#special costume barry

[vertigoartgore]

1990's Superman pin-up by artist Barry Windsor-Smith. From 1992's Superman Special #1 portfolio (an issue published shorty before the arrival of Doomsday and the following Death of Superman storyline).

[jupiter-letters]

Dating Bruce Wayne would include:

Fem! or GN! Reader TW: None

A/N: I have a lot of thoughts about Bruce as you can see, he's a complicated guy. I wouldn't say he's super romantic like the other guys I've written, he's like a slow burn kinda guy. I can see why people like him but I'm still on the fence if I'd date him fr fr.

I won't sugarcoat it, it'll be a rocky road dating Bruce but it's not impossible. Unlike Clark, Batman is who he is and Bruce Wayne is what he can do. The mission always comes first, so him taking time to dedicate to you is special. It's a lot protecting the city and being the backbone of the league.

He is consistently booked and busy, nobody can do what he does so he always has do things himself. It can be difficult for him to ask for help or just allow people to do things for him. In and out of the costume he's got a lot of walls up. He may seem cold on the surface but he feels very deeply. The death of his parents really stunted him emotionally so it will take some time to soften him up.

In terms of a partner ideally he'd need someone with some softness to file down those hard edges he has. Even if his partner isn't soft he provide that comfort and warmth in his own way over time. He's spent most of his life keeping people at an telephone pole's length away(except Alfred of course).

Physical touch with a partner will feel foreign, all the batfam like to hug him and stuff but their the ones intiating most of the time. That will also be the case for you, you'd have to hug him first if you want to touch him. The longer your relationship goes you'll be able to tell when he wants to be hugged or kissed just from the lingering looks he gives you. The touches he does give you are long gentle caresses, he loves stroking your cheek with his thumb. Sometimes after a difficult patrol he'll just hold you in his arms and press his forehead against yours.

Staring!! He'll always be staring at you whether you're looking or not. He's kind of like a cat, blinking at you real slow is his way of blowing kisses. The way he looks at you is exclusive to you only! It's so much softer and adoring than his usual scary pokerface staring. In a JL meeting, before everyone knows you're dating they might think he can't stand you. Inside though he's like 💓💗💖💘💝.

You can translate his grumbles and sounds. Bruce isn't the most talkative guy and he's in his head alot. So when he's busy or distracted and you ask him a question you understand his tone. Barry: "So is Bruce gonna be at the Flash parade tomorrow?" Bruce: "Hmm..." You: "Yeah he'll be there!".

The rest of the batfamily notice the effect you've had on him, you managed to crack the coldness he's built over the years. In addition to already liking you they're grateful for you being there for him. They'll even tease you both when you have dinner together. Fake vomitting when Bruce kisses you on the cheek, calling you Mom/Dad/Parent.

If you are another superhero(yes he does have a contingency plan for you) You may butt heads from time to time he may come off as underestimating you but he just wants to protect you by getting ahead of the problem. When he knows your abilities/skills maybe exactly what he needs in a certain situation, he’ll hit you up. He does his best not to hover when you go on solo missions, he will check in over comms at the most random times though. When you do go on missions together, you never notice but he'll stay very close to you.

You've got maximum scary dog privilege when you two go out together but when he goes out as Bruce Wayne he's still gotta put up that raunchy facade. He won't get too frisky with you but he will take the opportunity to flirt a little. He'll whisper little compliments and pick-up lines in your ear when you slow dance together.

Thanks for reading! Lemme know what you think. Please like or reblog if you like my stuff.

[petermorwood]

"Quality Street" sweets - TIL that...

...despite this particular brand of sweets appearing in my childhood most often at Christmas, historic costumes worn by characters on the tins were NOT a part of the widespread "Dickensian Christmas" look which appeared so often on cards and packaging.

Instead it's because the characters and their Regency costumes were inspired by a play by "Peter Pan" author J. M. Barrie.

The play was called "Quality Street".

And the tins are collectibles.

*****

A Christmas-related appearance of the sweets was mostly coincidental, though the empty tin from one year did often appear at the next, full of home-made mince pies or even an entire Christmas cake.

Large, fairly airtight tins are useful that way, especially at trapping the spirituous exhalations of cakes made in mid-September and "fed" weekly thereafter with spoonfuls of brandy, or whiskey, or rum (sometimes all three, alternated) until it was time for the armour-plating of marzipan and royal icing to go on.

It used to be a common belief at home that opening the tin containing an un-iced cake near a naked flame at any time after mid-November was more than the opener's eyebrows were worth.

The eyebrow thing never happened, because it was one of those family fables, but I do remember bringing one such Quality Street tin down to Anne McCaffrey's house when I'd been invited to stay.

It contained not a Christmas cake but one of Mum's famed Chocolate Gateaux of Doom (my name for it, not hers), made specially for that visit and whose recipe, what with the plain-chocolate sponge cake and the apricot-cream filling and the double-chocolate ganache icing, required most of a bottle of cognac.

Since this cake didn't have the sealant-and-spackle cladding of marzipan and royal icing, it also required refrigeration to "keep it calm". My car didn't even have air conditioning, so in transit the cake got quite, er, excitable.

How excitable, we soon found out.

When Annie's stable manager sauntered over and popped the lid, expecting to find some nice Quality Street choccies, she was instead hit in the face by a near-visible cloud of booze vapour (a gin-ie, perhaps, even though no gin was involved) and reeled back with a cry of "Jaysuz, does yer mother own a feckin' distillery?"

Had she been smoking one of her habitual thin roll-ups at the time, our family fable might have been proved true after all...

:->

[vincentbriggs]

Was watching Barry Lyndon on blu ray for the first time and could make out all the button holes and had the thought "wow, they look just like a Vincent Briggs video" and my brain did not go any further than that and it wasn't until I looked through the special features that I realized they looked just like yours because some of the costumes were borrowed or purchased from museums and private collections and the rest were copied directly from primary sources. Your work is really impressive!

I haven't seen that movie, but I have heard the costumes are really good! I am more than a little horrified by the thought of 200 year old garments being worn though.

[emeraldsapphyre]

Wally West/Kid Flash Reading Order

Flash (1959) #110/Born to Run in its place as it adds a lot more context from Wallys POV while 110 is more from Barrys

for Born to Run

Flash Vol. 2 #62-65

afterwards Wally has his own backup within the flash title you sorta see a bit of his school life and him doing things.. it falls short with unlike barry we see his personal life and his relationships with people wallys parents rarely show up in his earliest stories, theres no deep storytelling its moreso just some fun little slice of life thing)

Flash Vol. 1 #111-112

Flash Vol. 1 #114/2

Flash Vol. 1 #116/2 (first appearance of Rudy West)

Flash Vol. 1 #118/2

Flash Vol. 1 #120 (Barry and Wallys First Team Up, this ones referenced in Johns run fun fact and its pretty good i enjoy it)

Flash Vol. 1 #122/2

Flash Vol. 1 #125 (Barry and Wallys second team up)

Flash Vol. 1 #127/2

Flash Vol. 1 #130/2

Flash Vol. 1 #133/2

Flash Vol. 1 #135 (Barry/Wally Team Up #3, Wally gains his iconic Kid Flash suit)

Flash Vol. 1 #138/2

Flash Vol. 1 #144/2

Brave and the Bold #54 (Technically the First Appearance of the Teen Titans)

Flash Vol. 1 #149 (Barry and Wally 4th team up)

Teen Titans: Year One #1-3

Brave and the Bold #60 (First Appearance of the Teen Titans as a team)

Flash Vol. 1 #156 (Barry & Wally 5th team up)

Showcase #59

Teen Titans Vol. 1 #1-3

Teen Titans: Year One #4-6

Flash Vol. 1 #159 (Barry & Wally 6th team up)

Flash Vol. 1 #161 (not in costume)

Flash Vol. 1 #164/2 (return of Wallys back up)

Teen Titans Vol. 1 #5

Flash Vol. 1 #165

Teen Titans Vol. 1 #6-7

Flash Vol. 1 #167/2

Teen Titans Vol. 1 #8-10

Flash Vol. 1 #173 (Jay, Barry & Wally)

Teen Titans Vol. 1 #11-19

Brave and the Bold #83

Flash Vol. 1 #189 (the last Wally and Barry team up of the 60s)

Teen Titans Vol. 1 #20-30

Flash Vol. 1 #202/2

Teen Titans Vol. 1 #31

Flash Vol. 1 #204/2

Flash Vol. 1 #207/2

Flash Vol. 1 #209/2

Teen Titans Vol. 1 #32-33

Brave and the Bold #94

World's Finest Comics #205

Teen Titans Vol. 1 #35-36

Flash Vol. 1 #211/2

Teen Titans Vol. 1 #37

Teen Titans Vol. 1 #39

Brave and the Bold #102

Flash Vol. 1 #216/2

Teen Titans Vol. 1 #40-43

Flash Vol. 1 #220-221

Flash Vol. 1 #232

Flash Vol. 1 #239

Flash Vol. 1 #240

Teen Titans Vol. 1 #44-45

Teen Titans Vol. 1 #46-53 (Teen Titans Disband)

DC Special Series #11

Showcase #100

Flash Vol. 1 #265/2

Flash Vol. 1 #266/2

Flash Vol. 1 #269 (Barry and Wallys Last Team up)

Brave and the Bold #149

Flash Vol. 1 #277 (appears in Iris' funeral)

Legends of the DC Universe #18 (Raven and Wally issue its very good)

But thats everything with Wally leading up to NTT where his characterization is overall changed and he is written as a douche mostly cause Wolfman and Perez didnt like the character nor wanted him in the run but DC editorial had them add him due to his popularity at the time.. but this is how you get a good sense of who his character was as Kid Flash he was nothing like he is potrayed in NTT he was a fun character and he grew.. so greatly after NTT he does show up in Trial of the Flash here are his issues but its best to read the entire storyline in whole

Flash Vol. 1 #343-345

he does show up in NTT again in Vol 2 in issue 2 all the way to issue 6 then Crisis happens and then his flash run begins!

[superman86to99]

Zero Hour Promotional Poster by Jon Bogdanove and Dennis Janke

A promo poster inverting the Superman/Batman proportion in the classic cover for Superman: The Man of Steel #37 (which we covered the other day, if you missed it!). Can you help us identify the tributed artists? Here are the ones my ignorant "only read like 20 Pre-Crisis issues" ass can recognize, counter-clockwise:

Joe Shuster (multiple Joe Shusters?), Wayne Boring, Curt Swan, Kurt Schaffenberger, Jack Kirby, Neal Adams, José Luis García-López, John Byrne, Jerry Ordway, Jon Bogdanove, Jackson Guice, Tom Grummett, Barry Kitson, and Dan Jurgens. I notice an alarming lack of George Pérez, Kerry Gammill (or at least George Pérez/Kerry Gammill), and Bob McLeod, but I can't really complain because it's pretty crowded in there and few artists could pull this off like Bog.

Speaking of daring artists, it's time for another...

SPECIAL BONUS ARTWORK BATPOLL!

Having delivered on the Maxima from Superman/Doomsday: Hunter/Prey art that won our last poll (last call for comments if you'd like to be part of the giveaway, by the way!), Don is itching to draw something else and we request your assistance in deciding what:

Don says: "My idea is to draw those (or whichever era you pick) specific costumes in my own style, which will be a fine line, since such a big part of those costumes' distinctiveness was also the drawing style, but I think it can be a fun challenge."

You can vote here or on Patreon, and once again we'll be giving away the original art to a supporter. TO THE BATPOLLS, CHUMS! (Yes, you can write-in the Adam West Batman if you want.)

[herbgerblin]

ipre theater thots

loosely based off of this poll. sorry, this got away from me. i was a theater kid for years (i still am, i literally made a bunch of friends larp as wizards two weeks ago)

Davenport: Producer and Stage Manager. Personally more experienced in opera than musicals, but answers the call when the need for a manager arises. Keeps everyone focused and on schedule. Has final word on what choices the art department gets to make. Sometimes does solo performances on his own time.

Merle: Choreographer and Director. Leads the ensemble into meditation every rehearsal before warming up. Talks with each member of the cast one-on-one. Sometimes leaves the script open to interpretation. His artistic vision sounds bonkers in concept, but illuminating in execution. Why are there so many plants? Don't worry about it.

Magnus: Lead Actor and Set Builder. He brings the energy every single night. He doesn't need to be micc'ed up because his natural voice projects well enough. It takes a bit of time for him to memorize the script, but he devotes his heart and soul to it. He claps loudly for the ensemble when he's in the wings. He cries at the emotional numbers. Built all the sets by hand.

Lucretia: Co-stage Manager and Supporting Actor (not for lack of chops, only because she spreads herself very thin.) Knows the script like a second language. Mainly reserves her Director Voice for backstage when things get chaotic. Enjoys performing the musical numbers because no one knows she can belt, until she does. Standing ovation girlie, but bashful about it.

Lup: Co-lead Lead Actor and Costumer. Only willing to do the role if Davenport lets her include cold sparks and fog machines in the set budget (he finds a way.) No one knows when she took measurements for the costumes, but they're ready by dress rehearsal and they fit perfectly. Helps the other actors figure out their groove. Great at engaging the audience.

Angus (special edition): Child lead and stagehand. The sweetest little singing voice you ever did hear. Everyone is going to rue the day his voice starts cracking. A heartbreaker of a performer and a speedy backstage assistant.

Taako: A MYSTERY. He's wearing a fancy scarf and roaming all over the place. He's talking about the Art of the Theatre. He's listed on the billing of lead actors and NO ONE knows what his role is. He remembers all the little things that everyone forgets: clothes pins, a hot glue gun, and electrolytes. He's got a walkie-talkie. Only the managers and tech are supposed to have walkie-talkies. Hello, this is Taako speaking, over.

Barry: Usually Tech. He's got a beautifully choreographed queue of lighting designs and stage effects. He's got an immaculately labeled pad controller and a ready-to-go Excel spreadsheet. But on opening night, Lucretia informs him he's in the orchestra pit.

Barry: ...But I'm lighting tonight.

Lucretia (via walkie-talkie): And our percussionist twisted his ankle tripping over a stage light. You're in the orchestra now, compadre.

Barry: (with increasing emphasis, decreasing conviction) But. I'm. Light. Tech.

Taako: E N T E R T H E P I T B A R O L D

Davenport: Taako, get off this line.

During intermission, Magnus asks him to help lift the ensemble dancers onto the set scaffolding, and hold it steady. Barry agrees, thinking he's in the clear after that. But the second the music number ends, Merle tells him that one of the support roles had to leave, so now he's the understudy.

Barry (longsuffering): I am just. the light guy.

Merle (gesturing to Taako in the balcony, having a ballgame playing with the lightboard): well, in two minutes you're the showstopper guy, so you need to go out there and stop the show

Lup (emerging from nowhere, slapping a red, hooded robe on Barold's shoulders): Knock 'em dead!

Barry: D:

[monsoon-of-art]

almost posted this yesterday (unsure why i thought it was a wip wednesday lmao) but!! heres some Barry :)

---

He paused. A strange look came across his face, and he grabbed Dawn's hands and held them tight. “I need you to tell me something. Something that only you would know.”

“Barry-?”

“Please. Please. Something only you would know. Please.”

Sadness overtook her features, not directed at him, thankfully, but she clearly felt bad for him, and wanted to soothe his worries.

“When you were little, you wanted to have a big birthday party with a big cake. And you invited the entire class. Your dad asked Elite 4 member Lucian, to borrow his Mr Mime for entertainment. And…uhm. When Mr Mime walked out with your birthday cake, you were so scared that you started crying, and you even-”

“NO! DAWN THAT'S NOT WHAT I MEANT?!”

“What did you mean then??”

“I dunno! Something deeply personal and special to us??”

“Well you didn't specify! What about the time you got your Halloween costume based on heracross and you asked me to hit you with a branch to ‘prove how strong' you were?”

“No, that's not what I meant either! I'm starting to think you're doing this on purpose! Do you need me to fine you?!”

Dawn couldn't help but laugh. When was the last time she had been threatened with fines? She couldn't remember. It felt good, familiar.

For a moment, the medical room walls melted away. They were back home, camping, just teasing each other after a long day of training.

[ilikethisacompletelynormalamount]

To acknowledge all of those extraordinary people that Andrew thanked and congratulated, I'm adding the nominees from categories that don't always get attention, along with their interviews or featurettes.

Outstanding Special Visual Effects In A Single Episode

Ripley - III Sommerso

John Bowers, Visual Effects Supervisor • Jason Tsang, Visual Effects Supervisor • Joseph Servodio, Visual Effects Producer • Maricel Pagulayan, Visual Effects Producer • Christopher White, Visual Effects Supervisor • Libby Hazell, Visual Effects Producer • Francois Sugny, Visual Effects Sequence Supervisor • Gaia Bussolati, Visual Effects Supervisor • Pepe Valencia, Visualization Supervisor

Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special

Ripley - III Sommerso

Larry Zipf, Co-Supervising Sound Editor/ Sound Designer • Michael Feuser, Co-Supervising Sound Editor • Michael McMenomy, Dialogue Editor • Lidia Tamplenizza, Supervising ADR Editor • David Forshee, Sound Effects Editor • Bill R. Dean, Sound Effects Editor • Wyatt Sprague, Sound Effects Editor • Angelo Palazzo, Sound Effects Editor • Matt Haasch, Supervising Foley Editor • Igor Nikolic, Foley Editor • Dan Evans Farkas, Music Editor • Ben Schor, Music Editor • Jay Peck, Foley Artist • Sandra Fox, Foley Artist

Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie

Ripley - Vll Macabre Entertainment

Michael Barry, Re-Recording Mixer • Larry Zipf, Re-Recording Mixer • Maurizio Argentieri, Production Mixer • Michael Perfitt, Scoring Mixer

Outstanding Picture Editing For A Limited Or Anthology Series Or Movie

Ripley - III Sommerso

Joshua Raymond Lee, Editor • David O. Rogers, Editor

Outstanding Period Costumes For A Limited Or Anthology Series Or Movie

Ripley - IV La Dolce Vita

Maurizio Millenotti, Costume Designer • Gianni Casalnuovo, Costume Designer • Ernest Camilleri, Wardrobe Supervisor • Teresa D’Arienzo, Assistant Costume Designer • Francesco Morabito, Assistant Costume Design

Outstanding Production Design For A Narrative Period Or Fantasy Program (One Hour Or More)

Ripley

David Gropman, Production Designer • Karen Schulz Gropman, Art Director • Alex Santucci, Art Director • Alessandra Querzola, Set Decorator

Outstanding Cinematography For A Limited Or Anthology Series Or Movie

Ripley - V Lucio

Robert Elswit, Director of Photography

Outstanding Casting For A Limited Or Anthology Series Or Movie

Ripley

Avy Kaufman, CSA, Casting by • Francesco Vedovati, Location Casting • Barbara Giordani, Location Casting

Sources 1st image, quote

[beartitled]

Since there’s been so much Narry bros context I decided to make a ✨ compilation ✨

(will try to update the list if new content appears)

Narry the first belongs to @braisedhoney

Narry the second belongs to @insomniphic

✨ How it started

⭐️ Part 1

⭐️ Part 2 by Captain

⭐️ Part 3 by Insomni

🍦Ice cream shenanigans

💥 Chaotic shenanigans

🧣Fashion by Insomni

❗️ Little prank by Insomni

🎩 Costumes by Insomni

🎶 Phantom of the Opera special

🎄 Christmas bros by Insomni

🎄 Christmas special

💊 Human transition au 1 by Insomni

💊 Human transition au 2

💊 Human transition au 3 by Insomni

🪞Barry cries by Insomni

🥁 Narratorverse March shenanigans

🎂 Birthday

🏅Hight difference by Insomni

🐟 Mermay

✨ How it started (remake) by Insomni 🥹 1 year anniversary of bros 🎉

[dungeonclown]

Dungeonclown D20 “Rankings”

In quotes bc i love pretty much all of them and just had to post this for posterity and if one of my friends asks which season(s) to watch. [Bullet Points not in any particular order]

Level 0: did not finish

Pirates of Leviathan (lovely cast but i couldnt get all the way thru due to audio quality issues from being the first remotely recorded show.)

Shriek Week (gabe hicks)

Coffin Run (didn’t hold my interest)

Level 1: I Really Like This 😊

Fantasy High Sophomore Year (i love this season, literally the only downside was the livestream format. No!!)

Fantasy High (OG - we’ve come so far)

Tiny Heist (i mean, so darling, so funny. what so u expect)

Mice & Murder (better quality for remote but could tell the cast would have killed it in person since the zoom call situation is a big barrier)

Misfits & Magic (very cute and wholesome. Spaulding forever)

The Seven (needed more episodes to tell the story!!! wish they had sets and minis; covid problems)

Neverafter (love the themes and imagery, such a good study on storytelling.)

Dungeons & Drag Queens (fave sidequest character art and minis, mainly so impressed by brennans skill as a gm for new players/roleplayers)

Level 2: I Absolutely Love This 🤩

Fantasy High Junior Year (first show watched as it was airing, best FH yet, mary anne skuttle what more could u ask for)

Unsleeping City Part 2 (literally only downside is being filmed remotely. Breaks my heart they couldnt do this in person since this season is so special. BUT - got to see character art and illustrated backgrounds which was really fun)

A Crown of Candy (goddamnit brennan)

The Ravening War (goddamnit matt)

Mentopolis (superb cast w great chemistry and just lots of fun idk man i just think theyre neat)

Burrow’s End (fucking incredible storytelling by aabria, the cast, the crew w sets and minis and SHADOW PUPPETS goddamn.)

Never Stop Blowing Up (so stupid so joyful im just happy to be here)

Level 3: Has a Special Place In My Heart 🥰

Unsleeping City (some of my all time favorite characters and i just love how deeply these people love and understand New York City. Its the molecular structure of NYC in a show and its special)

Escape from the Bloodkeep (the first season i was like I Have To Stop Immediately And Share This With My Family. Every character is perfect. Every NPC is perfect. The minis and sets are darling. Every day i think about Hamhead and about muh hert)

A Court of Fey & Flowers (i just love them, i never thought id be invested in regency shit but if you put it in the feywild and add goblins and hobgoblins and owlbears and idiot bird people and shit im so down goddamn. Killed it. Absolutely killed it. Also gorgeous sets and costumes and props??? Gagged.)

Level 4: Rewired My Brain Chemistry 💀

A Starstruck Odyssey (screaming, crying, throwing up. The energy of these people being in person after covid creates a truly incredible maelstrom of dumb beautiful bozo shenanigans. id give a kidney for more ASO content. I Love This Show. And that it was based off of Starstruck is so fuckin special. This setting is amazing. also big barry syx is the exact bullseye of character im obsessed with that it makes me feral to think about him. I was going to joke that he was made in a lab specifically to appeal to my big beefy sex idiot himbo mercenary sensibilities but thats exactly his backstory and im mad about it)

[doloresdisparue]

In some of your recent posts, you mentioned a Lolita musical? I didn't know there was a musical! Is there a place to listen to it/watch it??

- Someone who finds the book interesting, and deeply loves music

HELLO YOU HAVE COME TO THE RIGHT PLACE. If the Lolita musical has a million fans, then I am one of them. If the Lolita musical has ten fans, then I am one of them. If the Lolita musical has only one fan then that is me. If the Lolita musical has no fans, then that means I am no longer on earth. If the world is against the Lolita musical, then I am against the world etc etc. Here's my tag in case my elaboration makes you curious

It's called "Lolita, My Love" written by Alan Jay Lerner with music by John Barry. It premiered in 1971 and promptly flopped so hard that they canned it during tryouts before it even had a Broadway premiere though it has been critically praised since.

(Not since Carrie: forty years of Broadway musical flops by Ken Mandelbaum)

Lerner rewrote the script six times with significant changes in the different versions and you can look at most of them only through the LIbrary of Congress where his papers are preserved. In essence there are three versions. Philadelphia (very little information available), Boston (this version has a soundboard recording of the audio for the entire show on youtube from a preview show) and post-closing (this is where he cracked the code). The post-closing version was obviously never staged by Lerner BUT it was the main basis for the 2019 revival showing put on by the York Theatre and directed by Emily Maltby (one of the few women to direct an adaptation and while I don't think that is at all necessary for a good one she did a phenomenal job). It was a special event that only ran for a week and had no costume, no stage design and everyone with scripts in hand but it's the closest to a real production that has ever been done. Unlike the original 71 production it also did not cast any children and did not require them (or anyone) to be semi-nude. Dolores was played by an actress in her early 20s (Caitlin Cohn) who proved you could put on the show without endangering kids perfectly well.

The significant change between the Boston script and the Revival version (which takes small things from all scripts but is largely based on his final draft) is the (re-)addition of Dr. Ray as a framing device. To adapt the novel format to the stage Humbert is continuously telling his story to Dr. Ray who is interviewing him for his case. She (they cast a female black actress for the role in the revival) questions, interjects and overall holds the audiences hand a little when it comes to working out just how unreliable Humbert is. I like the Boston version where he talks directly to the audience but I fear we as a society have proven that we need a Lolita adaptation that holds peoples hands at least a little. Another delightful aspect is that, just like in the book, Humbert is actively using his medium against the reader/audience. Dr. Ray is always on stage as Humbert essentially directs the rest of the show to present his version of the story to her. At certain points light and music cues tell the audience that he is clearly making things up, Dolly starts moving like a marionette and talking as if she is hypnotised. Meanwhile he switches seamlessly between the interview and participating in the action, directing the ensemble, setting the scene so to speak

but sometimes the action freezes or the lights abruptly come on when she interrupts him, immediately jarring the audience to attention in case they got a little too carried away in his catchy songs.

It's also a production that has a profound love for Dolly and, to my knowledge, the only adaptation that made the conscious choice to let her survive. Erik Haagensen, who put together the script, talked about how her death was never in any of Lerner's drafts and he wouldnt have included it if it was because it was so important to him to spotlight that she was a survivor and she still had a life after her abuse and honor the pehmomenal strength it would have taken her to get to that place at all because she is NOT broken and her life ISN'T over and that was important to him. I do understand and respect Nabokov's choice to go full tragedy but it's another reason the musical is close to my heart. I also cannot talk about this show without noting its distinction of featuring perhaps the worst line in musical history ever sung by a human being (saying this affectionately since it does its job of making you scream):

I could talk forever about other choices and the individual songs but this has gotten long enough I think. But feel free to hit me up (and this goes for anyone else too) if you want to talk more about it!

TL;DR: There is currently no way to watch "Lolita, My Love" as there is only an audio recording of a preview for the 1971 show, not a video and the archive recording of the revival (which exists!) is not publicly available (presumably for legal reasons). At least 2 songs are on Spotify re-recorded by commercial artists (Going, going, gone and In The Broken Promise Land of 15) as well as a purely instrumental version of the title theme (Lolita by John Barry) which i adore. The scripts are in the Library of Congress and potentially buried in other places but I have not found them anywhere online, though you can look at all the lyrics and small summaries of the action of each song in "The complete lyrics of Alan Jay Lerner" by Dominic McHugh and Amy Asch, which is widely available.

[brokehorrorfan]

The Warriors will be released on 4K Ultra HD and Blu-ray on December 12 via Arrow Video. Laurie Greasley designed the new cover art for the 1979 action thriller; the original poster is on the reverse side.

Walter Hill (48 Hrs., Deadwood) directs from a script he co-wrote with David Shaber (Nighthawks), based on Sol Yurick's 1965 novel. Michael Beck, James Remar, Deborah Van Valkenburgh, Marcelino Sánchez, and David Harris lead the ensemble cast.

The limited edition set comes with a 100-page book featuring new writing by film critic Dennis Cozzalio plus archival material, a double-sided poster, six art carts, and gang logo stickers.

Both the theatrical cut and the 2005 alternate version have been newly restored in 4K from the original camera negative, approved by Hill, with Dolby Vision. The theatrical cut is presented in its original 1.85:1 with original uncompressed mono, stereo 2.0, and Dolby Atmos audio. The alternate cut has stereo 2.0 and DTS-HD MA 5.1 audio.

Special features for the two-disc set are listed below, where you can also see more of the packaging and contents.

Disc 1 - Theatrical Cut:

Audio commentary by A Walter Hill Film author Walter Chaw (new)

Isolated score option

Interview with director Walter Hill (new)

Roundtable discussion on The Warriors with filmmakers Josh Olson (A History of Violence), Lexi Alexander (Green Street), and Robert D. Krzykowski (The Man Who Killed Hitler and then Bigfoot) (new)

Interview with editor Billy Weber (new)

Interview with costume designer Bobbie Mannix (new)

Costume designs and photographs from the archive of designer Bobbie Mannix (new)

Sound of the Streets - An appreciation on Barry De Vorzon's The Warriors score by film historian Neil Brand (new)

Filming location tour (new)

The Beginning - Making-of featurette with director Walter Hill, producer Lawrence Gordon, actor James Remar, and editor David Holden

Battleground - Featurette on shooting in New York City with director Walter Hill and assistant director David O. Sosna

The Way Home - Featurette on the look of the film with director of photography Andrew Laszlo

The Phenomenon - Featurette on the film's legacy with director Walter Hill and cast members

Theatrical trailer

Image gallery

Disc 2 - Alternate Version:

Introduction by director Walter Hill

Also included:

100-page book with new writing by film critic Dennis Cozzalio plus archival material

Double-sided fold-out poster with original and new art

6 postcard-sized art cards

Gang logo stickers

In New York the gangs outnumber the cops by 5-1. Together, they could rule the city. Gang-leader Cyrus has a dream to do just that and calls a summit. The gangs of New York gather in their thousands, Cyrus takes the stage. From somewhere in the crowd a shot rings out and Cyrus falls down dead. In the chaos that follows, a small gang from Coney Island – the Warriors – are blamed. Now everyone is out to get them. On foot, in enemy territory, can they make it through the night to get back across the city to the safety of home turf?

Pre-order The Warriors.

[hoperays-song]

Moon Theatre Troupe Halloween Headcanons

The theatre itself leaves out candy for kids and has Halloween activities like face painting, ghost tours (all theatres are haunted. this a fact), and special shows.

Mrs. Crawly, Rosita, Marcus, and Aamanee (Meena's mom) make and bring snacks for the troupe.

Ash and Nooshy always have horror movie marathons.

The piglets drag all the younger troupe members out trick or treating with them.

Buster gets wayyyyy too into fake cobwebs as decor and the troupe is always cleaning them up weeks later.

Halloween music is blaring up to like three weeks beforehand constantly.

Johnny and Ryan always escape to go sit on the roof and just people watch by the end of the night.

Gunter has set numerous glitter based traps around the theatre with the help of both Clay and Stan.

Barry and Eddie make cool light shows with the stage lights during public events on the holiday.

The costume contest is insanely competitive. Like ridiculously so. They are planning out costumes over a year in advance and will keep them so secret that you'd think they're hiding government intel.

Everyone, like everyone everyone, in the troupe and their families leave a piece of candy for the theatre ghost.

Meena's grandfather always starts telling ghost stories but ends up going down tangents instead while his wife just shakes her head next to him.

Nana is the judge of the costume contest for the sole reason she has the best one every year and it would be unfair otherwise.

Rosita's family always has a theme for all their costumes.

Suki, Hobbs, and Mizuki act as coordinators for the whole event, like they do with every holiday the group celebrates together, so it does not descend into chaos.

Porsha insists on there being karaoke every single time. The competition there also gets insanely intense.

Marcus and Rosita make the coolest decorations in the living world by hand themselves.

[maraschinocheri]

It was 20 years ago today :: The Return of the King hits the British Academy of Film and Television (BAFTA) Awards on 15 February, 2004. Representing ROTK were Barrie Osborne, Peter Jackson, Billy Boyd, Ian McKellen, Andrew Lesnie, and Andy Serkis (with Lorraine Ashbourne). ROTK won Best Film for Producers Barrie Osborne, Fran Walsh and Peter Jackson; Best Cinematography for Andrew Lesnie; Best Adapted Screenplay for Fran Walsh, Philippa Boyens, and Peter Jackson; Best Special Visual Effects for Joe Letteri, Jim Rygiel, Randall William Cook, and Alex Funke; and the Audience Award. The film was also nominated for Best Direction (Peter Jackson), Best Actor in a Supporting Role (Ian McKellen), Best Costume Design (Ngila Dickson and Richard Taylor), Best Editing (Jamie Selkirk), Best Production Design (Grant Major), Best Original Music (Howard Shore), Best Makeup and Hair (Richard Taylor, Peter King, and Peter Owen), and Best Sound (Ethan Van der Ryn, Mike Hopkins, David Farmer, Christopher Boyes, Michael Hedges, Michael Semanick, and Hammond Peek). The previous night Andy, Lorraine, and Billy also attended Variety magazine's London Party, benefitting the Elton John Aids Foundation.

[ The Wellington premiere of ROTK | Air Frodo from NZ to LA | Los Angeles | Berlin | London | New York (1) | New York (2) | Empire's LOTR Celebration booklet photography | Empire's outtakes | Critics Choice and People's Choice Awards | National Board of Review Awards | Producers Guild Awards | Tokyo (1) | Tokyo (2) | Golden Globes | Empire Awards ]

[hapuriainen]

Barry (special costume).