the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
HELLO!!!!! recently went insane thinking about @zeezu-ix 's Triple☆S au so i drew em~~ (hope you dont mind the @ ehehfekwjkfjhslkjdh) i wanna draw more later but i am tired LMAO
okay but something about a major theme of 9-1-1 being that people can really thrive and be their best selves when they’re given the right environment
and lou indisputably doing the best acting we’ve ever seen from him in s7 of this show. giving layered, nuanced performances
lou saying that he’s usually typecast as a “beefcake” and isn’t given the opportunity to play deep characters
but also lou saying now that he’s playing tommy, people are seeing him for who he really is
because lou is hot, yes, very intentionally so—but he’s also sweet and sensitive and silly. and him getting to play any of that is such a rarity in his career so far. and tommy is all of that
something about tim seeing him in s2 and bringing him back because he remembered how charming he was. tim seeing potential in him to flourish and give this storyline the weight it needs
9-1-1 being a force for positive change not only within the show itself but also for its actors
i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
? lowkey getting tired of seeing people saying negative stuff about really cat-like/warrior cats-y slugcat designs like. rw and wc have a fandom overlap. it's to be expected. you shouldn't be an ass about it? you can literally just block people if they post stuff you don't wanna see, it's super easy and i think we should use the block button more. it seems more or less like a forgotten feature these days. not to mention they're called slugcats you should expect it more or less
why should you care if someone puts fur on their slugcats. like genuinely. it's stupid to get so angry about it to the point you say really weird stuff about it. i've seen it's "too far from canon" okay but what about the beast like slugcats? canonically they're referred to as rodents, wouldn't that be too far from canon too? if we really wanna stick to canon then lets just colorpick the damn slugcats instead and draw them as the blob ingame shapes. sigh
dont get me wrong. i love all slugcat designs. put fur on them. pur feathers on them. put scales on them. make them cats. make them beasts. draw them cat-like, ferret-like, rodent-like or whatever else. literally go wild. we shouldn't be getting this up in arms about how people draw fucking slugcats
An incredibly talented craftrat that if he were a member at the college of Nuln he would have received very high marks. The talent derived from a set of Dwarven runes on tools he took-stole. Now living with incredible impostor syndrome Scrim has gained a talent all his own but is still incredibly nervous and skittish around his clients. The most skilled archi-rat for higher in most settlements he is under constant employ by Seers and Warlock Engineers. Taking after Dwarf-thing slaves he tries his best, but many clients get jealous-annoyed by him so he has taken to moving quickly after being fired lest some catastrophe happen when he is near.
Also, the two wolf rats that pulled the cart contained everything Scrim had so that he could work with high mobility.
Meat was a male wolf rat and a mutt of one too. He had been crossbred with so many things, he had a large variety of expressed genes. He still had the hunched body of the Skaven mixed with the wolf but his skin broke out into scales around his haunches and all along his spine he had ridges with connecting scales. While Roll on the other hand was a prime example of a wolf rat. Almost like a pure breed giant rat she was silky furred. A rich dark gray that would be the pride of the Seerlords was covering her sides and back almost completely.
Both were easily the size of Scrim if he were to go on all fours.
POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.