#subpop

[artstationable]

SUBPOP • "Dnf blade illust"

freelancer 2D character artist

artstation

More from «Artstation» here

[darkredlightyears]

Beach House - 7 details

[cherryohbaby]

he's soooooo attractive

[tr21sa]

Have beautiful and peaceful evening <---> Best wishes for Xmass Holidays !!! 🎄🍸☄️✨🎁🥗🍷💫🎄😊😘😍☝️👌 https://open.spotify.com/track/39h4zGq8MnxTvdDZCMUxdI https://www.amazon.com/music/player/tracks/B00S1IVSCM

[looseygoosey66]

[caardamoom]

An image from an old basketball flash game on the Built To Spill website. Part of promo for You In Reverse.

Can You Score on Doug?

[twinkandwink]

Deeper were a band that I discovered during Lockdown. After Covid they finally made it over here in '21 so it's been a couple of years since they played. Really enjoyed seeing them again. (Pics & Vids)

Tracks - Esoteric (see previous post for This Heat)

Deeper - Dareshack, Bristol 10th Nov 2023

[dontsweatthefresh]

Shabazz Palaces - Woke Up In A Dream (feat. Lil Tracy) (Official Visuali...

Digable Planets - Blowout Comb (1994)

..had to do it.....

https://www.subpop.com/

[punkrockmixtapes]

CHIXDIGGIT Great Legs

Great jeans Great legs Great body But she had a bad attitude All my friends thought she was snotty And my mom thought she was rude But I liked her anyway She put me in my place She put me in my place

[grungeincluded]

With the arrival of David Carson and ''rock star designers'', graphic designers held a greater position in the mainstream. Criticism for such design is:

''because many elements of Grunge design, and especially the overall impact it has appearing radical and anti-establishment, are related to the strategies developed by the most political design movement of all time, Dada, some practitioners have been criticised for not sharing Dada`s oppositional attitude toward the mainstream''

Grunge Included | @37fotosb | Linktree

[artstationable]

SUBPOP

freelancer 2D character artist

artstation

More from «Artstation» here

[overwatchfanskinarchive]

Talon Tracer and Winston by Subpop

[chronivore]

1994

[psitrend]

Dream Woman by Suki Waterhouse is now available on Sub Pop

Suki Waterhouse expands 2025 schedule with major festival performances Suki Waterhouse has released the single “Dream Woman” along with its official music video. The track, available worldwide through Sub Pop, was composed by Suki Waterhouse, Jules Apollinaire, and Natalie Findlay. Waterhouse and Findlay wrote the song, while Apollinaire handled production. The music video was directed by Imogen…

[looseygoosey66]

REHAB DOLL TURNS 35!

The story of Seattle’s rise to global rock supremacy in the late ’80s and early ’90s begins with Green River. Made up of Jeff Ament (bass), Mark Arm (guitar/vocals), Bruce Fairweather (guitar), Stone Gossard (guitar), and Alex Shumway (drums), the quintet put out three 12”s and a 7” single during its brief existence. Green River’s influence on Seattle’s music scene spread far and wide thanks to the members’ dispersion into bands including Pearl Jam, Mudhoney, and Love Battery, as well as the punk-glam-sludge-rock songs they left behind.

“By ‘83, ‘84, there was definitely a movement that was happening within hardcore, like Black Flag slowing down for My War,” says Arm. “The Replacements and Butthole Surfers were rearing their heads, and they’re very different bands, but they’re not hardcore—the Replacements are pretty much straight-up rock, and Butthole Surfers were God knows what. Sonic Youth’s Bad Moon Rising was around, and a lot of really interesting post-hardcore things were happening.”

Green River, which formed in 1984, was part of that evolution, with a sound that straddled a lot of different genres—blues, punk, bloozy straight-ahead rock. The mini-LP Dry As A Bone, which came out in 1987, and the band’s lone full-length Rehab Doll, which came out in 1988, were released as a single CD with a few bonus cuts, including their sneering cover of David Bowie’s “Queen Bitch” and their marauding version of Dead Boys’ “Ain’t Nothin’ to Do,” in 1990—but they’ve been unavailable on vinyl for years. Now, these slices of Seattle music history are not only back in print, they’re accompanied by items from the vaults that had been forgotten about for decades.

Dry As A Bone was recorded at Jack Endino’s Reciprocal Recording in 1986, and it shows the band in furious form, with Arm’s yowl battling Fairweather and Gossard’s ferocious guitar playing on “This Town” and “Unwind” opening as a slow bluesy grind then jump-starting itself into a hyperactive chase. The deluxe edition includes Green River’s cuts from the crucial Seattle-scene compilation Deep Six, as well as long-lost songs that were recorded to the now-archaic format Betamax.

Rehab Doll, recorded largely at Seattle’s Steve Lawson Studios., bridges the gap between the taut, punky energy of Dry As a Bone and the bigger drums and thicker riffs that were coming to dominate rock in the late ’80s. This new edition of Rehab Doll includes a version of “Swallow My Pride” recorded to 8-track at Endino’s Reciprocal Recording, which features a more accurate depiction of how the band sounded when they played live. “When I listen to these mixes, I think, ‘This is how we actually sounded—this is the kind of energy we had,’” says Shumway.

Green River’s place in American music history is without question, but these recordings paint a more complete picture of the band—and of rock in the mid- to late-’80s, when punk’s faster-and-louder ideals had begun shape-shifting into other ideas.