#steve was falling for eddie

[itswhatyougive]

Steve's breathy little "Easy, easy...." said whilst Eddie is climbing up the blanket rope lives rent-free in my head

[hairmetal666]

Steve wins the bat plush at a fair when he's seven. He doesn't care about bats, but it's the prize for making all five baskets in the basketball game, so he gets the little bat. Its eyes are a little crooked and one wing is slightly smaller than the other, but it being lopsided sort of makes it cuter.

He and his dad, they're supposed to be going on rides now, but his dad's pager keeps going off. He puts Steve next to a funnel cake stand, tells him not to move, and goes in search of a pay phone. Fifteen minutes pass, and Steve is bored under the flashing lights and tinkling music. He wants to play not sit and wait.

Eventually, he drifts back towards the midway, watches the people rushing by, searches for a sign of his dad's return. His attention is caught by another boy at the basketball booth. He has to be about Steve's age, with a mop of dark curls on top of his head and a jean jacket that's slightly too big, sleeves flopping over his hands as he lines up his shots.

This boy, he's terrible at basketball. Every shot is too high or too short or goes wide, but he's trying. Even from this distance, Steve can see how hard he's trying. He uses up his five balls, fishes into his jacket pocket for more money, and gets five more.

He misses every shot. This time, when he goes back for more money, he comes up empty. Steve thinks he sees his lip shaking.

A man, one in a leather jacket and boots that Steve thinks look mean, comes up to the boy, drops a heavy hand on his shoulder. He's too far away to hear the conversation, assumes the boy asks to play again and the man's response is a shaken head and a tight smile. They walk away from the games, right towards Steve, who slinks back to the side of the midway, not wanting to be caught staring.

"What was it you wanted? That stupid bat? Just another piece of trash you wanna bring in my house." Steve hears as they pass.

The boy nods, but keeps his eyes down and to the side.

He feels bad then. Felt bad before, but now he looks at his own bat, at its funny eyes and poorly attached wings, and wishes he could hand it over to the boy who really wants it. Steve almost does, then, makes to go after them, but his dad appears, dropping a hand to Steve's shoulder and saying, "ready to hit those rides?" And he knows the opportunity is gone, knows his dad will say it's too soft, not what men do.

Steve manages to lose himself for a while in the swirling lights and funhouse music and carnival rides, forget about the little bat in his back pocket and the boy who wanted one so desperately. But then his dad's pager goes off some more, he goes back to the pay phone, and Steve ducks into the low brick building that houses the bathrooms.

His eyes immediately land on the same boy from the basketball game. His eyes are red, face damp, obviously from tears, and Steve just--

"Here." He shoves the bat into the boy's chest.

For a second, the brownest eyes Steve's ever seen widen at him, before narrowing in a harsh glare, the boy's teeth barred.

"Why?" He snarls.

Steve thinks he may regret every choice that led him to this but he says, he says, "Because I want you to have it."

The boy blinks a few times, hand reaching out to gently pinch the bat's smallest wing. "You sure?"

Steve nods and the bat is slowly withdrawn from his grasp.

"No takesies-backsies?"

"It's yours."

The boy looks at the bat in awe, and Steve says, "see? It already looks happier with you."

The boy's beaming smile is cut-off by a voice calling from the door, "you in there,? I ain't got time to be waiting for your boohooing."

"Coming!" The boy carefully tucks the bat into an inner pocket of his jacket. "Thank you," he whispers, eyes big and glistening and happy, before he disappears out the door.

---

13 years later, give or take a few months, and Steve stands in the cracked shell of a bisected trailer, rummaging through what remains of a life well-lived, searching for anything whole. He's already found a few undamaged mugs and clean hats, but this room--it took a lot of damage. The brunt of it, really. Some sick sort of joke, after everything.

It's mostly rubble in here, scraps of fabric; slivers of notebook paper, magazine, poster; crumbled shards of vinyl and cassette plastic. A few times he comes across the disembodied limb of one of those dnd figures, and something weird happens to his throat.

In the far corner there's half of a dresser collapsed into itself, and he shuffles through the debris to see what he can find. There's something, soft and black, just the edge of it, peaking out from under half of a drawer face. He pulls it out, careful as can be and it's--it's a plush bat. It's a little dirty, but unharmed, though its eyes are a little wonky, and one wing is smaller than the other.

He holds it and he stares and he has to brace himself against the wall. It can't be--it's not the same one--but he remembers those big brown eyes and the curls and--

"Harrington," a warm, rich voice calls from what's left of the hallway. "You get lost in there?"

Eddie shuffles in, slow, careful with his crutches. And it--it took so long, months and months of convalesce and physical therapy, still physical therapy, but he's here. He's alive. He's perfect. And the something blooming between them, it's not spoken yet, but it's there, growing, and now, now--

"Oh my god, you found Lilith! I thought she was toast."

"Lilith?" He's still cradling the little lopsided bat in his hands, but moves closer to hand it over to Eddie.

"Yes, Lilith." Eddie takes the bat, presses it to his chest. "The first boy I ever loved gave her to me."

His heart turns over in his chest and when he swallows his throat clicks. Eddie doesn't notice, he's smiling softly at the bat, at Lilith, but then, "why are you looking at me like that?"

"First boy you ever loved?" He says. He thinks he sounds normal.

Somehow, Eddie's smile grows even softer. "Yeah. Roan County Fair, years ago. Tried to win her, but--" he clicks his tongue--"never had great hand-eye coordination. And then this kid just gave her to me out of nowhere. I used to think I was going to marry him."

"And now?"

Eddie laughs. "I grew up, Steve."

And for a second, he doesn't know what to say, but then, "I was right then, huh? That she'd be happier with you."

He stares at Steve, those same big brown eyes, wide and glistening. "Steve that was--Steve?" Eddie presses a hand over his mouth, overcome, before launching himself into Steve's arms. The crutches clatter to the floor, but Steve has him, will always have him, no matter what.

"I can't believe you kept her," Steve whispers.

"God, I carry her everywhere. She's Corroded Coffin's mascot, and you--Steve, I can't believe that was you."

"Surprise," he bumps Eddie's forehead with his.

They hold each other in the center of the destruction, but none of that matters right now, not when it feels like every moment since they very first met as children was leading them to this.

From the other half of the trailer, they hear footsteps, chattering, Wayne and Robin and Dustin, but Steve wants this to last a little longer.

"So, marriage...that still off the table?"

Eddie laughs softly, nuzzles his face against Steve's neck. "Are you kidding, sweetheart? No way I'm letting you go."

[shushmal]

Let it be known that Steve has zero problem with Eddie. Like, negative problems. So little problem that it kinda turns itself inside out and becomes a DIFFERENT problem. But, not like, a problem problem. Just a teeny tiny little maybe issue. Maybe. Whatever.

Anyways, Eddie's a hugger.

And, like Steve said, it's not a problem. Except that it kind of is.

"Oh, dude," Robin had said when he'd told her as much, and stared at him with this incredibly pained look in her eyes. "You have so many issues." And after that, he gets daily a Robin hug.

Which is great. But doesn't solve his not-problem with Eddie hugs.

Well, in a way, it does. Regular Robin hugs means that Steve isn't freezing up and freaking out when he gets an Eddie hug. Steve's really glad for that, because he'd been terrified that he was going to make Eddie think that Steve hated the Eddie hugs.

Which would be awful, because Steve kinda sorta maybe absolutely would-die-for the Eddie hugs. Steve loves the Eddie hugs, okay? Eddie should be hugging Steve all the time, actually.

He does, too. It's kind of awesome. Steve waives a late fee? Eddie's clamoring over the counter to hug him. Steve picks up the nerds from their nerd jail game? Eddie's half way through his window, hugging Steve's head. Steve brought pizza to movie night? Eddie gets his arms around Steve's waist and sighs happily into Steve's neck. It's pretty great.

It's the best thing ever.

And Steve knows logically that he's not special. Eddie's usually draped over someone for extended periods of time until he get's swatted off. He hugs everyone. Steve's not special. He does have to tell himself that a lot.

"Oh, dingus," Robin had sighed when he'd told her as much. Her look this time was a lot less pained and more exasperated. "So many issues." And he was rewarded with two Robin hugs that day.

Anyways, Steve has to remind himself all the time that he's not special. So it comes as a little tiny sorta maybe surprise when Eddie one night wraps Steve in his arms, sighing all happy and contented like he usually does, and says, "You're my favorite, Harrington. You give the best hugs."

And then he presses a kiss to Steve's cheek.

And a lot of things go through Steve's head in that moment. He doesn't have a clue what any of it is, but it all scrolls by like the Star Wars intro on too much sugar and too hard to read. Still, he arrives at the correct conclusion anyways.

"Oh," Steve says, before Eddie's lips have really left his cheek. "I'm in love with you."

Eddie reels back, his hands still on Steve's shoulders, big brown eyes now bigger than ever. Steve watches as his face goes pink, and pinker, and then bright red.

"Huh?!" It's a really ugly sound that Eddie makes, and Steve bites his lip to keep from laughing. It's cute.

"Yeah," Steve says. "I'm in love with you."

"... What?!"

[morganbritton132]

Steve, coming home from work and immediately interrupting whatever Eddie was doing: Why does google not say who you’re married to?

Eddie, in the middle of a live-stream with the band: Huh?

Steve: I googled you today and google doesn’t even say that you’re married.

Eddie: Why were you googling me?

Steve: That’s not the point. You’ve been married since 2008. Married. To me.

Eddie:

Steve: Fix that.

Eddie: Fix goog- don’t walk away! I don’t know how to do that. Steve! I don’t-

Eddie:

Eddie, shouting: What were you looking up?!

[loveinhawkins]

When Steve picks up the phone, he can hear Eddie laughing before he’s even said a word.

“What?” Steve says through a smile; he’s used to this now, phone calls that happen for no real reason. Robin had gotten him well and truly accustomed to it: months of rambling conversations—with occasional interjections from Mr Buckley, chuckling as he warned Robin that she was gonna trip over the cord.

“I need your help,” Eddie says, amusement still evident in his voice, “it’s to win an argument.”

“Oh, is that all I am to you?” Steve acts like he’s going to hang up, covering the receiver with his hand so it sounds muffled.

“No, no!” Eddie’s laughing again. “Don’t go.”

Steve removes his hand, his smile growing. “All right, jeez. What’s up?”

“Okay, back me up here ‘cause Dustin and Lucas did not believe me. There was—we had an old gym teacher, right? He, like, towered above us, man, had a moustache, like what do you call it when it’s all—”

Steve feels another wave of affection; he knows that Eddie will be unconsciously demonstrating what the moustache looks like, despite the fact that they can’t see each other.

“—uh, bristly, you know what I—?”

“Yeah,” Steve says, “Mr Wilson. Didn’t he leave a couple years ago? Super mean for no reason, dude had a stick up his—”

“Yes!” Eddie crows in triumph. “I knew you’d remember, I knew it.”

Steve shakes his head fondly—Eddie’s making it sound far more impressive than it actually is, like he’s just sunk the winning shot or something. Like Eddie has an unshakeable belief in him.

“God, he was the worst. He was the one that was obsessed with cross-country, right—”

“Oh, Jesus Christ, yeah,” Eddie says. “It was actually scary. I swear he got some kinda evil kick out of it whenever it rained, like he’d hope we drowned out there or—”

Steve makes a vague hum of agreement; there’s a flash of the familiar in Eddie’s words, the memory of mud and rain against his skin. And…

“Shit, didn’t you…? Did you fall one time, I remember you limping?”

Steve’s recollection of it is fuzzy—like a lot of things were in the winter of ‘84—but as he talks, the more he grows certain; it makes sense of a momentary instinct he’d had in The Upside Down, as the earth shook: seeing Eddie fall out the corner of his eye, and suddenly wanting to check whether he rolled his ankle.

“Uh, yeah.” Eddie chuckles slightly—there’s a thread of embarrassment in the sound. Didn’t think—um, sorta hoped you wouldn’t remember that, honestly.”

“I don’t really,” Steve says, then winces. “That sounds bad. I just meant—”

“No, it’s okay,” Eddie says. Steve can hear how he’s smiling. “Better for my ego this way.” He pauses. “You were really sweet about it at the time.”

He moves on quickly—Steve knows that’s partly just Eddie being himself, how he joyfully leaps from one topic to the next. But he doesn’t think he’s imagining the flicker of something shy, the softness in Eddie’s voice, you were really sweet about it.

Steve makes sure to commit it to memory.

[lilpomelito]

In a series of events that absolutely nobody could have predicted, Steve’s parents adore Eddie. Richard thinks he’s witty and sharp, a breath of fresh air for a man stuck in endless meetings with corporate egos. Linda laughed so hard the first time they invited him to dinner, she cried. Nobody is more surprised than Steve, who brought his alternative high school dropout boyfriend to his parents almost as an act of late teenage rebellion. But hilariously, Eddie’s fun personality and his disdain for everything mainstream makes him catnip for rich pretentious people. They bond over their hatred of the idiosyncrasy of middle class small town people in America, everyone is so closed minded and average, you know? No ambition, nothing! And this guy is a rockstar, Steve!, they say. You could use some of that ambition yourself! Have some goals in life!

It’s almost insulting. Like that’s his boyfriend. They can’t like him more than he does!! But Steve even caught his mom smoking pot with Eddie in the porch after dinner one time, which was insane to him since the last time they caught him doing exactly that Steve had been grounded for a week. You were 16 Steve, and a star athlete, we couldn’t have you smoking in the house, she argued. And Eddie, the treacherous man that he was, agreed with her. How would you feel if Dustin started smoking, huh?

In retrospective, Steve should have seen this coming. His parents hate Hawkins people as much as Eddie does, they do everything in their power to be away from town as much as it’s physically possible without actually moving away. They’ve had the “moving to another state” conversation several times already, and it’s been Steve who refused every time. The entire fight about Steve not getting into any college had been more about having to stay in Hawkins than anything else. But of course, his boyfriend who is literally everything this town hates in a person would be exactly what his parents like. No bond is stronger than the one between people who hate the same things.

[riality-check]

The eagerly awaited part 2 of the DILF!Steve concert saga is here!! Part 1, in case you missed it.

"You're not going."

"Come on! I haven't thrown up in an hour!"

"The drive to the venue is an hour and a half."

"Steve-"

"And if you throw up in my car-"

"Oh my God-"

"I'll kill you."

Steve doesn't need to see Dustin's eye roll in order to feel the full force of it through the phone.

"I'll just kill you. You'll have a headstone within the week that says Here Lies Dustin Henderson: Rightfully Murdered for Puking in Steve Harrington's Car," he continues as he packs Capri-Suns into the cooler for the car ride.

He doesn't remember ever being that thirsty as a kid, but if Anna wants strawberry kiwi, Anna gets strawberry kiwi. It helps that it's Steve's favorite flavor, too.

"I'd need a big ass headstone to fit all of that," Dustin snaps.

"Your big-ass ego would demand no less, shithead," Steve shoots back.

"Swear jar, Daddy!" Anna calls from her room, across the house because while she doesn't listen to Steve when he's right in front of her, she can hear him break the swear jar rule from halfway across the world.

He zips up the cooler, fishes a quarter out of his pocket, and throws it into the half-full soup can next to the stove.

(A quarter doesn't mean much, but Anna doesn't know that. The day Steve teaches that kid about inflation is the day his pockets become permanently empty.)

"Did she just swear jar you?" Dustin asks from over the phone.

"You baited me into it."

"I did no such thing."

Steve rolls his eyes. "You're not coming, though, are you?"

Dustin sighs, and, for all his teasing, Steve does genuinely feel bad. "I still feel like if I breathe wrong, I'll hurl, so, no. I don't think I'll manage the car ride, nevermind the actual show."

"Sorry dude."

"Don't be. Some dickhead will live stream the whole thing on Instagram, anyway. I'll live vicariously through them."

Steve snorts and picks up the cooler. He got Anna dressed beforehand, so it's just a matter of getting her to stop playing with whatever toy she dug up - Play-Doh has been the fixation of the week - in her room so they can go.

"Besides," Dustin continues, and Steve hates where this is going. "Anna loved the show, and you've got a reason-"

"Nope," Steve says, knocking on Anna's door. "Don't finish that sentence."

"All I'm saying-"

"I know what you're gong to say, which means you know my answer. I don't date."

Anna opens her door. From the little Steve can see inside, there are at least three containers of Play-Doh open and strewn across the floor. He thinks her Barbies are involved in it somehow.

"Time to go," Steve says, and he thinks, Please don't let there be Play-Doh in the Barbie hair.

"Five more minutes," Anna tries.

"Nope. Clean up and roll out."

"Hi, Anna," Dustin says through the phone.

"Uncle Dusty!" Anna shrieks, and she starts jumping up and down. "Are you comin', too?"

Dustin sighs, and Steve can't tell if it's at the nickname or if he's still cursing the universe. "No, but you and your dad have a great time, okay?"

"Can you, can you tell Daddy I should get five more minutes?"

Steve raises his eyebrows at her. Anna, to her credit, ignores him wonderfully.

"If you clean up," Dustin says, because he's actually Steve's favorite person right now, "you get to do more headbanging at the concert."

Anna gasps like Steve didn't already tell her that earlier today, and she gets to work on putting her toys away. Steve helps, of course, and he finds that there is, in fact, Play-Doh in two of her Barbies' hair.

Fun. They're going to turn into Buzzcut Barbies when Anna goes to sleep because he can already tell that they are the furthest thing from salvageable.

But that doesn't matter right now. What matters is getting Anna in the car, deploying the first two of many strawberry kiwi Capri Suns from the cooler, and making the drive to the venue, which Steve does with minimal road rage and accompanied by the Disney radio station.

Success by all metrics, really.

Dinner might as well be now, so Steve shells out a truly disgusting amount of money for overpriced chicken nuggets and fries at the venue. Anna will only eat half her portion but say she's hungry later, but that's what the snacks and water Steve smuggled in via his jacket are for.

They get to their seats, dinner finished up, just as the lights go down for the first opener. Steve looks to his left, half-expecting Eddie and his friends to be there before remembering that they won't be.

He tries not to feel too disappointed. He fails miserably.

The seat next to him, however, isn't empty. There's a note taped to the back of it, one addressed to Steve and Miss Anna, so Steve feels alright taking and opening it.

At the top, there's a messily scrawled phone number. Underneath, it says:

Here's my number. Probably a bad idea to call with all the noise. Texting works, though you should do that after the show. I'll be a little busy until then.

-Eddie

Steve puts the note in his pocket, puts Anna's ear defenders on, puts his own earplugs in, and looks at the stage, where-

Hang on.

He squints at the stage, where four guys have started playing a song that, frankly, sounds too much like literally all the music Steve listened to yesterday for him to care about all that much. The drummer is pretty small, with wild, curly hair. The bassist looks familiar. The lead singer, who is very talented but not to Steve's personal taste, also looks familiar. And the guitarist-

No way. No way in hell.

It's a total coincidence. Lots of guys have long, curly hair and heavy jewelry and big eyes and are wearing formal wear, for some reason, and catch Steve's eye, and-

"Thank you for such a great welcome!" the guitarist says, and his smile totally isn't doing anything to Steve, thanks very much.

Anna stops moving, where she's standing next to Steve, and climbs up into his lap to get a better look at the stage. She looks out, then back at Steve, then out, then back at Steve, making a face as confused as Steve feels.

Some days, he thinks he ended up with a clone, not a kid.

"I'll get off the mic in a second. I only do the talking because Jeff," the guitarist points at the lead singer, who ducks his head, "is really shy."

Jeff. That name is definitely relevant, but Steve is a permanent resident of denial.

"We fought about what song we were going to include next in our set list, so much so that we didn't decide until yesterday and had to consult a tiebreaker."

Okay, maybe Steve is a less permanent resident of denial than he thought.

"So, thank you to Miss Anna, who did great at headbanging for her first time-"

Anna whips around so fast, her forehead nearly collides with Steve's jaw.

"And to Steve, who's a big fan of American Psycho."

At the song name, the crowd loses their minds, and if Anna wasn't sitting right in front of him, Steve would join them.

Because what the fuck is happening right now?

His question isn't answered. In fact, about five more questions pop up in its stead when, during the bridge of the song, Jeff puts on a clear rain jacket and picks up a prop axe.

Please, God, don't let this traumatize my kid, Steve thinks.

Anna, thankfully, doesn't get scared. When Jeff brings the axe down, again and again, Steve's weirdo daughter fucking smiles. And giggles. It's kind of cute, actually.

When the song ends, she turns back to Steve.

"That's Eddie onstage," Steve says, and saying it, somehow, makes it real.

"I thought so!" Anna says, and she turns back to watch the show. Steve puts an arm around her waist so she doesn't fall off his lap when she bangs her head to the music.

The rest of the songs, in Steve's opinion, are better than the opening song. They're more melodic, which Steve can definitely get behind, and each of them has a gimmick onstage, all based off of various horror movies. It's ridiculous, but also really, really cool.

And Eddie, onstage, because it is the same guy who flirted with him and was so sweet to Anna yesterday, is really, really hot.

Steve has never had a thing for guitarists before. He's never had a thing for musicians before. Hell, until a year ago, he didn't realize he had a thing for men.

Eddie is. Uh. Yeah. Really doing it for him.

Steve doesn't know whether it's his enthusiasm, or the way he moves, or seeing his hair tied up, or the fucking dress pants and suspenders, or just his hands, but he does know he has to get himself in check because this is an all ages show and he's here with his daughter.

He already knows he can't add these songs to his grading playlist, not when they're accompanied by visuals of Eddie playing his guitar.

Sweet Jesus.

"Alright, that's our set!" Eddie says. "Thanks, y'all, for sticking around for us, and let's give it up for the next act!"

The crowd, including Anna and Steve, cheer as they exit and the lights go up.

Steve fishes his phone out of his pocket, fully intending to add Eddie's number to his contacts, and is greeted by not one, not two, but sixteen missed calls from Dustin Henderson.

Naturally, Steve calls him back. "Who died?"

"What the fuck?" Dustin yells, and Steve just puts the phone on speaker to save the rest of his hearing. "Did Eddie fucking Munson just personally thank you from the stage?"

"Swear jar, Uncle Dusty!" Anna says.

"Sorry," Dustin says. "But Steve. Answers. Now."

"How do you even-"

"Instagram live. Is Eddie the guy you were telling me about yesterday?"

Steve takes his phone off speaker. Prior experience tells him that this conversation has a less than zero chance of staying PG, nevermind PG-13.

"Yeah," Steve says. "He is."

"The one who flirted with you, and you forgot to ask for his number."

"Well, I have it now."

"What?" Dustin shrieks, and Steve is incredibly thankful that he didn't take his earplugs out.

"He left me his number on the seat."

"Text him."

"I was going to, until I saw that you called me sixteen times."

"Jesus Christ, Eddie Munson was flirting with you."

Steve rolls his eyes and hands a pack of gummy bears to Anna when she taps his arm. "He could have just been nice. I don't even know if he's into guys."

"Have you looked at him?"

"Wow, Dustybuns, I didn't know you were homophobic."

"I think it's the complete opposite of homophobic to try to get you laid."

"Hanging up!" Steve shouts because a part of him will never see Dustin as any older than thirteen, and no thirteen year old should ever say that.

"Text-"

Steve hangs up the call. "Can I have a gummy bear?"

"No," Anna says, mouth full, in her seat, legs swinging.

"I bought them."

She shrugs. "You gave them to me. Mine now."

Steve stares. She stares right back.

He sighs and opens a new pack of gummy bears.

With his mouth full of sweet Haribo corpses, Steve takes out the note and adds Eddie to his contacts. Before he can overthink it, he sends him a message:

I guess I don't have to ask you what you do for a living. Just so we're even on that front, I'm a teacher, and Anna's full time job is preschool.

He tucks his phone back into his pocket and focuses on making this a good experience for Anna, who somehow wormed her way into a conversation with the intimidating-looking couple sitting next to her.

Because it's totally not like a literal rockstar is going to text him back. Right?

Part 3!!

[rocketkit]

third scene from a nonexistent fic

[steddieas-shegoes]

Steve arriving at a hotel for a work conference for his dad’s company. He hates it there, he’s miserable, he’s constantly trying to figure out what he actually wants to do with his life.

It’s late when he gets there and the hotel is fully booked because of a concert happening.

He gets his key card after waiting for 30 minutes to check in.

He opens the hotel room door to find it is already occupied by a guy with a whole lot of tattoos all over his very naked and still dripping from a shower body.

Obviously he panics a bit and wonders how the hell this could’ve happened and Eddie panics a little because of safety (turns out he’s the singer of the band performing the following night!)

They try to call the front desk but the line is busy and Steve already dreads having to go back and wait in the line downstairs.

Eddie offers to let him just stay and they’ll fix it in the morning.

“Plenty of room in a king for both of us.”

Which may be true, but Steve is an octopus when he shares a bed and he knows he will end up in Eddie’s space. Should he warn him? Probably. Does he? Absolutely not.

Steve rushes through a shower and hops into bed, making small talk with Eddie about his life in a band, ignores questions about what he does as much as he can because he doesn’t feel like explaining he’s just a puppet for his dad’s never ending business career.

He falls asleep listening to Eddie’s soft, deep tone.

And of course when he wakes up, he’s got his legs and arms wrapped around Eddie anywhere he can reach. His drool is drying on Eddie’s chest and he’s coming to terms with the fact that his dick was definitely pressed against Eddie’s thigh.

Eddie’s kind enough not to say anything about it, just squeezes Steve’s arm and continues petting his hair.

It’s nice, too nice.

Steve has to get up. He’s got things to do today and if he’s late, his dad will hear about it and berate him for hours.

Shit, even if he’s on time he’ll probably find some other reason to berate him for hours.

“What’s wrong?” Eddie asked.

“Hm? Oh. Just don’t really wanna get up.”

“Then don’t. I don’t have anywhere to be until soundcheck after lunch.”

And now Steve has no choice but to explain his job and why he’s here, how his dad is relying on him to network and find potential mergers. How he hates putting on the Harrington face to please everyone.

It’s easy to admit it to Eddie, especially with Eddie’s arms wrapped around him, holding him like he could actually protect him from anything his father tries to say to hurt him.

“You don’t like your job.”

It’s not a question.

“Does anyone really like their job?”

“I do.”

“Well, you’re a rockstar. Of course you do. But I can’t be a rockstar.”

“Maybe not. But what is your rockstar?”

Steve had never been asked that, not even by guidance counselors in high school. They all knew he’d work for his father. He got a business degree for his father. He owned more suits than sweatpants for his father.

“I…don’t know.”

“Maybe you could try figuring it out.”

“It’s not that easy.”

“No, it’s not. But you could still try.”

So Steve sent a message to his dad’s partner, let him know he was fighting food poisoning from the in-flight meal and couldn’t make it to the conference today. He watched as Eddie threw on some clothes, mussed up his hair instead of brushed it, and quickly shoved his things into his bag.

“I should get out of your hair, try to get the room thing fixed.”

Eddie looked at him, looked at the alarm clock by the bed, down at Steve’s bag.

“How many days are you packed for?”

“Uh, four, technically. Trip was supposed to be three, but I always have an extra in case there’s flight delays or-“

“Come with me.”

“To…soundcheck?”

“On tour.”

Steve was an idiot, his father made sure he knew it as often as possible. But he couldn’t just go on tour with a stranger.

Could he?

What was he really doing here?

He hated his job, hated his dad, hated not having a clear path in front of him.

And this certainly wasn’t a clear path; He barely knew this guy, and hadn’t even heard his band. But it was a trail, the start of a path that could lead him somewhere he’d actually like to be.

Maybe he could take this chance.

Robin would tell him to do it, if she weren’t in Antarctica studying penguins for three months, only able to call once a week to check in.

What would she say if she called him and he was backstage at a heavy metal concert?

She’d probably say he’s lost his damn mind, but she’d be glad he did.

“Well, I am a rockstar. I could afford to have you around.”

“I’m not sure I could really afford to when my dad fires me,” Steve sighed, reality hitting him a little too quickly.

“I’m not really willing to be, like, your kept boy or anything,” Steve felt himself flush.

“I’m not really willing to have a kept boy,” Eddie smirked, joining him on the bed again, legs crossed in front of him. “But I’d definitely be happy to have someone who can help our tour manager out. You’d be working, though the jobs kind of boring.”

“More boring than sitting in an office five days a week and meeting with old white dudes who haven’t done anything but work their lives away for 40+ years?”

“Nah, way better than that. Sometimes you’ll have to deal with Gareth’s moods, but I promise to make it worth your while.”

“How’s that?”

“I’ll leave that up to you,” Eddie very obviously checked him, eyes trailing over Steve’s bare chest. “I’m open to negotiating.”

“And if I want a kiss?”

“Then a kiss you’ll have.”

“And if I want you to fuck me?”

“Then you’ll have to sign some paperwork,” Eddie laughed. “But that can be arranged too.”

So Steve left with Eddie, four days of clothes in his bag, no idea what he’d even tell his dad or anyone else, and no clue exactly what his new job would entail.

All he knew was Eddie seemed to be made just for him, chaos and hyperactivity included, and Steve wasn’t gonna give that up now. Even if it made no sense, even if it was ridiculous to gain a new job and new rockstar boyfriend in less than 24 hours, even if his next call with Robin was a combination of her yelling about his impulsive behaviors and congratulations for finally doing something for him.

Even if he was more of a VIP groupie for the band than an employee of the tour manager.

Steve finally found something he wanted.

If he sent his dad’s calls to voicemail, that was because he was too busy walking his new path.

[slavicviking]

The Eddie Wakes Up Alone After A Night Together With Steve trope but when Eddie drives up to Family Video to raise hell (he tries the Harrington McMansion first but his monologue is quickly and awkwardly cut short by no one being home) Steve, confused as hell, says:

"Dude, I told you I was leaving for work. You told me, and I quote, 'go get them, tiger' before slapping my ass."

Hm.

Well.

That does sound like him.

Turns out you can have an entire conversatiom with one Eddie Munson early in the morning but there is a negative one percent chance of him actually remembering it before he falls back asleep.

[florallylly]

eddie munson stumbling over his words, speaking absolute gibberish to steve and steve's eyes have just glazed over bc he's already named their children in his head

[hairmetal666]

Eddie thought inviting Steve to the Grammys would be fine, cool, no big deal. And it should be, but Steve is walking out of the suite's bedroom wearing a burgundy tuxedo that fits him like a fucking glove. His shirt is unbuttoned just enough to let chest hair peak out, and Eddie thinks he might faint.

He's always been attracted to Steve, of course, but never let it go further than that. Like, sure, Steve was hot as fuck, and sure he was the best guy Eddie had ever met, and sometimes, yeah, he did have to force away thoughts of Steve when he jerked off, and in other circumstances he'd totally be head over heels. Just, Steve is straight, the straightest, a fucking arrow.

Eddie tears his eyes from Steve's body. "You look great, man." He slaps Steve's back. Keeping it cool; keeping it so cool.

"Psh," Steve says. "Have you looked in a mirror? Oh my god." His eyes are saucer wide as they travel down Eddie's body.

"Is it too much?" Eddie crosses his arms over his bare chest.

"Are you kidding? You're--fuck, man. You look good as hell."

He's wearing a silky burgundy shirt, open to show off the necklaces around his throat, his tattoos, the silver in his nipples. His pants are leather, tight, sitting low on his hips and putting the cut of his pelvic bone on full display. They have a lace-up closure that comes dangerously close to showing pube.

Heat rushes to his face at the compliment. "It's--you know. Hazard of the job."

"Yeah, hazard, sure. Guess it's a hard life having hot dudes literally throwing themselves at you."

Eddie barks out a laugh. "That's a vast exaggeration."

"Is it?"

He blushes harder. "You're my date tonight, Steve."

"My point exactly."

His manager and publicist usher them out the door before he can ask what the hell that meant.

---

The ride is giddy and playful, Steve popping champagne to celebrate Eddie's nomination for Song of the Year, even though there's no chance in hell he wins.

Steve is happy. His face is bright with joy, eyes shining, laugh loud and infectious. He's gorgeous, knows it, will be an absolute menace on the red carpet. He's been with Eddie to parties and stuff before, doesn't have any anxiety in front of the camera and isn't obsessed with musicians like Eddie is, unafraid to meet them.

Or so Eddie thought.

Because now they're standing at the edge of the red carpet, Steve very nearly trembling next to him.

"Harrington?"

"That's--That's Madonna." Steve points to her. "We're not even ten feet away from Madonna." He gulps. "Eddie. Madonna."

Steve has met famous people before with Eddie. Ozzy, briefly, Janet Jackson, Dave Grohl, James Hetfield, and he'd always been fine. Barely batted an eye. But get him within reaching distance of Madonna and he falls apart.

Eddie doesn't think about it, grabs Steve's hand, twines their fingers together. "Okay?"

The smile Steve throws him, grateful and a little embarrassed, stabs straight through his heart. He calms as they make it up the carpet, but he doesn't drop Eddie's hand, even when they pause for pictures. In fact, he leans into it, drapes his arm around Eddie's shoulders, or around his waist, seeming to thrive the closer they are. Eddie feels this dangerous pull to indulge in it, to let himself believe it means something, and he doesn't quite have it in him to turn it off.

By the time they reach their seats, Steve is relaxed back to his normal charming and handsome self, doesn't bat an eye as Eddie introduces him around.

The show passes quickly with all the performances and Steve whispering jokes in his ear. It's the best time he's ever had at an award show, like he should have been bringing Steve along this whole time. He's so distracted that he's not really ready when Paula Abdul comes out to announce Song of the Year.

His name is read off as a nominee and Steve grabs his hand, squeezes tight. Eddie's heart flips in his chest. He's not paying attention when Paula opens the envelope, too focused on Steve's strong hand holding his. He hears her say, "And the Grammy goes to--" and everything goes fuzzy.

Steve is saying, "oh my god, oh my god, Eddie. Get up, get up."

And his fucking song is playing and everyone is cheering, a couple people slap his back, and oh shit, oh shit, he fucking won. He stands, Steve with him. He thinks they're going to hug, that's what you do in these situations, but Steve is kissing him. Not on the cheek and not a quick peck, but lip-to-lip, soft and sweet.

Steve just kissed him and he has to get on stage and give a speech. He has no idea what he says because Steve just kissed him. On the lips. On purpose. His ears are ringing and words tumble out of his mouth, thinks he says, "couldn't have done it without you, Stevie," before tripping over his feet to get backstage.

Interviews, photographs, congratulations all help him settle. He's still buzzing with the win, but aware enough now to think the kiss had to be an accident. They've been friends for nearly a decade and Steve never seemed interested in men generally or Eddie specifically.

It takes a while to finish up the backstage business, but when he makes it to his seat, Steve just beams at him. He doesn't mention the kiss, which makes Eddie think he's overreacting. It wasn't a big deal. Sure, he could still feel Steve's lips, warm and soft, against his own, but it didn't mean anything. He's just too in his big gay feelings to be objective.

They don't get a chance to really talk until they're back in the limo and on their way to the after-party.

"You won," Steve says.

"I won." Eddie smiles. "Crazy."

"You deserved it."

He shrugs. "I don't know about that."

"Doesn't matter. You did." Steve fidgets with the cuff of his jacket. "About earlier, um. The kiss. I--"

Eddie feels his face heating, heart kicking up. It was nothing, he knows, and Steve shouldn't have to-- "It was an accident. It's okay. I know you don't--it was the heat of the moment and--I know you're not--you don't--"

Steve blinks a lot, emotions flashing across his face faster than Eddie can categorize.

"What if I do?" Steve asks. His voice is too soft, eyes locked on the cuff link he's fiddling with.

"You--what?"

"What if I did mean it?"

"You're straight."

Steve goes pink. "I'm really not."

"Steve?" He shrieks. "Since when?"

"Um. Since you invited me to this?"

"What the fuck?" Eddie shoves him. "What the fuck, man?"

"I know, I know!" Steve pulls his hand through his hair. "You invited me and I freaked out and I didn't know why, and Robin made the saddest little face at me. Said, 'oh, dingus, you didn't know?' How the fuck was I supposed to know!"

"I think you wanting to fuck me should've been a pretty good indication!"

"I thought that happened to everyone!"

"It doesn't!"

"That's what Robin said!"

They're both yelling.

"Jesus christ. Jesus christ," Eddie keeps repeating.

"Look, I get it if you don't want me too, dude. I know that's not how it works, but I've been pretty crazy about you without realizing it for a while now, so--"

He doesn't mean to, he really doesn't, but he laughs. Like, super loud. Like a donkey bray.

"Okay, can the driver let me out? Like, can I go? I can't--"

"Wait, wait, sweetheart." Steve's gotten up, like he's about to knock on the partition, but Eddie grabs his wrist. "Of course I want you back, you idiot, oh my god."

"Oh." Steve's ears are pink. "Oh. Well. That's good."

Eddie huffs. "Just good? I won a Grammy and the guy I've been pining over for years wants me back. I'm having the night of my life."

"Shut-up." Steve's smile is so big, his eyes so bright.

He raises an eyebrow. "Make me," he says in his lowest register, but he's truly not prepared for it when Steve clambers over to him and lowers himself to straddle Eddie's hips.

"Holy shit," Eddie whispers. "Holy shit, Steve."

He give a wry little smile, eyes locked on Eddie's mouth. "Baby, can I kiss you?"

"Yes." Eddie clears his throat. "Yes, please, do that. Yeah."

Only, he doesn't. He's straddling Eddie, they're so close their breath mingles, and Steve's eyes flicker between Eddie's mouth and his eyes, lips so close to touching but not.

"C'mon, asshole," Eddie says.

"I knew you'd be a brat." He whispers. He wraps his hands into Eddie's hair. "Been dying to do this."

And then they're kissing. They're kissing and it steals all of Eddie's breath and his thoughts, and it's new but it's also like they've been kissing forever, like their lips and tongue know each other, like coming home.

He whines, high-pitched and breathy, and Steve laughs, kisses him deeper, moves closer, and Eddie feels how hard Steve is, the persistent pulse of him. And shit Eddie's close, on the brink just from this, from nothing, oh my god.

Steve's hands drift down Eddie's torso, mapping his chest and his stomach, coming to rest at the laces of his pants. "These have been driving me insane," Steve breaks the kiss to say. "Been thinking about undoing them all night."

"Fuck, sweetheart, you can't say shit like that," Eddie groans.

"Why not?"

"Because--because," Eddie sputters but then Steve's lips are on his neck and he's rolling his hips for friction.

Steve's fingers find the laces again, trace against them. Eddie's legs fall open, arching into the touch. "We're going to be so late," he murmurs as Steve's fingers get to work.

[piratefishmama]

Eddie Munson making bank on being a 'Rent a weirdo to piss off your parents' guy. He shows up, behaves exactly like himself sometimes, and other times if himself isnt working he'll up the ante and get creative, but he earns his money.

and Steve Harrington who's sick of his parents trying to throw people at him, both women and men, he's in desperate need of a break from it all/

His parents were horrifically supportive when he in a fit of desperation to stop them from throwing more awful women at him, came out as bi, okay, he said he was gay but when they were supportive he adjusted to Bisexual because he actually was bisexual and there was no point lying if his parents were just going to switch it up and throw men at him instead.

John the tennis club owners son was lovely but no.

So he hires Eddie for a 'week long chalet get away', it's Dustin's idea. Eddie's his friend and Dustin vouches for him.

"Just. Pretend to be my boyfriend for the week. You get a free rich people vacation out of it."

"Usually i'm more of a one and done kinda guy, Harrington, you think i'm not up to freakin them out in one go?"

"Freaking them-- no, i need a week of them not trying to set me up with someone, they wont if they think i'm dating, is that okay?"

"... Not my usual schtik but what's the worst that could happen?"

Whats the worst indeed.

[morganbritton132]

No one wants Steve and Eddie to get together more than Eddie’s creative writing class who will collectively ripping their metaphorical hair out if they have to hear another long description of a king in need of rescuing.

Well, everybody but Steve.

Steve - who is only in this class because they wouldn’t let him take personal finance three years in a row - has not pick up on who the king is based on and will openly interrupt Eddie halfway through a story to be like, “This guy again? Ugh, he sucks.”

“He doesn’t suck!”

“Uh, yeah, he does? He’s mean for no reason and like, apathetic to his knights terrorizing people,” Steve adds. “Also he’s ugly. You keep describing him and he sounds ugly. He has a big nose. No offense, Jessica. The court jester should kill him.”

“Thats the point, Harrington,” Eddie scuffs. “He could be better if his court wasn’t full of idiots.”

“Then make him better,” Steve scuffs right back. “You’re the narrator.”

“I’d love to.”

The entire class thinks, so would we.

[stevieschrodinger]

Eddie notices things.

He might be loud and brash, might be over the top and his mouth might run away before his brain can kick in, but he still notices things.

He likes the details. Loves a fantasy world that’s so detailed it’s believable. Loves a tiny detail in a story that becomes relevant two hundred pages later. Loves a detail in a puzzle in a DnD game. He loves the minutia of everything.

So he notices these details about people. Mostly because Eddie likes to create people. He likes to write his own stories, likes to make his DnD characters real...foibles and all. Any time Eddie is alone, or bored, or waiting, sometimes he looks around and thinks, ‘if I were writing this, how would I describe it?’ And then he does...he writes in his head about the tree he can see, what the weather is doing right now, how he would describe the quality of the sunlight or the way the rain rattles against the window. He watches complete strangers and writes out their whole life in his head. Eddie likes the details, and he likes to create characters, and he also thinks, a lot of the time, you write what you know.

So yeah, Eddie pays attention to the people around him. How they dress, how they behave, if they bite their nails or chew pen lids. If they stand straight or lounge against the nearest wall or counter. How they cradle their smoke in their hand when it’s breezy out.

All the little details he can build into characters he makes in his mind.

Steve’s calendar interests him. It probably shouldn’t, that stuff would be private if it wasn’t for the fact that it’s hanging in Steve’s kitchen where anyone can see it. Plus the fact that it is just a calendar and there for by it’s nature isn’t very interesting. Eddie thinks he finds it interesting just by the virtue that it’s to do with Steve Harrington, and therefore it immediately becomes very interesting to Eddie.

It’s got big pages, a decent amount of space to write in every day. And Steve has. Every single day.

There’s a pattern to it that Eddie deciphers pretty fast; his shift at work is on the top line; it’s in red. Next is anything to do with the kids, and it’s in green; picking the kids up or meeting them or going to a game for Lucas or basically anything like that. Then blue, and that seems to be stuff to do with Eddie himself, Robin, Nancy, if he needs to meet them, give them a ride somewhere, or just times to hang out.

The bottom line is in black, and it’s stuff like, ‘hoover’, ‘do laundry’, ‘bathroom,’ ‘kitchen’, ‘groceries,’ followed by a little note that seems to be about whatever Steve plans to have for dinner that night.

Below it is a note pad, also hanging up, with an in process grocery list on it. Eddie knows why all this is here; Steve’s forgetful.

If Steve makes plans, he immediately writes it down; Eddie’s seen it for himself.

Eddie sees it too, when Steve’s struggling to hear. If too many people speak at once, or if there’s too much background noise, Steve doesn’t stand a chance.

If he’s not looking at you when you’re speaking to him, chances are, he might not be hearing you. Which, okay, Eddie’s just kind of rolling with it.

Until they get together. No one was more surprised by this turn of events than Eddie, who was convinced that he was just going to pine after Steve forever and that would just be how things were for the rest of his life. That was right up until Steve Harrington held his hand and just sort of...seemed to forget to let go.

Eddie hasn’t pointed it out to him yet, he’s still kind of worried that if he points out the fact that they’re kind of, sort of, dating, Steve might realize and stop again. So yeah, Eddie rides the wave, not at all freaking out when Steve invites him over for dinner and a movie like that’s just a normal thing they do now. Because it is. Because they’re kind of dating.

There’s no answer, but that’s pretty normal, the front door is unlocked a lot of the time, Steve doesn’t want to hinder anyone's entry if there’s any kind of emergency going on, and it’s totally normal now for any of them to just wander into Steve’s house.

Steve is cooking; Eddie can smell it. He stands in the kitchen doorway and says Steve’s name. And predictably, Steve doesn’t react.

Eddie takes this as an opportunity to gauge this. He says Steve’s name a little louder; still nothing.

Eddie tries four times, a step closer and a little louder each time, until the last time, when Steve spins around so fast the spoon he’s holding splatters sauce on the counter top and his other hand flies to his chest, “holy shit.”

“Sorry,” Eddie rubs at Steve’s arm and shoulder as he gets his breathing under control, “you couldn’t hear me.”

Steve shrugs, “it’s fine.”

“Stevie…you could at least, you know, go get them checked, or whatever.”

Steve hums, "maybe, if you go with me," and Eddie's quick to agree, because he gets a kiss out of it.

[loveinhawkins]

”How do you do it?” Eddie asks.

The question slips out far too late at night, anxiety thrumming in his chest—he’s not escaped the feeling ever since the boathouse, when he simply couldn’t sleep, felt like a fox just waiting for hound dogs to get his scent, ready to run—

Steve doesn’t need him to explain further, as if he can somehow hear a whole lot of what Eddie’s not saying: like when he picked up the phone an hour ago and hadn’t even let Eddie tie himself in knots, had just said, so easily, “I’ll come get you,” like it wasn’t a huge inconvenience, like he’d been the one to call Eddie instead.

He’s considering Eddie from where he lies in bed, leaning on his elbow, and he’s still got the covers off pointedly—and that’s a big thing, Eddie thinks, a big thing he doesn’t know what to do with, because they’ve not talked, not really, not got much beyond the dizzying relief of still being alive.

But even fraught with profound lack of sleep, Eddie doesn’t think he’s misreading the look in Steve’s eyes.

I know, those eyes say, illuminated by the warm light of the bedside lamp. It’s okay, there’s no rush. I’m right here.

Eddie’s never seen that kind of look before. Not towards him.

“Sometimes Robin sleeps over,” Steve says thoughtfully. “And sometimes the kids are around, and they’re so annoying and I get, like, three hours, tops.” He says it with all the fondness in the world. “And sometimes I’m alone, and it’s fine.”

“What about the other times?” Eddie can’t help but whisper.

If it were a reasonable hour maybe he wouldn’t dare to ask at all, but exhaustion’s worn down the filter in his head—at this point it’s practically see-through.

Steve shrugs. “Yeah, they’re shit,” he says with such honesty that Eddie nearly asks it again, how do you do it?

“But then it’s, like, a new day,” Steve says slowly, like he’s carefully weighing up what to say, “and I can… drive.” The pause tells Eddie he means go to someone. “Or, like… call, if it’s really bad.”

Hey, I’m glad you called, man, Steve had said when Eddie got into his car earlier, like they were just going to the movies or something normal—like Eddie wasn’t shaking, forehead pressed against the passenger window.

Eddie feels his throat close up a little. Tries to sniff as quietly as possible.

“Eddie,” Steve says patiently. He moves back in the bed. Gives Eddie space. “C’mere.”

Steve keeps the lamp on which helps; this isn’t the boathouse, Eddie thinks, and the slightest bit of tension leaves his body. Even that feels like a miracle.

He’s just resigning himself to lying there, staring up at the ceiling so at least Steve can get some rest, when Steve turns and catches his eye, still wide awake.

“Tell me about The Lord of the Rings,” Steve says.

The tightness in Eddie’s chest loosens; he laughs in surprise. “What?”

“You heard me.”

Eddie turns so he’s facing Steve properly, attempts a casual shrug, knowing already that it’ll be too rigid. “I don’t know, man. We, uh. We kinda lived through Mordor already.”

His hand twists in the bedsheets, knuckles turning white.

I don’t know how to do this. I’ve never had…

Steve’s hand reaches across, eases Eddie’s grip on the sheets, like he’s saying, neither did I. Just give it a shot.

“The shire, then,” Steve says.

Eddie smiles. “Steve Harrington,” he says, suddenly finding enough lightness to tease; he’s missed it. “Are you asking me for a bedtime story?”

“Nope,” Steve says. “We’re just gonna lie here and talk.”

And they do.

Steve asks questions which works out for the best—Eddie can’t quite remember the last time he read the books. To tell the truth, anything that happened before March often has a kind of fog over it.

He’s sure he’s dropped at least a couple of plot points somewhere along the way, but Steve never once complains that he’s not making sense, just gently prompts Eddie until… until…

“Mm, I know what you’re doing,” Eddie mumbles through a yawn that catches him unawares.

“Oh, do you now?” Steve says, sounding smug. God, Eddie loves him. “Is it working?”

“Maybe.” Eddie says. His eyelids are heavy. “Um.” He yawns again. “Where… where was I?”

“Don’t worry about it, man,” Steve says. It sounds like he’s smiling—Eddie would check, but it’s suddenly impossible to keep his eyes open.

It’s okay, he thinks hazily, melting into sleep without even thinking about it. He can ask Steve in the morning.

There’s no rush.