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#stutchbury
heavensdoorways · 2 years
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Backdune House, Garigal, New South Wales, Australia,
Peter Stutchbury Architecture,
Photography by Derek Swalwell
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redwolf · 5 months
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Peter Stutchbury Architecture designed Night Sky House in Blackheath, NSW -- via ArchDaily
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grabsomeironmeat · 9 months
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Wycliffe Stutchbury
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Night Sky House in #Blackheath, Australia by Peter Stutchbury Architecture @peterstutchburyarchitecture. Read more: Link in bio! Photography: Brett Boardman Studio Peter Stutchbury Architecture: The most recent recipient of the highest residential award for architecture in Australia - The Robin Boyd Award 2021. (the Australian Institute of Architects did not award the Robin Boyd Award in 2022). To try to summarise this house is virtually impossible. Walking into the space for the first time is difficult to describe. It feels ancient and modern at the same time. The references are so varied, "it feels like a church, a castle, a railway arch, a middle eastern grain store". The commissioning client was inspired by a 19th-century ammunition bunker he once saw in Romania built of raw‌ ‌brick‌ ‌with arches. The architect references work by Le Corbusier in India. However, it is distinctly a singular design. The key architectural feature is the parabolic vaulted ceiling, a self-supporting structure made of recycled bricks having a 3.5m long by 2.5m wide elliptical retractable skylight that is unglazed and tilted 20 degrees to the south to gaze at the stars… #casa #australia #архитектура www.amazingarchitecture.com ✔ A collection of the best contemporary architecture to inspire you. #design #architecture #amazingarchitecture #architect #arquitectura #luxury #realestate #life #cute #architettura #interiordesign #photooftheday #love #travel #construction #furniture #instagood #fashion #beautiful #archilovers #home #house ‎#amazing #picoftheday #architecturephotography ‎#معماری (at Blackheath, New South Wales) https://www.instagram.com/p/CqLNUOXsdZu/?igshid=NGJjMDIxMWI=
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fisarmonical · 2 years
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Date: 1915-1916. Captain Eric William Stutchbury (later Major and MC and bar), 55th Battalion (right) and another unidentified officer (possibly Major McConaghy) smoking a pipe in a sandbagged dugout shelter. Stutchbury is seated on an upended wooden crate labelled '303 inch bandoliers'. Two bottles of alcohol are balanced on a similar crate on the left. Conflict: First World War, 1914-1918. Source: www.awm.gov.au
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bernardperroudart · 6 months
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Wycliffe Stutchbury. Royal Hospital Chelsea. Various dimensions. Pruned London plane. London, SW1.
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cpbhomes · 9 months
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grad604-macytaylor · 1 year
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Week 6 Presentation planning
Acrylic
Digital art
Publication + posters
Brand identity
Formative #1 — Week 6 August 22nd 2023
Three Cs: The creative, the creation and the creative communities.
You will present and discuss the works of a minimum of five specific examples of work and the creatives behind them that you are interested in knowing more about. the creative, the creation, and the creative communities, and visual components.
At least one must be from Aotearoa, two must be practicing today, and one can be a historical / retired / dead creative figure. You will need to be able to discuss why you have selected them and how they connect to you and your present or future creative aspirations. Be cognisant of gendered biases in design. Interrogate the intentions and ideologies that are communicated through your work. Discussion of 3-5 minutes per student.
Show images of your work, creative community selected practitioner works and be sure to identify all images that are not your own, with captions. Indicative feedback will be provided. Upload PDF to Teams folder ahead of class.
The creative
The creation
The creative communities
Visual research inventory — map or use other graphic systems to present your research findings into creative communities, connecting to you as a creative. These methods might include maps, documents, specimens, scrapbooking, forensic wall, montages, to reflect on your research to date.
The guy 
The stuff hes made
The people he knows
A VISUAL RESEARCH INVENTORY: 
a graphic system mapping your research findings into creatives & design communities showing how they connect to your chosen design direction. 
Presentation plan:
Introduction: the creative neighborhood
1: You will present and discuss the your work as THE CREATIVE. Addressing, who am I as a designer? 
What does this work say about you as a designer? 
How does this work connect you to other creatives?
How do you link to your creative communities? 
Acrylic- my first foray into the art & design world. Connected through getting me excited in art via my art teacher and a good community in my classmates
2: You will present and discuss the works of a minimum of five specific examples of work & the CREATORS behind them. You will need to be able to discuss why you have selected them and how they connect to you and your present or future creative aspirations. 
At least one must be from Aotearoa, 
two must be practicing today, 
one can be a historical / retired / dead creative figure. 
Sam stutchbury
Ashleigh sun 
Jungie choi
James Hurman
Elliot Ulm
+ Be cognisant of gendered biases in design. + Interrogate the intentions and ideologies that are communicated through your work. 
3: You will present and discuss works by the CREATIVE COMMUNITIES you are interested in. 
You will need to be able to discuss: 
Why you have selected these communities, 
how they connect to your design direction 
& represent your future creative aspirations. 
DINZ Student Council 
Motion Sickness 
Threaded
Curious 
Curative
4: Present and discuss the VISUAL COMPONENTS you are gathering. 
Images and discussion of key visual components 
Why you have selected these components, 
how they link to your design interests, 
briefly outline or note themes or narratives explored.
RECAP: 
• Your work as THE CREATIVE, • The work of individual CREATORS that are influencing / informing your practice, 
• Selected practitioner works from the CREATIVE COMMUNITIES that inspire 
you / that you would like to be part of, + the VISUAL COMPONENTS gathered so far. 
Be sure to identify all images that are not your own with captions 
CONTEXTUAL ENQUIRY — investigating Develops and articulates relevant links to contemporary / historical concepts and contexts. (i.e. culturally, socially, politically or ideologically). 
“Exceptional proficiency to evaluate and extend links between a complex range of conceptual and contextual content.”
RESEARCH SKILLS — communicating Utilises appropriate tools and methods to advance and document research materials. 
“Exceptional command and expertise of new tools and methods to advance and document the research process.”
CRITICAL ANALYSIS — reflecting Identifies, comprehends and produces appropriate research materials to inform and support inquiry 
“Exceptional and cohesive questioning and reflection of material to extend inquiry”
SYNTHESIS — integrating Articulate and integrate research thinking, processes and findings, clearly and fluently to present ideas. 
“Exceptional and rigorous articulation and synthesis of research findings to compressively present ideas”
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....architecture & desiGN
.
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nikkiholyyear2 · 2 years
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Working on a wooden chain mail blanket!! Random idea and a development of the wool wrapped tiles and the original inspiration by Wycliffe Stutchbury.
I found a branch in the local woods, let it dry out and then sliced it in the wood workshop, sanded each pieces and then stained it, drilled four holes in sort of quarters and then used wire to attach them together . This is the trial piece in progress.
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Part of the idea is the reverse of hugging a tree, it’s being hugged by a tree, wrapped in a wood blanket but mainly it’s about repetition and circles and circles within circles, (although as I’ve just realised I’m planning the end result to be a square). It’s also about movement and motion and highlighting the essence of the material, each individual slice is so interesting on its own. The process for each slice is quite monotonous and labour intensive which I like.
I don’t know anything about wood and though I think this is beech I don’t know anything about it’s properties, I’m assuming it’s a soft wood as it breaks quite easily.
Originally I wanted to join the slices with little split rings but am having troubling sourcing the right size and I wonder if they will not be flexible enough. Instead I am using a thin wire which is fine but really fiddly and not very neat.
Just thinking if I can use wood stain to create some colour gradients??
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paradisebackyard · 5 years
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#ChiltonWaters #Stutchbury https://www.instagram.com/p/B3bWJRIId4m/?igshid=3640kymcgzv4
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redwolf · 1 year
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Peter Stutchbury Architecture designed Night Sky House in Blackheath, NSW -- via ArchDaily
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grabsomeironmeat · 7 months
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Wycliffe Stutchbury
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songwriternews · 3 years
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New Post has been published on SONGWRITER NEWS
New Post has been published on https://songwriternews.co.uk/2021/09/time-to-move-on-feat-sophia-stutchbury-2/
Time To Move On (feat. Sophia Stutchbury)
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https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview125/v4/1d/cf/b1/1dcfb17a-98f6-01f1-936a-ef9bc1bbc4ad/mzaf_1928169786608308780.plus.aac.p.m4a
By Technical Finger
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derekswalwell · 4 years
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Cabbage Tree house | @peterstutchbury Northern Beaches Shot 2019 - - - - #sydneyarchitects #tropicalliving #cabbagetree #stutchbury #peterstutchbury #thelocalproject #concretehomes #concrete #jungleliving #brickwork #homesoftheworld #rainforest #arquitectura #arquitecturaydiseño #arquiteturadeinteriores #architecturaldesign (at Northern Beaches) https://www.instagram.com/p/CKVmeF1pBwe/?igshid=qu4c88xv2b23
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abstrakshun · 3 years
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Wycliffe Stutchbury (British, b.1965)
more at Sarah Myerscough Gallery, London
more on Instagram
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