slips and falls) Joe: Wha--OW! Ugh.... Matt: Are you alright, Joe!? Joe: Yeah. Fortunately, I landed on the one part of my body that has a built-in airbag. (They face the cave) Matt: Very funny. Joe: Where's Sora? T.K.: We need a clue. Patamon: Listen! I think I hear something coming from over there! (Everyone turns to look) Joe: I'd call that a clue.

This is really good. I appreciate that T.K. calls Matt out for how scary that line was rather than just nodding and going, "Ah, gotcha."

They also manage to slip a well-placed quip in after Joe's fall. It's already a brief moment of levity so the quip fits in perfectly, and it doesn't replace any vital dialogue.

Following the voices, it doesn't take the group long to find Sora and Piyomon.

Piyomon: Sora! Sora, what's wrong with you? SORA, LISTEN TO ME!!! Gomamon: That's Piyomon's voice! Jou: Sora-kun must be with her!

The boys sprint down the tunnel until they find Sora and Piyomon. Sora's in the same position Yamato was in earlier: Sitting by the cave wall with her legs pulled up to her chest, covered in a black aura.

Piyomon: Sora! SORAAAAA!!! Takeru: SORA-SAAAAAAAN!!! Piyomon: Guys!

The boys surround Sora. Yamato tries to appeal to her.

Yamato: Sora, what's wrong? Get up.

After this incredibly convincing and thorough argument fails to budge Sora, Yamato tries violence.

(To be fair, it worked when Gabumon did it.)

He grabs Sora's arm and physically tries to pull her out of her sitting position.

Yamato: She won't budge. Jou: I'll help.

Jou grabs Sora's other arm and together they pull as hard as they can, thoroughly humiliating themselves as the black aura refuses to let go.

Jou: What the hell!? Did gravity change all of a sudden!?

Well, that was embarrassing. Great job, team.

In the dub:

Biyomon: Sora! Sora, talk to me! Please tell me what's wrong! Gomamon: That's Biyomon's voice! Joe: Which means Sora can't be far behind! (The boys start running) Biyomon: Sora! Sora! T.K.: Hang on, Biyomon! We're coming! Biyomon: Over here! (The boys surround Sora) Matt: Sora, what's the matter with you? Get up! (Matt pulls) Matt: She's stuck. Joe: Let me help. Matt: On three. One, two, three! (No dice) Joe: Once, it took four of us to get my grandmother off a toilet like that.

Gross. Can we go back to complaining about gravity?

Fine place for a quip, though. I just. Don't like the quip. <.<

After picking Sora up and carting her away like luggage has failed, we're back to talking.

Takeru: Sora-san is saying something. Jou: Huh? Sora: Have to keep looking for Mimi-chan... and Jou-senpai and Yamato-kun.... (crying) I have to save Taichi.... If I can't stop it, our world will end.... Piyomon: She hasn't answered me at all. She just keeps muttering the same thing over and over!

Jou kneels down and tries shaking Sora.

Jou: Yamato and I are right here! Look at me!

This seems to work. Sora looks up and sees Jou's face, though her eyes are glazed over with darkness just like Yamato's were before.

Sora: (deadpan as if in a trance) Senpai... Thank goodness.... And Yamato-kun too... Yamato: Don't worry, everything is fine. Sora: No, it's not. I can't go on like this. I'm supposed to be strong. I have to save Taichi... or the world.... Jou: Sora-kun, you're putting too much responsibility on yourself! Yamato: Sora! Your negative thoughts are turning into negative energy. The darkness in your heart is generating this cave! Jou: Wait, what!? Is that why you told Takeru not to be scared!? Yamato: This dark cave is a reflection of your dark feelings! Sora! You have to throw those feelings away! THROW THEM OUT!!!

Once again, Piemon's realm of darkness is an asshole. This is the worst stripe on Spiral Mountain. It's just concentrated death and despair.

In the dub:

T.K.: Hey, listen! Sora's saying something! Sora: I have to find Mimi... and Joe and Matt... I have to help Tai or the world will be destroyed! There's no place like home... There's no place like home.... Biyomon: She won't talk to me anymore. All she does is keep mumbling the same thing over and over again. Joe: Sora! Matt and I are right here! Look at me! Focus! Sora: Joe! You're really here... I can't believe it... and Matt's with you too! Matt: Just relax. Everything's going to be okay now. Sora: I'm afraid not. I haven't been trying hard enough. I have to get to Tai right away and help him fight because, if I don't, the world will be completely destroyed. Joe: Sora, come on! You can't be responsible for saving the world! Matt: You have to realize how strong your negative feelings are! They produce a powerful destructive energy! Sora, it's the darkness in your heart that has created the cave in the first place; Don't you get it!? Joe: Really, Matt? Is that true? Is that why you told T.K. not to be scared? Matt: Sora, listen to me. There's only one way to make this cave disappear. You've got to reach deep into your heart and erase all the negative feelings!

They start out by turning a portion of this sequence into an out-of-nowhere Wizard of Oz spoof, so that's a bad start.

The heightened aggression of the dub rears its head again. "Don't you get it!?" is a very unhelpful thing to say to someone who's having a panic attack.

From here, we zoom in on Sora's darkness-infused eye and enter her mind space. Sora floats in a black void, curled up just like she is in reality.

Sora: These feelings... What does that mean? Yamato: We're not doing this out of obligation, but because we want to do this. If you don't want to, then you don't have to. But I think it's because we wanted to do this that we made it this far. Sora: If I don't want to do it, then I don't have to.... Yamato: That's right! If you don't want to do it, then don't! Sora: That's... You're wrong! We have to do it!

Well, that was a bust. Yamato's putting in his best effort but Sora simply isn't receptive to the logic, "I mean you don't really have to save the world if you don't want to. It's fine to let your friends die and the world be destroyed. You think about what you really want."

If the stakes weren't so goddamn high, this might be a solid argument from Yamato. But as it is, it falls on deaf ears for predictable reasons.

In the dub:

Sora: I don't know if I can.... What should I do? Matt: You'll have to find the answer to that question on your own. Sora, this isn't the kind of thing you do just because you have to. If you're going to do it, then it has to be because you want to. Sora: You mean that I don't have to do it if I don't want to? Matt: Right. It will only work if you want to do it. Sora: I'm confused. How will I know what the right thing to do is?

Uh, point of order, she does not have to find the answer on her own. The whole point of this conversation is to help her find the answer. Matt didn't solve it himself when it was his turn either; Gabumon bit him in the leg to make him pay the fuck attention and then scolded him for three minutes!

Sora finds Matt's argument in the dub confusing and so do I. As opposed to original Sora finding Yamato's argument unconvincing, as did I.

Alright, senpai, you want to take a crack at this? Maybe Yamato doesn't feel the crushing weight of billions of lives on his shoulders, but Sora needs advice from someone who does.

Jou: Sora-kun! We're lost in a labyrinth and no one can help us, that may be true. But it's because we're the only ones capable of doing something about it that we're even here! Sora: We can do something about it.... Jou: Doesn't that thought fill you with courage? Sora: (excited) We can do something about it! Here and now!

That breaks through Sora's despair spiral. Inside her mind space, Jou and Yamato descend, each taking one of Sora's hands to pull her out. Back in physical space, the dark glaze vanishes from her eyes.

Sora: We can do it! That's right! Isn't that right? Yamato: And we're here for you. Takeru: Sora-san! Sora: (nods) Mhm! Piyomon: SORA!!!! (hug) Sora: Piyomon! Piyomon: Thank goodness, you're back to normal!

Awww. Yamato was trying to make it this a big philosophical thing about obligations and individual motivation. But really, all Sora needed was a pep talk from senpai. Legit, sometimes all it takes to change someone's entire day is to just tell them they're valid.

In the dub:

Joe: When this whole thing started, do you think we had any idea what the right thing to do was? Of course not! But that didn't stop us, did it? Maybe we're here for a reason. Maybe we're the only ones who can do it! Sora: We're the only ones who can make a difference.... Joe: It's working, Matt! I think we're finally getting through to her! Sora: (excited) We're the only ones... That's why we're here! (Sora wakes up) Sora: I get it now! You were right, Matt. How did you know? Matt: I kinda went through the same thing myself. T.K.: Welcome back! Sora: (nods, giggles) Biyomon: Sora! (hug) Sora: Biyomon! Biyomon: I'm so happy that you're the old Sora and not the new Sora!

With Sora's injection of positivity, the spooky despair cave once again fizzles out of existence.

Jou: It disappeared! Yamato: Because the darkness in Sora's heart disappeared. Sora: That was inside my heart...? Takeru: Hey! Taichi-san is waiting for us! Jou: Right! Yamato: To Taichi.... Let's go! Sora: YEAH!!!

It's not the full team of reinforcements that Sora was tasked with collecting. Mimi and her growing nakama are still out there. But she's got Yamato and Jou, and that will have to be enough.

In the dub:

Joe: The cave's gone! Matt: When the darkness from Sora's heart disappeared, so did the cave. Sora: I feel so relieved. T.K.: Boy, wait 'til Tai hears about this! Joe: Let's find him. Matt: Tai's waiting for us right now! Let's go! Sora: Right!

Minor difference: In the original, it's Takeru who reminds everyone on purpose that we need to hurry back to Taichi. In the dub, he casually mentions Tai and that's what gives Joe and Matt the idea that we need to go back.

This is part of the general trend of the dub trying to preserve T.K.'s innocence and childishness, which was particularly noticeable in the Puppetmon arc. But at this point, Takeru is as much a child soldier as the rest of them.

Cutting back to the fight.

Piemon fires the confusingly named Toy Wonderness at Taichi. Not even at WarGreymon; He attacks Taichi directly with a shockwave of compressed air.

WarGreymon jumps in the way and tries to block the shockwave, but enough force still gets through to throw Taichi a good ten or twenty feet.

Hikari: ONII-CHAN!!! Koushiro: Taichi-san!

Koushiro tries to run to Taichi, but Taichi calls out to him.

Taichi: KOUSHIRO, STAY BACK!!! You take care of Hikari.

Piemon hits him with another shot from Toy Wonderness. Again, WarGreymon blocks as much of it as he can, including a chunky bit; A large rock was lifted up by this shockwave, but it slams into WarGreymon's gauntlets and doesn't make it to Taichi. The wave, however, picks Taichi up off the ground and tosses him again.

WarGreymon crumples to one knee, doing his best to protect Taichi but running out of steam.

Koushiro: Taichi-san! I know protecting Hikari-san is the most important thing, but if this keeps up then you'll.... Tentomon: He's so stubborn! Taichi: (pained) It's fine. I can be stubborn or whatever. Just let me do this myself! I'll figure something out! Koushiro: No! That doesn't make any sense! Taichi: This is okay.... Koushiro: Taichi-san, do you really plan on doing this whole thing by yourself!? Taichi: Yes! What's wrong with that? Koushiro: You can't... Why!? Why won't you LET ME FIGHT WITH YOU!?!?

We rarely see Koushiro lose his cool. His politeness and civility is one of his most notable characteristics. So it's a big deal when he breaks down and starts screaming at Taichi.

The dub reuses the name Trump Sword for Toy Wonderness.

Kari: GET UP, TAI!!! Izzy: Hey, Tai! Tai: IZZY, STOP!!! You stay there! Protect Kari! (Second blast) Izzy: Tai, look. I know it's important for me to stay here and protect Kari, but in the meantime, who's going to protect you!? Tentomon: He tends to be a bit stubborn, doesn't he? Tai: (clearly barely holding on) Don't worry about me! I'm fine! I've got him right where I want him... He's exhausted.... Izzy: But I can help you! Tai: I'm fine! Izzy: That's funny. General Custer said the exact same thing at Little Big Horn. Tai: Thanks for the history lesson. Izzy: Alright then, just one thing. How come every time I ask, you NEVER LET ME JOIN IN THE FIGHT!?!?

I assume Izzy means this fight because Tai's let him join in plenty of other fights. In any case, his generally rude and dismissive demeanor means this moment of him snapping doesn't hit as hard as it does for Koushiro.

As with the darkness cave, they are trying very hard to soften things up with some quips.

Tai doing the half-conscious "I got him right where I want him!" bit and Izzy comparing him to a dead general keeps things silly and fun. This serves not to draw attention away from the fact that Piedmon is actively beating him to death as we speak, as the gags are still in service to the scene, but to make it feel less dire.

Unfortunately, Piemon's done with this. He lets off one more attack: Ending Snipe.

Clasping his hands together to make a finger gun, Piemon shoots off a bolt of energy. His shot shatters WarGreymon's armor and finally puts him down.

(So much for indestructible Chrome Digizoid. Everything has its limits.)

Hikari: WarGreymon! Taichi: War...! G-Greymo...on....

The last of Taichi's strength finally gives out. He collapses into the dirt.

Koushiro: TAICHI-SAN!!! Piemon: So, who wants to go next?

The dub renames Ending Snipe to Clown Trick, but at least they don't call this one Trump Sword too.

Kari: WarGreymon's been hit! Tai: No! WarGreymon... ugh.... (Tai collapses) Izzy: GET UP!!! Piedmon: Right, now who shall be next?

Suddenly, a voice rings out.

Yamato: TAICHIIIIIIIIII!!! Taichi: (weakly) ...Yamato...?

Taichi opens his eyes to see Garurumon and Birdramon on their way in, ferrying the missing Chosen Children except Mimi.

Yamato: TAICHI!!! Sora: TAICHI!!! Piemon: Some late arrivals. No matter; The result will be the same either way.

Piemon hangs out and does nothing while Yama runs to Taichi's side. He picks up Taichi and holds him.

Taichi: (weakly) You made it... I waited all this time for you.... Yamato: Taichi.... Taichi: I truly believed you'd come... I was certain of it.... Yamato: (tearing up) Thank you for believing in me. But I'm sorry I was so late. Taichi, you're my true friend! I won't let your friendship be in vain!

An interesting note is that Yamato doesn't use nakama here but instead goes for tomodachi. Nakama means we're working together towards the same goal. We're a team. Colleagues. Coworkers. Squadmates. And we will get to know each other and build social bonds as we move towards the same goal. That's normal.

Since Digitamamon's restaurant and up until the Jureimon incident, Yamato had become comfortable with being nakama with these people. But tomodachi, true and genuine friendship outside of the nakama's purpose? That was a bit further than he was willing to go.

But he doesn't just use tomodachi; He modifies it with honto as an adjective, which means "real, true, genuine, sincere" to show that he means it.

In the dub, we go to our last commercial after Tai passes out. Then we return to Tai passing out again to remind us where we left off.

Tai: WarGreymon... I'm coming.... Ugh... (passes out) Matt: TAI!!! WHERE ARE YOU!?!? Tai: ...huh... Matt!? Matt: Hold on, buddy! We're coming! Sora: Tai, it's us! We're almost there! Piedmon: Once upon a time, there were DigiDestined. Now they're just sitting ducks, waiting for me to take target practice. (Matt picks up Tai and cradles him) Matt: Tai! Tai: Matt... you made it... I can't believe you're here.... Matt: Yeah, I made it, Tai. Hang in there, buddy. Tai: I never doubted you for a second, Matt... I know it didn't always seem that way.... Matt: Thank you, Tai. For believing in me. I'm just sorry I was so late. Tai, you have to know how much our friendship has always meant to me! And I swear, nothing will ever come between us again.

Piedmon's new line, once again playing on the Storybook Time thing from his first episode, is off. It's an odd thing to have a character say when he's just going to stand nearby and let the dramatic reunion unfold.

Unless he's being literal, and meant he was going to pop back into the observatory to brush up on his skills at the shooting range before coming back to this. Which, you know what, maybe he did.

Not sure why Tai leads with "I can't believe you're here" when the point of the scene is that he had an unshakable faith that Matt would show up, even to the point of letting himself nearly be killed over it.

Still, Matt's big speech is the focal point of this sequence, and it comes through pretty well in the dub.

They can't just have him say "You're my friend" because they've been using friend as a translation for nakama, so the distinction between it and tomodachi wouldn't carry over. So instead, he uses their friendship as a whole and pours out his feelings over how important it's always been, confessing what we now know he's been suppressing since the beginning of their journey.

This is an effective and powerful sidestepping of the linguistic hurdle present in this scene.

Yamato's declaration suddenly causes his Crest to activate.

Garurumon approaches WarGreymon's body and gives his head a nuzzle. Rainbow magic pours out of his Friendship nuzzle and suddenly WarGreymon is back on his feet and good as new.

Taichi: This is.... Piemon: What the...? Garurumon: Yamato's Crest of Friendship gave me the power to bring WarGreymon back to life. WarGreymon: Thank you, Garurumon! Now I can fight again!

Sure, that might as well happen.

Given that WarGreymon hadn't disintegrated, I imagine he means this more in a "WarGreymon was on the verge of death" sort of way than a "I literally have resurrection magic now" sort of way. Like how a defibrillator brings someone back to life, but not in the same sense that necromancy does.

I would make a joke about how the Crest of Friendship also gave Garurumon the power to heal WarGreymon's armor, but they're DIgimon. The armor is technically a part of WarGreymon's body, because he's a wire-model frame with a texture skin over it. So, actually, yeah, it does make sense that it works that way.

Similarly, as goofy as this moment is, it does kinda make sense within the established rules. The Partner Digimon are powered by the energy from their associated Chosen Child. So, basically, Yamato's outpouring of Friendship made his Crest glow super-bright, and then Garurumon used his body to channel that energy from the Crest into WarGreymon and refill all his meters - in the process, resuscitating him from his half-dead state. That does make sense to me.

But on its face, as something that just happens and then we move right the hell along, this is wild. Especially with Garurumon just staring into the camera and explaining it as flat exposition with no elaboration. XD

In the dub, it's explained like this:

Tai: WarGreymon! Piedmon: Now what? Garurumon: Matt! Your Crest of Friendship gave me strength and brought WarGreymon back to normal! WarGreymon: Thank you, Garurumon. Now I can fight again!

Pretty much exactly the same except they crossed out life and wrote normal. A minor hiccup is that Garurumon says the Crest gave him strength and resuscitated WarGreymon instead of giving him strength to resuscitate WarGreymon.

A subtle but important distinction, because resuscitating WarGreymon uses up the extra strength Garurumon was given.

While Garurumon degenerates back into Gabumon, Jou and Yamato try to cart Taichi away to safety.

Koushiro: Guys! Hurry, hurry! Jou: Taichi, are you okay!? Taichi: (weakly) I'm fine....

Cut to Piemon, who has inexplicably been doing nothing while this is going on.

Piemon: I had planned on defeating you all in an instant, but if you so enjoy suffering, then I'll relish every minute of tormenting you slowly. Yamato: This jerk never shuts up!

Yamato has been here for thirty seconds and he's already had enough of Piemon.

In the dub:

Izzy: Come on, guys! Get out of there! Joe: Tai, are you okay? Tai: I think so.... Piedmon: My first thought was to destroy you all together in one nice little package. But now I believe I'd rather do it individually, so as to prolong your suffering a little longer. Matt: You sure talk a lot for a clown!

You tell him, Matt!

Piemon throws his Trump Sword once more. Gabumon responds by Warp Evolving into MetalGarurumon.

Hikari: MetalGarurumon!

WarGreymon and MetalGarurumon fire together, their combined energies destroying Piemon's four swords, which disintegrate into pixel dust as normal for Digimon parts.

Jou: YES!!! They broke through Piemon's swords!

For his part, Piemon hops over what's left of the attack as it reaches him.

Piemon: It seems the battle I've been waiting for has finally arrived!

We close here, with WarGreymon and MetalGarurumon finally reunited, and Piemon's promise that things won't be that easy next episode.

In the dub, Hey Digimon begins playing as the pair attacks. What ever happened to that cool 90's rap they had that one time?

Kari: Ha! Now he'll see what we're made of! (WarGreymon and MetalGarurumon vaporize the Trump Sword) Joe: They were able to break Piedmon's attack! Alright! (Piedmon hops over the attack) Piedmon: Well, could it actually be the case that I've finally found an adversary worth fighting? Narrator: Will WarGreymon and MetalGarurumon have enough strength to defeat Piedmon, the last of the Dark Masters? Find out on the next Digimon: Digital Monsters.

We will indeed find out. And the answer may surprise you!

Assessment: Ahh, the infamous "Matt wanders around a cave for twenty minutes" episode.

Piemon's realm is in an odd place. There is a clear desire to spend some time fleshing out his stripe of Spiral Mountain and getting to know what it's about. But also, what it's about is death and despair, which makes it a tricky place to write a complete adventure fantasy episode about.

This episode uses it to confront Yamato and Sora's fears via the never-explained Cave of Go Fuck Yourself. There's just this one spot in the realm of darkness where, if you go there, you get pulled into a psychic quagmire of your own insecurities.

Weird. But the Digital World is full of weird shit so it doesn't really need explanation. Digimon tends to treat darkness as, to an extent, eldritch and unknowable. More of that in 02.

In any case, this is pretty much the quintessential episode for unpacking Yamato, detailing the effects that his childhood trauma have had on his development. But it also has its detractors on account of like half the episode just being preteens having anxiety in a cave.

There's not a lot of action or running around with goofy new characters in this one, if that's what you're here for. It's very drama heavy and character-focused.

[wondwaeland]

TADC Fankids (Redesigns) PT.1 - The Showtime Kids

Nestor "Nes" Eden || Age: 14

Based on a jack in the box and a wind up toy, Nestor is the oldest of the bunch. He does have a box he can retreat into, but it mostly stays in his room. This can also translate to his personality as he is pretty calm and closed off until some one pushes him a little too far.

He has a removable wind up key on his back. Though when it is removed, he begins to lose energy and the spring in his neck becomes loose.

When he holds his breath, the key starts to spin. The longer he holds, the faster it gets. No one really knows if it makes his head go POP like a normal jack in the box yet.

He gets along best with Zooble, spending more time secluded than with everyone else that's not his parents. He doesn't really enjoy how Jax seems to get along with his sister.

In the Circus - His outfit takes heavily after his mom, but mimics the feel of a clown rather than a jester. In Eden's Court - His outfit takes after his dad, mostly due to his royal status.

Zoya Eden || Age: 9

Based on a ball jointed doll with ballet elements, Zoya looks to be fragile but is made of a harder to break material. She's a pretty stubborn child, taking after mom in that department, but takes after her dad in wanting to please everyone.

She has bands of elastic that run through her body like any other BJD. They can snap or unhook, leaving her to lose a body part on occasion.

When she holds her breath, her elastic starts to loosen and makes it easier for her to lose a body part. She usually has to be carried or held to prevent the loss.

She is scarily flexible due to how her joints work. It constantly freaks out Ragatha and Kinger, but Jax finds it quite amusing. Her and Zooble bond over their weird limbs, she even tries to put Zooble parts as her own for fun.

In the Circus - Her design is based on ballet dresses from various theater productions. Commonly seen in productions of The Nutcracker, Cinderella, or Swan Lake. In Eden's Court - Her design is based on casual wear for a princess or any noble woman.

[runawaymarbles]

some things that may or may not happen after the ending of Swan Lake

"Odette, now resigned to her existence, bids a sad, lingering farewell to Siegfried. The prince knows that she is gone forever. In utter grief, he is left alone." - Swan Lake (Kent Stowell version) summary

I. Siegfried is left alone. He will always be alone. He dies an old man at the edge of a lake.

II. Siegfried is alone. He will always be alone. He dies a young man in the middle of a lake.

III. Siegfried is alone. He is alone until the night after the party, when a swan appears at his bedroom window. He has never seen the glow of moonlight on her wings before, and the sight makes him cry.

When he opens the shutters, she settles next to him on his featherbed. She can’t cry anymore, but she bops him on the head a few times.

IV. Siegfried is alone, and he cries on the Jester’s lap. The Jester doesn’t think he’s paid enough for this. He certainly doesn’t have a joke prepared for when the crown prince accidentally declares his love to the wrong bird.

The Queen wonders if she can adopt the Jester and marry him off.

V. Siegfried is alone, officially, but he’s never truly alone because there is a swan that follows him everywhere. Anyone who wants to get any business done learns that they are not allowed to question this.

The swan is kind of an asshole, though: she’s especially prone to biting women who look at the prince just a little too long.

VI. Siegfried is alone, entirely, and intends to always be alone. “I will never love again,” he says, to anyone who will listen.

“That will certainly make a much better ballad,” his mother says, “the poets will be thrilled. But we’ve still got a kingdom to run and a dynasty to continue.”

VII. Siegfried is officially not alone, but he’s not happy about it. He has a pet swan who is also not happy about it. And a new wife, who is the least happy of them all.

“The swan stays in the marital chamber during sex,” the prince says.

His wife would find a way to kill him if she wasn’t afraid of said swan pecking her eyes out.

VIII. Siegfried is only sort of alone, and he hasn’t given up: he asks the Jester to promise to love his swan more than any other woman, on the grounds that the Jester has no sisters and has never loved a woman, nor does he intend to. “I don’t think he specified romantic love,” Siegfried says.

The Jester promises to be the bird’s bestie for life, and suddenly the swan is a woman, and there are screams from outside because the swans that have taken up residence along the roof are women now, too.

IX. Siegfried isn’t quite alone, but he isn’t happy, because the Jester promises, and nothing happens. The prince and the swan go off to cry again. The Jester asks the Queen for a raise.

X. Siegfried is alone. He changes his crest to one that shows a swan, wings spread above a blue square lake. He rules his kingdom, as fairly as one can ever be while wielding absolute authority, but spends the rest of his life watching the sky. He dies alone on a bed made of straw.

XI. Siegfried is alone. One day, a friend points out some swans to him, but he refuses to look at them.

“The form of a swan is a prison and a curse,” he says. “What if that’s not what they’re supposed to be?”

He bans all depictions of swans from the kingdom.

XII. Siegfried is alone, or he isn’t. Either way, he becomes a vegetarian.

XIII. Siegfried is alone. But he has loved, now, and he knows how to do it again. One day, he manages to move on.

He teaches his daughter everything he has been able to learn about preventing curses.

XIV. Siegfried is alone. He fucks the Jester.

XV. Siegfried is alone. A few years later, he learns that a minor noble some forty miles away has a beautiful new wife and two dozen new maidservants. Nobody is sure where they all came from.

But Siegfried knows, and he cries, and he is happy for her.

XVI. Siegfried isn’t alone. He gifts the swan that follows him around the fluffiest pillows. Demand she be paid the choicest foods. The jokes and rumors abound, but he ignores them.

Sometimes servants will hear him talking to the swan as though she’s a person. Sometimes they swear there’s a pattern to her honks, like she’s answering him.

XVII. Siegfried is alone, although he treats his pet swan like a queen. Sometimes, the servants will hear him talking to her.

“Can you still understand me?” he asks. “Odette. Please. Tap my hand if you understand me.”

The swan doesn’t move, until the prince offers more shrimp.

XVIII. Siegfried isn’t alone, until he is. Because swans mate for life, but that life is only a decade or so. When she dies, he calls for a week of mourning throughout the kingdom.

And when she dies, there’s a part of him—a part that he hates—that feels free.

XIX. Siegfried isn’t alone. Because Von Rothbart is defeated, somewhere. Maybe he cursed the wrong princess. Maybe he fell and broke his hip. All anyone know for sure is that one morning, there is a woman lying on the cushions reserved for the swan.

Salad and shellfish go out of favor, as the new queen refuses to eat them.

XX. Siegfried is alone, until a woman shows up at the castle. She’s wearing a white dress splattered with blood, and carrying what appears to be the severed wing of a giant owl. The prince mounts it on the wall above their thrones.

XXI. They live happily ever after.

XXII. Or, they don’t.

[moonsidedown]

so i’m not too sure how many people are familiar with the swan lake ballet but i had the absolute honour to watch it january last year and absolutely fell in love with the jester (what’s new) and it got my brain cells jiggling :>

close ups under cut :D

i have so much beef with the purple one but wanted to share it anyway <3

[sporesgalaxy]

shout out to Kirov Ballet Swan Lake jester

[nachtsoklein]

kurt's a jester for this year's halloween because i said so & like specifically modeled after this ver of the swan lake jester

[colorfuldreamsmkg]

Melancholy Puppets' Dreams | Unit 2 | Battle of the Bands Submission

A battle of the bands is what Miku had requested. A competition pitting five groups of four against one another, may the best musicians and performers win. 

Well. Unit 2 could play that game. 

A heavy silence precludes the second unit's performance. An enraptured - or captive - audience gathered by lakeside shores. A midsummer night's dreamy concert, the twittering of birdsong in the foliage steadily comes to a halt as the show begins. 

A hazy fog misted off the surface of the lake, covering everything in sight beneath a dreamy sort of veil. This was a world of isolation and solitude, a performance not meant for human eyes - still, you may look upon them if you so desire. Though spectators might have to squint to get the full picture, what fun was a show with no audience participation? They don’t just want all eyes and ears on them; you have to fight for the privilege to watch their performance. If this was a fight to be seen, you would fight to see. Fair was fair, for the fae folk. 

Cast your eyes to the left. Then the right. No matter where audience eyes fell, there was no stage in sight - until movement was spotted within the fog, weaving closer and closer. The lake itself, the surface of the water, was their stage, their stomping grounds. 

Bobbing into view, a series of pierrot masks whirled through the mist, splicing a path through even the densest haze, drawing the eye to their exaggerated, painted expressions. The members of Unit 2 are all dressed as clowns for amusement, adorning masks of varying expressions. Each is dressed reminiscent of a suit of cards; spades for Witch, diamonds for Cecilie, hearts for Clarabell, and clubs for Swan.

As the masked individuals weave into their positions, a chorus of instruments shimmer into existence, crafted out of the lake water itself. Witch and Cecilie come to a stop before a liquid guitar and piano respectively, getting themselves situated. The living doll Miku you had met during the party appeared to be concentrating behind a curtain of water mixed with red flowers among its shimmer, her hands out, palms facing upwards. At her side was a series of Nendoroids, dolls of the performers. Lowering her arms, she passes through the curtain. The Nendoroids sputtered into animation, their rigid limbs becoming pliable, and they marched out from behind the curtain beside her. 

The song starts with Cecilie, fingers fluttering over the keys of her piano, coaxing a timid, staggered melody from the instrument, reminiscent of a music box, the initial notes of their chosen song, Karakuri Pierrot. The Nendoroids slowly began to twirl in time with the crescending music. 

Atop a lilypad, limbs and head dangling limp as a puppet with snipped strings, Clarabell stands, awaiting her cue. Adorned in hearts to symbolise her romantic plight, a tearful mask on her face puts her heartbreak on display for all to see. And on the lake’s surface, standing a few feet away, was none other than Swan, adorned in a jester’s apparel, a suit of clubs, a grinning clown mask obscuring his face from view. Much like Clarabell, his limbs and head hung limp, a discarded doll in a sea of swaying toys.

The sound of whirring, a clockwork toy turning, as centre stage a doll, donning the same mask, starts the tale. The Nendoroids slowly began to circle their leader, gently twirling. 

In awkward, jerky movements, Miku moves to centre stage before she opens her mouth and begins to speak. Her soft, meek voice spoke over the small, looping melody prior to the song beginning proper.  “Once, there was a girl, who like many among us, waited for love to come to her. Everything from a crush to confessing was spent waiting for her own time in the spotlight. This is her story, and the expression of her true feelings.”

In that moment, as the two performers stand upon the sea of fog like discarded dolls, the piano kicks up in tempo. Playing the practiced notes with trembling fingers, the marionettes move to take on their roles. Witch cuts in with a guitar matching the tune, and Miku takes her place in the crowd. Playing the part of the audience well as the centre stage winds up and begins their performance. 

Clarabell and Swan mechanically come to life like wind-up toys, bending rigid limbs at the joints as though they were steadily growing accustomed to movement and motion. 

As the intro swells into the first verse Clarabell begins to sing in very practiced English, her voice was gentle, slightly restrained, but it was charming in a way that complimented her cute demeanour. It certainly wasn’t the voice of a trained singer, but she knew the words and had clearly put in the work to sound at least somewhat passable. Where her singing lacked years of training she made up for it with dance, her body moving fluidly to the music, perfectly choreographed movements that she made sure the rest of her band-mates could follow along with, but still separate for now.

Swan’s voice rises to meet Clarabell’s invitation, molten, warm, inviting, fluent in English and melody. Accusations croon forth, laughing along with a world that conspired to laugh at her. You’re a clown, after all; was it not your duty to keep this sickening, ghastly smile painted on his face, even at your expense? He didn’t so much dance as he did step according to Clarabell’s silent cues, pulling away when she pushed close, turning away when she turned into him. His shoulders shake with suppressed mirth; the very thought of being her partner in any aspect. Untouchable and unreachable, he glided across the lake with the sole purpose of leaving Clarabell to stand and spin in heart-wrenching solitude.

Face obscured by her mask, Miku places a hand to her mouth and leans forward, shaking. Though subtly so, it was clear that she was silently laughing from the sidelines as the chorus went onwards, even if her own harmonies remained completely steady for her performance. The Nendoroids mimicked their leader, giggling into their tiny, doll hands, their expressions flipping to ones of cruel mirth. 

The humiliation was suffocating; Clarabell’s plights became your own, piercing through to the heart, to the core. Your love, your dreams, your humanity scorned, scorned by your peers, your surroundings. Clarabell’s hands shakingly came up to adjust her tearful mask, her hands bunching before her. But she won’t be giving up just yet, already back at it with another attempt to get her feelings to soar true as the chorus swells.

As the pre-chorus rises into the chorus itself, Clarabell spins on her heel and brings her hand to Swan, offering for him to take upon the lilypad she floats upon on her lonesome. Once she has his hand in hers, she pulls Swan into a spin that quickly turns to become more of him spinning her, her body relaxing into the motion and her voice only hesitating very slightly with the quick movements. Spin after spin after spin through the chorus as the two twirled amongst each other Clarabell couldn’t help but let out a soft laugh during a moment between lines.

And for the first time, Swan allows it; rather than pull away, he allows Clarabell to draw him closer until the distance between them is liminal. He lets her guide the motions, an utter role reversal. The manipulator becomes the manipulated, and the ignored becomes the star of the show. And he’s there with her every step, spinning until breathless and at the mercy of the music. His voice lowers to compliment hers; honeyed and fruity, and the lyrics pour out like syrup, sticky and sweet. His voice sinks low to push hers up, ballooning to new heights; a demanding call to attention - don’t look at him, look at her. 

The haze obscures your view as multiple voices sing out alongside the two, a haunting cacophony supporting the chorus as the toys spin and jerk ever forward. In this moment, love exists, and it exists painfully. A fairytale without its happy end, a love cast aside, unrequited - sung out in harmony. Voices raise, as the curtain closes upon the chorus. 

“Still I cannot reach you…” 

Swan dips away, unable to commit, leaving Clarabell to stumble and stagger on her own. With one final spin, Clarabell is released from their dance and falls helplessly to the ground, a scripted movement as she finds herself on her knees sulking alone upon the lilypad once more. The music balloons to a crescendo as the refrain begins. 

Soon enough, the curtain rises upon the follow-up act. As the musical refrain begins to wind down, and the melody starts to settle, Clarabell remains kneeling on the lilypad, as though frozen; poor thing must have missed a cue somewhere, as Swan is already on the prowl again, gliding across the cresting waves to the rhythm. 

Looming above her, he leans down, his hand encircling her upper arm to gently pull her up, a guiding hand at her back to push her and her lilypad along. Clarabell scurries to catch up with her missed steps, trying to find her place in the song that continues to march along without her. 

Cecilie steps in as Clarabell flounders; the piano’s song begins to dominate the stage. As if responding to a silent cue, the Nendoroids come forth and begin to flip, twirl, gyrate, drawing your attention. As Swan helps steady Clarabell and the song continues into the expounding second verse, the Nendoroids take centre stage. The Clarabell doll leans on Swan for support; he moves almost cruelly to the side, allowing her to stumble. However, in a rare moment of tenderness, he seems to change his mind, helping her stand once more while behind them, the real Swan and Clarabell have regained their rhythm, Clarabell breaking away to dance on her own. Just who was the clown here, huh?

As soon as the second verse comes to a close, Witch steps forward and kicks off a guitar solo. Her improvised melody is impassioned, yet sorrowful– a pained cry for love, for affection, for anything at all that could change this sad state of affairs. Like a doll made for a singular purpose, the only part of Witch’s body that moves during her solo is her arms. Curiously, her shadow continues to move on its own accord, mirroring Clarabell’s dance. Once the solo ends, her shadow returns to its normal state, and Witch steps back once more.

Once the solo ends and the chorus kicks off again, Clarabell and Swan come back together, hands on each other’s masks. Witch and Cecile follow suit, their hands coming to the masks on their face, the source of their pain and misery and suffocation. Four voices rise in unison to sing the final chorus as one. The masks are torn from each respective face, turning to face the audience with wide, beaming grins. Carelessly, as thoughtlessly as they themselves had once been discarded, the masks are tossed aside as five voices raise a challenge instead of a prayer -

“Just manipulate me as you want!”

Swan takes Clarabell’s hand in his own, turning to face her head-on; the two begin to sway together for one final time. Gently, kindly, the instruments die out one by one. Soft, sombre, the guitar fades, the piano slows down. Cecilie once again mimicking the sound of a music box slowing down, until it stops all together. 

As the song comes to an end, Clarabell takes a deep breath, putting her hand to her chest to ease her stress for a moment and taking a moment to usher her bandmates and Miku onto the lilypad she had been standing upon. Hesitantly, Witch approaches the center of the lilypad. She stares at the audience, clears her throat, and does her very best to project her voice for all to hear.

"This was the first performance of Constellation Carnival. Thank you for listening."

Linking hands, the five members of Constellation Carnival bow as one before vanishing into the mists like a fading dream.

[lovelyballetandmore]

Wang Zi as the Jester in Swan Lake | Hong Kong Ballet | Photo by Conrad Dy-Liacco

[polarisbear]

i got tired of rendering so have some values and sketches

[image id 1: a drawing of tenma tsukasa in grayscale. he is in a swan-lake inspired ballet outfit. he reaches to camera with his leg stretched out behind him as a spotlight shines down.

image id 2: a drawing of emu ootori in grayscale. she is in a jester inspired outfit. she’s framed mid-acrobatics, upside with just one hand on the ground. a spotlight shines down on her wide smile.]

[palajae]

Characters:

Reader, white swan and queen of swans. She was turned into a swan by Rothbart and can only turn into a swan at night. The lake she lives in was formed by her mother's tears. Fragile and sensitive.

Niki, the prince who just turned 18. His mother, still in the first act, throws a party for him to find a bride.

Black swan, daughter of Rothbart. Her personality is the opposite of the white swan, being confident, powerful and evil.

Rothbart, sorcerer and evil.

Queen, mother of Prince Niki.

Jester

brides

Guests from other parts of the world ( omg I'm going to be the czardas )

Staged in four acts, the ballet tells the story of a young lady imprisoned in the body of a swan by the warlock Von Rothbart. Living around a lake formed by her mother's tears, during the day, She remains in an animal condition, revealing herself to be human only for a few hours at night.

To free herself from this condition, she needs a young virgin admirer to declare love and loyalty to her. And if she is betrayed she will forever remain a swan.

In the first act, we meet Prince Niki who, on his 18th birthday, goes hunting and comes across some swans. In the second act, following the birds for which he is enchanted, Niki barely notices the fall of night and, suddenly, he is surprised to see the most beautiful of the birds he admired transform into a beautiful woman, Reader.

The young woman reveals her condition, but at this moment, the meeting is interrupted by the appearance of Von Rothbart. Niki shoots an arrow towards the warlocker, but Reader stops him, as Von Rothbart's death without the spell's elimination would imprison her forever. Niki returns to the castle, but admits to himself that he has left his love behind.

In the third act, during his birthday party, Niki refuses all the suitors that appear, despite pressure from the queen, his mother. However, at a certain point, the prince is faced with the young Odile, the black swan, Reader evil twin and daughter of Von Rothbart. Thinking it was his beloved, he is deceived, declaring love and fidelity to Odile. Upon realizing what had happened, Siegfried runs away.

In the fourth act, reader and niki, coming from the party, meet at the lake. In the face of the curse she finds herself in, reinforced by niki´s unintentional betrayal, reader finds herself weak.

Rothbart and the prince fight and…. (you choose the ending)

sorry about my bad english and hope you understand ❤️

feel free to chance wherever you want and ty for liking the ideia <3

omg omg thank you for taking the time to tell me the whole plot skdnej

that seems so interesting i will def out that in my wips 😳😳

literally any ideas you anonies send me are genius so 😚

[slaygentford]

I haven’t watched the actual original swan lake in full in over a decade because every time I want to rewatch I just watch. Matthew Bourne one. But I’m watching the standard one now and it is balls to the wall insane. There’s a jester in here