#sure i'll post this
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drop-dead-dropout · 1 month ago
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be more chill? more like be more WOKE
jeremy QUEER
christine PANigula
THEY/THEMna rolan
jake dillengHER
michael mell
brooke LESBIAN
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dieselpvnk · 3 months ago
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beevean · 6 months ago
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I don't know how it took me so long to realize that Julia has the same role in the story as Maria does in SoTN: the woman reluctantly helping the protagonist taking down the manipulated antagonist that they care about, offering the right means to succeed and they're heavily implied to become love interests in the future as they refuse to leave the protagonist alone in their brooding.
There are some differences, though:
Maria didn't know Richter's situation: Alucard had to tell her that he had become Lord of the castle, shocking her (one has to wonder how their off-screen encounter has gone...); if Alucard kills Richter even after receiving the Holy Glasses, Maria sets herself to understand what drove him mad. Julia was instead the one explaining Hector that Isaac had been overtaken by the Curse.
Maria urges Alucard to not kill Richter, and if the player does so they receive one of the bad endings, where Maria is clearly disappointed by the outcome; Julia accepts the possibility that Isaac might only find peace in death, and Hector doesn't even entertain other options.
Maria fights Alucard to test his strength before facing Richter, while Julia is the only ally of Hector that doesn't challenge him at some point lol.
Maria offers Alucard a concrete item to help him see through Shaft's illusion; Julia can only give words of advice.
Alucard can save Richter: he may end the game in disgrace, but still alive and himself. Nothing can save Isaac, leaving Julia in mourning and hiding it :)
In a meta sense, the player has to earn Maria's attraction by getting the best ending where she chases after Alucard, otherwise she lets him go, while no such thing exists in CoD, where the only ending is Julia taking Hector to her home - considering she's the reason he didn't kill himself, it seems like the only logical outcome.
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docotokautism · 8 months ago
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the reason the Capulets and the Montagues hate each other is because all the Montagues are catboys and all the Capulets are moms, hope this helps!
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jeffmangumsbaby · 2 years ago
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weiwx · 1 year ago
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soñé que esta chica me llenaba la redacted de redacted y tenía que salir toda w word a pasear
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squidwolfy · 2 years ago
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Peace In Violence Chapter 1: Green
Summary: Somewhere in the Multiverse, Kat and Tommy moved to Angel Grove at the same time. Somewhere, they were both cornered by Rita. This is a collection of moments from their time under her spell.
pairing: TomKat
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The putty patrollers disappeared. It was quiet for a few seconds before Katherine leaned against the wall she stood by to try and calm down and catch her breath.
She watched the boy in green lowered his guard and turned to where she was behind him. He walked over, worry etched into his expression.
"Are you alright?"
"Yes, I'm fine... what were those things?" she asked.
She'd never seen them before, and from the look on the boy's face he was just as lost as she was.
(Continued on AO3)
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gaylactic-fire · 11 months ago
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tibetanpopstars · 4 months ago
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It's my 10 year anniversary on Tumblr 🥳
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pinkravat-art · 5 months ago
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i cannot keep my identity secret anymore. I am harrier du bois
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noianoranoia · 10 months ago
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post gay movie clarity where i have to remind myself that as much as i giddily enjoyed and related to the complex depictions of identity and sexuality i am not living in that fictional word with those fictional characters and am infact closeted because i don't afford myself the freedom and right to explore and fully know who i am
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paintedcrows · 2 months ago
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It is imperative to me that Bill and Stan do torrid Duchess Approves roleplay and argue about character motivations
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kaktohund · 1 year ago
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sorry i didnt answer your text i'm currently experiencing enough unfiltered autism to power a nuclear reactor
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pseudospectre · 1 year ago
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yonch · 10 months ago
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EVERYONE'S FAVORITE COSMIC JOKE
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dunmeshistash · 2 months ago
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Ryoko Kui Exhibition & ''Delicious in Dungeon'' Exhibition
"Delicious in Dungeon" Artwork
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Cover illustration draft, vol. 1
Since this was the first volume, I tried out a few different drawings and had the editor and designer choose which ones they wanted, then made small adjustments. I personally liked the top-down draft, and the one of the cooking processes (back cover) the best. But looking back, I sincerely think it's good that we didn't go with those. (Kui)
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Cover illustration draft, vol. 2
The format was decided for volume 1. So, volume 2 came together quickly. (Kui)
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Cover illustration draft, vol. 3
I thought it might be cool to make the character Chilchuck darker in the foreground, and the background brighter! But it didn't quite work out the way I had imagined. I think it could have been a bit better. (Kui)
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Cover illustration draft, vol. 4
I remember that the overall shape of volume 4 came together very quickly. The character Senshi's hands didn't fit nicely, so I moved them backwards and to the side. (Kui)
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Cover illustration draft, vol. 5
I thought people might start to think "how many have I bought?" so I wanted to create a slightly different impression with this volume. I decided to put the character right in the center and try putting it together all in blue and green hues. (Kui)
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Cover illustration draft, vol. 6
With the Red Dragon defeated, have we reached the halfway point in the story? With this in mind, I thought of how many volumes were left to go, and the number of characters, and decided to pair up the characters Namari and Shuroiro. In hindsight, it would have been fine to have them on one cover each. (Kui)
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Cover illustration draft, vol. 7
The image is of focus lines converging on the character Izutsumi. This is the kind of cover, with upside down characters, which I've always wanted to try once(?) I submitted it as a trial, thinking that at this point the cover wouldn't dramatically influence sales. However, in the end, we decided it would be better not to have it upside down. (Kui)
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Cover illustration draft, vol. 8
I tried blurring the mushrooms in the foreground, then I accidentally saved over it, and couldn't go back to the original. I remember apologizing that it was probably tacky, when I submitted it. (Kui)
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Cover illustration draft, vol. 9
I don't think snake meat is marbled at all, but if it has an unfamiliar look, people might not recognize it as meat… so I made it look like beef to make it easier to understand. (Kui)
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Cover illustration draft, vol. 10
I thought it might be interesting to have more than one of the main characters on the cover again, so I added the character Falin. I remember it wasn't badly received, but it still ended up just being Thistle on his own. (Kui)
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Cover illustration draft, vol. 11
I wanted this cover to be covered in shiny gold. After I finished it, it didn't have enough color, so I painted the tablecloth green, and it ended up looking like Christmas colors. (Kui)
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Cover illustration draft, vol. 12
Up to this point, the covers have featured one of the main characters holding cooking utensils in the foreground and a monster in the background, but I thought it might be interesting to reverse the format just before the final volume, so I drew this cover with that in mind. (Kui)
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Cover illustration draft, vol. 13
volume 13 was meant to be the final one, but it was too thick to be published as a single volume, so we decided to split it into two. The question of “so, what should I draw next!?" may be at the forefront of volume 13. (Kui)
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Cover illustration draft, vol. 14
I had decided that the final cover definitely needed to have everyone eating together on it, but because I was publishing two books at the same time I was pressed for time, and it was difficult to have a cover with so many characters on it. I also submitted a rough for an illustration that didn't need me to draw any crowds, but such obviously easy ideas are never adopted. (Kui)
TV anime "Delicious in Dungeon"
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About the ending illustration.
I drew these based on the director's instruction "This kinds of pictures." I hardly ever have the chance to draw color illustrations, so it was a valuable experience for me. (Kui)
[Kui's commentary is from the english pamphlet]
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