#sri lankan character

[star-scribbles]

supernova <33

[tybaltsjuliet]

here's the thing about charles dickens. [discussion of his antisemitism, misogyny, and racism ahead.]

his last, unfinished novel, the mystery of edwin drood, features helena and neville landless, heroic and sympathetic south asian (sri lankan, specifically) characters, and the racism they endure in an english town is relevant to the plot to the point where neville ends up falsely accused of murder. in the wake of the indian rebellion of 1857, dickens applauded the english brutality against "that oriental race," and called for genocide.

fagin is called "the jew" 274 times in the first half of oliver twist. an article in the jewish chronicle asked why "jews alone should be excluded from the 'sympathizing heart' of this great author and powerful friend of the oppressed." at first, dickens dismissed this, and claimed he was just being accurate about london's criminal makeup. but he was moved enough by eliza davis's letters to him on the matter that he halted the printing of the latter half of oliver twist so he could change the text and remove the antisemitic language therein.

dickens was an abolitionist who despised chattel slavery in the united states, and called emancipation a "moral duty." dickens didn't think black americans were intelligent enough to vote, and he wrote an entire character in bleak house who is a joke to be disliked and mocked because she'd rather oversee charity missions to help children in africa than be a proper mother and tend to her own family at home in england.

speaking of one's own family at home in england, dickens smeared his wife, catherine hogarth, publicly so he could justify separating from her and taking up with a younger woman. catherine hogarth was likely mentally ill, likely living with postpartum depression. she was also an author in her own right and loved her family dearly. her reputation never recovered in her lifetime from the claims he made about her. in dickens's novels, time and time again, from nicholas nickleby to david copperfield to our mutual friend to the mystery of edwin drood, men who menace and take advantage of vulnerable women are portrayed as the worst kind of villains, deserving of whatever grisly ends come to them.

charles dickens was both privately and publicly a raging asshole in many ways and the world would be worse off without him, because he wrote for bourgeois, comfortable victorians, the very people who so often failed to "think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys." in the same breath that he calls agnes fleming, who opens oliver twist as an unwed mother dying in a workhouse, "weak and erring," he dares to add that "i do believe that the shade of that poor girl often hovers about that solemn nook-ay, though it is a church." he calculated jo's death to the page in bleak house for maximum effect. but when he wrote of the orphaned crossing-sweeper, "dead, your majesty. dead, my lords and gentlemen. dead, right reverends and wrong reverends of every order. dead, men and women, born with heavenly compassion in your hearts. and dying thus around us every day," people listened.

i dedicated years of my life to reading him and studying him and thinking about him and writing about him and his novels. now, i turn to condemn him; now, i turn to justify him. i wish i had a time machine so i could shake his hand. i wish i had a time machine so i could publicly debate him. i wish i had a time machine so i could break his nose.

charles dickens gives me courage and hope. charles dickens makes me want to tear my goddamn hair out. he is everything i despise and everything i love about the victorian age in one; the term "a man of his time" ought to have been invented for him. the leaps and bounds the victorians made for progress in the public good are only matched in greatness by the extremity of their atrocities against their "fellow-passengers" on this earth. the way we think about nearly every modern social ill can be traced back to the 19th century; the way we think about nearly every modern idea of social justice can be traced back to the 19th century. every last one is writ large and small in dickens's novels. he and his age are the greatest contradictions in human history and that's why i can't shut up about them, ever, even when i am exhausted by them, even when i am inspired by them, even when it was two centuries ago and it shouldn't matter anymore, but it does. it always will.

[writingwithcolor]

Sri Lankan Fairies and Senegalese Goddesses: Mixing Mythology as a Mixed Creator

[Note: this archive ask was submitted before the Masterpost rules took effect in 2023. The ask has been abridged for clarity.]

@reydjarinkenobi asked:

Hi, I’m half Sri Lankan/half white Australian, second gen immigrant though my mum moved when she was a kid. My main character for my story is a mixed demigod/fae. [...] Her bio mum is essentially a Scottish/Sri Lankan fairy and her other bio mum (goddess) is a goddess of my own creation, Nettamaar, who’s name is derived from [...] Wolof words [...]. The community of mages that she presided over is from the South Eastern region of Senegal [...] In the beginning years of European imperialism, the goddess basically protected them through magic and by blessing a set of triplets effectively cutting them off from the outside world for a few centuries [...] I was unable to find a goddess that fit the story I wanted to tell [...] and also couldn’t find much information on the internet for local gods, which is why I have created my own. I know that the gods in Hinduism do sort of fit into [the story] but my Sri Lankan side is Christian and I don’t feel comfortable representing the Hindu gods in the way that I will be this goddess [...]. I wanted to know if any aspect of the community’s history is problematic as well as if I should continue looking further to try and find an African deity that matched my narrative needs? I was also worried that having a mixed main character who’s specifically half black would present problems as I can’t truly understand the black experience. I plan on getting mixed and black sensitivity readers once I finish my drafts [...] I do take jabs at white supremacy and imperialism and I I am planning to reflect my feelings of growing up not immersed in your own culture and feeling overwhelmed with what you don’t know when you get older [...]. I’m sorry for the long ask but I don’t really have anyone to talk to about writing and I’m quite worried about my story coming across as insensitive or problematic because of cultural history that I am not educated enough in.

Reconciliation Requires Research

First off: how close is this world’s history to our own, omitting the magic? If you’re aiming for it to be essentially parallel, I would keep in mind that Senegal was affected by the spread of Islam before the Europeans arrived, and most people there are Muslim, albeit with Wolof and other influences. 

About your Scottish/Sri Lankan fairy character: I’ll point you to this previous post on Magical humanoid worldbuilding, Desi fairies as well as this previous post on Characterization for South Asian-coded characters for some of our commentary on South Asian ‘fae’. Since she is also Scottish, the concept can tie back to the Celtic ideas of the fae.

However, reconciliation of both sides of her background can be tricky. Do you plan on including specific Sri Lankan mythos into her heritage? I would tread carefully with it, if you plan to do so. Not every polytheistic culture will have similar analogues that you can pull from.

To put it plainly, if you’re worried about not knowing enough of the cultural histories, seek out people who have those backgrounds and talk to them about it. Do your research thoroughly: find resources that come from those cultures and read carefully about the mythos that you plan to incorporate. Look for specificity when you reach out to sensitivity readers and try to find sources that go beyond a surface-level analysis of the cultures you’re looking to portray. 

~ Abhaya

I see you are drawing on Gaelic lore for your storytelling. Abhaya has given you good links to discussions we’ve had at WWC and the potential blindspots in assuming, relative to monotheistic religions like Christianity, that all polytheistic and pluralistic lore is similar to Gaelic folklore. Fae are one kind of folklore. There are many others. Consider:

Is it compatible? Are Fae compatible with the Senegalese folklore you are utilizing? 

Is it specific? What ethnic/religious groups in Senegal are you drawing from? 

Is it suitable? Are there more appropriate cultures for the type of lore you wish to create?

Remember, Senegalese is a national designation, not an ethnic one, and certainly not a designation that will inform you with respect to religious traditions. But more importantly:

...Research Requires Reconciliation

My question is why choose Senegal when your own heritage offers so much room for exploration? This isn’t to say I believe a half Sri-Lankan person shouldn’t utilize Senegalese folklore in their coding or vice-versa, but, to put it bluntly, you don’t seem very comfortable with your heritage. Religions can change, but not everything cultural changes when this happens. I think your relationship with your mother’s side’s culture offers valuable insight to how to tackle the above, and I’ll explain why.  

I myself am biracial and bicultural, and I had to know a lot about my own background before I was confident using other cultures in my writing. I had to understand my own identity—what elements from my background I wished to prioritize and what I wished to jettison. Only then was I able to think about how my work would resonate with a person from the relevant background, what to be mindful of, and where my blindspots would interfere. 

I echo Abhaya’s recommendation for much, much more research, but also include my own personal recommendation for greater self-exploration. I strongly believe the better one knows oneself, the better they can create. It is presumptuous for me to assume, but your ask’s phrasing, the outlined plot and its themes all convey a lack of confidence in your mixed identity that may interfere with confidence when researching and world-building. I’m not saying give up on this story, but if anxiety on respectful representation is a large barrier for you at the moment, this story may be a good candidate for a personal project to keep to yourself until you feel more ready.

(See similar asker concerns here: Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction, here: Representing Biracial Black South American Experiences and here: Am I fetishizing my Japanese character?)

- Marika.

Start More Freely with Easy Mode

Question: Why not make a complete high-fantasy universe, with no need of establishing clear real-world parallels in the text? It gives you plenty of leg room to incorporate pluralistic, multicultural mythos + folklore into the same story without excessive sweating about historically accurate worldbuilding.

It's not a *foolproof* method; even subtly coded multicultural fantasy societies like Avatar or the Grishaverse exhibit certain harmful tropes. I also don't know if you are aiming for low vs high fantasy, or the degree of your reliance on real world culture / religion / identity cues.

But don't you think it's far easier for this fantasy project to not have the additional burden of historical accuracy in the worldbuilding? Not only because I agree with Mod Marika that perhaps you seem hesitant about the identity aspect, but because your WIP idea can include themes of othering and cultural belonging (and yes, even jabs at supremacist institutions) in an original fantasy universe too. I don't think I would mind if I saw a couple of cultural markers of a Mughal Era India-inspired society without getting a full rundown of their agricultural practices, social conventions and tax systems, lol.

Mod Abhaya has provided a few good resources about what *not* to do when drawing heavily from cultural coding. With that at hand, I don't think your project should be a problem if you simply make it an alternate universe like Etheria (She-Ra and the Princesses of Power), Inys (The Priory of the Orange Tree) or Earthsea (the Earthsea series, Ursula K. Le Guin). Mind you, we can trace the analogues to each universe, but there is a lot of freedom to maneuver as you wish when incorporating identities in original fantasy. And of course, multiple sensitivity readers are a must! Wishing you the best for the project.

- Mod Mimi

[ghostofreach117]

PLEASEPLEASE PLEASE PLEASE

are there any characters you associate with sri lankan culture? yeah its probably barely heard of because of how small of a country it may be BUT kandyan dancing!!!! milk rice (kiribath) !!!!! AND KOTHU MEE

because your cultural designs are ♡ and i have yet to see people doing anything sri lankan themed

just trust me /nf if u dont wanna though

and chenyu vale is so so very sri lankan coded (even if it wasnt intended)

just consider it. think bout it. a little. maybe. 👍

Oh I’ve been THINKING……

I hc her with super looooooonnnnnggg proportions to accentuate her dancing

Finding a happy medium between her cannon design and culturally accurate clothing was hard so apologies if I got things wrong

I have actually eaten kiribath before….i actually eat it up so much even though i hate coconut.

I like it with extra of the sauce(????????topping??) on top so nilou will too

[moss-the-irishman]

Riordanverse race/nationality headcanons (Main characters and background characters alike)

This may be a very long post, and I’m throwing in little tidbits about appearances, so with no regard to any particular order, strap in:

(Seriously, this is a huge post)

Edit: Changed Luke from just Korean American to mixed Argentinian/Korean American, inspired by @tagthescullion

The Seven (Including Nico and Reyna):

Percy Jackson: Biracial White/Latino, Cuban American (Sally was born in Havana, she had Percy shortly after moving to the US)

Annabeth Chase: Biracial Black/White, Irish/African American (with Swedish, Ghanaian and Polish descent)

Jason (And Thalia, by extension) Grace: White German American (Beryl moved from Germany to the US)

Piper McLean: Native American, Cherokee

Leo Valdez: Latino, Mexican, Born in Texas

Hazel Levesque: Black, African American, New Orleans (1940's French Creole)

Frank Zhang: Chinese Canadian, Vancouver

Nico Di Angelo: White, Italian with Russian descent, 1920’s Venice

Reyna Avila Ramirez Arellano: Latina, Puerto Rican

Camp Half Blood:

Will Solace: Biracial White/Bangladeshi American, Texas

Luke Castellan: Mixed Argentinian/Korean American (Born in the US, May (or Mi-Hee) grew up in a Argentine Korean community in Buenos Aires before she moved to the US and met Hermes)

Malcolm Pace: White with albinism, Scottish, Glasgow

Travis and Connor Stoll: Mixed Scottish and Laotian, Edinburgh (Source: @freddie-77-ao3)(I think in the TV show, they cast two Asian boys as the Stolls, so I've made them Asian)

Alice Miyazawa: Japanese American, Los Angeles

Julia Feingold: White Luxembourger, Luxembourg City

Cecil Markowitz: White Austrian/Northern Irish (Born in Graz, grew up in Belfast since he was two, has dual citizenship)

Katie Gardener: White Scottish, Aberfoyle

Castor and Pollux Vintner: Black, Irish (Pollux is Albino, Castor wasn’t), Donegal

Michael Yew: Mixed Irish and Chinese, Limerick (Granny moved from China)

Lee Fletcher: White Irish, Donegal

Clarisse La Rue: Mixed French/Pakistani American, Arizona (Mother moved from France)

Chris Rodriguez: Afro-Latino, Nicaraguan (Moved to the states when he was seven, lived in the same neighbourhood as Clarisse)

Silena Beauregard: Blasian, African American and Filipino, Mississippi (French descent)

Charles Beckendorf: Black, African American

Jake Mason: White American, Wyoming

Harley Smythe-Davidson: Biracial White/Aboriginal Australian (Source: @freddie-77-ao3)

Nyssa Barrera: Latina, Panamanian, Panama City

Shane O’Doherty: White Irish, Laois

Christopher Chalkevas: White Greek/English (Born in Larissa, moved with his mother to Hackney, London at age five, has dual citizenship)

Clovis Karlsen: Wasian, Welsh (Welsh/Norwegian grandad, Indonesian granny, Source: @ashthenerdtheythem)

Chiara Benvenuti: White Italian, Florence

Alabaster C. Torrington: British Indian, English, Westminster

Lou Ellen Blackstone: Black with vitiligo, British Ghanaian, Birmingham

Drew Tanaka: Japanese American, New York City

Valentina Diaz: Latina, Colombia

Mitchell Singh-Donovan: Mixed Indian and Irish, Cork

Lacy Alfsen: White Danish, Copenhagen

Ethan Nakamura: Japanese, Tokyo

Damien White: White Irish, Northside Dublin

Miranda Gardiner: Vietnamese American, Massachusetts (Distant Irish ancestry)

Billie Ng: Wasian, Irish/Thai Canadian, Toronto (She grew up in Longford till she was seven, then she and her mortal dad moved to Canada)

Sherman Yang: Chinese American, Alaska

Marcus (Mark) Dooley-Wallace: White Irish American, Georgia

Ellis Wakefield: Black, Algerian

Holly and Laurel Victor: Sri Lankan American, Seattle

Meg McCaffery: Wasian, Irish/Vietnamese American

Camp Jupiter:

Dakota Cheshire: Black, Bermudian

Gwendolyn Nunez: Hispanic, Spanish American

Bobby Herrera: Latin American, New Mexico

Lavinia Asimov: White Russian, born in San Francisco

Larry Schumacher: White American, North Carolina

Leila Grunfeld: White American, Colorado

This has been a very exhausting post to make lmao. I gave some of the characters who don’t have canonical surnames my own Hcs for their surnames. Also, I am yet to read through trials of Apollo, so maybe I’ll come later back to add more Roman names to the list.

Tagging my moots that I like to see their opinions for this (as well as the ones I tagged within the list as well):

@aki-bara @ravingcoffeeaddict @ebony-reine-vibes @squiggle3worm @sleep-needer

[hotvintagepoll]

Propaganda

Merle Oberon (Wuthering Heights, The Scarlet Pimpernel)—She was mixed race (born in India and her mother was Sri Lankan) and still managed to make it in the British and American film industries (by passing) despite a rough start in life and industry racism. She was the first Asian person to be nominated for any Academy Award (best actress in 1935)! She also survived a car accident in 1937 and kept on acting until 1973, despite potentially career-ending facial scars. Also, she met her third husband while they were filming a movie together in 1973 (her last movie and she still looks great!). They fell in love and got married in 1975 when she was 62 and he was 36. She died 4 years later in 1979. Iconic.

Una Merkel (42nd Street, The Bat Whispers, Destry Rides Again)— una was “known for her Kewpie-doll looks, strong Southern accent, and wry line delivery” to quote wikipedia, and she was often found playing the the wisecracking supporting character. she was a fixture in 30s movies, appearing in as many as 12 a year as an MGM contract player, and it's always a pleasure to see her pop up in anything. “Whether she played harebrained ingénues, wisecracking best friends, feisty pioneer women, or cantankerous matrons, critics appreciated her quirky characterizations, which were made even better with her trademark Southern accent, deft comic delivery, and incomparable stage presence.”

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Una Merkel:

Merle Oberon:

Beautiful. Talented. Biracial. Also please refer to the following promo from the aforementioned A Night To Remember, in which she plays the writer George Sand:

Her performances always give off this perfect blend of of being composed, refined, and aloof while still being deeply passionate and I eat it up every time.

I need all the gothic fans to STAND UP for our cathy!!

A rare example of a WOC working in lead roles in this era (mostly because she worked very hard to pass as white and had to hide her south asian heritage sadly). She has this very regal vibe but also a simmering intensity—even holding her own as Cathy opposite Laurence Olivier as Heathcliff.

She has such a unique face when it comes to old hollywood actresses - a lot of them start to melt together in my brain - but Merle has always stood out to me<3

Linked gifset

[hussyknee]

This article hits a lot of my discomfort around comparing the LTTE to Hamas, or any of the Palestinian resistance.

Do I believe in Tamil self-determination? Yes. Should they have a sovereign state? Yes. Should they have won the North instead of the SL military? Absolutely. Does any indigenous Tamil or Muslim person in the North and East have the right to armed resistance against majoritarian rule? Also yes. Was the LTTE rank and file fighters resisting annihilation and the SL military to a man was committing murder? Yes.

Do I believe the LTTE as an organisation and Prabhakaran as its head actually stood for anything but replacing the Sinhalese ethnostate with a Tamil one of their own choosing? Fucking no.

Navaratnam, after splitting away from the Federal Party, also published a newspaper, Viduthalai. I read the paper in the 1970s, when it often compared Tamils and Jews in terms of cultural character—including a supposed predisposition for intelligence and entrepreneurship—and argued that they were similar. (This line of thinking survives to this day: I know of Tamil nationalists in the diaspora who invoke the establishment of Israel as an example for their own goals, and see similarities in the Tamil and Jewish struggles.) Viduthalai also serialised Exodus, a popular 1958 novel by the American Jewish writer Leon Uris, which was translated by Navaratnam and published in Tamil as Namakkoru Naadu—A Country of Our Own.

Exodus presents a factually inaccurate but heroic account of the Zionist project to establish Israel as a Jewish nation state, and follows a group of Jewish arrivals in Palestine after the Second World War. It makes no mention of the mass dispossession and ethnic cleansing of Palestinians by Zionist forces in 1948. Edward Said, the Palestinian activist and intellectual, has highlighted how the novel dehumanises Arabs. Said has also argued that, when it comes to Israel, “the main narrative model that dominates American thinking still seems to be Leon Uris’ 1958 novel Exodus.” The British journalist Robert Fisk once described the novel as a “racist fictional account of the birth of Israel” in which Arabs are “rarely mentioned without the adjectives ‘dirty’ and ‘stinking’.”

Velupillai Prabhakaran, who established the LTTE in 1976, was a supporter of the Self-Rule Party as a young man. He would also have been a Viduthalai reader, and was inspired by Exodus. I was informed by a former LTTE member that the organisation also separately translated Exodus in full in the mid-1980s, and that it was widely distributed among LTTE cadres and supporters. Two prominent members of the organisation told me separately that the film adaptation of Exodus was also screened to LTTE cadres at camps in both Sri Lanka and the southern Indian state of Tamil Nadu.

Following long-term disillusionment with the LTTE, and seeing no democratic space to raise my concerns with the organisation’s autocratic leader, Prabhakaran, I quit the LTTE for good in April 1984. Many others also left, both before and after me, with the same concerns – among them the one-man leadership and complete intolerance for political discussion or difference. Some of them were murdered by the LTTE for leaving. One tragic example is Patkunam, one of the group’s founding members, who was murdered by Prabhakaran sometime in or around 1977 with the agreement of the appointed central committee of the LTTE. Prabhakaran suspected that Patkunam had been influenced by EROS’s leftist ideas and wanted to leave the LTTE. The LTTE had a policy that those who wanted to leave and join another group or establish another organisation would face capital punishment.

...

As it increasingly gained control of the North and East of Sri Lanka, the LTTE arbitrarily declared itself the “sole representative” of the Sri Lankan Tamil people. On this basis, it targeted Tamil activists from leftist and progressive organisations, killing or otherwise silencing them. The leadership of the TULF, the Tamil parliamentary party, was also wiped out. From as far back as the mid 1980s, the LTTE also suppressed other Tamil militant organisations such as TELO, PLOTE and the EPRLF. Eventually this meant targeted killings and massacres of both cadres and leaders from rival groups. Sections of EROS were forcibly absorbed into LTTE ranks. The LTTE also killed numerous EPRLF and PLOTE cadres who had received training from the PFLP in Syria.

...

In 1990, the LTTE executed a plan to ethnically cleanse Muslims from territories under its control in the North of Sri Lanka. The entire Muslim population of the Jaffna, Vavuniya, Mullaitivu, Mannar and Kilinochchi districts, numbering approximately 75,000 people, was evicted at gunpoint. This demonstrated the LTTE’s desire to establish an ethnically exclusive Tamil state, much like the Jewish state of Israel envisioned by the Zionists. The LTTE’s entire ideology was based on exclusive Tamil nationalism; its idea of a homeland and a nation meant treating Muslims and other minority communities in Tamil-dominated areas as second-class citizens at best. In this, it had uncomfortable similarities with the Zionist outlook on Palestinians and Muslims.

...

The LTTE was a right-wing organisation, with a statist approach to popular struggles. Prabhakaran made it clear that the LTTE would not interfere with “domestic issues” in other countries. I know this because, while I was with the organisation, he did not want to have any links with Marxist-Leninist parties in India as he did not want to antagonise the Indian state. The LTTE’s international network consistently aligned with Western governments and lobbied for their support. Although the LTTE was deemed a terrorist organisation and proscribed by the United States, the United Kingdom and the European Union, these governments’ notices stated clearly that the LTTE had no intention of targeting Western interests.

The LTTE leadership was a corrupt bunch of autocrats that ethnically cleansed and killed anyone that got in their way, including their own people, having solidarity with no one and led by a personality cult not so different from MR's. Nurturing Karuna and Pillayan at their breast while they massacred Muslims, conscripted children and killed and disappeared Tamil activists and journalists, and then crying foul when they defected to get away with their loot? Nah son. Just like the SL government, the LTTE didn't care what they were doing as long as they didn't do it to them. Because in their ego-driven ideology, Tamil self-determination began and ended with them. Even now, it continues to obstruct the Tamil struggle because, since the LTTE made itself and its own nationalist project the sole representative of Tamil freedom, their defeat in 2009 makes the Tamil resistance itself look like it's dead in the water. Tamil Eelam's generational legacy of varied ideologies, factions, alternative enterprises and coalitions that preceded them all erased by this one failed cadre.

Hamas is far from perfect, but there's a continuity to its evolution, a devolution of power within their ranks, a willingness to work as a coalition with other resistance groups, and a generational network of anti-imperialist, anti-colonial solidarity and diplomacy behind them. The LTTE was just cut from the same post-colonial ethnonationalist cloth as the Sinhalese majoritarian state. Freire spoke truly when he said that the oppressed see their model of manhood in their oppressor. As long as we continue to identify with the powerful instead of the powerless, we will never be anything but pawns in the imperial project of coloniality.

*I do wish the author hadn't just...glossed over the horror that was the Indian Peace Keeping Force. Those freaks somehow managed to commit worse massacres and rapes than the Sri Lankan military. Absolutely heartbreaking because so many Tamil people believed they would be their allies. It says a lot that both the government and LTTE had enough of their shit within two years that they came together to kick them out. This alliance also came in useful because it allowed the government to crush the JVP's Marxist insurrection in the South without having to fight a war on two fronts. By that I mean Premadasa was grand chums with the LTTE while his forces killed over 60,000 innocent people in the rest of the country. At least right up until the LTTE killed him. Lol. The late '80s was their trollface era.

[tophatthesilly]

ELLO

WELCOME TO MY LIL BLOG GEHEHHEHEHHEHE If you made it here you probably found me yelling being silly in ur comments or somehow stumbled here bc of my other acct @tophatstintin gegehehhehhehehhehe:3

LIL INTRO

Name: Tophat Nationality: CANADAIN HBUGVYFCDCFGH Ethnicity: SRI LANKAN Pronouns: they/her (i mostly use they/them but i don't mind if u use she/her :3) NONBINARY :3

STUFF IM INTO RN (and favorite characters):

LORD OF THE RINGS/ THE HOBBIT-(Pippin)

BEYBLADE BURST-(Wakiya)

TINTIN-(I LOBE THEM ALL JNHBUGVCTR)

OBJECT SHOWS (bfdi, ii, hfjone, bfkfc, object manor :3-(don't really have one lol)

SMG4-(SMG3)

EDDSWORLD-(Tord)

A.V.A/A.V.M-(purple)

SHIPS I SHIP

LOTR/HOBBIT: Bilbo x Thorin, Sam x Frodo, Legolas x Gimli

BEYBLADE BURST: Rantaro x Wakiya, Valt x Shu, Ranjiro x Aiger

TINTIN: Tintin x Haddock

SMG4: Smg4 x Smg3

EDDSWORLD: Tom x Tord

i haven't really done object oc's for lotr/hobbit, so if u have any suggestions on what objects they should be, feel free to suggest them :3

also as u can probably see, i haven't really posted much here and on my other acct in a while. its bc im having some family problems and i don't have my phone, so i can only post wb doodles for now :'[

ALSO FEEL FREE TO DM ME IF I FOLLOW U BACK :3 I DONT BITE HBGVYFCTDXRGVYBH

also i got some oc's gegehehehhehheheh

tophat, Yara, and Xavier are my osc OC's, the country ball one doesn't have a name lol (i'll just call it CB for now lol), TOO (The Only One) is my A.V.A/A.V.M (animation vs animator/animation vs minecraft (Allan Becker)) OC, and Theodore/Theo is my hobbit OC.

Tophat and CB both use they/them

Yara and TOO use they/her

Xavier and Theo use they/him

[thethiefandtheairbender]

also for newer followers who might not know

i'm writing a book! and it's getting published!

if you just want the immediate details you can click the read and read a short FAQ! if you need more to get sold on it, stick around and check it out!

My YA SFF fantasy debut, ALVOSKIA: Call of the Infrans, follows an Unchosen one named Ally who is struggling to find where she belongs amidst her chosen one found family family when violence arrives at their doorstep, and they're forced to fulfil their duties earlier than expected. There's dragons and child soldiers and subverted fantasy tropes, some tone consistent werewolves, an almost entirely queer main cast with the majority also being characters of colour, and if you've been following my blog for any amount of time, it probably has something for you.

If you like ATLA: "what if there were multiple Avatars running around, and what if they weren't all automatically good people?" + past lives and reincarnation cycles

If you like Derry Girls: hot mess of teenagers getting in and out of trouble together while being ridiculous (and sometimes very sad)

If you like PJO: young teenagers with cool powers going on quests together and coming-of-age. And snark. Lots of snark

If you like Six of Crows: morally dubious collection of protagonists, some heisting may or may not happen, outsiders working together

If you like TDP: elves and dragons and long standing grudges and politics

If you like Star Wars: y'know how the Force like consumes you the farther you wander in? yeah that's the magic system here. + some shadow, death, and shapeshifter stuff

If you like HTTYD: you're here for the found family and fun fantasy aesthetic aren't you

Rep: queer (aro, ace, bi, pan, trans, lesbian, nonbinary, genderfluid, gay main characters, often times overlapping); Asian (Indonesian), Black, Sri Lankan and Pakistani (coded) rep; hijabi rep; one character is an amputee and one main character is Autistic.

The debut month is March 2026! Sometimes there is even very pretty (commissioned or friends) art for it:

If you want more info in the meantime you can shoot me an ask or you can follow this sideblog for it. If you want a taste of my fandom writing first you can check out my AO3 or writing snippets on said side blog, like this one:

Likes and reblogs mean a lot and I hope you enjoy!

[clonerightsagenda]

Kat's Top Books of 2023

Was inspired by someone else's post to do a Kat's top 5 books of the year post culling from my #recently reads. I read a lot this year and encountered a lot of great titles, but these ones were particularly memorable:

Vagabonds! by Eloghosa Osunde. Interconnected short stories following the lives of queer misfits and outcasts in Nigeria. I have a passage saved on my phone. I read this back in January so I don't remember the contents as much as the feelings it evoked, but it was beautiful and haunting.

Don’t Fear the Reaper by Stephen Graham Jones. Read My Heart is a Chainsaw first if you haven't already. The books pit Jade Daniels, a young woman with a trauma she's refusing to face head on but instead buries in an obsession with the moral logic of slasher films, against irl slashers who keep coming to town. Bonus points for wired jaw representation, aka my future.

Brotherless Night by V.V. Ganeshananthan. Set during the Sri Lankan civil war following a young Tamil woman who's caught in the middle as loved ones join the Tigers. It starts with a striking passage that you think means one thing and then comes back later in a way you don't expect that's a huge gut punch.

The Spear Cuts Through Water by Simon Jimenez. A high fantasy story that is also a diaspora story as the characters' scattered descendants watch history play out. Dips into everyone's thoughts to create a chorus POV that's really effective. Note - incredibly gruesome. Organs, lovingly described, etc.

The Golem of Brooklyn by Adam Mansbach. A stoned art teacher accidentally creates a golem who decides his mission is to stop an upcoming alt right rally. Explores the interactions between the old world and the new and the weight of historical trauma - every golem shares the same ancestral memory. Carries its tensions to the very last page and leaves the reader to supply the answers.

(Honorable mention to System Collapse which didn't make it into the #recently read posts, but I had a great time!)

Nonfiction shoutout to A City on Mars which sourced so many delightful space facts and gave me a lot to think about re: SF worldbuilding that is at all grounded in reality. Plus it was really funny.

[livelaughlovechai]

Things to keep in mind while writing a south asian character-

(Since I'm a mixed south-north indian and a hindu-sikh I've mainly included details about indian-hindu characters(ill try to include more abt sikh characters aswell)tho ive tried to include as much info as I can abt other south asian countries aswell !also ,if you want,feel free to add more details in :)

And please forgive my grammar in some of these places XD

1.The most common one,of course being that south asia is not all india.countries like Pakistan, Bangladesh, Nepal, Sri lanka,Bhutan etc exist to.

2.Religion tends to be a big part of many south asian people’s lives , and If not a big part of their life,than most south asians are atleast religious in one way or the other.Different religions are in majority in different regions of south asia.For example,Sri lanka is majority buddhist, mainly in the sinhalese majority while the tamil minority there is majority hindu. But it's more than valid if ur character is atheist to tho!

3.For indian characters specifically ,it's is important to know what state they are from and that state’s culture . For example,most (or almost all)tamil characters won't wear a salwar kameez.(if they do then mostly muslim tamils)(reminder;I'm talking about traditional wear. Yes a lot of Tamil's could wear a salwar kameez if they want but it is not the traditional dress of tamil nadu)

4.India itself is very diverse,so don't make every character hindu.in some regions one religion is more in the majority than the others.If you decide to make a christian-indian character ,than they usually are from south-west india and north-east india.

5.If you decide to make a hindu-indian character as maybe a marvel/dc oc or something , its best to do some research on hindu stories and history.trust me,it helps alot. If not a hindu character than do research on the folk tales of that characters region,as that can help to.

6.NOT EVERY INDIAN SPEAKS HINDI.INDIAN/HINDU ARE NOT LANGUAGES.istg please . All it takes is one search of your characters state and the states description almost always mentions the state’s official language.while some character from non Hindi speaking areas of the country, for example a malyalee person could know how to speak hindi (most probably by living somewhere like delhi),they would still talk in malayalam with family and stuff . Also a pakistani character and Hindi speaking indian can almost always communicate easily since since the most spoken language in Pakistan,Urdu is very similar to Hindi in sound(also a lot of indians,specifically muslim indian’s have urdu as their first language.)Also punjabi Pakistani's and Indian's don't have any problem in communication(the script they write punjabi in is different tho)Also since a lot of people from the north had their ancestors migrate from pakistan to india during partition regional languages of Pakistan such as sindhi,multani,balochi etc can be understood by some people of such descent living in India.And a bengali speaking indian and a Bangladeshi can communicate just as well.Nepali speaking indians and Nepali people can also communicate with each other.But when it comes to Sri Lankan tamil people their dialect is different than the one of indian tamilians,so their tamil is better understood by malyalees,but they can still communicate well enough with each other.afghan people speak pashto and dari.pashto is also understood by a small amount of ethnic pashtuns who live throughout the sub continent.People from the Maldives speak the language of dhivehi.

7.Indians overall have many festivals that all people of usually a certain community celebrate regardless of religion,caste,etc.For example ,the people in kerela celebrate onam.Infact in alot of the state’s people from a specific region have their on festivities.

8.Physical features vary from area to area of South Asia.So there is no definite“south asian“look.

9.Sikh’s don’t cut their hair , that’s why most Sikh women have long hair and most Sikh men wear turbans. Although some do, like my uncle from my mom’s side and my mom herself and etc. Though socially it's more acceptable for a sikh woman to cut her hair then a sikh man. But a load of times sikh immigrants do have to sadly cut their hair and take off their turbans in order to get jobs and all.

10.-And Hindu’s don’t eat beef.Most Sikh’s and overall all Indians tend to avoid beef to.a lot of Hindus are vegetarians due to religious beliefs. Tho mallus and some people from the north east for example usualy do eat beef(mainly the non hindus)

11.-For characters specially from south india(that to mainly kerala and tamil Nadu) the naming tradition that is used most commonly is that the child and wife use the father’s name as their last name. Though I've noticed that outside of their states atleast they tend to use their family names, but very rarely caste names.

12.- Believe it or not, in a show( I'm not sure about the name) a pakistani character had the name“shiv reddy“.pissed me of sm.yes pakistani hindus exist but if I havent already mentioned before,CERTAIN LAST NAMES BELONG TO CERTAIN AREAS. Reddy is an indian telugu hindu last name.please do your research.

13.-This applies to a good amount of north indians and just overall non south indians.south india is not one state.madras was the OLD name for Chennai, which is just one CITY in one state of south india.There are 5 states,6(and more) languages spoken. Please do not confuse those cultures.

14.-As for a good amount of non punjabis...please.punjabis are not all “balle-balle“ sikh people.please. And they're not all angry people looking for a fight either.

15.-Talking abt north india,I need to mention bollywood and how they stereotype.bombay aka the film city is in Maharashtra.yet they still stereotype Maharashtrians as poor people.gujjus are always the rich snobbish ppl.bengali ppl are sweet shy people and nepali people are Chinese. Goans are always english speaking drunkards or high attitude aunties.rajasthanis all have a heavy accent and are royalty and Uttar pradeshis-biharis are poor illiterate people. PLEASE STOP WITH THIS STEREOTYPICAL BULLSHIT ISTG. See,stereotypes exist because they are true, but only a part of the truth and over exaggerated asf.

16.-India does have a poverty issue but we are far from a third world country.most indians are middle class,that to is split in between lower middle class,middle middle class and upper middle class.and until or unless you live in a rural area casteism really isn't a problem.but remember,while casteism is illegal in indian law,it still affects people.it’s just a little less prevelant in big cities. While india is the farthest ahead in south asia atleast the rest of the countries are doing well for themselves as well.

17.-hindu culture specifically has so much lgbtqia+ stuff in it.but the fucking brit’s and Mughals ruined it. The only transgender festival of Asia is held in tamil nadu.seriously, I advise you do research of your own on it and you'll love it to!♥️

18.-Btw, hindi is a language,hindu religion. (had to add this again)Your character prolly from some place like madhya pradesh,bihar,Uttar pradesh,Delhi,uttarakhand or himachal pradesh if they are hindi speaking. Some people have the same confusion with malayalam. Malayalam is a language, malyalee’s are the people who speak it or at from kerala.

19.-talking about food.curry is a wide ass term.wdym by curry?fish curry,mutton curry or is it paneer curry?is it more creamy or not?do you eat it by itself,with rice,a paratha/parotta or all?like seriously stop with “curry“ ITS ANNOYINGGG.again food varries alot area by area.even in a specific area food varries. For example,Kerala-Tamil nadu sambar is damn spicy but sambar from karnataka and telugu states tends to be sweeter.also food from Karnataka is much milder in spice then food from Andhra,but still capable of burning the mouths of most non south asians 😍😘🥰.also,we tend to eat most of our food with hands(THE best way.)famous delicacies vary from country to country in south asia and area to area of india btw. And our food is not ’smelly’, it's FRAGRANT.

20.ok so ive in total had 2 specific segments dedicated to language and this is the third one.India,while having only 22 offical languages(again;i remind you,we do not have a national language)actually has like thousands of languages. Native people from even just one state can have different mother tongues(for example-three people who were born and raised in karnataka and have families that are native to the state could have the languages of kannada,tulu and kodava as their mother tongues).And again,dialects also differ.For example,Bombay hindi and the hindi of a person from Uttarakhand would be different, and so would Bangalore tamil and a Madurai native’s tamil.Also,let’s say a telugu person has been living in mumbai for a while,very rarely will they ever have an ’accent’ while speaking hindi or english.

21.so above i mentioned that alot of people from the north have had ancestors move in from pakistan during the partition(and vice versa for some Pakistani's).Similarly,a good amount of people from west bengal had their ancestors move in from bangladesh(and vice versa again,but unlike the north india-pakistan thing indian bong’s and bangladeshi people don’t exactly have that ’divide’).Adding this in specifically not only because of how important this is but it can give more depth to your characters if they are from any of these areas.

22.Every state has different art forms.be it dance,music or just art,every state has it different.India has 8 classical dances(bharatanatyam,kuchipudi, mohiniyattam,kathakali,oddisi,kathak, manipuri and sattriya) and has countless many more.Music also varies and so does art as i said above.

23.our culture is super feminist but fucked by the brits and mughals again. We had so many queens and princesses that fought wars and also many female warriors.In the ancient times women only wore single drape saris and didn’t cover their breasts because they were not seen as sexual,but infact as a sign of motherhood(and there forth strength).If they were covered,it was for support.

24.Most people know atleast 3+ languages and almost everyone knows 2 at the very least. Sometimes they can even understand(which can range from basic to great) some other languages. For eg.- my dad can speak english,hindi,telugu,konkani,tulu,punjabi,urdu and multani+ he can understand malayalam,kannada,sindhi and tamil well enough.

That's it(for now):) hope this can help.feel free to ask questions!+random songs from my playlist✨✨✨

(ps,check this post of mine out cause y not lol)

[generalzar0ff]

Most of this was drawn in September of last year, but I decided to finally complete it!

So, here are the penguins of Madagascar and their lemur friends as humans!

I know this has been done to death already, but I wanted to provide my own interpretation. I’ll provide my design choices for each character under the cut, if anybody’s interested!

Skipper: I do not want to throw shade to anyone, but most of the human Skippers I’ve seen are either too young, too skinny, or too muscular. This guy may present himself as an authority figure, but let’s face it: this guy is your average middle-aged man with a fascination for cool spy stuff and repressed bisexuality. Trust me, my dad knows all about it. Anyway, I gave him a tacky nautical flag shirt, mostly because i couldn’t find any high-quality “hawaiian shirt with wwii planes” patterns. If it weren’t for King Julien’s design, I would’ve given Skipper aviators.

Kowalski: Typical nerdy guy. When I was showing a work in progress of the penguins, a friend of mine suggested that Kowalski’s hairline should be extra receded, and they were right. I know that this is the simplest design, but that’s because this guy just doesn’t seem the type for style. More of a practicality and formality guy. I suppose now’s a good time to mention that each of the brothers has an element of orange around their feet, cuz, well, the penguins have orange feet.

Rico: I really hope you guys get the energy that this guy listens to nu-metal. Since human beings not infused with cartoon animal wackiness cannot regurgitate convenient items, I decided to give human Rico a bunch of pockets from which cartoon HUMAN wackiness can occur. His outfit is also a bit more military-like than the others, what with the bomber jacket, cargo shorts, and combat boots. I also gave him what is essentially the boss floss from Splatoon 3’s amiibo gear.

Private: According to Penguin Lore™️, they’re all brothers, but Private is adopted, hence why he’s a bit younger [but not a child!] and I gave him a different hair texture and skin tone. His shirt has an icon from his favorite show, a Lunacorn. I also made his blue nail polish match its eyes. I take honor in the fact that a friend told me “I have several transmasc friends who look like this”.

Maurice: A lot of people who draw TPOM gijinkas don’t even draw him, which is a shame, because I love Maurice. Even more offensive is that some people don’t even depict him as an old black man, which goes against everything I know to be true in my heart. Anyway, he seems like the type to enjoy autumn/winter gear, so I gave him a big ol’ trench coat, as well as a scarf that looks like his fur puff. And the newsie cap just felt right.

King Julien: Here’s where all the flashiness went! According to an actor whom I have a personal vendetta against and thus will not name, Julien’s accent is Sri Lankan, so I took inspiration from their traditional clothing for his outfit, albeit more “cunty”, as today’s kids call it. It was imperative that this man has his toes out for obvious reasons, so I gave him sandals. I honestly have no good explanation for the leopard print leggings other than it came to me in a divine vision. Or something. The sunglasses mimic the color of his eyes!

Mort: Look, it was really hard for me not to just draw Molière from Atlantis: The Lost Empire, since his design is already kind of what I imagine this fellow looking like as a “human”. Admittedly, I’m not too proud of this design, but i think it gets the job done. His outfit purposely clashes: a matching hat and sweater, but with sweatpants, and he’s not even wearing shoes! I know the original Mort doesn’t have any purple in his design, but I felt like its inclusion made him look a little weirder. And then there’s his eyes. Yeah.

Hope this wasn’t too long, and thank you to anyone who read this portion of the post!

[atlaculture]

What do you think of the possibility of other cultural inspirations being further included in to the Avatar universe?

While there was a new character design for the Avatar TTRPG revealed called “The Successor”, who seems to clearly have clothing inspired by Ainu fashion. Interestingly, he is apparently from the Southern Water Tribe. Perhaps, this could be a different village which is more directly based on Ainu people, rather than Inuit culture.

There have just been two new Air Nomad characters revealed for Avatar Generations, who appear to be based on Indian people. Their names are Sameera and Nethaka. They were just revealed in a livestream.

Realistically, I am still skeptical about any of the new lore from the TTRPG & Avatar Generations actually being adapted into the animated works of Avatar Studios. Although, I’d love to see it actually being cohesively tied in to the universe. Since, I think that these mediums have actually been adding such great lore to the franchise, which seems have to gone largely unnoticed by the fandom.

Lastly, are there any cultures that you’d think could still fit nicely into Avatar world as inspiration? Personally, I’d love to see Aboriginal Australian & Polynesian cultures also being explored in the franchise.

I think there's a very good chance that the extended Avatarverse will have additional cultures added as the franchise continues.

Regarding "The Successor" (Kahola), I've actually written at length about his design here and here. I really like his look, but I think his design would have been more appropriate for a Kyoshi Island character.

According to the Avatar wiki, Sameera and Nethaka are based on Sri Lankan Buddhists. As Sri Lanka is 70% Buddhist, it's a great source of inspiration for the Air Nomads. I'm really happy that they've added South Asian-coded characters to the Air Nomads. They were already implied to have existed by Pathik being described as a "spiritual brother to the Air Nomads"; which I took as a euphemism for him being a non-bender with Air Nomad ancestry. It also contributes to my headcanon that the four air temples each reflect different regions with large Buddhist populations: South Asia, Southeast Asia, East Asia, and the Himalayas.

I like the idea of the Water Tribe having varying settlements all over the Avatar world that each have a different culture. A Polynesian-inspired Water Tribe settlement that developed on a remote Fire Nation island--- probably prior to Sozin converting the country into a despotic ethno-nationalist state--- would be fun to explore.

[magicalblerdpenn]

So I just finished this great indie turn based RPG called Thirsty Suitors. It's about a queer South Asian Sri-Lankan young woman named Jala returning to her hometown to try and make amends with her exes and her family. It has straight, bi, gay, transgender, and nonbinary characters of color and also features a cooking mini game and skateboarding. It's a story of reconciliation, joy, intergenerational trauma, and imperfect people learning to see themselves in a better light. It's one of the most unique games I've played this year and I want others to play it too.

[wildissylupus]

I'm someone who wants to make Australian characters for both Overwatch and a couple other series. What non-English languages (aboriginal or otherwise) are common in Australia? Or at least the area that you're from?

In all honesty you can't really go wrong? Australia is very much a country that is basically a soup of different cultures, especially in city areas. So I can only really talk from my experience.

First things first, if you write a character speaking aboriginal you will likely have to specify which people they are a part of since each mob has their own dialect.

Then when it comes to languages that don't originate in Australia I mostly see Punjabi, Spanish, Vietnamese and Mandarin. However statistics wise, after English the most common languages spoken are; Mandarin, Arabic, Vietnamese, Cantonese, Punjabi, Greek, Italian, Hindi and Spanish.

I also do want to point out that you don't have to make a character white or aboriginal to make them Australian. Hell just look at how people started HC Lucio as being Australian after Frogger became popular, from what I've seen they don't change from being Brazilian, just add a bit of Australian flavour in. Hell I HC JQ as Australian-Sri Lankan like her voice actress cause to me that makes sense.

[justforbooks]

In her Reith lecture of 2017, recently published for the first time in a posthumous collection of nonfiction, A Memoir of My Former Self, Hilary Mantel recalled the beginnings of her career as a novelist. It was the 1970s. “In those days historical fiction wasn’t respectable or respected,” she recalled. “It meant historical romance. If you read a brilliant novel like I, Claudius, you didn’t taint it with the genre label, you just thought of it as literature. So, I was shy about naming what I was doing. All the same, I began. I wanted to find a novel I liked, about the French Revolution. I couldn’t, so I started making one.”

She made A Place of Greater Safety, an exceptional ensemble portrayal of the revolutionaries Danton, Robespierre and Desmoulins, but although the novel was completed in 1979, it wasn’t published until 1992 – widely rejected, as she later explained, because although she thought the French Revolution was the most interesting thing in the world, the reading public didn’t agree, or publishers had concluded they didn’t. She decided to write a contemporary novel – Every Day Is Mother’s Day – purely to get published; A Place of Greater Safety emerged only when she contributed to a Guardian piece about writers’ unpublished first novels.

Genre is a confining madness; it says nothing about how writers write or readers read, and everything about how publishers, retailers and commentators would like them to. This is not to criticise the many talented personnel in those areas, who valiantly swim against the labels their industry has alighted on to shift units as quickly and smoothly as possible.

Consider the worst offender: not crime, horror, thriller, science fiction, espionage or romance, but “literary fiction”. It can and does contain many of the elements of the others, but is ultimately meaningless except as a confused shorthand: for what is thought clever or ambitious or beyond the comprehension of readers more suited to “mass market” or “commercial” fiction. What would happen if we dispensed with this non-category category altogether? Very little, except that we might meet a book on its own terms.

Is last year’s Booker prize winner, Shehan Karunatilaka’s The Seven Moons of Maali Almeida, a ghost story because its central character is dead, or a thriller because he has to work out who has murdered him? A historical novel because it is set during the Sri Lankan civil war, or speculative fiction because it contains scenes of the afterlife? And where do we place previous winners such as Lincoln in the Bardo by George Saunders or A Brief History of Seven Killings by Marlon James?

Finding ways to describe narratives is not itself the problem, and nor is genre in the wider sense. An understanding of literary traditions that have formed over centuries and across cultures is not essential to the enjoyment of an individual book, but helpful to a broader appreciation of how texts interact with one another through recurring styles and motifs. The urge to categorise has had a deadening effect, reinforcing hierarchies that rely on an idea of what is “serious” and what is not, and by the genuinely liberating understanding of literature, in all its forms, as a playful, thoughtful, experimental tussle with words and ideas.

None of that means one mightn’t enjoy wandering down the forking paths of the literary woods. During the lockdowns, I found great comfort in psychological thrillers of a particular cast: a form of domestic noir in which the usually female protagonist’s apparently enviable life was undermined by a combination of unresolved dissatisfactions (a distant or otherwise problematic husband, a house renovation gone wrong, bills piling up, recalcitrant or troubled children) and an interloper, often in the form of a glamorous new neighbour. I was fascinated by the way these novels articulated a set of contemporary bourgeois anxieties – property values, long-term monogamy, school places, stalled careers – and then imagined how they might be alleviated by the arrival of a disruptor, only to discover that the status quo isn’t all that bad. Often set in smartish London suburbs, these books occasionally packed their casts off on holiday to a rented villa that not every participant could comfortably afford, and in which a body would quickly turn up amid the abandoned plates of tzatziki and glasses of retsina. I began to imagine that if I had the wit and skill to write a parodic mashup, I might call it Kitchen Island. But I don’t, because these efficient entertainments were also, at their most successful, impressively executed feats of plotting and atmosphere.

That I might feel these novels were, in that grimly joyless phrase, “guilty pleasures” because I read them more quickly than I might read the work of Jon Fosse or James Baldwin or Isabel Waidner is to misunderstand the potential of variousness. They were simply another facet of my reading life, speaking to a different impulse, yielding a different reward. I might eat a boiled egg for lunch and immerse myself in a complicated recipe of unfamiliar ingredients at dinner time; finish a cheerful romcom and then turn to a painstakingly detailed documentary. These are not perceived as contradictions, but as perfectly reasonable options available to those of us lucky enough to have them.

I’m returning now to a new novel, Orbital by Samantha Harvey, one of my favourite contemporary novelists. It is set in space, on board a craft circling the Earth, filled with astronauts from different countries and cultures, undergoing physical, mental and emotional changes. Her last novel, The Western Wind, was set in 1491, and she has also written about Alzheimer’s disease, Socrates, infidelity and insomnia. Categorise that.

Daily inspiration. Discover more photos at Just for Books…?