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jujumin-translates · 1 year ago

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Misumi Ikaruga | [SSR] MANKAI Feature | Today’s Star: Akari Shinonome - Part 1

*Phone notification*

Misumi: !

Misumi: Waah, I got a LIME from Madoka!

· • —– ٠ ✤ ٠ —– • ·

*LIME Start*

Madoka: I’m at Grandpa’s villa right now.

Madoka: I found some paper airplanes.

△△△: I probably forgot them there when I last visited!

Madoka: Makes sense.

Madoka: It seems like the cleaning person found them and saved them.

Madoka: If you want them, I can bring them whenever I see you next.

*LIME end*

· • —– ٠ ✤ ٠ —– • ·

Misumi: Hmm…

Tenma: Hey, what are you staring at so intensely? Walking while on your phone isn’t safe, you know.

Misumi: Ehehe, sorry~.

Misumi: Umm, I was just replying to Madoka…

Misumi: …Alright! Sent!

Tenma: Okay, let’s go then.

Misumi: Yeah! Practice time, practice time~.

· • —– ٠ ✤ ٠ —– • ·

*Door opens*

Kumon: Ah, they’re here, they’re here!

Tenma: Hm? What are you reading?

Kazunari: This month’s online survey results!

Misumi: Waah, I wanna look too~!

Muku: “Shiro from Sardine Search is so cute! I love him so much!” Fufu, I think so too.

Yuki: “Thanks to the streams of the performances, I’m able to see all the subtle changes in the performances that I otherwise would’ve missed out on.” …That’s a good point actually.

Kumon: It’s so great to get all this feedback~. I get super hyped just reading them!

Kazunari: Totally! Tenten and Sumi got a lotta feedback too.

Yuki: Here’s one that says, “I really liked all of the paintings Shinonome-kun from Sky Gallery did and I’d love to see more of them.”

Misumi: Ehehe, I’m glad~.

Kumon: This one here says, “After watching the stream again, Rio became my favorite Tenma-kun role!”

Tenma: Huh, Rio.

Muku: There’s a lot of feedback we got about roles other than the leads and co-leads.

Kazunari: All the characters are just that interesting thanks to Tsuzurun’s scripts.

Tenma: That’s true. Nice to see that fans seem to understand that too.

*Door opens*

Kumon: Ah, it’s like we summoned them here with our talking! It’s Director and Tsuzuru-san!

Tsuzuru: Hey, good work, you guys.

Izumi: Since you’re all here, can we quickly borrow you before you start practicing?

Izumi: You guys were just looking at the online survey results, right?

Yuki: Yeah.

Izumi: Perfect timing.

Izumi: As you can probably tell from the survey responses, we’ve started putting out streams of past performances…

Izumi: Since we’ve been getting more and more feedback on past performances, it seems like it’s become a topic of conversation among the company.

Kazunari: Definitely.

Tsuzuru: When I was reading through the feedback, I got the sense that a lot of it was related to the supporting characters too.

Muku: That is true.

Yuki: That’s what we were just talking about too.

Izumi: So we were thinking of something interesting for what we could do with that information.

Tsuzuru: And we thought it’d be interesting if we did spin-offs that focused on the supporting characters as the main characters instead…

Izumi: Exactly what Tsuzuru-kun said.

Misumi: That sounds like a lotta fun!

Kumon: Yeah, and super interesting too!

Izumi: I’m glad you think so. I already went ahead and discussed it with Sakyo-san and we came up with a plan.

Izumi: And we wanted to ask you guys to be the ones to kick the whole thing off.

Tenma: Us?

Izumi: Here’s the proposal--.

[ Next Part ⇢ ]

#a3!#a3! translation #misumi ikaruga

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crescentmoonteas · 2 years ago

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hi same anon as before, i'd love to hear more about the plot you have planned out so far!

and I would love to tell you about it!! be aware this contains spoilers for both Persona 5 Royal and the AU itself, so I'm putting it under a read more just in case

∠( ᐛ 」∠)＿

SPOILER ZONE oOoOOoOOoOOoo

okay so this is a very loose/rough plot outline because it's still changing and being confirmed (I literally changed Makoto's palace like 10 minutes ago) BUT

edit: I FORGOT MY BOY RYUJI........... RYUJI I AM SO SORRY........... timeline now updated to include Ryuji!

story opens with Haru talking to Wakaba about the exploits of the PTs (same framing device as Sae talking to Joker)

flashback to Haru arriving in Tokyo to start her probation

Sojiro is like "grumble grumble kids these days and their *checks notes* haha you kicked a guy in the balls? that's rad. anyway don't do it again"

first day of school

Haru meets Sumi

Sumi's like "I KNOW WHERE SCHOOL IS SENPAI"

surprise: school is now Madarame's palace (same art gallery kind of theme, thinking of having waxworks instead of paintings and it's highly implied the waxworks are just the cognitive versions of students that have been dipped in wax)

Sumi's like "OKAY MAYBE I DON'T KNOW WHERE SCHOOL IS SENPAI"

anyway blah blah awaken Haru's persona

meet Goro who's stuck and about to be taxidermied (chrome spellcheck told me this was wrong and it was actually taxidermised but apparently you can use both. this is irrelevant to the plot I'm just letting everyone know what I learnt today) by Madarame

save Goro, learn about persona, etc etc

decide best way to get Yusuke to fess up is by stealing his diary

steal the poor man's diary

Haru takes it back to Leblanc and tries to open it

Goro is no help because he's like WE HAVE NO LOCKPICKS!!! WHAT DO YOU WANT ME TO DO!!! PECK IT OPEN?!

Akira (works part-time at Leblanc) is like "hi :) let me get that for you" *opens diary*

(Akira is the one who teaches Haru about infiltration tools)

meet Ryuji at some point. he's the new track star at Shujin!

anyway. something something awaken Sumi's persona, recruit Yusuke, awaken his persona, everyone gets a persona,

defeat Madarame

yay

go to Kosei to attend a volleyball game

Haru learns who Ann and Futaba are

[the second palace belongs to the guy who runs the eSports team that Futaba is on. I have yet to really nail these details so let's just skip forward]

Futaba: persona awakened, joins the team, hooray!

Futaba promotes the PTs by claiming they're sponsoring her. she puts their logo on her gamer jacket and all.

third palace is Principal Kobayakawa whose name I can never spell correctly from memory so apologies in advance

Kobayakawa has tasked our poor little meow meow Morgana, who is literally just a first year hall monitor with big dreams, with finding out what's going on with students getting jobs and shady deals

Morgana: panic.mp4

the PTs decide to go and change Kobayakawa's heart because tbh he's a bit of a dick

Morgana: persona awakened, joins the team, hooray!

important note: they do NOT find out about Kaneshiro or any of that. however, Kaneshiro is mysteriously taken down anyway.

Haru gets a text that's like "hello pls change my heart. I am literally dying. here's my address pls bring Big Bang Burger if you're coming" (that's a joke) (maybe)

the address leads to an apartment complex and Makoto lives on the very top floor. she's basically barricaded in and the state of her apartment probably violates every single health code

her rent/bills were set to auto-pay but the money's running out

they find out the auto-pay was set up by Sae before she died while out on a mission

"hey this apartment kinda looks like a lighthouse huh-"

MAKOTO'S OWN PALACE TIME

Makoto's palace is an abandoned lighthouse on a deserted island

the water level is rising and there's a leviathan nearby threatening to kill them

the PTs need to get through her palace and change her heart before they all drown/get eaten

pls look at this tweet by Jazzy for Makoto's palace and persona refs!!!!!!!!!!!

anyway. save Makoto, reconciliation with Sae, wooo Makoto is a PT now and she's the nav so Goro can finally stop guessing everything wildly

fifth palace belongs to Akira's dad who owns a wildly successful modelling company (that happens to be the same one Ann belongs to! what a coincidence)

Akira is engaged to Mika and the deadline for their wedding is approaching

(note: Mika isn't a complete bastard in the AU like Haru's fiance - she keeps her own personality!)

Akira's dad's palace is a factory where the models are the product

something something something. have yet to decide if Akira's dad dies like Haru's. remind me to ask Jazzy about this when we start designing that bit of the AU

Jazzy mentioned having both Akira's parents as bosses in the palace so we're doing that!!!

cognitive Akira is like a Barbie doll - he's trapped in a plastic box and he's not allowed out lest the world damages their perfect little darling <3

(hitting cognitive Akira turns him into damaged goods)

anyway AKIRA GET!!!!!!!!!!!!!

sixth palace is Wakaba's

she asks the PTs to explore her palace in the name of COGNITIVE PSIENCE!!!!!

Haru still gets apprehended and arrested by the antisocial force after and they fake her death like oh no, the PTs aren't together anymore. what a shame. anyway,

Seventh palace is Kamoshida

Ann gets her engine room moment (keeping this under wraps because the ideas Jazzy had were AMAZING and I don't want to spoil them)

Kamoshida goes down in FLAAAAMMEEESSSSSSSSS

hang on. everything is wrong. wh-

TIME TO FIGHT YALDABAOTH

pew pew pew

oh no. we lost Goro- oh wait there he is

and everything was fine :)

OR WAS IT!

MARUKI REALITY TIME

RYUJI WAS REALLY HIS BROTHER RYOJI?!?!?!?!?!

AND THE REAL RYUJI WAS THE TRACK STAR AT SHUJIN!

Maruki should not be a therapist. listen. that man needs whatever license/credentials he has revoked.

ANYWAY SHUAKE REALITY TIME NOW AKECHI HAS A HUMAN BOD OUTSIDE OF THE METAVERSE

Maruki fight: now with 20% more thong!

[spoilers censored because they're big and I want them to hit people in the face] [in a loving and good way]

anyway that's the general idea of it. obvs I haven't noted side confidants or anything but that's like the skeleton. the spine. the framework. if you have any Qs, my ask box is open!!!!

#anon #ask #I swear I didn't mean for this to be so long #IYR/RTG #IYR/RTG plot

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luvf4ngz · 8 months ago

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GUYS ROY IS BACK AND HE LOOKS SO GOOD WAHHHHHHHHHH

MY PRETTY BOY IS OFFICIALLY BACK FROM THE DEAD SOBS

(this is from green lantern 2023, issue 10.)

(i know hes been back for a while im behind on the comics. i know he died in heros in crises and got revived in infinite frontiers but hes just been like - hiding for a while right?)

#HIS BICEPS HELLO CAN HE PUT ME IN A CHOKEHOLD #roy harper #sumi — gallery.#red arrow #green arrow #speedy #sumi — dc.#dc comics #comic spoilers #dc comic spoilers

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hcavysoulss · 2 months ago

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rachael mcadams, 45, cis woman, she/her 𐫱 › hey, isn’t that lorelai sumi? i’ve heard that they’ve lived in bearhold for her whole life, and that they do know about bearhold’s supernatural presence. rumor has it that they can be rather spontaneous and disorganized, but hey, that’s just in their nature as a raconteur. they totally make up for it by being a social butterfly and creative. if you’re looking for them, you can probably find them at their work as a high school english teacher at bearhold community schools.

NAME. lorelai faith (hill) sumi. NICKNAMES. lorie faith, lorie. AGE + DOB. forty-five, may 27th. HOMETOWN. bearhold, washington. GENDER + PRONOUNS. cis woman + she / her. ORIENTATION. bisexual. OCCUPATION. high school english teacher @ the bearhold community schools . SPECIES. human. ABILITIES. the ability to make friends everywhere she goes.

› aesthetics: big framed glasses perched on her nose while she grades papers, a classroom that has art and plants all in it because she thinks their needs to be color and life everywhere she goes, hair tied up in a messy bun secured with a pencil, a stack of books on her night stand that she's going to get to once she finds the time (she never finds the time and always is reading another book instead), dancing around the kitchen with her wife to distract her from a stressful day, watching reruns of the munsters with a tub of ice cream on a saturday night, the smell of paint lingering around her at all times.

inspired by princess anna (frozen), anne shirly-cuthbert (anne with an e), jo march (little women), lorelai gilmore (gilmore girls), clementine (eternal sunshine for the spotless mind), tinkerbell (peter pan), pheobe buffay (f.r.i.e.n.d.s)

i. lorelai grew up in a large family, a stay at home mother and a father who worked as the town doctor for many years before his retirement.. along with her seven siblings. so, yes it's safe to say that her family was very lively. a family of ten living happily in bearhold, washington. the hill family was one of the wealthier families in the city. her father's family has a long standing history in the town. and her mother's parents were in a similar position. even in their wealth her parents were far from snooty. her parents always encouraged their children to be themselves and live their dreams... they clearly loved them all. but, lorelai was in the middle of eight kids... so sometimes it felt as though she got swept up in the storm. not to say it happened often they all still came to her poetry readings, art galleries, and even supported her through her vegan phase in middle school. there was never a moment when she didn't feel seen by her parents.

ii. after high school lorelai traveled across the country to new york for college. but, admittedly she was hardly in school. she was trying to become an artist.. express herself freely in a new city... but, things didn't pan out and her parents weren't paying for her to roll around in paint with other women.. they were paying her for her schooling... while they wanted her to freely make art they wanted her to have an education more. which... finding out she was flunked out of school after two years living in the city they made her come home. she wasn't mad really.. she just wanted to be something more. but, returning home she found something more than what she was expecting.

iii. she found love. she met her wife when she was twenty-two back in school to become a teacher. while she wanted to be an artist she knew that would be left on the backburner for now... so, teaching her favorite subject may be the next best thing. eden was a breath of fresh air for lorelai. someone who made her feel truly seen in all her mess. because let's be real lorelai is a little bit of a tornado. but, she couldn't help but fall in love. within a year they were starting their family. it was really like an angel fell in her lap.

iiii. that was almost twenty-three years ago. and now they've been happily married with multiple kids and her wife became mayor. lorelai is blissfully unaware of the supernatural beings around her... and even in her own home. did i mention that their child is a banshee? yeah, she doesn't know that yet but lorelai's life is going to get a little bit more chaotic. oh-- and her wife is hiding the fact she's a psychic medium... well we aren't sure she's even embraced that part yet.

WIFE. eden sumi. CHILDREN. to be applied for. (0/?) PARENTS. mary sue and gabriel hill. SIBLINGS. to be applied for. (0/7)

#bear.intro #ch. lorelai sumi.

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arthistoryanimalia · 9 months ago

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#MonochromeMonday:

Chiura Obata (Japanese-American, 1885 – 1975)

Untitled (Ostrich), c. 1930s

sumi-e; ink on paper

Private collection; photographed on display at Smithsonian American Art Museum and the Renwick Gallery “Chiura Obata: American Modern” exhibition in 2019

#animals in art #20th century art #museum visit #exhibition #smithsonian american art museum #Chiura Obata #1930s #sumi e #Japanese art #American art #monochrome #Monochrome Monday #ostrich #bird #birds #birds in art

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pix4japan · 1 year ago

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Sogabo Art Gallery and Cafe

Location: Sogabo, Perry Road, Shimoda, Shizuoka Prefecture, Japan Timestamp: 15:25 June 6, 2023

Nestled alongside the Perry Road canal, the Sogabo Art Gallery stands as one of the most charming and beloved cafes in the area. This traditional Japanese coffee house offers authentic whisked matcha lattes. Step inside to find a blend of Japanese tradition with tatami mats adorning the floors reminiscent of a traditional Japanese teahouse. With both indoor and outdoor spaces, Sogabo invites visitors to revel in the warmth and seasonal aromas of summer, spring, and autumn.

What sets this café apart is its location within an old wooden Japanese home, which now serves as a gallery, art studio, and workshop. The owner, Hisao Takezawa, collaborates with local potters to craft exquisite bowls and plates, each adorned with her elegant Japanese brushstrokes. Takezawa's creative journey began in 1984 at Shimoda City's Kusugabo. From 1997 to 1999, she honed her skills in Japanese calligraphy at the Kanazawa College of Art. Since 2000, she has operated her own atelier at the house and opens the house to the public on weekends as an art gallery where her sumi ink and painted works find a permanent home.

Immerse yourself in the rich ambiance of this traditional Japanese house turned gallery, studio, and workshop, brimming with captivating local art, pottery, and a genuine sense of traditional Japan. To enhance the experience further, Sogabo also serves seasonal local dishes, making it the perfect spot to rejuvenate yourself while exploring the streets of Shimoda.

Checkout the Pix4Japan blog for historical references, further details, and geotagged locations (link in Bio).

Fujifilm X100V (23 mm) with 5% diffusion filter ISO 2500 for 1/250 sec. at ƒ/11 Astia Soft film simulation

#art gallery #Showa retro #Shimoda #Shizuoka Prefecture #Japan #street photography #Fujifilm #X100V #pix4japan #草画房 #昭和レトロ #下田市 #静岡��#ストリートスナップ

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thatonegaybastard · 2 years ago

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I drew what sumi and ant rewuedted but its not showing in my gallery. sigh

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cyberbenb · 1 year ago

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Vandalism and Looting: Russia’s War against Ukraine’s Cultural Heritage

During the Russian aggression against Ukraine, not only Ukrainian citizens and infrastructure, but also cultural heritage was targeted by the enemy. Destruction of monuments, strikes on educational and cultural institutions, plundering of museums — this is not a complete list of crimes. Their number and the testimonies of employees of the affected institutions prove that we are not talking about individual cases, but about a systematic and purposeful policy.

Cultural heritage was at gunpoint of the occupiers not by chance, but because of their desire to destroy the Ukrainian identity. The actions of the aggressor can be considered as a component of the crime of genocide against the Ukrainian people.

READ ALSO: “Hopeless Times”: How Empire Prevented us from Being Ukrainians

In the year of the full-scale war, 1,332 objects of cultural infrastructure were damaged: theatres, philharmonics, museums, galleries, libraries, clubs. More than a third of them were destroyed. As of mid-May 2023, the list of destroyed cultural monuments and cultural heritage sites numbered more than 620 objects. Donetsk, Luhansk, Kharkiv, Sumy, Chernihiv, Kyiv, Mykolaiv, Kherson, and Zaporizhzhia oblasts suffered the most. As a result of the blowing-up of the Kakhovka HPP by the Russian invaders, almost one and a half hundred monuments of architecture and archaeology, museums of the South of Ukraine were flooded. The Centre for Strategic Communication and Information Security looks back on the most high-profile and terrible crimes of Russians against Ukrainian culture.

Kherson Oblast: flooded and plundered museums

In Oleshky, water from the blown-up Kakhovka HPP flooded the house of the artist Polina Raiko, a representative of naive art, whose work is put on a par with the art of Kateryna Bilokur and Maria Prymachenko. The water destroyed the inner walls with paintings, damaged the outer walls and the ceiling. According to preliminary estimates, only 30-40% of the frescoes have survived. While Oleshky is under occupation, the destruction of the house will continue. Ukrainian specialists do not have the opportunity to work in Oleshky, and Russians have no intention of saving the monument.

In addition to the Raiko Museum, the house-museum of the writer Ostap Vyshnia, the Korsun monastery of the 18th century, the excavation site of the medieval Tiahyn fortress, and the port city of Oleshia suffered from flooding.

READ ALSO: Who Blew up Kakhovka HPP

During the occupation, the Russians robbed the funds of the Oleksii Shovkunenko Kherson Art Museum, the Kherson Regional Local Lore Museum, and the Albert Havdzynskyi Art Gallery in Nova Kakhovka. Collections of iconography of the 17-20th centuries, Ukrainian painting of the 19-20th centuries, in particular, 297 works of art and graphics by Havdzynskyi, works of modern artists were taken to the occupied Crimea. Some stolen paintings ended up in the exposition of the Central Museum of Tavrida.

The chronology of one of the acts of looting, according to the testimonies of the employees of the Oleksii Shovkunenko Kherson Art Museum: three trucks and a school bus with loot left the territory of the museum in just one day, on November 1, 2022. The next day, two more trucks left. On November 3, leftovers were picked up by bus. According to preliminary estimates, we are talking about 15,000 units of the collection.

From the Kherson Regional Local Lore Museum, the occupiers stole collections of coins, weapons, Sarmatian jewellery from the excavations of the Soviet era and the Russian Empire, antique furniture of the 18th-19th centuries, a collection of icons, paintings, and the whole part of the exposition of archaeology. It was the core of the museum’s collection.

The regional archive and the scientific library named after Oles Honchar also had a sad fate. The occupiers stole archival documents and collections of pre-revolutionary publications.

Zaporizhzhia: plundered Kamiana Mohyla and theft of Scythian gold

At the end of April 2022, the Russian military mined the territory near Kamiana Mohyla — a unique monument of geology and archaeology of global importance, the only place in Eastern Europe where rock art from the Late Palaeolithic to the Middle Ages has been preserved. The monument is located on the territory of the eponymous reserve near Melitopol.

The Russians robbed the reserve and took the artefacts to the occupied Crimea. In January 2023, employees of the Tauric Chersonese Museum, controlled by the invaders, went to Zaporizhzhia Oblast to “study the funds” of the Kamiana Mohyla Reserve.

Around May 20, 2023, the Russian propaganda agency Ria Novosti presented a report on the “new exhibition” in the museum-reserve Tauric Chersonese, where the artefacts of the historical and archaeological reserve Kamiana Mohyla, stolen and taken to Sevastopol, were displayed. In particular, the tooth of a mammoth of the late Palaeolithic era, sandstone with imprints of algae, a copper figure made by the Huns, as well as petroglyphs with hunting scenes, household items, ceramics, tools of the Stone Age. According to preliminary unverified information, 120 museum objects were stolen from the territory of Kamiana Mohyla.

From the local history museum in Melitopol, the Russians stole a collection of Scythian, Hun, and Sarmatian gold, silver coins from the Doukhobor treasure and historical weapons. The museum staff tried to save the artefacts. However, the local collaborator, who was appointed “director” of the institution, reported about the treasures to the occupiers. The fate of the exhibits is currently unknown.

It’s not only washing machines. 🇷🇺 soldiers also snatched artifacts from almost 40🇺🇦 museums. On this photo is a golden diadem of the Huns, a piece of a historical jewellery set from 90 items the ruscists stole from a Melitopol museum. Once a war criminal, always a war criminal pic.twitter.com/GhIVRai2Hf

— Defense of Ukraine (@DefenceU) October 9, 2022

Kharkiv Oblast: destroyed museum of Hryhorii Skovoroda

On the night of May 7, Russian artillery struck the museum in the village of Skovorodynivka in the Zolochiv hromada of Kharkiv Oblast. The house of Andrii Kovalivskyi, where the philosopher was staying, was seriously affected by the fire. The destroyed building is not only a museum, but also a monument of architecture of the 18th century.

With a strike on Skovorodynivka, Russians “congratulated” Ukrainians on the 300-th birthday of the philosopher in their manner. It was this museum, on the territory of which the grave of Skovoroda with the legendary inscription “The world tried to catch me but could not” is located, that was given a central role in the celebration of the anniversary. But because of the Russian invasion, the activities had to be significantly adjusted.

The enemy failed to destroy everything. According to the Minister of Culture, Oleksandr Tkachenko, the most valuable exhibits were not damaged: they had been taken to a safer place in advance.

The miraculous surviving of the monument to the philosopher became a real symbol of the invincibility of Ukrainians. It was one of the central exhibits of the World of Skovoroda exhibition, dedicated to the 300th anniversary of the Ukrainian genius, held at the Ukrainian House in Kyiv.

Kyiv Oblast: Maria Prymachenko Museum

During the offensive of the Russians on Kyiv in February, a museum in Ivankiv was under the fire of enemy artillery, where more than two dozen works of the world-famous artist, representative of naive art, Maria Prymachenko, were kept. A part of the collection was already in Kyiv, a part was saved from the burning museum by locals.

Mariupol: an airstrike on the theatre and a robbed cathedral

During the defence of Mariupol, which lasted almost three months, the besieged city suffered some of the greatest destruction in Ukraine. Russian invaders methodically destroyed objects of life support, housing stock, social and cultural infrastructure.

The building of the Donetsk Drama Theatre, destroyed by an air strike, next to which a huge inscription “Children” was made in Russian, became one of the symbols of Russian war crimes. Children with their parents were hiding in the basement of the theatre, most of whom died.

In May, the Russians dismantled the rubble and buried hundreds of people (the exact number of victims has not been established) in unnamed graves in Manhush.

According to the legitimate local authorities, the Russian invaders completely removed all valuable exhibits from the Mariupol Museum of Local Lore and the Kuindzhi Art Museum. The originals of paintings by Arkhip Kuindzhi and Ivan Aivazovskyi were stolen.

Later, during the hostilities in Mariupol, a museum of local history, an art museum, and an exhibition hall named after Arkhip Kuindzhi were destroyed.

The surviving exhibits, although the “rebuilding of Mariupol” became one of the key topics of Russian propaganda, were transported to the occupied Donetsk. Their further fate, in particular, of the paintings by Ivan Aivazovsky, Tetiana Yablonska, Mykola Derehus, is unknown.

The Cathedral of St. Petro Mohyla of the Orthodox Church of Ukraine was robbed by Russian occupiers, and a collection of Ukrainian books was seized and burned in the courtyard of the church. The library contained several unique copies of Ukrainian-language editions, which are now lost forever.

The Church of St. Peter Mohyla and the Church of the Assumption of Mary of the Orthodox Church of Ukraine in Mariupol, painted with traditional Ukrainian paintings. This is the world’s first church of this size (the total area of the painting is 500 linear meters), painted in the style of “Petrykivka.” The church is listed in the Book of Records of Ukraine.

Chernihiv: Tarnovskyi Museum of Antiquities

In March 2022, Russian soldiers targeted the house of Vasyl Tarnovskyi in Chernihiv — a monument of architecture of the 19th century. This historic building housed the Museum of Ukrainian Antiquities, founded in 1896, later the Chernihiv Historical Museum, and since 1980 — a library for young people. The building and the collection of the historical museum were also affected by Russian shelling.

Donetsk Oblast: wooden skete of the Sviatohirsk Lavra

The All Saints Skete of the Sviatohirsk Lavra burned down as a result of Russian shelling during an enemy offensive in Donetsk Oblast. The All Saints Skete was built in 1912. This is one of the best examples of preserving wooden church architecture. The church was first destroyed by the Bolsheviks in 1947, and was restored in the early 2000s. It was considered a monument of wooden architecture and was the largest wooden church in Ukraine.

Sumy Oblast: Leopold Koenig Manor

Retreating in April 2022 from Sumy Oblast, the Russians destroyed a monument of architecture of national importance — the house of the estate manager of Koenig in Trostianets. The garden housed a local history museum, a picture gallery, and a chocolate museum. The main house and the most famous part of the garden — the Round Yard — suffered less. The occupiers destroyed a unique library, which numbered more than 15,000 books.

Kharkiv: historical buildings in the city centre

On March 1, during the battle for Kharkiv, the Russians fired two Kalibr missiles at the building of the regional state administration and the regional council on the Svoboda Maidan. 29 people died as a result of the attack.

In two weeks, a missile attack destroyed a neighbouring residential building — a local architectural monument.

The Palace of Labour (the former profitable house of the insurance company “Russia”), one of the architectural sights of Kharkiv, was struck by a hostile missile on March 2. The roof collapsed, the windows were shattered, the walls were damaged. During the shelling, the facades of the city council building and the 18th-century Dormition Cathedral, located nearby, were also damaged.

On March 29, an enemy missile hit an ancient fire station on the Poltava Way. It was built in 1887 and the fire tower — 40 years earlier. It was the tallest building in Kharkiv for a long time, and until recently, towered over the low-rise development of Zalopan.

The highest number of destroyed architectural monuments in Kharkiv is in the central part of the city.

In total, Russian occupiers destroyed and damaged more than a hundred architectural monuments in Kharkiv and the oblast.

Zhytomyr region: Church of the Nativity of the Blessed Virgin Mary

This is another architectural monument of national importance destroyed by the Russian occupiers. Built in 1862, the wooden church survived two world wars, but was destroyed by the fire of Russian artillery in early March 2022.

Crimea: damaged Khan’s Palace and destroyed archaeological monuments

The history of Russian crimes against cultural heritage in Ukraine began long before February 24, 2022. The occupation of the Autonomous Republic of Crimea and the city of Sevastopol in 2014 had fatal consequences for the monuments of the peninsula.

The construction of the Tavrida highway connecting Kerch, Simferopol, and Sevastopol in 2017-2020 was accompanied by the destruction of archaeological sites. At least 90 of them were destroyed. Due to the emergency mode of work, even the norms of the Russian memorial protection legislation were ignored, and archaeologists did not have enough time to account the finds. The settlements of the Bronze Age, Scythian burial mounds, and hillforts suffered because of the construction equipment.

In 2016, the occupiers began the notorious “restoration” of the Khan’s Palace in Bakhchysarai, which became a real act of vandalism and mistreatment of the dignity and national memory of the Crimean Tatars. The dismantling of the roof and the ensemble of coloured stained-glass windows of the Golden Cabinet, the replacement of the old roof with modern building materials is an undisguised attempt to destroy history and replace it with a new building of dubious quality. It seems that the palace of Giray irritates the Russians. After all, its very existence destroys the myth of the “eternally Russian Crimea” and is a silent reminder of the times when Moscow tsars paid tribute to Crimean khans.

***

Russian aggression has shown that the Kremlin is trying to destroy not only Ukrainian statehood, but also Ukrainian identity. The war against cultural heritage is part of this programme. The Russians practise the tactics of the scorched earth, not considering the victims and destruction, as well as carry out terrorist attacks on civilian objects. Among them, especially in the first months of the invasion, there were many cultural monuments. War causes enormous damage to archaeological heritage: entire cultural layers can be destroyed during hostilities.

Russians treat the cultural heritage of Ukraine as invaders and colonizers. Destroying what they cannot use in their interests, in particular, to promote their vision of history and the myth of “great Russian culture.”

For Ukrainian monuments, they have a limited list of scenarios:

clearing the cultural field to replace it with their own, and to claim that there was “nothing” before Russia / without Russia;

the appropriation of someone else’s cultural heritage to then impersonate it as their own. To this end, the occupiers loot Ukrainian museums and take away valuables;

appropriation of material values for the purpose of enrichment.

Such practices for the Russian state are a tradition that is not one hundred years old. The lion’s share of expositions of Russian central museums falls on archaeological finds from Ukraine, samples of Ukrainian iconography, secular painting, and other monuments of Ukrainian culture, with the Cossack hetmans’ regalia inclusive. All this is presented as examples of “Russian” art.

READ ALSO: The Stolen History. 12 Archaeological Treasures that Russia Took out of Ukraine

Ukraine has every right to raise the issue of compensation for the damage caused in the field of culture applying both general and special provisions of international law: UNESCO conventions, UN General Assembly resolutions, the 1970 Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property, the 1972 Convention Concerning the Protection of the World Cultural and Natural Heritage, etc. The key instrument of reparation is restitution — the return of stolen values and restoration of the integral cultural heritage of the state by replacing the values with similar ones.

It is the reparations that one state pays to another state and the restitution of stolen values that remain the basic requirement for any aggressor.

International experts unanimously admit that this is the largest theft of art objects of the period after the World War II. Synchronization of all major registers of crimes against Ukrainian culture is quite timely. According to preliminary estimates of the Ministry of Culture and Information Policy of Ukraine, the looting and destruction of cultural objects caused losses amounting to hundreds of millions of euros.The Ministry of Culture and Information Policy documents crimes in order to further work in the legal field and bring Russia to justice. It also created a platform for raising funds for the restoration of cultural monuments that suffered from Russian aggression.

Centre for Strategic Communication and Information Security

The post Vandalism and Looting: Russia’s War against Ukraine’s Cultural Heritage appeared first on Centre for strategic communication.

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jujumin-translates · 1 year ago

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Misumi Ikaruga | [SSR] MANKAI Feature | Today’s Star: Akari Shinonome - Part 3

Kazunari: Good work today, Director-chan!

Tenma: Seems like everyone’s done getting changed.

Izumi: Good work to you guys too.

Izumi: Shirato starts out in his high school uniform, huh. Fufu, it’s already giving off that vibe of “youth.”

Kazunari: Wish I could’ve worn one. Couldn’t I have been like… An alumnus or something?

Tenma: Don’t think it works like that.

Kazunari: Yeah, yeah~. Hey, how’s Sumi doing?

Izumi: He’s all set and ready to go.

Tenma: Seems like we’re all ready then. Let’s do this.

· • —– ٠ ✤ ٠ —– • ·

*Buzzer sounds*

Izumi: (A dimly lit room. Only Shinonome’s breathing can be heard as he intensely works on a canvas.)

Shinonome: “Haaah… Haah…”

*Phone buzzes*

Voicemail Message: “The person you tried to reach is currently unavailable. Please leave your name and message after the tone.”

Aomi: “Hello, this is Sky Gallery’s Aomi.”

Aomi: “I was wondering if you would be putting a painting in the exhibition this week, or if that seems too difficult given the time. Please call me back when you can.”

Aomi: “I am really interested in your piece “Youth”, Shinonome-kun… But I still have the next exhibition to plan. …I’ll talk to you when I can.

*Phone beeps*

Shinonome: “--Gh.”

Izumi: (Shinonome’s painting becomes messier…)

Shinonome: “Wrong, wrong, wrong!! This isn’t right… That’s not how it…

Shinonome: “Gh… Uuh… Uueh…”

Shinonome: “...I can’t be doing this now. It doesn’t matter anymore.”

Shinonome: “Maybe I should look for a new motif.”

Shinonome: “Once I do that, I’ve got my paints here… And my brushes are… Huh~, where’d they go?”

*Paper crumpling*

Shinonome: “--Uwah!”

*Thud*

Shinonome: “A~gh… I haven’t cleaned up in here for so long.”

Shinonome: “Hm?”

Shinonome: “This painting… That was when…”

· • —– ٠ ✤ ٠ —– • ·

*Flashback*

Izumi: (We go back in time to when Shinonome was in high school. One summer day, Shinonome heads behind the school to look for a place to draw.)

Shinonome: “...The weather is so nice today~.”

Shinonome: “But now that I’m looking at the scenery, nothing’s coming to mind. A~gh.”

Shinonome: (If I lay down like this, I might fall asleep, but whatever…)

Shirato: “...Skipping school?”

Shinonome: “--.”

Shinonome: “Do you wanna draw here, Shirato? I can give up my spot here then~.”

Shirato: “...”

Shirato: “Nah, you’re good. I looked around, but nothing’s really standing out to me.”

Shinonome: “Same here~.”

Shinonome: “...Hey, wanna look for a motif together?”

Shirato: “Hah? Why are you getting all buddy-buddy with me so suddenly?”

Shinonome: “C’mon, working together is good sometimes! Plus we have similar tastes.”

Shirato: “...Whatever, just this once.”

Shinonome: “Yaay~! …Now where would be a good place~? The rooftop has been cleared out recently…”

Shirato: “...What about over there?”

· • —– ٠ ✤ ٠ —– • ·

Shinonome: “Shirato, Shirato! Come over here!”

Shinonome: “There’s some sorta old building over here!”

Shirato: “I just knew there’d be a nice motif in this area back here.”

Shirato: “Didn’t expect there’d be such a spot on place th--.”

Shinonome: “...”

Shirato: “...Shinonome?”

Shinonome: “What color do you wanna paint with, Shirato?”

Shirato: “...”

Shirato: “...Well, green, obviously.”

Shinonome: “I’ll go with-- Blue.”

*Flashback end*

· • —– ٠ ✤ ٠ —– • ·

Izumi: (Back to the present, Aomi is preparing for the exhibition at Sky Gallery.)

Aomi: “...”

Shirato: “You seem like you’re in a good mood, Aomi-san. Something good happen?”

Aomi: “Actually, Shinonome-kun’s new work was just delivered. It’s right over here, look.”

Shirato: “--.”

Izumi: (Upon seeing the familiar landscape, Shirato’s eyes widen.)

Aomi: “It’s quite a nice painting. The motif is relatively empty and desolate, yet there’s a cool and nostalgic summer air to it.”

Aomi: “And it’s all because of the colors.”

Aomi: “Pure green on top of a deep blue-- This is Shinonome-kun’s depiction of “Youth”.”

Shirato: “Huh…”

Shirato: “You really have a good eye for paintings.”

Aomi: “? Thank you…”

Aomi: “Oh, by the way, Shinonome-kun said he wanted to talk about memories.”

Aomi: “Although, he didn’t specify where…”

Shirato: “That’s okay. I already know where.”

· • —– ٠ ✤ ٠ —– • ·

*Phone notification*

Misumi: ...Ah!

· • —– ٠ ✤ ٠ —– • ·

*LIME start*

Madoka: I saw your stream. It was really good.

△△△: Thanks~! △△△

Madoka: By the way, did you take those paper airplanes from the villa with you?

△△△: Ah! I picked them up to look at them, but then I forgot to put them back!

△△△: But don’t worry, I’ll come back again!

*LIME end*

· • —– ٠ ✤ ٠ —– • ·

Misumi: (This time with everyone from Summer Troupe!)

[ ⇠ Previous Part ]

#a3!#a3! translation #misumi ikaruga #tenma sumeragi #kazunari miyoshi

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