#spedd

[tboy-boone]

OH YAY YOU LIKE SPEDD RACER EDIT

Your speed racer edits make me love the movie even more

[v-anrouge]

IK GONNA BE LATE TRAUN SPEDD UO

[bruh-anator3000]

Gonna spedd run maling Miguell angry and sing Drspacito in chopped spanish, justuce beaver vers

[cagemasterfantasy]

Koraidon the Paradox Pokemon a legendary Pokemon and the title mascot of Pokemon Scarlet a fighting and dragon type

8ft 2inc

668 lbs

Ability: Orichalcum Pulse

Highest Base Stat: Attack Spedd: 135

Lowest Base Stat: Special Attack:85

Base Stat Total: 670

Apex Build: This seems to be the Winged King mentioned in an old expedition journal. It was said to have split the land with its bare fists. This Pokemon resembles Cyclizar, but it is far burlier and more ferocious. Nothing is known about its ecology or other features.

Even though there is no Pokedex entry for the Limited Build Koraidon for the one you get at the beginning of Scarlet an unused entry was found for it in the game files signifying that you could originally have it as part of your team this is what it says:

The ecology and other data about this Pokemon are unknown. It was named Koraidon by the professor who discovered it. It has similar characteristics to a creature described in an old book as the Winged King.

Koraidon is the only Pokemon with the ability Orichalcum Pulse (Turns the sunlight harsh when the Pokemon enters a battle. The ancient pulse thrumming through the Pokemon also boosts its Attack stat in harsh sunlight.)

Koraidon is the only Pokemon that can learn the move Collision Course (The user transforms and crashes to the ground, causing a massive prehistoric explosion. This move's power is boosted more than usual if it’s a supereffective hit.)

@doodl3

[the-firebird69]

lol trump things he has the mega computer and on spedd dieal and macs support while he attacks both. is a fool and no does not have th computer tommy f and other seek it shortly thanks trump for the intel ok they sy y ou fool godamned juvinle thiis kid is killiing you we are and yo cant see any of it y ou will never see him htey say nver and you cover him up you fool the repeat it a lot.

so he ruins support thinning to arm them wiht ai and will try and to arm tons. and will do it regardless he says. and his own people.

Hera

Olympus

Zues

[max1461]

Ye knowe eek that, in forme of speche is chaunge With-inne a thousand yeer, and wordes tho That hadden pris, now wonder nyce and straunge Us thinketh hem; and yet they spake hem so, And spedde as wel in love as men now do.

I remember strongly disliking chauncer for some reason tbh

tbf it was still a step up from yearly grammar lessons in the unaccredited church school I ended up in

I don't think I ever read him in school

[delannys]

Estoy dentro de un grupo de Alcohólicos Anónimos, donde ciertamente no he querido dejar de drogarme. Por intervalos estoy bien, le echo ganas, trabajo SOLO POR HOY en mi rehabilitación, pero las ganas por darme un fumé más me traicionan, realmente soy débil, amo la metanfetamina. ¡Justo ahora tengo una dosis!

[atomiccryptid]

tbis is why i chose the name icarus gotdamn

[tanadrin]

There's also a famous passage in Chaucer:

Ye knowe eek, that in forme of speche is chaunge With-inne a thousand yeer, and wordes tho That hadden prys, now wonder nyce and straunge Us thinketh hem; and yet they spake hem so, And spedde as wel in love as men now do.

I think it would be obvious to any culture that had had writing for more than a couple hundred years that languages change over time. But, to @alkatyn's point, I'm not sure how many ancient cultures would have identified this as a natural, value-neutral process. IIRC we have early medieval comments on Romance languages, for instance, talking about how badly people speak nowadays--language change is seen as a degredation of an ideal past pure form, part of a general decline in virtue and knowledge.

The period between “all languages were created at the Tower of Babel” and the invention of proper historical linguistics was wild. You had guys out there (including Schleicher!) trying to derive all Indo-European verb suffixes from “ma” and “tva” (supposed to mean “I” and “you”), people linking isolating languages to “savages,” agglutinating ones to “barbarians,” and inflectional ones to “civilization,” and dividing the history of language into a progressive “Sprachbildung era,” which then ended and all languages entered a state of permanent decay called the “Sprachgeschichte” era.

Brugmann’s principles of the same rules applying at all phases in the history of the language was in fact inspired by Lyell’s geological uniformitarianism, an interesting bit of cross-disciplinary inspiration that put an end to “glottogonic” theories of language that linked language development to an underlying telos of human thought and nature.

[preciousbarashark]

i use to know a guy who couldnt cum unless he thought about sonic

SHDJEJFJEJJFJFJJ?????????? S ONIC?????? IM????!!! LOSING MY MIND!!!!????

[merzbow-derek]

POST-POST-SCRIPTUM 1048

JEAN-CHARLES CAPON, L'Univers-solitude, SouffleContinu Records

Bien que minoritaire dans l'histoire du jazz et de l'improvisation, le violoncelle a fini par se tailler une place de choix, que ce soit sur le continent américain (Fred Katz, Calo Scott, Abdul Wadud, Diedre Murray, Peggy Lee) ou en Europe (Tristan Honsinger, Maarten Altena, Denis Van Hecke, Ernst Reijseger).

Tout comme Didider Petit, Jean-Charles Capon est un des virtuoses français de l'instrument, qu'il commence à pratiquer en professionnel dès le début des années 1960 avant de créer le Baroque Jazz Trio. Rapidement, son nom est associé à quelques groupes cultes dont il est membre ou invité de luxe (Confluence, Perception, Speed Limit), mais aussi à de nombreux musiciens de (free) jazz plus ou moins renommés, dont David S. Ware (avec qui il grave en duo l'impeccable From Silence To Music), Philippe Maté, Michel Roques, André Jaume ou Joe McPhee (au sein de Po Music). Jef Gilson participe à le lancer (ils enregistrent ensemble dès 1968) avant que Pierre Barouh, patron des disques Saravah pour lesquels Jean-Charles Capon collabore avec Brigitte Fontaine et Areski, ne lui offre de réaliser son premier album sous son nom : L'Univers-solitude.

En compagnie du percussionniste suisse Pierre Favre, Jean-Charles Capon y démontre dans chaque registre une inventivité bien au-delà de tout arrière-plan rythmico-mélodique traditionnel, tant la fluidité du phrasé complète à merveille une tessiture pour le moins étendue : Jean-Charles Capon ne vénère pas pour rien Duke Ellington, John Lewis et Gabriel Fauré, comme en attestent d'ailleurs ultérieurement ses relectures habitées de "Mood Indigo", "Django" et "Après un rêve". Quant à Pierre Favre, il n'est pas là pour jouer les utilités : ses recherches de timbres et combinaisons de rythmes complexes offrent au violoncelliste français un bel écho tout au long d'un disque remarquable enfin réédité comme il se doit.

--

The cello, although considered a minority instrument in the history of jazz and improvisation, has carved itself a niche, both in the USA (Fred Katz, Calo Scott, Abdul Wadud, Diedre Murray, Peggy Lee) and in Europe (Tristan Honsinger, Maarten Altena, Denis Van Hecke, Ernst Reijseger).

Alongside Didier Petit, Jean-Charles Capon is one of the French virtuosi on the instrument, that he began playing professionally at the beginning of the 60s before creating the Baroque Jazz Trio. His name was rapidly linked to different cult groups for who he became the guest star (Confluence, Perception, Speed Limit), but also with many more or less well-known (free) jazz musicians including David S. Ware (with whom he recorded the impeccable duo From Silence To Music), Philippe Maté, Michel Roques, André Jaume or Joe McPhee (as part of Po Music). Jef Gilson helped get his career under way (they recorded together as far back as 1968) before Pierre Barouh, boss of Saravah records with who Jean-Charles Capon played alongside Brigitte Fontaine and Areski, offered him the opportunity to record his first album: L'Univers-solitude.

In the company of Swiss percussionist Pierre Favre, Jean-Charles Capon demonstrated, in all registers, a level of invention way beyond a traditional rhythmic and melodic background, with the fluid phrasing a perfect complement to his extended range. It is not for nothing that Jean-Charles Capon admires Duke Ellington, John Lewis and Gabriel Fauré, as can be heard on his later highly personal versions of "Mood Indigo", "Django" and "Après un rêve". As for Pierre Favre, he is not there just to make up the numbers: his timbral research and combinations of complex rhythms offer the French cellist wonderful interaction throughout this remarkable album which had finally been given a dignified rerelease.

The fluidity of the phrasing, timbral research, complex rhythmic combinations and rare sense of improvisation make this one of the best modern jazz recordings on the Saravah label in the 1970s.

[cagemasterfantasy]

Pikipek the Woodpecker pokemon a normal and flying type

1ft

2.6lbs

Ability: Keen Eye or Skill Link Hidden Ability: Pickup

Egg Group: Flying

Highest Base Stat: Attack:75

Lowest Base Stat: Defense Special Attack Special Defense:30

Base Stat Total: 265

Favorite Spot: Head Crest

Least Favorite: Beak

It can peck at a rate of 16 times a second to drill holes in trees. It uses the holes for food storage and for nesting. This Pokemon feeds on berries, whose leftover seeds become the ammunition for the attacks it fires off from its mouth.

It pecks at trees with its hard beak. You can get some idea of its mood or condition from the rhythm of its pecking. It may look spindly, but its neck muscles are heavy-duty. It can peck at a tree 16 times per second!

At level 14 it evolves into Trumbeak the Bugle Beak pokemon a normal and flying type

2ft

32.6lbs

Ability: Keen Eye or Skill Link Hidden Ability: Pickup

Egg Group: Flying

Highest Base Stat: Attack:80

Lowest Base Stat: Special Attack:40

Base Stat Total: 355

Its petting spots are the same as Pikipek

It eats berries and stores their seeds in its beak. When it encounters enemies or prey, it fires off all the seeds in a burst. By bending its beak, it can produce a variety of calls and brand itself a noisy nuisance for its neighbors.

It can bend the tip of its beak to produce over a hundred different cries at will. From its mouth, it fires the seeds of berries it has eaten. The scattered seeds give rise to new plants.

At level 28 it evolves into Toucannon the Cannon pokemon a normal and flying type

3ft 7inc

57.3lbs

Ability: Skill Link or Keen Eye Hidden Ability: Sheer Force

Egg Group: Flying

Highest Base Stat: Attack:120

Lowest Base Stat: Spedd:60

Base Stat Total: 485

Favorite Spot: Yellow Parts of Beak

Least Favorite: Feet

When it battles, its beak heats up. The temperature can easily exceed 212 degrees Fahrenheit, causing severe burns when it hits Within its beak, its internal gas ignites, explosively launching seeds with enough power to pulverize boulders.

They smack beaks with others of their kind to communicate. The strength and number of hits tell each other how they feel. Known for forming harmonious couples, this Pokemon is brought to wedding ceremonies as a good luck charm.

[dpowerindia]

D-Power C20 iPhone 2.4 Amp Two Quick USB Car Charger (2 Port) for high Speed Charging with Quick Charge 3.4(White)

Buy on Amazon : https://www.amazon.in/dp/B099ZQ1GSM?ref=myi_title_dp

[akisdoodles]

View this post on Instagram

A post shared by Erika Bonezzi (@aki_anyway)

I'm back! I'm sorry I missed last friday, I was really busy with uni! But here you are another quick tutorial on how do draw faces from the side, hope it's useful! -- #akitutorials #motivationfriday

[simplayhannah]

The Quidditch Pitch!

The Quidditch Pitch of Hogwarts. I hope you like it :)

SPEDD BUILD VIDEO:

 https://youtu.be/Lerx2HO-nYQ

If you want to download this lot and explore it yourself, simply check out my gallery under the hashtag #simplayhannah (cc free)

I hope you all have a great day and stay healthy! :)