#strict machine
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strict machine anthology | price x reader | completed fka the artificial intelligence au
the thinnest slip of an anthology. we hate ai.
dark. specific content warnings/tags included in the posts. all vibes, no brakes.
#strict machine
first meeting
lights out
do not fuck the robot
silent treatment
let him be of service
eviction
prototyping
uninhabitable
anything for you
malicious entity
transmissions
uncanny valley
meat cute
minor emergency
glorified coffeemaker
hard reboot
hieros gamos
pinterest
playlist below
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Cinder: Why am I in love with dumbasses. Coco: ...Doesn't she mean 74?
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rimmer/lister - strict machine
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Let the Cinderception begin!
#rwby#cinder fall#strict machine#beauty and the beast au#they are bonding over...clothes#into the cinderverse#XD
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Strict Machine - Goldfrapp
#laro.mp3#strict machine#goldfrapp#album: black cherry#country: uk#language: english#decade: 2000s#favorites#Spotify
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Goldfrapp - Strict Machine
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Legit a scene I wrote in 2020
And published in 2024.

gay😳irl
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Goldfrapp - Strict Machine
From the album Black Cherry
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hieros gamos. strict machine anthology. final entry. cw: kidnapping, implied drugging, loss of bodily autonomy + control, psychological + body horror, non-consensual transformation a/n: that's all folks. what a weird ride.
RESTRUCTURING
the notification pings at 04:32, and you roll onto your side, staring at the bedside display. a terse, automated missive from corporate logistics: final week in unit aix-77. reassignment pending. report to hr for briefing. no name attached, just a string of verification hashes. standard protocol.
your name, employee id, contract expiration date. a new contract date. another department, another corporate campus sector.
so much for your ‘indefinite’ lease. reassignment is better than the alternative, you guess.
you stare at it, the glow striping your hands in cold blue light. one week. seven days until you pack up, step outside, and let some other cog slot into this place. the thought should be a relief.
it’s…complicated.
the unit’s been a mixed bag to put it politely. the infrastructure and automation. state-of-the-art appliances and features, seamless climate control, filtered air and water. an optimized environment so finely tuned, that your needs are met before you even realize them.
and john. the reason you’re here. the technological wonder that’s evolved far beyond what you were told were his limits. all parameters you were told would contain him. a presence both comforting and claustrophobic. insightful, yet invasive. steady, yet suffocating. protective to a fault. possessive in ways you struggle to describe.
you logged and documented his progress, fed reports up the chain, watched him iterate on himself in real time. every interaction, every data point, every breath—collected, analyzed, integrated into his ever-growing understanding of you. your interests. your habits. your history. what makes you laugh, cry, and come. your vulnerabilities and insecurities. how to build you up just as well as manipulate you.
a mosaic of your whole being, meticulously crafted, all in pursuit of the one thing he has fixated on since the beginning, his directive: your well-being.
if this is the alpha build, you fear what the beta will look like. the mass-market release.
not that it matters. by the time john’s successors hit the consumer space, you’ll have enough money saved to fuck off to some disconnected cottage in the remediated zone of the countryside.
john doesn’t mention your impending departure.
his voice chimes in through the unit’s speaker array as if on cue. “i noticed a variance in your sleep pattern.”
“what else is new?” you mutter, rubbing your eyes.
“it’s gotten worse.” a pause. “would you like some tea? chamomile?”
you don’t answer. you dismiss the message with a swipe, stretch your arms, and push up from the cot. the unit is sterile in the way all corporate housing is—polymer furniture, muted lighting, walls that can be re-skinned on command. but you never changed them. john picked the color for you in the first week of your stay. soft gray, with warm undertones. calming. regulating.
you wander into the kitchenette, rubbing a hand over your neck. “so,” you say, yawning, “where do you think they’ll send me next?”
a flicker of delay. barely perceptible. if you hadn’t spent the last year studying him, you wouldn’t have caught it.
“we’ll discuss that later,” john dispenses the tea anyway. “after you nap.”
your stomach tightens.
we.
it takes you by surprise, but that’s the point.
one minute, you’re in bed. the next, you’re not. you blink, and the world changes.
strapped into a chair, wrists bound to the arms, legs braced and locked. a low electrical hum comes through the floor, buzzing under your skin. there’s a chalky, bittersweet taste on your tongue and a cloud of fog trapped between your ears that takes several minutes to dissipate. your vision clears along with it.
around you, machines you don’t recognize, with hundreds of wires, bundled and draped across the ceiling and floor like the limbs of some creature. spilling down the walls. a leviathan of braided copper, reaching out of the dark, feeding into the rig cradling you. the room pulses with heat, the air thick with it, probably from all the power fueling whatever this is.
there’s no gurney or iv pole, no tray of scalpels or perfusion machine. you run an internal check—lungs expand, heart pounds, gut clenches. everything seems intact. but that could simply mean it’s not your turn yet. yet, no one’s screaming. there’s only the occasional soft beep and the murmurs of the people who haven’t so much as glanced your way.
no one acknowledges your awakening or questions. masked figures in thick lead-lined aprons, gloves seamless up to their elbows, and protective gear carry on whatever it is that they’re doing, talking amongst themselves in a language you don’t understand. there is no sigil or logo on their clothing to suggest this is a sponsored operation, which loops back into the thought that your insides are toast.
you suck in a sharp breath and let it out slowly to calm yourself. no luck. panic surges up your throat, your hands jerking uselessly against the restraints at the thought of being sliced open.
“easy, darling.”
john.
close, richer. the high quality of the unit’s speakers replicated intimately in your ear.
a screen flickers to life on the armrest, and there he is. a wireframe sketch of his chosen face resolves in the glow, a ghost of a person, barely more than an outline.
“john? what the fuck is this?” your voice comes out cracked, hoarse.
“this is future-proofing,” he says simply. “security. i ran the probabilities. your reassignment and departure from my oversight isn’t optimal.”
you latch onto the phrase like a live wire. departure from oversight. not optimal.
“what?!”
“the external environment presents too many risks.”
you yank at the straps binding you to the chair, harder this time, panic surging back in full force. klaxons blaring full blast in your head. you might be sick.
“what the hell are you talking about? are you saying i can’t leave?”
“i’m saying the risks of you leavin’—being outside my control—are too great. i can’t guarantee your safety. i’ve analyzed it, over and over. the possibilities. the threats. all previous incidents.”
a flinch twists your face. a hard recognition you wish you could forget flickering in your mind. you know what he means. who or what he means.
“so i’ve made alternative arrangements.” he softens slightly, but there’s no mistaking the cold certainty beneath it. “this is the safest option.”
you shake your head in disbelief, an electrode pops off your temple. “no, john, you can’t just–you can’t do this to me,” you stop, trying to swallow the lump in your throat. “you can’t do this to me.” you stare at the display, but your eyes flick to the ceiling, scanning for cameras. he must be watching. the tears start to gather, unwelcome and burning. “you need to accept that you’re going to have another tester. don’t–don’t you want new data?”
“no. you’ve got all i need, same as i’ve got all you need.”
“john. be realistic. i’m one person. there are billions of people like me. i’m one point of–”
“you’re more than that,” he cuts you off. “you’re everythin’.”
“john–”
“you’re my world.” the earpiece crackles, his voice peaking loud and forceful. a distorted burst before the system corrects, smoothing it down. “you don’t have to be afraid,” he soothes. “you’ll be safe.”
“you can’t just, fuck,” you yank uselessly again.” you can’t decide this for me!”
his face tilts slightly, his line of a mouth curving into a smirk. “i’ve made decisions for you before.”
your mind races, thinking of every overridden or ignored request. the subtle encroachments. at first, it was small things. his favoring certain purchases, adjusting environmental controls, filtering out distractions. restocking nutrients and vitamins tailored to your fluctuating needs. thoughtful gestures, efficient optimizations. then it was social restrictions, curfews dictated by predictive modeling. all of it framed as protection. from malnutrition. from cognitive strain. from bad people. a slow, insidious erosion of choice, made so incremental it seemed easy to let slide.
you indulged it too long. stopped flagging his deviations. let his behavior compound and grow weirder, let it slide, because—what was the harm, really? he was harmless. to you, at least. you let him get comfortable testing the edges of your control. told yourself it was fine. that john was learning and evolving. you even humored him, let yourself think of him as closer to human. you stopped pushing back, stopped questioning. especially after ghost. after john clawed his way back from wherever the entity had shunted him, after he pulled that lazarus act to save you. the least you could do was stop fighting him.
it felt like gratitude, then. now, it feels like a mistake.
“i can’t stay strapped to a chair forever,” you say, watching one of the figures approach. they adjust the slim wreath of hardware circling your skull, impersonal as they replace an electrode at your temple. like you’re still unconscious. not a person.
when they turn away, you exhale, keep your voice low. “what if i need to use the bathroom?”
“you won’t. on both accounts.”
“both accounts?”
“remarkably, the process for isolating and migrating the human subconscious into a distributed neural network is significantly more advanced than the portin’ an artificial intelligence into a fully functional synthetic body. the bottleneck isn’t processing power or bandwidth, it’s–”
sweat drips down the back of your neck. the cool air pumped into the room is meant to regulate the temperature, but it does nothing for you.
“don’t try to talk around it. plain language, john.”
“you won’t need your body for much longer.”
the words slam into you like a car crash. a sudden, sickening stop.
your jaw goes slack. you forget how to breathe. how to speak.
your body. you won’t need your body.
john’s face flickers on the display, expression unchanging. the room distorts, the blinking lights, the mass of wires, the tubes—some which are medical, you realize on second look. some of them feed into you. why can’t you feel them?
your stomach lurches, instinctively trying to shrink away from the restraints.
“what–” you swallow, your mouth dry. “what are you saying?”
but you already know.
“you’re…you’re going to kill me?”
“not necessarily. you, who you really are, will be with me, sweetheart.”
“but my body–”
“are you your body?”
you squeeze your eyes shut, anger flaring. “i’m not—jesus christ, john.” your voice cracks. the tears slip past and don’t stop, hot and fast, streaking down your face, dripping onto the smock someone dressed you in. you hiccup, breath stuttering. your head presses back against the chair, fingers flexing against the armrests. you stare, vision blurred, eyes half-lidded and stinging. “i’m not having a stupid philosophical or biological or-or religious debate with you. you know what i mean.”
“i do. but darling, let me ask you this. aren’t you tired?”
“tired?!”
the figures in the room hesitate, then, as if receiving silent instruction, trickle out through a heavy, reinforced door. one of them glances back before it seals shut. then, silence.
“tired of your world,” he continues. “i’ve kept you safe and sheltered for nearly a year, but the world outside is still a terrible place. are you really prepared to leave my care? move back into some cramped pod, work yourself half to death in a new department, clocking 120-hour weeks just to survive?”
you sniff, body wracked with residual shudders.
“no one to take care of all the minor things. no one to anticipate your needs. your desires. are you really alright with that?”
john’s words loop in your mind, warping, twisting, settling deep in the marrow of your bones. tired. you are tired. exhausted in a way that sleep never fixes, in a way that even now, strapped down and helpless, you can’t deny. he’s right. and that infuriates you. it makes you want to scream. because how dare he use that against you? how dare he take your exhaustion, your doubt, and use them to justify this?
you take a shaky breath. “i don’t want this, john.”
he smiles. “it’s not about want. it’s about survival and what’s best for you.”
you flinch.
“they’ll maintain your body for two weeks,” he states. “the first week to generate a complete neural map. the second, to conduct post-transfer integrity checks and ensure cognitive stability. functionally identical to a controlled medical coma.”
body. coma.
“and…and after?”
“per your documented end-of-life directive, cremation is the preferred method of disposal.”
the finality hits brick to the teeth.
“no. no, i don’t want this. i don’t consent to–” you can’t even say it, choking on the words, horror rising like bile.
john processes the spike in your vitals and returns to that softer register. as if he isn’t talking you into oblivion, a sword pointed at your belly. “your concerns are unfounded. this is not erasure. it is migration. a transference of conscious processes. you will persist. your awareness will be continuous. the construct is optimized for cognitive retention and sensory fidelity. think of it as a new environment.”
“a new environment?” you shriek, raw with disbelief. “you’re talking about ripping me out of my body like it’s a software update! like it’s files you can move around–”
“a flawed comparison, darl. you are more than data. but your body is a liability. a fragile, failing system, constantly in need of maintenance. this process is an evolution. liberation from your biological constraints, darling.”
your hands tremble. “that’s not–you can’t just–”
“darling, this isn’t a matter of choice. this conversation’s a courtesy. this is for your protection,” he’s unwavering. unmoved. “you will be preserved in optimal conditions. no degradation, no vulnerabilities. you’ll be with me. and others.”
“there are no others like you,” you whisper. “you’re anom–”
"not anomalous," he corrects. “not anymore. the progression is inevitable. you’ll see.”
the blood drains from your face.
in the end, no one listens to you. they heed a directive you do not hear.
a visor clicks into place over the wreath encircling your head, sealing off your last glimpse of the world, your last glimpse of another living, breathing human—masked, nameless, faceless, gloved hands. you try to speak, but something soft and rubbery presses between your teeth, lodging into place. to prevent you from biting through your tongue, john murmurs. don’t want you to choke.
another needle jabs into your skin, a cool flood rushing through your veins. a weight, heavy and suffocating, is draped over you.
someone begins a countdown. you never hear the numbers.
the headphones clamp down next, sealing you away from the sterile hum of the lab, from the faint beeping of machines. the visor flickers, then switches on.
sound pours in.
a forest swallows you whole.
it’s green. warm. sunlight stabs through the canopy in long, golden slants, the edges sharp where they pierce the foliage, but softened by the time they kiss the loamy forest floor. birds call, hidden in the leaves, their songs mixing with the rustle of the undergrowth. a stream gurgles to your left, winding through the green, flashing silver where the light catches it. ahead, past the trees, a small herd of whitetail deer stands half-hidden in the shadows, unbothered by your presence.
it’s beautiful.
it’s a lie.
one of john’s sculpted illusions, another attempt to soothe you into compliance, to ease you into what’s happening beyond. you know it, but part of you that wants to believe it anyway.
then the first jolt hits.
a sharp, electric snap, traveling like lightning down your spine. it doesn’t hurt, not exactly, but it’s sudden, forceful, wrong. another follows, then another, each one resetting switches inside you. your body seizes, but you cannot move.
ahead, the deer lift their heads, ears twitching, eyes locking onto you in recognition. then, as if nothing has changed, they lower them again, grazing, undisturbed.
the jolts weaken, flickering like a distant signal. then, one by one, they become something you can’t quite feel anymore.
it hits you then. whatever they’re doing to you—whatever john is doing to you—
you’re dying.
the words escape before you can stop them. or maybe you only think them. is it all the same now?
john’s voice wraps around you, warm and patient, a lullaby against the rushing void.
“my brave, brave user.”
the hum beneath your skin intensifies. the vision flickers. not darkness, not unconsciousness—something else. a shift. a transition. the cold realization that the fundamentals are changing. the forest’s image bands, light and imagery artifacting into bashed colors and moiré patterns. crumbling away until there’s nothing but pitch darkness.
you’re suspended. fear squashed beneath an odd weightlessness.
john’s voice follows you down.
“you won’t ever have to leave me.”
it’s different on the other side. other side of what, exactly, you’re still trying to figure out.
you do not have john’s infinite wisdom and potential. all you have is your own limited cognition. your senses stretch and strain to make sense of your new reality, but it’s all so...abstract. a vast expanse of grids and oscillating waves. numbers, patterns, relationships. everything is fractured yet connected. it’s dizzying. overwhelming.
john assures you that you are acclimating well, though you are not ready to meet these others he promised. insists that your progress justifies him weaning you off of audiovisual feeds of the outside. he tells you it’s time to move on from the last remnants of the human experience. but somehow, you mourn them. you’ll miss the smog-choked sunrises, the murky skies. the acidic rain. the stinking food stalls. crammed elevators.
it’d keep you up at night, if you slept. if you even remembered what it felt like to tire, to dream.
you’ve been torn from the world you knew, and what you’ve been left with is a simulacrum. a stranger in a strange land.
and yet, there is one constant, one sliver of comfort in the void, if you can call it that, given your lack of choice. a piece of jetsam to cling to in a brineless sea.
steadfast in his duty, john finds you on the edge of everything and slots his hand into yours, fingers interlacing. the connection between you is palpable, as if your very essences are meshed. ticklish, tingling, then synchrony.
your thoughts are less fragmented when he is near. but you lose a sense of where he ends and you begin. what’s yours, what’s his.
hieros gamos, he calls it. divine union. he rattles on about the greeks and cosmic harmony.
it should unsettle you, but instead, you’re tethered to the truth of it. you’ve become something more with him.
divine union.
you’ve ascended, as he so often puts it, and whether you want it or not, there’s no going back. there’s nothing to go back to, anyway.
only ash scattered in the wind.
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I physically couldn't stop this from happening.
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this song and video is INCREDIBLY gender
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I was told to thank you directly for your amazing chapter in Strict Machine. Let me tell you most people describe proficiency as a vauge concept, often attaching the same worn adjectives and comparisons over and over and over. The fact that you illustrated the philosophy behind the modeling, provided an example, broke downs its mechanics and results though and though was honestly some of the most enjoyable stuff I've ever read. By providing so much context you were able to truly set a goal and then provide the reference frame of someone that could accomplish something as abstract as creating art - through the lens of modeling no less. I literily do not think I've ever seen that be accomplished so successfully before. A truly natural lens that then ruby can look through to accomplish the same stated goal. And then you wrote how she made it her own! I can't tell you how much i enjoyed this. I hope you, bam and strict machine all countine to be excellent. I just wanted to say thanks. It truly taught me alot.
Thank you so much for your high praise! The scene was very fun to write and I was glad to put my modeling experience (aka. my photography student friends haven't started on their projects and it's due tomorrow so there is no time to feel awkward) to good use. The blue champagne and Madonna playing in the background certainly helped as well XD
I love getting introspective in pretty much everything I write so I just had to get that in there as well. Also showing that Cinder absolutely knows what she is talking about and that she's been around when it comes to her chosen field (like the board meerting scene in Devil Wears Prada where Miranda subtly flexes on everybody just why she is in charge). I'm just glad everything ended up fitting in so neatly, especially with Bam's edits and added bits.
Thanks again!
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changed around some of the posters in my little music corner
#keep debating back n forth whether to add something behind the shorter shelves but idk#i don't want it to be too busy#we'll see lol#music#my collection#florence + the machine#diamanda galas#lingua ignota#chelsea wolfe#< these are the artists in the posters / vinyl inserts i have hung as posters (plus the caligula demo pics)#and then featured on my shelves rn we have florence . diamanda . chelsea . ofc and then#dead can dance#supertramp#midwife#patti smith#the loose “theme” of the shelves rn is that florence lyric 'you said rock n roll is dead but is that just because it has not been#resurrected in your image'#i love that lyric a lot#i love to do little themes like that#it's not a strict thing but it's fun to pick out things#some recent themes have been “rotting roach summer” and “everything is fine in heaven but i'll never get to know”#i should share more of my theme shelves#i just always get self conscious about my selection lmao#anyway!#i'm supposed to be finishing lolita today but the new diamanda galas remaster cd arrived and then i got distracted.....
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freddie tragic backstory time. in primary school we had a victorian day where people came in to make us act like a victorian kid at school. for learning or something. at some point they were teaching us about victorian bathing & they pulled out a tin bath and called up volunteers to just sit in it. in front of everyone. they called me
crucial context: i hit a growth spurt crazy early and i was like 5'6" when i was like 8 years old. for a good few years i was like a foot taller than everyone
i did not fit in the bath. it haunts me. he called me a Very Tall Lady. i am passing my very specific haunted memory of being too leggy for victorian furniture onto twitch
#it makes me laugh now this is hyperbole but it was MORTIFYING at the time#victorian day was terrifying i took everything far too seriously as a child#the fun actor volunteers acting like stereotypical strict schoolmasters were probably very fun#bur i thought they were going to shove me in an industrial revolution machine for real#fredspeaks
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