#sosai

[littletroubledgrrrl]

[dokidokitsuna]

GATCHAMAN+

...AKA what’s been keeping me sane while I spent every other waking moment animating over the past week.

If you watch my DokiDraws videos you may remember hearing me mention “an anime from the 1970′s” in this one-- well, this is it. ^^ And when I finally came up with some good redesign ideas a couple nights ago, I figured I might as well dive in. Better to have too much content for the eventual videos than too little. :D

I’m looking forward to talking about Gatchaman in the future, and explaining a little bit about the history of the concept and characters, as well as my own ideas for a re-imagining~. I’ll give you a hint: my biggest hit of inspiration came when I said to myself, “pretend this is a magical girl anime”. ^^

[nelsonleivaestay]

El anime de los 70" a 80" honraba la memoria de Sosai Masutatsu Oyama

Osu!!!

[eyenaku]

Hsusyisksspopyyyy imsspleept anduvutinghue cardsou cantenesleepyinhh xstdsoo sadhduu I want there Hebe Gh I busysi sosay the sshbi slee yiunknow anywaysui stweosmuchgo foofjsnsogoo

[katblu42]

Alive or Dead or In Between

For @flashfictionfridayofficial prompt #269 Living Weapon.

Very rough because I am cutting it very close to the deadline (in fact, I may have already missed it!).

Famdom: Gatchaman Characters: Joe Asakura (Also mentioned Ken Washio, Dr Raphael, Nambu) Words: 800

He couldn’t tell them.

Not when they had so happily accepted him back after two years.  They were all so ready to believe the miracle.  That he hadn’t died after all.

There would be questions later, but for now everyone had just welcomed him back into the team as though he had never left.

Only Ken had expressed anything other than happiness at his return. 

Joe had known all along that his coming back from the dead would be hardest on Ken.  It was one of the most compelling reasons not to contact them.  To let them believe he hadn’t survived Kross Karakorum.

At first it hadn’t mattered that he’d decided to remain apart from the people he cared about.  He was still coming to terms with the fact he had been rescued from the certain death he had accepted and almost welcomed.  Still learning how to deal with the things Dr Raphael had needed to fix in order to save him, and what that meant for him physically.  The emotional minefield had come later, and he was still navigating it.

But with Sosai X’s return and Gallactor threatening his team – his family – once again, Joe hadn’t been able to stop himself from watching over them.  Then watching from the shadows hadn’t been enough and he’d had to help them in secret.  It was a slippery slope from there to being unable to remain hidden.

He and Ken had always had a hard time talking through differences of opinion.  Oh, they’d had their fair share of arguments and shouting matches, but the discussions that really mattered had always been done with fists.  And bruises.  Then, with the air cleared and feelings made known the two of them would go back to being the closest of friends.

Brothers.

The day Joe had returned to them had been a reunion full of emotions rather than words.  Smiles, tears, embraces from Jun, Jinpei and Ryu, and even Nambu Hakase.  So it was no surprise to Joe that Ken made his feelings known with a single word that would have left his fist almost as bruised as Joe’s jaw.

Joe understood it for what it was.  An admonishment for not coming clean and telling him he was alive as soon as he could.  For the years of grief that could have been avoided.  And a painful reminder that he was an idiot for trying to go it alone.

If he was brutally honest with himself, he deserved that hit and more for thinking it would be better if he stayed away.  He needed them.  Despite all the pieces of him that Dr Raphael had put back together he would always be incomplete without the team around him.

But they still didn’t know.

They couldn’t know.  He couldn’t take that chance that they’d treat him differently, or stop him from what he needed to do.

He’d been built for a purpose.

He supposed that had been true even before his “death.” 

Nambu Hakase had never intended for them to be weapons, but that was what the Science Ninja Team had become – the world’s greatest defence against the evils of Gallactor. He had trained them for hand-to-hand combat in an effort to keep them safe from enemies that had no qualms about killing innocent people.  He had created machines for them, devised their uniforms and weapons to keep them safe, and taught them to be stealthy and smart.  They’d been intended more as spies than the combat squad they had become.

But if the Science Ninja Team could be described as living weapons, they had no idea how much more fitting that description had become for him.

What Nambu Hakase had started, Dr Raphael had completed.

It was no longer just Joe’s martial arts skill, ninja stealth and skill as a marksman that made him deadly to Gallactor.  Dr Raphael’s generous gift of life snatched from the jaws of death had come at a price.  He hadn’t done it just out of the goodness of his heart.  He’d rebuilt Joe specifically to get close to Sosai X . . . and destroy him.

Perhaps the term living weapon didn’t exactly fit Joe anymore.  Was a cyborg strictly alive?  He still couldn’t decide, which was the reason he hadn’t told the team even that much.  His heart was no longer living tissue.  The thing beating in his chest was the bomb he would have to detonate to take out Sosai X.

So, even if he conceded that a cyborg was alive, he was living on borrowed time.  His final mission would be one of self destruction.

They deserved to know, but he couldn’t tell them what he’d become.

How could he tell them he was back from the dead only to give his life once more.

[ronnansink-blog]

Kancho Hatsuo Royama introduces, Taikiken basics Han zen and Ritsuzen also used in Iken (Yiquan.)

They say age is just a number in sports. In the realm of martial arts—especially within the Kyokushin tradition—that sentiment rings truer than ever. If you ask Kancho Hatsuo Royama, one of the leading figures in Kyokushin-kan, real karate training doesn’t begin until after 50. He’s not suggesting you wait until the big five-oh to throw on a gi, but rather pointing out a universal truth: as we grow older, we often find ourselves searching for deeper reservoirs of power than we ever needed in our physical prime. Muscles tire. Bones protest. In that second phase of our martial journey, we no longer rely solely on brute strength. Instead, we tap into something more subtle, something that can feel downright mystical: Ki—known as Chi in Chinese. The powerful subcurrent of energy that flows through us all.

It’s in this quest that Kyokushin-kan members have found themselves stepping back to the origins of the art, when Sosai Mas Oyama was first forging his groundbreaking blend of karate styles. One of his inspirations—integral to early Kyokushin—was Taikiken, also known in Chinese as Iken or Yiquan. It’s a martial discipline emphasizing “intention” and the cultivation of internal power. Some outsiders glance at it and see echoes of Tai Chi, with its focus on harnessing energy rather than just muscle. Others recognize that, despite the smooth, patient training methods, Taikiken practitioners develop a truly destructive power when used for self-defense. For Kancho Royama—and for Kyokushin-kan in general—this dimension of training is more than just a novelty. It’s a return to fundamentals.

Kyokushin-kan’s Vision: More Than Meets the Eye

Kyokushin-kan, under Royama’s guidance, has sought to refine and expand upon the building blocks of Kyokushin karate. That includes the usual cornerstones: kata, bunkai, and tournament kumite. But it also means reintroducing several core training elements that had, over time, become overshadowed by the explosive growth of Kyokushin worldwide. One of these is Taikiken (or Iken-Yiquan) training. Others include Bukijutsu (weapons training), head/face-punch kumite (expanding beyond the typical ruleset limiting strikes above the collarbone), and a revitalized standard for etiquette and grading. The idea is simple: keep the Kyokushin flame burning hot by staying true to the original inspirations and methods that defined Sosai Oyama’s vision.

And Taikiken was, in fact, part of that original vision. Master Sawai Kenichi, who also taught Mas Oyama himself, shaped many of the early lessons that became cornerstones of Kyokushin. It might surprise some karateka to learn that when Royama started training for his first All-Japan Tournament, he practiced Taikiken extensively. For him, it wasn’t an experimental footnote—it was essential.

Youthful Power vs. Mature Power

Royama’s viewpoint about training “after 50” might seem radical. After all, conventional wisdom suggests that you’ve hit your prime earlier in life and gradually fade as the years progress. Yet, Royama insists that’s where Taikiken becomes your secret weapon. Instead of relying on biceps and quadriceps that may no longer respond the way they did at 25, you begin to channel Ki, that deep reservoir of energy that comes from proper alignment, breathing, and focus.

What’s more, those who begin Taikiken at a younger age—like Royama’s own top uchi-deshi, including Okazaki Shihan and Koyama Shihan—experience exponential growth. Not only do they gain an earlier appreciation of Ki, but they can combine it with their still-thriving muscle systems. The result is power that’s not just formidable, but also enduring—a well that doesn’t run dry with age.

A Closer Look: The Standing Practice Called Ritsuzen

If you were to drop into a Taikiken session without any prior introduction, you might wonder: “Why is everyone standing still for so long?” That stillness is known as Ritsuzen—standing zen meditation—and it’s the core kihon of Taikiken. Think of it as the foundational drill, just like you would consider basic stances or punches to be the building blocks of karate.

But, much like zazen (the seated meditation practiced in Zen Buddhism), Ritsuzen is deceptively complex. On the surface, yes, you’re simply standing, arms in certain positions, knees slightly bent, spine straight. The deeper aim, however, is to align the body so that you become intimately aware of how you’re using (or misusing) your muscles. In so doing, you discover how to release tension and tap into your Ki.

Posture and Visualization

In Ritsuzen, posture is everything—and it’s guided by mental imagery. Imagine that a cord attached to the top of your skull is gently pulling you upward. Now, lower your stance just a fraction by bending your knees, but keep your spine tall. Your weight should be balanced on the balls of your feet, never sinking into your heels. The arms hang naturally, your palms facing inward, fingertips down. If you moved them outward just a little, about a fist’s width away from your hips, you’d keep that straight posture while also creating a kind of subtle, outward space of awareness around you.

It’s all about relaxation—and paradoxically, effort. You relax your shoulders, arms, and torso so thoroughly that when those muscles inevitably begin to burn from standing in one position, you teach them to let go. Instead of forcibly “powering through,” you let your Ki take over, so to speak. An old Zen adage says it best: “Doing work while not doing any work.” You’re using your mind, breath, and alignment to keep your body upright, rather than defaulting to your typical muscular-skeletal effort.

Staying Afloat with Ki

The imagery often used in Taikiken practice is that you’re standing on a small plank of wood floating atop a still lake. If you shift even slightly in one direction or the other, you’ll lose your balance and topple into the water. Meanwhile, imagine elongated needles—from each fingertip—reaching down into the depths of that lake, anchoring you. The push-and-pull sensations remind you to remain rooted while simultaneously lifting upward, bridging heaven and earth.

Over time, as your thighs tremble and your shoulders protest, you begin to realize that the more you engage your muscles in a forceful, tense manner, the more fatigue you feel. Yet, as soon as you “hand that load off” to your Ki—to your aligned posture, mental focus, and breath control—the tension dissipates. In a sense, your body is no longer fighting itself. It’s letting internal energy do the heavy lifting.

Unleashing This Power in the Dojo

So, what does all this mean for your actual karate? Quite a lot, as it turns out. In Kyokushin, we have kata like Sanchin, revered for teaching the principle of full-body coordination. Every inch of you, from your heels to your fists, is engaged, delivering power backed by intention. Now imagine adding the refined sense of Ki you develop through Taikiken. It’s like pouring rocket fuel into an engine already designed for high performance.

Taikiken isn’t just about “going slow.” The end goal is to unleash devastating power in self-defense. Once you’ve internalized the Taikiken principle of using Ki, you’ll generate strikes that feel surprising even to yourself—power that appears out of nowhere. Some compare it to how boxers learn to snap punches, generating explosive force not by flexing bigger biceps but by leveraging perfect timing and alignment. Taikiken takes that concept even further, tapping into an internal reservoir.

Not Just for the Black Belts

Beginners in Kyokushin might find this all a bit intangible. Yet Taikiken can benefit the white belt just as surely as it does the seasoned fighter. In the early stages, Ritsuzen training alone helps improve balance and posture. It offers an isometric-style workout, building stamina in the thighs and hips. For advanced practitioners, of course, there’s the added layer of Ki awareness. You don’t need to fully grasp it on day one. Like Zazen or Sanchin, Taikiken reveals its secrets gradually. The longer you practice, the more profound your understanding becomes.

Back to the Future of Kyokushin

Kyokushin-kan’s emphasis on Taikiken, or Iken-Yiquan, underscores a broader movement within martial arts: the desire to honor tradition while forging new paths. At first glance, it might appear that Royama is introducing something foreign to Kyokushin. But, historically, Taikiken was always in the mix. It simply receded into the background during the explosion of Kyokushin’s popularity, overshadowed by the more visibly dramatic elements of the style—like bone-crunching tournaments and hallmark knockouts.

But behind the scenes, Ki has never left. Ask any master who has trained for decades, and they’ll tell you that raw muscle only carries you so far. At some point, you evolve, or you fade. Kyokushin-kan’s renewed focus on internal power ensures that future generations of karateka won’t miss out on what made Kyokushin revolutionary in the first place.

Conclusion

Ultimately, Taikiken practice represents more than a simple training method. It’s a reminder that martial arts are as much about the spirit—and the energy within us—as they are about technique. For those in Kyokushin-kan, the lesson is clear: If you want to carry Kyokushin into the future, you must remember its past. Stand still long enough to feel your body protest, then learn to let go. That’s where the real journey begins—whether you’re 18 or 80.

[digambrapowersolutionindia]

🌟 Get Ready for #PowerElecNigeria2025! 🌟

Join us for an electrifying experience as we bring together industry leaders and renewable energy enthusiasts to shape the future of sustainable power in Africa! ⚡💡

🎙️ Speaker Spotlight: Meet Safiya Aliyu, the inspiring General Manager of SOSAI Renewable Energies Company, as she shares her insights on the future of renewable energy! 🌍🌞

🗓️ Event Details: 📅 Dates: 13th, 14th & 15th January 2025 ⏰ Time: 10 AM to 5 PM 📍 Venue: Victoria Island Annex, Lagos, Nigeria

💥 FREE Registration! Don’t miss out on this incredible opportunity to network, learn, and innovate!

👉 Register Now: www.powerelecnigeria.com 📞 For more info: +91 9536-5550-03 🌐 Visit: www.digambrapower.com

.

.

. #PowerElecNigeria2025 #EnergyTransition #CleanEnergy #SustainableEnergy #GreenFuture #PublicPrivatePartnerships #RenewableEnergy #NigeriaEnergy #GlobalEnergySummit #EnergySolutions#SolarEnergy #RenewableEnergy #PowerConference #LagosEvents #SustainableFuture #EnergyInnovation #GreenEnergy #SolarSolutions #RenewableFuture #CleanEnergy #PowerExhibition #EnergyStorage #ElectricalIndustry #SustainabilityGoals #TechConference #SmartEnergy #LagosBusiness #EnergyEfficiency #SustainableLiving #CleanTech #SolarPower #AfricaEnergy #GoGreen #ClimateAction #FutureOfEnergy

[fortunetellersdilettante]

khanagi 8- have tame tamara akha jivanani ashcary sathe rah joi shako cho te kyare aavse athava te kya hatun tame kadach tamaru hriday todi nakhyun hase bhutakalaman ketalik vakhat te pahelan jetalu majabut hoy tetalun kyarey taki shakatun nathi te pahelan jetalu saru lagtu nathi ane badhi vato jay tame kaheta hata jay vastuo tame karta hata, te daravajani bahar gaya oh, have tame ek j nahin raho a j vat tame tamari asapasana darekane kaho cho parantu tame jano cho ke teoe a badhu pahelan sanbhalyun che tame vadhun shu kahi shako? jyaare dev tamne java nahin de, tyare tyathi chalya jao (jyaare dev karo) ane tame kone dev karo cho teni madad kari shakta nathi (tame kone dev karo cho teni madad kari shakta nathi) ane tame tamari jatane te aapi rahya cho jyaare tame, vicharo cho ke tame premma cho, oh, 'karan hu te banva mangun chu jay tame mano cho tamara hridayamanthi mokalavaman aavyu chhe. tene akashamanthi mokalavaman aavyu chhe. (akashamanthi mokalavaman aavyu che). maro ek tukado che jay tame gaya pachi chodi de che karan ke tamne ahithi mokalavaman avya che (svargamanthi mokalavaman avya che, oh, karan) hu te banva mangun chu jay tame mano cho tamara hridayamanthi mokalavaman aavyu che (jay akashamanthi mokalavaman aavyu che) ane maro ek tukado che jay tame gaya pachi chodi de che karan ke tamne ahithi mokalavaman avya che

pwériv8 - kounye a ou ka tann tout vi ou ap mande tèt ou Lè li pral vini oubyen kote li te Ou ka gen kè ou kase Kèk fwa nan tan lontan an Pa janm dire osi fò ke li itilize yo Li pa santi l osi bon ke li itilize yo anvan Ak tout bagay ou te konn di yo Bagay ou te konn fè, ale dwat deyò pòt la Oo, pap gen plis ou pral youn Se sa ou di tout moun bò kote ou Men, ou konnen yo te tande li tout anvan Ki sa w ka di? Lè lanmou pa pral kite ou, mache lwen (lè renmen) Epi ou pa ka ede ki moun ou renmen (jis pa ka ede ki moun ou renmen) Epi ou jwenn tèt ou bay li ale Lè ou, panse ou nan renmen, oo, 'kòz mwen vle vin moun ou kwè Nan kè nou voye soti nan syèl la, yo voye soti nan syèl la (voye nan syèl la) Gen yon moso nan m 'kite lè ou ale Paske ou voye soti nan (voye soti nan syèl la, oo, 'kòz) mwen vle vin moun ou kwè Nan kè ou voye soti nan syèl la) E gen yon moso nan m ki kite lè ou ale Paske ou voye de

8- Yanzu za ka iya jira dukan rayuwarka ka yi mamaki A lokacin da za a zo ko inda ya kasance Wataƙila ka yi baƙin ciki sosai Sau da yawa a cikin abubuwan da suka gabata. Kada ka ci gaba da kasancewa da ƙarfi kamar yadda ya kasance a dā Ba shi da kyau kamar yadda ya kasance a dā Za ka yiwuwa son abin da kuke aikatãwa. Abubuwa da kake yi a dā, ka fita daga ƙofar Ah, ba za ka ƙara zama ɗaya ba Wannan ne abin da kake gaya wa kowa da ke kewaye da kai Amma ka san sun ji dukansu a dā Menene kuma za ka iya faɗa? Sa'ad da ƙauna ba za ta bar ka ba, ka tafi (sa'ad da ƙauna) Kuma ba za ka iya taimaka wa wanda kake ƙauna ba (ba za ka iya taimaka wa wanda kake ƙauna ba) Kuma ka sami kanka kana ba da shi Sa'ad da ka yi tunanin kana ƙauna, ka ce, 'sa'an nan Na so in zama wanda kake gaskata da shi Kuma aka saukar da a cikin zukãtanku daga sama, sa'an nan aka mayar da su zuwa ga Allah. Da akwai wani ɓangare na da ke barin idan ka tafi Domin an aiko ka daga (a aika daga sama, a'a, domin) Na so in zama wanda kake gaskata da shi A cikin zuciyarka an aiko daga (a aika daga sama) Kuma akwai wani ɓangare na da ke barin sa'ad da ka tafi Domin an aiko ka daga

priv8- עכשיו אתה יכול לחכות כל החיים שלך תוהה מתי זה יגיע או איפה זה היה יכול להיות שהלב שלך נשבר כמה פעמים בעבר לעולם אל תחזיק מעמד חזק כמו פעם זה לא מרגיש טוב כמו פעם וכל הדברים שנהגת לומר דברים שנהגת לעשות, יצאו ישר מהדלת הו, אתה כבר לא תהיה האחד זה מה שאתה אומר לכל הסובבים אותך אבל אתה יודע שהם כבר שמעו הכל בעבר מה עוד אפשר לומר? כשהאהבה לא מאפשרת לך, התרחק (כשאהבה) ואתה לא יכול לעזור למי שאתה אוהב (פשוט לא יכול לעזור למי שאתה אוהב) ואתה מוצא את עצמך נותן את זה כשאתה, חושב שאתה מאוהב, הו, כי אני רוצה להיות זה שאתה מאמין בו בלבבך נשלח, נשלח מן השמים (נשלח מן השמים) יש חתיכה ממני שעוזבת כשאתה הולך; כי אתה נשלח מ (נשלח משמיים, הו, 'כי) אני רוצה להיות זה שאתה מאמין בו בלבבך נשלח מ (נשלח מן השמים) ויש חתיכה ממני שעוזבת כשהלכת כי אתה נשלח מ

priv8- ikhsiu est jechol wait kul hachaim shlech toha the ze yagia oh wheres ze hia jechol weit shahlov shlech neseber kama kalmim beber laolam al tahazik middle hezak kemo time ze lo margish tob kemo time wachel hadbarim shonaget lomer dabrim shonaget leavs, yatsao yasar mahadlat ho, est kibre lo tahia hahed ze mah sureyou ummar live sobebim youfor ebl est yodeia shem kibre simeo all beber mah oud afsar lomer? keshahava lo mafeshrat lech, hatharhak (keshahba) vata lo jechol laasor lemi sureyou ohav (seizure lo jechol laasor lemi sureyou ohav) vata motsa at ited nothan at ze kashata, hoshev sureyou mauhav, ho, cos ani whati weit ze sureyou mamin boo blebbach nischlek, nischlek mn heaven (nischlek mn heaven) ish chick mamney shauzabath kashata holch; cos est nischlek m (nischlek mishmim, ho, 'cos) ani whati weit ze sureyou mamin boo blebbach nischlek m (nischlek mn heaven) weish chick mamney shauzabath keshalcat cos est nischlek m

Priv8- अब आप सोच अपने पूरे जीवन इंतजार कर सकते हैं यह कब आएगा या कहां जाएगा हो सकता है कि आपका दिल टूट गया हो अतीत में कुछ बार कभी भी उतना मजबूत नहीं रहा जितना पहले हुआ करता था यह उतना अच्छा नहीं लगता जितना पहले हुआ करता था और वे सभी बातें जो आप कहते थे चीजें जो आप करते थे, दरवाजे से बाहर चले गए ऊह, अब तुम एक नहीं रहोगे यही आप अपने आस-पास के सभी लोगों को बताते हैं लेकिन आप जानते हैं कि उन्होंने यह सब पहले सुना है आप और क्या कह सकते हैं? जब प्यार आपको नहीं जाने देगा, तो चले जाओ (जब प्यार) और आप जिसकी मदद नहीं कर सकते कि आप किससे प्यार करते हैं (बस जिसे आप प्यार करते हैं उसकी मदद नहीं कर सकते) और आप खुद को इसे दूर देते हुए पाते हैं जब आप, सोचते हैं कि आप प्यार में हैं, ऊह, 'क्योंकि मैं वह बनना चाहता हूं जिस पर आप विश्वास करते हैं आपके दिल में भेजा जाता है, स्वर्ग से भेजा जाता है (स्वर्ग से भेजा जाता है) मेरा एक टुकड़ा है जो तुम्हारे जाने पर चला जाता है क्योंकि आप से भेजे गए हैं (स्वर्ग से भेजे गए, ऊह, 'कारण) मैं वह बनना चाहता हूं जिस पर आप विश्वास करते हैं तेरे हृदय में से भेजा गया है (स्वर्ग से भेजा गया) और मेरा एक टुकड़ा है जो तुम्हारे जाने पर चला जाता है क्योंकि आप से भेजे गए हैं

Priv8- ab aap soch apne poore jeevan intezaar kar sakte hain yah kab aayega ya kahan jayega ho sakta hai ki aapka dil toot gaya ho ateet mein kuchh baar kabhi bhi utana majboot nahi raha jitna pehle hua karta tha yah utana achchha nahi lagta jitna pehle hua karta tha aur ve sabhi baatein jo aap kehte the chizen jo aap karte the, darvaje se bahar chale gaye ooh, ab tum ek nahi rahoge yahi aap apne aas-paas ke sabhi logon ko batate hain lekin aap jaante hain ki unhonne yah sab pehle suna hai aap aur kya kah sakte hain? jab pyar aapko nahi jane dega, to chale jao (jab pyar) or aap jiski madad nahi kar sakte ki aap kisse pyar karte hain (bus jise aap pyar karte hain uski madad nahi kar sakte) or aap khud ko ise door dete hue paate hain jab aap, sochte hain ki aap pyar mein hain, uh, 'kyonki main vah banana chahta hoon jis par aap vishwas karte hain aapke dil mein bheja jaata hai, swarg se bheja jata hai (svarga se bheja jata hai) mera ek tukada hai jo tumhare jaane par chala jaata hai kyonki aap se bheje gaye hain (swarg se bheje gaye, uh, 'karan) main vah banana chahta hoon jis par aap vishwas karte hain tere hriday mein se bheja gaya hai (svarga se bheja gaya) or mera ek tukada hai jo tumhare jaane par chala jaata hai kyonki aap se bheje gaye hain

priv8- tam sim no koj yuav tos koj lub neej tseem wondering Thaum nws yuav tuaj los yog qhov twg nws twb tau Tej zaum koj yuav tau txais koj lub plawv tawg lawm Ob peb zaug yav tag los Yeej tsis kawg li muaj zog li nws siv los Nws tsis xav tias zoo li nws siv ua ntej Thiab tag nrho tej yam uas koj siv los hais Tej yam uas koj siv los ua, mus txoj kev tawm ntawm lub qhov rooj Ooh, tsis muaj ntau yuav koj yog ib tug Ntawd yog li cas koj qhia sawv daws nyob ib ncig ntawm koj Tab sis koj paub tias lawv twb hnov nws ua ntej Koj yuav hais li cas? Thaum hlub yuav tsis pub koj, taug kev deb (thaum hlub) Thiab koj tsis tau pab uas koj hlub (cia li tsis pab uas koj hlub) Thiab koj nrhiav tau koj tus kheej muab nws tam sim ntawd Thaum koj, xav tias koj nyob nraum hlub, ooh, 'ua Kuv xav ua ib tug uas koj ntseeg tias Nyob rau hauv koj lub plawv xa mus, xa saum ntuj ceeb tsheej (xa saum ntuj ceeb tsheej) Nws muaj nws ib daim ntawm kuv uas yoojyim thaum koj ncaim Vim hais tias koj nyob nraum xa los ntawm ntuj ceeb tsheej, ooh, 'ua) Kuv xav ua ib tug uas koj ntseeg tias Nyob rau hauv koj lub plawv xa mus rau saum ntuj ceeb tsheej) Thiab muaj ib daim ntawm kuv uas yoojyim thaum koj ncaim Vim hais tias koj nyob nraum xa los ntawm

priv8- most egész életedben várhatsz csodálkozva Mikor fog eljönni, vagy hol volt Lehet, hogy összetört a szíved Néhányszor a múltban Soha ne tartson olyan erősen, mint régen Nem olyan jó érzés, mint korábban És mindazt, amit mondani szoktál Azok a dolgok, amiket korábban csináltál, egyenesen kimentek az ajtón Ó, többé nem te leszel az Ezt mondod mindenkinek magad körül De tudod, hogy már mindent hallottak Mit mondhatna még? Amikor a szerelem nem engedi, menj el (amikor a szerelem) És nem tehetsz arról, hogy kit szeretsz (csak nem tudsz segíteni, akit szeretsz) És azon kapod magad, hogy odaadod Amikor azt gondolod, hogy szerelmes vagy, ó, mert Én akarok lenni az, akinek hiszel A szívedben küldetett, a mennyből küldve (a mennyből küldve) Van egy darab belőlem, aki elmegy, amikor elmentél Mert küldve vagy (a mennyből küldve, ó, 'ok) Én akarok lenni az, akinek hiszel A szívedben küldve van (a mennyből küldve) És van egy darab belőlem, aki elmegy, amikor elmentél Mert innen küldték

ખાનગી 8- હવે તમે તમારા આખા જીવનની આશ્ચર્ય સાથે રાહ જોઈ શકો છો તે ક્યારે આવશે અથવા તે ક્યાં હતું તમે કદાચ તમારું હૃદય તોડી નાખ્યું હશે ભૂતકાળમા�� કેટલીક વખત તે પહેલાં જેટલું મજબૂત હોય તેટલું ક્યારેય ટકી શકતું નથી તે પહેલાં જેટલું સારું લાગતું નથી અને બધી વાતો જે તમે કહેતા હતા જે વસ્તુઓ તમે કરતા હતા, તે દરવાજાની બહાર ગયા ઓહ, હવે તમે એક જ નહીં રહો આ જ વાત તમે તમારી આસપાસના દરેકને કહો છો પરંતુ તમે જાણો છો કે તેઓએ આ બધું પહેલાં સાંભળ્યું છે તમે વધું શું કહી શકો? જ્યારે પ્રેમ તમને જવા નહીં દે, ત્યારે ત્યાંથી ચાલ્યા જાઓ (જ્યારે પ્રેમ કરો) અને તમે કોને પ્રેમ કરો છો તેની મદદ કરી શકતા નથી (તમે કોને પ્રેમ કરો છો તેની મદદ કરી શકતા નથી) અને તમે તમારી જાતને તે આપી રહ્યા છો જ્યારે તમે, વિચારો છો કે તમે પ્રેમમાં છો, ઓહ, 'કારણ હું તે બનવા માંગું છું જે તમે માનો છો તમારા હૃદયમાંથી મોકલવામાં આવ્યું છે. તેને આકાશમાંથી મોકલવામાં આવ્યું છે. (આકાશમાંથી મોકલવામાં આવ્યું છે). મારો એક ટુકડો છે જે તમે ગયા પછી છોડી દે છે કારણ કે તમને અહીંથી મોકલવામાં આવ્યા છે (સ્વર્ગમાંથી મોકલવામાં આવ્યા છે, ઓહ, કારણ) હું તે બનવા માંગું છું જે તમે માનો છો તમારા હૃદયમાંથી મોકલવામાં આવ્યું છે (જે આકાશમાંથી મોકલવામાં આવ્યું છે) અને મારો એક ટુકડો છે જે તમે ગયા પછી છોડી દે છે કારણ કે તમને અહીંથી મોકલવામાં આવ્યા છે

[chakapriambudi]

Espresso Sabrina Carpenter

Now he’s thinkin’ ’bout me every night, ohIs it that sweet? I guess soSay you can’t sleep, baby, I knowThat’s that me espressoMove it up, down, left, right, ohSwitch it up like NintendoSay you can’t sleep, baby, I knowThat’s that me espresso I can’t relate to desperationMy ‘give-a-fucks’ are on vacationAnd I got this one boy, and he won’t stop callingWhen they act this way, I know I got ’em Too…

[littletroubledgrrrl]

[dokidokitsuna]

Currently trying to resume work on the next installment of Gatchaman Eternal (before another 7 months passes me by…). It’s been very relaxing to play with these characters again: recently I finished writing out Gel Sadra’s origin story, and it was so much fun I immediately drew these pictures to go with it.

I think Gel (or as they’re known at this point in the story, Sami Pandora) is my favorite antagonist to write; they just have so much emotional depth, which usually manifests as this impulsive ruthlessness that makes them a perfect kid-villain. When I initially wrote their section of the script, I thought maybe it was a little too cartoonish how fast Sosai X decided to recruit them…but then I thought, y’know, if I was an evil alien who came across a 16-year-old genius who mods weapons and isn’t afraid to kill people and has the guts to mouth off to a dude who threatens to crush their skull with a bear claw-- AND, has obvious mommy issues that I could probably exploit later-- I’d be pretty eager to get them on my side, too. ^^;

[nelsonleivaestay]

Kanku de la Seishin Kyokushin Chile dirigida por Shihan Christian Suárez Falconi 6° Dan representante en Chile de la ISKKO con sede matriz en España representada por Shuseki Shihan Pere LLui Beltran 8° Dan alumno directo en vida de Sosai Masutatsu Oyama, el cual es la autoridad máxima del estilo Seishin Kyokushin en el mundo

“Nuestro logotipo está inspirado en el Kanku original de Kyokushin con su misma interpretación”. Las manos se juntan para mirar el cielo a través de ellas y de esa manera las partes más anchas del kanku representan las muñecas y el poder, la parte más alta los dedos nos muestran las cimas más altas, las máximas aspiraciones y todo ello cerrado por un círculo que implica la acción circular o continuada del trabajo. Por último, el centro indica profundidad en el estudio del Arte Marcial. Se han añadido dos elementos en el centro del Kanku como son la flor del cerezo (Sakura Hana) lo que nos indica que es un Arte Marcial de origen japonés y el símbolo Tomoe (Magatama) que nos recuerda la unión entre Cielo, Tierra y Humanidad o Nacimiento, Vida y Muerte. Nosotros en la Seishin lo interpretamos también como la tridimensión teniendo en cuenta que hay que estar siempre alerta ya que las adversidades pueden venir de cualquier dirección. www.ikoseishin.org

[ohwellbull]

Birnina na gaba zai ɗauki makamashi mai kore zuwa mataki na gaba

Ta yaya za ka tsara birnin nan gaba?Ina kwana abokai da abokai waɗanda ban sadu da su ba tukuna,Bari in fara da cewa na ba wannan batu tunani sosai a cikin shekarar 2024. Lokacin da muke tattaunawa kan yadda za mu mai da fasahar makamashinmu ta zama mai ɗorewa, tunanina yana gangara zuwa ga wannan: ta yaya za mu iya amfani da yanayi mai haɗari don ƙirƙirar makamashi maimakon lalacewa?Ka yi tunani…

[jiyassalon]

Jiya Beauty Salon: Kwarewar Kyakkyawan Zamani

A hakikanin gaskiya kamar yadda muka san shi inda alamu ke komawa baya, akwai wani abu mai ban sha'awa musamman game da sha'awar aikin fasaha, ƙwarewar girma mara mutuwa. Wannan shi ne babu shakka ainihin abin da Jiya Beauty Parlour ke bayarwa - balaguron komawa lokacin da aji ya kasance babba, kuma ƙwarewa ba ta misaltuwa. A jiya beauty salon makasudin shine a sa kowane abokin ciniki ya ji kamar sun shiga cikin sararin samaniya inda lokaci ya dawo, yana ba su damar jin daɗin kula da kai wanda ya tashi sama da ma'auni.

An zauna a cikin wani lungu mai ban sha'awa, Jiya Beauty Parlour ba wuri ne kawai na manyan magunguna ba; wuri mai aminci ga waɗanda ke ƙoƙarin rungumar yanayin zamanin da yayin da suke shiga cikin na baya-bayan nan a cikin ci gaba mai kyau. Yayin da kuke zagayawa ta hanyar jiya's hair salon, ana maraba da ku da yanayi mai daɗi, maraba da sauri wanda ke sa ku ji daɗi. Vibe shine kyakkyawar haɗuwa na salon al'ada da almubazzaranci na yanzu, yana kafa yanayi iri ɗaya inda abokan ciniki zasu iya sassautawa da farfaɗo.

Ɗaya daga cikin abubuwan da ya fi daukar hankali a ɗakin shakatawa na Jiya shine sadaukarwarsa don ba da taimako na musamman. Ana kula da kowane abokin ciniki tare da matsananciyar hankali ga daki-daki da la'akari, yana ba da tabbacin cewa an cika buƙatun su guda ɗaya da sha'awar su. Ko kuna cikin sauri daki-daki na ƙarshe ko kuma jimlar gyare-gyare, ƙwararrun a Salon Jiya sun mai da hankali kan isar da sakamakon da ya dace tare da wuce hasashen ku.

Fannin gudanarwar da aka gabatar a Jiya Beauty Parlour yana da faɗi sosai, yana kula da kowane bangare na kyawu da kuma kula da kai. Tun daga salon gashi da gyaran jiki zuwa magungunan fata da aikace-aikacen kayan kwalliya, Salon Jiya yana da wani abu na kowa. Ana yin kowane taimako tare da ido mai sauri don daki-daki, yana ba da tabbacin cewa abokan ciniki sun bar salon jin daɗi da daɗi.

Ɗaya daga cikin abubuwan da suka fi dacewa a Jiya Beauty Parlour shine sadaukar da kai don amfani da abubuwa masu kyau duka biyu masu ƙarfi da laushi akan fata. Ƙungiyar a Jiya Salon tana sanya hannun jari a cikin ƙarfin yanayi, haɗa abubuwa na yau da kullun da na halitta cikin magungunan su a duk lokacin da yanayin ya ba da izini. Wannan takalifi na inganci yana ba da tabbacin cewa abokan ciniki suna sa mafi kyawun kan su gaba da kuma jin daɗin mafi kyawun su, sanin cewa fata da gashin su ana mai da hankali sosai tare da mafi girman matakin tunani.

Wani ra'ayi da ya raba Jiya Beauty Parlour shine fifikon sa akan samar da ƙwarewa mai ban sha'awa ga kowane abokin ciniki. Ƙungiyar ta fahimci cewa haɗuwa da salon ba kawai game da sakamakon ba ne, duk da haka game da balaguro. Daga na biyun da kuka shiga Jiya Beauty Parlour, Allah ya albarkace ku da samun haduwar da aka yi niyya don lalata da nutsuwa. Yanayin kwanciyar hankali na salon, tare da ƙwararrun ƙwararrun ƙwararrun sa, ya sa kowace ziyara ta kasance mai ban sha'awa ta tashi daga gaggawar rayuwar yau da kullun.

Kwanan nan Beauty Parlour shima an sadaukar dashi don kasancewa a sahun gaba na kyakkyawan tsari da hanyoyin. Yayin da yanayin salon zai iya kiran salon da ya gabata, gudanarwarsa ba komai bane illa tsoho. Ƙungiya a Salon Jiya a kai a kai tana shirye-shiryen ci gaba da wartsakewa a kan tituna na baya-bayan nan cikin ɗaukaka, tare da ba da tabbacin cewa abokan ciniki sun sami sabbin magunguna masu nasara. Wannan kyakkyawar haɗaɗɗiyar ƙaƙƙarfan roko da ƙwarewa na yanzu ya sa Jiya Beauty Parlour ta zama #1 a cikin mutanen da ke ɗaukan aiki da ci gaba.

Ga waɗanda ke fatan samun wani abin al'ajabi ko kuma da gaske sun shiga ranar ɓarna tare da abokan zama, Jiya Beauty Parlour tana ba da tarin tarin abubuwan da suka dace don magance matsalolin ku. Ko dai bikin aure ne, ko bikin ranar haihuwa, ko kuma kawai fitowar 'yan mata, Salon Jiya yana ba da kyakkyawan tsari inda za ku iya shakatawa da kuma jin daɗin tattaunawar juna yayin samun magunguna masu inganci.

Gabaɗaya, Jiya Beauty Parlour wani abu ne da ya wuce wuri don gama gashin ku da kayan kwalliya - wuri don waɗannan ƙimar mafi kyawun abubuwa a cikin rayuwar yau da kullun. Wajibcin salon girma, haɗe da sha'awar sa mara mutuwa, yana sanya shi yanke shawarar zakara ga duk wanda ke neman kyakkyawar fahimta ta ban mamaki. Ko kai abokin ciniki ne na yau da kullun ko ziyartar ban sha'awa, Jiya Beauty Parlour yana ba da tabbacin matakin gudanarwa da la'akari wanda zai bar ka jin farfaɗo, maidowa, da shirye-shiryen ɗaukar duniya da tabbas.

[lyrics365]

GOOD AFTERNOON

yagyeongi yeppeuge uri meoril bichwojwo nuneul keuge tteugoseo oneul bameul jeulgyeojwo nae mudaeneun wanbyeokhan BGM yeoksi nan eumaki jungyohae cheotjjaero bunwigil michige duljjaero ttami nal jeoksige jayeonseureopge urin mudael jeulgyeojwo bameun dangyeonhi yakgan chwihandeuti Feel so sensation uri mudaeneun Feel so sensation uri mudaeneun Feel soSay! ​ i got nicehan eumak mudae jomyeongui…

[airwavesdotblog]

Sabrina Carpenter Lyrics "Espresso"

Artist: Sabrina Carpenter Album: N/A Now he’s thinkin’ ’bout me every night, ohIs it that sweet? I guess soSay you can’t sleep, baby, I knowThat’s that me espressoMove it up, down, left, right, ohSwitch it up like NintendoSay you can’t sleep, baby, I knowThat’s that me espresso I can’t relateTo desperationMy ‘give a fucks’ are on vacationAnd I got this one boyAnd he won’t stop callingWhen they…