#studio mcgee design

[soft-homestyle]

Stay cozy.

@soft-homestyle

[designerhome]

[harperandhudson]

[pingtopong]

Raleigh Kitchen Dining

Inspiration for a mid-sized mediterranean light wood floor, orange floor and wall paneling kitchen/dining room combo remodel with beige walls

[tryingsofter]

Raleigh Mediterranean Dining Room Inspiration for a mid-sized mediterranean light wood floor, orange floor and wall paneling kitchen/dining room combo remodel with beige walls

[sakayrasims]

deadgrass isle 🐚 📍 brindleton bay

a private shingle-style island estate designed by patrick ahearn featuring a studio mcgee-inspired interior.

credits to @pixelplayground for her beautiful cc and always being a source of inspiration; plus extra shoutout to @biancml for making a gorgeous maxis-match version of this home ♡

see the rest of this build here ♡

[sims4mansions]

HILLTOP ESTATE (3/3)

Very heavily inspired by the wonderful home designed by Studio McGee and featured on Netflix (season 3 i think)

Find my latest builds here

more photos of this build

Don’t forget to follow my simstagram: @sims4mansions

DOWNLOAD : Tray Files / Gallery @Toutatis17

[jttwconfessions]

IK that this was alright talked about in a large round of confessions but I need people to understand here that the differences in animation this season isn't just the studio, or anything else involved in it, it's how LMK characters were NOT designed to be for RIGGED ANIMATION. As an animation student, I know that rigged animation can look fucking AMAZING. Look at The Ghost and Molly McGee, Bluey, Final Space, or even Star Vs the Forces of Evil (mainly season 1). Those shows ALL have amazing, lively animation, and guess what??? THEY'RE ALL RIGGED. The real difference here though? Is they were BUILT to be rigged, the character designs were literally DESIGNED to work with rigged puppets as apposed to LMK. They were designed with Flying Bark's hand drawn style. So honest to god I'd say what the new studio had to work with when trying to rig these complex character designs that were never rigged and god bless in a new SEASON. I'd say they did pretty damn well.

[thisbelongsto-nohbodys]

I'm salty about The Ghost and Molly McGee's cancellation and how it's another example of networks and studios screwing over a show that didn't earn a profit despite doing next to nothing to help it earn a profit.

You got some fluffy headcanons about the show to help this poor salty soul.

Still mulling things over for post-series headcanons. I do have a few but I wanna wait till I have a good list and some designs before posting. I can give a few tho', 1 per major character.

Sharon worked through her grief of losing Scratch and created a series of wonderful art pieces which both hang in the Town Hall and in a museum in the capital.

Pete eventually manages to get a victory for Brighton over Perfektborg with an excellent redesign of the market district. While Perfektborg would win the next year, Pete was still hailed as a hero by the Brightonians.

Molly became Mayor of Brighton when she got old enough and felt she was ready to run, the previous Mayor Brunson even endorsed her run and she won easily. She has been enhappifying the town even more since for both the living and ghost citizens of Brighton

Daryl went legit...kinda. He still has some shady dealings but the other businesses he has are 100% legit (mostly thanks to Andrea's help and business know-how).

Libby became a popular author after with the encouragement of Molly, she sent in a manuscript and was published at 16. Since then she's been writing a bunch of stories of various genres (even outselling her father which brought her a bit of joy)

Andrea worked with Molly to rework her (Andrea's) life plan and it's been working great for her. The new "honest Andrea" image has been working well for her and has found it liberating not just for herself but against her family who has been trying anything to regain their empire, meanwhile Andrea has been happy separate from them

Ollie is a living therapist to the dead and has been helping ghosts with their unfinished business. While not his main job, it is the one he finds the most satisfying.

June continued her research on ghosts and now that actual ghosts are friends of her and family, she has direct test subjects. Her research was at first laughed at by "ghost experts" but after a few years of her advice was proven to work she got the respect that her parents never got.

Geoff & Jeff visited the McGees more often after Scratch left. While not the best at giving life advice, Geoff still tried to help Molly and co while growing up (Jeff, while supportive of his husband knows that he isn't the best with that stuff and would correct things)

[disneytva]

The Walt Disney Company Receives Record-Breaking 94 Children’s & Family Emmy Award Nominations

The Walt Disney Company today received a record-breaking 94 Children’s & Family Emmy Awards nominations across its content brands and studios: Disney Branded Television, Disney Channel, Disney Junior, Disney Television Studios’ 20th Television and ABC Signature, Hulu Originals, Lucasfilm Ltd., Marvel Animation, Marvel Studios, Pixar Animation Studios, Walt Disney Animation Studios, and Walt Disney Studios.

This year’s companywide nominations break the inaugural year’s total of 86 nominations in 2022.

Disney Branded Television received a record 74 nominations across Disney+, Disney Channel, and Disney Junior—the highest number of any group recognized. 

✨BEST CHILDREN’S OR YOUNG TEEN ANIMATED SERIES

-Big City Greens

-Baymax!

-Zootopia+

-Moon Girl and Devil Dinosaur

✨BEST ANIMATED SPECIAL

-Moon Girl and Devil Dinosaur: “Moon Girl Landing”

-The Wonderful Summer of Mickey Mouse

✨BEST SHORT FORM PROGRAM

-Marvel Studios: I Am Groot

✨BEST PUPPETRY PERFORMANCE

-Eric Jacobson as Animal/Baby Animal, “The Muppets Mayhem”

✨BEST VOICE PERFORMANCE IN A PRESCHOOL PROGRAM

-James Monroe Iglehart as Mr. Puppypaws/Announcer, “Superkitties”

✨BEST VOICE PERFORMANCE IN A CHILDREN’S OR YOUNG TEEN PROGRAM

-Laurence Fishburne as The Beyonder, “Moon Girl and Devil Dinosaur”

✨BEST YOUNGER VOICE PERFORMANCE IN A PRESCHOOL, CHILDREN’S OR YOUNG TEEN PROGRAM

-Melissa Povenmire as Gretel, “Hamster & Gretel”

✨BEST WRITING FOR AN ANIMATED CHILDREN’S OR YOUNG TEEN PROGRAM

-Baymax!

-Moon Girl and Devil Dinosaur

✨BEST DIRECTING FOR A SINGLE CAMERA PROGRAM

-The Muppets Mayhem

✨DIRECTING FOR A PRESCHOOL ANIMATED PROGRAM

-Mickey Saves Christmas

✨BEST DIRECTING FOR AN ANIMATED PROGRAM

-Baymax!

-Zootopia+

✨BEST VOICE DIRECTING FOR AN ANIMATED SERIES

-The Ghost and Molly McGee

-Kiff

-Moon Girl and Devil Dinosaur

✨MUSIC DIRECTION AND COMPOSITION FOR AN ANIMATED PROGRAM

-Star Wars: Young Jedi Adventures

✨BEST ORIGINAL SONG FOR A PRESCHOOL PROGRAM

-“The Hat Makes The Hatter,” Alice’s Wonderland Bakery

-“One Big Family,” Mira, Royal Detective

✨BEST MAIN TITLE SEQUENCE

-Kiff

-Moon Girl and Devil Dinosaur

-Star Wars: Young Jedi Adventures

-SuperKitties

✨BEST EDITING FOR A SINGLE CAMERA LIVE ACTION PROGRAM

-The Muppets Mayhem

✨BEST EDITING FOR A PRESCHOOL ANIMATED PROGRAM

-Star Wars: Young Jedi Adventures

✨BEST EDITING FOR AN ANIMATED PROGRAM

-Baymax!

-Cars On The Road

-Moon Girl and Devil Dinosaur

-The Wonderful Summer of Mickey Mouse

-Zootopia+

✨BEST SOUND MIXING AND SOUND EDITING FOR A PRESCHOOL ANIMATED PROGRAM

- Star Wars: Young Jedi Adventures

✨BEST CASTING FOR A LIVE ACTION PROGRAM

-The Muppets Mayhem

✨BEST CASTING FOR AN ANIMATED PROGRAM

-Big City Greens

-Eureka!

-Moon Girl and Devil Dinosaur

-The Proud Family: Louder and Prouder

✨BEST PUPPET DESIGN AND STYLING

-The Muppets Mayhem

[pixelplayground]

Hello! I just want to say I really love all your builds and interiors and your design sense. Could recommend some of your favorite places to get inspiration, if you look at anything or save pictures? (social media, magazines, etc)

Hello @suneesims,

Thank you! I tend to prefer using Instagram these days compared to Pinterest. During my remodel IRL (which TBH is still on-going, and I feel like it will never be done, lol) I found Instagram to be very useful in terms of sourcing local vendors, landscapers, architects, etc. They will usually have their own Instagram pages and websites showcasing their portfolios.

I have also been visiting a lot of local home parades from the luxury custom builders in my area which is always great for inspiration. I will take pictures in person to refer to later.

I have been collecting architectural books too. Patrick Ahearn is the architect of most of the Dutch Colonial and Cape Cod builds that are popular on Pinterest and then by default, simblr. Historical Concepts is another prevalent firm. McAlpine, Charles Hilton, Olson Kundig, Eric Olsen, Amber Lewis, Studio McGee/McGee&Co, etc. are all very popular. I have always loved RH and the designers that they collaborate with. One of the nice things about referring to the actual firms behind these builds is that on their Instagram they will link every firm that was involved in creating the project, such as their interior designer, the contracted builder, the landscape firm, etc. You can go down the rabbit hole and expose yourself to new and less “popular” accounts so you're absorbing a broader range of influences versus the same derivative content over and over again.

[soft-homestyle]

Stay cozy.

@soft-homestyle

[anonymoushouseplantfan]

Do you think the backlash against InBev and Target will make brands wary of engaging with someone so controversial? The ‘controversy’ is certainly different. With these humongous bottom line impacts, I have wondered if the whole ‘influencer’ phase will experience a downswing and advertising will go back to less celebrity endorsements and more unknown commercial actors.

That’s why she’ll get mostly smaller or marginal brands.

Target ended their partnership with Chrissy Teigen and kept the Magnolia, Jungalow, and Studio McGee collaborations. It seems they are focusing on designers and not lifestyle influencers now.

[doom-nerdo-666]

Something i once thought about id is how many people are part of the studio and how many of them are recognized.

Because with 90's id, we know of Romero, Carmack, Carmack, Petersen, Hall, Cloud, McGee, Wilbur, Prince etc.

But with modern id, besides Martin or Stratton and Mick Gordon, there's also some names related to tech or level design or art direction that pop around.

But there's always people that work at id, yet are barely noticed.

It's obviously a side effect of the gaming industry getting bigger and maybe how many people associate a game with a "director" or a team.

Perhaps indie games don't have this problem as often.

With old id, there's some devs who built their own legacies unrelated to Doom or Quake like McGee or Petersen.

This makes EmptyVessel interesting because they're another case of "former id devs doing their thing" but with modern id era.

It also goes back to what i said about game directors and how common or not that idea is with the current state of the industry (Even suggesting thar Mick Gordon was "the name" associated with modern Doom and relate that to why Mart Stratton treated him like shit).

[twistedtummies2]

Fifteen Days of Disney Magic - Number 6

Welcome to Fifteen Days of Disney Magic! In honor of the company’s 100th Anniversary, I am counting down my Top 15 Favorite Movies from Walt Disney Animation Studios! To introduce today’s entry, I have only this to say: “Most Everyone’s Mad Here.” Number 6 is…Alice in Wonderland.

This is the other film, alongside “The Great Mouse Detective,” where I feel – if you know me well – it’s high placement will not remotely be surprising. Whereas, if you don’t know me well, it will likely be VERY surprising. Honestly, I can settle why “Alice” is so high on my list with a single sentence: Lewis Carroll’s “Alice” stories are my favorite books, and I personally think the Disney version is the best movie treatment of the books, as well as one of my personal favorites. That’s really all I NEED to say. But you came here to hear me ramble, I think. Possibly. Maybe. So I guess I have to. :P The history of Walt Disney and “Alice” is actually pretty fascinating on its own, leaving the movie alone: this, alongside “Peter Pan,” was one of the first movies Walt wanted to make, and was actually considered for his first feature film, and then his second, way back in the 1930s. Ultimately, Walt went with “Snow White” for his first film, but he never gave up on “Alice.” It’s pretty clear that Walt loved the story, because even before the Disney film ever got put into development, he’d used Wonderland as the basis for several of his earlier works. There were the famous “Alice Comedies” he produced during the silent era, which were not so much directly based on the books so much as just inspired by them, but are still worth noting. Later there was one of the best Mickey Mouse cartoons ever made, in most people’s minds, “Thru the Mirror,” where Mickey goes through the Looking-Glass, dances with the Queen of Hearts, duels the King, and has to deal with a multitude of animated objects. Initial treatments of the “Alice” story were much darker and more surreal than the final product; most notable was a treatment of the film by artist David Hall, which has sort of become legendary amongst Carrollians and fans of Disney trivia and lost media alike. However, it wasn’t until artist Mary Blair came onto the project – and after World War II drew to a close – that Disney finally felt confident in making the movie. Interestingly, when the film finally came out in 1951, it was something of a disappointment: critical reactions were lukewarm, at best, and it underperformed at the box office. However, over the years – with subsequent re-releases and exposure through various forms of merchandising and rides at the parks – the film gained a bigger and grander following. Nowadays, “Alice” isn’t exactly considered a great Disney classic, but it’s definitely not considered a failure.

In fact, in some ways, one could argue it’s one of the single most influential Disney movies of all time. It was certainly influential on later renditions of the story: coming from somebody whose obsession with the Carroll classics is well known, I can say with certain fact that the Disney film is actually far more responsible for the public perception and love of Alice today than perhaps ANY other version of the stories, including the books. (The only other possible contender is the video game “American McGee’s Alice” and its sequel, “Alice: Madness Returns.” Incidentally, RIP “Alice: Asylum.” May flights of EA idiots sing thee to thy rest.) A lot of things in this film that weren’t in the books now seem to just be accepted as common knowledge: for example, the Cheshire Cat in the books was an ordinary orange or gray tabby cat. The popular purple-and-pink design you’ll find riffed on in some fashion throughout so many interpretations was ENTIRELY the invention of Disney; it never existed before them, to my knowledge. Similarly, characters and story elements that are in the books but WEREN’T in the Disney film tend to be forgotten, even if they’ve been used and reused in tons and tons of other adaptations: there are plenty of versions of the Duchess and the Gryphon out there, but since neither of them are in the 1951 movie (nor the 2010 feature made by Tim Burton, for that matter), most people forget they even exist.

Even beyond other versions of Alice, however, the film has had a huge impact on pop culture, and even Disney itself, than most other films in the canon. Heck, at Disneyland, right now, there are no less than four rides that all reference “Alice in Wonderland.” Four! And that’s not even counting any other shows or attractions, or even any of the other rides at other parks. Nor is it counting video games, nor the numerous other Alice reimaginings that have come out and in some way been influenced by the 1951 picture JUST from Disney’s vaults alone, nor the ABUNDANCE of merchandise – both official and fanmade – based on this one movie. It isn’t a film that has the depth of plot, character, and thematics as something like “Beauty and the Beast” or “The Lion King,” nor is it as historically important as movies like “Snow White,” but I think “Alice” makes up for it by just being fun. It’s a fun, weird, psychedelic ride through the wilds of the imagination, and really, that’s always been what “Alice” SHOULD be, at the end of the day. Really, given my love of the story, in general, the REAL question should be not why “Alice in Wonderland” ranks so highly for me…but why isn’t it even higher? All I can say is, perhaps the films that do rank above it will offer some explanation… The Top 5 are upon us! The countdown continues tomorrow with my 5th Favorite Disney Movie! HINT: It’s the Only Modern Movie on The Countdown.

[echologname]

April is Autistic Pride Month!

30 days of yippee characters!

For each day of Autistic Pride Month, I will draw a fictional character who is canonically or head canonically autistic or the 'sona of an IRL individual. Yet other neurotypes often overlap with auties and as a whole, neurodiversity is too immense to be exclusive, so, I will include characters of other neurotypes such as ADHD, OCD, PTSD, dyslexia processing disorders...etc.

I will update this post as the month progresses.

Day 1: Serial Designation N - autistic (head canon)

From the show Murder Drones by Glitch Productions on YouTube.

Day 2: Fantoccio - autistic (canon)

From the musical 3D platformer for PC, Billie Bust Up by Blueprint Games.

Day 3: Julia - autistic (canon)

From the PBS Kids show Sesame Street (debuted in episode 5715) by Sesame Workshop.

Day 4: Penny Polendina - Autistic (head canon)

From the show RWBY by Rooster Teeth on Crunchyroll.

Day 5: Marcy Wu - autistic (head canon)

From the show Amphibia created by Matt Braly on Disney Channel.

Day 6: Rocky Rickaby - head trauma (canon) + ADHD (head canon)

From the webcomic, Lackadaisy by Tracy J. butler.

He LOVES pancakes!

Day 7: Donatello - autistic (canon)

From Nickelodeon's Rise of the Teenage Mutant Ninja Turtles.

Day 8: Norma Khan - autistic (canon)

Particularly from Dead End: Paranormal Park on Netflix, based off of the comics, Dead Endia.

Day 9: Billie - ADHD (canon)

From the musical 3D platformer for PC, Billie Bust Up by Blueprint Games.

Day 10: Jack - ADHD (canon)

From Bluey by the Australian studio, Ludo.

Day 11: Twyla - autistic + misophonia (canon)

From Nickelodeon's Monster High show (G3).

Day 12: Padparadscha - processing disorder (head canon)

From Cartoon Network's Steven Universe created by Rebecca Sugar.

Day 13: Arcus - dyscalculia (canon)

From the Webtoon Acception by Colourbee (Coco Ouwerkerk).

Day 14: K.2 - autistic (canon)

From the Webtoon Piece of Mind by lunar_neo

Day 15: Dory - anterograde amnesia (canon)

AKA, "short term memory loss."

From Disney Pixar's Finding Nemo.

Day 16: Entrapta - autistic (canon)

From She-Ra And The Princess of Power on Netflix

Day 17: Pema - autistic (canon)

From the Autistic Aliens comic by Kyah Comic

She likes creatures, so I drew her with a Luna moth.

Day 18: Aristotle - autistic (canon)

From the musical 3D platformer for PC, Billie Bust Up by Blueprint Games.

Day 19: Wednesday Addams - autistic (head canon)

Day 20: Aaron Mitchell - autistic (head canon)

From The Mitchell's vs. The Machines by Sony Animation on Netflix.

Day 21: Hunter - autistic (head canon)

From the show The Owl House created by Dana Terrace.

Day 22: Goh - autistic (head canon)

From the anime Pokémon Journeys.

Day 23: Libby - autistic (head canon)

From Disney Channel's The Ghost And Molly McGee

Day 24: Wasabi - OCD (canon)

From Disney Pixar's Big Hero 6.

Day 25: Bebe - autistic (canon)

From The Proud Family: Louder And Prouder

Day 26: Renee - autistic (canon)

From the Pixar Spark Short Loop

Day: 27: Maud Pie - autistic (head canon)

From My Little Pony: Friendship Is Magic

Day 28: Dendy - autistic (head canon)

From Ian Jones-Quartey's OK KO: Let's Be Heroes on Cartoon Network

Day 29: Kawaii~Chan - autistic (head canon)

From Aphmau's My Street Minecraft roleplay on YouTube.

Day 30: Angel - autistic (canon)

My furry OC. She's a sheltie covered in rainbow sprinkles 🥰.