#sundance head

[rafaelsilvasource]

RAFAEL SILVA attends the Voices of Impact Leadership Dinner at the Sundance Film Festival - January 19, 2024

[patart-illustrations-stuff]

Because I'm free Nothing's worrying me

[geffenrecords]

we had to go clean out my uncles trailer today cos well he isn't waking up and my dad's cousin and her husband wanted the couch....they have some really cute kids. it's weird cos all my dad's family in the city we used to visit them so much when we were little and I always think of them.and how it was when I was like eight...and now they're all so much older and he's dead and he's dying and he's sick and she's not around anymore. well it's weird...I know my dad really misses him and It makes me so sad cos he wont ever say that. I don't even believe those two are dead anyways...I keep thinking one day I'm going to wake up and I'll have one of those weird Christmas stockings from him again or we'll go up for thanksgiving one year and theyll.both be sitting at the table and asking me what I'm learning in school...not even in a sad way I wasnt that close with them. it's just that's how it always was...

[theoutcastrogue]

RIP Burt Bacharach (1928-2023), who among many other things wrote the iconic soundtrack of Butch Cassidy and the Sundance Kid (1969).

B. J. Thomas - Raindrops Keep Fallin’ On My Head

Raindrops are falling on my head And just like the guy whose feet are too big for his bed Nothing seems to fit Those raindrops are falling on my head, they keep falling

So I just did me some talking to the sun And I said I didn’t like the way he got things done He's sleeping on the job Those raindrops are falling on my head, they keep fallin’

But there’s one thing I know The blues they send to meet me Won’t defeat me It won’t be long ‘till happiness steps up to greet me

Raindrops keep falling on my head But that doesn’t mean my eyes will soon be turning red Crying’s not for me ‘Cause, I’m never gonna stop the rain by complaining

Because I’m free Nothing’s worrying me

[fuzziemutt]

Clenching my fists to prevent myself from buying another Sundance beddy bye eye pony. Yes I already own 3 but what if.... What if I owned /4/ ????

[zizygy]

every time i look at worm costume descriptions i'm just like WHY that color choice

[gone2soon-rip]

Raindrops Keep Fallin’ on My Head (Butch Cassidy & the Sundance Kid 1969) - B.J.Thomas - Co written by Burt Bacharach/Hal David

[picsinhead-blog]

Quick Sundance/Slamdance Recap

Quick Sundance/Slamdance Recap

I went to Park City, UT for Sundance and Slamdance* last week, only my second time in person (the first was 2010). My primary purpose was to meet with filmmakers and to promote filmmaking in the Rochester/Finger Lakes region; I did, however, make some time to see some films. When I’m participating in a festival or event for work, I choose the films I see based on a set of criteria – it’s not about what Tim WANTS to see, it’s about seeing the work of filmmakers I’ve connected with or hope to connect with. The nice thing about this is that I usually don’t even read a synopsis of the film before I see it, so I get to experience the film without preconceptions – which means surprises.**

This is a rundown of last week in Sundance/Slamdance screenings, in the order I saw them, with brief reactions. Each and every one of these films is worthy of a lengthy review and discussion, and I’m more than happy to chat about them – but this is a document of my week in movies in Park City, not really about the films themselves.

Mutt (Sundance, Eccles Theater, Monday, 1/23 2:55 PM – PREMIERE) 24 hours in the life of a young trans man in NYC, during which individuals from various parts of his past enter his life, each challenging and illuminating aspects of his identity. I got to the theater by the skin of my teeth – the Sundance pre-roll had already begun. There was some confusion about the buses – I met a couple of filmmakers from LA, and we followed the advice of a very friendly person who seemed to know what she was talking about, but almost certainly added ten minutes to our ride to the theater. The lower level of the Eccles theater was packed, so I was up in the balcony. The screening was open captioned, I’m sure because several of the characters are bilingual, but also perhaps because of a push for accessibility at Sundance screenings.

Love Dump/Mahogany Drive (Slamdance, Treasure Mountain Inn Ballroom, Monday, 1/23 8:00 PM) Mahogany Drive is a wild short about three Black men who discover their Air BnB is killing white women. Love Dump is a parody of Hallmark romances about a couple finding each other among the trash in Chicago. My first Slamdance screening! The ballroom is small, with risers and individual chairs for perhaps 60 people. I met the filmmakers (director, writers/stars, and DP) in the hallway as they were encouraging people to see the film (it hadn’t sold out). I also met a young guy from New Hampshire who was attending film festivals in lieu of film school, and chatted with him about (relatively) obscure Cronenberg films.

Fremont (Sundance, Virtual, Tuesday 1/24) Fremont is the story of a young woman who served as a translator for the US Armed Forces in Afghanistan, and is now working at a fortune cookie factory. Wry and understated, Fremont is a delightful film.

Fuzzy Head/Write a Song About Heartache (Slamdance, Treasure Mountain Inn Ballroom, Tuesday 1/24 3:15 PM) Write a Song About Heartache is a clever short about a country singer and his unusual songwriting partner (you have to see it!). Fuzzy Head is a trip through the cluttered and unreliable recollections of a young woman whose mother has died of a gunshot wound – and the question of who pulled the trigger. Back to the ballroom at the Treasure Mountain Inn! Wendy McColm, Writer/Director/Star of Fuzzy Head had left printed sheets with ornate poetry and metal keys on strings with QR codes taped to them by hand. The QR codes led to her website (https://www.wendyfilms.com/). I found this personal touch, this engagement with the audience, to be very moving, and emblematic of the attitude of Slamdance filmmakers. I took one of the keys for my four year old niece, who I hope will use it as inspiration as she develops her creativity. I spoke with the Fuzzy Head team (Wendy herself, and her producers, cast, and art director) – they’re passionate filmmakers and lovely people.

Onyx the Fortuitous and the Talisman of Souls (Sundance, Virtual, Tuesday 1/24) With echoes of Ernest P. Worrell, online character Onyx the Fortuitous makes his feature debut in a story involving a devil worship cult, a haunted mansion, and some precious action figures. What’s remarkable to me about this film, which is described as a “throwback,” is how it melds internet culture with tried and true genre filmmaking – to me, it seems less of a throwback and more of a bellwether. Frustratingly, I was fighting sleep for the last part of the film, so I’m very much looking forward to revisiting it.

The Accidental Getaway Driver (Sundance, Virtual, Wednesday 1/25) An elderly rideshare driver picks up three prison escapees; they kidnap the driver and over the course of their time together, unexpected bonds develop, existing bonds are tested, and the four men’s pasts are uncovered as their futures become increasingly certain. It’s an intense, involving film that melds thriller elements with character study.

MiND MY GOOFiNESS: the Self Portrait (Slamdance, Virtual, Wednesday 1/25) Shot in portrait mode, this is a day in the life of one guy in LA who bounces from encounter to encounter – with friends, relatives, and strangers – with each encounter revealing at least some of how he sees himself. Quirky, engaging, and offbeat – a bit of a riff on Slacker.

Space Happy: Phil Thomas Katt and the Uncharted Zone (Slamdance, Virtual, Wednesday 1/25) A straightforward, pleasant, engaging documentary about Pensacola, FL local celebrity and late night television personality Phil Thomas Katt, whose lo-fi music videos for an eclectic group of would be local stars took YouTube by storm in the late aughts. There are moments in this doc that moved me more than anything else I saw during the week.

Past Lives (Sundance, Ray Theater, Thursday 1/26 8:15 AM) After emigrating from Korea as a child, a woman reconnects with a childhood friend years later at very different points in their lives. This was an early morning screening and it was fun to start the day with an excited audience.

Free LSD (Slamdance, Treasure Mountain Inn Ballroom, Thursday 1/26 5:00 PM – PREMIERE) Free LSD is a nearly indescribable sci-fi/horror/fantasy head trip starring the members of punk supergroup OFF! as parallel versions of themselves who have to save the world through their music. And drugs. The closing night film of Slamdance 2023, this was a super cool experience – an excited crowd, filmmakers who were seeing their film, a true labor of love, with an audience for the first time, and a film festival putting the closing exclamation on an exuberant year of programming. The best thing for me: the guy I’d met at the Love Dump screening sat with me, and after the film looked at me and asked, “Have you ever seen anything like that?” And – I mean, yeah, I have, sorta, but I’m twice his age, and it was so exciting to be there for someone having a singular, eye-opening filmgoing experience.

Jamojaya (Sundance, Virtual, Friday 1/27) A young Indonesian rapper is in Hawaii to record his major label debut and to shoot the accompanying video, when his father (and former manager) shows up unexpectedly, creating unforeseen complications. It’s a simple setup for a complex, ornate, stylish film that examines complex relationships across cultural boundaries.

The Persian Version (Sundance, Ray Theater, Friday 1/27 2:15 PM) A young writer explores her history and that of her family, from her parents marriage in Iran in the 1960s through her childhood in the 1980s and 1990s spent between Iran and the US. (Honestly, I don’t know how to describe this film in one sentence – I think I kind of did it, but I know I didn’t sell it. It’s a magical film that dances (sometimes literally) among tones, among generations, and through the lives of its characters. See it!) I bought my ticket to this screening about an hour before the Sundance awards were announced – this one won both the audience award and the Waldo Salt Screenwriting Award in the U.S. dramatic competition. I was even more excited to see it, and the theater filled up with people making last minute decisions to see the film. It was wonderful to laugh and cry (not me, but the rest of them) with an audience through an utterly unpredictable film. I sat next to a young Sundance Industry volunteer from LA who had a loud and infectious laugh.

A Perfect Day for Caribou (Slamdance, Virtual, Saturday 1/28) An old man reconnects with his adult son and seven year old grandson in a cemetery on the day he plans to commit suicide. Offbeat, droll, often very funny, and gorgeously shot in black and white, A Perfect Day for Caribou explores generational rifts and the complexities of relationships defined largely by shaky memories and secondhand recollections.

Young. Wild. Free. (Sundance, Virtual, Saturday 1/28) In a weird mashup of Bonnie and Clyde, Something Wild, and Menace II Society, a Black high schooler meets a free spirited foster kid who pushes and pulls him through new experiences that range from mischievous to dangerous to exciting and ultimately to tragic. This is the only Sundance film I saw (out of eight – nine if you count Infinity Pool, see below) that did not fully work for me. Avoiding spoilers, I will just say that the narrative problems created by the ending are not justified by any dramatic contributions it makes to the film as a whole.

Unicorn Boy (Slamdance, Virtual, Saturday 1/28) A young animator in Los Angeles becomes entangled in the affairs of a parallel world filled with unicorns and rainbows and fantastic creatures, while trying to come to terms with personal crises in their real life. Okay – the only possible negative about this film is that I think it’s overlong, but it’s a wildly creative and very moving independent animated feature. It’s great.

Waiting for the Light to Change (Slamdance, Virtual, Saturday 1/28) A group of friends spend a week at a lake house belonging to one of their relatives; during the time, relationships are grown, tested, altered and redefined. Sort of a lo-fi, modern take on The Big Chill, the film is quiet and restrained, chilly, sincere, and honest.

*For those who may be unaware: the Slamdance Film Festival runs concurrently with Sundance in Park City, and is a festival with a very different vibe and energy – punkier, scrappier, smaller, but just as devoted to filmmakers and film lovers.

**For instance – most of the films I sought out were American productions, but I was surprised when nearly every one from Sundance heavily featured non-English dialogue – Spanish in Mutt, Dari and Cantonese in Fremont, Vietnamese in The Accidental Getaway Driver, Bahasa Indonesian in Jamojaya, Korean in Past Lives, Persian in The Persian Version.

[lady-djarin]

on my radar

joel miller x f!reader (one shot)

warnings/tags: edited very little so sorry! dual pov, jackson era dark!joel, SMUT (oral fem receiving, p in v), stalker behavior from mr miller, age gap (50s/20s), joel is kind of a creep but reader is kinda into it, murder off screen, cannon typical violence, men harassing women (a guy is gross with reader/unwanted touching etc) NO R*PE, possessive talk and nicknames (mine, love, my girl, good girl etc), reader can be lifted by mr big man joel but otherwise no really specific details about readers body other than the usual fem. 18+ minors be gone!,

word count: 5.8k

* ｡･:*:･ﾟ★,｡･:*:･ﾟ☆　｡･:*:･ﾟ★,｡･:*:･ﾟ☆

YOU

You almost dropped it twice, your gloved fingers slipped around the smooth metal of the gun as you fumbled to pull the trigger. The clicker was quickly stumbling toward you even on its one and a half limbs. You and your patrol partner got separated when a small swarm of the dead caught you both off guard in a densely wooded area . As you were trapped in a corner of a hunting shed by the crawling thing, you felt your heart rate begin to rise and the feeling of dread set in that this might be your last moment.

You saw the blood hit your gloves before you even heard the blade hack into its head. Then the body hit the floor.

You looked up to find your patrol partner standing there with a machete clutched in his hand. He was looming over you with a look very close to anger creasing his brows and his chest heaving in exhaustion. He grabbed the gun out of your hand and grabbed your arm to pull you away from the writhing body. He hacked the large blade into the neck to fully decapitate the head then stabbed into the ear to finally kill it.

“Do you even know how to use this thing?” His voice had an edge to it, like he was mad, or scared as he held up the gun in your face.

You looked at him with tears brimming your lash line, the cold was seeming to freeze them before they tried to fall down your cheek. “Yeah, pretty much.”

“Have you ever been on patrol?” His eyes narrowed as they scanned your face, then your body.

“No.” Your mouth was so dry.

“Who sent you on patrol!? What the hell…,” he grumbled as he turned away. “I asked you a question.” He shot another nasty glare your way when you didn’t answer.

His statement kind of shocked you, not a lot of people are blunt like that.

“Uhm, I asked Tommy, I wanted to help.”

“Fucking Tommy, sticking me with a kid.”

“Hey I might be new to this but I'm not a kid,” you chased after him and that didn't help your defense.

“Jesus…,” he was grumbling again and marching away, toward where you hid the horses. The two of you set out on patrol a couple hours before, your first time outside the gates in Jackson. You had heard rumors about Joel, people said he was ‘rough around the edges but good people’. You had seen him around the community and wondered if he was someone you could get along with. He seemed like he was an outsider, kind of like you. When you learned you were partnered with him you figured it was going to be difficult, but this was a little much.

You were on your way through the state trying to get to where your dad lived in Sundance when you ran into some trouble near their camp and they took you in until you recovered. They stitched you up after they found a nasty gash on your ribs when you were discovered fighting off a pack of stalkers. After arriving at the Jackson community, you learned that Sundance was completely overrun. The sparse community there hunkered down in their homes after the outbreak but with the large swarms that came through the area, pretty much everyone fled and went their own ways. You could barely stand the thought that your dad was caught in the middle but he was strong, he could find his way out.

He had to.

So you remained in Jackson, becoming a part of the community, and everyone in the community had to help out somehow. You felt indebted to Tommy and the community for helping you and making you feel at home here after your recovery. That's why you wanted to go on patrol, you felt like you could help. Joel clearly didn't agree.

That last fucking thing he wanted to do was teach some rookie how to handle themselves on patrol. He was pissed and you could see it in the tense bunching of his shoulders as he rode on in front of you. You felt kind of bad for having Joel take care of you back there but he didn't have to be such an ass about it.

“Hey,” you rode up next to him. “Look I know I'm not who you wanted to be on patrol with but just give me a chance ok? I'm just trying to do a job here.”

He barely looked your way, he just kind of grunted before urging his horse over the final path into Jackson.

Alright then.

You didn't see those broad hunching shoulders for a couple days after, though he clearly had been talking about you. Tommy took you off patrol so Joel obviously made his concerns clear to his brother. When you did see him it was from across a room or passing in the street, but even in brief passes it felt like a tension was always present. His brows would bunch in the middle as he scanned you. It always felt like a judgment maybe, or some kind of disgust the way he would observe you. You quite honestly thought he hated you.

JOEL

You looked cute when you were mad, actually to Joel you always looked cute. Your cheeks were pink with the morning cold, your breath steamed in the air as you huffed through your nose. You were mad because he was ignoring you, and he was ignoring you because he was scared shitless when he came into that hunting hide and found you cornered by one of the dead. It scared the living shit out of him to think about how you were almost torn apart.

He doesn't remember the exact day that he started to care a little too much about you, it was a slow thing. It took over his life, watching you as you became integrated into the fabric of the town. The people of Jackson welcomed you and you welcomed them right back. People loved you and you got along with pretty much everyone. He started to notice you when he saw you and Ellie chatting about something girl related in the mess hall. He noticed how you seemed to genuinely invested in your conversation with Ellie, hanging on to her every word. Next thing he knows he's thinking about you every waking hour, and you haunt most of his dreams. It feels like you are a presence in his chest that he can't carve out and he has tried.

Joel had tried to occupy himself by relieving the tension himself, trying to dissolve the desire he had for you. It didn't work, of course, but he couldn't help himself.

He refused to actually make any kind of relationship with you, he felt like it would look inappropriate. He was a grumpy gray haired man and you were young and bright, he felt like he would be too rough for you anyway. He was a broken man, his hands were dirty with death and guilt and blood. He could see the innocence in your eyes, the way you smiled with your whole heart when talking to people, especially someone he cares for.

Maybe those were the moments he truly started to have real feelings for you, seeing the way you cared for Ellie. Everytime he would see you it made his heart skip a beat, it almost confused him at first, like his heart was waking up from a decades long nap. His chest hurt with how intensely he was starting to ache without you near, it only ever stopped when he saw you or felt you close or smelled your shampoo as you walked by. It was the same as everyone else as there was a lady in Jackson who made everyone soap but still when it lingered after you it smelled like heaven to Joel.

All that to say, Joel still felt like it was wrong to pursue you. You were and always will be the one that got away.

He needed to stay away.

YOU

It had been a couple weeks or so, maybe longer since you saw those grumpy brown eyes. You had started to miss him, as painful as it was to admit. Even though he was barely a colleague, definitely not a friend, you were missing the way… he was mean to you? No, that can’t be right. Why would you miss a man that is anything but nice around you?

Tommy had found you another job working at the local watering hole/dining hall, as the patrol thing clearly wasn’t going to work. He was walking you around the hall, introducing you to the people you would be working with when you heard a familiar voice.

“Hey Tommy, you here?”

“Yea Joel, in here.”

Shit.

“Oh hey Joel…” You wanted to keel over and die.

”H-hey.” He seemed… odd.

They chatted about something security related and you were introduced to the hall supervisor. As you talked on one end of the room, Joel and Tommy were on the other and it felt like neither of you could look away from the other. Your eyes kept finding each other, each time it felt longer and longer, like the world was falling away. It felt much different than the last time you spoke, like he might not actually hate you. It was an odd feeling, having his eyes on you, he was almost predatory.

Even as he looked over what felt like every couple seconds, he still had this pinched, angry look on his face.

But it was hard to look away. Joel was mesmerizing but you knew deep down he could never be interested the way you would want him to be. He was a grumpy older man that wanted nothing to do with the new young girl in town.

You didn’t see him for a while after that.

JOEL

Joel Miller was by no means a good man. A good man wouldn’t be watching you like this, following an unsuspecting woman around town. A good man wouldn’t watch you as you walked around the Jackson streets, minding your business, talking to your new found friends.

Ever since seeing you again at the dining hall he couldn’t rid his mind of you, as hard as he tried. He knew he would ruin you if you let him, if he even got one taste he would be addicted. Not like he wasn’t now, leering at you talking to patrons at your job. He felt dirty in a way, like he wasn’t allowed to look, not allowed to have the urge to bash in the head of any man who looks at you wrong. Like the guy you were helping now, Mike, every time you turned away to get him what he asked for, he could see his slimy gaze caressing your curves.

He felt like he was going crazy, not being able to be near you like he truly wants. He wasn’t sleeping well, barely eating enough to keep him upright and almost missed patrol on more than one occasion. His mind was playing tricks on him, he would find you in dreams, wake up to find you cooking breakfast in his kitchen or walking hand in hand down the streets of Jackson. The cruel reality that he would never have that always hit him hard in the morning when the sunlight came streaming over his bedspread.

He often found himself turning over, searching for you.

Sometimes they were nightmares, visions of you being attacked by the dead or one of Jackson’s very own.

That’s why he was here, making sure you were safe from the dangers of this world. It was his job.

He was there until you got off work, gathering your belongings and heading out the door when Mike popped around the corner. Joel was immediately on high alert, watching the man’s every move as he advanced on an unsuspecting you. He stalked after the two of you, staying just out of sight. His blood boiled when he saw Mike call after you.

She’s mine, he thought.

He stayed across the street, just in case things went sideways. In case he put his hands on what didn’t belong to him.

“Hey! Saw ya leaving work, how was your night?” Ok, nice enough but Joel knew he was clearly waiting for you to leave work.

“It was ok, just tired and ready to go home.” You were being polite but clearly trying to convey that you were going home, alone. That’s my girl.

“I’d like to talk to ya though, ya know i’ve seen ya ‘round and think you’re real cute. Come on, please? One chance?” He’s persistent, that's for sure. Walking the line there, Mike.

“That’s sweet but I’m not really looking for anyone right now, I just got here a few months ago…” You kept walking and you kept your eye contact away from him, smart girl.

“If you give me a chance I’ll show ya I’m worth it. I promise baby.” You were not his baby.

“I’m not your baby, Mike. Please, I just want to go home.” You turned towards him now with determination in your tired eyes.

Mike clearly wasn’t hearing you, or just not caring because as you tried to turn away he grabbed your arm and pinned your back against a wall.

He’s dead.

YOU

I’m dead. This stupid asshole is going to kill me. Your mind was racing as you looked for ways out. Mike’s front was almost completely pushed against yours now as he trapped you against the brick wall. You could now smell the alcohol on his breath now that he was on top of you. You tried to break free, maybe he was drunk enough where you could shake him off. You could tell that wasn’t the case when he groaned in delight.

“Mhmm, keep doing that baby. I like feeling ya move that pretty body.” You wanted to puke, his greasy beard and sour breath was assaulting your space. You froze your body in an attempt to get him off you but he leaned in, trying to capture your lips. You whipped your head to the side and squeezed your eyes shut trying to block out whatever he might do next. Only, when you expected his lips or something on you, there was nothing. His entire weight was gone and you almost slumped to the floor in relief. When you opened your eyes, there was nothing, no one in sight, not even a sound. Mike was nowhere to be seen, nor was anyone else. If you weren’t so relieved that the creep was gone, you’d be freaked out. It felt like one of those eerie horror movies you watched before the word turned into one itself.

You weren’t really sure what else to do other than go home. You walked the quiet streets towards your small house and barricaded your door that night, just to be safe.

…..

“Have you heard?! I can’t believe it!” Angela’s voice shook you out of your tired daze. No matter how you tried to occupy your mind or sleep last night you couldn’t shake what Mike did to you. “It was Mike! That’s who it was that was found behind the dinner hall.”

Mike? Did you hear her right?

“Wait, Mike, like creepy Mike?”

“Yes!” Angela never learned how to not raise her voice.

Mike was dead. He was dead behind where you worked after he assaulted you. That seemed… convenient. Did that make you a bad person?

“They are calling everyone to the town hall for an announcement.” This was the only time they have done this in the short time you’ve been here.

Everyone walked over and filled the hall wall to wall. Tommy, Maria and a few other members in charge of running Jackson stood on the stage of the building that looked to once be a school auditorium, including Joel. Your eyes caught him up there as soon as you walked in, recognizing his brown curls anywhere. Tommy walked up to the top of the stage and everyone immediately quieted down, they clearly respected him.

“Hey ya’ll… Uh, unfortunately it's not good news that calls us together today.” He was clearly nervous. “One of our own is gone, Mike Walton. Now I know in this world losing someone happens more often than we would expect but this one is different. It happened in our walls and we think, committed by one of our own.”

Murder. He was killed. Fuck.

The crowd was starting to murmur and quietly panic. You felt responsible somehow, like you being the last one to see him, you think, meant… something. You had to tell them what happened last night, if only to make sure they know now instead of finding out some other way. So they know you're not hiding anything.

You stayed after the crowd cleared, listened to Tommy assure everyone that they are safe and he is putting security measures in place. You went up to the stage and caught Maria’s attention, you felt comfortable with her and maybe she would be more understanding. She really helped you assimilate when you recovered and felt kind of like a sister in a way.

“Hey sweetie, how ya doing?”

“I need… I need to tell you something.”

She took you to a more private area and you told her what happened the night before. She listened dutifully as you recounted your story and it really made it strangely better to talk about it. It was by no means easy to forget but knowing someone was listening helped. After you finished and she gave you a reassuring hug, she brought you back to Tommy… and Joel.

“Ok hon, I will need to tell Tommy about this, I’ll only include the necessary things.” You nodded knowing you could trust both of them with the news. “Joel, would you be able to walk her home? I don’t want to take any chances here.” Maria did say to you privately that she was going to treat this as if you were in danger in some way, in case this turned out to be about you.

He only nodded in your direction, extending his arm, signaling you to lead the way. You walked the streets, the silent tall man trailing behind you. You stopped so abruptly that Joel backed up in surprise.

“I don’t need you walking behind me like a bodyguard.”

“Where should I walk?” His voice dripped with something dark.

“W-well…I don’t know, next to me like a normal person?”

All he does is silently walk up to you and nod forward urging you on. You kept walking, feeling Joel’s arm brush up against yours and the tension was building before either of you said anything. You arrived at your building in silence and he walked you up the steps, more than you were expecting from the distant man. You paused as you opened the door and realized something, if Maria is right and someone is after you, they could be in your house.

“Y���ok?” His voice was low and rough.

“Uh… actually, no. Joel, would you be able to come in… and uh, check it out? Just to make sure, I don’t know…someone’s not— not in there?”

You swore his eyes softened at your nervous request, maybe he felt bad. He followed you inside and had you wait by the door as he surveyed the rest of the house. He came back within only a few minutes and you were relieved it was quiet in the house.

“You’re all good here darlin’,” he stood by the kitchen counter almost like he was avoiding leaving.

But you didn’t want him to leave.

JOEL

He knew no one would be in your house, there was no one after you. Except him. He saw Mike put his hands and other parts on you and something flipped in his brain. He went feral and had been looking for an opportunity to take this guy out. He was a menace to the community but Tommy said there was no legitimate reason. Usually he wanted a blatant offense to take action or even exile someone. Mike was sneaky, that was the problem, he was good at hiding his deplorable behavior towards women behind being friendly with most of the male Jackson population.

Joel was so sick of it, and he likes to pretend that’s why he was there that night, not that he couldn’t keep his eyes off you. For weeks now he had been everywhere you were, coincidence of course. He needed to make sure that you were safe, that someone would be there for you. Even if he couldn’t have you, he needed to watch over you. You had completely consumed his life, every waking and sleeping hour he had his mind on you.

The worst of it he thinks was a few weeks into his obsession, he found himself across the street from your house, crouched in the bushes like a maniac. He watched your silhouette as you turned about the room, picking things up, gathering our belongings and just generally going about your home life. It was so magical to him to see you living your life unencumbered by the burden of how cruel people can be. He had to make sure no one took that from you.

He was pulled from his thoughts by your sweet voice. “Joel? You ok?”

“Y-ya sorry, what did you say?”

“I asked if you wanted a drink.”

“Oh, uh- sure sweetheart.”

He watched you go over to a cabinet and pull out a dwindling bottle of something dark that made his mouth water. You had good taste.

That's my girl.

You slid over the glass with a small amount of whiskey and you each sipped it slowly.

“Thanks for walking me home, I really appreciate it.”

“No problem darlin’, but I'm sure you’re safe. No one’s gonna hurt ya.”

“Sure doesn’t feel that way.”

YOU

“I promise you, no one will ever…ever hurt you again.” The way Joel said it, it was like he had murder in his eyes. He was so intense that you believed him, like he would protect you. You felt a thrill pass down your spine from his gruff voice. He was always a rugged man with his height, his broad shoulders and intimidating dark eyes but now, he looked downright deadly.

For a minute you worried that Joel could be responsible— no he would never. Even if he did, could you really be upset at him making this community safer? Did that make you a bad person?

He was looking at you like prey he wanted to devour. It made your pulse race, it made your core throb. The tension had been growing since the walk back and it was evident to both of you. Joel circled the kitchen counter to come right in front of you. Both your glasses forgotten, he caged you in with his hands on the counter bracketing your hips. Without a word he brought a hand up to cup your cheek, his calloused skin caressed your skin much lighter than you were expecting. The only sound in the house was your heavy breathing as he stared down at you. You couldn’t shake the feeling that there was something off about Joel. Not necessarily bad but just something sharp and scary, but you couldn’t bring yourself to care as he slowly leaned down to hover his lips over yours, asking for more.

Even if Joel was a bad man, fuck it.

You leaned up slightly to meet his lips and all self control went out the window. His hands were all over you in a second, hips pressed into yours as he slipped his tongue into your mouth. Your head spun as he licked into you and nipped at your bottom lip causing a whimper to escape your lungs. It all became very frantic as he lifted you up onto the counter and bit and kissed his way down your neck. You knew there would be evidence of it the next morning and it kind of excited you to know you’d have Joel’s marks on you. His greedy hands were groping and squeezing every inch of you and you couldn’t get enough. With your own shaky hands you tried to unbutton his shirt but Joel stopped you.

“R’ya sure baby girl?” You swore you felt slick dripping down your inner thighs. “Jus’ gotta tell me and I’ll stop, ’k?”

All you could do was nod.

“I need words.”

“Y-yes,” you practically moaned.

“Good girl.” Fuck, his voice. Your hips rolled forward on the counter, trying to gain any friction. Your clit was pulsing with need and both of you were getting impatient. “Thank god, otherwise I wouldn’t know what to do with myself.” He mumbled it almost to himself.

You gasped as he pulled off the counter and led you up the stairs in silence. Any other person would think he was angry but you knew, he was anything but. He led you to your bedroom and it briefly dawned on you that he was leading you there, he knew where your bedroom was. There was always something intense about Joel, you knew that from the start, it's one of the reasons you were drawn to him. But due to recent events you were starting to question just how depraved he might be. You hated to assume anything but you somehow knew deep down that he was the one who… saved you from Mike. That’s what it was, he saved you from being killed, or worse.

Once in your bedroom Joel turned and pushed you against the wall, attaching his lips to your neck.

He hummed deep in his throat, almost a moan. “Mhmm, darlin’ you are so sweet. Y’smell so good.” He was mumbling into your throat, half kissing, half biting. You were each pulling clothes off the other, desperate to feel skin. When Joel had you completely bare for him, you tried to cover yourself, mostly out of habit.

“You… you are perfect baby.” His eyes dark with desire as he pulled your hands up his mouth and kissed your knuckles. “Don’t cover up, I wanna see ya.” He pulled your hands away as he backed you up to the bed and gently pushed you back onto the soft quilt. You stared up at him, taking in his form, he was still in his jeans but bare from the waist up. You admired his graying hair that led below his belt, mouth watering at the bulge underneath. Before you could reach for his belt, he looped his strong arms under your knees and pulled your butt toward the end of the bed. With cracking knees he knelt in front of the bed and his face became level with your dripping core. His eyes were locked on you, his lips almost matching the way you drooled between your legs.

“Joel—,” you were unable to form words, the breath perpetually caught in your throat.

“Shhh, I know hon, I gotcha,” his voice was lower than you ever heard it, something dangerous simmering below the surface.

“Joel, wait—,” he moved up your body at your request. “I just… I’m confused,” you were shaking and out of breath but you needed to ask him. “I thought you didn’t like me… it’s just every time we would see each other you seemed to avoid me at all costs and now…”

“The only reason I was acting like that was because I liked you… too much.” His eyes hovered directly over yours, deep pools of obsidian overtaken with the desire. “I thought I was protecting you, from myself. But I… I,” he almost seemed nervous in a way, but there was still the underlying grumble of anger in his chest.

“What?”

“I see now that I have to protect you from everyone else.” He said it with such a darkness settled over his face, and it took you a minute to register what he was admitting.

He killed Mike. Holy shit.

Your whole body froze and you felt your eyes widen and breath pick up. But you also had this deep feeling in your gut, was that arousal? Were you attracted to this? That dropping feeling in your stomach told you that you were. Jesus, did that make you a bad person? Fuck it.

You grasped your fingers through his hair, pulling him down to you as you attached your lips to his.

JOEL

You were a vision, puffy lips wet from kissing, eyes blown wide as your chest heaved. “You protected me?”

Oh, fuck me.

“Of course baby girl,” he needed you to know this was all for you. He was yours and you were his. “No one will take you from me.”

He worked his way down your body, kissing and nipping his way to your center again. He spread your legs and stared into your dripping folds as he got onto his knees again. You whimpered and moaned his name and he relished the sounds, he loved hearing and seeing you react to his touch. He wanted nothing more than to hear you scream his name.

“I wanna feel ya’ cum on my tongue darlin’,” he loved the way your pussy drooled for him. Joel felt like a man starved, like he was finally seeing water after a year in the desert. He licked a broad stripe up your folds then sealing his lips around your clit and sucking. You screamed and he felt your thighs wrap around his head only spurring him on further. He pulled your legs in front of him and pushed to the mattress, opening you up further for his enjoyment. When he worked two fingers into you, he knew you were close based on your shaking and whimpering.

“I-I’m so close baby,” you sounded so cute, so desperate. “I need— please Joel.”

He wanted you to fall apart, speeding up his movements he knew it wouldn’t be long now. He curled his fingers while lapping at your clit, he felt your walls flutter and tighten around his fingers.

“Cum for me angel.”

You broke. Joel’s fingers were covered in your juices and you screamed his name as you came. He kept up his movements to prolong your pleasure, he reveled in the way your legs shook with overstimulation.

“Oh… my god,” you sighed as Joel crawled his way back up to your face, slotting himself between your legs.

YOU

He entered you slowly. You could feel every vein and edge of him and you were thankful he readied you with his fingers because Joel was not a small man. He started slow, presumably for your benefit, but soon his pace picked up and the crown of his dick was hitting a spot inside of you that made you see stars.

“Fuck— You feel so good,” he puncuate each word with with his hips, each time driving you up the bed. You grabbed onto his shoulders, trying to gain leverage but you were unable to do anything except take his brutal pace. He was past holding himself back now, you swore you felt him in places you never thought possible. You recognized somewhere in the back of your mind that letting the man who… murdered someone for you fuck you into your mattress might be a bad move. Too bad he was too good at it for you to care. You felt the coil of your orgasm tightening in your lower stomach as Joel leaned back, looming over you like a dark angel.

“I want you to touch yourself,” he pulled one of your hands towards your clit. “Cum for me baby.”

You pressed and circled your fingertips into the bundle of nerves, your pleasure just seconds from cresting. Joel must have felt it because he gripped your hips and pulled you into his lap, picking up his pace and punching into your g-spot.

“Oh fuck!— I’m gonna cum baby…plea—,” you couldn’t even get the rest of the word out as your orgasm crashed into you. You think you might have blacked out as your vision went blank for a moment and you think you heard yourself screaming. Joel kept up his pace and rode you through it all.

“Mmm that’s it, that’s my good girl…,” his voice was low and gravely in your ear when he leaned over, pushing almost all his weight on top of you while he chased his high.

“P-please Joel, cum inside m-me,” his harsh movements made it hard to talk, hard to breathe. You didn’t care though, you were desperate to feel him finish inside you.

“Inside you baby? Ngh, tha—that’s my good gi—,” he didn’t finish his sentence either as he almost collapsed on top of you. You wrapped your legs around his hips and held him there as he filled you up. He grunted and groaned in your ear as he came down, he pulled out slowly making sure you were comfortable and kissed his way down your neck and chest. “Stay here baby.” You laid there unable to move and watched his naked form as he found your bathroom with ease and came back with a warm washcloth. As he cleaned you, you recalled his words, ‘my good girl’. His.

“Joel?” He didn’t respond with words, only hummed at you to continue while he cleaned your inner thighs. “Did you mean it? I’m…,” you were hesitant to speak it, what if you were wrong? What if it was something he said in the heat of the moment. You felt the bed dip and he settled beside you, towel discarded.

“Use your words honey, what’s on your mind?” He moved a bit of hair out of your face and waited patiently for you to continue.

“I’m yours? Not just tonight.” You met his gaze with timid eyes.

“Yes, of course. Y’have been since I first saw you.” He kissed you deep, lips prying yours apart. “I protected you, remember? I wasn’t gonna let anyone hurt you, especially not him.”

He looked at you with nothing but truth in his eyes. He really did kill Mike, holy shit. He did it for you. In this world maybe you could rest easier knowing you had someone to protect you like that. Joel may be a scary man, but you had nothing to fear for yourself with him around. You slept that night more soundly than you had in ten years. wrapped in the strong arms of a man who chased your nightmares away.

[shebeafancyflapjack]

FUCKING BUTCH CASSIDY REFERENCE 🤣

[guitarlessonsbobbycrispy]

Raindrops Keep Falling On My Head Guitar Lesson by B.J. Thomas

[explo-bit]

Raindrops Keep Fallin' on My Head

Burt Bacharach

Butch Cassidy and the Sundance Kid

1969

Robert Redford

Paul Newman

Katharine Ross

[heavenlymorals]

I feel like a lot of people forget that the Van Dir Linde gang was actually famous in their universe- Dutch Van Dir Linde was as famous as the real life Butch Cassidy. The gang had as much infamy as the Wild Bunch or the Dalton gang. Arthur Morgan, John Marston, Bill Williamson, Javier Esculla, Lenny Summers, Charles Smith, Sean McGuire and more were probably as famous as the real life Doc Holliday, Jesse James, Black Bart, Rufus Buck, Ike Clanton, the Sundance Kid, Wild Bill Hickock, and more.

Sadie Adler would've been just as famous. She was a gunslinger like the real life Calamity Jane and Anne Oakley and she was an outlaw at one point like Laura Bullion, Pearl Hart, Belle Star, The Cassidy Sisters, and more.

The other women of the camp would've probably been less popular but still very intriguing figures to people in the future.

In the newspapers, we see that there are songs about Dutch's boys and books too. Trelawny mentions them being on dime novels. In the future, the pieced together story of the Van Dir Linde gang might've gotten adapted into a movie, similar to "Butch Cassidy and the Sun Dance Kid" or "The Assassination of Jesse James by the Coward Robert Ford". They could've gotten biopics, documentaries, and more.

Historians and fans of the wild West era would dig up records, find pictures, and maybe even track down people who were apart of the gang, accomplices to the gang, or victims of the gang. They would try to piece together stories to figure out the mystery of what actually happened to the gang.

People would argue over things that happened in the gang and have their evidence to back it up. Letters written by gang members would become so valuable. If they ever someone come across Arthur's journal, it would probably be considered one of the most valuable pieces of documentation to ever exist for that time period.

The guns of the gang would probably be kept in museums if found. Albert Mason's portrait of Arthur Morgan would be found in history books, same as other pictures.

Dutch would probably be a very controversial figure in history- some would hail him as a failed hero and others would condemn his violence no matter the reason- they wouldn't know what the people in the gang knew- especially in the end. Same with the rest of the gang members.

They'd probably all get romanticized. Hosea and Dutch's friendship, the raising of the boys, Dutch and Annabelle and his fued with Colm, Mary and Arthur, John and his family, Javier being a revolutionary- no one would know the full story.

And then there is Jack- he may live to see the 1960s and 70s and 80s. He may have grandchildren who'd pull him into a theater to watch a retelling of the gang that he was a part of at one point. He'd be amused. He'd think that the actor playing his father was too clean looking, too pretty. He'd think that the movie Arthur was too skinny. He'd think that the man playing Dutch had a funny voice as he tried to mimic the accent. He'd laugh and make notes in his head of the historical accuracy. He'd feel sorrowful at the deaths of the characters- he knew them at some point. And no one at the theater would know that the old man with the rowdy bright eyed boys who brought him there was Jack Marston, the last of the Van Dir Linde gang.

Jack might talk about it to the public. He might do interviews. He might even write a book about his father, the infamous John Marston. Those would be priceless. Even Beecher's Hope might be kept around and visited as a historical site for history goers.

And honestly? It is such a bittersweet thing.

[lakesbian]

“Some history?” Sundancer murmured. “I made his crotch rot off.” She turned to stare at me. “Accidentally.” “How do you-” she started, then she stopped as Lung’s growl rose in volume enough to turn her head.

its so funny how taylor must look from sundancers perspective. Unreasonably Tall. causing omnipresent bugs. declares herself to be new to caping. tries to cheerfully small talk with her by asking overpersonal questions about her team and then reacting with genuine surprise when sundancer is like "uh, no, i don't have fun being a villain, it's violent and sucks." says she's going to Scout Out bomb traps with bugs and then somehow sets them off. the bombs. with the bugs. randomly incredibly confident in directing first aid for a severe knife wound. a 15 foot tall dragon man shows up, is pissed at her personally (yells "YOU"), and she confidently goes "yeah, me." and then says that she made dragon man's dick rot off. Accidentally. like what is sundancer supposed to extrapolate from this if not "this girl is some sort of freak who, in her brief amount of time being a villain, has discovered an intense affinity for grotesque violence, and is really confused that not everyone else feels the same"

[thexfridax]

D.E.B.S. at 20: a Queer Cult Classic

Bessie Yuill Photo: Sundance/WireImage

There is a secret film hidden within the shadowy sapphic corners of Letterboxd. Some call it escapist trash, some call it an underrated cult classic, fools call it a male fantasy. It calls itself D.E.B.S. As other early-2000s chick flicks like Charlie’s Angels and St. Trinian’s have been reevaluated and embraced for their candy-floss aesthetics and campy wit over the years, the lesbian community was quietly reclaiming its own equivalent with 2004’s D.E.B.S.

The precursor to contemporary high-concept lesbian films like Bottoms, the spy flick is filled with something that queer female moviegoers still often yearn for: fun. That includes Jordana Brewster and her era-defying eyebrows as the impeccably named supervillain Lucy Diamond, John Woo–style fight scenes that parody the action genre in the same way as Charlie’s Angels, and a cheerfully cheap aesthetic where spies run around in plaid schoolgirl skirts.

D.E.B.S. was written, directed, and edited by filmmaker Angela Robinson. While “unapologetically queer” might be an overused phrase, it does apply neatly to Robinson. The Chicago-born director’s first project was a short film called Chickula: Teenage Vampire, calling on the long history of vampiric queer women that began with 1872’s Carmilla.

Her love of playing with genre led her to later put a lesbian spin on the movie musical by writing the underappreciated Girltrash: All Night Long and exploring polyamory in a period biopic about the creators of Wonder Woman, Professor Marston and the Wonder Women. On the small screen, she also burnished her lesbian credentials by working on several episodes of The L Word.

When D.E.B.S. started life as a short film, Robinson described it as “a story about a trio of superspies who are all chicks. I love all the comic-book characters: Charlie’s Angels, Batman, Josie & the Pussycats … But I always wanted them to be gay and they never were, so I wrote my own.” Success at Sundance led to Sony snatching the short up and deciding that D.E.B.S. should be a full-length feature.

Two decades later, the joy of this movie lies in the details. The tone is immediately set by a gravelly voice-over telling us that there is a secret test hidden within the SAT to recruit young female superspies (and establishing that, like Bottoms, this is a film aware of genre archetypes and willing to push believability). Our main character Amy (Sara Foster) is an academic overachiever — like many lesbians overcompensating for their perceived failure to live up to social norms. Her perfect score on the secret SAT test makes it even more scandalous when she falls for the aforementioned supervillain Lucy Diamond.

Queer friend groups may delight over the nostalgic frosty eye shadow and lip gloss worn by the D.E.B.S. (which stands for “discipline, energy, beauty, strength,” naturally) at all times. Flip phones, CGI holographic screens, and Goldfrapp’s appearance on the soundtrack will also remind you that you’re watching a film made in the early 2000s. And many will squeal when they spot Holland Taylor, over a decade before she came out, as the academy’s head.

Admittedly, the special effects are goofy enough to cross over into comedy, especially when our girls are abseiling into a restaurant or climbing walls with plungers, and the lighting could be charitably described as resembling teen soap operas of that era. But the chemistry between Amy and Lucy is crackling enough that YouTube compilations of their scenes have racked up hundreds of thousands of views online. Their fun enemies-to-lovers plotline begins with the pair pointing guns at each other and quickly progresses to a whirlwind romance (the other D.E.B.S. think Amy’s been kidnapped and launch a national manhunt, just as many friend groups have had to organize rescue missions for lesbians on weeklong first dates).

You could argue that espionage serves as a metaphor for the closet and that Amy is such an effective spy because she’s used to lying to herself about her sexuality. But that almost seems like too much weight to put on this meringue confection of a genre spoof: Its campiness liberates the characters to inhabit a fun, exaggerated universe with no serious homophobia or consequences. Guns are used, but the so-called superspies have such consistently terrible aim that there are no real casualties. And Lucy Diamond’s supposedly nefarious crimes are all reversible — the murders pinned on her are revealed to be misunderstandings, and she returns all of her stolen goods in order to win Amy back.

When this live-action Totally Spies with a lesbian twist debuted, it only made $97,000 and was dismissed by critics. But there were enough moviegoing gays impressed by its snappy dialogue, fun romance, and stunning supporting cast (including Meagan Good, Jimmi Simpson, and Devon Aoki with a French accent) for its reputation to grow online over time. In forums and YouTube comment sections, young girls were asking, “Are there any lesbian films where they just fall in love and have fun and don’t die at the end?” Their answer was D.E.B.S.