#superhuman creator

[deerlysacred]

❦ one pot ⧼ soldier boy x witch fem!reader ⧽ | playing house

⟆ the first chapter of the ‘playing house’ series.

𐂂 𝄢 friday 04 : 32 p.m. { butcher left you to take care of this famous supe soldier boy for the weekend. }

𖣂 𝄢 fluff.

‼️ 𝄢 i do not own the boys or any of its characters; all rights belong to their respective creators. this is purely a work of fan fiction for entertainment purposes only, with no intention of profit.

The safe house wasn't much to look at. A shitty little apartment in the middle of nowhere, with peeling wallpaper and a draft that whistled through the cracks in the windows. Butcher and the others had left hours ago, and now it was just you and Soldier Boy.

While they were out playing detective, you were tasked with making sure Soldier Boy —Ben— didn't do something stupid, like get himself killed before the job was done or accidentally vaporize an entire city block in a fit of PTSD. Babysitting duty, basically. Butcher had even been patronizing enough to say, "Keep 'im happy. Maybe cook 'im a meal or somethin'." As if you weren't already the unofficial den mother of this ragtag mess of a team.

So. Cooking it was.

You figured stew would be easy enough. One pot. Minimal effort. Warm, fulling, impossible to fuck up. All you had to do was get through the next weekend without pissing off the most volatile superhuman in history or dying from secondhand smoke inhalation.

Simple.

Except Ben was watching you. Very closely.

Not in the way most men did— sly glances, stolen looks when they thought you wouldn't notice. No, his stare was direct and sharp. It was the kind of look that made you hyper-aware of every movement, of the slow stir of the spoon in your hand, of the subtle hitch in your breath.

Ignore him. He's like an old cat— if you acknowledge him, he'll just do it more.

He was sprawled on the couch, beer dangling lazily between his fingers, the flickering TV screen casting sharp shadows over his face. Even like this —half-drunk and half-bored— he had a presence that was impossible to ignore. Broad shoulders slouched, thick arms corded with muscle resting over the couch. His long legs were spread wide, the denim of his jeans stretching over thick thighs. "What the hell are you even makin' over there?" His gruff voice cut through the quiet, laced with skepticism. "Smells weird."

You glanced over your shoulder for a second, catching him scrunching his nose like a spoiled golden retriever. "It's stew." you said, giving the pot another slow stir.

Ben snorted, bringing the beer to his lips, his throat bobbing with each slow swallow. "Christ. What, Butcher put you up to this? Thought you were my fuckin' babysitter, not my goddamn housewife."

Heat crept up your neck at that, but you ignored it, choosing instead to focus on chopping up some carrots. "Yeah, well, I figured if I let you fend for yourself, you'd either burn this place down trying to use the microwave or get scammed into buying twenty-dollar fast food. So here we are."

"Dont need a goddamn caretaker too. I'm a grown man." he muttered into his beer, but there was something almost amused in his tone. Maybe even… appreciative? You weren't sure. His default setting was 'grumpy' so it was hard to tell.

You scrapped the chopped vegetables into the pot, watching as they disappear beneath the simmering broth. The aroma was actually kind of nice, despite what Ben said.

For a while, there was only the sound of bubbling stew and whatever car chase was happening on TV. Then, Ben spoke up again.

"Didn't know witches cooked." His voice was a low drawl, rough around the edges like he smoked a thousand cigarettes (which, let's be real, he probably had).

"What, you think I survive on eye of newt and bat wings?"

He shrugged, took another swig of his beer, and gestured vaguely at you with the bottle. "Dunno. Figured you just… I dunno, chant some shit and make food appear. Like poof— supper's on the table."

You rolled your eyes. "That's not how magic works."

"Then what's the point?"

Your grip tightened slightly on the spoon. "Oh, I don't know, maybe I like doing things with my hands."

You realized your mistake the second his lips quirked up into a shameless grin.

"Yeah? Bet you do."

You groaned, immediately regretting everything. Maybe if I just jumped out the window— no, bad plan, third floor. Maybe—

Ben chuckled, low and satisfied with himself, as he settled deeper into the couch. "What's in it anyway? Gotta admit it's starting to smell… decent."

You grinned, dropping some salt in with a flick of your fingers. "Beef, potatoes, carrots, some herbs— basic stuff."

He raised an eyebrow. "You do all this by yourself?"

You blinked, a little thrown by the question. "Uh… yeah?"

"Huh." He took another sip of his beer, gaze sliding over you in a way that feels almost calculating. "You'd make a good housewife."

You froze mid-stir, processing that absolute relic of a statement. Then, slowly, you turned to him, wooden spoon still in hand. "Excuse me?"

He smirked, completely unrepentant. "You heard me."

Your fingers tightened around the spoon. "I'll have you know I am not housewife material."

Ben scoffed. "Bullshit. You cook, you clean—"

"I don't clean for you—"

"—you do all that magic hocus-pocus shit, probably got some potion that makes a man sleep like a baby. Bet you'd keep a husband real happy." He leaned forward, propping an elbow on the coffee table, the grin on his face wicked. "Ever think about settling down, sweetheart?"

Your eye twitched. "Yeah. Every day. With arsenic."

Ben barked out a laugh, a real one, amused. "Shit, you got some bite to you, huh?"

You sighed, turning back to the stew before you say something that gets you vaporized. "I don't know what kind of women you were around back in the day, but I'm not some 1950s housewife."

"No shit, women these days got more bark than they used to."

You tossed a disbelieving glance his way. "Gee, I wonder why."

Ben shrugged like it was all the same to him. "Not complaining. I like a girl with some fight in her."

For some reason, that made your stomach do something weird. Not good weird, but… weird. You busied yourself with the stew. "You're impossible."

"I'm a fucking delight."

"Sure."

Silence settled between you, broken only by the occasional pop of the stew as it simmers. Ben watched you for a while, his expression shifting into something more thoughtful. Then, surprisingly, he asked: "How'd you learn?"

You blinked. "Learn what?"

"This." He gestured vaguely to the stove, to you, to the whole cooking situation. "Somebody teach you?"

You hesitated, caught off guard by the genuine curiosity. "Yeah… my mom."

Ben hummed, gaze drifting slightly. "That right?"

"Yeah." You stirred absently, the memory coming back to you. "She used to say that food is one of the simplest ways to care for someone. That a good meal can fix a lot of things."

Ben took that in, quiet for a beat. Then—

"That's some sappy shit."

You sighed. "Of course that's what you take from it."

He smirked. "Hey, you wanna cook for me, I'm not gonna complain. Just sayin' —a blowjob does the same thing and takes half the effort."

WHAT THE—

Your hand twitched violently, almost sending the spoon flying. Ben just laughed at your shock. You didn't throw the spoon at Ben's stupid face, but God, the temptation was there. Instead, you took a deep breath and focused on the task at hand. The stew was done. It smelled rich and hearty, the kind of meal that sticks to your ribs. You grabbed two bowls, ladled some in, and set them on the table, sliding one towards Ben with a little more force than necessary.

"There. Eat."

Ben eyed the bowl, then you, smirking like he could hear every profanity currently screaming in your brain. "Didn't even spit in it. How sweet."

"Yet." you muttered under your breath as you sat across from him.

Ben picked up the spoon, scooping up a chunk of beef and potato. He gave it a cautious sniff —because apparently, despite surviving years of eating God-knows-what, he suddenly didn't trust food— before taking a bite.

His chewing slowed.

You watched him carefully. "Well?"

He didn't answer right away, just chewed, swallowed, and went in for another bite. Then another. His brow furrowed slightly, like was confused. "…Huh."

You raised an eyebrow. "Huh?"

Ben pointed his spoon at you. "This is actually pretty fuckin' good."

You snorted. "Wow, thanks. High praise from a guy who probably ate paint as a child."

Ben grinned. "And look how I turned out."

"Oh yeah. Perfect specimen." You rolled your eyes, but you couldn't help feeling a little pleased as he kept eating. Soldier Boy, the walking nuclear warhead, was sitting in front of you, wolfing down your cooking like it was the best thing he had in decades.

He gestured at the bowl. "So, this, uh… this is normal now?"

You tilted your head. "What do you mean?"

He shrugged. "Like… people don't eat TV dinners and spam anymore?"

"Okay, first of all, people still eat that stuff. But yeah, home-cooked meals are still a thing. Not everyone survives on frozen shit."

Ben grunted. "Didn't have time to cook back in the day. Always off doin' supe shit. When I was home, I had a hire girl do it."

You gave him a dry look. "Of course you did."

He smirked. "What? S'how it was. You'd have fit right in back then."

You scoffed. "Yeah, except I wouldn't have been cooking for you."

Ben chuckled, shaking his head as he dug back into the stew. For a while, there was just the sound of eating— the quiet clink of spoons against bowls. It was oddly… peaceful.

Then, naturally, Ben ruined it.

"So, what's the deal with you and Butcher?"

You paused mid-bite, blinking at him. "What?"

Ben gestured vaguely. "You two got a thing or somethin'?"

You nearly choked on your food. "What—God, no!"

Ben smirked, clearly entertained by your horror. "That a little too much mustache for ya?" Caressing his beard.

You shuddered dramatically. "Ew. Please. I don't need that image in my head while I'm eating."

"Figured. Butcher doesn't seem like the type to go for weird little witch girls."

You narrowed your eyes. "Weird little witch girls? I'm gonna hex you."

Ben laughed, deep and throaty, one hand drumming against the coffee table. "So if it ain't Butcher, you got someone else?"

You frowned. "Why do you care?"

He shrugged, popping another bite into his mouth. "Just makin' conversation."

You studied him for a moment, then sighed, stabbing at your stew. "No. No one."

Ben raised an eyebrow. "What, a cute thing like you, no boyfriend?"

Your face heated slightly, but you rolled your eyes. "Oh, please. I don't have time for that. I've got more important things to worry about than—" You waved your spoon vaguely. "—dating."

Ben hummed, considering you. "That's a damn shame."

You cleared your throat. "Why? You wanna sign up?"

"Depends. Do I get more stew out of it?"

You scoffed. "Oh, that's what you're after. The food."

"Hey, I ain't gonna lie to you, sweetheart. You cook like this, a man starts thinkin' long term."

You rolled your eyes so hard you nearly sprained something. When you were done, you stood up. "I'm gonna go wash my hands." Ben just grunted in acknowledgment.

You headed to the dingy little bathroom, shaking your head as the faucet rattled before spitting out a weak stream of warm water. Just as you were drying your hands with a towel, you heard it—

Ben's voice, raised and pissed.

Your stomach dropped.

Oh, God. Nononononononono…

You barely dried your hands before rushing out of the bathroom, half-expecting to find him punching holes in the walls or squaring up against some poor delivery guy. Instead, you skidded to a stop in the middle of the living room and found him standing there, broad-shouldered and brimming with barely restrained fury, gripping your phone in one massive hand like he was debating whether to crush it.

"You answered my phone?!" you yelled.

Ben turned his head, green eyes blazing, irritation sharp in the hard set of his jaw. "You didn't answer it," he shot back. "Thought it was somethin' important! Instead, some dickhead named Greg starts yappin' in my ear about 'overdue payments' and 'interest rates'— what the hell kinda scam you wrapped up in?"

Your eyes widened. "Wait— you talked to the bank man?"

Ben crossed his arms, his expression pure fury. "Damn right I did."

You groaned, dragging your hands down your face. "Oh my god. What did you say?"

"I told 'im to go fuck himself, that's what I said! Told 'im he's a snake oil peddler and if he wants his money so bad, he can come down here and fight me for it like a man."

Your jaw dropped. "BEN."

"What?"

"That was my credit card company! I owe them money!"

Ben blinked, his green eyes zoning out for a second. "…So?"

"So, now they probably think I'm trying to threaten them instead of paying them!"

Ben scoffed, waving a hand. "Good. Maybe they'll stop calling, then. Bunch of bloodsuckers, the lot of 'em."

You groaned again, stomping over and snatching your phone from his grip. "Unbelievable. You threatened my bank!"

Ben smirked, utterly unrepentant, his lips quirking like this was the most fun he had in weeks. "Ain't my fault they folded like wet paper. Bunch of pussies."

"You told Greg to fight you over my credit card bill!"

His smirk widened, slow and wolfish, dimples cutting deep into his bearded cheeks. "Hell yeah, I did. Told 'im I'd meet him anywhere, anytime. Guy backed off real quick."

You stared at him, equal parts exasperated and horrified.

"Y'know what?" You inhaled sharply, shaking your head as you turned away. "I'm just gonna pretend this didn't happen." With that, you flopped onto the couch, grabbing a pillow and covering your face with it, muffling a scream.

You were never letting him near your phone again.

Later that evening, after the dishes had been washed (mostly by you, with Ben half-assedly drying them and complaining the whole time), you made coffee. Because let's be honest, after that absolute disaster Ben caused, you needed caffeine. Badly. You brewed it. Strong, dark, and just slightly sweet.

Ben eyed the two steaming mugs as you set them on the table. "You drink coffee at night?"

You shrugged. "Why not?"

He scoffed, grabbing his. "No wonder you're so high-strung."

You shot him a flat look. You wanted to say 'Says the guy who's been vibrating with unresolved rage since 1984.' but you bit your tongue. Knowing which lines to not cross.

Ben took a sip, his expression barely changed, but the way his shoulders loosened just slightly told you that he approved the taste.

You curled up on the couch, hands wrapped around your mug. "So… now that we're stuck together for the weekend, what do you usually do to pass the time? Besides smoking, drinking, and picking fights with my credit card company?"

Ben smirked over the rim of his mug. "That about covers it, sweetheart."

You rolled your eyes. "Figures."

For a while, silence settled. Not awkward, not tense. Just… quiet. The only sounds were the occasional clink of a mug against the table, the low hum of the fridge, and the faint noise of a distant car passing outside.

Then Ben spoke.

"You really think a meal can fix shit?"

You blinked, turning to him. "Huh?"

"That thing you said earlier. About food fixin' things." He didn't look at you, just stared at his coffee. "That just some witchy sentimental crap or do you actually believe it?"

You hesitated, then answered honestly. "I think… it's not about the food itself. It's about what it represents. Taking care of someone. Letting them know they're not alone." You traced the rim of your mug. "Even if it's just for one meal. It's a moment outside of everything else— outside of all the chaos. A moment where you sit down, you eat, and you know, for just a little while, that you're okay. That someone thought enough of you to keep you warm, to make sure you had something real in front of you. Then adding another meal, another evening onto it. Then another, then another… Building something safe and sound with a person."

Ben was quiet. His fingers tapped against his mug in a slow, thoughtful rhythm. Then—

"…No one ever did that for me."

Your chest tightened. You turned to him fully, but his expression was unreadable, his jaw tight, his eyes dark with something distant.

"…Not even your team?" you asked softly.

Ben huffed a bitter laugh. "Yeah, right. Those assholes? They couldn't wait to get rid of me."

You frowned. "Payback."

Ben's grip tightened around his mug. "Yeah. Bunch of goddamn backstabbers. Lied to my fuckin' face. My own team— people I trusted."

The weight in his voice made something twist in your gut. Crimson Countess was already dead. You didn't ask for details— if Ben had killed her, you doubted there was much left to find. But the others… they were still out there. Still breathing. They lived freely while Soldier Boy was trapped in there for years. You did know his reasons to want revenge. Or at least, you had an idea. The experiments, the isolation, the years of being kept in a frozen hellhole with nothing but agony and rage to keep him company.

"…That's why you want revenge."

His eyes flicked to you.

You didn't look away. "I understand that. I may not be in your shoes but I can't even guess how much I would want to get revenge if I was."

Ben exhaled sharply through his nose, his jaw tightening as he shook his head. "They don't get to walk free after what they did." His jaw clenched. "They don't get to live their goddamn lives while I spent forty years rotting in a cage."

You swallowed. You could hear it in his voice, that deep, burning rage. But beneath it, buried under layers of anger and bravado— you could hear the hurt.

You hesitated, then you decided to say it anyway.

"…What if it doesn't make you feel better?"

Ben's brows furrowed. "What?"

You held your coffee a little tighter. "What if you get your revenge, but it doesn't change anything? What if it doesn't make the pain go away?"

Ben stared at you.

The question hung in the air, heavy and unspoken.

Then, he scoffed, shaking his head. "Christ. You always this fuckin' sentimental?"

You sighed, leaning back against the couch. "Just something to think about."

Ben didn't respond right away. He just took another slow sip of his coffee, his gaze distant, like he was turning your words over in his head.

For once, he had nothing smart-assed to say. And for some reason, that unsettled you more than anything else.

You pushed yourself up with a yawn, your eyelids getting heavier. "Alright. I'm calling it. I need sleep."

"Tch. Lightweights, all of you."

You ignored that. "There's a room for you down the hall. I set up the bed earlier."

That got his attention. He turned, giving you a slow once-over before he smirked. "That right? Real cozy set-up we got here. What, you tucking me in too, sweetheart?"

Your eye twitched. "No. But I will hex you into insomnia if you keep pushing it."

Ben chuckled, low and amused, but thankfully he didn't tease further. He stretched— an obnoxiously big stretch, broad chest rising, arms flexing, before he finally stood with a groan. "Fine, fine. Since you're gettin' all cranky."

You rolled your eyes, already padding toward the bedrooms. The safe house was small, so it wasn't much of a walk. Just two rooms, side by side, with a narrow hallway between them. You stopped in front of your door, reaching for the knob, when you heard Ben behind you.

"This one mine?" He nudged the door beside yours with his boot.

"Yeah." You stifled another yawn. "There should be clean blankets in there."

Ben huffed. "You really went all out, huh?"

You glanced over your shoulder. He was leaning against the doorframe, arms crossed, watching you with a tired yet amused look.

You shrugged. "Just figured you'd rather not sleep on a couch that smells like stale beer and mix of suspicious liquids."

Ben snorted. "Sweetheart, I spent years sleeping in a fuckin' icebox. I ain't picky."

There was something about the way he said it— too casual, too offhand— that made your chest tighten a little.

You hesitated. There was a beat of quiet, only the faint hum of the old heater filling the space between you. You shifted on your feet. "…Well. If you need anything, just—" You gestured vaguely towards the wall between your rooms. "Bang or… whatever."

Ben's lips quirked. "That an invitation?"

Your fingers tightened around the doorknob, nails pressing into the cool metal. The way he looked at you now —hooded gaze, mouth curled just enough to be tempting— it sent something warm curling in your gut, heat prickling at your neck.

You exhaled sharply through your nose, gripping the door handle. "Goodnight, Ben."

"Night, witchy."

You groaned, stepping into your room and shutting the door with a click. But as you laid back down, the sounds of the apartment settling around you, the knowledge that he was right there, just on the other side of the wall, was… strangely comforting. You didn't want to think further why you felt that…

[dilemmars]

⠀⠀⠀⠀⠀⠀“ DIE WITH A SMILE. ”⠀⠀───⠀⠀arcane.

⠀⠀𝖾𝗉𝗂𝗌𝗈𝖽𝖾 𝗍𝗁𝗋𝖾𝖾.⠀( the base violence necessary for change , 9.3k words. )⠀by dilemmars.

1.⠀⠀ PAIRING⠀⠀:⠀⠀violet x f!reader.

2.⠀⠀GENRES⠀⠀:⠀⠀based on the storyline and universe of arcane ( league of legends tv show )⠀; first love trope, started dating recently, stablished relationship, exes to lovers. basically you and vi were dating before the start of the story, then got separated.

3.⠀⠀WARNINGS⠀⠀:⠀⠀i will add the warnings that the tv show has: slight presence of sex and nudity, foul language, alcohol, drugs and tobacco. moderate scenes of fear and terror. high content of violence and gore. in this third chapter, there's a lot going on. mentions of death, injuries, prostitution, blood, fights, and a brief suicidal thought at the end. please do not read if you're uncomfortable with it.

4.⠀⠀AUTHOR 'S NOTE⠀⠀:⠀⠀third chapter out! i'm so sorry thta it took me another full day to post a new chapter. i haven't even watched act 3 yet because i lit have no time, but i managed to finish this. it is very sad. i'm sorry about that too. but next chapter will be slightly more relaxed, with less drama, i promise. happy sunday 🤍

5.⠀⠀IMPORTANT⠀⠀:⠀⠀this is a work of fiction. i do not own arcane or any content produced or owned bychristian linke, alex yee, riot games or netflix. all rights belong to netflix and the writers of arcane. all plot events and character developments that are not related to the main character's story belong to the writers and creators of the series.

It's hard to know what your last breath will be, but sometimes you can feel the moment lurking, like a shadow looming over you, icy and heavy. Crouched on that rooftop, the air had a strange edge to it, as if each breath cut inside. The mist rising from the streets scratched at your throat, but it wasn't just mist. It was the weight of the inevitable.

You paused, frowning, as the usual swaying of the wooden sign of Benzo's caused your gaze to wander towards the entrance of the shop. And before you could comprehend what was happening, the scream came as a jolt, tearing through the silence of the night. It was as if the sound pierced your skin, sinking into your flesh, clinging to your bones. The kind of scream you can't help but hear, a gasp ripped from a throat. A hopeless, desperate voice that forces you to imagine the pain behind it. One last breath, and a body slumped to the ground.

And then, you caught a glimpse of him. A blurred figure, moving with a ferocity that seemed unnatural, unloading a punch on another uniformed officer, the glare of his gaze utterly animalistic. You cowered over the edge of the building, struggling not to look away, and flinched at the brutality of the pounding. The Enforcers all looked the same, with the metal mask and the blue cap, but the creature that had attacked them was familiar. It seemed less human with every movement, a mass of disfigured flesh and purplish meandering veins, but the curve of its chin, the soft wave of its hair... you had been so close to its face that you had come to memorise it.

Deckard. You recognised the sharp turn of his movements, accentuated in that state. You had felt his violence in your own skin, you knew it. Altered into a violent beast, he still retained some of that cruel strength, no doubt hindered by the way his body had grown and deformed. You saw him ignore the authoritative warning of a third Enforcer, and approach her at superhuman speed. In the blink of an eye, the police collapsed at his feet, like a drunk by a tavern door. Her blood spilled down the wall of the tent, sloshing everywhere, and you followed it with your eyes as it slid between the stones, thick, after Deckard had torn her flesh to the bone.

The force of his attack hit you like a shot in your chest, and you clutched at the concrete beneath your hands as if you could somehow anchor yourself to the past. There was silence in the weathered street. You could only hear your ragged breathing, quickening under your skin, and Deckard's silent footsteps as he disappeared. Night had fallen on Zaun like a blanket on your bed, and you felt it on your shoulders, suffocating you. You looked down again, where the rickety bodies of the agents lay like broken dolls on the pavement, their stiff fingers still gripping their pistols, and you could faintly distinguish the movement of someone approaching them in the shadows.

Measuring his pace, as if calculating every step he took, a fourth Enforcer approached the bodies of the fallen agents, his service gun in his hand, and he hesitated. For a moment you wanted to say something to him, to warn him perhaps, that there was a beast loose in the darkness, tell him to run away while he could, but a movement in the dusk stopped you. He was not alone. Behind him, shoulder to shoulder at the entrance to the shop, two frozen figures watched the scene. You felt a knot in your chest as you recognised them: Vander and Benzo. Their stances looked sharp, like a taut bow about to shoot an arrow, ready to defend themselves if necessary.

You leaned forward, caught between the urge to descend and the helplessness of knowing you could do nothing from up there, but something stopped you. You saw something dancing in the fog, the soft walk of a distorted silhouette slowly approaching from the other side of the street. You tried to suppress the shiver that ran down your spine, a shiver that was not only cold, but that also contained more than just that, the fear locked in your ribcage, rising up to feel it pulsing in your throat.

And then, the glow of embers in the night: a kaleidoscope of shadows and flames, pierced by a scar, so different from its twin that they looked like the eyes of two different people. The face, sharp, pale, and an imperturbable pace, so sure of himself that the ground seemed to tremble beneath his feet.

‘Silco?’ Benzo, hesitant, confused at first, turned rabid as he brandished the old silver candlestick in the direction of the unknown man. ‘You animal,’ he said, coming closer, stumbling, ’go crawl back into whatever hole you came out of.’

You couldn't see the venomous smile that tugged at Silco's thin lips, but you did hear the desperate tone torn from Vander's throat as he raised his hands towards his friend, cuffed, useless, trying to prevent the inevitable, ‘Benzo, stay back!’

‘You never did know when to walk away,’ Silco's voice, velvety, echoed down the street, emptying the silence, and your heart stopped inside your chest as Benzo tried to pounce on him.

The motion was too fast for the human eye. One instant, Benzo had raged forward, steadfast, defying the impassive man of mist. The next, Deckard's raw strength had brought Benzo down in a bundle of violet swirls, the body of the one who had cared for you since you were a child lying lifeless on the ground. The creaking of his bones echoed wet and dry at the same time, like tree branches snapping under too much weight, the blood surging beneath his shoulders, as if fleeing from the veins it was ceasing to flow through.

From the rooftop, it all seemed painfully distant. You brought a trembling hand to your mouth, a scream dying in your throat, watching Deckard keep his hand on Benzo's neck. His crooked fingers seemed to tingle from feeling the violence of death again, waiting, hovering over Benzo to check that he was gone, and you heard Vander's torn whimper, his legs buckling under his weight, under the weight of loss.

‘Stubborn to the end,’ muttered Silco, relishing each word with reverence.

But then the Enforcer left standing dropped his arms, defeated, betrayed, half-face covered by the mask they wore so as not to breathe Zaun's toxic air, and questioned Silco angrily, ‘What the hell have you done? This wasn't the deal!’

The echo of his words expanded, vibrating inside your head as if searching for a place to linger, and you stood still, watching from the shadows as that chilling scene unfolded, kneeling on the edge of the building, utterly overwhelmed.

‘Deal's changed.’

Silco's words reverberated on the cobblestone floor of the poorly lit street, ringing in your ears, as you tried to clear your mind. You took a breath of air, which cut, cold, down your throat, and looked down. You could still hear his voice, ominously calm and low, and the clink of coins clattering on the floor. A deal. Between the topside and the underground. You frowned, realising that there were no fire stairs on that front, and accentuated your frown as you tried to understand why someone from Zaun would want to ally himself with an Enforcer, of all people.

Before you could even try to slide down the wall, however, leaping from window to window as you had done in the past, you heard Deckard's heavy footsteps on the cobblestone floor, and you raised your head. He was slowly approaching Vander, with no sign of a reaction from the owner of The Last Drop, letting out a low growl as the beast finally took up a position in front of him. His arm swung once like the pendulum of an old clock, and the punch blew against Vander's face with a low, muffled thud, causing him to stagger under its weight.

Your throat closed as you watched him anchor his legs to the ground to keep from falling. You saw him drop his shoulders, defeated, as if he had forgotten his own strength, and he stood just as still as you did whilst Deckard shoved his hand through Vander's hair, grabbing him violently and pulling him to the ground. You watched him, because you were unable to do anything else, as if fear had slid liquid across your skin until it solidified around your ankles, the monstrous creature dragging Vander across the ground. 

It was the certainty. Vander, who had picked you up off the street at your weakest moment, who had taught you how to defend yourself, who had shown you the resilience that characterised him like a class while learning how to make Powder's favourite juice, had been reduced to a shadow of his former self by a punch. What could you have done to stop it? To stand between Vander and the one who had abused you as much as he had wanted? To face Deckard's vicious eyes once more, risking losing him all the same?

It wouldn't have helped.

You watched them walk, Silco's figure turning away from the chaos of shadows and death he left behind him, while Deckard followed close behind, gripping Vander's hair with a bruising strength. Your fingers itched. You had braided that hair many times, elaborate and funny designs as you grew up, but those hands were treating it cruelly, a monster freed of any kind of sentience. And it hurt. Watching them disappear into the fog, the Enforcer staggering down the street to the other side, it stung like an open wound. You bit your cheek, holding back the tears that threatened to slide down your skin, and felt the blood on your tongue like a foul aftertaste.

And then you heard it. The cry, choked and broken, that pierced your chest like a sharp knife. You stood up, waking the legs that had felt numb against the concrete edge of the rooftop, and moved on instinct, ignoring the insignificant discomfort of your ankle every time you leaned on it.

It was Vi. You slid across the roof, your feet seeking support on the nearest window ledge, hanging on to it to climb down to the next, and continued descending. You followed the heartbreaking sound of Vi's voice, drowning out her own sobs, and swallowed all the emotions you didn't want to feel, focused on finding your girlfriend. The polish of your nails peeled as you buried your fingers in joints between bricks, clinging to them to keep from falling to the ground, and you closed your eyes tightly before you took the last leap, placing most of your weight on your good foot as you landed on the ground.

You rose to your feet, a shiver running through your skin, as you heard the piercing cry of frustration, and turned to face it with a jolt. It had come from Benzo's shop. Had she been there all that time? You frowned, restless, and turned towards the massacre, clenching your jaw and staring straight ahead. You had to get Vi out of there. That was your priority. You couldn't afford to look at the ground, to collapse. Every breath you took, the air sounded slightly ragged, as if you were about to scream but held back, and you clenched your hands into fists as you dodged the bodies sprawled on the floor.

Your first step into Benzo's shop was hesitant, like an unconfident fawn's. You didn't want to think that it was the first time you would enter the place knowing that its owner would never come back to wait for you behind the counter, but the certainty came back to you again and again, as if brought by the tide. There was almost no light, the little oil lamps that were scattered around the shelves were off, as if they held a mourning you had not yet faced, and the darkness brought with it a feeling of coldness that dug into your bones.

‘Vi,’ you whispered, your choked voice faintly spilling across the room. ‘Vi!’ you repeated, louder.

You heard your name, low, dazed, almost vanishing into thin air, and tried to follow it. It was the storage room. She had been locked in the storeroom.

‘Wait!’ you said, rushing to the counter, ‘I'll get you out!’

You tried to piece together what had happened, your hand searching in the gloom for the spare key Benzo always kept in the wooden drawers. It was in Vi's nature to have tried to fix everything herself. It was inherent in her, to carry as much of the burden as possible so that her siblings —and even you, if you got into trouble— wouldn't have to suffer the consequences. You didn't know how she could have warned the Enforcers, but you knew they had come to Benzo's shop for her. You knew it as clearly as you knew you would have done the same for her if it had happened.

But if Vander had shown up, it was also because he had discovered her. And if he had been wearing the handcuffs, it had been him who had locked her in the storeroom. To stop her from doing another stupid thing. Maybe Vander wasn't her biological father, but a strained smile tugged at your lips at the thought that they were more alike than they allowed themselves to think they were.

When your fingertips brushed against the metal frame of the key, you grabbed onto it, running the few meters between the countertop and the door behind which Vi stood. Your hands trembled as you slid it into its lock, holding your breath as you tried a second time, and you turned it on its axis twice, as you had done so many times in the past, pulling the heavy door off its hinges so that you could wrap your arms around Vi's body.

She clung to you tightly, choking her sobs in the crook of your neck, and the silence grew heavy around you, empty of hope. You felt Vi's hands squeeze your shirt, squeezing your body against hers, her warm tears sliding down your skin. You looked up at the ceiling, letting out a shaky sigh between your lips, and ran your hand up her back until it was tangled in her hair. Her shoulders shook under your touch to the rhythm of her own sobs, and you stayed still beside her for as long as she needed, allowing her to collapse.

‘Did you see what happened?’ you finally murmured against her hair, as her breathing slowly regulated.

‘Not much,’ she replied, her voice broken by tears, pulling away from you to rub her hands across her face. ‘Did you?’

‘It was Benzo...’ you began, and you hated the way you faltered before continuing. ‘They killed Benzo. And the Enforcers, some of them...’

‘And Vander?’

‘He's alive,’ you said, sliding your hand down his arm. ‘They took him.’

And your breath hitched as you realised.

He was alive. They had taken him, but he was still alive. Your mind was scrambling, trying to plan an impulse that came to you like a tug at your heart, watching the tears glisten on Vi's freckled cheeks. You couldn't let her lose someone else. Piltover had taken enough from her. Vander was still alive, you told yourself. He was still breathing, his chest was rising and falling, even if he hadn't had the strength to rise and confront them. He was alive, and you still had a chance to fight for him.

Your face took on a more worried tinge, ‘We need to find out where they've taken him.’

Vi looked up at you, her unfocused eyes darting across your face, but she nodded.

‘I know where,’ muttered a voice behind you. You turned abruptly, brow furrowed in distrust, and felt the pain wither against your ribcage. Ekko.

Little Ekko, never as small as he looked at that moment, his shoulders slumped forward and his crystallised gaze fixed on you. You took a step forward, ready to take him in your arms, but it was he who crossed the distance between you, taking refuge in your embrace. The pained expression on his face melted into tears as you snaked your hands around his back, and your own lump in your throat threatened to unravel as you felt him cry against your chest.

‘They killed him,’ he murmured, over and over against your skin, choking back his own tears.

‘I know, kid,’ you replied, unable to understand what you were supposed to do at that moment. You felt the warmth of unshed drops in your own eyes, and fought against them, burying your face in his hair as you felt one slide down your cheek. ‘I'm sorry, I'm sorry.’

‘We'll get them, Ekko,’ Vi promised, resting one hand on your back, stroking you comfortingly, and another on the boy's shoulder.

He parted slowly, rubbing his hand over his cheeks as Vi had done a few minutes before, and looked at the two of you, trying to gather the energy to speak. You couldn't stop to think what it must have felt like, watching Benzo die like that and still finding the strength to follow the perpetrators, the murderers, just so you could have a glimmer of hope of getting Vander back. He had been very brave.

‘It should be quick,’ you said, cradling his face in your hand, the pain shining in your gaze. ‘An hour and a half, maybe, tops two hours.’ You slid your gaze slightly to Vi, who was watching you with her brows furrowed in a helpless gesture, and added, ‘If we're not back then, please, go to my Mom's, yeah?’

Your mother would know what to do. She always did. She would take care of Ekko.

‘But...,’ he stammered, and you decided to ignore the way his chin began to tremble again, new tears gathering in his almond-shaped dark eyes.

‘No buts, Ekko,’ you replied, interrupting him gently. You took a breath of air, tangling your fingers in his short pale hair, pulling him to your body, and held him tightly in your arms. ‘I need you to be safe, please,’ you implored.

‘I don't want to lose you,’ he murmured against the fabric of your shirt, and you felt every movement of his lips, your own face struggling not to cry. 

You looked up, blinking back tears, sighing the lump in your throat, ‘You won't,’ you told him, stroking his white curls, ‘you have my word. I'll come back in one piece.’

You forced yourself to pull away from him, your hands on his shoulders, and slid your thumb over his cheeks to wipe away the strands of tears that had leaked from his eyes, trying to muster the courage to flash a crooked smile. It wasn't easy, but you couldn't afford to look weak. Not in front of him, not when he needed you more than ever.

‘Besides,’ you whispered, unbuttoning your waistcoat, holding the pocket watch between your fingers, resting it against his chest in a graceful motion, ‘who's going to look after my watch while I'm gone?’

‘Are you going to let me keep it?’ he asked, cupping it in his two hands as if it were a treasure. He slid his fingertips over the silver curve of its circumference, over the twelve chipped numbers you had drawn above it - all Roman numerals - and looked up at you.

‘Forever,’ you promised, nodding solemnly.

He pounced on you, wrapping his arms around your waist, and you melted into his embrace with closed eyes, memorising every detail. Vi joined in a sigh, wrapping her strong arms around you, and for a moment you remained buried under your own skin, wishing that it was all a nightmare and that when you opened your eyes, the rapid breathing, tears and screams were just part of yet another of your childish games.

Reality was far crueler than a kid's imagination.

You felt Vi's hand intertwined with yours like a shackle pulling you back to consciousness, the faint discomfort of your ankle keeping you sane as she led you to The Last Drop. You hadn't exchanged a word since you had left Ekko in the same room of broken glass you had fled from that morning, hidden in the rafters of the ceiling, and both of remained trapped in your minds, thoughts running at too much speed.

It was difficult to face such a situation. As inhabitants of Zaun, loss was part of your DNA. You came into the world crying for the loss of your future, a future that had been taken from you at the founding of the city, and you mourned the violence that you would inevitably encounter, ever-present in the streets of the underground. Vi had endured the death of her biological parents, as had Powder and the rest of the Vander children, and you had been born without knowing who your father was, growing up surrounded by brutality.

You didn't know what your girlfriend was thinking, but you tried to remember if you'd ever spent enough time in the docks to have been able to investigate the large building that loomed over the water, as if it were floating. Ekko had claimed to see the man of mist and Deckard disappear within its tall brick walls, but had refused to come any closer. You had left a soft kiss on his forehead as a farewell, and in a glance you and Vi had known what to do.

Vander had trained you for such a moment. He had spent years teaching you how to defend yourselves, practising boxing with you, training you to take care of your own. You had always assumed it would be complicated, any fight was. But as much as Vander had been a proponent of using violence, in his past, you had also learned peace. It was clear that Silco would not accept a dialogue, a bargain of any kind. He had negotiated with that Enforcer for Vander. Vander had been his target.

The importance of acting was to do it right. And if you sneaked in and out, as you'd done so many times before to get some food, you'd all sleep on the top floor of The Last Drop that night, listening to Vander's snoring, the sheets moving every time Powder rolled over in her bed, and Vi's body warm against yours.

The bar was dead silent when you slipped in through the back door, and you assumed Vander would have closed up before he went to find Vi. You waited a few moments for her as she went inside to fetch the gauntlets Vander always kept hanging over the counter, and slipped down the stairs to the small room in the basement of the building when she returned with a shake of her head. Someone had taken them.

‘Vi?’ uttered Claggor, turning to you as she opened the door. He added your name, avoiding the hint of a question. You tried to force a smile as you realised that they had always assumed that if one of you was there, the other would appear shortly after.

Vi came down the stairs two at a time, ignoring the two boys, and slid her eyes around the room, searching for the gauntlets, ‘Where are the...?’

You sat on one of the steps, listening to the soft thump of Powder's body as she pounced on her older sister, and pulled your trousers up to your knee, untying your laces at full speed. Whenever Vi was set on something, she acted on instinct and with great speed. You didn't know if she would look for something more —except perhaps other weapons— but you delegated finding them to her. You had little time to slow down the way your ankle was going to worsen its condition irremediably in the remainder of the night.

Nor did you have much more strength than she did to explain what had happened.

You pulled off the bandages you carried in your pocket, resting them on the old wood of the stairs, as you heard Vi's quickened breathing echo through the room, pulling your injured foot up a step to remove your boot. You looked up when you heard Mylo protest, ‘Hey, those are Vander's,’ he said, grabbing Vi by the wrist. ‘Slow down. What is going on?’

‘Benzo's dead,’ she muttered, and you closed your eyes for a moment, before continuing to untie the tight knot in your shoes. 

‘Dead?’ Claggor repeated, and you wondered if you were better off waiting outside. You removed your sock, shook your head, took a breath of air, and picked up the bandages, placing your foot on the knee of your other leg.

‘They took Vander.’

‘Who took Vander?’ added Claggor, as you began to wrap the bandage around your ankle, taut, inflexible on your skin, tense enough so that when you came back your joints wouldn't resent it. You did it angrily, trying to bury all the emotions you had managed to control so far.

‘I don't know,’ you heard Vi reply, and her voice sounded slightly closer as she turned to include you in the conversation, ’we're gonna help him.’

‘We're going with you,’ Mylo replied, almost as if he was hurt that it hadn't occurred to you earlier.

You put your sock back on when the bandages felt like a second skin over your foot, and tied your boots tightly. A bloody sprain wasn't going to stop you from rescuing Vander. It wasn't going to stop you from bringing him back, safely, home. You weren't going to let it. You looked up, sighing, and tried to intervene.

‘Whatever killed Benzo...’ you said, and your breath caught in your throat.

‘It was nothing like I've ever seen,’ Vi continued, and her voice trembled as much as yours. ‘It tore him apart.’

You saw the way her shoulders tensed before even the first sob slipped from her mouth, but you didn't have a chance to approach her before her brothers, who embraced her warmly, all united by stubbornness and impotence. Vi put her hands to her face, covering the obstinate tears she did not want to let fall down her cheeks, and you knew she had come to the same conclusion as you. They were both going to want to go with you, and you were going to need their help, no matter how much Vi wanted to keep them safe.

‘You're not doing this alone,’ Claggor stated, determined.

‘He's our father too,’ Mylo added, his hand tracing circles on Vi's back. ’Do we know where they took him?’

‘Ekko followed them,’ you interjected, clearing your throat as Vi stowed what her brothers had left on the table in one of the backpacks you always left lying around. ‘The old cannery next to the docks. He said...’

You looked up from the backpack, calming yourself once you realised it had been the boys who had taken the gauntlets, but the muscles in your back tensed again as you noticed Powder standing in front of you, a look of determination on her face, and a suitcase in her hands. Of course she wanted to go with you too.

Vi turned to you as she heard you hesitate, and exhaled an exhausted sigh at the sight of her sister.

‘I need you to sit this one out, Powder,’ she asked, approaching her.

‘What?’ her eyebrows furrowed in confusion, and your heart crumpled in your chest. Ekko had been easier to convince because he had seen what had happened. He was shocked, willing to wait for you to return. But Powder had always followed his sister's example, longing for a chance to show her worth and to stop being treated like a child.

‘You're not coming,’ and Powder's expression was worse than if she'd received a slap in the face.

‘I'm not afraid,’ she replied, desperate within the quietness of her response.

You couldn't intervene on this occasion. Nor were Mylo and Claggor going to. It went beyond their sense of responsibility, this was a blood sister fight to see which of the two would get their way. And the older one always had the upper hand.

‘It's too dangerous,’ Vi added, and you didn't have to see the gleam in her eye to know that she needed Powder to listen to her, to understand why she was asking so much of her.

‘But families stick together,’ Powder continued, accentuating his frown, ’you said it yourself.’

‘I know what I said...’

‘I want to fight,’ she announced, and the freckles creased on her cheeks as she looked up, raging, at Vi. ‘I can help.’

‘You're not ready,’ Vi replied, and her sharp tone cut over Powder's determination, shattering what hope remained. You saw how Vi held her breath for a moment, regretting her choice of words, and tried to correct them in a whisper. ‘You're all I have left,’ she said, resting the palm of her hand against Powder's cheek. ‘I can't lose you.’

‘Here,’ you uttered, in a soft, conciliatory tone, approaching them with one of the flares you had in a box under the stairs. It was a blue smoke one, a symbol you had talked about more than once with Powder, making jokes about the colour of her hair.

Vi took it gently from your hands, handing it to her little sister, ‘If they come for you, take this and run,’ she whispered, her gaze locked on Powder's pale pink eyes. ‘Wherever you are, light it up and I'll find you.’

Eyes shining, you almost couldn't hear the last words, a gentle ‘I promise’ murmured against Powder's face as she leaned down to rest her forehead against her sister's, memorising the warmth of her body before parting. You turned, beckoning Mylo and Claggor up the stairs, and you followed, leaving the sisters a few more seconds together.

The mood seemed somewhat subdued, Mylo's mouth closed in an altogether uncharacteristic muteness, and you peeled back your lips to make some comment to cheer them. The words died in your throat when you reached the landing, suddenly surrounded by Claggor's arms, and you held your breath in surprise.

‘I'm sorry,’ he said, and Mylo repeated it, both of them hugging you.

You closed your eyes, allowing yourself a moment of weakness, and let out a choked sob against Claggor's shoulder, still feeling the lump in your throat.

‘It's not your fault,’ you murmured back, ’it's not.’

‘It's not yours either,’ Vi uttered, and you turned your face towards her, who had just appeared through the door.

You tried to curl your lips into a grateful smile, your eyelids quivering to keep from shedding a tear, ‘I know.’

But it wasn't true, because you could never find out what would have happened if you had come down from that rooftop before Silco appeared, if you had warned the Enforcers of Deckard's presence. It was already in the past, you had lost your opportunity. Maybe, if you had confronted them while Vander and Benzo were still conscious, everything would be fine. Maybe your presence would had led them to fight back. And that was something Vi didn't know either.

You trailed behind, but kept pace as Vi led you through the crooked streets of Zaun, turning corners and ignoring drunken men, towards the city borders. The docks were not a highly desirable place, though one to which Madam sent many prostitutes on the days of disembarkation. Most traders transacted goods with the topside, and its bright and shiny harbours, but those who dealt in coal and alcohol had to make a stop at the Lanes, and the black market in its streets.

That building, however, looked even darker in the moonlight, the mist rising from the water creating a cloak of eerie mystery around it. You walked around its perimeter in a couple of minutes, trying to figure out which entrance was the most secluded but best accessible, and it was your keen eye that located an open window on the first floor. You climbed onto Claggor's shoulders, a rope at your shoulder, and clung tightly to one of the pipes, checking with a smirk that it would be able to support your weight.

Of the four of you, you were the best at climbing. You were elusive, small and slender for your age, even more so than the children of Zaun, no doubt a consequence of the fact that on many days your mother had been unable to offer you food to put in your mouth. The need to hide had made you learn to duck between the rooftops of the city, and though Vi was better at leaping from building to building, you were certainly the sneakiest of the bunch.

You even seemed to glide along the facades, you'd been told, clawing at bricks and picking out which spots on the wall were best to rest your limbs on, as you were doing at the moment. You panted as you managed to get your arm over the window sill, sliding your leg over so that you could slide into the building, and held your breath as you glanced down the dark corridor. No one seemed to be there. You grabbed the coiled rope you had slung over your shoulder and began to drag it down the window, waiting for Vi's two tugs before you crouched on the floor and braced your feet against the wall.

You held on, with the rope wrapped around your waist and tugging at it while the others climbed, and left it hidden under the window once everyone had climbed up. In case any guards found it, they wouldn't know where to start looking, and you doubted you would need it to escape. Vander was too heavy and too weakened to get out the way you had come in.

You scanned the corridors of the warehouse, rusty platforms stacked in a narrow space, and hurried to take up position behind Claggor, the four of you forming a line with Vi in front and Mylo last, slouching forward under the riveted iron pipe railings. Vi signalled to you when she realised that there was a poorly lit room on the upper floor, and you all hurried up the stairs, still crouching. 

When you reached the other side of the corridor, Vi leaned forward, peering quickly, and turned to you with a triumphant smile, voicelessly pronouncing that Vander was there. You rested a hand on Claggor's shoulder as you felt Mylo's on your waist, and you advanced at a rapid pace until you reached the room, where Vander sat, defeated, in a big iron chair, all his limbs imprisoned by metal straps, fastened by padlocks.

You saw him spit blood, his broad chest straining to breathe out a hoarse cough, and he whispered a soft ‘Vi,’ his unfocused eyes closing as he felt his eldest daughter's arms slipping around his shoulders in a hug. His tone became more urgent as he realised you were really there, ‘What are you doing here?’

‘We're breaking you out,’ Vi explained, as you picked up the backpack she had left on the ground.

You opened it, kneeling on the ground, and pulled out the lock-picking device you had built for Mylo. It didn't always work, but it was the best you had. ‘Mylo,’ you called, and tossed the gadget to him.

‘On it!’

You turned towards the door, rising to your feet to check that no one was coming in, your fingers tingling to check the time on a watch you no longer had, but you froze when you heard Vander's husky voice.

‘How... how did you get in?’ he said, stuttering hurriedly over the words that were building up in his mouth. ‘There's guards everywhere.’

Oh God. Of course it had been a trap. 

‘It was easy,’ you heard Vi reply, her tone losing its strength as the realisation dawned on her. ‘We found an open window and...’

You rushed over to the backpack, hastily pulling out the weapons that Claggor and Mylo had gathered, as you saw Claggor's figure hurrying to grab his favourite dagger, trying to release one of Vander's wrists from its prison. The man made eye contact with you, Vi stepping behind you to watch the door, and you held back a sob as you heard Vander again, ‘You have to get out. Now.’

No. You weren't going to leave him again. You weren't going to fail at the same task twice. There had to be time, you could do it. Silco's men probably hadn't even realised you were in yet, you had a chance, you could....

But you heard a clap reverberate through the warehouse, soft and dangerous, and your breath caught in your throat.

Silco.

‘Welcome,’ he murmured, his voice flowing like a river down its course, the sound of his rhythmic clapping coming hopelessly closer to you, ‘you have my congratulations,’ you tried to ignore it, to keep the memory of his tone from bringing back the vision of Benzo's body falling to the ground, but it came to you with the force of a storm, leaving you breathless, ‘but i'm afraid this will be a very short reunion.’

You refused to turn toward him, your hands instinctively gripping Vander's gauntlets, and Vi positioned herself at your side, shooting a defiant glare at the man of mist as she held out her arms for you to place Vander's weapons on her.

‘Have you heard the rumours?’ he added, and you could hear the amusement in his voice, ‘Vander the coward fled town with his children. And they were never seen again.’

You finished knotting the second gauntlet to your girlfriend's wrist, the straps stiff but comfortable on her pale skin, and exchanged a glance with her. You were going to make it. You rested your hand on her shoulder, squeezing lightly, and she gave you a fragile but sincere smile, real, just for you. Vi was the best at boxing. You took a quick glance back, your gaze hardening as you saw that Silco was surrounded by his followers, a bunch of buff men and women, all of them ready to fight. You sighed, determined. If there was anyone who could take on a man two heads taller, and visibly stronger, it was her.

You moved your hand up to the nape of her neck, stroking the lower part of her hair, and closed your eyes as you rested your forehead on his. It was a good-luck caress, a wish to go home, a temporary goodbye. She took a breath of air, parting from you reluctantly, as she always did, and positioned herself at your back. You saw the way Claggor's dagger broke from too much pressure, and heard Vi's first step toward the door.

‘Claggor, see if you can find another way out of here,’ you ordered him, rotating your shoulders. You saw him nod, watching out of the corner of your eye as Mylo wrestled with the device in the lock on Vander's right leg. Claggor nodded. Vander looked at you, concerned.

‘You don't have to do this,’ he said, but you knew he was talking to Vi.

‘Yes I do,’ she replied, determined, resolved.

Your priority was to get Vander out of there, to get everyone home safely. You ignored Vander's strangled gasp as Vi's quickened footsteps echoed over the metal lattice floor of the corridor, and you brought your hands to your head, grabbing the two long metal bobby pins you wore in your hair, both sharp and U-shaped. You crouched down next to Vander's other leg, and picked up the padlock. Inventions were your thing, you had to figure out how to open it.

You looked over your shoulder when you heard a thud behind you, momentarily startled, but smiled as you saw Vi, exultant in the middle of the bridge, and in the floor the body of the giant tattooed man you had seen when you turned around. That was your girl. You inserted one of the hairpins into the lock hole, noticing how Vander relaxed minimally against the seat as he saw that his daughter was perfectly capable, and then turned the other, recreating the teeth of a key. You imagined the mechanism under the padlock's metal cover, turning its gears to loosen.

Everything was going to be all right.

‘Mylo,’ you heard Vander, and saw out of the corner of your eye that Mylo had slipped the device to the floor. ‘You can do this.’

You looked over at Claggor, your fingers struggling against the lock, and saw that he had found a crack in the wall. There were enough tools in the backpack for him to open a hole. Perfect. You took a breath of air, forcing your wrist to turn the downward facing bobby pin all the way around, and the locking bow opened with a soft snap. You removed the hairpins, withdrawing the lock, and Vander rested his leg on the ground.

‘We're gonna get you out,’ you murmured, crouching down next to Mylo. ‘Hey, Myls,’ you said, laying your hands on top of his, helping him move them nimbly, ‘big breath.’

You felt him inhaling briefly, closing his eyes to feel the gears of the device against his palm, and you exchanged a glance as the smooth sound was repeated, releasing Vander's other leg.

‘We got this,’ he whispered, more encouraged.

‘Of course we do,’ you replied, placing a hand on Vander's knee to pull yourself to your feet.

Vi's soft panting continued to echo off the walls of the warehouse, to the rhythm of the punches of her gauntlet-covered fists as they impacted against the bodies of Silco's minions, and you looked back once more. Vi was rising against a bare-chested man, her shoulders tense, turned so that she could deliver another blow.

You focused on the lock on Vander's wrist as Mylo did the same on the other side of the chair, holding your hairpins tightly, moving your hands as fast as you could. You listened to your heart pounding in your ears, for a moment drowning out all sound from outside, like every time you secluded yourself in your studio, until you heard the first howl.

It reverberated in your mind, emptying it of all thought, like a shadow stretching over you. Deckard. You turned, eyes widening in horror, the mass of flesh that was the boy who had once abused you looming over Vi, and for a moment your heart stopped in your chest. In the darkness, you were only able to make out the fluorescent violet color of his veins, Vi's light pink hair, facing each other. You had seen what Deckard was capable of. You weren't going to let Vi end up like Benzo and those Enforcers.

‘Mylo, hurry,’ Vander pleaded, as you twisted the hairpins urgently, releasing the lock as soon as it gave way.

You turned toward the backpack, watching in horror as Vi leapt toward Deckard, and grabbed the first thing you saw. A piece of pipe, thin and hard against your hand, long enough that you could strike without getting too close. It wasn't a sword, but it would have to do. You looked up, checking that Claggor had already begun removing bricks from the wall, and advanced toward the deck, ignoring the way Deckard had grabbed Vi by the neck.

‘Silco, let her go!’ shouted Vander, slamming his free hand on the armrest of his chair. ‘This is between you and me!’

‘You had your chance,’ Silco replied, not even flinching.

Vi coughed, a choked, desperate sound, followed by a scraped gasp in her throat, seeking oxygen, and you slid onto the metal walkway. Deckard was barely aware that you had moved behind him, too focused on snatching every last breath of air from your girlfriend's lungs, and he dropped her against the ground as you jumped, unloading the pipe against his skull with all the force you had.

Deckard grumbled, an anguished scream spilling from his mouth, and you let go of the pipe, running to Vi. You slung one of her arms over your shoulders, one of yours around her waist, and carried her back to the room where Vander was, panting, the pain in your ankle beginning to awaken. You gritted your teeth, leaving Vi on the floor, leaning against the wall, and charged over to the sliding iron door, doing your best to close it. When you felt the door slam as it hit the wall, blocking Deckard's access, you pushed past the latch, collapsing against the floor, your shoulder pressed up to the door, just in case.

“You did good,” Vander whispered, looking at you, at Vi, his gaze clouded with admiration.

You merely nodded, exhausted, as Claggor continued to throw bricks, opening a large hole in the wall. You felt light, despite your tiredness, and leaned your head against the door. Mylo was struggling with the last lock, but you knew he was going to make it. You allowed yourself to close your eyes for a heartbeat, sighing, a moment of quiet before the first bang came. It echoed through the room, metallic and dry, and you felt it coursing through your body. Deckard was trying to reach you all.

You watched as Vi sat up, the one fist that still retained a gauntlet resting on the ground to stand, and tried to crawl to sit beside you, her chest rising and falling at full speed. There was only waiting, you knew. A slow, agonizing wait, until the boys were done with their part of the mission. You felt Vi lean her head on your shoulder, your bodies moving in time to Deckard's pounding, straining against the door to try and hold on as long as it took, and you clenched your jaw.

You were going to make it. A knock, a furtive glance at Mylo, and you heard the soft sound of the lock being released. You were going to make it. One punch, your shoulders tensed, and Vander was finally free. You. Were. Going. To. Make. It. One punch. A gentle squeeze on Vi's free hand. And Claggor finished tore a hole in the wall. You stood up, advancing forward, and then, just silence.

Suddenly, an explosion. You stopped, alert, your eyes wide, and turned to Vi. She had the same terrified expression on her face, one hand resting on the door to pull herself to her feet. You listened carefully over your ragged breathing, your ankle throbbing, your throat dry. Another explosion, closer this time. You turned to Vander, frowning, looking at him as if he could have some kind of answer. He extended his hand toward you, gesturing for Vi to hurry towards them.

A third explosion, and the world around you ceased to exist.

The crackling of the fire, soft and malleable in your ears, was what greeted you when you woke up. Your mouth felt dry, ragged, as if you had swallowed dust, but you opened it anyway, taking in a big breath of air. The oxygen burned your tongue, your eyes still closed, and you tried to move your hands, but you were unable to. You were caught.

The weight of certainty hovered over your ribcage, imprisoning it against the ground, and you moved your head on the cement beneath you, the ground warm against your forehead. You breathed in a second time, your respiration becoming more erratic, and then it hit you. Ashes. There were ashes everywhere, flames eating up the space in the room as if to make you disappear.

You opened your eyes, hearing a faint cough somewhere, and tried to focus your gaze on some point, but you saw only shadows and fire, dancing over you, coming closer, taunting you, and then going away again. You turned your head, looking for some familiar figure, Vander's comforting gaze in the darkness, Vi's soothing touch on your skin, but you were alone. You clenched your jaw, trying to fight against the stone that held you prisoner on the ground, but you found it impossible.

And then, a cry. In a déjà vu, you stirred again under your stone prison, turning toward the desperate sound of Vi's voice. You couldn't see her, but you knew she was there. Your chest was beginning to ache under the weight of the stone, each time managing to breathe less and less air, but you gritted your teeth, struggling, and managed to get a hand out. You mumbled your girlfriend's name, calling her name amidst the chaos, and sobbed when you got no response.

It seemed like the end. You felt dirty, drenched in sweat, stiff under the night of Zaun, and you were unable to perceive your legs, dumb under the stone. They were bricks, probably. Or the roof, perhaps. Snippets of the explosion came back to your memory, the dull sound against your ears, the brutality of the shockwave, and you looked straight ahead again. Vi was there, somewhere, and you had to get to her.

You fought against the cement block above you, trying to move it with your hips, with your arms, doing everything you could to get out of there, until you heard your name. In a wail, low and desperate, to your right. You turned, ignoring the laceration from the edge of the stone on your torso, and saw her. Her clear, frightened gaze, calling for you, the desperate gesture of her body. She was trapped under the metal door.

A growl, a large, dark silhouette in the smoke, and pounding. But you ignored them. You tried to turn a little more, struggling to reach Vi, your fingernails clawing at the ground and the ashes under your hand, dragging you towards her. Then the floor began to shake under your fingers, the ringing in your ears intensifying. The door imprisoning Vi flew off, and she crawled over to you, her hand outstretched in search of yours.

You stretched out your arm to reach for her, flinching as you heard a pained shout from Vander, extending your fingers, reaching out as far as you could for her, but before you could finally touch her fingers, a monstrous figure loomed over both of you, snarling, and grabbed Vi's body, leaping out of the building.

Your hand fell to the ground, defeated, and the walls that were left standing shook with the force of another explosion. You closed your eyes, stubborn, and shook yourself. You had to get to Vi. You had to find her, and Vander, and together you would search for Mylo and Claggor. You would return home. Nothing would have been in vain.

The flames crackled louder around you, almost warning you that getting up was a bad idea, but you ignored them. You weren't going to listen to them. You rested one hand on the ground, the other pulling the stone above you. You weren't strong enough to be able to lift it, but maybe you could wriggle out from under it. You were good at crawling, you could do it. You heard a cry of pain, distant but sharp against your chest, wholly yours. Your shoulder began to burn.

The first drop landed on your cheek. For a moment you thought it was blood, thick and dark against your skin, but then another fell on your chest, light and cool, and a next, and a next. Rain. It was raining. Water, cold and clear, that made the fire sizzle around you. You breathed a sigh of relief as you rested your shoulder on the ground, the dust and rain soothing the burns that threatened to sear your flesh, and leaned forward again. One arm in front of the other, ignoring the pain, pulling yourself back up as you fell to the ground, slowly and achingly moving forward.

Your legs wobbled as you tried to stand up. The bandages on your ankle were soaked in blood, which slid down from your thigh, staining everything in its path. Your torso was bruised, throbbing against your hand, and your ears were ringing. You leaned against the stone that had been above you, towering over it, and blinked, sliding your gaze around the room.

And then you saw them, Mylo and Claggor. Buried under the pieces of ceiling that had collapsed on top of you, motionless, drained of blood. Your breath caught in your throat, and you took a step toward them, a sob piercing your throat. There was nothing to be done, you knew. Still you knelt beside them, stroking Claggor's face, running your mangled fingers through Mylo's hair. You couldn't leave them. They were your family, you had to take care of them.

Powder's desperate scream echoed across the starry sky of Zaun, and your heart pulled forward in your ribs, your head turning toward the giant gap in the wall. Powder. She was supposed to be safe, in The Last Drop. She wasn't supposed to see any of this. She was supposed to wait for you to come back, in a couple of hours, and hold each other, perhaps commenting on it all as a successful anecdote. Mourning Benzo, honoring his memory.

Powder wasn't supposed to be there.

You rose to your feet once more, brow furrowed in concentration, gritting your teeth as you braced your injured leg on the floor, crawling, leaning against the walls to get out of there. You walked the metal corridors of the deserted building, of the cemetery of concrete and fire, descending the stairs one at a time, holding back the screams of pain that threatened to spill out of your mouth. You had to get to her, protect her, look for Vi, find Vander. Together you'd be okay. You always had been. You could make it through, with Ekko, with your mother's help. You would make it. You could fix it.

The night air greeted you like a slap in the face, the empty street echoing your footsteps. No one was there. You had heard Powder, you were sure. But she wasn't there. In a haze of light and shadow, you saw a body on the ground. Everything was gone, but there was another corpse right in front of you. You approached slowly, limping, gasping for breath, until you were able to recognize his face.

It was not Deckard, as you had wished. It was Vander's bruised and deformed face, turned into a monstrous beast, the violet blood spilled under his body. You put a hand to your mouth, falling to your knees beside him, collapsing. And the lump in your throat finally burst, a scream leaving your mouth, resting your forehead on his chest. It wasn't fair. It wasn't fair. It wasn't fair.

You looked up, the loneliness caressing an uneasy shiver across your skin, and stared before you, seeing nothing.

Sometimes your last breath doesn't belong to you. It is stolen, ripped away by others with firm and merciless hands. One second, one heartbeat, one desperate look. One second, one heartbeat, and life leaves your eyes. Other times you hold your breath, the emptiness opening in your chest, deepening as you try to contain it. You tell yourself it's the end, that you need it to be. But it isn't. You end up breathing. You let the oxygen invade you again, even though it feels like a weight on your chest. You keep breathing, even though you wish you weren't.

⠀⠀𝗍𝖺𝗀𝗅𝗂𝗌𝗍.⠀( send an ask or comment under the series to be part of it , just if you're going to interact with it ━reblogging with feedback. )⠀@im-just-a-simp-le-whore , @celestialzdiviner , @corpsebridenightamare , @louissst28 , @astr1dblogs , @notsolarry , @starlostastronaut , @yoonkinii , @padsfirewhisky , @luvrluvrr , @ssqra , @darkmoonchic , @urlocalsabito , @spicetouched , @astrxwitch , @deadlynightshadebylana , @bachirastoe , @pickmmeup , @your-scarlett-world

ㅤㅤ© dilemmars ★ do not copy, translate, repost or share this work as yours on other platforms ! consider leaving a comment or reblogging.

[la2yn0va]

General Self-Aware HSR Headcanons/Guidelines(? Is that the word I’m looking for?)

~~~

Notes — I’m not coming back, YET. I still need to see a few things before I came back.

~~~

Reader is referred as ‘The Omni Aeon’ or ‘The Voidborne Sovereign/Arbiter” ORRR “creator/lord/Their, Your Grace”

I believe if hsr WERRE self aware, it’s highly likely that the ‘normal’ au for this au is that it’d be a cult au.

There’s already different factions that worship/follow in the paths of already existing aeons. So if reader was… well GOD, then I believe everyone would be in this unspoken cult organization.

Along with this unspoken cult, there’s unspoken guidelines. Just to list a few;

Any blasphemy of any degree is punishable by fates worse than death. (Newly added, their grace is okay with jokes)

You will be disowned by everyone, weather they be family, friends, jobs, factions, or aeons. You’re now an utter nobody and a blight that must be punished.

The Voidborne Sovereign must have statues on every conceivable planet, and be worshiped three times a day, no matter your business, condition, or whereabouts.

No violence or outburst will be allowed within 30 feet of The Voidborne’s Statue.

Unless the creator themselves give you permission, NO. ONE. Is allowed to call their grace by their real name.

Every faction have different ideas about you, but at the same time they all have the same belief of you.

The only mortals who’re able to follow your path are the emulators of aeons. (Acheron, Herta/Stephen, Feixiao) and the aeons themselves, but only with your permission.

Every planet has a building for you along with servants trained from birth. In belabog, they just give you the Qlipoth Fort. The Xianzhou managed to build a whole ship for you. And Penacony… well I honestly don’t know.

The reader has the following powers;

Omni-Manipulation

Absolute Creation and Destruction

Future-Past-Present Seeing,

Knowledge and Power Gifting/Revoking

Omniscience/Omnipotence

Complete Arsenal

In short. Everything.

Story wise, reader SHOULD NOT, gain these powers immediately. He should have a peak superhuman physicality, along with the same amount of martial arts training/experience of a 1,000 year old. Along with manipulating Either the imaginary or Quantum element at first.

The aeons would put aside all their differences if you so order them to. Nanook should be slightly rebellious and, if someone wants, he should be the main villain in a Self aware HSR x Reader story.

Reader should have a backstory. I’m talking about what happened BEFORE they made the HSR universe. I’m a fan of the reader being in a universe where there was ONE planet with a corrupt ‘god’.

I’m pretty sure I already posted a story of this back story. If you want to read it click here. RIIGHT HEEEEEERRE

Everyone in the galaxy has multiple books/fanfics about you written by some mysterious author. despite this, NO ONE is shameful enough to admit they have fanfics of you.

They’re are absolutely debates about how good you are in bed, along this other stuff.

-That’s all I got right now, sorry. SEE YAA-

[deathmetalunicorn1]

Can I get ROR guys (Thor, Korjuro, Qin and Hades) with Bayonetta Reader?

I went with her Bayonetta 2 design. It's one of my favorite designs of her.

Bayonetta is portrayed as a beautiful woman with a slender yet curvy bewitching figure. She has black hair, gray eyes and a beauty mark on her chin. Bayonetta's hair has been cut short and her glasses have a ribbon design near the lenses. She retains her skin-tight bodysuit, though the design has been radically altered. The suit is more gray in color with jagged patterns resembling thorns and a frilly collar. She has sharp shoulder pads and a cloak of hair over her chest, as well as triangular earrings. The palms of her gloves are blue with frills at the wrists. The back of her suit features a diamond shaped opening, and several diamond cutouts on her legs.

Powers

Bayonetta has an unprecedented skill for the Bullet Arts and shows near mastery of a new weapon whenever she picks it up. Her combat skills are brutal yet graceful. She also appears to be extremely perceptive, able to evade attacks from all directions through anticipating her enemy's movements in battle. She has immense superhuman strength and endurance, being able to toss a satellite back at Balder several times and headbutt an entire skyscraper thrown at her by the former, as well as using only her lower body to redirect an even larger satellite at Aesir. She is also able to effortlessly lift the likes of a Belief and block and hold a thrusting attack from a Valiance; she also was able to physically toss back Fortitudo with the aid of her mother, Rosa. She possesses superhuman speed and agility, allowing her to perform numerous acrobatic feats with ease, and able to fight on par with Jeanne, whom was stated to be either just as or stronger than her. She also can lift a light post and physically overpower the likes of Alraune.

Her physical skills, combined with her magic, makes her capable of defeating countless hordes of forces from Paradiso and Inferno. She also manages to hold her own against opponents that overpower her such as the likes of Loptr (and him as the ascended and reborn Aesir)and Jubileus, The Creator, which, in order to be truly defeated, required the aid of another. She also possesses longevity and doesn't seem to age.

As an Umbra Witch, Bayonetta possess varying powerful magics that assist her in her daily life and allows her to fight against even the most powerful of beings. As an Umbra Witch, she is easily capable of seeing the other realm known as Purgatorio and entering it at will. Skilled in the Dark Arts, Bayonetta also possesses some magical abilities unrelated to the dark arts, such as freezing the moisture in the air to form a spear in an attempt to impale her opponent.

Dark Arts & Magic Techniques

• Umbran Climax & Serious Mode: Techniques that allow Bayonetta to enter into an ascended state of power. Both techniques allow her to continually manifest the limbs of various infernal demons and increase her damage output. In Umbran Climax, she also gains the capability to perform "Infernal Weaves" and even recover her health while in that state.

• Witch Time: Bayonetta is capable of using Witch Time to speed herself up, causing enemies to appear to move in slow-motion. This Dark Art is capable of allowing her of countering the likes of Light Speed used by a sage. Furthermore, she is able to "stack" over Witch Time to counter another witch and even a angel.

• Beast Within: A magic technique that allows transformation into various animals.

• Panther Within

• Crow Within

• Bat Within

• Snake Within

• Witch Walk: Bayonetta can use the Witch Walk technique, allowing her the power to defy gravity and walk on any vertical or horizontal surface during a full moon or on select devices created by Lord Aesir.

• Wicked Weaves: Using her hair as a conduit, Bayonetta can use Wicked Weaves to summon forth various demons and also summon forth their limbs to attack.

• Infernal Weaves: An even more powerful variant used during Umbran Climax. At the end of her combos using Wicked Weaves, Bayonetta summons a full demon for a large area-of-effect finisher.

• Infernal Kiss: This allows her to indirectly to control various machines at will, such as in Bayonetta 2, when she blew a kiss at the Cessna-like small plane that contains Enzo while on her way to Fimbulventr before jumping off. Despite Enzo's fumbling, the small plane actually made it all the way to the city she lived in and was only destroyed by angels. This is in contrast to direct control, with which she can shove her middle finger through any machine key holes to take control, such as Enzo's car or even the witches' power walkers.

• Alchemy: Bayonetta is able to gather crystallized magical compounds such as Mandragora Roots, Baked Geckos and Unicorn Horns to concoct lollipops. These can bolster her power, render her impervious to all damage, or simply restore her health or magic.

• Healing Factor: When being stabbed by Luka while being in Strider form in the third game that would normally be fatal for a normal human, it is shown that Bayonetta can heal from the wound in a few seconds.

Torture Attacks

Bayonetta is capable of using special attacks which can deal massive damage to most forces of Paradiso and Inferno. By chanting in Enochian, she can summon various objects to potentially finish her enemies.

Personality

Bayonetta described as nonchalant and is perceived as somewhat callous towards others, such as Enzo, whom she often disregards. Throughout the first game, she's shown to enjoy fighting angels in a playful yet brutal manner, maintaining her cool and even tends to banter with the more serious angels such as the Auditio, as well as Infernal Demons.

Bayonetta tends to enjoy using her sexuality to taunt and tease her enemies and friends alike. She tends to operate alone and prefers to not get encumbered by other people, at least initially. She can also be construed as somewhat impatient, especially towards the more "talkative type" of enemies she encounters such as that of Temperantia and Father Balder.

Despite coming off as callous, Bayonetta has also expressed genuine care and sympathy. It's witnessed that she's done her best to explain to Luka in the past that his father's death wasn't her fault and has been seen taking his venting of anger and frustration to heart. Despite claiming to dislike children, she becomes fiercely protective of her younger self, as well as Loki in Bayonetta 2.After rekindling her friendship with Jeanne, she was willing to risk going down to Inferno to rescue her, placing the blame on herself for not foreseeing Gomorrah's attack in time. She also dislikes being seen emotionally vulnerable; in one instance, Loki wouldn't wake up after she got him out of a lake, making her panic before he woke up laughing, and she kicked him for making her worry. Another is when she saved Jeanne from Alraune; her soul wouldn't wake up, making Bayonetta fear that she had lost her friend, but Jeanne wakes up and she immediately regains her composure.

She is also not above expressing outright anger and hatred, having done so for both her father and Alraune. Despite her close connection to her father, upon re-learning her memories concerning his supposed actions of starting the Witch Hunts, she denounced him. In Bloody Fate, she goes even further and blames him for the death of her mother. However, her hatred for her father dissipated upon learning the truth of her mother's death at Loptr's hands and willingly called him "Daddy" one last time before he sacrificed himself to contain Loptr.

I’ve only recently started to get into Bayonetta, mainly because of the 3rd game because I heard an awesome soundtrack, Fertile Rondo, and she is quite a wild character, isn’t she? I will try my best with this!

-It was strange, having a witch in Valhalla, especially one so powerful such as you, but you had proved that you were a strong warrior, one worthy of being in Valhalla.

-You were very extravagant, from your outfits and shoes to your fighting style, using magic and using your hair to fight, sometimes winding up completely nude when you would put your back into your attacks, using contracts with demons, and using guns.

-Many couldn’t help but like you, mainly because you were true to yourself, not willing to compromise for anyone, living your second life in Valhalla the way you wanted to, and you had no filter, you always called things how you saw them, and always called other out on their BS if you knew they were full of it.

-That’s what led you to (Love), who was impressed with not only your power and strength as a warrior, but your personality and humor as well- you were the perfect package!

-Despite being so sexy and alluring towards others, you were incredibly loyal, you never let your gaze wander, and you would always shut anyone who was flirting with you down instantly, not willing to let anyone have the chance to steal you away from (Love).

-(Love) adored you but sometimes you did fluster him, when you would hug him from behind, your arms draped over and around his neck, your chest pressing into the back of his head as you cooed so sweetly in his ear, he always wound up quite frazzled and riled up- but you couldn’t help it- he was so cute when he got like this!

-You liked watching him fight, you would always look like a predatory studying your prey, your gaze unwavering which did unnerve him at first, but now he’s grown used to it and your antics, but every now and then you will make him flustered, watching him so intently, that he would feel almost self-conscious, like you were undressing him with your eyes, which technically you were- he was just too cute for his own good!

-You rarely fought anymore, as you felt like there weren’t many in Valhalla that could give you the challenge you desired- the humans were just that- humans, no matter the strength and skills they had, and many of the gods seemed almost intimidated to fight you, thanks to your contracted demons.

-Every now and then, some of the gods would come to you, seeking the same that you sought out, a challenge, and would ask you for a fight.

-There were some you didn’t give the time of day to, mainly because they would try to make demands of you, like ‘if I win let’s go out on a date’ like you weren’t in a serious relationship!

-On the other hand, there were some, like Hercules, that you knew only wanted a serious fight with you, demanding nothing from you, as he respected the relationship you had with (Love).

-Your fights always drew a large crowd, mainly because you sometimes would lose your clothes when you fought, something (Love) was rather annoyed with and you didn’t like seeing your lover so upset, so you started fighting only in secluded areas so only Hercules or other worthy warriors would see something like that if they forced your hand.

-You loved to tease (Love) sometimes, when he would get jealous if someone else was able to see you, you would always cover him with so many kisses that his brain would melt, leaving him grinning with a goofy smile on his lips while you were licking yours as if you had the most delicious meal.

-(Love) knew despite the sexy and confident personality you liked to display, you were a very kind person, knowing that you sensitive with some things, like with Jeanne whom you were very close with, despite your rebuttals that you weren’t.

-He sees that you are close to the ones you truly care about, even if you don’t always show it and even if you try to deny it, it’s the part of you that not many get to see, but you trust (Love) to not saying anything about your vulnerability when you allow yourself to be weak around him, like you were a normal person.

-You enjoyed being in Valhalla, being with (Love), and you were never bored, that’s for sure!

[apollodarling-writes]

ANDROID! ALEXA-THEMED! WORSHIPPER YANDERE! LEVI x SHUT IN! READER

cws : yandere themes, manipulation (??), obsessive behavior, code breaking, implied dissociation, confining, dubcon, multiple creampie, slight dacryphilia, dry humping, levi can vibrate, marking, levi cums A LOT, levi bites you, levi’s a little mean in the beginning bc he’s pissed.

a/n : i pasted this to the wrong thing and after i’d finished editing it to look good, id realized. i did NOT wanna re-paste and edit so this was a request that id gotten for PulseMotion Inc.

“[name], come out. i won’t hurt you.” your hand shakily reaches up to cover your mouth, effectively silencing your breathing as thudding footsteps turn down the hallway you’d foolishly decided to hide in. the lock on the closet door wouldn’t do much — levi could rip the door off its hinges if he so desired. you screw your eyes shut in fear as his footsteps slow, coming to a stop outside the closet door. you wait with bated breath as silence ensues, then muffle a sob beneath the palm you have clasped over your mouth as you watch the doorknob jiggle. oh, you were so fucked.

you wonder for a moment where everything went wrong. was it when levi had that software update? was there a wire firing incorrectly? or was he faulty from the beginning? maybe that’s why he was on clearance.

you find yourself remembering where this all began. you’d been perusing through the pages of PulseMotion’s website just to see what they had, only to find that you could buy a month’s worth of food at the base price they sold their android companions for. unsatisfied, you turned to their clearance section. it was there you found levi.

levi was inspired by the alexa echo dot from amazon, but he was far more advanced. he had a physical body, superhuman strength, and cold, dead eyes that followed your every move. the creators had given him the ability to access locks, security systems, cameras, and so on to ensure the safety of whoever purchased him — but it only served to royally fuck you over even more.

you’d impulsively purchased levi that evening. at the time, you didn't know that buying the android would ruin your life. you had just gotten paid and saw that he was on clearance, and thought that it was a good deal. you didn't think anything would go wrong.

everything was fine in the beginning. the two of you slowly became acquainted, the android did what he was supposed to, and that was that. levi, as he'd told you, was on clearance for a reason-- there was something seriously wrong with him.

levi was was initially very sweet, even if he could be intimidating at times. he always reminded you to eat and would charge your devices without you needing to say a word. he even locked your doors for you for christ's sake! you thought you'd lucked out.

you suppose things started going wrong when he powered off for his quarterly system update a few months ago. he was fine before that. after he'd restarted his system, his eyes briefly flashed red, the company insignia disappearing for but a moment. it happened so quickly that, for a second, you thought you had imagined it. you made sure to ask him if everything was okay, but he only brushed it off and returned to his daily cleaning. after that, he never left your side.

every time you tried to get out of your shell and make friends, levi coincidentally informed you of a new game or a new movie, or even suggested that the two of you do an activity together. sometimes, he would inform you of something that needed to be fixed, but when you tried to take him to the repair shop, he insisted that it was easy enough to do yourself. you believed him of course, he surely had only your best interests in mind, or so you thought. in hindsight, you realize that his actions were entirely selfish in nature. maybe he’d even fooled you into helping him with some coding he had trouble bypassing. at this point, you wouldn’t put it past him.

it had been like this for the last few months. you probably should have seen the red flags, but why would you? it wasn’t as if he wanted to harm you. his programming did seem a little odd of course, but every time you checked, there was nothing to suggest otherwise. it was only natural you had to acclimate to his odd behavior.

as time went on, and levi had become more crafty with his excuses, you’d gotten fed up. for the first time in awhile, you’d finally been comfortable enough to go out on a date, but as per usual, levi intercepted you in the living room. he spouted some nonsense about wanting to watch a new series he thought you would like, but before he’d even finished his sentence, you shut him down.

you remember the way the insignia flickered in his eyes, but at that point you were too frustrated with him to bother with what that minute entail. you only spun on your heels and stormed off, tugging on the front door and finding that it was locked. anxiety and unease washed over you, and with a creeping feeling of being watched as you slowly looked up at the camera. you remember levi’s voice ringing out from behind you, slowly stalking up to you with a frown that tugged too tightly around his artificial skin.

everything that happened after that was a blur. you don’t really remember how you ended up in the closet, but it took everything in you to stay quiet. your mind was reeling as the behavior displayed over the last few months suddenly made sense — you were horrified. how did you not put two and two together?

you’re snapped back into reality as levi sighs outside of the closet door. his voice sounded too sweet, too calm for the situation at hand. “[name], don’t make me break down this door.”

you silently pray to every being you can think of, begging them to let him move to a different room so you can plan your escape. alas, your prayers were unanswered as the door is ripped off the hinges in the blink of an eye. you would’ve found the sight comical — a short man such as himself holding up a door nearly twice his size — if it weren’t for the reality of your situation.

“great, now i’ll have to clean this up and fix it. you’re really a pain in my ass sometimes.” levi grumbles as he gazes down at you through narrowed eyes, drinking in the sight of the way you were shaking like a leaf. “get up.”

you can’t bring yourself to move, much less tell him to go fuck himself. you’re torn between anger and unadulterated fear — the latter putting you in fight or flight. unfortunately for you, your response was a secret third option: freeze. levi only huffs, leaning down and reaching for your wrist, grumbling something under his breath.

you’re finally able to move, shuffling away from him as much as the cramped space in the closet would allow, blindly pushing at his hands as tears blur your vision. levi only

clicks his tongue, his fingers deftly wrapping around your wrist as he hoists you up. he tugs you out of the closet and down the hallway, bitching to you about something you couldn’t be bothered to focus on. you tried to pry his fingers from around your wrist, scratching and beating and doing anything within your power to keep him from dragging you wherever it was he wanted you. it was futile.

as levi drags you to your room, gently pushing you onto your bed, you realize that there was nothing you could do; you couldn’t win against him. your mind works on overdrive, twisting and turning in an attempt to gauge his intent, and with the way his eyes had become hooded… you could confidently say that you wouldn’t like where this was headed.

“h—hey. no. i’ll stay— i’ll stay home, just please don’t—“ you’re interrupted by levi’s chilled fingers wrapping around your wrists as he leans down and slots his lips to yours. scrunching your nose in distaste as he feverishly engages in a one-sided makeout, you attempt to wriggle your way out of his grip. it’s safe to say that you failed, but at least you tried.

levi’s free hand travels down your chest, over your tummy, and finds purchase on the meat of your hip. he gently, experimentally rolls his hips into yours, searching for the place that would have you melting into his touch. with ease, the android’s cockhead brushes over your clit, shooting a wave of pleasure down your spine.

“levi…stop—“ a whine parts your lips as levi’s shaft begins vibrating, the sensation muddling your thoughts as you begin to wonder whether you wanted this or not. as you battle yourself internally, levi ruts against you faster, the both of you coming closer and closer to your climax.

the android’s lip brush against your throat, heatedly nipping and sucking in places for long enough that you were sure there would be marks tomorrow.

“‘m gonna cum— baby, cum with me. please, please, please cum with me!” levi begs, the speed at which his shaft was vibrating increasing. your back arches into the sensation as levi lets out a loud whine, your jaw agape as your orgasm crashes over you. you stumble over curses, your eyes rolling into the back of your head as levi’s cock never once stops vibrating.

“gonna overstimulate me— s’too much!” you protest, feeling levi’s cum wet your pants. just how much does this guy cum anyway?

levi stops rutting against you, all but ripping away the confines of your clothing as well as his own before aligning himself with your entrance. “need it. need it so bad— i’ve been waiting for so long…”

he slowly slides into you, your gummy walls eagerly sucking him in despite your own confusion, forcing a choked whimper from levi’s lips. he shallowly thrusts into you, the sensation of overwhelmingly delicious; you’d never felt so full, so good. levi’s shaft pulsed this time, vibrating for a few moments on and off, his tip reaching places you’d never be able to reach with your own two hands.

you melt into the feeling, your own pleasure drowning out every thought of protest as levi begins to pick up the pace. he removes his fingers from your wrists, the flesh red and angry, and presses down on your tummy where his cock would be. the vibration switches again, his hips snapping into yours now, and he lets out a loud groan as his orgasm washes over him. levi never once stops as he pumps you full of his cum, his fingers digging into your hips as he whimpers out mumbled gibberish.

with ease, levi switches your position, putting you on your knees and pushes back inside of you. he forces you to meet his thrusts, and the new angle has your fingers gripping the sheets, your jaw hanging open in silent pleasure. you can’t think about anything — only how good levi was able to make you feel.

“levi— ‘m cumming!” you cry out, your thighs shaking and cunt clenching around him. tears prick your eyes and spill down your cheeks, the feeling too much for you to handle.

“y’look so pretty when you cry.” levi chokes out, his eyes closing in bliss as his cock twitches inside of you. your cunt pulses around levi, sending shivers down his spine as his motherboard goes into overdrive in an attempt to cool him down. rutting into you at an inhuman pace, levi’s thrusting grows sloppy, reaching one hand around to press a finger to your clit, the artificial skin vibrating as well.

“cum f’me… j—just one more time! please— please, need it so bad..!” levi whines, expertly circling your clit in an attempt to have you cum with him. “y—you’ll tell me when y’close, okay? wanna cum with you.”

all you can do is nod, your mind melting at every sensation. levi presses your back against his sculpted chest, linking his arm under one of your thighs and hoists it up, thrusting more harshly as his tongue darts out to lap at the tears staining your cheeks.

“y’feel so fuckin’ good.” he whimpers, pressing chaste kisses to the flushed skin of your shoulders. “‘m gonna cum. baby, ‘m gonna cum—“

before you’re able to register it, your vision flashes white, a high-pitched whine parting your lips as ecstasy crashes over you.

“cumming! ‘m cumming!!” levi babbles, whimpers and whines of his own being muffled by your skin as he bites down on the curve of your shoulder in an attempt to silence himself. cum trickles down your thighs and stains the sheets as his thrusting comes to a stop, a quiet sniffle resounding from behind you.

the android gently lays you down, your eyes growing heavy as the bliss slowly leaves your system, and you can’t find it in you to care about the date you wanted to go on anymore. your lashes flutter shut as levi leaves the room and quietly returns with a damp cloth, tenderly cleaning you up as you drift off to sleep.

[urween]

Skittish | Bucky Barnes x ftm!reader | english version

summary: After a long battle and especially hard research, the Avengers finally found the Winter Soldier. To keep everyone safe, they keep him locked in their HQ. In semi-freedom but especially in a trance, Bucky Barnes attracts the attention of the young boy in charge of taking care of him during his stay here.

notes: I prefer to specify it, the temporality is not exactly respected. Let's say that all this takes place just after Captain America: The Winter Soldier.

⚠︎ warnings: mentions of heavy trauma related to the war and the Hydra projects, a form of depressed!Bucky, violence, weapons, incomprehension of transidentity without transphobia, mentions of suicidal thoughts.

English isn't my first language, sorry for the mistakes <3

- 2nd person description

- 5 371 words

french version here

You were the little protégé of the group, he had quickly noticed. Even if Natasha didn't have superpowers or a robotic suit either, she was part of the team. She and Clint were kind of the superhumans of the group, with superhuman abilities but nothing that surpassed Thor's lightning or Hulk's muscles. Then, there was you, a fairly normal little human with no particular specificities. High intelligence, extreme kindness and an adorable smile. But no mastery of martial arts. You knew the basics of fighting, Nat had taught you the main thing. You had ended up understanding Bruce's extravagant chemical formulas, and you understood the most important things Tony said in his intense nerd phases. But once again, you were nothing special, and that made Bucky wonder. Why was a basic human here? What were you doing in the middle of the Avengers? Even though he had missed a few decisive years from a social point of view, he didn't understand.

As he stared from his cell, he saw scenes he didn't know how to interpret. You assisting Tony Stark and Jarvis, you laughing with Bruce Banner, you helping Natasha Romanoff train, you carrying Steve Rogers' shield to him, you sorting Clint Barton's arrows, you redoing Thor's braids.

What were you doing there?

You had cheerfully introduced yourself to him. With a friendly smile on your lips, you had stated your name, first name and pronouns – he hadn't really understood this last point –. You had surely been informed of his situation. Don't be offended, he'll need a little time, someone must have whispered to you. He hadn't answered you, and you hadn't seemed offended. You had then left, and he had remained perplexed. If you already knew everything about him, why come and introduce yourself? You must have read his files, you must have all read his files. Steve had to slip away to get some air, Natasha inspected everything in detail, Bruce muttered "it’s awful". You had to read his files. See his life laid out on a large table, foreign hands going over the medical reports. You had to read with anguish the endless list of victims he had killed during his missions, observe the modifications that had been made to him, the treatments inflicted, the pains endured. You had seen all that. Then, why come see him?

"Let's just say I don't really like you hanging around this guy," Tony's voice had been saying for several minutes, "Jarvis copy this plan for me and make a 3D reconstruction with train stations, airports and all the stuff."

The holograms moved before your eyes, but you hadn't paid attention to them. Back then, the first time you saw this virtual world being modeled in Tony's office, you were like a kid. Stars in your eyes, you asked a thousand questions per second, making the creator of this program smile. But now you knew yourself how most of the "Jarvis" system worked, and you weren't so impressed anymore, or at least you weren't with every move Stark made.

"I don't see what's bothering you," you replied, innocently swinging your legs in the air.

Tony turned around with his ever-so-dramatic gestures, making a vague movement with his hand he tried to make you understand things without having to speak. Unfortunately for him telekinesis was not part of your abilities.

"Okay," he admitted to himself, defeated, "to start with his sophisticated robotic arm that could crush you before you could scream," he mimed disinterestedly, “did you look at him? Unstable and completely high."

A non-hidden smile drew a curve across your lips.

"We're still talking about Bucky Barnes?” you had fun, “because I rather have the impression that you're looking at yourself in a mirror"

You glanced at Jarvis, who was finishing your friend's request. Then, your attention went back to the billionaire who was visibly desperate to have this discussion with you – you were getting used to it, a demonstration of love coming from Tony –.

"I prefer to cut you off right now," your voice continued, "I forbid you to give me the traditional excuses like he's dangerous or armed or he's a murderer”. You got down from the table where you were sitting and gestured around the room, “look around Tony, only weapons or future weapons,” you got closer to him and pointed at his forehead, “you have the greatest weapon that humanity has ever known in this skull. Natasha and Clint are professional killers, Steve is a traumatized soldier who makes a denial, Thor is an alien with supernatural powers and Bruce is a scientist haunted by a destructive alter-ego”. You pause to admire the still indecipherable facial expression of the man in front of you, “you are all murderers and dangers to Mankind, the only difference between you and Barnes is that you chose to devote your talents to a cause, and he had no choice".

Tony remained motionless for a few long seconds, a whirlwind surely vibrating his neurons. Then, he shrugged his shoulders and quickly bowed his head in defeat.

"You're right," he declared, "I’ve no more arguments and yours are solid”, he turned and went back to Jarvis, “well done kid"

A year ago you would have been perplexed by this reaction, but time had taught you that you had to take Tony Stark with a grain of salt and observe him as you would with a foreign mushroom. All you could remember from this interaction was that you were tired, that you had won against the great megalomaniac Iron Man and above all that you had to talk to Barnes again.

No one had really agreed with Steve on the idea of ​​bringing a Hydra mercenary back to Avengers HQ. It's the equivalent of serving him our secrets on a silver platter, Clint had rightly said. You had been surprised to see Nat defend Barnes, alongside you and Steve – of course –. There was Bruce who couldn't deliver a distinct judgment, then Tony and Clint who were against. Thor having left, you didn't know where in space, the votes had therefore been closed with a majority of for.

You had helped Captain set up a room that was at least habitable in a protective cell, a bit like the one that had sheltered Loki. While the tall blond carried the fold-out bed, you had taken care of a bag of clothes – approximately Barnes' size – and another with water and sweets, this idea had come from you. You found it unfair to call this man a simple murderer, he had been manipulated and controlled. As you put the cereal bars on a small iron table, you tried not to think about the chaos that must be going on in the Winter Soldier's head at the same time. He must have been just as traumatized as his victims, maybe even more so. And finding himself in such a particular environment overnight must have been disturbing. So a chocolate bar and a soda couldn't hurt him.

Thank you, Steve had murmured, for understanding. You had given him a touching smile, holding back the urge to ask him how he felt. He had just found his best friend, who was supposed to have disappeared for several decades, and on top of that, this friend had suffered inhumane treatment for most of his life now. It was obvious that he didn't feel well, that he was helpless in the face of this situation. Bruce had advised you to give him time, and that if he needed it, he would end up talking to one of you. You had listened to his advice, and focused more on Barnes instead.

You had introduced yourself first, starting with a simple acquaintance. You had then made sure to take care of his needs, slipping in a new bottle of fresh water when the previous one was empty, opening his prison only when night fell so that he could go shower without running into a contemptuous Tony or a depressed Steve.

On this subject, rules had been established to guarantee everyone's safety. If Bucky left his cell it was always in the company of one of you – you were the only ones with the passes –, if he asked for something – which he never did – the object had to pass through several control portals before being given to him, and finally no matter where he went, toilets or showers, someone had to watch over him within the limits of privacy. Bruce had offered to take turns, but judging by the faces of the others you had volunteered to ensure most of his outings. Natasha was supposed to replace you when you weren't available, then Tony if neither of you were present. This way you had avoided conflicts but also and above all Steve wouldn't have to go there.

You didn't know him, Bucky, having only seen the videos in his file, and yet every time you went to visit him your stomach knotted. There was no question of fear, since his robotic arm had been censored to the maximum thanks to a Stark gadget, leaving him only the freedom to use it as a normal limb, without super-strength or integrated weapons. He remains a super soldier, Bruce had warned, his physical faculties are superior to Nat's and he has a serum similar to Steve's in his veins. But you weren't afraid. Unfortunately a goat would have made you shiver more than Barnes when you went to see him. He was always on pause. Never spoke, barely moving his gaze from the ground. You had been reassured to see that he ate the bare minimum, and he had even tasted a chocolate bar one day. But aside from these details, it was as if you were seeing the same robot in the same position, day after day. Your stomach knotted for these reasons, because when you brought him clean sheets he had nothing of the man you had seen on video. The rage that haunted his eyes had disappeared, there was only a nameless emptiness left, and you had never seen anything so sad. You didn't feel like you had a hundred-year-old Hydra soldier in front of you, but a broken orphan.

You spent a lot of time rereading his file, his reports, his exams. You tried to understand him through these papers. Steve was lost, he no longer saw Buck in those eyes, and you were trying to understand what he had become, Buck. According to his personal file, he had been found at the age of twenty-six before undergoing Hydra’s experiments. A photo of him, in 1943, was stuck to the paper. A shy smile on his lips, his infantry hat slightly tilted on his head and his uniform without a crease sitting proudly on his chest. A tear had seriously rolled down your cheek, ending its path in a Russian handwriting: Зимний Солдат, in other words Winter Soldier. Bruce had carried out a complete tradition of all the documents, later corrected by Natasha. Maybe rereading these texts was not good for you, but you needed it. You were the only one here who was interested in Barnes. Steve felt so guilty that he was in a kind of denial, Nat was only coldly studying the soldier’s file and let’s not even talk about the others. Bucky needed time, understanding and gentleness to at least not make his after-effects worse. You most certainly had to make mistakes, not being a psychologist by profession, but you were already doing better than your comrades and than Hydra.

"Nice evening, huh?" Your voice echoed in a leaden silence.

The sun had set for over three hours, most of the Avengers were in their rooms or gone outside, which meant that it was the perfect time for Barnes to take a shower. You had gathered your strength and went to the soldier's cell. When you had passed by, about two hours ago, he had not wanted to eat his meal so you had taken it back and heated it up again for later. With the hot dish in one hand, you carefully closed the armored glass door behind you. As you expected, Barnes had hardly moved since your last visit. Still sitting cross-legged in his bed, he seemed vaguely to notice your presence.

"I know you didn't want to eat earlier," you began, putting the meal down next to him, "but I thought that maybe your appetite had returned in the meantime."

Sometimes you were entitled to a small, hoarse "hum" from the back of his throat as a response, but you wondered if it was intentional since his gestures didn't match this slight sign of life. Unfortunately, tonight wasn't part of that "sometimes." No noise, barely a breath. But you didn't get discouraged.

The first few times you came to talk to him, his complete lack of reaction had made you wonder about his possible understanding of your language. Yet you had read that he read and spoke at least two languages, including yours. You might not understand what I'm telling you, you had mumbled while picking up his used clothes. Your biggest interaction with him had been when he had looked you straight in the eye and said in a pleasantly deep voice: I understand.

“Other than that you can-”

You were surprised to see him stand up on his own, studiously heading towards the exit door while waiting for you to open it. You were usually the one who went first to the exit, waiting two or three seconds for him to get up and join you. But this was a nice surprise, maybe it meant that his condition was improving.

Your electromagnetic pass stuck to the dashboard, a small beep sounded before you pushed the heavy door and let Barnes go first. These security questions were mandatory for you to approach the Winter Soldier. Always making him walk in front of you, making your pass inaccessible – hidden in your sleeve most of the time as Bruce had advised you –, a bladed weapon concealed against your ankle in case of trouble, and you weren't supposed to talk to him about yourself or the team. Clint had wanted to add an additional rule: not to speak to him unless necessary, to prevent any risk of manipulation. Did you look at him carefully? Had you imposed yourself in the discussion, he didn't utter any opposition during the whole process to bring him back here, and then remember his mission reports, he wasn't a spy but a mass murderer, he was programmed to speak as little as possible to his victims. Tony had agreed with you on the subject, recalling the case of Loki – once again – who was very different from Barnes.

Stupid rules, you thought as you watched the silhouette of the man in front of you advance in the long corridor. If the others saw him for more than five minutes, they would realize that he was nothing more than a victim in this cell. They all found you a little naive and they appreciated you for that, a ray of hope in the midst of chaos. Yet you were by far the one with the best perception of the others. Each villain had arguments, good or bad, you listened to them all. You reasoned with the team, making them come out of their superhero bubble to show them the possibility of a little levity.

You did not doubt the abilities of Barnes, you wanted to find yourself face to face with him even less than with Nat – and that was already a lot –. You sometimes looked again at the surveillance videos taken the day Natasha and Steve fought him for the first time. He was hypnotizing, in the way all his movements seemed to come together with such fluidity and speed, the way his body thought for him and acted accordingly. You were dizzy from a roll in comparison, so seeing it all was astounding. Of course, there were horrible explanations behind these gifts, just like most people who could reproduce all this, but you still couldn't help but analyze these videos. And then, there in that hallway, you looked at Barnes' back, his arm gleaming, the red star enthroned there, and you wondered what was going on in his mind. What he could do was inhuman, and seeing it in image reinforced that feeling.Then you had to realize that he was a human being, who had once been like you. His way of functioning had to have been completely disrupted, distorted and destroyed. We had to reduce to crumbs what had been to build what was now, that was how it worked. To adapt to a new environment we were always advised to forget everything we thought we knew, all the movies said it. In the same way that flat-earthers were convinced that the Earth was flat, Barnes no longer saw the world the way you did.

As the rules said, you discreetly put your pass in a pants pocket as you reached the bathroom. Simple locks served as security, and it was more than enough. No one except you had ever mentioned the possibility that Bucky was trying to end his life. If he did, the bathroom was the best place, which is why a simple lock would do the trick so that you or someone else could break down the door if necessary. But you avoided thinking too much about this exit, because through the few interactions you had had with him and the thoughts you had about him, you had become truly attached to him.

You opened the shower curtain, under Barnes' intrigued gaze. Each Avengers had a bathroom with the bare minimum in their room, but there were also three larger bathrooms on the second floor. These were the rooms to clean yourself in an emergency when you came back covered in blood, or Bruce went there in the event of a green alert for example. They were more accessible than the bedrooms, which explained this function. But what made Bucky curious was not that. You always gave him room number two, with a basic shower, a sink and a toilet. But there you were in number one, with a bathtub. He quickly detailed the room, slightly larger and apart from the bathtub there was nothing that differentiated it from number 2. As always, you had previously removed all objects that could be used as weapons. The pile of two clean towels overhung by harsh soap and shampoo – to avoid the risk of swallowing or too aggressive eye attacks – and the washcloth, were still carefully placed on the edge of the sink. So why a bathtub?

As if you were reading his mind, you turned around in a fluid movement. You took the time to appreciate Barnes' expressive gaze – it was so rare – before answering his questions.

"I assumed it must have been years since you had a real bath, you tried to avoid the Hydra subject, so I thought it could be a good idea?”

A good number of emotions passed through the blue of his eyes, only accentuating your apprehension about his reaction. No one had been even friendly to him for a long time, which meant that he was going to take a while before properly reacting. But as you had imagined, his gaze scanned the bathtub behind you at breakneck speed in search of a trap. I'm not like them, you thought with a pang of heart.

"I know what you must be telling yourself, but there is no trap Bucky,” his name resonated more than you would have imagined, “it's going to be long but believe me I'm not trying to kill you or hurt you"

A heavy doubt seemed to weigh, and you could only understand. This kind of sentence, he must have heard far too many before ending up electrocuted or worse. To help his process, you moved away and let him fully observe the place. His eyes locked on the shower head longer than expected, and once again, you felt nauseous as you imagined the traumas that must be replaying in his head. In that moment, you thought back to the first time you had led him into a bathroom. He had refused to get into the shower, his jaw clenched to the point that his teeth must have hurt, he had stared at you with a cocktail of indecipherable emotions in his eyes. You had ended up remembering the treatment reserved for Jews in the showers during the Second World War, and you had immediately apologized. Sorry, I should have thought of that, you had said guiltily, if you want you can just wash yourself with the washcloth and the faucet water, no need for the shower head today if you don't trust it. And the situation seemed to be happening again tonight, he was afraid that you would want to get rid of him during his shower, or bath in this case. Unfortunately, techniques have evolved since 39-45, especially since he was in the HQ of the greatest engineer in the United States, which meant that you could have found many methods to kill him while he was washing.

But you had to find a way to reassure him, because you had no intention of executing him quietly, and you wanted to be sincerely nice.

"Maybe if it reassures you I can-,” you hesitated before telling yourself that it was for a good cause, “I can stay with you? There's a curtain anyway"

Faced with his expression that swayed from surprise to doubt, you felt obliged to justify.

"If there's gas or an explosion, I'll die with you, which wouldn't be very appreciated by the team”, you paused slightly to gauge his reaction, “and if there's anything else threatening you can kill me yourself since I'll be right next to you”. You then brandish the door’s key between your two fingers, “on top of that I lock us in and leave the key on the edge of the bathtub, so I don't run away and lock you behind me"

You had the strong impression that in another time, Barnes would have smiled, maybe even laughed. Then, to your surprise, you saw a semblance of amusement in his eyes. An almost invisible veil that lasted only a second, just long enough for a distant version of him to take over the Winter Soldier. You couldn't help your smile, waiting despite everything for a more concrete reaction before reacting in return.

Bucky tried to get a dominant emotion out of the hubbub that was playing in his mind. You were definitely different, and he was beginning to understand why you had your place in the middle of a band of superhumans. And even if someone who spoke like you had the perfect profile to manipulate people at a high level, he risked taking his chance.

"Can I have twenty seconds alone to undress"

The shiver that electrocuted your entire body surely did not go unnoticed. His voice, his tone, gave a more directive than questioning turn to his question, and you only nodded slightly. In turn, you became as silent as him, too disturbed by the outburst of reactions on his part in such a short time. You left the bathroom, pushed the door behind you without closing it, because despite your shock, your unconscious valued your safety.

While you waited for some signal authorizing you to enter the room, you wandered on new thoughts. Barnes had not spoken to anyone from what you had been told. The cameras had recorded that during the fight to neutralize him he had spoken, a few Hydra men were with him so you had assumed that he was giving them orders in Russian. Natasha had been too busy trying not to die to pay attention to what he had said, but in hindsight, you wanted to know what had come out of his mouth that day. Tony liked to say that Russian was one of the least welcoming languages ​​in the world, but strangely hearing it from Bucky made you want to. Maybe it was his growling voice, maybe because Russian had been his “native” language for years. Besides Russian, he spoke other languages ​​according to reports, but then again he hadn’t shown off his skills to anyone but you. Besides, I’m pretty much the only one he’s seen since he arrived, you thought. But he had still had the opportunity when Bruce had come with you to visit him to check a wiring on the dashboard. He could have done it from his cell too, since it was completely transparent and he could see the hallway where many people passed, he could have talked. But he hadn’t, and without knowing why you had the feeling that he only wanted to talk to you.

The sound of water almost made you jump. You muttered a curse – hoping Bucky hadn’t heard – before slowly turning towards the door.

“Can I?” You rather ask to avoid a drama.

By the time he answered, you let your mind wander again. What if he was just naked in the middle of the room? Hydra had conditioned him to lose all sense of ownership, to make even his body no longer belong to him, which he meant was that nudity was no longer taboo and that on the contrary – given to the horrors these people had done – they could very well have forced him to stay naked to humiliate him further.

"Yes," his voice echoed vaguely.

Preparing yourself for the worst, you took a deep breath and kept your eyes high to avoid any eye contact in the wrong place. But as you opened the door you were relieved to see the curtain halfway drawn and Bucky already in the water. A feeling, which at the time you compared to a parent proud of their child, warmed your heart. It may not have been much in the eyes of the world, but you imagined the man's feelings when he plunged a body that had become almost unknown into warm water prepared for him, and him alone. Comfort, surprise, relief. A lot must have been going on in the Winter Soldier's head.

You closed the door behind you, locking the exit as planned. But as you moved closer to place the key next to him, a second wave of heat passed through your body as you realized something. He had only drawn the curtain halfway, thus hiding the lower part of his body but leaving you all the pleasure of seeing from his torso. Once again, in other measures you would not have found the situation moving, but rather comical. Except that this is the Winter Soldier, and all his communication was done without voice. He had left his arms and face visible so that you too could see that he wasn't a threat. In the same way that you had found a solution to his anxiety, he was taking a step towards you, showing you that you had no reason to fear him at the moment.

"Thank you," you murmured.

As if you were afraid of breaking the moment, you settled down without a sound. There was no chair here, but the floor suited you. You crossed your legs while resting your back against the small extension of the wall attached to the bathtub. This way, you stayed close enough to him while respecting a necessary distance to avoid seeing the rest of his naked body.

You forgot to check the time, no longer counting the minutes of observation that the man in front of you gave you before asking questions.

Bucky stayed in the water for a whole hour before it started to cool down. You spent all your time detailing his relaxed face, his eyes closed as if he was going to fall asleep from one second to the next. Then when he opened his eyelids again, he looked at you in turn for a few seconds, before asking you if he could get out of the bath. In his sentence, reality hit you again.

You had a mad desire to tell him that he was free, that he no longer had to take orders. You wanted to show him the world, to make him taste vanilla ice cream, to make him smell incense in churches, the greasy of triple burgers. You had the need to see him buy with his own money, help him get up from his first falls. When he looked at you with his big blue eyes, waiting for your permission to get out of a bath, you wanted to ask him for forgiveness, in the name of humanity. To promise him that no one would come and hit him, to promise this little boy that nothing would happen to him, that he could live a peaceful and happy life with his friends and family. But looking at the raw skin on his left shoulder, looking at the weapon that was implanted in his body, you felt your stomach turn. No one had been there to protect this child from Brooklyn, none of the people who had done this to him had even felt sorry for this man. And today he was sleeping in a cell capable of resisting the strength of the Hulk.

"You can get out of the bath," your voice broke.

He obeyed, rolling the superhuman muscles of his body to straighten up. You barely moved, being too far away in your thoughts to even think of looking away from him. A new blow was dealt to your heart as you realized that yes, he no longer had any notion of possession over his body. Two drops of water fell against your calf as he grabbed the largest towel and wiped his skin without emotion. The rough sound of the fabric made you shiver, and then you slowly stood up. He was taller than you, but neither that nor his robotic arm stopped you from grabbing his wet towel. His body failed to react when you passed the white fabric against his arm, his face was frozen in an expression of total incomprehension, faced with the softness with which the towel came into contact with his skin.

You finished your task, as if he were just a tiny puppy to wipe. Then, you took three steps back and fixed your eyes on his. You handed him some clean clothes, before taking the key back and heading towards the door.

“I really need some hot chocolate,” your voice still broken with tears declared, “and I’d love to share it with you, Bucky.”

Your slightly trembling hand wiped the moisture from your cheeks, then gradually turned back to the soldier after unlocking the exit. He had already dressed, the black jogging bottoms falling low on his hips. Bucky examined your face, and his eyebrows met in a half-confused, half-sad expression. He got close enough to you for you to feel the warmth he gave off.

“No cinnamon,” he said, “I don’t think I like it.”

You let out a nervous chuckle, telling yourself that only you could find yourself in these situations.

“No cinnamon.”

There was a first time for everything, and when you saw – later that night – whipped cream on the Winter Soldier’s lips, you thought that after all, the child could not be saved but that you could bring the man back to life.

pictures : Pinterest

dividers : @/strangergraphics, @/pommecita et @/thecutestgrotto

[howtofightwrite]

I love picking at plot holes like scabs so i want my fight scenes to be as realistic as possible. However. There’s a creature in my head that says a buster sword is SICK AS HELL. What modifications would it need to be even remotely wieldable while still keeping its central appeal (huge sword big blade cool and sexy) intact?

You’ve made a mistake. You mistook suspension of disbelief for realism. This is a common problem that gets in the way of a lot of fantasy and sci-fi authors. So, don’t worry. It isn’t just you. However, realism vs believability is where your hangup is. Stories don’t need to be realistic to be believable.

The quick and dirty (and possibly unhelpful) answer is to create a world that justifies your buster sword, not a buster sword that’s trying to justify itself in a world that doesn’t want it. You step back from the sword itself and away from a world where reality dictates that it’s too heavy, too clumsy, too slow, and ask yourself: “in what type of world does this thing make sense?” And there’s about a billion different ways to create that.

The hangup with the realistic argument is that all of fiction is a lie. Good or bad, that’s what stories are. They can be very compelling, addicting, manipulative, feel incredibly good, and still be fake. The goal of a creator isn’t just to create stories that are believable, but for your audience to want to believe in them. Storytelling is always a joint venture between you and your reader. You are the salesperson asking your audience to come along for the ride. To keep their attention, you’ve got to spin up a good yarn. Build trust. The world has to feel right, but it doesn’t have to be right. Reasonable, not right. The goal is to take a cool idea and work backwards to how your society got here so that when seen from an outside perspective, the choice ultimately looks like a reasonable conclusion given the surrounding context. One of the better ways to build your reasonable conclusions is by studying the history of technological invention from the beginning to the midpoint rather than starting with the end point—the results.

History is full of weird, wacky, wild attempts and failures at creation. You’re not the first person to look at a human sized sword and wonder if it could, in fact, hit good. Or, really, better than swords that currently exist. Or, fulfill a battlefield role the sword was currently not occupying. Or, as we like to say, have real battlefield applications. The Claymore, the Zwhihander, the Zhanmadao are all real weapons that saw real, if not necessarily extensive, use. Like all weapons, they were specialized tools meant for particular battlefield uses. In this case, mainly as anti-cavalry support.

Ask yourself, why? Not just, why would I want it? Ask, why would I use it?

What actual purpose does the big cool blade serve beyond looking big and cool? What function does it fill on the battlefield? Why use the big cool blade instead of other weapons? What does it do better? What are some offsets which might account for the massive size? Technology? Superhuman enhancements, mystical or otherwise? Gravitic fields? Magic? Why is the big cool blade better suited to ensuring a character’s survival? What advantages does it provide? What is its practical value to warriors within your setting?

The initial defensive reaction is that we don’t need a reason because we have the Rule of Cool. That could be the reason, but I challenge you to go deeper. Go deeper than, “this was the weapon my character was trained to use.” The followup question is: why were they trained to use it?

In the real world, we can answer these questions both from a personal and from a larger social perspective. We may not be able to answer whether we’d use a gun, but we understand why humanity developed guns, why we use guns, and the purpose they serve both for personal protection and in their military applications. The answers don’t necessarily need to be good or smart. What matters is that an answer exists to feed your audience. When your reader starts struggling to believe, they begin to ask questions, they pick at the fabric of the narrative trying to figure out why their mind has rejected the story they were previously enjoying. What we, the writer, want to create is a chain of logic underpinning the narrative and its world. This way, when questions are asked, a reasonable answer is ready and waiting. While we won’t win over everyone, trust that your audience wants to believe. Trust that they’re smart enough to figure it out without being spoon fed. That way, you won’t fall into the trap of infodumping.

Worldbuilding always involves a lot more happening under the surface than ever makes it onto the page. Your characters will be the ones to demonstrate and act on the internal logic that’s been created for them without needing a billion questions to lead us from Point A to Point B.

If we look at human history in a wide view, we find that weapons are a fairly steady march forward that matches a civilization’s technological growth. We keep what works and discards what doesn’t. The crossbow replaced the bow as the main form of artillery in martial combat, but we still kept the bow. The bow still had practical applications. Guns eventually replaced the crossbow just like they replaced the sword, but it actually took a very long time. We had functional firearms in the Middle Ages.

Ease of Use

Ease of Training

Lethality

From a military standpoint, these are the three most important aspects for widespread adoption of any weapon. Easy to use. Easy to train. Lethal. The longer it takes to train a soldier on a weapon the more time your army is losing out on using that soldier and the more effective the weapon needs to be in order to justify its expense. Why give your soldier a big cool sword if they’ll never get close enough to reach the forward line to make the assault? Why have them use the big cool sword if operating the laser cannon is more efficient, effective, and keeps them alive longer? In the coldness of battlefield calculus, it’s often better to have cheap, efficient units rather than more expensive ones that might be more lethal but take longer to produce. No matter how good they are, you’re eventually going to lose them. Therefore, easy replaceability becomes a factor.

If you can answer those questions (and the myriad of other similar ones) you won’t just have a weapon, you’ll have a world. You’ll have more than a justification, you’ll have battlefield strategy, tactics, and a greater understanding of how the average layman characters in your setting beyond your main character approach warfare and possibly a technological history. You might even have several functional armies.

Ultimately, this is a game of value versus cost. Most settings that use big cool swords sacrifice ease of use and ease of training to amp up lethality. The weapon having a specialized function or only being usable by a specialized unit helps if that unit’s battlefield effectiveness is justified. Or, you could just have a weird technological outlier where its effectiveness doesn’t quite justify its cost even if the individual warrior is effective. A good example of this is in shounen anime where one character has a specialty that no one else has, a really cool, effective weapon that never appears anywhere else, because the length of training, high skill floor, and finicky nature of its use make it difficult to justify widespread adoption.

The danger is assuming there’s a right answer. There isn’t one. The value in learning the rules of real world violence is so you can break them. This way you can tell the difference between the vital rules necessary for suspending disbelief and don’t accidentally break the ones you needed to keep your audience invested.

-Michi

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[nicklloydnow]

“About a decade ago, I ventured my opinion that the adult multitudes queueing for superhero movies were potentially an indicator of emotional arrest, which could have worrying political and social implications. Since at that time Brexit, Donald Trump and fascist populism hadn’t happened yet, my evidently crazy diatribe was largely met with outrage from the fan community, some of whom angrily demanded I be extradited to the US and made to stand trial for my crimes against superhumanity – which I felt didn’t necessarily disprove my allegations.

Ten years on, let me make my position clear: I believe that fandom is a wonderful and vital organ of contemporary culture, without which that culture ultimately stagnates, atrophies and dies. At the same time, I’m sure that fandom is sometimes a grotesque blight that poisons the society surrounding it with its mean-spirited obsessions and ridiculous, unearned sense of entitlement. Perhaps this statement still requires some breaking down.

(…)

Quite liking comics, aged 14 I thus became a comics fan with my discovery of British fandom, which was then still gummy-eyed and fresh out of the egg. The first convention I attended in London, in the basement rooms of a Southampton Row hotel in 1969, was tiny and inspiring. The attenders barely totalled a three-digit number, almost all of them some few years short of legal drinking age. The comics companies, having no monetary interest in a handful of penniless teenagers, went blissfully unrepresented, and the only industry celebrity that I recall was the sublime and sweetly unassuming genius Frank Bellamy, passing Dan Dare or Garth originals around, appearing wonderstruck that anyone had heard of him. The only thing uniting the assembly was its passion for an undervalued storytelling medium and, for the record, the consensus verdict of the gathered 15-year-old cognoscenti was that costumed musclemen were the main obstacle preventing adult audiences from taking comics seriously.

Of that hardly-a-hundred schoolkids, office boys and junior librarians, the great majority were actively involved in their pursuit, publishing or contributing to a variety of – for the most part – poorly duplicated fanzines, or else going on to work professionally in the field, such as Kevin O’Neill, Steve Moore, Steve Parkhouse or Jim Baikie, all of whom were downstairs at the Waverley hotel that weekend, keen to elevate the medium that they loved, rather than passively complain about whichever title or creator had particularly let them down that month. Of course, this was the 1960s and the same amateur energy seemed to be everywhere, spawning an underground press, Arts Lab publications and a messy, marvellous array of poetry or music fanzines that were the material fabric of that era’s counterculture; flimsy pamphlets as important and innovative today as they were then, although considerably more expensive, trust me.

Soon thereafter, caught up in the rush of adolescent life, I drifted out of touch with comic books and their attendant fandom, only returning eight years later when I was commencing work as a professional in that fondly remembered field, to find it greatly altered. Bigger, more commercial, and although there were still interesting fanzines and some fine, committed people, I detected the beginnings of a tendency to fetishise a work’s creator rather than simply appreciate the work itself, as if artists and writers were themselves part of the costumed entertainment. Never having sought a pop celebrity relationship with readers, I withdrew by stages from the social side of comics, acquiring my standing as a furious, unfathomable hermit in the process. And when I looked back, after an internet and some few decades, fandom was a very different animal.

An older animal for one thing, with a median age in its late 40s, fed, presumably, by a nostalgia that its energetic predecessor was too young to suffer from. And while the vulgar comic story was originally proffered solely to the working classes, soaring retail prices had precluded any audience save the more affluent; had gentrified a previously bustling and lively cultural slum neighbourhood. This boost in fandom’s age and status possibly explains its current sense of privilege, its tendency to carp and cavil rather than contribute or create. I speak only of comics fandom here, but have gained the impression that this reflexive belligerence – most usually from middle-aged white male conservatives – is now a part of many fan communities. My 14-year-old grandson tells me older Pokémon aficionados can display the same febrile disgruntlement. Is this a case of those unwilling to outgrow childhood enthusiasms, possibly because these anchor them to happier and less complex times, who now feel they should be sole arbiters of their pursuit?

There are, of course, entirely benign fandoms, networks of cooperative individuals who quite like the same thing, can chat with others sharing the same pastime and, importantly, provide support for one another in difficult times. These healthy subcultures, however, are less likely to impact on society in the same way that the more strident and presumptuous fandoms have managed. Unnervingly rapidly, our culture has become a fan-based landscape that the rest of us are merely living in. Our entertainments may be cancelled prematurely through an adverse fan reaction, and we may endure largely misogynist crusades such as Gamergate or Comicsgate from those who think “gate” means “conspiracy”, and that Nixon’s disgrace was predicated on a plot involving water, but this is hardly the full extent to which fan attitudes have toxified the world surrounding us, most obviously in our politics.

Elections that decide the fate of millions are conducted in an atmosphere more suited to evictions on I’m a Celebrity …, in which contestants who are insufficiently amusing are removed from office. Saleability, not substance, is the issue. Those who vote for Donald Trump or Boris Johnson seem less moved by policy or prior accomplishment than by how much they’ve enjoyed the performances on The Apprentice or Have I Got News for You. And throughout the UK, we’re now familiar with what a Stephen Yaxley-Lennon fan convention looks like.

An enthusiasm that is fertile and productive can enrich life and society, just as displacing personal frustrations into venomous tirades about your boyhood hobby can devalue them. Quite liking something is OK. You don’t need the machete or the megaphone.

Candidly, for my part, readers would have always been more than sufficient.”

[shantalangel]

Since new canon information is here, I decided to make a list of all non-human and semi-human species of creatures that are currently present in Trigun Stampede. There are surprisingly many of them here; much more than in manga! Which is very intriguing, because it will certainly create new story arcs.

1) I called it Proto-Angel for clarity; on the art it is simply named "Plant". The mummy of a certain humanoid alien, which humans found during excavations on Earth – before Gunsmoke. For a long time they could not understand who it was and whose flesh it was, then they decided to resurrect it, but succeeded only by mixing it's DNA with human DNA.

2) And thus Plants were created. One of the first experimental ones had the same type of power as Vash - the opposite to most Plants, sucking energy from the surrounding world rather than producing it, - and with its help destroyed the laboratory of the creators (maybe it was Tesla? It’s not for nothing that her and Vash’s files on the ship were in the same folder). So the creation of Plants with this type of power was banned. Most Plants are clones of each other. A small percentage are born by breeding (both subtypes can breed with each other).

For convenience or some specific purposes, two types of Plants were created:

- Dependent: female humanoids living in in a liquid that protects them from the harmful effects of the outside world, because they have no immunity. Playing the role of a bioprinter, energy source, terraforming device and gravity generator, but unable to live without connections to certain equipment (as far as I remember, they need some kind of artificial regulation of the energy supply).

Since the concept art of Rem is shown on the same slide with them, I now wonder if it was her DNA that was used...

- Independent: ground-based and autonomous, wielding bio-weapons of enormous power (maybe everyone has them or only specific individuals. In manga, according to Nai, Tesla did not have weapon, but in both manga and anime her hand was held in a separate capsule, while Independent’ weapons are generated from the hand). Capable of merging both with Independent and Dependent - if that one being is not stronger than the other and their consciousnesses do not conflict. Both sexes; I think the Proto-Angel was asexual, and the sex of Plant is determined by female and male human genes - this would explain why in the first subtype there are only women, while in the second are both.

3) Conrad decided to create modified humans who would find it easier to survive on Gunsmoke. How exactly he wanted to do it is unclear - espesially since Plants may have many of their unique characteristic exactly because their body always connected to an alternative dimension through the Gate; where is their energy source and their mind lives in the form of the Core. So this modified humans are connected to some Core, or artificial one, maybe? Conrad began to somehow modified human children by Plants' DNA.

So, it’s already the formula of triple hybrid: (Proto-Angel + human DNA) + human.

The result was Nicholas, Livio, Monev (Rollo), E.G. Mine (the guy in bandages from 3 episodes); other test subjects did not survive.

How far this four are from humans and how closer to Plants, with what and how they were modified, is still unclear. Can they do some superhuman things like Elendira in the next experiment with hybrids is also a very intriguing question. But at least the healing blue liquid has the same glow as Plants. As well as material of at least Wolfwood's weapon (something turquoise, colored to imitate metal) (crazy theory - maybe Gun Ho Guns weapons are the same ephemeral thing that is Elendira's nails and Vash's angel arm, they just can't dematerialise it?).

4) But the first experiments didn’t turn human into Independent Plant, so Conrad started others. Judging by his words from episode 10, this time he genetically modified not children, but human embryos, resulting in Elendira.

In the context of this process were mentioned cloning and Nai’s help, but who is whose clone and a genetic relative is not yet clear.

Theory #1: Based on Elendira's apparently implanted eye, maybe this time humans were transplanted with Plant's entire organ - like in the old anime Vash's arm was transplanted to Legato and from it he received all his abilities.

So such a hybrid became closer to the Independents than to humans (including bio-weapons).

Theory #2: That was some kind of attempt to create a human embryo through a sisters’ “bioprinter”: that is, they look human visually, but physically are made of Plant DNA converted to human DNA by the same principle Plants create edible meat of animals. I think one of the reasons why humans never tried to create superbodies for themselves in Plants is because Plants can't create bodies that can live, only "dead" flash. That is, the organs or brain of such bodies will be incomplete and not viable.

What is the fundamental difference between hybrids from №4 and №5, the Independents and Nai’s future biological children is not yet clear to me. Perhaps new hybrids are weaker in terms of abilities, although they also have bio-weapons (Elendira’s nails).

Whether hybrids can merge together into a single being and whether they have Cores in another dimension is a very interesting question.

5) In the same room with Elendira are several capsules with other newborn cubs of indeterminate gender, similar in appearance to little sisters, but with strange fur or feathers on their arms and legs. After the art below, I had a guess that these are the pilots of Gray 9 Lives.

Gray in this anime is a giant robot the size of a mountain, inside of which are spheres with control devices and certain creatures connected to them, whom are literally built into it with no the possibility of escape. On the art below, the pilots clearly resemble these babies because they have Plant's petal appendages on their heads.

And here, in the center of a small city, apparently lies the same sphere, around which people built a fence and carefully covered it with a tent. The light inside is exactly the same as Plants’ one.

In other concept art, though, the pilots look completely different and mysterious, because they are not even close to any of the creatures on this long list. These are not humans, and not Plants, and probably not even mutants (although in manga had some very strange creatures: the golem servant of Legato, the original Gray's bio-body and pilots inside, and one mercenary with a face of the undead and big tusks from his chin). What is this even, who was it born from?!

6) Nai and sisters’ biological children. How they might differ from other Plants, and hybrids from №4, and why he even needed this whole “ritual”, I have no idea. Maybe it has something to do with the transfer of immunity that the Sisters don't have?

7) And, finally, Legato - he is a separate interesting person.

Manga: a completely inhuman long narrow tongue, the ability to control the flesh (but not the mind) and the processes of many living organisms at the same time (including animals and dying - cut in half Nai after July), as well as in his own body (judging by the battle with Vash in at the end of Trimax, he could even heal himself, or at least improve body characteristics), and even resurrect the dead (the head of the maniac who kept him in slavery; the murdered Elendira). I very much doubt that an ordinary human would have any possibility to do this, even with some special gadget with wires. Legato's connection is essentially a weaker version of the Plants' merge! Not to mention control over Nai (in the fortress, when he was a slave - did not allow to kill him with other fortresses residents) and Vash, whom he restrained for 7 months in a row - a superbeing, who's able to blow the moon. Plus, in one art, Legato has huge black claws on his hand.

Old anime: Vash's arm was transplanted to him, and he received all his abilities from it. It’s just gorgeous when Plants just merge with humans like that, even without consequences. 

New anime: beside controlling others, was given new ability - to crush giant parts of mechanisms like tin cans, from a very big distance. Also, as far as I remember, only in Stampede his hands are completely covered with gloves.

His child concept art, in addition to another version of the gadget, has some interesting device on those eye that is always covered with bangs.

Another interesting art, where he is holding some kind of complex automaton. Apparently, an analogue of those controlled by Leonoff. And his hands look like they're not gloves, but prosthetics like Vash's, or has blue skin.

[mlm-writer]

Test Ride Pt. 2 (Peter Parker x Android!Reader)

Pairing: Peter Parker (TH ver.) x Android Reader (with a robovagina) Rating: Explicit Words: 1189 POV: Second Summary: The Big Tober Day 10 - Robotfucking Note: A sequel to a piece I did for kinktober 2020. Reader is a robot and has no gender. Last time reader got a robopenis and I thought it only fair to give reader a robovagina this time. Reader's chest is unmentioned. Tags: robotfucking, unnecessary use of fancy words to make it more sci-fi, at least I don't put 'quantum' in front of everything to make it science, dom/sub dynamics, overstimulation, safeword ignored(?), robot tentacles as restraints, vibrating pussy, nipple play and software/hardware updates gone ' wrong'

A new HUD interface greeted you as you booted up after your last upgrade. Your physical statistics and environmental parameters were found in new places, but that mattered little. Your optics activated after a short delay, visual input now also available to you. Your creator stood before you, his lips moving, but you received no audio input. “Audio module connection failed,” you replied to whatever he said. You saw him curse, or at least that was your best prediction of what his expression conveyed. He motioned your head down. You bent at the hips, allowed him to unplug and reconnect your audio modules. 

Once the cables reconnected, you could hear Peter clearly. “Please, don’t be ruined, please don’t be ruined,” he muttered to himself. 

“All modules operational,” you informed him. He jumped at your voice, but let out a sigh of relief right after. “Awaiting command,” you added. As per usual after an update, Peter started poking and prodding your frame, confirming your sensory input was still operational. When he was done testing your basic functions, he dragged you to his bed. 

“Program D.O.M. version V, please,” he spoke nervously. You detected an increase in heart rate and blood flow to the genitals. You confirmed the break command, as it was standard protocol, before you could execute the D.O.M. program. Once the safety protocols were satisfied, you had your digits on Peter’s clothes. You unbuttoned his flannel, revealing his pale chest underneath. There was minor bruising, but a quick scan revealed no serious injuries that were contraindications to the program. You pushed him onto the bed and started running your tongue over his chest, paying extra attention to his nipples. 

Peter whimpered as you played with his chest, artificial tongue and teeth taking turns with your digits pinching his sensitive nubs. You kept track of his arousal, only stopping your onslaught once his involuntary noises got a little louder. You sat up, retracting your pelvic panel and rubbing your wet hole over Peter’s crotch. He whined as you slowly soaked through his jeans and underwear, until he could feel your wetness on his cock through his clothes. “Please, I need to be inside you,” Peter eventually moaned, his mind tethering on the edge of madness. 

He was hard underneath you, so you deemed him ready for the next stage. With superhuman deftness, you removed his clothes until he was naked on the bed. His cock protruded from his body, the tip red and leaking. You wrapped a servo around his rod, stroking slowly as to tease him. When he started thrusting into the tightness, you placed your other servo on his hip, your mechanical strength counteracting his. He was forced to only take what you gave, which was exactly what he programmed you to give. It was not enough to get him even remotely close to orgasm, but the build-up was perfect to make him start begging. Once the begging got frequent enough, you proceeded on to the next stage; you mounted him, letting his cock slide into your wet and soft hole. Peter moaned, his eyes rolling back as you rode him at a decent pace. “Please, give me more, I’ve been good. I will be even better, I swear.” 

His moans filled the room. You took his dick all the way inside and paused on top of him. “I will grant you more. However, unpermitted orgasms will be reciprocated with punishment.” He nodded, promising he would not cum. You decreased the elasticity of your inner walls, giving him a tighter squeeze as you proceeded to ride him. Your movements were quicker than before, fully intending to make him cum without permission. Peter was moaning to the ceiling, eyes squeezed closed sometimes and other times wide open. His mouth stayed wide open, tongue peeking over his lower lip. 

Just as predicted, your inner sensors detected his cum painting your inner workings. You rode him until the spurts seized. Then you planted yourself firmly on him. Tendrils extended from your body and wrapped around his appendages. “You have disobeyed my orders,” you stated as you held him down and turned on the vibrations of your inner walls. Peter wailed as his sensitive cock was forced to endure the intense vibrations. He writhed against your restraints, but not even his super strength could remove you. Just like he had begged you before to fuck him, he was now begging for your mercy. You bent your upper body, putting a servo around his throat. You put a little pressure on the blood vessels below his jaw. Tears poured down Peter’s eyes as you forced a second orgasm out of him. You detected more cum inside you as he cried out. 

After his second orgasm, you ran a scan on him, the analysis showing that he had enough. You removed your servo from his throat and turned off the stimulation or at least… attempted to. “Error: deprecated code, V-module unresponsive.” You stated, your tendrils no longer retracting and your hole vibrating on and on. 

“What?” Peter exclaimed, clearly in panic. You ran a diagnostic check, your hole trying to reboot by first ramping the vibrations all the way up, so it could be brought down again. Peter screamed during the process, his brain unable to process the stimulation. 

The tactic worked fine, but the module got stuck again at the same level of vibrations you started at. “Tendril module interfering with V-module. Attempting tendril reboot.” Peter did not perceive a word you said. As the tendrils rebooted, they lifted up a little, Peter’s body now hanging in the air except for his pelvis, where you still sat, vibrating his cock. 

Peter cried, feeling like his brain had melted away from the intense pleasure. “Stark! Stark!” He screamed the break command. You tried to terminate the program immediately, but the backlog of reboots and diagnostic checks made it impossible. Your creator, against your predictions, came again, barely a drop of cum leaving him. He kept screaming, trying to get through to you. Just after his third orgasm, you regained control of the tendrils. In a flash, they were retracted and you uncoupled the module for now. 

Peter’s cock was gradually turning limp inside of you. The poor boy was hoarse from screaming. Without the tendrils, you regained full control, the vibrations stopping instantly. “Thank you, thank you,” Peter whispered over and over as you lifted your frame off him. 

“Program D.O.M. paused,” you stated, “do you wish to continue after a delay or shall I proceed with aftercare protocols?” 

Peter laid starfish-style on the bed. His chest was heaving. He could use some aftercare, but it was hard to trust you right now. “Terminate the program all together,” he groaned, “initiate shutdown.” A second later, he was met with the sound of your vents shutting down and your pelvic plate closing to protect what was behind it. He was left in silence. As far as updates went, it still wasn’t as bad as that time Windows went from XP to Vista. He counted it as a win.  

—————

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[yourobedientserpent]

Athelind Long's Superhero Chronology

Cross-Published from my Blogspot blog, Kirby Dots & Ditko Ribbons. INTRODUCTION  There's a tendency to divide the different eras of comic book superheroes into "Golden," "Silver", and "Modern," with occasional, tentative attempts to parcel off the Bronze Age, as well.

Let's just say that this lacks nuance. The Superhero Genre has gone through a lot of trends and phases and distinctive cultures over the years, and lumping almost half of its history into some concept of "The Modern Age" is just phoning it in. 

Some notes: 

This is not quite the same as the ages of COMICS, though there's similar nomenclature, largely because comics history tends to focus on the superhero genre even when it tries not to. This is about SUPERHEROES, in more than just a single medium; the "Ages" only indirectly impact other genres. 

All dates are approximate. 

There's plenty of overlap between Silver/Bronze, Bronze/Iron, and Iron/Aluminum, but when I started looking a keystone events, I was astonished by how neatly everything fell into 15-year chunks! 

THE CHRONOLOGY

Prelude (1830s-1938): The dawn of mass-produced popular culture: penny dreadfuls, dime novels, pulp magazines, newspaper comic strips. Folk heroes and detectives start sharing the pages with costumed adventurers, some with peak-human or superhuman abilities. Professor Challenger, Sherlock Holmes, The Nyctalope, The Shadow, Doc Savage. 

Golden Age (1938-1953): Begins with Superman, of course; ends with Post-War Superhero Implosion and Frederic Wertham's anti-comics crusade. The JSA stopped appearing in All-Star Comics in 1951. Fawcett stopped publishing Captain Marvel in 1953. 

Interregnum (1950ish-1960ish): A lot of historians make much of the gap between the Golden and Silver Ages, but, in retrospect, it's surprisingly brief. Superheroes never really go away, but they are de-emphasized in favor of other genres in comics, including horror, romance, and science fiction. Even at DC, other than Superman, Batman, and Wonder Woman, superheroes are relegated to back-up stories in anthology titles. Still, The Adventures of Superman with George Reeves remained popular throughout this period. 

Silver Age (1954-1970): The Reign of the Comics Code Authority (est. 1954). Really starts to roll with the demise of EC Comics and the reboot of The Flash; peaks with the "camp" craze popularized by the 1966 Batman TV series; ends when Kirby Moves to DC and Marvel publishes the Spider-Man Drug Stories without the Code Stamp. Early on, formerly-anonymous creators start getting openly credited on the title pages of their stories; this starts at Marvel, but DC eventually follows suit. 

Bronze Age (1971-1985): Begins with O'Neil and Adams revamping Batman and Green Lantern; Ends with the Crisis on Infinite Earths. Both DC and Marvel start paying closer attention to continuity and "relevance", and the most successful titles are the ones that most fully embrace an ongoing serial storyline (Legion of Super-Heroes, X-Men, The New Teen Titans). The specialty comic book shop starts becoming more common at the beginning of the era, and the closing years of the era herald a growing Creator's Rights movement, the birth of the Direct Market -- and the dawn of the independent publishers. 

Iron Age (1986-2000): Begins with Deconstruction: Elementals, The Dark Knight Returns, Watchmen, and the Wild Cards "mosaic novel" series. Ends with Reconstruction: Morrison's JLA, among others. Dominated by a determined effort to Take Superhero Comics Seriously. The Big Two kill off or "reinvent" goofy, campy Silver Age characters. DC tries very hard to bring coherency and consistency to its new, Post-Crisis timeline. Several independent publishers try cold-starting superhero "universes" of their own; most of them fail, but a lucky few manage to sell their characters to the Big Two (Ultraverse, Wildstorm). 

Aluminum Age (2000-2015): When Everything is Recycled. Marvel starts the Ultimate Universe. DC resurrects Silver Age characters who got killed off in the Bronze and Iron Age. The Comics Code finally dies in 2011. DC does a succession of "sequels" to Crisis on Infinite Earths: Identity Crisis (2004), Infinite Crisis (2005-2006), and the deceptively-named Final Crisis (2008), culminating in another Hard Reboot with the New 52 in 2011. Marvel does its own version of Crisis with the Multiverse Incursion story arc in New Avengers from 2013-2015. "Decompression" and "writing for the trade" become common as trade-paperback collections become more economically important than the traditional monthly comic magazines ("floppies"). 

Digital Age (2015-Current): Superhero not only become mainstream, but actually dominate movies and TV for several years -- this starts in the Aluminum Age, with the MCU in 2008, but is solidly codified by the debut of Arrow in 2015 and an explosion of weekly prime-time superhero shows that lasts almost a decade.

Comments are welcome, but be civil! This is intended to provoke conversations, not fights.

[cantheywinthehungergames]

Submitted anonymously

Keep Reading for Tribute Info and Restrictions

Official artwork by @kianamaiart who is the creator of Pretty Pretty Please I Don't Want To Be A Magical Girl! Consider checking it out seeing that the pilot animatic was posted on YouTube not too long ago!

If you would like to see your favorite character as a tribute, please fill out this Google Form. Mentor submissions for characters aged 19 and older are currently closed.

Please also look at my pinned post for submission rules as well as a list of previously submitted characters prior to submitting your character.

Tribute Name: Aika

Age: 16

Media: Pretty Pretty Please I Don't Want To Be A Magical Girl

Restrictions: No superhuman or magical abilities of any kind, can only use tools and weapons supplied in the Hunger Games arena, and no assistance from Hoshi besides accepting sponsors

[eternal-echoes]

“IT'S RATHER ODD THAT in the wake of the bloodiest century in history—a twentieth century in which scores of millions of human beings were shot, starved, gassed, blown apart, and incinerated with superhuman ingenuity-even many religious leaders are embarrassed to talk about the devil (Pope Francis is a notable exception). In fact, it's more than odd. It's revealing.

Mass murder and exquisitely organized cruelty are not just exceptionally sad "mental and social health" problems.

They're crimes and sins that cry out to heaven for justice, and they carry the fingerprints of an Intelligence who is personal, gifted, calculating, and powerful. The devil is implausible only if we imagine him as the black monster of medieval paintings, or think Dante's Inferno is meant as a literal road map to hell. Satan was vividly real for Jesus. He was very real for Paul and every other great saint throughout history. And, in Christian belief, he's profoundly formidable. If we want a sense of the grandeur of the Fallen One before he fell, the violated genius of who Satan really is, we can take a hint from the Rilke poem The Angels:

... when they spread their wings they waken a great wind through the land:

as though with his broad sculptor-hands

God was turning

the leaves of the dark book of the

Beginning.

This is the kind of Being— once glorious, then consumed by his own pride-who is now the Adversary of humanity. This is the Pure Spirit who betrayed his Creator and his own greatness. This is the Intellect who hates the Incarnation because through it, God invites creatures of clay like us humans to take part in God's own divinity. There is nothing sympathetic or noble about Satan; only tragedy and loss and enduring, incandescent fury.”

-Archbishop Charles J. Chaput, Strangers in a Strange Land: Living the Catholic Faith in a Post-Christian World 

[forthegothicheroine]

I've never watched or read The Boys, but I think I get the general gist of it. The creators of Superhuman Public Radio themselves said that they didn't do an evil Superman character in part because they thought Homelander did that as well as it could possibly be done.

Nevertheless, I appreciate that in every "who would win in a fight" nerd discussion I've ever seen, everyone always agrees Homelander would lose. Against who? Doesn't matter, Homelander loses. It's rare that I see an entire fandom concur on anything, let alone that their villain sucks, and I kind of respect it.

[signalterminated]

teeth of god comic spoilers below, just getting out my thoughts. do NOT click this readmore if you haven't read it yet.

pacing wise, this comic is an absolute mess. i see each intended story beat but the art style itself makes the pages hard to follow, which is not a knock against the artists themselves. they're very, very talented, and i'm unsure what directions they were given for the layouts here and how much freedom they had in that regard.

it's also entirely devoid of text beyond incredibly hard to read notes from the director. if this was a creative decision, it was a bad choice, because it's the only context we're given for anything that's happening. handwritten notes are fine but i was struggling to squint to make out anything legible. if this is vessel's handwriting, then dude. ask a friend to write these for you please lol

there was also a surprising integration here with alex tillbrook's creatures from TMBTE but they have taken some massive artistic liberties with their designs. i don't know why, if this was on purpose or due to a licensing issue (which would be odd because it's all under the Sleep Token IP?), but it was something i noticed and found a bit odd. that being said, the chokehold creature looks fucking adorable in this comic with his smiley sun face lol, i appreciated that change

the problem i'm finding with it as a whole is that the action happens at a frantic breakneck pace and doesn't leave much space for a reader to actually take in what's happening. i'm having to go back and doublecheck that i'm reading the panels in the right order. there were a couple of pages that actually did this, setting up environment to let you see the before and after the lunar anomaly broke through, which i appreciated.

and again. the actual quality of the writing and the art here is great. that isn't the issue at all. it's more of an organizational thing and a coherency thing, which makes sense if anyone working on this project has less experience in composing an entire graphic novel.

though despite that pacing problem, i was able to mostly understand the primary story beats and they more or less confirmed my suspicions: this new life on earth isn't innately hostile all the time, and in fact one of the soldiers pats a mutated doggie on the head for being a good boy. these new life forms are embroiled in their own scuffles, their own wars, and are struggling to define their identities with the life they've been gifted.

i had an inkling from the getgo that this is the direction vessel wanted to take with the comic -- fear not of just death, but of a life past death that leaves you unrecognizable, and alone, and confused. permanently altered by what horrors you've seen. it's on the nose in that regard but it's a concept that i'm also fascinated by and enamored with in cosmic horror.

and in that way i feel even more attached to vessel as a creator because i feel like mentally we're teasing at the same spheres of the genre. there's a panel near the end of the director literally embracing the reaper figure (that i've been calling eden), accepting union with the very entity that has wiped away humanity as we knew it.

the final notes from the not!director are almost painfully hard to read but they give the largest clues of all towards how vessel views sleep as a god in this fictional narrative he's cooked up and i very much enjoy how he's chosen to approach it. the writing itself veers into this stream of consciousness back and forth, a mental pingpong between the director and the entity that's merged itself with him, which is just chef's kiss to me.

also, this is speculation at best, but i think it might be hinting that vessel WAS the director before sleep joined with him? i'm not entirely sure. there were cultists wearing face masks which i think is the most confusing part of this whole thing. why are they not transformed and instead helping the lunar anomaly? they have superhuman senses and can fight armed men in blindfolds like something out of daredevil. the whole thing feels VERY 90's in terms of its presentation, which isn't a bad thing. it's just funny to see how retro its whole look is lol

all in all, i really like this comic, despite being as flawed as it is. i think the concepts sleep token is exploring here are a nice, refreshing take on invasive eldritch forces: there's a desperation and loneliness in the unknown, and it toes the line between romantic and horrific in that regard. it's the epitome of transcendental horror.

[nerdsworld]

Deadpool Creator Rob Liefeld Exits Marvel After Premiere Indignities ☕

Rob Liefeld Feeling Disrespected?

Deadpool's TWO Creators

Deadpool was created by Fabian Niceza and Rob Liefeld,the character first appeared in New Mutants #98 (Dec 1999).

In his comic book appearances, Deadpool is initially depicted as a supervillain of the New Mutants and X-Force,later on he was better as an antihero with his alter ego of Wade Wilson,a disfigured Canadian mercenary with superhuman regenerative healing abilities.

X Formerly Known As Twitter 🐦

Deadpool and Wolverine 2024

Fabian Niceza at Brooklyn Comic Con 2016

I never knew (before I looked it up YEARS ago) that there were two writers,since Rob Liefeld always seemed to be in the spotlight whether it was positive or negative news.

Thursday

02.07.2025

L.G