#survival companions

[prep4tomoro]

Couples Defense: Staying Safe Together:

Committing to help one another, as a couple, family or team of like-minded individuals to stay safe, gather supplies, plan and prepare physically and emotionally is a vital skill to learn.

Forget the chocolate and flowers! What better way to say I love you than to commit to staying safe with your partner by doing these things together: Plan Ahead Learn How to Defend Each Other Get in Shape, Stay in Shape and Eat Healthy Encourage One Another to Ditch Unhealthy and Wasteful Habits Prepare for Anything Know Basic First Aid and Build Your Prevention Medicine Cabinet Learn the Basics Together Include Pets in the Planning

[Author's Reference Link]

RELATED RESOURCES: Daily Habits of the Prepared Person Why Plan for an Emergency Prepping Your Spouse for a Preparedness Lifestyle How to Prep When Your Significant Other or Family Objects The Best People to Be Friends with Before SHTF How to Find Survivalist Friends How your friends can influence your mood and behavior Helping Others Help Themselves Emergency Planning with Like-Minded Companions Why Join or Start a Survival Group? The Law of Attraction Importance of a Buddy System Personal Benefits of Volunteering Know Your Neighborhood - The Lay of the Land Emergency Prepping for Seniors and Mobility Challenged Animals for Emergency Companions and Defense Secret Languages to Communicate Anywhere No Sense of Community in Modern Society The Lone Wolf Prepper

[11-Cs Basic Emergency Kit] [14-Point Emergency Preps Checklist] [Immediate Steps to Take When Disaster Strikes] [Learn to be More Self-Sufficient] [The Ultimate Preparation] [P4T Main Menu]

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[mohntilyet]

my initial knee jerk reaction to lucanis/spite saying "family, enemies, contracts" was bad because it felt like an oversimplification but actually thinking on it i really love that lucanis forces himself into this box to make things make sense in his life. family is unconditional, enemies are to be killed, but contracts is so. interesting... man who promises mila that he will find her father because he does not fail contracts. the same man who tells effe that he will kill her slaver because he needs to turn her from a poor young woman that he sympathises with, into someone he can make a deal with. it's not kindness, it's not weakness, he's just fulfilling a contract, and crows don't break contracts. if he kills a bunch of racist blood mages during that process, then he's not breaking the rules, just bending them. a very convenient excuse to be a good man while still being a crow and assassin. and of course when spite is forced into him, he gets out of it with something familiar! by making another deal! something he could work with, something he HAS to work with, because being just an abomination is unthinkable. if he can work himself out of this problem like he's done with every other contract in his life, in his mind maybe there's some tiny chance that this becomes another job that he can claw his life back from.

[fascinationstreetmp3]

the lamb smiling up at the wolf with unsettling passivity etc etc

[vaguely-concerned]

'the hissing wastes suck' wow what a way to admit you've never experienced the joy of listening to iron bull wax archaeologic about ancient dwarven building techniques

[gigizetz]

if you had to pick 1 god to be stranded on an island with, for at least a week and they can't use powers during the time- who would you pick? (no calypso, way too good of an advantage.)

how is calypso an advantage she'd just get me trapped there forever

I would pick Artemis bc she could hunt food for us

[sausage-rolll]

thinking long and hard about Godwyn and Fortissax's friendship like

>the dragons begin a war with the golden order

>Godwyn and Fortissax become “good friends” which brings an era of peace between the golden order and the dragons

>Godwyn goes on to begin the golden lineage with a completely unmentioned partner

>dragons are known to take the form of humans and even have relations with them, as seen with Vyke and Fortissax's sister Lanssax

>One of Godwyn’s many descendants is Godrick, who refers to the dragon in his arena as “kindred one”

>While Godwyn was the first demigod to fall during the night of the black knives, it’s implied that many others followed at the hands of the assassins. Due to the rest of the known descendants of Marika being alive, and no one else having a child pre-shattering it can be inferred that Godwyn's bloodline was specifically targeted for some reason. Since those are the only other demigods that existed at the time.

>Godwyn is assassinated and because him and Fortissax are such “Good friends” Fortissax proceeds to enter godwyns mind and spends decades, possibly centuries attempting to fight off the deathblight from within him, eventually succumbing to it themselves but still unwilling to abandon their “good friend” regardless.

[lunarharp]

played dragon age 2...just simple scribbles

[rlaehrwk21]

*on the topic of love language* does sacrificing myself count?

[pxmlx]

Also Agatha must be one bad bitch to have literal DEATH fall in love with her. Rio is down bad “she is my scar” “it’s (heart) black and it beats for you” … STAND UP

[halflifebutawesome]

you used to be such a baby.

[pennyserenade]

thinking about mulder and scully and how gentle he was with her when she was lying there in the hospital dying. he walked into the room with a wide grin and held her hand and kissed her cheek, and spoke to her in hushed, conspiratorial tones, and everything was life or death but it was so quiet, so unimportant, as he sat by her side and looked at her. mulder looked as happy as he’d ever been, sitting there with her, and it wasn’t because he was; he wasn’t. he knew that she was dying, that they were coming upon the moment when she was no longer going to be with him sooner rather than later, and he was crushed by the weight of it, by the impossibility of it. when he came to see her again and she was sleeping, looking pallid and defeated, he slumped against her bed and cried on his knees in the dark—quiet, body wracking sobs she never knew about, because he never wanted her to know how weak her being weak made him. with the weight of impending death, mulder gave scully the most of life, all that he wished she could’ve received but hadn’t: that coddling, that affection, the beautiful mundaneness of domestic bliss. he listened to her—really listened to her. and he really loved her, loved her like a husband, or a boyfriend, loved her the way a better man would’ve.

and then when scully got better, when the cloud of death evaporated and she appeared before him with color in her cheeks and flirtation on her tongue, he took it back. gone were the days of all that soft love and affection and back was the mulder and scully of old. he sidetracked their team bonding workshop, pointedly ignored the glaring fact that scully agreed he needed to work on his communication, and got them stranded in the depths of the floridian forest. even better, he let her coddle him, let her hold him close to her chest and made her sing him a song as they shivered through the night and watched out for monsters that could kill them, because he couldn’t handle it. the idea of being anything to scully other than what he had been before — a nuisance, a challenge, a partner — terrified him so badly he went into overdrive trying to reinforce those uncomplicated roles again. it wasn’t that he didn’t love her. he did — he loved her to the point of insanity, to the point of self destruction (something she so worried about). he just didn’t know how to love scully when it wasn’t dire. he loved her so much that he could not stand the idea of failing her with anything inadequate and half baked. he was glad to give it to her when it was dire, but when it came to life long devotion, he needed a few more years.

[katerinaaqu]

The Cattle of Helios Hyperion and Skylla: The animalistic cry for survival (An Odyssey Analysis)

So it has been quite some time since the last time I wrote an analysis on the Odyssey and after I saw some posts by @soarinsugar-homerblog I decided it was about time I wrote one more! This time on the last and fateful moment of the lives of the crew; the sacred cattle of Helios.

Buckle up and bear with me the ride will be wild and long!

So what is the thing that truly shows the divinity of the animals? Was it their godly appearance? Was it the invisible to human eye servants that led them to their grazing spot? Or was it maybe their location and the protection of Helios for them? All of the above are right. However what if the reason behind it was even more profound, even more horrifying than what catches the eye? In my opinion THIS is the true reason and that gives off the most brutal scene in that part of the Odyssey, brutal enough for Odysseus to describe it so thoroughly:

The skin slowly crawled upon the spits and both the roasted and the raw meats would bellow loudly as if they were actual voices

(Translation by me)

Honestly only one word can describe it;

Grotesque!

The scene is nothing less but an absolute grotesque image in the eyes of Odysseus where the meat of the animals seems to gain life and his companions roasting and eating them while Odysseus watches in horror. His men are roasting the meat having a small feast. The scene seems to Odysseus even more horrifying by the fact that his men couldn't even offer a proper sacrifice to the gods (water instead of wine, leaves instead of barley etc).

However why is it so difficult to watch? Is it perhaps that the memories of war awaken inside him and he remembers the brutalities he both saw and caused? Possible but if I may, there is one scene that predates this one and is equally brutal as this specific image. Yet another image that Odysseus describes so thoroughly that might have made some stomachs turn at Homer's time; another scene that remained engraved in his mind forever. It is no other that the Skylla scene!

And Skylla from her cave grabbed out of my ship my strongest six men in arms and body strength and both me and my comrades as we looked up, we could see their arms and legs emerging as they waved them frenzily calling my name in screams till the last moment in their grieving heart

(Translation by me)

And do we think this was brutal enough? Then we must think again for next Odysseus gives us the most specific and absolutely horrendous description in regards to Skylla's feast.

And just like the fisherman upon the tall rock casts his rod with bait to lure the small fishes with food and throws out in the sea the horn of an ox and then he reels in the flopping fish ashore and when he has them, throws them upon the stone; in such a manner she devoured them at the entrance of her cave making screeching sounds and they were waving their arms towards me, struggling in that deadly battle and that was the most lamentable sight we all saw with our own eyes of all I have suffered upon my sea voyages.

(Translation by me)

So for those who still have the contents of their stomachs intact let me make it even more clear; Odysseus describes a wild scene in which a wild creature, no more than an animal, in a blink of an eye snatched six strong and vigorous men and devoured them at her doors without remorse or compassion, just pure animalistic feeding as his comrades flopped like fish caught by the fisherman on the shore while adrenaline kept them awake till the last moment their heart stopped beating! And Odysseus describes it in such a manner; so clear and savage that arguably tops even the grotesque descriptions he had on events like Polyphemus or the Laestrygonians! The ultimate horror scene

Now you might wonder why I correlate the two? I immediately shall tell you. What does the scene of Skylla have in common with the Cattle of Helios Hyperion? Odysseus witnesses someone devouring a prey that is still "alive" and making sound. It doesn't seem like a random choice that Homer decided to share with us that the pieces of meat were still "alive" in one way and I am not convinced that he added that information solely to show how divine the Cattle were neither to create a horror scene. Neither is a mere coincidence that the scene of Skylla is right before the island of Helios or the fact that Odysseus mentions how his men are still grieving the deaths they experienced lastly. I think is much deeper and much more profound than that. Odysseus is in horror at the scene and he has witnessed quite a few harsh situations in his life but this seem to take the cake when it comes to his comrades and doesn't seem to be the mere idea of a blasphemy either.

Odysseus witnesses his men act like Skylla as they devour the pieces of meat that still moo and make sound just like Skylla devoured their still crying and moving men!!!

At that moment of hunger and desperation his men lost the last bits of their humanity. They no longer felt guilt that something was making sound as if it was still alive as they roasted it and slowly devoured it. Their previous experiences and hunger broke them and made them lose the last bits of humanity they had. Not only they committed hubris by defying a God and eating his Cattle, not only didn't they have proper sacrifices to offer but also they didn't stop when they noticed the Cattle were still "alive" even when roasted and they didn't stop not even when they made sounds as if they are being tormented. They didn't care anymore.

They were reduced to the level of a beast in their desperation.

This was the moment when Odysseus knew they were beyond saving because THAT was their real crime: the descent to the mere survival mode; the very bit that separated humans from beast was gone with them. (And even then Odysseus tried to save them, see my other analysis here )

Because this seems to me the true reason why these two scenes were placed side by side. It seems like a combination between cause and effect and also a result of everything that led to that part (adventures, hunger etc) and I am surprised that we don't see more people talk about it. That was the moment where his men reduced from humanity to savagery because as Eurylochus said; there is nothing worse than dying of hunger. And ironically Odysseus seems to quote on that too as he speaks on the basic need of hunger when he is under disguise in his own palace; somehow seems like this moment rings in his mind forever.

Food for thought (pun intended). Let me know your thoughts to the comments and reblogs below!

[cod-fishing]

Drift compatible GhostSoap. Pacific Rim jaeger pilots GhostSoap. That’s it that’s the post.

[arthursfuckinghat]

Sorry, Sean

[weatheredfailnot]

I also got blindsided by a line of dialogue from a Mamool side quest that perfectly encapsulates A’loq post-EW

[tamaharu]

[ID: First image: the Omniscient Reader's Viewpoint cover, edited so Han Sooyoung is captioned: "im three ways", Yoo Joonghyuk is captioned: "im survive", and Kim Dokja is captioned: "im ruined world".

Second imagine: a gif of flaming text that reads: "the cycle brothers". /end ID]