#space psychedelic universe

[possible-streetwear]

[sluckythewizard]

The Altered Beast[FULL SUITE] COULD be arthur bennett or adjacent to whatever hes got going on in tha finale. if ur brave enough. IF UR BRAVE ENOUGH [tldr its just about Things eating Things and becoming New Terrible Things. it also fucking jams]

[magic112244]

Conectando...

[art-vortex]

(via Coussin avec l'œuvre « "Galactic Escapade: Snail's Cosmic Odyssey" » de l'artiste Art-Vortex-fr)

[sxyx]

[possible-streetwear]

[roseve-art]

Alex Grey

[dreamwader]

breathtaking

[art-vortex]

(via Coussin avec l'œuvre « "Galactic Escapade: Snail's Cosmic Odyssey" » de l'artiste Art-Vortex-fr)

[possible-streetwear]

[artbyvalentinamolina]

Conciencia cósmica. Esta obra habla de nuestra conexión con el universo y como está todo conectado en una consciencia universal. La existencia del karma y el dharma sintetizada en una obra.

[sbcdh]

In order to foster adoption of commercial analogue phone technology in the 1960s, telecommunications companies were engaged in a PR race to be the first into every American home. Bell Systems found a novel approach in publishing their internal schematics as a monthly technology newsletter.

The practice did well, attracting the attention of both home technology hobbyists and government officials alike. Bell Systems phone technology was marketed with a no-nonsense, wave-of-the-future attitude. Tomorrow was here, and it could be purchased at a convenient retail outlet.

An unintended side effect of the practice was the subculture now known as Phone Phreaking, some of histories first hackers.

The accessibility of blueprints and technical specifications, along with detailed descriptions of the analogue communication network allowed phreaks to do everything from eavesdrop on conversations, to evading charges for calls, to the creation of false identities.

Phreaking was, naturally, a rewarding pastime for those with sensitive hearing. Additionally, Phreaking something that could be done without the need of eyes. It is rarely stated in many historical accounts of Phreaking, but many phreaks were blind.

Phreaks have assumed a nigh-mythical place in niche cultural spaces, especially among hacking communities. Phreaks were the blueprint. The OG. Legendary exploits of phreaks were told by many an early computer scientist while hunched over pegboard in darkened university basements.

70s counterculture did little to downplay these legends. Experimental psychedelics we're added to the mix. Tales of blind anarchists speaking to machines was a popular trope in folk stories. The cocktail of psychoactives would always change depending on who told the story. Sometimes it was LSD, sometimes it was Psilocybin, sometimes a sinister or mysterious research chemical. Sometimes they didn't need drugs at all. Regardless, the archetype of the "bakelite oracle" has maintained a strange persistence.

Recently declassified court testimony has revealed these rumors to even have penetrated the echelons of the legal world. Perhaps emboldened by a red scare in full swing, prosecutors we're known to occasionally attribute the ability of wanted activists to vanish into thin air to Phreak collaboration. Preternatural elements are often implied, if rarely outright stated. It is unclear how seriously authorities at the time took such claims.

Study is ongoing.

[ohnoitstbskyen]

Could you talk more about sephiroth and clouds dynamic/relationship? Especially about sephiroths feelings towards cloud since I personally haven’t seen many people talk about that aspect.

Well, it sort of depends which version of the Final Fantasy VII story you're talking about, because certainly in the original game, Sephiroth actually doesn't care very much about Cloud at all.

During the events in Nibelheim, Sephiroth has a relationship with Zack as a friendly coworker (arguably an actual friend), but Cloud is just some Shinra goon nobody whose name and face Sephiroth doesn't even know. It's not until Cloud confronts him in the Mako reactor and successfully kills him that Sephiroth even sees his face for the first time. Sephiroth doesn't even know Cloud's name in the last few moments of his life, he just sees this enraged kid suddenly find the strength to overpower him and throw him into the reactor core out of nowhere.

After Cloud kills him, well... I would make the argument that Sephiroth never actually comes back. He dies in the throes of a psychotic break where the Jenova cells inside of him are using his emotional anguish to manipulate him towards her own ends, promising him all the love and family and fulfilment and sense of identity that Shinra violently abused out of him. And when he dies, whatever parts of Sephiroth's mind that were left are fully replaced with Jenova's single-minded superobjective to consume the planet and move on to parasitize again.

And so the version of Sephiroth that haunts Cloud for most of the narrative isn't actually Sephiroth the man. Almost every part of that person is long gone. Just like how Jenova used the psychological hook of Sephiroth's mother to control him, "Sephiroth" is mostly the Jenova cells using the hook of Sephiroth's influence over Cloud to try and control him.

And that's why Sephiroth seems so fixated on Cloud - not because Sephiroth the Person actually cares about him, but because the Jenova cells that are spread out across a thousand organisms are calling for Reunion, and they will use whatever psychological hook or crook that can manipulate their hosts to make it happen. The other Jenova victims presumably saw visions just as vivid and personal, urging them on towards the Northern Crater.

Sephiroth seems obsessed with Cloud because Cloud is obsessed with Sephiroth. Sephiroth is this avatar of his trauma, his self-hate, and his deep internal identity crisis, the representation of his every doubt and insecurity. Hence Sephiroth's gleeful constant accusation that Cloud is merely a puppet, Cloud has no personality, Cloud isn't real - these are Cloud's own fears being verbalized against him by the Jenova cells. And it's deeply ironic because the only puppet here is Sephiroth, being piloted by Jenova like an ant by cordyceps.

Hence the very final battle with Sephiroth which takes place not in the depths of the Northern Crater with the party confronting Safer Sephiroth, but in a black and undifferentiated void-space at the end of a psychedelic mind-trip, that Cloud undertakes alone to confront the ghost of Sephiroth in his mind and banish his influence forever. Like, that final moment really is the most This Is Only Happening In Cloud's Mind-ass final boss confrontation imaginable.

But that's the original Final Fantasy VII. The extended FF7 universe pivots hard off of the popularity of Sephiroth as an Iconic Villain and goes about building out him as the central antagonist of the entire universe, and centering him almost obsessively in the extended narrative of Final Fantasy VII.

Advent Children basically retcons the end of Final Fantasy VII, where it turns out oops Cloud didn't actually fully reject Sephiroth's influence over him, here's some Geostigma to represent the haunting malice of this singular villain and here's a 1-to-1 recreation of the final scene from FF7 where Cloud destroys Sephiroth with Omnislash extended out to a gratuitous anime fight scene that ends with an even more awesome ultra-final ultimate Super Omnislash... but then even THAT isn't enough as Sephiroth promises ominously to "never become a mere memory" and he's going to haunt Cloud forever and ooooh maybe he'll be coming back for another seven sequels or something, because the franchise is never ever ever going to let Cloud move on, heal or get better, not so long as Sephiroth is this popular.

Same deal with Kingdom Hearts, which represents Cloud's character as basically revolving entirely around Sephiroth, and Sephiroth as almost romantically obsessed with Cloud, while games like Crisis Core get into the Star Wars Extended Universe business of attaching portentous mythological weight to originally inconsequential objects like the Buster Sword, and building out a grand conspiracy of gene manipulated One Winged Angel People all chasing the coat-tails of Sephiroth's popularity.

All of this comes together in the Final Fantasy VII Remake games, which try to reconcile the extended post-FF7 narrative with the original Final Fantasy VII story, adopting the idea of Sephiroth as the singular operatic puppet master villain of the story, rather than Shinra or Jenova who were the original game's thematic central villains as representations of parasitic and extractive capitalism.

So in these games, Sephiroth is obsessed with Cloud, and seems to see Cloud as his own best chance of salvation from his fate, and there's deep homoerotic tension between the two as Cloud struggles between wanting to kill Sephiroth, and wanting to be with or become him.

Oh, and to be clear, I do love the extended FF7 universe and all the post-original fluff that gets attached to it, I do love Sephiroth and Cloud as this pair of Doomed By The Narrative romantic lover-enemies fated to Toxic Yaoi each other to death forever, and I'm very fond of my good boy Zack, who deserves all the love the games have shown him. I cackled like an absolute hyena when I realized just how far the Final Fantasy VII Remake was going to go in rewriting the story.

It's just also hard not to see Square's treatment of Final Fantasy VII after it became The Iconic JRPG™ as anything other that corporate self-mythologizing and Star Wars style brand management, obsessively building more a marketable facade around the original game focused on its most popular surface-level features, at the cost of obscuring a lot of the subtler themes and ideas of the original game.

Sephiroth is not the main villain of Final Fantasy VII. Extractive capitalism is, and it is embodied by Shinra in the first half, and Jenova in the second half, and both of those antagonistic forces use Sephiroth as a puppet to do their bidding, and a veil to hide the primitive brutality of their consumption. But nobody would ever think that seeing how Sephiroth has been elevated as King Bad Guy of Villain Mountain in the aftermath.

I'm sorry I think this went kind of off the rails from the question you actually asked lol

[luetta]

hey everyone i know it's been a hot minute since my last review, but i've been cooking up a banger for you all. today i'm going to be reviewing all of the time prisons!

TIME CUBE: 7/10 - first up we have the time cube. it's what everyone thinks of first when they hear 'time prison'. there's nothing to do, time loses all meaning, and your mind eventually stops functioning. what more can you ask for? good for a low budget. TIME SPHERE: 5.5/10 - the sphere is a definite downgrade from the cube. you can't tell where the boundary is but you can feel yourself going around in circles. it's like, pick one or the other! not ideal. TIME TETRAHEDRON: 9/10 - honestly i underestimated the tetrahedron. it really hits the spot. the frozen yet rapidly passing-you-by world outside gets refracted really cool bc of the angled faces of the tetrahedron. big ups from me. TIME TESSERACT: 10/10 - the classics are classics for a reason. the tesseract is just perfect. you're in an incomprehensible but simplistic space, in leads into itself, and it's even self-similar no matter where you go. can't recommend enough. TIME CALABI-YAU MANIFOLD: 4/10 - this one has flair, and that's about it. you think it's gonna be some awesome, psychedelic space, but you get in and it's basically a cube. the extra dimensions are there, but you can't really interact with them at all. pretty disappointing. TIME 0-BRANE: 1/10 - ah, the point. 0 dimensional space. i couldn't not try it. but, really, it just sucks. with no reference for anything, nor any space for consciousness, it's essentially a timeskip. you don't feel anything. also, it seems really easy to come out of it and you've accidentally gone all the way to the heat death of the universe. i'd avoid unless you're an experienced user. TIME 1-BRANE: 2.5/10 - even though the 1-brane isn't actually infinitely long, when you're inside, it feels like it is. being stretched out to infinity is not a pleasant experience whatsoever. if you're into that though, this is probably your piece of cake! i don't judge <3 TIME 2-BRANE: 9.5/10 - unlike it's siblings, the 2-brane is actually really good! it's essentially being trapped in flatland, but without all the other shapes. just an endless expanse for you to explore, never finding anything. i'm surprised the 2-brane is so underrated! TIME RECTANGULAR PRISM: 3/10 - this one just feels wrong. you can viscerally sense that the dimensions around you aren't equal. reminds me of the slight spaghettification you get when you approach black holes. not for me and probably not for you. TIME 32-CUBE: 6/10 - this is the tessaract kicked into overdrive. utterly indecipherable. this is probably the fastest sanity destroyer on the market. TIME TORUS: 8/10 - this one was fun, because you can just go around and around and never get anywhere. plus, having 2 distinct areas, the inner and the outer, was a unique feeling for a time prison. good for a first timer i reckon. TIME GABRIEL'S HORN - 0/10 - this one is astoundingly horrible. you just fall down towards the bottom, never reaching it, getting squished smaller and smaller. but, you never actually reach that 'point' moment, so it's agonisingly unsatisfying. unfun and kinda painful, do not recommend. TIME MANDLEBROT - 9.5/10 - fractal geometry was made for this stuff. no matter where you go, how deep you go, you'll end up in the same place. it's perfect for getting that 'never ending, repeating nightmare' feeling. the only downside is sometimes you can accidentally stray from the fractal boundary and just end up in a void. TIME LORENZ SYSTEM - 8/10 - i didn't even know this was a thing, but apparently it is, and turns out it's great! you flow through it, and you can never predict where exactly you'll go next. it's sort of the opposite of a void - constant new stimuli. highway hypnosis vibes. definitely give this one a go. TIME KLEIN BOTTLE - 1.5/10 - this one is fun for a gag and that's it - you can just exit out the bottom. it's not an enclosed space. prisons aren't meant to have a way out.

and that's it! thanks for reading everyone, it was really fun trying all these out, i hope this helps people decide which time prison is best for them or their prisoners. check out my patreon for reviews of some more exotic time prison shapes, and i'll see you next time!