#steven universe renaissance

[steven-universe-renaissance]

https://archiveofourown.org/works/52663255

[inariedwards]

DraftDash: Day 21

Okay so yesterday I stopped at a spot that was gonna need a bit more brain power than my usual sessions, so I didn't use a timer today because I didn't want the pressure. Instead I just worked on it until I got past the sticky wicket to a spot where the flow goes more smoothly again. So I wrote maybe 15-20 minutes and got 204 words down.

Very close to being finished with this episode because I have had the ending finished for ages, as it's related to one of those key fridge logic problems that the show caused me and it's one of the earliest problems I solved.

This is kind of my process for this project: I write the parts that I am really into way way ahead of time (for example Jail Break is completely finished, as is most of A Single Pale Rose, and many more scenes from a bunch more episodes) and then I hack at the story in the order of the episodes so that I will get to the good parts.

I still have parts that I haven't solved, so every once and a while I find a solution to something and get to take a break from hacking at it.

[spooksier]

these will be colored later but in the meantime, ily 2010s cartoons 5ever

[porcelain-rob0t]

blue diamond, she was always my favorite <3

just a little ramble about inspiration:

i sometimes get burnt out when im only doing original art so its nice to do fanart every now and then. i was such a big steven universe fan back in the day, it was such a big inspiration for me as a young artist. i lost interest years ago but it still is important to me, just as important to me as invader zim, adventure time, regular show, and all of the other cartoons that were formative for me.

i think some day soon we are due for a steven universe renaissance, where we re-evaluate what worked, what didnt, and its cultural impact in a nuanced way (LILY ORCHARD WHEN I GET YOU). i hope with the SU renaissance, people start making gemsonas again. that was my absolutely favorite part of being in the fandom, gemsonas were what make me take character design seriously.

enough of my sappy ramblings, i also like steven universe bc the diamonds are morally fucked up milfs, and thats how i like my women.

[skipppppy]

Wanted to do some personal stuff between work so I went back to my baby artist roots and redrew a Steven Universe screencap…one of my first gay crushes on god

(psst. my commissions are open!)

[redrrrre]

hehe art request for @hooliganpearl i forgot how much more challenging yet fun it is to draw on paper instead of digital

[cyclic-laughter]

some pearl characters ive been thinking about a lot lately

first two characters were not designed by me

[corruptedhyena]

Stardust the African Wild Dog!!

At long last, I can proudly present my newest partial fursuit, Stardust! He/they, an African Wild Dog, but from space! He was heavily inspired by Steven Universe, but also was originally created by Camden on ChickenSmoothie. I made the suit myself, though the paws were made from a template bought from the amazing YBL suits.

See the pink and white on the paws? It's meant to represent dots and dashes in Morse code spelling out "CQ," meaning an outgoing call to everyone. Stardust is a friendly spacefarer always looking to make friends, so I thought it fitting! The freckles on his muzzle, too, are laid out to be constellations! (Though I forget which, it was a design choice set early on and it has been MONTHS since then lol)

This weekend, I got to debut him at Renaissance Faire and meet some other lovely furs, whose suits were all so adorable!! (If you were one of the four fine folks I met and would like to be tagged here, please let me know (: ) Also went with my friends Rae and Crow (The plague doctor shown ofc) who were absolutely the best <3

The day we went it was pouring for most of the morning, so apoligies if Stardust looks a bit soggy. Gotta say, though, I didn't feel the least bit damp with the head and my hands, so kudos to that Amazon luxury shag lol.

Hope y'all are having a good day, and best of wishes to all those suiters off to Ren Faire too! Hope to see you on the 27th, where I'll be in a Spring-Bonnie head!

[sybleavingsoon]

in my personal opinion the chuck e cheese spinel x starbucks employee volleyball (pink pearl) au was the most moving and culturally significant piece of steven universe fan content i’ve ever had the honor of consuming

[sjsmith56]

The Flame Burns From Within

Summary: A late medieval / early Renaissance AU told in six parts. Lord Barnes comes to formally claim the hand of the woman he has been betrothed to since her birth. Other suitors object to his claim setting off a series of events.

Characters: Named OFC (beautiful, tall and red-haired), Ser Anthony Stark, Lady Stark, Lord James Buchanan Barnes, The Duke of Long Isle Prince Steven Rogers, Ser Samuel Wilson, Lord Alexander Pierce, Ser Brock Rumlow, John Walker, Father Bruce, Garrison Commander Barton, Riley, Lady Natasha, Ser Scott Lang.

Warnings: Minors DNI - contains sexual content not suitable for readers under the age of 18, OFC is a virgin, age gap (OFC is 21, Lord Barnes is 32), arranged marriage (but she is given a choice to go through with it), threat of forced marriage, violence, misogyny, kidnapping, attack against a church full of parishioners.

Author notes: This is an alternate universe set during the late 15th century. America is a separate kingdom located closer to Europe than it is now. There will be reference to Arthurian legend with changes to it.

Part 1 - Negotiations

Part 2 - Secret Wedding

Part 3 - The Abduction

Part 4 - Captive

Part 5 - Escape

Part 6 - Justice

Short Fiction Masterlist

As with all of my works, the characters originally created by Marvel are the intellectual property of Marvel / Disney. This original work of fiction is derived from those characters who are shown in a different manner than their original portrayals. The plot and original characters are the creation and property of the author, who claims all rights of ownership. Please do not copy, paste, or translate for posting on any other platform. This work will be cross posted on the author’s Wattpad and AO3 account.

[steven-universe-renaissance]

https://archiveofourown.org/works/58095652

[kylesvariouslistsandstuff]

How the “Disney Renaissance” narrative changed, the few pivotal movies that got left out…

It is often agreed that the famed Disney Renaissance began with the 1989 theatrical release of THE LITTLE MERMAID… A return to the kind of critical acclaim the studio’s animated features hadn’t enjoyed in a long while, especially on a consistent basis. And apparently, their first box office hit in a long while.

History shows a different picture… THE LITTLE MERMAID, in fact, was merely building upon an upward climb that not only Disney Feature Animation was seeing back then, but also other divisions of the enterprise’s film domain.

It’s not like Disney Animation was really struggling THAT much anyways, before Michael Eisner and Frank Wells and Jeffrey Katzenberg came into the picture with a returning Roy E. Disney. Things were far from great in the ‘70s and early ‘80s, yes, but the features made between the posthumous release of THE JUNGLE BOOK in 1967 and the misfire release of THE BLACK CAULDRON in 1985 did not lose money. ARISTOCATS, ROBIN HOOD, RESCUERS, FOX AND THE HOUND made beaucoup bucks in several European territories, for starters. THE RESCUERS even enjoyed rather enthusiastic critical reception on American soil, with one figure asking if a “renaissance” (!) for animation was underway… In the year 1977… 12 years before THE LITTLE MERMAID came out.

Really, it all begins in the summer of 1986 with the muted release of THE GREAT MOUSE DETECTIVE.

This one entered full production after Eisner/Wells/Katzenberg assumed control, and it was Katzenberg who had significant changes and facelifts made to the project, other than its silly title change. Despite the production being a more enthusiastic one for its young animators, more so than the previous endeavors, Disney didn’t really go ham on its marketing outside of a few trailers (which were surprisingly lost until some really cool folks did lots and lots of digging in the recent years). In fact, its theatrical posters were the early mock-ups. They just… Went with those, and called it a day…

MOUSE DETECTIVE was no blockbuster by any means. $26m domestically only put it $5m above the previous summer’s BLACK CAULDRON, but because it hadn’t cost as much as CAULDRON nor was marketed much, it was considered a profitable success. Reviews were generally positive, too, the best for a Disney animated feature since THE RESCUERS nearly a decade earlier... It no doubt kept the thought of shuttering the animation studio at bay, and it no doubt created some enthusiasm within the walls of the studio.

Later that year, former Disney animator turned rival Don Bluth struck big with a picture that freakin' Steven Spielberg produced... AN AMERICAN TAIL. Released by Universal during the Thanksgiving frame, the feature does the unprecedented: It takes the box office crown that Disney had held for decades. A real upset! Reportedly, it got Katzenberg and all of them nervous. All of a sudden, there was a real push to invest in making animated films. By early 1987, Disney began to put more pictures into development. Only three was in the works by then: Modernized Dickens adaptation OLIVER AND THE DODGER, classic fairy tale THE LITTLE MERMAID, and a RESCUERS sequel. By the end of 1987 and into early 1988, BEAUTY AND THE BEAST, ALADDIN, and a story about the African wildernesses were in some form of development.

Summer 1988 saw the release of the live-action/animation hybrid WHO FRAMED ROGER RABBIT, a revolutionary animation and VFX spectacle that involved Spielberg as producer, directed by BACK TO THE FUTURE director Robert Zemeckis, and had most of its animation provided by the esteemed Richard Williams house across the Atlantic.

Critical darling, huge box office smash, animation and classic American cartoons are cool again to the general public...

OLIVER & COMPANY came next in the fall of 1988. A full-fledged marketing effort, and Disney had the guts to release it next to Bluth's THE LAND BEFORE TIME, which Spielberg back as producer, **and** freakin' George Lucas as well...

It was a big hit. $53m domestically, and - according to Disney at the time of its release - over $100m at the worldwide box office, taking the crown back from Bluth in addition to beating his newest endeavor. Things were looking up...

Then THE LITTLE MERMAID released in Thanksgiving 1989, rest is history... They saw a small bump in the box office road with THE RESCUERS DOWN UNDER in late 1990, but rebounded BIG TIME with BEAUTY AND THE BEAST, ALADDIN, and THE LION KING, one after the other...

So yeah... ROGER RABBIT aside, because it wasn't a Walt Disney Feature Animation production (Spielberg especially felt the studio's crew weren't really cut out to make the animation of a high level that he was looking for), the two pictures before MERMAID are typically left out of the Disney Renaissance narrative.

MOUSE DETECTIVE was a much lower-budget endeavor, seen as a B-picture of sorts. It didn't make a huge amount at the box office, it had merely only made its money back and got good reviews. So some do not count it because of that. But on the other hand, it was the directorial debut of Ron Clements and John Musker, the reviews were very solid, it showcased the then-young animators having the kind of fun they didn't enjoy on FOX AND THE HOUND, MICKEY'S CHRISTMAS CAROL, and BLACK CAULDRON... For some, it is the seeds of the Renaissance. The launchpad for the rocket.

OLIVER & COMPANY is even more baffling when you consider it took the highest-grossing animated movie crown back from Bluth, and was the first animated film to make over $100m worldwide on its initial release. However, the reviews were more mixed for that one, and it's considered an incredibly outdated film. Which it is, I won't lie. It's certainly stuck in the late 1980s, for sure, and many consider its storytelling to be average at best. They feel the story is definitely buried in the hip attitude and pop star voice cast.

But its success was absolutely important to what lie ahead.

Disney *used* to credit it as such...

Look at the BEAUTY AND THE BEAST sneak peek from the May 1991 VHS release of THE JUNGLE BOOK...

OLIVER is a prominent part of the narrative. RESCUERS DOWN UNDER, which was only a few months old by the time they put together that sneak peek, is not alluded to whatsoever. The narrative is OLIVER, then MERMAID, now BEAST. An example of the studio's upward climb... No DOWN UNDER, despite its technological innovations that allowed for BEAUTY AND THE BEAST to even be made the way it was...

DOWN UNDER got a more mixed critical reception and also underperformed, but that was largely because Disney had lost faith in the film long before it was released. After a not-so-great re-release of the original RESCUERS in spring 1989, it was largely just seen as a vehicle for the further development of the C.A.P.S. process of digitally inking and painting animated movies. A full-length test feature/gap filler, if you will. Then it came out, wasn't warmly-received, and it didn't do great. Disney immediately excluded it from their new upward climb narrative.

(Though, I guess as compensation, a trailer for THE RESCUERS DOWN UNDER comes on after this JUNGLE BOOK tape's BATB sneak peek. It's a short trailer for its home video release, though it looks to be a snippet of a commercial or theatrical trailer.)

Flash-forward... ALADDIN is coming out...

Its marketing emphasized MERMAID and BEAST as the stepping stones to that film...

No OLIVER, and certainly no DOWN UNDER...

The fall 1992 release of ALADDIN was where it was cemented, that THE LITTLE MERMAID started it all...

[spooksier]

hey guys anyways nothing captures why i love steven universe so much better than the lines "i dont need you to respect me, i respect me. i don't need you to love me, i love me." most transgender show of all time

[midsummer-semantics]

Private Lessons

Written for Steddie Kinktober Bingo and cross-posted on ao3!

Rating: Explicit

Tags: Alternate Universe - Modern Setting, Alternate Universe - College/University, Professor Steve Harrington, Grad Student Eddie Munson, Eddie Munson Has a Crush on Steve Harrington, Teacher-Student Relationship, Pre-Relationship, Sort Of, way too much information about Renaissance literature tbh, Flirting, flirting via Google Docs, Age Difference, Dirty Talk, Praise Kink, Eddie Munson Has a Praise Kink, Steve is kind of a perv, but Eddie is DEFINITELY into it, Masturbation, Kinktober

Summary:

Grad school wasn’t exactly in Eddie’s grand life design, but he’s not really complaining. Especially not when his Renaissance literature professor is the hottest person he’s ever seen.

Or: English Grad student Eddie has an insane crush on his professor, and when Professor Harrington offers his star pupil private lessons in order to give him more than the usual lecture accounts for, Eddie jumps at the chance.

[Divider by @steddiecameraroll-graphics]

Keep Reading for the fic! ⤵️

Grad school wasn’t exactly in Eddie’s grand life design, but he’s not really complaining. Especially not when his Renaissance literature professor is the hottest person he’s ever seen.

Professor Harrington was the talk of the school from the moment Eddie set foot on campus. The youngest grad professor in the department — though that’s not saying much when most of them look like they’re five minutes from incurring rigor mortis — Dr. Steven Harrington is a world-renowned scholar in Renaissance and Early Modern texts, has publications ranging from “How Shakespeare could be gayer: An analysis of Antonio characters” to “When life gives you Lemons: Early Modern plot themes in Slash Fiction.” And Eddie’s read them all.

If he applied to this grad program in the hopes that he’d get to take one of Harrington’s classes, that’s nobody’s business but his own.

And now he is, sitting front row every Monday evening for three and a half hours, studiously writing notes and asking questions on any and everything Professor Harrington lectures on.

Harrington is even more gorgeous in person. Faint salt and pepper mixed in with soft chestnut hair that practically defies gravity, wire-rimmed glasses that frame his expressive caramel eyes, a body to die for under sharp trousers and button-up shirts that he often rolls the sleeves on. There’s a tiny tattoo of a robin on his left forearm just below his elbow that Eddie wants to see up close, wondering if that’s his only tattoo or if he’s hiding more delicious ink beneath the professional layers he wears to his lectures.

Yeah, sometimes it’s hard to pay attention to what Harrington is saying when he’s looking like a walking wet dream every time Eddie sees him.

It doesn’t help at all that he’s also incredibly charismatic and a huge dork. Harrington is a font of knowledge, and sometimes he goes off on tangents about early modern printing processes or how much he hates one particular academic for stealing his research years ago. Eddie genuinely thinks he’d be fine listening to his professor wax poetic about just about anything and he’d be hanging off of every word the entire time.

Other students in his class are less subtle about the fuck-me eyes they give their professor, but Harrington, ever the consummate professional, ignores it all. Which is fine, really, because Eddie knows it’s kind of a moral gray area to be lusting after a professor, even if they’re both well past the age where they could be considered “young adults.” Hell, Eddie’s pretty sure he’s the oldest person in his lectures at 29, but Dr. Harrington is easily in his 40s so the age gap is as unceremonious as it is taboo. And even if his crush wasn’t entirely in his own head, he’s prepared to beat up every one of his classmates for half a chance that Harrington would turn his regular “Good job, Eddie,” into a “Good boy, Eddie.”

Eddie knows he’s probably doing too much to get Harrington’s attention, always raising his hand more than any other student and doing every bit of extra credit he can like it’s going to win him some kind of Nobel Prize, but he genuinely likes the material so it’s easy to get involved in the discussions. 

His overenthusiastic involvement does earn him an exciting benefit two months into the semester, though. Harrington asks Eddie to hang back after class to discuss one of the latest reading responses, and Eddie’s mind immediately goes to all of the ways he fucked up by saying that Robert Greene may not have been entirely wrong for the way he dragged Shakespeare considering the way the bard had similarly dragged him by writing a fool character based on Greene. He’s got a million apologies already waiting on his tongue while the rest of the class files out, leaving them alone in the classroom.

“Listen, professor, I’m so sorry—” Eddie starts, but Harrington holds up a hand, silencing him all at once.

“It’s a bold claim you made in there, Eddie,” the professor says, leaning back against the whiteboard and crossing his arms. 

Eddie’s face flushes, whether from mortification or the way Harrington’s muscles shift under his shirt is unclear. He tries to think of an excuse as to why he’d make a dig at one of his professor’s favorite authors before settling on, “Would you believe I had an aneurysm before writing that?”

Harrington’s eyes narrow, assessing Eddie as he tries not to squirm, before shrugging, his face breaking into a grin. “I might, except all I said was it was bold, not that you were wrong.”

Eddie’s brain stops short for a moment. “W-what?”

Harrington snickers and reaches over to a stack of papers to pull Eddie’s, right from the top. “I have a proposition for you, which you’re welcome to turn down without explanation.”

Eddie’s heart beats double-time in his chest. He knows it’s delusional, but he’s had many fantasies of Harrington saying words just like those ones and then bending him over the nearest desk.

“A proposition?” he tries not to choke out.

Harrington hums as he scans over the paper again before handing it back to Eddie. A red A+ is circled at the top, which is a common sight, but still makes Eddie swell with a little bit of pride.

“I get the feeling sometimes that I’m not doing my part in giving you enough material during lectures. So I wanted to offer a compromise. Once a week we can meet in my office, and I’ll give you a private lecture on any topic of your choice as long as you write a 1000-word research project on it before the next meeting. In exchange, I’ll wave your final project.”

Eddie blinks at his professor owlishly for a moment. The math doesn’t make sense considering the final project is 20-pages minimum and what Harrington is suggesting would mean writing almost double that over the course of the next 8 weeks, but like hell is Eddie going to turn down the opportunity to spend one-on-one time with his gorgeous professor discussing their mutual love of Renaissance literature.

“Deal,” he agrees easily.

Harrington smiles, a big one that lights up his face for a moment before schooling it into kind neutrality once more. “Wonderful. Email me your availability and we’ll go from there.”

That’s how Eddie finds himself once a week doing the absolute most work he’s ever done in his life, and Harrington’s class isn’t even his only one.

It’s worth it, though, for the two uninterrupted hours of Steve’s attention every Thursday evening. They cover a wide range of topics, and Steve never gives him shit for interrupting to ask more questions because that just means Steve gets to talk more about his passion. It’s one thing, Eddie thinks, to watch the man lecture to a class of semi-enthused grad students once a week, and something else entirely to watch him go on about something Eddie asks him to talk about. If brain boners are a thing, Eddie’s had a continuous one for this man for weeks.

He’s also had an innumerable amount of real boners, but he gave up caring about cranking one out to mental images of his hot professor two weeks into the semester. What Harrington doesn’t know won’t hurt Eddie, and it helps his brain not turn to actual mush every time he has to be in the same room as him again.

Eddie quickly gets into the habit of sharing his working docs with Harrington — Steve, his professor insists after their sessions go on for a few weeks — so he doesn’t have to worry about it slipping his mind later. Sometimes Steve will open the doc while Eddie’s still working on it, a tiny random animal popping up in the corner signaling Steve’s presence. It happens at odd hours, which Eddie supposes is fair since he knows now that the professor has a weird sleep schedule thanks to his own academic work. In the moments where Eddie finds himself and an Anonymous Axolotl both up at 2am, he likes to pretend like Steve’s watching him do something other than writing about the latest discussion topic. Like Steve’s actually in his own bed, his laptop resting on his lap, wearing nothing but a pair of tight briefs (or maybe nothing at all) and touching himself while he watches Eddie do the same. 

Eddie didn’t know academics could make him so goddamn horny, but by the time the end of the semester approaches, he’s basically Pavloved himself to pop a boner every time the tiny Anonymous Giraffe or whatever appears. 

The last two weeks of the semester, Eddie’s mostly in attendance out of obligation (and to ogle Steve more) since he doesn’t actually have to do the final project. His last meeting with Steve is the week before finals, the professor telling him he should take the week off to relax and get some actual sleep because he’s more than earned it.

As such, Eddie’s determined to make the final research project for their private lessons the best one yet.

It’s almost 3am when the tiny Anonymous Moose in the corner disappears for the night, and Eddie blinks blearily at the words on his screen that are starting to blend into a big blob. He’s well past the 1000-word mark at this point — 2041 the last time he checked — and he knows he should end it here and go to bed, especially since he hasn’t actually put more words on the page in over an hour. 

He checks his word count again just to remind himself that he did more than enough and —

Wait a minute.

That can’t be right, he thinks. Eddie highlights paper from bottom to top, hitting the keys to display the word count again.

“What the hell?” he mutters to himself, undoing the highlight and trying again. The same number pops up: 2069. There’s 28 words unaccounted for that he’s pretty sure even in his sleep-addled state he didn’t write.

He tries highlighting it all again and that’s when he sees it: down at the bottom of the doc under all of his writing are several words he, in fact, didn’t write, but he didn’t see them before because the font was the same color as the page itself.

He doesn’t have time to squeal over there being a secret message because the message itself nearly gives him a heart attack.

It’s too bad the semester is over. I was hoping to see you bent over my desk with those tight black jeans around your ankles at least once.

Eddie’s pretty sure his heart stops and starts several times as he reads the words over and over again.

He double-checks the doc access, and sure enough it’s only Steve that has it, which means…

“Oh, fuck,” Eddie groans, his erection from before coming back with a vengeance when he realizes his insanely sexy, insanely intelligent professor whom he’s been pining after for four months is flirting with him in secret in his Google docs.

He palms himself over his boxers, trying to manifest the stupid Anonymous Whatever to pop back up so he can keep up the illusion that Steve really has been spying on him, and then a thought occurs to him.

What if this isn’t the first time Steve’s done this?

With one hand still grasping his cock, squeezing rhythmically to relieve some of the pressure, Eddie swipes over to his Private Lessons folder and starts opening all of his past papers. He scrolls to the bottom, highlighting page after page, uncovering message after message that Steve’s left for weeks with Eddie being none the wiser.

It’s hard not to watch your lips as you talk. I bet they’d feel amazing wrapped around my dick.

Eddie moans outright at that and slips his hand under the waistband of his boxers to tug at his cock while he reads the rest. Some are complimentary, but most are downright filthy and Eddie feels like he’s going to pass out from all the blood rushing from his brain to his groin.

You’re so expressive when you get going on a topic you love. I wonder how expressive you are when you cum.

Those fucking pants are going to be the death of me. 

God you’re pretty when you smile. Those fucking dimples. I want to lick them every time.

Do you have any idea how hard you make me? How difficult it is to get through a lecture or a private session without pinning you to the desk and eating your ass right there?

Eddie comes with Steve’s name on his lips, shaking and shivering through an orgasm so intense just from words on a page.

When his brain reboots and his soul returns to his body, Eddie is left staring at the screen of his computer, the cursor blinking in time with his heartbeat and his hand tacky with cooling come. 

“Holy fuck,” he breathes, using his clean hand to close the laptop and shove it away.

The semester is over. He doesn’t have any reason to see Steve again before winter break commences, and he doesn’t have him on his class roster for Spring. 

But like hell is he going to leave this alone now that he knows his professor wants him back.

[paracosmicat]

Watering the Andi Mack fandom with my obscure headcannons and waiting for the fans to return like wildlife to the forest

- TJ loves cartoons. He loves She Ra and Steven Universe but he also watches OLD cartoons. He just loves cartoons and when Cyrus introduces him to fandom space he lurks like it’s the daily newspaper.

- Cyrus thinks the word boyfriend sounds SO nice and he says it any chance he gets. TJ of course thinks it’s really cute and doesn’t mind at all.

- Iris thought that Cyrus just didn’t like her, which she was super bummed about but okay with. So when she runs into Cyrus and TJ at the next  renaissance fair, it’s a little bit healing for her. I think their agreement to be friends becomes a little more viable this time and they start hanging out regularly.

- Jonah deserves to be a part of the Good Hair Crew and the way they tell him is by coyly being like wow Jonah your hair looks great today…great..? You might even say good. And he is just like “I thought great was better than good”

- aromantic Jonah Beck aromantic Jonah Beck aromantic Jonah Beck

- TJ drops the jock thing after freshmen year of high school and starts dressing more polished, coupled with the fact that he now needs glasses. Come on, no one has a consistent style throughout their ENTIRE high school years.

- TJ and Cyrus are the couple that makes it, I know it I just know it. Anytime they have a fight or argument that they need to figure out Cyrus pulls out his binder and walks them through it by talking to himself in third person. “Now, Cyrus how does that make you feel? —…WELL BAD.”

- The Kippen siblings don’t even realize they are dating the same person basically until Iris and Cyrus become good friends again and then Amber and TJ just watch in horror as they OFTEN say the same thing at the same time.

- Cyrus did a whole grand promposal the day before TJ’s grand promposal so they had two

- Andi and Buffy have been in love since season 2 but they take until their senior year of high school to realize and actually start dating, everyone is relieved, especially Cyrus who had to help Andi through thinking she must just have a crush on [checks notes] every boy Buffy has dated

[medusa1597]

you go to renaissance fairs in america its mostly steven universe fans and then you try the french ones and it's like fourth generation royalist n*zis