#sunity

[smilemakersthedentallounge]

Dental clinic in suncity, Hyderabad

[imaginemirage]

It's a quality of the gods to see a creature with its back broken and be unmoved.

Suniti Namjoshi

[museenkuss]

Case History

After the event Little R. traumatized. Wolf not slain. Forester is wolf. How else was he there exactly on time? Explains this to mother. Mother not happy. Thinks that the forester is extremely nice. Grandmother dead. Wolf not dead. Wolf marries mother. R. not happy. R. is a kid. Mother thinks wolf is extremely nice. Please to see shrink. Shrink will make it clear that wolves on the whole are extremely nice. R. gets it straight. Okay to be wolf. Mama is a wolf. She is a wolf. Shrink is a wolf. Mama and shrink, and forester also, extremely uptight.

— Suniti Namjoshi

[mordere-diem]

“It's a quality of the gods To see a creature with its back broken And be unmoved.”

Suniti Namjoshi

[fierce-little-miana]

From Feminist Fables (1981) by Suniti Namjoshi

[opstechseo]

https://sunitiinternational.com/trap-door/

[lok-shakti]

Kanpur: एसपी मैडम जवाब दो-पुलिस तुम्हारी दादागिरी नहीं चलेगी... जब गुस्साए लोगों ने कानपुर देहात डीएम और एसपी को घेरा

Kanpur: एसपी मैडम जवाब दो-पुलिस तुम्हारी दादागिरी नहीं चलेगी… जब गुस्साए लोगों ने कानपुर देहात डीएम और एसपी को घेरा

कानपुर देहात: उत्तर प्रदेश के कानपुर देहात में शिवाली कोतवाली क्षेत्र के लालपुर सरैया गांव निवासी व्यापारी बलवंत सिंह की पुलिस कस्टडी मौत के बाद परिजनों में आक्रोश है। परिजनों की मांग है कि शव का अंतिम संस्कार, तभी कराया जाएगा, जब आरोपी पुलिसवालों की 24 घंटे के अंदर गिरफ्तारी होगी। वहीं, गांव पहुंची एसपी तो लोगों ने एसपी मैडम जवाब दो के नारे लगे। पुलिस तुम्हारी दादागिरी नहीं चलेगी-नहीं चलेगी।…

[jondrettegirls]

Oresteia by Robert Icke | The Aeneid by Vergil (Tr. Shadi Bartsch) | It’s a Quality of the Gods by Suniti Namjoshi

[tubborucho]

HAI u don't have to, but whenever ur free could you maybe make a tubborucho web weave ... /nf

Tubbo and Cucurucho – EnemiesToLovers.png

This is much more unserious than any of my other web weaves lmao

taglist: @pastelvangelion @smallz-o @salineroses @dynamicworms @cindersnows @deadfishisyeq @snyland @missstrawberry @frubbotoxicyuri @haloberry @mobcharacter255 @thecardboardbutterfly @avianchorus

dm me if you want in or out of taglist

credits:

1. @.worldhammerer

2. Quote by Sunity Namjoshi

3. https://www.theparisreview.org/blog/2019/03/20/vanessa-angelica-villarreal-poetry/

4. N/A

5. https://pin.it/lAkDr3L

6. Sick Puppies – I Hate You

7. N/A

8. The Mountain Goats – No Children

9. @.gayarsonist

[hunterartemis]

The Kate Sharmas in Real Life : Indian women in 19th Century Attire

As an Austenite, I find Bridgerton an abomination, from the costume to plotline. However, like many people I found the 2nd season a bit tolerable especially the storytelling. Simone Ashley who was Kate Sharma (it’s rather pronounced as “sher-ma”) reminded me someone, especially someone dressed in western clothes in colonial India.

It is a preconceived notion by many that Indian people, especially women did not wore western clothes until it was post 1960s, but it is not true. The most fundamental garment, a blouse for saree was a Victorian addition. The eastern Indian women often worn saree as a single garment, and in ancient times, Saree or “akhanda vastra” (undivided cloth) was worn with a “kanchuki” underneath, or an Indian version of Bandeau. Blouse, in its modern form was then called a Chemise (semij, as the local vernacular called it). It came as in late 19th century, and the trendsetters were Upper class Bengali women. Rabindranath Tagore mentions how modern yet scandalising it was for a woman to wear a “Semij” in his numerous novels, especially in Chokher Bali .The picture below is of Princess Sudhira of Cooch Behar wearing what can be deemed as the earliest Indo-Western Fusion fashion in 1900s (she was known to have some good european wardrobe)

You might be thinking, Indo-Western garment is not anything near to the empire line Regency costume! yes, it is not. But before you at me, behold this historical photograph.

She is Maharani Suniti Devi, Queen of the Princely state of Cooch Behar, North Bengal. This shot was taken at 1902. I Know I am 100 years too late but during the 1813 Indian royals were busy from saving their states from the British Subsidiary Alliances, and Artisans were getting crushed by the flooding capitalists as the Monopoly of the East Indian Company was abolished by the 1813 Charter Act--- long story short, they didn’t wear the western garments that early. I picked her photo specifically because Simone Ashley, as Kate Sharma reminded me of her. Tall, slim, thin mouth, bright eyes, voluminous hair and dark skin. 

It is not that there are no dark skin rulers in India, and there were no royal women who donned western clothes--there are: in Fact the Daughter of Daleep Singh, the last Sikh Emperor and the Maharani of Kapurthala, both were photographed in Late Edwardian costumes in the beginning of 20th century. My pick is specially Suniti Devi because she exudes a classic ethnic Bengali beauty. I am emphasising on the fact Bengali because in Indian pop-culture Bengali women are portrayed as docile soft shy beings venerated for their big eyes and pliant beauty. However here you can see that this women is anything but. She is properly clothed in Late Victorian gown. From the prim contours of the waist it is clear that she is wearing proper undergarments like longline corset; light bustle as it was fashionable at that time and the correct petticoat. Loose but well arranged Gibson curls define her thick Bengali waves at the front of the head. The entire thing does not come off as costume-like, she looks like she was made for wearing it: she was not obviously corset trained because Indians often prefer loose fitted clothing and yet she does not look least bit out of place in that dress. 

Despite everything western in that dress from the Gibson hair to the black passmentary lace detaiiing on the white skirt, there is a distinct Indianness that graces the outfit. A long trail of English tulle is draped across the chest, as to emulate the shoulder drape of the saree: in India, a gentleman’s daughter is required to cover her chest with the drape of saree or a light scarf with Salwar. She didn’t need to; she was a Maharani, she could go without it, but she chose to drape it anyway. she also wears bangles in both hands, again a Custom by Bengali women who think a girl should not leave her wrists empty, because it symbolises widowhood. It was unlikely for a Victorian or Edwardian woman to wear bangles in both hands, especially without gloves-- but she did it anyway.

This distinct Indianness with western outfit is the exact essence which Kate replicated in the Wedding Scene

[sybilspretexts]

Suniti Namjoshi, Building Babel

[groupalpha]

Cardnon-☆☆☆◇¤

"I'm pretty sure the sunity boy only gives out information like that to close friends strings, he was unaware that pebbles planned on using it to.... well.... y'know."

*is spinning slightly, debating on what exactly to do as he leans against the chamber walls*

LSoL: Well... you still have to remember, that information is illegal. You need to be careful with that stuff. And... from what it seems like to me, since it's on a pearl, it was sent to hide the information from getting out.

LSoL: Also, cool tricks dude!

[insunity-flower]

sunity in an dress because

I want to

[opstechsanjana]

Suniti construction is the best Manufacturer of Industrial Doors, Fire Stopping System, Blast Proof Doors, Trap doors, Fire rated glass and Sliding doors from Pune, Maharashtra, India

[vtgbooks]

aditi and the one eyed monkey suniti namjoshi

[bbpsnoida]

A REPORT ON CAPACITY BUILDING PROGRAMME

The 'Capacity Building Programme' for teachers at Bal Bharati Public School, Noida, the best school in Noida region ,was organized with the aim of enhancing their professional skills, pedagogical knowledge, and overall effectiveness in the

classroom. The four-day workshop (13th May-16th May, 2024) for pre-primary and classes 1 and 2 teachers, organized under the guidance of Ms. Nanu Rekhi, Advisor CES, commenced at BBPS Gangaram, focusing on art integration at the foundational stage. Dr. Pawan Sudhir and Dr. Sulekha Bhardwaj led the session,

emphasizing the role of art in enhancing creativity and cognitive development. On the second day at BBPS Noida, recognized as the best school in Uttar Pradesh and a school with the best infrastructure in Noida, the workshop centered on the Balanced Literacy approach, with Professor Suniti Sanwal

discussing strategies for integrating listening, speaking, reading, and writing. Days three and four were held at BBPS Pitampura, where Ms. Neelam Ahuja covered the use of Montessori Apparatus, providing hands-on training and explaining Maria Montessori's educational philosophy. The final day focused on

project-based learning, outlining a curriculum divided into monthly themes and incorporating various learning domains into projects. The Teachers Training Committee, in consultation with the School Advisory Council, organized a workshop on the ‘Integrated Disciplinary Approach’ for

teachers of Class PS to Class VII on 23rd May 2023. The resource person, Ms. Rini Ghosh, briefed the teachers about different educational philosophies, effective planning of lessons with integration of subjects, and most importantly,

the need to empower children with skills to adjust to any paradigm shift with ease. This initiative of the ‘Capacity Building Programme’ equipped the teachers with modern educational strategies and tools to better address the diverse learning needs of students, staying abreast of the latest developments in teaching

techniques, technology integration, and student engagement practices. Notably, the best pre-primary school in Noida is continuously striving to enhance the quality of education through such innovative programs. Further, the workshop delved into the advantages of interdisciplinary teaching, while highlighting the importance of fostering holistic understanding, critical

thinking, and problem-solving skills among students. Ms. Ghosh extensivelydiscussed interdisciplinary lesson plans for Grade 4 and Grade 8 and illustrated effective drafting techniques and integration of various subjects. This example

provided a concrete model for teachers to emulate in their own planning. In light of evolving educational paradigms, the workshop addressed the

changing landscape of education. Participants gained insights into emerging trends and pedagogical approaches, equipping them to adapt effectively to the demands of modern education. The workshop concluded with the screening of a profound video which reflected on the transformative power of education and the pivotal

role of educators in shaping the future generation. The inspiring message left participants motivated and ready to implement new strategies and ideas in their classrooms.

In closing, Ms. Loveleen Kapoor, Academic Coordinator, proposed a Vote of Thanks, expressing heartfelt gratitude to Ms. Rini Ghosh for her invaluable insights, and to all participants for their active participation and enthusiasm. Overall, the workshop was

comprehensive and impactful, exemplifying the Bal Bharati Public School's dedication to the continuous professional development of its teachers and excellence in education.