#started writing this in May

[wonkyjaw]

Quilt update. This is split somewhere in the blues and I have to sew that together and then I have to add one more yellow row to the top. Then the quilt top is finally, finally done.

[pricetagged]

butcher paper

Here's a young (maybe 19-early 20s) Simon struggling with his emotions, working as a butcher's apprentice, and fixating on the pretty student waitress at the café next door (':

Content: plus size f-presenting reader; allusions to domestic abuse (Simon's past); fat-shaming (not Simon); little bit of violence, unedited. (Link to Ao3)

He's not sure that it counts as desire. Interest. It crawls over him, makes him feel aggressive, makes him want to dig his teeth in and shake and snarl.

It's hunger.

And he knows hunger. Knows it like he knows the cigarette burns on the back of his hand. Knows it like he knows his old man's a waste of space and that he has to defend his mum and protect Tommy and- and-

He's the man of the house, only the house is rotten. Woodloused frames, crumbling bricks. Gutted. Empty shelves hidden behind broken doors. Chipped plaster, electricity cutting off. Squeaky steps that always clued them in when the old man was on a rager (not that it helped, creaking out a warning but giving no clue where to run. The percussion leading to a gallows' jig; the heavy step before the hit).

But the old man's gone now. And Simon is left trying to fill in the boots he doesn’t know how to wear. All growth spurt and gangly limbs and anger. So much anger at the old bastard. Tear-soaked anger at his mum sometimes (buried deep behind the shame that he feels when he thinks of her black and blue. Anger and shame, bitter roots that he chews at to soothe the clench of in his jaw and the grind of his teeth). And then he sees you through the window. Through the peeling CHRISTMAS SPECIAL sign highlighting ham joints and turkey and pigs in blankets.

You're so soft.

You look like you’ve lived a life well-fed and well-loved. Something round and sweet and helpless, like the puppies he and Tommy had seen dumped in the park while they snuck cigarettes and swigged from cheap supermarket cider.

And that brings him back to the hunger. He's an awkward creature, shuffling to the café where you work part-time. He's more feeling than man, all rage and appetite stuffed into a skin suit. You sense it too, nerves tugging at the tilt of your smile as you approach the scavenger that swept in to sit at the cheap plastic tables in this greasy spoon. He sits awkwardly, too, hunched over the table like his stomach is gnawing at him. Big hands snapping the disposable plastic coffee stirrers and shredding the napkins. That first day, he just stares at you. Sneers a little when you flutter over to take his order.

You slosh the tea a little when you serve it.

He sees the burn bloom, watches as you suck at the sting with plump cheeks and a rosy little mouth, and he just wants to dig in and scratch hard to see you do that again.

It becomes a habit, watching you. He finds out bits and pieces listening as he rends and chops and saws through muscle and bone, stinking of sweat and iron. You're here as a student. You're living in student digs (good, best that you avoid the up-and-downs and rough streets that would fit a student budget), and you're a real sweetheart. Old Sal who has been running the café for the past 30 years leans a heavy elbow on the display counter as he chats with the boss.

"She's lovely, taken to it like a fish to water," his raspy, smoke-charred voice is cheery as he waits for the bacon and sausages to be weighed and wrapped. "Only asked for Thursdays and Fridays off since she has afternoon classes then. Otherwise, I almost have to round her out of the shop, doing more afternoons and weekends than my own kid."

You're hardworking too, then. He wonders if it's because you're hungry too, needing something to do with your time, living on pot noodles and supermarket ready-meals like he'd heard some students do. It's strange how that thought sits uncomfortably, makes him want to hunch over you and bring you his scraps.

That week, he decides to talk to you. Only the words get caught, don't come out quite right as he stares at the way your jumper clings to the soft curves under your faded apron. When you turn around, bustling to other customers, he can't help but stare at the line of your skirt. It's real pretty, decent, sitting just above your knees but Christ, he wishes that it would roll up a little higher. That it would catch on the corner of a table or hitch up as you raise your arms and swish past with a tray full of fry-ups. He almost gets lucky as you bend over to mop up a spill just across the room. Your thighs widen as they press against the table, tights stretching thin and sheer and he just can't tear his eyes away-

(The hunger in his stomach turns hot and biting, makes his cheeks flush and his mouth dry-)

But it's ruined. Fly in the soup, hair in the dish, as you catch him and your eyebrows pinch together as you look away. There's something guarded, bitter, in your lovely eyes, and the dryness in his mouth turns wet and sour. You seem to take pains to avoid him, swapping out with Sal's son so that you can work the counter instead of the floor.

"'m Simon," he grunts as he goes to settle the bill. "Work at the butcher's across the street."

You clearly didn’t expect an introduction, shoulders relaxing and hesitant smile blooming as you give your name in return.

"Yeah, I know. Sal mentioned you a few times. He's tried to give me the rundown of practically everyone on the street, feels like."

"Y'should come in t'the shop," the invitation rushes out in a way that makes him feel clumsy. Perhaps that’s why he did it; to have you in his space, with his head and his footing right. Here, he feels every inch the artificial man. Pieced together, too big and too looming, with no help or guidance on how to talk to soft things and pretty girls.

You grimace a little, eyes focused on the till as you count out his change. "Not really on a butcher-shop budget right now."

"'S'alright. I can keep something aside for ya," he doesn't mention how it would come out of his wages. How it would come out of what he brought home to his mum and Tommy. It didn't matter, though, when he was used to going without.

"That's - that's really nice, actually," Your sweet face is glowing now, and he feels like he could bathe in the warmth of it. "Next time you come by lunch is on me."

He sees the way you tuck your chin and smile as he walks away, and that bottomless pit in his guts feels just a little more full.

(He doesn't quite catch the snickers of the boys at table three, whispering and nudging each other as you come to take their orders. This time.)

He stares more and more through the window of the shop, watching as you come and go. Watching the way you greet the regulars and skirt around the group of lads who like to linger in the evenings. There's something sharp, nasty, to the way they circle around the entrance. The way they cackle and hoot when the one with the eyebrow piercing smirks and whispers to his mates as they force you to brush past. They're a pack of hyenas, shrieking and smug as they toy with the poor little thing that's walked past their watering hole. He's seen this type before, practically grew up with them. His old man was probably one of them, perfecting his cruelty while young, cementing it as part of his nature.

It has Simon sharpening his knives while he grits his teeth. Has the boss tutting at him when he cuts too close to the bone.

He knows there's something violent in him. The old man tried to bring it out then snuff it out, getting scared when the knife that he sharpened was able to cut him in return. He's no stranger to bloodshed. No stranger to the calloused, deprivation-dimmed apathy that breeds like algae in the environment where he was forged. Dripping, slimy, suffocating.

Doesn't mean he likes it, though.

(He'd gone back for those puppies, you know. Felt wrong leaving them. Felt like a rebellion against his old man's sick life lessons as he dumped the box outside the doors of a local veterinary clinic).

So he keeps his eyes peeled, stakes out the café like he owns it. Stares down anyone who looks at you wrong until they look away, muttering under their breath. 'Fucking freaky dead-eyed git.' It seems to work.

And you seem to like it, sparing more smiles for him. Bringing him bigger portions than normal and topping up his cup before he even needs to ask.

"I know you've been working since seven, Simon. Gotta keep your strength up," You seem bashful as you slide the plate across, and he just eats it up.

You've been looking at him, thinking about him. It's not something he's familiar with, having someone care for him. His mum loves him, of course. Tommy too. But it’s not the same, not when it's been his job to take care of them. His job to step up to the mantle and into the shoes that his father should've filled. Watching the sway of your wide hips as he tucks into the steak and kidney pie with gusto, he feels satisfied. The hunger is there, always is, but it's not gouging at him under the skin. It's satiated, pleased. The kind of comfort that leaves his eyes heavy and his belly warm.

It's a routine you fall into, and everything is rosy-

Until it's not.

He's closing up shop, wiping down the counters and getting ready to haul down the shutters when he sees them. Those stupid pricks, travelling in their pack and signaling that their quarry is in sight. Look, there it is alone and limping and- You're in a rush, leaving later than usual and shrugging your coat on carelessly as you shout your goodbyes to Sal. You're in that skirt again, the one that makes his lower belly tighten and mouth feel dry.

"Oi, look! Dirty scrubber has her fat arse hanging out!"

It sets them off, chittering and howling as you freeze wide-eyed and lip-quivering.

"Gonna be sick, mate. Don't want to see your knickers, love. Didn't even know they came in that size."

He doesn't even see red. Doesn't see anything but your pretty, round face crumpling as you try to tug your skirt out from where it got caught under your coat.

The ringing of the bell by the door muffles the sound of the first punch. His fist crunches into that prick's nose, and he wants nothing more than to keep going until his face is little more than meat and pulp and blood. He can taste it, smells the blood in the air like a shark.

But you're watching.

"Bit bored with y'taking the piss out of her," he snarls it as he hauls the man by his jacket, shoving him hard against the wall until his head thwacks against the bricks. Easy as hauling a side of beef. "Why don't ya try me next?"

The man seems dazed, head spinning and nose dripping. His mates, too, look floored. Ready to scatter and abandon their leader to the bigger beast. Only the promise of more blood keeps them watching, feeds their nasty appetites and he's just itching to let them see. Watch what happens; it's coming for you next.

"Speechless now, eh? Had so much to say earlier," he's spitting the words out, teeth snapping as he leans down so close to the man's face that he can see how his pupils constrict. "Apologise."

And he's smarter than he would give him credit for. Smart enough to whimper out his 'sorry, sorry, sorry' as he drops to the filthy, damp pavement when Simon swivels towards the others. Something about the set of his shoulders, the way his hands and apron are splattered with the gore of man and animal, has them scattering.

"That goes for the rest of ya! Don't ever want t'see your ugly fucking mugs around here again," he spits on the ground, itches at his jaw with his wrist as he watches them run.

He can't hear them anymore. Can't hear anything over the sound of his heavy panting and pounding heartbeat.

It's cold out. He's only realising it now, standing in the December chill with just an apron over his jeans and t-shirt. It has him shaking, flexing his hand as his knuckles start to sting and swell. He welcomes it, welcomes the familiar bite as he pushes down the savage, ragged anger rippling through his chest.

"Simon-"

"Y'alright?" he cuts you off, faces you head-on.

And all the rage saps out. You're not cowering away. There's no disgust on your face. No tears or embarrassment either, no. You've got a crumpled packet of wet wipes in your hand, reaching out for him. Concerned.

"Figure you'd want to get that prick's blood off you soon as possible," you give him a sad little half-smile. "Didn't have to do all that for me, Simon."

"Yeah, didn't have to." He concedes as he steps closer to you. Crowds into your space until you're toe-to-toe and he can feel your warmth. He brushes his fingers against yours, lets them linger on your soft skin as he reaches for the wipes. "I wanted to."

-----------------------

Let's all pretend that this was okay and ignore the fact that I still haven't posted the wips that I keep going on about 🫠💖

Just a little self-indulgent drabble idea that I had today, thinking back to watching 'My Mad Fat Diary' as a teenager, feeling nostalgic ~ (The Finn-defending-Rae scene had 18yo me in a chokehold lol).

[tinyevilgremlin]

link click — text posts pt. 1/?, pt. 2

[pon-farr-night]

Thinking about Our Man Bashir and how Garak saw being shot as the consummation of his and Bashir's relationship... or whatever Andrew Robinson said.

[hootyhoowoo]

A little 15 min doodle but first post of the year has to be Bingqiu!

[help-itrappedmyself]

Dead on Main AU

Masterpost

Guys, I'm so sorry. But here's this!

~~~~

Danny blinks and he is somewhere else. He’s sitting at a dining room table, surrounded. There are so many people here. They’re all talking over each other, some yelling, some laughing. This scene comes as a great surprise to him, who -one blink ago- was trying and failing to do his homework at home in his room. Danny shoots up, his chair making a horrible noise as he pushes it away so fast it tumbles over. Everyone in the room turns to look over at him like he’s insane. 

“Oh my god, who are you people?” Danny did not mean to say this out loud, but at the sound of his voice he startles. Danny takes a moment to assess, and then, “Oh my god who am I?”  He is tall, and big, and this is certainly not his body, what is he wearing.

The boy sitting to the right of Danny, a little shorter than he is, with black hair and blue eyes (though now that he’s paying attention that does describe most people in the room),  starts chuckling lightly. “Uh, Jason? Are you good?” 

Danny turns to stare him right in the eyes. “What day is it?”

And he can tell the concern around the table is just ratcheting up every time he opens his stupid mouth.

“Did you hit your head on patrol?” The voice comes from the only blond and one of the only girls in the room, who's to the left of the person across from him. The person across from him is another boy with black hair and blue eyes who is studying Danny in a way that makes him uncomfortable, that under-a-microscope look that makes you feel like you’re failing at something.

“I have no idea if Jason hit his head.” Danny says. “I was just trying to remember if it was my birthday.”

And if he thought the room was busy when he first arrived here it is absolute pandemonium now. Everyone starts shouting and asking questions that he can’t even hear over the shouting. Someone with white hair in a suit just came through a door he didn’t even see earlier to stand by the only person not shouting, who -Danny would guess- is the only other adult in this room, witting at the head of the table. He also has black hair and blue eyes, and where almost everyone else’s reaction was panic, he froze instead. The person across from Danny also isn’t shouting, but the person next to Danny on his right has now fully stood up and looks like he might actually jump across the table to win the argument he ended up in. 

“Are you Jason’s soulmate?” is the main gist of the shouting that Danny can interpret but he’s more concerned with actual Jason at the moment. If they switched bodies... Then Jason might be in trouble…

“Hey, I forget, how long is this body swap supposed to last again?” Danny asks.

“Until you and Jason have physical contact. You have to actually meet.” The boy sitting across from him explains. He seems like one of the only ones that heard Danny talk, everyone else was still shouting. 

“Oh, that just seems terrible. What if we’re in different countries or something?” Danny complained. ���Everyone in the world is just supposed to be able to drop everything and afford to fly across the world. The universe is really trying to screw people over now. Honestly, am I in a different country? Where even are we right now?”

“You’re in Gotham.” This voice was new, coming from the head of the table to Danny’s right. 

“Oh no. Nope.” Danny started backing away from the table, almost tripping on his overturned chair. “Absolutely not, no, how do I get out of here?” He starts earnestly looking for a door to get out of this place, but there are three doors he can see and he has no idea where any of them go, and doesn’t this room have any windows? What kind of a room doesn’t have any windows? Do they like to eat in a basement?

“Jason- not Jason. Uh, you need to calm down, everything will be fine alright, We’ll get you and Jason introduced no problem.” Danny swivels to track the voice and it’s the one who was sitting next to him, he’s walking towards him with his hands up and out in front of him. 

“I have to get home.” Danny breathes. 

“We can get you there, promise. Now, I’m Dick, can you tell me your name?”

“Your name is Dick? Who named you Dick?” Danny is so confused he’s stopped panicking. “How old are you for you to go by the name Dick?”

“Okay, rude.” Dick sounds like a petulant child so Danny’s estimations for his age are continuously dropping. “I’m 24.”

Danny snorts. “Okay.” The blond girl starts laughing over at the table. “I’m uh, I’m Danny.”

“Nice to meet you. Sort of. I’m Tim.” The guy from across from him had made it over to stand next to Dick. “There’s a lot of us here today so the one laughing like a hyena is Steph. That one there is Duke.” African-American, still with black hair but he has brown eyes and waves once introduced. “Damian is the short one next to him, and Cass was sitting across from Dick earlier. Our dad, Jason’s dad-” 

“Not my dad!” Steph interrupted. Tim waves her off.

“Everyone but Steph's dad, is over there, Bruce. Alfred, our butler is the one next to him.” Alfred gives a slight nod to his head. Bruce is just staring at him.

“So, names out of the way. You said you wanted to go home, where do you live?”

“Amity Park.”

[doccywhomst]

the actual literal meaning of TARDIS (Time and Relative Dimension[s] in Space) is so funny cause it’s just…. a very succinct description of what the vehicle travels through? “hello i’m a human and this is my CAR (Concrete and Roads)” uh yeah i sure hope it do

[luimagines]

Important (Hiatus)

....Where do I start?

After three and a half years, I think I've hit burnout.

Ever since my semester started back in August- no, back in the spring, my interests had fully shifted.

I think my career and journey as a writer and story teller are branching out into new territory now. And I want to see where it takes me.

It's been progressively harder to bring myself to write for this blog. I still have things sitting in my drafts and my inbox is still full but I really want to write original stuff and focus more on the series I started.

Not to mention that I genuinely have to start job hunting now as well.

After non-stop uploads and posts for nearly four years, I'm going to say that this is being put on pause. I wanted to last until the fourth anniversary but I can't bring myself to write that many posts and prompts to fill in that gap. Getting to this point was difficult as it was.

Don't get me wrong, I don't want to bring this blog to a full stop.

I still want to talk to people. I still want to hear your ideas and your stories as well. I plan on keeping my commissions open if you still want more Zelda or LU stories, but for the blog itself, I think it's run its course.

I plan to spend more time on my other blog that I made for the stories I plan on writing in the future.

You can find it right here.

I hope to see you there! I have many more stories to tell. I just think that my time for LU is gonna be put on hold for now until my creative energy comes back.

I want to put my energy into something more productive to me in becoming a full-time author.

This community has opened up so many opportunities for me and I've got to talk to so many wonderful people. I couldn't be happier with where I am, truly.

I owe you all so much.

So thank you for entertaining me and my nonsense. <3

Thank you for giving me the push I needed to believe in myself.

And lastly, thank you for sticking with me for as long as you have.

All that being said, there will be no posts (written works) as of next week. And there will be no posts in the foreseeable future unless they have been commissioned and I have been given permission to post them.

[steddieasitgoes]

Steve’s parents leaving him home alone more and more after the Fall of 1983. Half the time they don’t even tell him in advance, he just finds out from a note left on the kitchen counter and $10 to cover pizza.

Steve waking from a nightmare, friendless, alone (let’s pretend he and Nancy didn’t get back together), and hungry. The fridge is empty and Bradley’s Big Buy is closed for the night. He tries to go back to sleep but his stomach won’t relent so he reluctantly gets dressed and drives 15 minutes to the 24 hour McDonalds in the next town over.

The same McDonalds where Eddie works the drive thru headset at on the weekends. He’s not exactly fond of the job and finds dozens of ways to make it more entertaining — like coming up with terrible nicknames for the company.

Steve is taken aback the first time the static drive thru speaker welcomes him to “McCrap-lds.”

It makes him smile for the first time in weeks.

Neither Steve nor Eddie recognize each others voices as they banter back and forth. Steve ask for recommendations, Eddie makes fun of him but gives in.

When Steve pulls up to the window he expects to meet the funny drive thru employee but he’s greeted with a tired middle-aged women instead. Apparently Eddie lost window privileges after an incident. Steve doesn’t ask questions.

When he wakes up from another nightmare a week later, he returns to the McDonalds and engages Eddie in more easy banter before ordering his food.

It becomes a habit — one he keeps up for the entirety of the summer of 1984.

Steve and Eddie never meet face to face but that doesn’t stop them from venting, joking, and sharing their McDonalds recommendations through a shitty drive thru speaker.

Then on the first day of senior year, Steve is in line for the terrible cafeteria food (it makes McDonalds look like a Michelin Star meal) desperately craving chicken McNuggets and sweet and sour sauce when he hears a familiar voice. He turns quickly, eager to finally learn who the mystery guy responsible for making him laugh at 3am in a McDonalds parking lot is only to find Eddie “the Freak” Munson waltzing across lunch table going on and on about how conformity is killing kids.

Steve’s in shock. How could the sincere and hilarious guy he’s been shooting the shit with all summer be The Freak?! But then Eddie’s foot catches on a lunch tray and he topples ass first to the floor. When he pops up he takes a dramatic bow and makes a joke — one that sends Steve into uncontrollable laughter.

Yep, Eddie “the Freak” Munson is McDonalds guy.

And Steve knows exactly what he has to do.

He figures out where Eddie’s locker is and then excuses himself two minutes before the dismissal bell so he can get himself into position. When Eddie saunters over to his locker at the end of the day, Steve is waiting for him.

“Think it’s time I cash in on that free sundae you promised me a few weeks ago.”

Eddie stares at Steve dumbfounded for a moment, mind reeling as he process what Steve is getting at.

“You, Steve “the hair” Harrington are the McDonalds guy? My McDonalds guy?”

“Well I’m certainly the McDonalds guy,” Steve says taking a step closer. “Buy me that free sundae first and then we can discuss me being your McDonalds guy.”

[hargr00vy]

I've been lurking in the Realm of The Elderlings tags for years now and thought it was finally time to contribute to the love-fest that is @winterfest-gift-exchange-v2. What a lovely experience! I was so pleased to get assigned an Amber/Althea prompt (my favourite Liveship ladies). This scene shows Amber applying her talents in face-painting and tailoring to help Althea disguise herself as 'Athel' - hopefully conveying the intimacy of having someone do your makeup.

[slavhew]

boys cry. real men weep.

[yinyuedijun]

新年快乐！！！ happy lunar new year my beloveds! I wish you all good health and prosperity in the year of the snake, regardless of whether or not you celebrate! I am cooking up some long life noodles and rice cakes for us all, pouring shots of baijiu, and also handing out red pockets to everyone here younger than me 🧧🧧🧧 let's have a wonderful year together!

[suja-janee]

what are your thoughts on Harumi x Kuai Liang (I need to see them in your art style)

To be completely honest with you, I’m still neutral to them- but he looked pretty happy in the recent trailers!

[tangents-within-tangents]

Hot take:

Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch

Emerie does.

Crosshair has an arc for sure yes but it's not that.

I was thinking about this scene:

and how it got right what this scene kinda didn't:

(It was so close but then bad writing decided to undercut the moment with a joke rip)

And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.

But take a look at Crosshair's answers in comparison:

Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:

Crosshair - Loyalty, Purpose, and Survival

Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:

Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?

Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!

Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.

Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.

He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.

Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.

The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.

Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):

Crosshair: Republic, Empire... what's the difference.

Crosshair: Orders are orders.

This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.

But what does?

Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.

Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?

This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die

Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.

Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.

His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:

Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.

This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:

Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.

then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:

Crosshair turns against the Empire not because he believes Hunter was right about this:

Hunter: I've seen what the Empire is doing ... You know it's not right.

but because he was right about this:

Hunter: All you'll ever be to them is a number.

Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:

Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.

Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).

There's also a bit of self-destructive guilt:

Crosshair: Omega, don't risk anything for me. I belong in here.

Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.

(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)

But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).

While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:

Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.

Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:

Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.

(note how he says who's giving the orders, not what the orders are)

"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes. (Edit: and where Crosshair rejected the Empire and found new purpose fighting for his family, Rampart was still self-serving in the finale. He still tries to gain power for himself and he gets his comeuppance).

Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:

Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.

Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.

There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)

Which brings us back to...

Emerie - Cooperation, Compassion, and Choice

(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)

Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:

Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*

Crosshair: Give me your access card! Emerie: It won’t get you outside!

Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.

Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.

Emerie: You should go back to your room. Crosshair: You mean her cell?

Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.

Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.

We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:

"Remain calm. Cooperate and you might survive."

"Don't make this worse, Crosshair! There is no escape!"

"All of us serve a purpose here."

"The Doctor will inform me, if it's necessary."

"It's best not to ask questions."

"Escape is not possible, Omega. This is for your own good."

She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).

The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:

Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:

Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?

Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?

These fighting-the-Bystander-Effect conversations parallel these exchanges:

Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.

Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed

Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.

but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.

Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:

Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.

Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.

Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***

While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:

Emerie: Because I was wrong about this place. And I'm trying to do the right thing.

Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.

She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).

So, in short, she's showing us how redemption is done right!

---

Notes:

*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).

**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means

Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!

***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.

Anyway, thanks for coming to my tedtalk

[senipsenipsenip]

Stan shook his head, chuckling as he hung up the phone. Geez, if he hadn't put a stop to that he was pretty sure his nephew was going to overheat and explode like one of Ford's old computers. Speaking of, he should probably make sure the fire extinguisher down in the lab wasn't expired if Ford and Dipper were gonna be messing around down there the rest of the summer.

Eh, that was a tomorrow problem. Dipper was still up in the attic with Mabel unpacking for another summer in Gravity Falls. Hopefully that meant Stan had at least twenty-four hours until the nerds started blowing stuff up. Mabel and Dipper's parents had seemed surprised the twins wanted another summer with their Grunkle Stan. After all, they were teenagers now, Stan couldn't blame their parents for expecting the two of them to want to spend a summer with kids their own age in California rather than an old fart in the middle of the woods. Well, two old farts, but their parents didn't know about the second one. Besides, Ford would probably object to being called a fart. He'd probably complain that's not the proper term Stanley, if anything I'm an old flatulence.

Stan shuddered. Man, he musta been on that boat with his brother for too long.

"GRUNKLE STAAAAAAAAAN!"

Speaking of the kids. Stan grunted as he hefted himself out of his armchair and made his way up the stairs toward the attic. There hadn't been any sound of breaking glass before Mabel's call, so he figured he could take his time getting up there. He heard a loud thump, a groan from Dipper, and a loud giggle from Mabel. Okay, maybe he should walk a little faster.

"There you are!" Mabel called. Stan stood in the doorway, staring at both of his niblings sprawled out on the floor, a half-rolled poster laying between them and a hammer still clutched in Mabel's hands.

"Dipper's trying to hang up this poster, but he's still not tall enough. I tried climbing on his back, but I guess he still hasn't gotten his puberty muscles yet." Mabel scrambled up and ran to Stan, holding out the hammer in front of her. "Can you do it?"

"I do too have muscles," Dipper grumbled, sitting up. "But no one can expect to hold up the forty pounds of sequins on your sweater and your giant head!"

Mabel stuck her tongue out at her brother. Stan laughed and took the hammer from her, ruffling her hair.

"No sweat, Pumpkin. Let a real man take over." He couldn't ignore the way Mabel's smile grew wider at the nickname. It had been almost a year since Stan got his memories back, but it seemed any little reminder that he was recovering still made his family happy. It was weird, in a good way, to see people care about him so much. And if he made sure to call Mabel by her nicknames even more than her real name, well sue him.

"You could just get me a stepladder," Dipper grumbled, shuffling to his feet.

"Ugh, then I gotta walk all the way back downstairs," Stan picked up a bent nail off the floor. "I'll just get it over with now. Besides, then Mabel can whip us up some lemonade while I work."

"Ooooo can I make Mabel-ade?"

Stan shrugged. "Sure, knock yourself out."

The words were barely out of his mouth before Mabel was squealing and running down the stairs. In the silence, Stan shifted on his feet, giving Dipper an awkward sideways glance.

"I haven't...had Mabel-ade before, have I?" he whispered.

Dipper smiled. "Nah, don't worry. That's a whole new horror you get to experience first hand."

Stan chuckled. "Right." He made his way to the wall, squinting at the wooden beams to try and figure out where he could safely sink a nail in. It's not like the place was structurally unsound, but he also hadn't had any sort of building inspection in uh...ever.

"So," Dipper started. "Why'd you want Mabel out of the room?"

Stan smiled. "Perceptive. Good job, kid." He lined up the nail on the beam that had the least amount of termite holes. "You're not in trouble, just wanted to warn ya. Speaking of 'puberty muscles', your Pops called. Apparently he thinks you still haven't had The Talk yet. He told me to keep an eye on ya and that he'd explain everything when you get home."

Stan slipped the edge of the poster under the nail, resting his elbow against the poster to hold it in place while he started hammering.

"Had himself all worked up over it. 'Oh Uncle Stanford, Dipper's a teenager now, he might start to get ideas'," Stan laughed as he finished hammering. "So just, ya know, when you see him pretend I didn't tell ya about the birds and the bees already or anything. Some dads get weird about that. Apparently, he wants to be the one to tell you himself." Stan put his hands on his hips and admired his handy-work. A little crooked, but what wasn't in this place? He nodded and turned to Dipper, who was looking at him with his eyebrows drawn together.

"But...Grunkle Stan, you didn't have that talk with me," he murmured.

"Ha! There ya go," Stan grinned, punching Dipper on the shoulder. "You're gettin' better at lyin' kid."

"But I'm not lying."

"Wow, I almost believed you that time!"

"No, Grunkle Stan," Dipper grabbed Stan's hand before he could leave the room. Stan looked down at Dipper and realized the boy's face had turned from confusion to distress. "You really didn't."

Stan frowned. "Whaddya mean I didn't? Don't tell me you forgot. I still remember having that talk with my old man." He shuddered. "Not the sorta thing you forget."

Dipper gripped his arm tighter. "How well do you remember having that conversation with me?

"Kid, you were making a face like I was about to pull your teeth out the whole time and you screamed, like, a lot. You couldn't even look at the diagrams in my Why Am I Sweaty? book."

"Grunkle Stan...none of that happened."

Stan froze. "But I remember it."

Dipper gently pulled the hammer out of Stan's hand and set it on the ground before grasping his other hand. "Have you...has this happened before?"

"Has what?" Stan could feel his heart rate picking up.

"Remembering things that aren't real."

"Alright kid, whatever joke this is, it isn't funny." Stan ripped his hands from Dipper's hold, rubbing them against his pants as his eyes darted around the room. An old habit. Looking for an exit.

Dipper held up his hands as if approaching a wild animal. "Stay calm. I can get Ford, maybe he can help figure this out. Maybe the memory gun just...um..."

"Just what?" Stan could feel his voice going shrill. "That gun was supposed to take stuff out of my head, not put stuff in!"

Dipper was beginning to look as panicked as Stan felt.

"Oh God," Stan muttered. "What else did it put in there. Dipper? What else isn't real?"

"This is the first time!" Dipper began to pace. "Unless...has Great Uncle Ford said anything? On the boat, did anything like this happen? This conversation?"

Stan shook his head, his breathing starting to feel funny. "No. But apparently asking me to remember stuff isn't exactly trustworthy - "

"He would have told me," Dipper said with certainty. "Great Uncle Ford would have told me if something happened. So it didn't. So this is the first time and, and, and, we can fix it! Right?"

Stan just stared at Dipper. They shared the same frightened eyes. For Dipper's sake, Stan nodded.

"MABEL-ADE IS READY! YOU WERE OUT OF CHERRIES, SO I USED MARBLES!"

Dipper and Stan glanced towards the stairs.

"Let's get you something to drink first," Dipper muttered, walking slowly towards Stan to take his hand again. "Then we can figure everything out."

"Sure, kid," Stan whispered. He didn't let go of Dipper's hand until they reached the kitchen.

***

They decided it was best not to tell Mabel. After all, it didn't seem like the sort of problem that the scrapbook could solve, and it wasn't worth causing her distress until they knew what they were dealing with. Instead, Dipper had been tasked with distracting Mabel while Ford and Stan commiserated in the kitchen. Stan really wasn't sure how good of a job they were doing of fooling Mabel. She had given him a weird look when he gave the kids money to go get ice cream in town. He couldn't blame her. He'd even thrown in a couple quarters so she could get sprinkles.

"Didn't Dipper mention some sort of brain scanner?" Stan offered. "I don't really like the idea of you poking around in there, but would it help?"

Ford shook his head. He was pacing the kitchen, hands clasped behind his back. "No. Project Mentem is broken. And even if I were to fix it, all I could do with it is see and or encrypt your memories. There would be no way for me to discern what's true and what's false since your mind interprets all of them as true." He stopped his pacing to take another swig of his Mabel-ade. Stan liked to give Ford grief about his coffee intake, but at this rate he'd be willing to let Ford have a couple cups of Joe if it meant he'd stop ingesting whatever sour, spicy, glittery drink Mabel was trying to pass off as lemonade. He was pretty sure Ford's eyes were starting to shake.

"So, you had no memory of this talk with Dipper until your phone call with his father?"

"Right."

"And when the memory returned, did it feel like the rest of them? Think hard, was there any difference in sensation?"

Stan shook his head. "Nope. The same sort of itch I always get."

Ford hummed. "Fiddleford told me once that some of his returning memories would get scrambled. Two puzzle pieces fitting together that shouldn't. For example, he swore there was a Christmas that I spent with him and Emma Mae, but it turned out he was combining his memories of Christmas with her with our own holiday celebration in the lab. Can you think of any other conversation with Dipper you could be mixing up? Anyone else you would have been having that conversation with other than Dipper? Perhaps your mind replaced your real conversation partner with Dipper?"

Stan frowned. "You think I just go talkin' about the birds and the bees with everybody?"

"Stan, just think."

He shrugged. "The only people I talk to who would even be young enough for that would be Soos or Wendy. There's no way I woulda given that talk to a girl, and I'm pretty sure Soos's abuelita woulda ripped me a new one if I had done anything to take away Soos's 'innocence'. I have enough self-preservation not to do that."

Ford nodded. "Alright. I feel comfortable with that reasoning." He took another swig of Mabel-ade. "However, then we're dealing with the more uncomfortable reality of the memory being completely fabricated."

"If you keep drinking that stuff, you're gonna start hallucinating too."

Ford's glass slammed down onto the table. "You've been having hallucinations?"

"No. I mean, not that I know of at least. Have I been?"

"Not that I've seen."

"Alright, then no."

Ford sighed and sat down in the chair across from Stan. He leaned forward, his elbows on the table and hands clasped together.

"I don't like hearing you do that," Ford murmured.

"Doing what?"

"Doubting your mind." Ford looked up to Stan, his eyes that horrible mix of calculating and pitiful that tended to appear these days.

Stan shrugged. "Why shouldn't I? We know I'm just making stuff up now. Heck, if Mabel didn't have pictures of all the crazy stuff we got up to last summer I'd probably think that was made up too."

Ford's eyes narrowed. "Hm. That might work."

"The scrapbook?"

"No, physical stimulus." Ford stood from the table again. "You said that when you had this conversation with Dipper you used a book to show him diagrams and such, correct?"

"Yeah. Why Am I Sweaty?"

Ford blinked. "You still have that thing?"

"Ma mailed it up back when she was cleaning out the house. She said she had a whole bunch of 'old science books' she thought her 'little scientist' might want before she donated 'em. I said I'd take 'em 'cause I was hoping some of them would be able to help with the portal. Turns out it was just a bunch of textbooks I stole from the high school and that thing. Came in handy though." Stan shrugged. "Maybe."

"Where is it?"

"If it wasn't destroyed it's probably still in my office. Why?"

Ford left the room without a word, coat billowing behind him. Stan took the opportunity to dump the rest of Ford's drink down the sink. He had a hunch he was about to have the full attention of a scientist on him for awhile and he'd prefer if that scientist wasn't vibrating like a beehive.

"Here we are!" Ford announced as he entered the room. "As I was saying, a physical stimulus might -" he stopped, staring at his glass. "My drink."

Stan shrugged. "I got thirsty."

Ford squinted at him. "Hm. Try looking through the pages of this. Maybe it will help ground you."

"But, won't that just make the fake memory more real?" Stan asked, flipping through the pages. The Pituitary Gland.

"That!" Stan shouted, pointing at the diagram. "Dipper screamed at that!"

Ford frowned. "That seems unlike him."

Stan groaned, dropping the book and putting his head in his hands. "I know but...I swear I can see it Ford. It feels so real."

Stan could hear the sound of Ford getting out of his chair, and there was suddenly a tentative hand on his shoulder.

"We'll figure it out, Stanley," he said softly.

"I just don't get why my brain would choose that memory to make," Stan mumbled through his hands. "Not that I want a buncha fake memories, but I could have at least come up with something cooler. Like winning a prize fight or kissing a mermaid or something."

Ford chuckled. "Well, I - " he was interrupted by the sound of the Shack door slamming open, frantic footsteps racing toward the kitchen. Stan lifted his head from his hands, leaning back to adopt a more nonchalant position in his chair. Ford gave his shoulder a squeeze.

"Grunkle Stan! Grunkle Ford!" Mabel burst into the kitchen, two small paper cups in her hands. "The ice cream lady said I could have two free samples, so I got two old people flavors! They're melted, but you can drink them. Who wants Butter Pecan and who wants Rum Raisin?"

Dipper shuffled in behind her, Mabel's enthusiasm waning as she took in the tense atmosphere of the room.

"What's wrong?" she asked hesitantly. "Do you guys not like those flavors?"

Stan turned to look at Ford, who had that pinched look around his eyes again.

"Mabel," Ford said gently. "Maybe you should sit down. We have something to -"

He was interrupted by a scream. Mabel had dropped the ice cream cups on the floor, leaving two splats that Waddles wasted no time in beginning to lick up. Stan sat up quickly in his chair.

"Sweetie, what - " before he could complete his sentence, Mabel had grabbed Why Am I Sweaty? and hurled it through the open kitchen window.

"Die childhood killer, die!" she shrieked. She stood huffing for a few more moments, eyes slightly crazed, before straightening up and looking towards the floor.

"Awwww piggy cream!" she cooed, squatting down to pat Waddles' head.

Dipper was the first to break the silence. "Mabel...what was that?"

She glared at Stan from the floor. "An evil book. Is that why you wanted us out of the house? So you could trap us with that horrible book when we got back?"

"You know that book?" Ford asked.

Mabel shuddered. "Ugh, unfortunately. Why do you even wanna read that thing again? It's not like it's hard to forget. Unless..." she frowned. "Were you...showing it to Grunkle Ford? Grunkle Ford, do you not know where babies come from?"

"No, I am well acquainted with a variety of human and alien reproductive systems." This time it was Stan's turn to shudder.

Ford reddened. "Not like that!"

"Wait, Mabel, you read Why Am I Sweaty?" Dipper asked. He looked to Stan, who was beginning to look green around the gills.

"You're the one I read that to?" Stan asked hoarsely. "But that's...that's not for you! I thought I read that to Dipper, you're telling me that I read that to...What?!"

Mabel slowed her petting of Waddles, beginning to look sheepish. "Well...you didn't know it was me. You thought I was Dipper."

Stan's mouth hung open. "Are you telling me my brain was swiss cheese before the memory gun?"

"Ohhhhhhhhhhhh," Dipper groaned, slapping his hand against his head. "That was during the whole carpet thing wasn't it."

Mabel nodded.

"Carpet thing?" Ford asked.

"Yeah," Mabel began to scritch under Waddles' chin. "That carpet from your secret room. It made everybody switch bodies. I was Dipper for awhile and he was me. Soos was Waddles and Waddles was Soos!" Mabel grinned, holding up Waddles to stand on two legs. "Just look at this adorable little former handyman!"

"I was also Waddles," Dipper admitted. "A lot of people were a lot of people. McGucket tried to eat Soos."

Ford frowned. "Soos as Waddles?"

Dipper and Mabel shared a look.

"Never mind all that," Mabel offered, smiling tightly. "Let's talk about why Grunkle Stan and Grunkle Ford were talking about puberty. Do old people do it twice or something?"

Ford pinched the bridge of his nose. "We weren't talking about puberty, we were talking about a memory Stanley had of discussing puberty with Dipper. Which Dipper thought wasn't real. Now we know why."

Stan raised his hand. "I would now like to pivot the discussion to Ford not leaving his experiments lying around where small children can find them."

"Wait!" Mabel gasped. "Does this mean that Dipper hasn't had the talk yet?" She leapt to her feet. "Because Mom gave me the girl one when we got home last summer! Does this mean I know the girl one and the boy one and Dipper knows none of them?"

Dipper sighed. "Mabel, I've seen nature documentaries."

Mabel whooped. "I know more about something than Dipper! Like, an actual science thing!"

"Mabel, I still know about - "

"Oh yeah?" Mabel reached into her skirt pocket. "Then what's this then?" With a wicked grin she slapped a bright pink wrapper covered in stars onto the kitchen table. Stan slapped his hands over his eyes. Ford's face went slack. Dipper grimaced.

"Mabel...I share a bathroom with you, I know what a pad is."

Ford cleared his throat. "They certainly," he coughed. "They certainly have changed a lot in the past thirty years."

Mabel frowned. "Were the old ones in black and white?"

Stan groaned. "Can we skip ahead to the part where Sixer burns that carpet and we all celebrate that I'm not actually losing my mind?"

Mabel wrapped her arms around Stan, pulling him into a big hug. "Of course! I'll go grab the lighter fluid!" And with that she fled from the room, snatching the pad off the table as she went. Stan lifted his head from his hands and the three Pines men stared at each other awkwardly.

"Well," Ford clapped his hand back on Stan's shoulder. "Another mystery solved."

Dipper nodded. "Sorry to freak you guys out like that. I don't know how I didn't think about the whole 'body swap' thing earlier."

Stan hefted himself up from the table. "No sweat, kid. Er." The three of them turned to the window where Gompers could be seen chomping away at the pages of Why Am I Sweaty?

They turned to each other. A silent agreement was made. Stan grabbed the popsicles out of the freezer and they began to file out of the kitchen, ready to meet Mabel at the fire pit to send that carpet back to Hell where it belonged. If there was anything they'd learned from last summer, it was that some knowledge was best left hidden.

AN: Sequel to this and this! I may or may not manage to get another one done by the end of Stanuary tomorrow (probably not), but either way, thanks for joining me!

[angeltheghoul]

In a flare and watching stranger things so here’s a Steve headcannon:

Steve suffers with chronic pain after everything not just migraines but bone deep pain that just nags at him until either Robin or Eddie convince him to at least try out a mobility aid and of course he’s hesitant at first. He’s so used to being the big strong protector of the group and he feels like the aid is a sign of weakness but after much convincing (and nagging on Robins part) he finally gets a cane and it changes his view completely. He’s actually able to move without too much pain,he able to keep up with the kids again something he’s been struggling with since Vecna and most importantly he has freedom again. Honestly I just need Steve with a mobility aid <3