#superpowered evil side

[besttropeveershowdown]

The SECOND Best Trope Ever Showdown: Round 1, Side A, Poll 3

Swiss Army Superpower

A character finds a lot of different ways to use a superpower that has defined limitations.

Propaganda:

I think giving a character a power that has clear limits and having their true strength be that they're really creative and understand that there's actually a lot of different applications of their power if you know how to think outside the box is a lot more fun than giving someone an insanely broad powerset that can do just about everything because its limits haven't been well defined

Superpowered Evil Side

Someone has an evil personality that is much stronger or more powerful than the good one.

Propaganda:

It’s vampire/werewolf coded :3c

[froggynelson]

diversity win! the woman who hates matt respects his gender

[almostfoxglove]

pedro pascal cinematic universe aus 28/?

the one where javier peña takes justice into his own hands. (insp)

[furtiveseal]

THIS IS A GUNDAM BARBATOS APPRECIATION POST

I LOVE YOU GUNDAM BARBATOS

AND OF COURSE I ALSO LOVE YOU BARBATOS LUPUS AND BARBATOS LUPUS REX

WE LOVE A MECH THAT'S FUCKED UP AND EVIL IN THIS HOUSE

[limelocked]

thinking about blorbo from my head all by myself because i have tragically few friends to talk to that know the genre tropes of blorbo from my heads setting

[rainbowgod666]

Ah, a classic.

Look. Currently at 1.18.22 and-

I can get behind the literal super saiyan blue transformation, but the whole "do the funny Gear 5 by committing seppuku"-? Girl you SURE you dont have neurodivergence? Cause I have autism and "kill the self for temporary free ascension" is peak (  ◕_◕) if u ask me

And then you do this

Girl. Girl thats a diagnosis and a half. You made a COMPLETELY BLUE MELON like- i can SMELL the neurodivergence on you. I thought your heightened power level was cause, you know. "Chaotic neutral asexual girl who becomes the queen of the underworld when its halloween AND is also slightly insane and peak >:3c". Adding autism to the mix is basically 2 more digits on the power level.

Now if you excuse me i need to figure out at what point the void dragon stops being a bad guy SPECIFICALLY because the entire floof squad has less self-preservation than a minecraft creeper

I got ADHD bud, "burn yourself out for days in a burst of unbelievable power you cannot possibly replicate or do on command" is my final smash

[moonlightwonu]

SVT Multiple members/Poly Oneshots+Series Fic Recsᡣ𐭩

지금 ��� 달콤함은 영원히 해롭지 않아~

Main recs masterlist

MINORS DNI!!!!!!!

Please like and reblog the fics to show the creators love and support~

Multiple members (not poly)

“The Xperiments” by @gamerwoo

[OT13 Series] || Superhuman/Experiment au || Parts: 25 (+epilogue) || Status: Completed

 ⋆.ೃ࿔*:･Growing too strong to stay at the lab you grew up in, you’re shipped off to South Korea to continue your life in their much bigger and more high-tech lab. That’s where you meet thirteen other experiments who are just like you, only knowing life inside the labs which consists of constant inhuman studies and awful mistreatment. However, being kept solitary for your whole life, you find it difficult to trust even the experiments who know exactly what you’ve gone through. But the labs simply creating these experiments because they may not be the only reason for your existence, and trusting the other experiments might be your only way to freedom -- assuming you can stay hidden from the white coats.

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“Can’t Help Myself” by @neoneun-au

[Series] || wonwoo x fem!reader, mingyu x fem!reader || love triangle, fluff, mild angst, romantic comedy, suggestive, smut || Status: Ongoing

⋆.ೃ࿔*:･after breaking up with your boyfriend of three years, you find yourself desperately in need of a new place to stay. your (self-proclaimed) angel of a friend jeonghan offers a recently vacated room in his massive condo up to you. a massive condo with 3 other roommates. despite having sworn off dating for the foreseeable future, you can't help but stumble into a confusing situationship with one of your new roommates. but when you ex returns wanting you back, it throws a wrench into your already precarious position.

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“From Winter to Spring” by @viastro & @sunlightwoo

[Series] || mingyu x fem!reader, wonwoo x fem!reader || Time travel!au, semi-college!au, angst, some fluff, some humor || Parts: 20 (+2 prologue, +epilogue) || Status: Completed

⋆.ೃ࿔*:･‘all good things come with a cost.’ mingyu was warned from the beginning of your marriage as it somehow led to your divorce. So at the cost of him divorcing you, what did it mean for him if he found himself going back in time to see your life without him?

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“Right Where You Left Me” by @the-boy-meets-evil

Soonyoung x f.reader, ex!wonwoo x f.reader || est.relationships, exes to lovers to ???, love triangle, smut, angst, fluff || W.C: ~8.6k

⋆.ೃ࿔*:･where you're in an open relationship with soonyoung, who doesn't want to come on your family christmas vacation. it's okay. you run into your ex at the resort anyway

Poly

“Camp Seventeen” by @miabebe 

[Series] || Pairing: OT13 x reader || Greek Demigod!au, crack, smut, reverse harem, fluff, angst || Status: Ongoing

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By @lovelyhan

⤷“Caught in the Middle” (Part of the Game Over Series)

wonwoo x reader x mingyu || Streamer!au, est.relationship, one sided pining, fluff, mild angst, smut || W.C: 15.8k

⋆.ೃ࿔*:･mingyu knows. he’s perfectly aware that his best friend’s girlfriend is the last person he should end up wanting. but who is he to refuse when wonwoo invites him to join something he never thought he could ever be part of?

⤷“Too Much of a Good Thing” (Part of the Game Over Series)

wonwoo x f!reader x mingyu || Streamer!au, est.relationship, one sided pining(or is it??), fluff, mild angst, smut || W.C: 15.6k

⋆.ೃ࿔*:･contentment is something that mingyu has never really struggled with. he basks in what he's given and doesn't really ask for more. but when the lines start to blur between him and everyone's favorite power couple, he arrives at quite an impasse.

⤷“Inflection Point”

[Series] || jeonghan x afab!reader x seungcheol || est.poly relationship, fluff, angst, smut || Parts: 3 || Status: Completed

⋆.ೃ࿔*:･a jeongcheol poly series!

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By @smileysuh

⤷“Good & Bad”

Kim Mingyu & Jeon Wonwoo x afab!reader || superpower au, uni au, smut, threesome || W.C: 8.8k

⋆.ೃ࿔*:･“My new therapist says it’s healthy behavior to let Wonwoo do what he wants to do ever so often,” you explain, watching Wonwoo beat Seungcheol at the arm wrestling and proceed to down two shots in celebration. “I’m not sure how she can think him coming to frats, getting drunk, and getting into pissing contests is healthy, but hey, it’s not my job to counsel power holders.”

⤷“Crossroads”

Kim Mingyu & Jeon Wonwoo x afab!reader || neighbours au, bikers au, smut, threesome || W.C: 19.8k

⋆.ೃ࿔*:･If one neighbour is a Doberman, then the other is a Golden Retriever. They’re like night and day, and yet, you’re drawn to both, as if some gravitational or celestial power is pulling you to them… it also helps that they both have motorcycles. How had it been so easy to ghost Wonwoo in the past, only to find yourself at a crossroads with his roommate seven months later?

⤷“Besties”

Mingyu & Wonwoo x afab!reader || uni au, poly au, strangers to enemies to lovers, smut || W.C: 15.2k

⋆.ೃ࿔*:･Your best friend drags you to a frat party despite your budding relationship with a man named Mingyu, and your best friend even convinces you to let loose, after all, you might not be single for much longer… however when he tells you to let your freak flag fly and kiss randoms- neither of you can foresee the massive blunder you make when ‘some random’ ends up being the best friend of your new ‘boyfriend not boyfriend’.

⤷“Penance”

95z & Minwon x afab!reader || zombie apocalypse au, poly au, smut, 3some, 4some, 6some || W.C: 21.2k

⋆.ೃ࿔*:･You’re hyper-aware of the fact that all four of your lovers are just outside the confessional, that they’re listening in- it’s making your mouth dry, your palms becoming sweaty as you rub them against your dress. “When you last confessed, you mentioned greed and lust as your sins. Would you care to elaborate more on that?” The priest asks. “Maybe it will be easier, now that you’re amongst… friends.”

⤷"Ice cold, Cabin fever"

Seungcheol & Mingyu x afab!reader || ski resort au, strangers to lovers, enemies to lovers, 3some, smut, step brothers Jihan, roomies || W.C: 25.9k || Parts: 2

⋆.ೃ࿔*:･ "come on, let’s just go back to snakes and ladders and you can pretend we’re not snowed in with no firewood and a dude you hate locked in the bathroom."

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“Glitch” by @gamerwoo

[Oneshot] || Wonwoo x fem!reader, Mingyu x fem!reader || hacker au, angst, fluff, enemies to lovers, smut || W.C: 18.7k

⋆.ೃ࿔*:･ After your boyfriend goes missing and you can all only assume he’s dead, your boss assigns you a new partner. But considering you don’t want to get close to anybody again in fear of something going wrong again, living together is a lot easier said than done. However, you don’t get hurt the way you think you will.

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“Good to be Bad” by @rubyreduji

[Oneshot] || Pairing: Jeon Wonwoo x gn!reader, Kim Mingyu x gn!reader || Descendants au, fluff, minor angst || W.C: 10.2k

⋆.ೃ࿔*:･moving to auradon brings many new things, good and bad

Please let me know if the links have any problems~

[littlelostmoth]

The Final Double Exposure Post

Okay, the game is out now and just wanted to share some final thoughts about Double Exposure and the big problems with it. All spoilers below the cut.

Ultimately, even outside of the brutal murder of Pricefield, gaming's most classic wlw couple, the game is just very poorly written. This post will acknowledge that breaking up Pricefield is terrible writing and they do not do it in a way that makes any remote sense whatsoever. While everyone can sit and say "It makes sense they broke up," it didn't. These characters are characters, ones designed to tell a story. Characters who exist as a bright spot for sapphic and queer people playing video games in 2015.

It's the same thinking as everyone used to say "Well if Nathan just had therapy, he'd be better." And to which it would be answered, "No shit, maybe he would have been better with therapy, but it's a story and he rejected going so no he didn't get better and won't get better because that's not the point of the story." Point being, you can self-justify the Pricefield break up with real world logic all you want, but the fact that even Dontnod is sad about the state of it should be telling. That in addition to the leaks about Square hating Chloe and the D9 narrative team hating her, and it was not done as a good faith way to tell a story. Ultimately, the game encourages you to choose the "Kill Chloe" ending of the original game so that Max can retain her memories of her in a pure way, while also removing her from story. If you choose what the D9 devs believe is the morally evil choice, you get horrible Chloe.

There is SOME good stuff in here, but it's not enough to justify the game's existence. Here are the short amount of pros we compiled for the game: the music is well done, the environments are very nice, and the side characters are fine for the most part.

That's it. Everything else is a con: the story, the handling of Max and Safi as characters, the entire mystery of the game basically being shafted in favor of... making the most important thing about Life is Strange the superpowers. It just seems like this game misunderstands what Life is Strange is or was at any point.

Max is so horribly out of character in this game. Why? Why does she do the things she does? Sometimes she feels like a natural adult version of the original game's Max, while other times she's overly horny to the Nth degree. Max has the ability to cheat on her two love interests, and both love interests reject her in the appropriate timelines of pursuance. Within the text of the game, she uses her powers to circumvent the fact that they've rejected her.

Remember the original game's ending? Nightmare!Max accuses Max of selfishly using her powers to manipulate others to her own selfish end. Ultimately, we're left with the fact that Max used her powers to help get others to like her because she didn't have many friends and was a target of bullying. It's morally dubious, but she wasn't doing any of it for like selfish personal gain. It was an extension of her anxiety.

This game goes around this and makes Max purposefully use her powers for selfish gain. The entire first game revolved around the concept of whether or not she was using it for selfish gain. She wasn't. Now the game forces Max to go through the same exact arc, but this time she is actively being awful instead. Not only cheating, but using it to get around being actively romantically rejected.

Then there's how the game handles its story. Like what the hell is going on here? How does any of it make sense. Spoilers again, but the mastermind is Safi, and Safi is a shapeshifter. She wants to take over with world with Max and collect her own superhumans to form a what? A Legion of Doom? Why? Why is Safi a villain? Her villain arc literally comes out of nowhere and the game does little to sell how she goes from wanting a book deal in the beginning to "I have godlike powers, let's take over the world together." Like honey, WHAT? WHY? And the fact the final choice is to join or refuse her??? LIKE WHAT? WHERE DOES IT COME FROM? WHY WOULD MAX, WHO EITHER HAD TO MAKE THE CHOICE TO SACRIFICE A TOWN OR HER LOVED ONE AND IS ETERNALLY TORMENTED OVER BOTH... SUDDENLY ONBOARD WITH BECOMING JUST A GENERIC EVIL GIRL?

And that's it??? Nothing else in the game matters. The romances go nowhere, thus making breaking up with Chloe pointless since it's not like the game allows Max to pursue a relationship seriously any further. Or just the mere fact she's shitty for doing so. None of the plot points of this game matter, and the mystery the game is built on doesn't matter.

It's like... Here's a murder mystery! Without the murder or the mystery! And then... the game just ends. It just ceases to exist and stops without any sort of... ending that feels satisfying. We get an AVENGERS LEVEL END SCREEN OF "MAX CAULFIELD WILL RETURN."

We think about the endings to the other game's endings. They all have some sort of conclusion that feels like its own self contained experience. You get this long and depressing ending of Chloe dying and her funeral... You get this wistful drive out of Arcadia Bay as Obstacles plays. You get Sean surrendering himself to the police so Daniel can live to grow old and not suffer for the sins of those older than him, and how Sean comes out after. You get to see how Chloe and Rachel grow as time passes to the first game. You get to see how Alex chooses to live her life on her own terms after so long of feeling like she was trapped. You get all of these different endings for the game and here you get... what amounts to the exact same ending depending on your choice which is to be horribly evil supervillain when the time comes or not, and then sequel bait with Diamond and Safi. Why? Why does she have a bleed from her nose? Since when did that become a common occurrence for superpowers? Or storms when powers are overused along with nightmares?

In the original game, the nosebleeds are a result of Max twists reality around her as the epicenter. It's the physical damage she gets for what her powers are physically doing to existence. The storm? The point is, we don't know why the storm comes.

When did Life is Strange become about superpowers and taking over the world? When did it become all of these things? Like True Colors isn't a perfect game by any means, but for fuck's sake it at least knew the scale of what a Life is Strange game should be. Small town mysteries with a colorful cast we love and hate. To this day, I still think that the Jed stuff is some of the most morally fascinating questions to be raised in the franchise. To have that final choice be to either forgive him or not? It's an incredible final choice that is so intertwined with the game's themes. To leave or to stay afterwards? They're both extremely meaningful, dual choices.

This game does nothing. That's ultimately it. What did we gain from Double Exposure? Nothing. It doesn't continue Max's character in any meaningful way. It does little to build upon the actual lore of the original game. It doesn't actually use any original characters except Chloe and that's solely to drive it in how much they despise her from a writing perspective.

Regardless of how well each game did at telling their stories... They all had something meaningful to say in some way. Even if Before the Storm is not a game that I'd necessarily say is amazing, there is some thought and thematic purpose put to that game. It's still 1000 times the game this will ever be.

When I was first exposed to the game's ending... the emotion I felt was pure and raw bafflement. Not anger. Not sadness. Bafflement and bewilderment. I had no idea what the fuck I just played or what I gained from it? What does Max as a character gain from this story? What do any of the characters in this game gain from the story? Nothing. The game starts and then it ends. And we all gained absolutely nothing from the experience. (And in BtS the ending is fine, because it's a prequel that has to have a clearly defined ending to lead into the first game. You can't break Chloe and Rachel's relationship, it always has to be what it is.)

For a long time I really hated the Life is Strange comics. It felt like a kick in the head to the original game's story. But then after it ended and this came out, we can view it as a more honest and genuine follow up to the games as opposed to... whatever we got here.

The comics focus heavily on Max's perceived guilt over what happened to Arcadia Bay. She comes to believe that she, herself, is the problem in reality. That she makes everyone around her unhappy, including Chloe. While Chloe reassures her this is not true... she ends up displaced and removed from reality... and punishes herself by sending her to a world where Chloe is happy with Rachel.

The rest of the story is Max and Chloe apart for years, as Max wrestles with her guilt... while Chloe waits for her. Chloe waits and knows Max is out there still. Max eventually realizes how wrong she was after self-reflection and being around the alt!Chloe and Rachel helps her realize she was wrong.

Chloe builds them a home.

Chloe comes to move past her own grief, just as Max did.

Chloe helps rebuild Arcadia with her own hands. She decides she has a home. This town, with Max. And then they're together... And that's what matters because... like Michel said: "They have each other."

And that is what Life is Strange was about. These two young women, who were best friends... they grew apart through tragedy and life circumstances... And then they found each other again, fell in love, and even in tragedy had one another to rely on.

I am who I am because of Life is Strange.

I met the love of my life because of Life is Strange.

And no matter how bad Double Exposure is... It can't take away Life is Strange, Max, or Chloe from me.

No.

It can't take them away from us. From all of us who cared enough to stick around this funny little 20$ adventure game from a decade ago.

[artist-issues]

it’s the bane of my Halloween that there are so few good werewolf stories that aren’t just shock-and-awe, “let’s show you how many variations on sex and variations on the dismemberment of the human body there are!”

I just keep watching The Wolf Man & reading The Were-Wolf, and sometimes throwing a little Marvel’s Werewolf By Night in there.

Where’s the good stuff? Where’s the “man’s desire to be more than what he is leads him to a dark, twisted, out-of-control place?” Where’s the “pure sacrifice can slay the beast?” Where’s the “a seemingly good man struggles with the monster within?”

Why do I have to keep seeing weird twisted furry fantasies; or SURPRISE, the werewolf is a RELIGIOUS LEADER AGAIN; or look, we spent our whole budget so you can see this naked guy’s bones rearrange themselves; or look, he likes being a werewolf, it’s like a sadistic superpower for him; or look, what a unique twist—the werewolf can be the gooood guyyy as a tired old allegory for how “othered” vaguely “different” members of society can be; or look, “look, you don’t like any of those, we’ll just show you comically large werewolf talons stabbing through the face of a screaming human—in glorious red 3D! That’s what you wanted, right?”

No. No, it’s not.

And don’t suggest cartoon episodes about werewolves to me. Because those always hit the same trope; “the werewolf isn’t the real side of the person with werewolfism—they can be cured by being reminded of who they truly are through love!”

I mean that trope gets close. But it’s not werewolf fiction. Werewolf myth is supposed to be about a man who really is a monster—he wants what he’s not allowed to be—and then, as an object-lesson of that man-trying-to-meddle characteristic, the man gets to be “what he’s not allowed to be”—instead of a human, he loses all reason, all free will, all desire for good things, and instead can desire only blood. Then he has to slowly realize that. Then he has to either try, unsuccessfully, to protect others from himself—OR he has to be killed by purity. At it’s best, it’s the sacrifice of someone or something pure—but most iconically, that’s just “something silver.”

WHY DOES IT SEEM LIKE NOBODY WANTS TO WRITE GOOD WEREWOLF STORIES ANYMORE?

We lost the point. We lost the point. The monster stories are supposed to say 1) there is such a thing as purely evil things, so beware & 2) the purely evil things can be triumphed over, but not through the effort or acceptance of the purely evil things, themselves.

That’s the point! Why do you think we have all those myths and legends across cultures? It’s not to say, “try werewolfism, it’s fun.” It’s not to say, “drink blood!” It’s to say “beware, there are monsters out there, and here’s what to do about it.”

[besttropeveershowdown]

The Best Trope Ever Showdown: Round 1, Side C

You Are Better Than You Think You Are

No propaganda was submitted.

Superpowered Evil Side

Character has a second form, or another person in them. Whatever it is, it makes them way stronger. BUT! It also either makes them a threat. Either cause they're Feral and Angry, or cause they're just Evil. (No TVTropes page submitted)

Propaganda:

The Power. The Cool Factor. Seeing them beat down what was beating them down. But also the drama. Trying to get them back. Them turning on their friends who don't want to hurt them cause they know they're not being themselves. Juicy stuff.

[linkspooky]

GREAT TEACHER, GOJO

For my final commentary on chapter 236, I thought I'd talk about this panel the starter of a million flame wars on twitter dot com. The big controversy is Nanami stating that Gojo fought only for himself without mentioning his students which a lot of people thought was a last minute reversal on Gojo's character, or character regression.

I'm not going to call anyone stupid, or say if you have good teacher Gojo headcanons you're wrong. However, I'd like to point out that Gojo's always been more complicated than most shonen mentors. He's not Kakashi, and he's not Aizawa, and I'd argue the fact that he's not the standard "I'd die to protect my students" mentor we see in shonen manga is what makes him interesting.

The Springtime of Youth

Jujutsu Kaisen is a shonen jump manga that is very aware of the other manga that are running in the same magazine and uses that awareness to play with audience expectations.

To put it simply if you don't want to use words like Deconstruction - if you're reading Jujutsu Kaisen then things are probably not going to go the way you expect them. It's not Naruto, it's not My Hero Academia, it's a little bit like Bleach except characters actually die.

If you expect things to go one way in Jujutsu Kaisen, then you're going to be thrown a curveball. To name some examples briefly before diving into Gojo.

Yuji Itadori is a normal boy protagonist suddenly dragged into the world of the supernatural.

However, everything goes wrong from there. Jujutsu Sorcerers are not heroes. Yuji is told that much from the beginning by Megumi within the first thirteen chapters. The world of Jujutsu Sorcery is not a good place to be, Yuji is initially excited to be a sorcerer and to be a part of this world and then learns that lesson fast. I mean, imagine if Deku was accepted to UA, and then he immediately learned that students at the school die on the regular and all the adults are either terrible selfish people, or if they're not they die too like Nanami because being selfless means sticking your neck out for someone else.

Yuji's not really special in the narrative. He's just a kid who swallowed a finger. He doesn't have a secret technique. We're hundreds of chapters in and he's still just punching people. If he's cornered in a fight he doesn't unlock a secret technique either, he just loses.

Yuji has a superpowered evil side, like the nine tailed fox, or Hollow Ichigo except it's not really his super powered evil side. It's an evil parasite attached to his soul with a will of its ownt hat will manipualte him. Hollow Ichigo and the Kyuubi can escape temporarily and there's usually no consequence. Sukuna escapes twice, the first time he nearly kills Megumi, the second time he kills thousands.

Yuji is kind of like a main character who is not a main character.

If you still believe he's the main character, then you can agree he's punished for thinking he's the main character and therefore things are going to be easy, because nothing is ever easy in Jujutsu Kaisen.

Megumi is a riff on the chosen one. He's supposed to be the Gojo Satoru of his generation, born with the strongest technique that ca even surpass the limitless and he's nowhere near the level he's supposed to be. This is because Megumi has been continually failed by every adult figure all his life, starting with his father who sold him, then Gojo the man who SAVED* him techically but with a big asterisk that he needed to become his student and do jobs for Jujutsu High School otherwise Gojo would just let the Zen'in take him or let them starve I guess. Megumi has no adult figures to rely on, and has been given very little freedom about who or what he wants to be in his life, and therefore he's a very passive, repressed individual who's riddled with insecurities. Megumi doesn't want to be the strongest like Gojo, or like many hero / rival characters in shonen manga. Megumi doesn't even know what he wants to be, because he's never been given any choice in life.

If you don't think Megumi's a deconstruction of any sort of character type, look at those posts on twitter that are like "Look at the black haired depressed shonen boys" and then look at Megumi, he's never actually like any of these boys because he's much deeper and probably closer to being the main character than Yuji is.

Then we get to Gojo who is very unlike all the other mentors in shonen manga.

If Yuji and Megumi are both riffs on a main character, a hero in a world so cynical he's not allowed to play hero and actively punished for it, and a chosen one who doesn't want to be the chosen one then you have Gojo as the mentor who's nothing like the classic mentor.

The problem with mentor characters in fiction is that number one they die a lot (spoiler warning Obi Wan Kenobi dies in Star Wars just so you know) and number two they're not usually the most complex character in the cast.

What is the mentor there for?

To Mentor (duh.)

What this means is they are usually a fully formed adult who can teach a lesson to the main character, who in shonen manga is typically a teenager.

I say they're usually less interesting because stories are about characters changing, or characters learning lessons. A teacher presumably already has learned his lesson. They are usually at the end of their journey and not the beginning, that's why they can offer wisdom to the main characters. They're not usually their own separate characters because of this - a narrative doesn't have time to waste on a character that's not going to change.

Jung had a term for this character, it's called the Wise Old Man.

In Jungian analytical psychology, senex is the specific term used in association with this archetype. Examples of the senex archetype in a positive form include the wise old man or wizard. In the individuation process, the archetype of the Wise old man was late to emerge, and seen as an indication of the Self. 'If an individual has wrestled seriously enough and long enough with the anima (or animus) problem...the unconscious again changes its dominant character and appears in a new symbolic form...as a masculine initiator and guardian, a wise old man, a spirit of nature, and so forth'.

The role of the wise man archetype is to help other people along with their ego development, because usually they are already fully developed individuals.

Obi Wan is the most typical of typical mentors, and he dies in Star Wars because after he finishes teaching Luke he has nothing to do. This is Luke's Hero's Journey. Obi Wan's already happened offscreen, he's at the end of his journey there's no room for change or growth in him because his story purpose is to exist to advise Luke and to do that he needs to be a fully grown adult figure.

The subversion to this when the mentor has their own agenda (Gandalf), or the mentor is as flawed as the main characters themselves and so therefore he has something to learn.

Gojo is kind of a combination of both, like Gandalf he is the mysterious but seemingly all powerful wizard (er... or rather sorcerer) with his own agenda, and he's also practically the fourth member of the main cast who are otherwise all teenagers. In fact, Gojo spells out his agenda in the same panels that everyone uses to constantly assert that Gojo is a good teacher who only wants to protect his students.

He wants to make the Jujutsu World a better place (good) which is why he is raising students so he can turn them into his political allies to make a regime change (hidden agenda).

It's a means justifies the end type scenario. In Gojo's mind the means (raising kids as tools in support of his political agenda) justifies the ends (a better jujutsu world for those children). His motivation is still the same. This is what I think people most often get confused about with Gojo's character. I think he is one hundred percent genuine about wanting a better world.

"I have a dream, I want to reset this crappy Jujutsu World" is his motivation, but not his means. He uses his students as a means to achieve that end. Even if it's purportedly for their sake, he's still using them. I don't even think this is subtext it's text, both Megumi and Yuji call themselves cogs.

"But senpai, what's your function...?"

You could say in this case that the ends don't justify the means. Is Gojo really protecting these kid's youth, if Yuji and Megumi are going around calling themselves cog and acting like they don't matter in the grand scheme of things? In fact the narrative is inviting you to question if Gojo's ends justify his means.

Gojo's ideals can be one hundred percent real, but he can also pick faulty ways of choosing those ideals that fail to live up to them. In fact most people fall short of ideals, that's why they're called ideals. Gojo is taking these kids in because they have strong potential as sorcerers and he wants to recruit them, that's his hidden agenda. It's confirmed in databooks in Yuji and Yuta's case, and even if you don't trust databooks as canon then look at how he treats Megumi.

Megumi is explicitly Gojo's student, not his son. He only intervened in Megumi's situation on the caveat that Megumi work for him. Presumably, if Megumi didn't want to be a sorcerer and just wanted to be a normal kid, Gojo would have either let the Zen'in have him or do nothing. The option of just calling child services and getting someone to foster Megumi until he was older didn't even seem to cross Gojo's mind. There's the help he gives (Food money, rent, protection from the Zen'in) and then the hidden agenda (Don't work for the Zen'in who are my political rivals, you're my student now).

Yet at the same time Gojo is shown going to find Megumi after Geto's defection, probably because of the words he said to Yaga "You can only save those who want to be saved," when he realized it was too late for Geto. Was he intervening earlier for Megumi because he learned from being too late with Geto? Did he think Megumi needed guidance, or did he think Megumi needed protection in his youth so the Jujutsu World wouldn't corrupt him like it did Geto, or did he think he just needed to make it so Megumi was strong so he wouldn't fall behind him because Geto fell so far behind him once Gojo became the strongest. There's ambiguity there, because the hidden agenda is you know... Hidden. That's what I mean with Gojo though, you can look at him from multiple angles, he's not just (I love my students I'd die for them) because that character would only have one purpose in the narrative and that'd be being the perfect mentor who teaches them all the right lessons.

Gojo's not like other mentors, and in fact he's a commentary on the mentors that everyone is always comparing him to and expecting him to be like.

Literally everyone who reads Naruto has the exact same response, "I hate how the manga never talks about how it's a bad thing to send these child soldiers into war, and nobody breaks the cycle."

There are a lot of people unhappy about the same thing in My Hero Academia, "Why does nobody talk about how wrong it is that the adults make these high school students fight on the battlefield."

Well there you go. That's Gojo. His dream is to make it so Jujutsu Society is a place where teenagers can survive until adulthood. His method of doing so is to... raise those teenagers to be stronger than the previous generation, but you know still letting them be child soldiers on the battlefield just stronger ones. He does this because if he's working within the system the his two choices are raise a group of people who can age out and replace the old regime, or just kill everyone at the top.

Everyone complains about how no one talks about the child soldiers in Naruto or My Hero Academia, but here you go, we have a manga that is centered around how messed up it is to send high school students to continually fight these curses before they even turn eighteen. Gojo's sending these kids out there still even if he wants to change things, and it's supposed to be a little messed up and also a contradiction to what his ideals are supposed to be.

Because in My Hero Academia you have characters like Aizawa and Kakashi who are "I will die for my students" but then they just send those teens out to fight in a war, and seem totally fine with that. It's a hole in the writing, but this time it's done on purpose, to ask why these adults are always comfortable sending teenagers out to fight for them?

Jujutsu Kaisen provides two answers, number one the system is inherently corrupt and it sees the youth as cogs because the system is rooted in traditions that keep the elderly in power. Number two, in Gojo's case at least this is exactly what it was like for him growing up as a child. Gojo is just repeating with his students what was done to him, subconsciously.

The reason Nanami said this, and then repeated it in this most recent chapter is Gojo was born to be a Jujutsu Sorcerer. Being a Jujutsu Sorcerer is a highly deadly occupation for everyone else, except for Gojo. Not only that but because he's so good at it, and he's so lauded for it he's built his entire identity around it. Nanami's not just saying that Gojo is selfish, he's also saying that Gojo thinks being a sorcerer is a good thing. It is the end all, be all of Gojo's existence.

He doesn't want to make it so sorcerers don't have to fight, or make it so all cursed energy is gone for the world like Yuki Tsukumo, his dream is actually kind of limited in scope he doesn't want the school days of his students to be destroyed by the outside world the way it was for him and Geto.

Gojo looks at the symptoms and not the cause. Geto defected, Haibara died, Yaga wasn't really able to do much for his students in both scenarios. Gojo deduced it was because the elders and regressive policies were holding people back in favor of keeping the regime in charge (correct) and that because of that the sorcerers in Gojo's high school years just weren't strong enough to keep up (this is just what Gojo thinks).

His words to Megumi are encouraging him to be strong so he won't get left behind, which as I speculated above might imply Gojo thinks that part of what went wrong with Geto was that he simply wasn't strong enough to keep up with Gojo or stay on his level. If not then he still encourages Megumi to get strong before everything else, he's not taking care of these kids emotional needs, he's pushing them to get stronger because in Gojo's mind that's the be all end all solution to every problem.

"Nanami's line was not saying that Gojo doesn't care about children, it's saying that "You live for Jujutsu." It is the lens through which Gojo sees everything, and so therefore he doesn't think of breaking kids out of the Jujutsu World, just making it a place that's slightly more safe for them. Gojo's ego is so strong that he only ever sees things from his point of view, being a sorcerer was fun for him, his high school days were the happiest time in his life before they got ruined by outside forces.

He's trying to protect those days for his children, but he's not arguing against the existence of an institution like Jujutsu High in the first place. He's not saying the teenagers should never be sent out on missions, he's saying we need to make the teens stronger. If they're stronger than they won't die (that's probably true but they'll be even safer if they don't have to go on missions in the first place).

Now we have a reason! Why do Aizawa and Kakashi send out child soldiers into the battlefield if their goal is to protect their students? Because it's a shonen manga and the main characters are all teenagers.

Why does Gojo send out teenagers to fight for him if he wants to protect them, well I just explained it.

In fact, the entire purpose of Nanami in the story is to give us a character who explicitly treats children like they are children and not miniature adults. Who acknowledges that this is emotionally hard for children to deal with and they shouldn't have to do that.

Nanami's lines of "I'm an adult you're a child" and "Being a child is not a bad thing." would not have the weight they carry if they weren't so different from the way that every other adult in the story (including Gojo) treats children.

Nanami and Gojo have the same goal of making being a Jujutsu Sorcerer easier for children, but Nanami practices what he preaches. He tells Yuji to stand back and that he doesn't need to fight if he sees an enemy that's too strong, to let the adult on scene handle things first.

When he sees that Yuji is disturbed by the idea of killing former humans that Mahito had changed with his technique, he consoles him. He knows that Yuji is a sensitive kid and tries to spare him as much of that grief as possible. When he leaves Yuji behind he tells him explicitly that he's the adult in this situation, he shouldn't be forcing a child to help carry that burden if it's not necessary.

He also explicitly tells Yuji that being strong or jumping into life threatening situations =/= as growing up. Nanami is a character aware that the problem isn't that the children are not strong enough, but that too much responsibility is being thrown on these children. That there is a difference between what children and adults are emotionally capable of. Gojo doesn't see that difference because he reached enlightenment as seventeen. He even explicitly chose Nanami because Gojo knew he wasn't good at that stuff.

Nanami was not saying that Gojo doesn't care about children, Nanami was saying Gojo lives to be a sorcerer, Gojo who loves sorcery doesn't understand why being a sorcerer is too much of an emotional burden on a child. He just doesn't. He literally says his students are flowers.

Now, here's the kicker. Nanami dies.

Nanami wanted Yuji to not take on too much responsibility, and he died leaving Yuji with more responsibility than he could ever carry. Nanami failed in his goal, despite the fact he is the most responsible and well-meaning adult in the story who treats children like they're children.

The reason he dies is because this is what happens to people like Nanami in Jujutsu Society. The whole of society is built to condition people into being cogs and Nanami who's just one person can't overcome it on his own. I can write a whole meta on how Nanami's way of dealing with children is way better than Gojo's and yet they do essentially the same thing, throw way too much responsibility onto Yuji even though he's just a kid. They're both too ingrained in the system to make any sweeping changes, and that's why the child soldiers keep on child soldiering.

Gojo as a Character

The second reason as eluded above that Gojo is not meant to be read as a perfect teacher, or even a good one really is because he's the fourth main character of the cast. If you are a main character, then you need a flaw, and an arc where you either improve upon that flaw or you succumb to it in tragic fashion.

Gojo's not the perfect adult mentor, because he's kind of in the same place as the kids themselves. I think there's a reason we never learn anything about Gojo's backstory, we know nothing about his parents, the Gojo clan, because those details aren't as relevant. The most important thing about Gojo is the three years he spent at high school, because that was the only time he felt like a person, and also because he is trapped there mentally.

There's a reason that Gojo's dying dream is him imagining everyone reset to seventeen years old, because that was where the clock stopped for him in his youth, and that was where all of his regrets as an adult come from. His motivation to help teenagers today only comes from his own youth being ruined, and the adults in his life failing to protect him.

It's very likely that Gojo who lives for Jujutsu probably would never have realized the problems in his current society, if his youth wasn't ruined by those same adults he's now fighting against.

The reason most mentor figures in fiction are not main characters is because as adults they don't really need to grow up anymore. The obvious solution is that you just need your mentor character to just fail to be an adult in some glaring way.

To show how Gojo falls short as an adult, especially in regards to these children and how he treats them is to drag him down from all powerful, all knowing wizard, and make him struggle with the rest of the main cast. Gojo is not a positive adult figure in these kids lives despite having the best of intentions, because he's not really an adult.

I guess if you were already the best and strongest person in the world at seventeen, smarter and more capable than all the adults around you, you wouldn't really feel the need to grow up. Coupled with the fact that you are alienated from other people and do not relate to them on a personal level that's not going to help with your identity formation.

I mean I constantly compare Gojo to Superman, but to be fair to Gojo instead of bullying him like I usually do Clark Kent was raised by parents who raised a boy not a superman, and who constantly tell him that he's just a normal person, his powers don't make him great, it's his heart.

Nanami says that Gojo only fights for himself that ""You don't wield Jujutsu to protect something, you use it solely to for your own sake. What a weirdo" it's likely Gojo only fights for himself because he's never ben told that's he's more than just the six-eyes and more than just the limitless.

The best way to make a mentor a part of the cast, is to make them through some way or another have failed to grow up properly in their youth and therefore they need to do it while the story is taking place. We know how Gojo failed, his springtime of youth ended early, it ended the day he couldn't stop Geto from leaving, the day he can be the strongest sorcerer ever and still fail because sorcerer society is too corrupt for one person to handle alone. We also know he didn't really grow up past this point, because he still thinks the solution is to make people be stronger. Why does he not do anything about Geto for 11 years? In story terms he's basically suspended in time unable to grow past Geto. Kenjaku literally uses the trauma from his youth and the memories that seeing Geto alive would provoke in Gojo again, to trap him because he knew it would make him freeze up. Gojo is frozen in the past, he failed to grow up in story terms and must now grow up while the main story itself is taking place along with the children he's trying to raise.

This is how you make a mentor interesting. You have to make them flawed in some way that makes it worth having them onscreen, because a perfect mentor only serves one purpose to teach a main character and then he's gone.

Dazai Osamu from Bungo Stray Dogs is a character that's almost as massively popular as Gojo. Similiarly, he is a teenage genius who found trouble relating to other people who is now as an adult attempting to mentor two children.

However, Dazai's faults as a mentor are made much more explicit.

Dazai suddenly punched Akutagawa in the face, preventing him from finishing his sentence. Akutagawa flew back onto the ground, his head bouncing off the stone flooring with a thud. "Perhaps I made it look like I wanted to hear excuses. Sorry for the misudnerstanding," Dazai said while rubbing his knuckles. "Urg..." Akutagawa moaned. He'd hit his head so hard that he couldn't even stagger to his feet. "Give me your gun," Dazai ordered one of his men. The subordinate was hesitant but nonetheless handed over his weapon. Next, Dazai removed the magaine from the automatic pistol, took out all but three bullets, then put the magazine back in. He immediately pointed the gun at Akutagawa, who was still on the ground. "I have this friend who's supporting several orphans all on his own, you see," he continued his weapon still drawn and aimed at the boy. "AKutagawa I'm sure Odasaku would've been patient enough to give you the guidance you needed had he been the one who'd found you on the brink of starvation right in the slums. That would have been the 'right' thing to do. But 'righteousness' doesn't take very kindly to me. And there's only one thing people like me do to useless subordinates." Dazai mercilessly pulled the trigger the moment he finished his sentence.

(Don't worry, Akutagawa lived). Dazai is a character who had a troublesome youth he never grew up from. He was too smart for the world as a kid, and because of that joined up with the mafia because he wanted to feel like he was more connected to life and other people by getting closer to death (weird dazai logic I know) and was the best of the best at it, but it only drove him further away from people. He makes one friend, and loses that friend similiar to Gojo. Just like Gojo too, that friend is the one who gives him his purpose as an adult that drives him to mentor young people.

"Odasaku.. What should I do?" "Be on the side that saves people," Odasaku replied, "If both sides are the same, then choose to become a good person. Save the weak, protect the orphaned. You might not see a great difference between right and wrong, but... saving others is something just a bit more wonderful."

Is this not what Nanami said just in different words. Odasaku tells Dazai point blank, I know you're selfish, I know that you don't really have any concept of good or evil but you can choose to save others anyway.

Isn't this what Gojo does?

He is selfish. He doesn't really consider the morality or his actions or get hung up on the idea of protecting the weak like Nanami or Geto do, but he still does go out of his way to live for the ideal of saving children.

Both Gojo and Dazai are characters who are struggling with this ideal of saving the children, because while their ideals are good they themselves as people are morally gray. Adding onto that, they're also children and a good deal of their backstory is devoted to showing why they never really grew out of the mindset that they held as children.

The story doesn't call them horrible monsters for it, it's just saying that they need to grow up or face the consequences of not growing up.

"I have one regret," I said. "I never got to say good-bye to my friend. He was always there for me as 'just a friend.' He was bored of this world and always waited for death to come for him." "That man was in search of a place to die just like me?" "No, not exactly," I answered. "I thought you were similiar to Dazai at first, rushing into battle and wishing for death without even considering the value of your own life. But he's different. He's sharp-witted with a mind like a steel trap. And he's just a child - a sobbing child abandoned in the darkness of a world far emptier of the world we're seeing." He was too smart for his own good. THat was why he was always alone. The reason why ANgo and I were able to be by his side was that we understood the solitude that surrounded him, and we never stepped inside it no matter how close we stood. But in that moment, I kind of regretted not stepping in and invading a little.

Does that sound like the narrative is condemning Dazai for being who he is? No, it's Dazai's best friend offering empathy and understanding for how lonely it must be, and how if Dazai made real connections with people then he could have a chance of growing up like everyone else. That's what the narrative challenges Dazai to do while empathizing with why it's harder for him to and why he's still trapped in his youth, because to take care of children you need to be an adult yourself. Otherwise if you're a child, and I'm a child, then nobody's driving the plane.

Rupert Giles from Buffy the Vampire Slayer is another mentor who faces the same moral dilemna that Gojo does. In fact his entire character revolves around the fact he knows deep down he's sending a kid to her early grave.

Buffy is the Chosen One TM. One girl in all the world is chosen to fight the vampires. Much like sorcerer society, there is an entire bureaucracy dedicated to identifying the chosen slayer and then raising her up and guiding her as a weapon to be used against the threat of vampires and demons.

The watchers are all adults. The slayer is a teenage girl. The slayer slays. The watchers watch. Just like in Jujutsu Kaisen, there is a necessity for the Slayer to exist, because the alternative is just letting vampires eat people. Yet even if the slayer needs to exist, at the end of the day a bunch of adult men are sending a teenage girl to fight for them.

All Slayers die young. All of them without an exception. No matter how good of a mentor is, no matter how much he cares about her, Buffy is going to die one day, and Giles is going to watch. Because that's what the watcher does, they watch. Sending her on missions means Buffy's in danger, not sending her means innocent people are in danger.

It's a scenario that's pretty much like Gojo's, and the narrative of Buffy makes it explicit that Giles really can't be a father figure to bufy in this scenario. A father would have to choose to put their child above the world and keep them safe, not send them out straight into danger.

It is a choice that Giles makes over and over again. He is always her watcher and never her father. There's a season 3 episode where Giles literally drugs Buffy as a part of a test to prove she is "worthy" of being a slayer. A test that deliberately puts her in harms way that he complies with - because the system told him to. A choice to be her watcher and act according to what the council of watchers wanted and not what Buffy wanted. A choice that shatters the illusion that Buffy had of him, showing her that Giles is only there to teach her to be a Slayer, not to take her to the iceapades or buy ice cream with her.

In this scenario Gojo is very much like Giles as no matter how much he may personally like these kids, he is not their father, and there is only so much he can do for them when he's still feeding them into the same system. Giles loves Buffy, Giles wants to protect Buffy, Giles is a part of the system that exploits Buffy. Giles is an adult asking Buffy to risk her life to save the world.

Gojo goes out of his way to recruit Megumi, Yuji, and Yuta among others. Gojo still doesn't let them be anything other than sorcerers, and as sorcerers they're still guaranteed to one day die and probably die young. Gojo wants to revolutionize the system he is, but he still sends out his students to do missions as part of that system. He's not letting them escape it, he's just making them be stronger sorcerers.

Not only is Gojo not a father figure to Megumi, he is exploiting him more or less. The option of Megumi not being a sorcerer isn't on the table. No matter how well-intentioned he may be, or how good his ideals are he's still an adult telling a child to make a sacrifice for the world.

So, there are two character conflicts with two different mentors that both reflect Gojo. Gojo cannot grow up because he's still trapped in the tragedy of his youth. He himself is not an adult, for various reasons (lack of connection to other people, trauma in his youth) he's egocentric like a child but there are children in his life who need him to be.

Gojo also cannot be a proper adult, because he is part of a system that exploits children. We see what the system does to proper adults like Nanami, he shows us just how much well-intentioned adults struggle to help kids under sorcerer society so how about Gojo who thinks being a sorcerer is really fun. A proper adult would never send kids on those missions, they'd find some way to shield them but Gojo cannot do that. Because sorcerers are short staffed and innocent people will die if he doesn't. Because Gojo isn't the sorcer-king of Jujtusu Society and is working within it to affect change. There are reasons, but still Gojo is failing to live up to his desire to protect children because he's not doing what a responsible adult should do in this situation.

Gojo's failures are two-fold, and yet it's because of those failures that he was a main character who got as much special plot attention as he did. If Gojo was a perfect teacher he wouldn't be a character. After all, we relate to the struggles of other human beings we see onscreen in television and in movies so why would we care about a perfect character?

Gojo has a lot more to say about teachers in shonen manga, and also about childhood vs. adulthood as a bad teacher struggling to be a good one, then a teacher who's already perfect. Nanami said those lines because he wanted us to understand the audience that this is who Gojo is, he is a selfish and egotistical person who nonetheless was trying to do good things.

[emdeerm]

Idea!

Whomst???

So, let's take canon Danny Phantom. We can even take the AGIT, that would only make him canonically 16-17is for this scenario. (Btw, poor Val. I'm seriously so sorry for her)

Danny is flying around the Infinite Realms to familiarise himself with it better. Look, if he decided to be the Bridge, he has to learn more about the Ghost side of his life. Their customs, quirks, limits, world... from someone who isn't a Fruitloop or his parents. He is still ashamed that it took meeting Dairy King to finally realise that not all Ghosts are evil.

He got to a section of many, many, MANY, natural portals that led into completely different universes. Most of them even had Heroes!!!! He was so exited!

He visited many in the next few months. Made friends, confused the heck out of locals. Made some enemies, cause that's just his life.

Spiderman was cool! Iron Man was so fun to prank, the guy was a billionaire and hilarious.

Even if he never was able to speak with the vast majority, those Japanese Heroes with cool superpowers were awesome. He was kinda glad his world was normal-is tho. Call him judgmental, but come on, look him in the eyes and tell him that you wouldn't be weirded out by some of the mutations.

And now, he spotted his new target. From what he gathered, they were an urban legend of the gloomy as heck city. Robins,... bats? or something. Time to make friends!

And close the leakage of the Raw, unfiltered ectoplasm into here. He had only been around one for an hour and he saw how problematic it was.

Aka

Danny is a gremlin in canon. He found cool portals. He will make it other's problem.

Yes, he keeps his identity hidden. No, he doesn't stay invisible all the time. Only initially to get some info. After that? You'd spot him openly bothering the superheroes. And rogues. Can't let them be left out.

What are they gonna do? Kill him? They can't even touch him most of the time.

[tizeline]

Bro that angst potential ur separated au is keeping me up at night. You've said since Mikey would be a powerhouse due to training at such an early age, would it be safe to assume that Leo & raph are too? They've been mastering their ninpo 4 years? And if yes then dam they must be tanks. Must be a force to be reckoned with the bros and drax being all chaotic. Did they start to train so early bcuz drax only saw them as soldiers n stuff? Drax sure must've softened over the years huh guess he couldn't handle the cute lil menaces lol. Is Donnie aware of his own ninpo yet? I'm imagining him going up against the others with all his cool tech and then they whip out this anime magic ass superpower out of nowhere. Like meeting others like u after years of thinking u were the only one must be at least baffling right, now it turns out magic is real too. And he's gonna have it too(Not to mention the bro bomb waiting to drop on his head). Would his insecurities rise after witnessing all that?

Sorry I just absolutely LOVE ur au friend, i have a ton of questions but ill hold it 4 ltr. I'm really excited to see where you take it :)) -🌾

Oh man, Anon, glad to see you so excited haha!

Just a heads up, I'm still figuring out the story of the AU, so I don't know all the specifics yet, but here are some of my thoughts. And also, this became a bit of a ramble, that's what you get when you send long asks lol /lh

The way I'm thinking how Draxum is gonna be like in this AU is that he didn't view himself as the turtles' father initially, not really because he only viewed them as mere tools for him to use, he always saw them as people with induviduality. But rather, he hadn't really connected the dots that creating children + raising said children = parenthood, which led to Draxum like a year after mutating the turtles having the sudden realization one day of "OH SHIT AM I A DAD!?" and having a mini crisis because of that.

Anyway, while I don't think Draxum is the perfect dad in this AU by any means, he does genuinely care about his kids. (If Mikey managed to win Draxum over in canon after having spent a whole season fighting each other, there's no way he'd care about Mikey any less in a scenario where they've been on the same side since day one like they have in this AU.) He started training the turles from an early age and they are expected to help him with his Definitely Not Evil World Domination Plan, but they are still allowed free time and hobbies and such. And aside from some "ugh I don't wanna train right now I wanna play vidya gaemes" occasionally, the turtles never really opposed the idea of them becoming Draxums super soldiers. Kids are really easily influenced and if your parent keeps telling you that you are the heroes who are gonna save the world from evil, chances are you're gonna latch on to that narrative without question. But after meeting Donnie and April, who knows, it might be what finally starts making the other turtles question if their cause really is as just as they think :) That being said, I still have to figure out how Draxum would react exactly to his sons starting to oppose his world view.

Then their abilities! I also have to do more reasearch into exactly how the magic system works in RoTMNT cuz uhhh it's a bit unclear sometimes. Anyway, ninpo is specifically the magic used by the Hamato clan, and considering Raph, Leo and Mikey weren't raised as Hamato I don't think they would have access to that specific type of magic (though I still think they'd be be able to possibly unlock it later down the line) They would still have access to yokai magic, and of course the mystic weapons that they stole in the show would just have been given to them in AU by Draxum. And oh yeah, the brothers are powerful. To be fair, Donnie was able to keep up with Draxum pretty well in the pilot episode, so he wouldn't be COMPLETELY outmatched by his brothers. His tech is powerful enough that he'd be able to put up a decent fight even if he lacks mystic powers himself but..... three against one? Yeah, Donnie isn't winning any time soon. The biggest advantage he'd have would honestly be that his brothers wouldn't really WANT to fight him cuz they'd be all like "Long Lost Brother™??? 😭😭😭 Please come home Long Lost Brother™ we love you!!! 😭😭😭"

And I think Splinter would have kept both of their origins secret initially like he did in the show, so Donnie would't have any ninpo either, but I also think Donnie would still learn about the whole Lou Jitsu and Genetically Modified Super Soldier thing earlier than in canon. And god, yeah, learning about all of that would definietly be A Lot, which is why I still need time to figure out Donnie's exact reaction sorry Anon you're gonna have to be patient XD

[chris-prank]

Absolutely love Dr.Seraph, he's such a pathetic man in the best of ways, gotta love it <3

But ngl, I'm also kinda curious about Fatalité, he's been mentioned here and there but we haven't seen much of him ....?

Could you tell us some stuff about him, if you don't mind ? Like how he feels about a hero reader/vigilante reader, or how he would feel if he discovered Dr.Seraph's feelings about the reader, for example

I'm so glad that my little mad scientist is to your liking! 😆 I decided to had some personal info about Fatalité on top of answering your questions!

･*:.｡..｡.:*･*:.｡..｡.:*･

About Fatalité:

💣 Fatalité’s real name is Jules Dubois, he is born in Belgium.

💣 He is in his mid forties.

💣 He can speak French, English and a little bit of Spanish.

💣 He doesn’t have superpowers, that’s what Dr. Seraph is for! The only things that could be considered his “quirk” are his metal gauntlets that gives him inhuman strength. He can easily destroy a wall in one punch!

💣 His real weapon is money. Jules can pay, blackmail and bribe his way into fulfilling his goals. He still is on the field most of the time, since he doesn’t believe his henchman can do the job properly without him. Additionally, he finds sick pleasure in watching his enemies fail, so he wants to witness it first hand.

💣 His evil deeds vary between typical robbery of precious jewels or works of art and trying to take over parts of the city.

💣 Fatalité is a real narcissist, with psychopathic and sociopathic tendencies. Remorse is a feeling foreign to him seeing that he felt it rarely in his life.

What is he like on the romance side of things:

💣 Fatalité is biromantic and asexual, which I subtly hinted at in one of my previous posts. Sorry guys, but that means no spicy time with him.

💣 He is obviously a yandere too, since he is an evil supervillain, obsessing over things is ingrained in him. If he likes someone he doesn’t care what it takes, he will have them. Fatality is inevitable after all.

💣 He would be less mean to his partner than with other people, but taking in consideration his narcissism, his desires are still more important to him. So he might not be the best boyfriend in the world.

💣 You don’t want to cuddle? Too bad he wants it and he’ll trap you in his arms. You're so cute when you’re struggling to get away, you’re just like an aggressive stray cat. He does enjoy seeing you frustrated a little bit too much.

💣 His prominent love language are words of affirmation. He needs to hear you say how much you adore and worship him! Don’t expect any words of affirmation from him, he is too proud to admit his feelings out loud.

💣 On the other hand, he expresses his love for you by giving expensive gifts and physical touch.

His view on hero/vigilante reader and if he discovers Dr. Seraph as real feelings for them:

💣 About the hero reader, in simple words, Fatalité hates them. They take away or prevent him from getting the things HE wants.

💣 His views on vigilante reader will change depending on how much they are on the good side. If they are serving justice but with no moral ground, he will hate them as much as the typical hero. But if they are more flexible with their activities, Fatalité might try to work with them if it can serve his interests.

💣 If Jules founds out that Dr. Seraph is in love with the reader; he will be shocked and feel a bit betrayed. With all the people in the world he chose his arch nemesis!? Vincent should just spit in his face while he's at it.

💣 As long as his sidekick don’t plan on betraying him literally, he doesn’t mind this obsession of his. Actually, it could even turn into something positive, for exemple if Dr. Seraph decides to kidnap the reader for himself. That way Jules wouldn’t have to deal with them anymore.

･*:.｡..｡.:*･*:.｡..｡.:*･

I hope this satisfied your curiosity about Fatalité!

[comicaurora]

How would you as the writer say each of the main six characters fits into which major characteristics of the five man band?

I'd say they don't, but it is fun to lay out the arguments for each of them filling every role.

Kendal:

The Leader; he's the one who got everyone together and he carries the most authority, literally speaking for a deity and doing most of the real negotiations with the powerful forces they deal with.

The Lancer; he's a foil to nearly everybody else in the group, and despite his quiet and gentle tone, has the worst track record of going off by himself and getting into trouble.

The Big Guy; he's got the most metaphysical oomph with the widest applications, and he hits the hardest out of anyone when he decides to start hitting. Gets taken out of commission early to avoid this outcome.

The Smart Guy; with the accumulated knowledge of centuries' worth of lifetimes and the remembered experience of a god, he has access to a wellspring of knowledge with an ease that nobody else can match.

The Heart; he's the one who keeps drawing people into the group, and he cares so, so deeply about their well-being.

Alinua:

The Leader; when the others argue or fret, she's the one who actually makes decisions.

The Lancer; she's learned a lot of hard lessons and sees Kendal making mistakes she's already learned from, and that tension brings them into conflict even though they care deeply about each other.

The Big Guy; direct conduit to a force beyond any god, when something really big needs breaking it's up to her and nobody else.

The Smart Guy; literally cannot stop overthinking, has an intuitive understanding of something deeply arcane to everyone else.

The Heart; motivated by deep compassion at the core of her being, even when it's tactically unwise or she thinks it'll make her explode.

Erin:

The Leader; he is absolutely certain that he is the leader of the group.

The Lancer; proud and self-confident, immediately sure that he knows what's going on better than anyone else, he's a foil to both Kendal and Alinua who are very aware of their limits. This also means Erin gets himself into trouble so, so often, and is continually surprised when the others bail him out.

The Big Guy: The most diverse range of magical firepower plus a superpowered evil side for spice. Erin is a mighty glacier and a glass cannon at the same time.

The Smart Guy; he is absolutely certain he is the smart guy of the group. The most book-smart, certainly, and fundamentally driven by a deep and profound curiosity to understand the world.

The Heart; he'd never say or believe as much, but his greatest frustration with himself is that he wants to be coldly logical and brilliant and instead he's driven by a pesky moral compass that demands he sacrifice his goals and convenience for the people he loves.

Falst:

The Leader; he'd never believe so, but he's very good at taking charge in a crisis, and the decisions he makes generally work out well for everyone. He's also very good at thinking tactically in terms of everyone's abilities and how they factor into the group. Also, probably the most explicitly loyal member of the group.

The Lancer; almost the platonic ideal of Lancer Energy. Angry and snarky and happy to second-guess everyone around him.

The Big Guy; in a Wolverine sort of way, it's less how hard he hits and more how hard he can get hit before he goes down for good. This is the only role he thinks he's good for.

The Smart Guy; aside from a lot of street smarts, he's a deeply curious and puzzle-solving type, and Erin has been deeply impressed with him since he robbed him for the purposes of homebrewing a backyard enchantment. It's all tactical.

The Heart; deeply, painfully loyal to his friends due to a raw, open wound of loneliness. Will hold the group together if he has to dig in his claws to do it.

Dainix:

The Leader; the only person in the group who actually has experience leading a troupe of fighters and knows how to look out for a group as a whole rather than a handful of loners.

The Lancer; the role he thinks the fills, in the "second in command good at taking orders" sort of way.

The Big Guy; has a literal hulk mode

The Smart Guy; the "has way too many weapons and knows how to use all of them" variety. His expertise is in taking down things much bigger and scarier than he is, and you can't do that without being tactical.

The Heart; deeply empathic and extremely in tune with how the people around him are feeling, and the only member of the group with both the emotional intelligence and the sharpness to cut through various teammate's emotional defenses and actually get them to open up. Not too polite to leave other people's issues alone.

Tess:

The Leader; no way in hell. The only role she categorically denies. Tess's beating heart is wanderlust and that doesn't mesh with a group of any kind.

The Lancer; yes please. She'll do her own thing first and foremost, and when it intersects with other people, she'll help out as she sees best.

The Big Guy; a literal lightning bruiser who resolves every problem by finding a way to punch it.

The Smart Guy; a subtler instance because she's fairly inattentive to anything outside her very narrow range of focus, but when it comes to her areas of expertise, she puts things together faster than anyone else. The first to realize what was going on with Tynan, the first to understand Dainix, the first to track down Erin.

The Heart; not particularly observant, but when she's confronted with someone she recognizes to be in deep distress, she'll open her heart and "home" to them without hesitation. Also, makes friends ridiculously easily.

[realisticjupiter]

Hiii I hope you're doing well this fine evening:) I was wondering if you can write chishiya that notice this one beach resident (reader) that keeps staring at him and at first he thinks that she's planning some evil schemes or something but no he just finds out with his super detective skills she's drawing him. Alot. And ends up confronting her about it. Thank you sooo much xoxo.

ꔫ ⸝⸝ summary: chishiya always seemed to catch you in the act. what was the act? he needed to know.

ꔫ ⸝⸝ pairing: chishiya x gn!reader

ꔫ ⸝⸝ genre: fluff

ꔫ ⸝⸝ warnings: none

ꔫ ⸝⸝ word count: 931

A/N: this was a little rushed but i hope you still like it!

It started off as what Chishiya hoped to be a coincidence. When he'd catch your gaze and you'd walk away; like a guilty dog.

He could tell you've gained more confidence when you'd stare right back at him and continue the soft movements of your wrist on the notebook you had laid on your lap.

Then it became more frequent, like you'd been following him and knew everywhere he'd be.

At some point he thought he was the one following you.

He couldn't pull away when he saw you again. Up on a balcony with the ability to look at every other beach resident, but every time you looked up--your eyes were on him.

He had given you the nickname 'Stalker' when talking to Kuina about it. And Kuina happened to be the one who put the paranoid thought that you were plotting an evil scheme against him.

Honestly, it could make sense. The constant writing, the more frequent encounters. What else would it be?

Chishiya, the curious cat. Far too curious for his own good the way he made his way back inside the Beach. Fast and large footsteps going towards where he saw you. Hoping he'd catch you before you'd disappear again.

But just with his luck, the chair you once sat in was empty. He took smaller steps to walk deeper inside the balcony, looking down to see your perspective.

Chishiya turned around, eyeing the chair that he wanted to stuff in an evidence bag and get it tested for anything and everything to figure out who you were.

He kneeled down, bringing his hand out to grab onto the black piece that felt like chalk on his fingers.

It was charcoal. Why did you have charcoal?

And as smart as Chishiya was. He now realized every theory he had, was now wrong just by this small piece in his hand.

He stood back up, studying the charcoal under his intimidating gaze as if it would talk to him with words.

You were an artist. At least, that's what it seemed like. Someone plotting on his demise wouldn't be writing a plan in charcoal. But rather draw a picture, like a face they could see daily.

That was his face.

Now he really wanted to find you; more than before. He wanted to ask you if he was right, and then maybe you'd show him your art with a smile.

He thought about that charcoal piece since he had woken up. And he realized maybe he could see the way other people viewed him, outside of his life and onto a piece of paper.

Catching you in the act seemed easy in his mind. He went to the same place every morning, and he'd see you there too. But instead of being on his side of the room, he'd sneak up behind you. Startle you, then help you up before taking that charcoal piece out of his pocket and into your view.

Sometimes he scared himself how easy it was to predict other people's moves, it felt like he had some sort of superpower.

Because that's exactly what happened.

You jumped to the sound of his voice, "Stalking again?" His voice husky, but soft as he spoke with a grin.

"Maybe?" You spoke as if it was question towards him, afraid you had made him uncomfortable.

"Maybe?" His grin grew larger when he quoted your words back to you, bringing out that charcoal piece you left behind.

You put on a shy smile when you saw it, reaching your hand out to grab it before he pulled away.

"It took me a while to find out what you were doing." Chishiya spoke, looking around your body to try and spot that notebook you carried around.

"It's only fair you show me what you were really doing." He cleared his throat after the words left his mouth, his eyes going back to yours to study your expression.

"That's true..." You chuckled, "I guess that is fair." You sighed, taking the notebook out of the satchel that rested on your body.

You handed it to him. You didn't need to show him a certain page, the entire notebook was just filled with him and maybe someone who was standing beside him if you got bored.

He noticed a few of him and Kuina, noticing the perfect strokes of led or charcoal that stained the white pages.

"These are better than I thought they would be." He hummed honestly, slowly flicking through the pages and taking in everything they offered.

"Thanks." You nodded, "Sorry if I made you uncomfortable... Or anything. I'm not good at talking to people. And you're quite satisfying to draw." You explained through a nervous lump in your throat. Your fingers fidgeting with each other as they rested above your thigh.

"I'm not uncomfortable." He shook his head, finally peeling his eyes away to look at yours. "I thought you were trying to kill me at first." He shrugged, looking back down.

"Oh," You nervously laughed, trying to wait patiently for him to hand it back.

"Where'd you learn how to draw?" He asked curiously, finally closing the notebook and handing it back to your shaking hands.

You shrugged, "Just something I taught myself over the years." You explained, stuffing the notebook into your bag.

"If you ever draw me again, you should show me." He wasn't suggesting it, he was hoping it.

You nodded before watching him walk away, only realizing he hadn't given the charcoal piece to you until he was out of sight.

reposts and comments are appreciated <3