#sorry this probably doesn't even make sense but

[ere-the-sun-rises]

Okay, I'm sorry again Medieval and Biblical Latinists, but this post popped up in my notifs again and the more I look at it, the more revolted I become. Wheelock's love for Republican and legible Latin is possessing me from beyond the grave, so let's go.

"Pro Jupiter, puer, ecce bibendum!" Where the fuck do I even start. The sentence is straight up an incoherent collection of words. The literal translation is "Before Jupiter, boy, lo! about to be drank." What the fuck were you even trying to type??? Were YOU drunk doing this? I thought the Vatican was supposed to be full of monks with nothing better to do. You're shaming your 9th century copyist predecessors.

"Pro" is used wrong. It usually takes an ablative, because "before" is temporal, not spacial - it doesn't usually mean "in front of [object]" so much it means "[in the period of time] before [event]". If you're looking to say something like "by god", then a more natural invocation would in vocative or ablative of agent - "O Jupiter" or ""Ab Jove".

"Ecce" is bizarrely out of place. It should be at the beginning of a sentence because it's not actually a word, it's an exclamation. You wouldn't place "behold!" or "huzzah!" in the middle of a sentence, you heathen.

"Bibendum"? Bibendum??? You can't have a participle in a complete sentence without a normal verb. Participles can't ever stand on their own. If you're using this as a substantive ... why??? Just use the word for whatever this liquid is. Even as a substantive it barely makes sense. It's the equivalent of holding out a cup and saying "liquid" with no further context. Why are you making this so hard and ugly to read???

I don't think the sentence is even salvagable because I cannot figure out what the fuck it was even trying to say. If I had a gun with one bullet in it, I would use it to shoot this sentence. Hang the translator by the nipples unless they're into that.

I can't read most of the second panel, but the last phrase "dubito quin sciat" is clearly meant to stand on its own by the way the punctuation is placed. And that is a damn shame because it's horrific. It reads "I doubt why he would know."

Students, please note that "quin" is an interrogative adverb meaning "why?" The question mark is non-optional. It's literally only a question word - why is it in a passage that does not contain a question???

"Sciat" is weird here. Subjunctives can be used as a clause verb, but scio in particular usually takes an accusative noun to make sense. The word means "to perceive with the senses" but can also be used as shorthand for "to see/to know/to understand".

The sentence would read better as "dubito ut illum sciret" or "I doubt that [he] would see this [thing]."

0/10, broke ass original construction. Lock the translator in a basement with Wheelock's textbook until one or the other breaks.

"Heu, Timothee, mater tua delapsa est ob cutem arienae et P. S. mortua est." Fine, this one isn't technically wrong, but it is brutally literal in a frankly uninspired way.

"Delapsa est"?? Have you no imagination? No creativity? No sense of good Latin prose? Delabor does mean "to fall/to descend" but it also means "to fall to ruin/to be destroyed". A much better (and funnier) word would have been "cado", which means "to fall [down]" too, but crucially also means "to be cut down/to be slaughtered/to die". It would be a way better play on words with the "mortua est" following after.

His name needs to be Romanized. Do you think the Romans had names like Vergilius for fun?? No! It was so the fucking thing could be declined. Fix Timothee's name.

I don't like "ob". It feels wrong, like a skinwalker. It's not meant to be here. It can technically mean "on account of", but it's more prominent meaning is "toward". It should probably be replaced by a dative or ablative of agent/means here instead.

"Cutem" should be cuto, to be dat./abl. of agent/means. An accusative doesn't look right when the sentence's main verbs are passive, since passives are reflexive.

"et P. S. mortua est." Ugly, disfiguring little addendum. Why is it in the same past tense as delapsa? Repetitio is only fashionable in poetry. This is prose - you need variatio. Cicero and I hate it here.

It would read better as "Tua mater, Timotheius, cuto arienae casura est, cepitque morti." - "Your mother, Timothee, fell [by means of] the skin of a banana, and [she] was seized by death."

These panels only get more offensive to the Latin language the longer I look at them. This translator would get roasted alive by any ancient or Medieval scholiast who read this and they would deserve it. Even poets would vomit.

today i found out that if you have library access through ur school, you almost definitely have a copy of the vatican’s latin translation of diary of a wimpy kid and i am currently reading Commentarii de Inepto Puero thank you

[half-oz-eddie]

Sorry I missed you (on purpose)

Buck knew Tommy's schedules and habits, and he knew exactly when Tommy wasn't home.

Tommy's schedule fluctuated from week to week, so how did Buck know this? Well, Buck started anti-stalking Tommy, which is...still stalking, but he was only doing it to avoid running into Tommy. It doesn't make sense. To you, to anybody, but it makes sense to Buck, and Buck's gonna Buck, right?

Tommy liked to keep the porch light on because he fed a neighborhood cat whenever he was home, and he wanted the cat to know it was safe to come on his porch and have a bite to eat. Tommy was just good like this.

It's so hard not to love him.

Monday. Porch light on. Tuesday. Porch light off. Wednesday. Porch light on, and the curtain was open. Buck's heart raced when he saw Tommy walk past the window. What was he doing? Was he alone? Buck didn't intend to stick around too long and find out, so he drove off.

Thursday. Porch light off. Perfect. Buck left a post-it note on Tommy's front door.

"Wanted to drop some things of yours, but you weren't home and I didn't want to leave them on the porch. Feel free to call or drop by anytime! -Buck"

There. Simple enough. Now Buck just had to get the hell out of there before Tommy returned.

Two days passed and Tommy hadn't called, texted or stopped by. Why?

Did the post it note blow away? Did the cat eat it? Maybe he should've reinforced the post-it with some tape or something.

Or maybe...Tommy didn't want to talk to him at all. Maybe he just hated him.

Buck carried that thought to bed.

The next day after Buck's shift, he returned home to find a post-it on his door.

"Sorry I missed you. I have some of your things as well. You can drop mine off and pick up yours this week. Or I can stop by. Your choice. -Tommy"

Buck read the note over and over again. He could hear Tommy's voice in his head with every syllable his eyes scanned on the note. It even had the lingering smell of Tommy's cologne.

Buck stuck it to his fridge.

He missed talking to him.

The next day after his shift, Buck drove past Tommy's house. Porch light on.

Buck kept driving.

The day after, Buck returned to Tommy's again. Porch light off. This was his moment.

"Sorry I missed you again. I just can't seem to remember your schedule. Stop by whenever you can."

He stuck the post-it to the door, but he was unsatisfied, so he pulled out a second post-it.

PS: hope you're taking care of that knee that was bothering you a few weeks ago. You never took that compression sleeve. Should I bring it? -Buck"

It was a little ridiculous, sure, but Buck was talking to Tommy again. Sort of, and it was great.

Buck stopped baking as often, and everyone at the firehouse thought he was making some sort of progress. He told them he was. He just didn't explain the sort of progress he was making.

When he returned home from his shift 3 days later, there were 3 post-its on his door and his eyes lit up with excitement.

"We've gotta stop (not) meeting like this. I can't seem to remember your schedule either. I'm sure we'll sort this out soon." Buck smiled as he grabbed the first post it, before reading the second.

"My knee's better, but I'd still like that compression sleeve. Do you think you could drop it off with my stuff? Or I'll pick it up." Buck smiled wider. He was glad to know Tommy's knee wasn't bothering him as much anymore, but he was happy to know he still wanted his help.

"Let me know what works for you. PS: Is that wrist still bothering you? I hope it's all healed up now. -Tommy"

Buck stuck the post-its to his fridge and smiled to himself. He was almost convinced they'd talked via post-its enough to talk via text, but he didn't feel like it was the right time yet.

He continued anti-stalking Tommy for days, waiting for the day his porch light wasn't on. It had been 4 days since the porch light was off.

Finally. He hoped Tommy wasn't too worried. Then again, he probably wasn't worried at all, Buck assumed.

"Sorry again. I just have a lot of things keeping me busy so I stop by whenever I get the chance. I'm going to try again until we get this right." Buck stuck the first note to the door.

"PS: my wrist is fine now, thanks for asking. I've been putting it to use a lot lately because I'm baking so much."

Buck stuck the second note to the door, but wanted to leave three post-its like Tommy did, just to seem equally as invested in this post-it tag.

"PPS: I almost tripped over the bowl by your front door. Are you still feeding that cat? -Buck"

Buck stuck the final note to the door feeling satisfied. He even laughed to himself when he realized he stuck them to the door in the shape of a heart with the first two on top, and the third beneath.

Tommy probably wouldn't even notice.

When a week passed and Buck hadn't seen a single post-it on his door, he was beginning to worry that Tommy grew tired of their game of tag.

The next day, there was one, single post-it on his door.

"I think maybe I should text you."

Buck's heart was beating out of his chest. Was Tommy going to text him finally?

When? What time? What day? Today? Please be today, Buck hoped.

Buck was back to checking his phone for the next few hours. He started baking again to pass the time so he'd stop obsessing over his phone.

When he heard his phone ding, he nearly jumped across the counter for it.

Buck and Tommy continued to occasionally text for a week. Occasionally became frequently, and frequently became constantly, until they were talking again about any and everything that crossed their minds.

When Tommy addressed them finally meeting in person to exchange their belongings, Buck dreaded the thought. He was convinced that exchanging their belongings would end their text exchanges, so he blew Tommy off several times with various excuses about why he was too busy to meet.

Tommy was willing to wait and continue to text Buck, until one day, the texting turned into a phone call.

"Are you avoiding me on purpose?" Tommy asked.

"I-uh-no-I-I'm not. I'm not avoiding you. Not...intentionally." Buck stammered.

Tommy laughed on the other end of the phone. "Evan." There was that teasing voice Buck so dearly missed.

"Okay, okay. Maybe I am. I wasn't ready to do this face-to-face, in case this was going to be the last time we ever saw each other. So first, I dragged it out with the post-its..."

"I knew I saw your car that night! I thought maybe I was imagining it. Maybe...I dunno, wishful thinking."

Buck listened to the momentary silence and the soft sigh on the other end of the phone.

"The notes were cute, though. I...liked them. I suppose I was avoiding you too. Just to keep this going for a little bit longer."

"Really?" Buck smiled. "Y-you were? I didn't think you even wanted to talk to me anymore—"

"Are you kidding? Of course I do. I just...I know we broke up so suddenly. I...thought maybe we wouldn't work out. I guess it all felt too real and I...ran. I've done nothing but act cowardly since that night."

"I don't think you're a coward, Tommy. I didn't mean to scare you off. If you don't think I'm ready, I can promise you that you're wrong. Since the moment you left, I haven't stopped thinking about you. The baking was just to keep me from reaching out to you so I could give you space."

"I hate space. I hate avoiding you. I miss you, Evan. So much."

"I miss you too."

There was another silence while they each gathered their thoughts.

"Do you uh...do you still want your stuff back?" Buck worriedly asked.

"The only thing I left at your apartment that I want back is you."

Buck smiled so wide, his cheeks were aching. "You mean it?"

"Of course. When are you free?"

"For you? Whenever your porch light is on." Buck answered, getting a lighthearted laugh out of Tommy.

"Well...they're on right now."

"Yeah? I'll be right there."

Leave me kudos <3

[vaya-is-dead]

Welcome to hour one of my delusional city

SO ABOUT JINX.... we have plenty to discuss. :))

*act three arcane spoilers under the cut don't read if you haven't watched it especially the last episode!!*

I have a theory.

Now many of you will point at me and call me delusional but I'm sorry. I think I might be right on this one for a change. (or at least it might be implied.)

OK, if you watch the final episode, you know that jinx made the sacrifice taking Warwick with her while Vi screams for her. This scene absolutely broke my heart and for about a good 15 minutes I thought she was dead.

Until I went back and watched the last couple of scenes.

Something that I found interesting is that Caitlyn was looking at the blueprint of the vent system, more specifically where Jinx made her ultimate sacrifice. We all know that arcane is not a show that would just throw in details all without reason. Everything has a point everything is calculated to either imply something or show something.

Why would Caitlyn be looking at the blueprint and why would the show creators specifically zoom in on certain airways? Well, of course, then none other to imply that Jinx could've escaped through one of these, therefore possibly surviving.

Now with that alone, it probably doesn't mean anything. It is nothing but a skeleton of what possibly could be, it needs flesh and muscle for it to actually be a Working theory.

But then, as I watched the final scene before the credits, tell me why an airship from Piltover airship very similar to the ones that we saw in episode one where powder said that she would be flying one of those one day. Why was it flying away into the distant sky, then followed by the classic Jinx glitches with the words the end?

Tell me why a show that is so focused on each, and every small detail, from micro expression to touches that linger just a second too long for it to be nothing, Even the drawings and graffiti around Zaun. why would a show so focused on those types of details do something like that if Jinx was not alive? It does not make any sense. It would not make any sense for the show.

Need more proof?

if you pay attention when Caitlyn and Vi are talking, specifically towards the end where Vi leans into Caitlyn, the expression on her face is not one of relief, but rather one of knowing something. She was the one looking at the blueprint, and she was the one who noticed the potential escape route that jinx would know better than anyone because it wasn't her sort of Home in the vent system? How could she not know how to escape?

it's also very satisfactory to her character arc, it was only in season two where we started to see her perception of death start to shift, it was only when Isha came into her life that she really started to understand her own mortality and not completely disregard her life like she used. the prison scene with Vi, where she's sort of regresses back to the mentality of everyone around me will get hurt because of me. while in act three she did begin to disregard her life again, I would like to think that her talk with Ekko might've snapped her back into place. So instead of losing jinx's character development in its entirety, she continues on the same path where she was while still keeping her goal of letting VI be happy the same.

Plus the pink streak coming up the side of the hex gate tower, it's similar to the way that Jinx charges at Vi in their fighting scene.

Now, this is the part where you go into the comments and call me delusional and make fun of my theory but thank you for comming to my Ted's talk

[ombiblombi]

P.AI.nter is SUCH an interesting character to me... he's probably become one of my all time favorites, as I haven't fixated on a character this hard since since...TMC. It physically hurts to think about it in the best way possible-

That being said, I have SO MANY THOUGHTS to say about 'em... so I'm going to dump them here.

First and formost, it's so interesting that P.AI.nter has such a wide array of emotions when it comes to attacking and interacting with the Expendables. At first it's strange, like "WTF?? You're trying to kill me and you just yelled how I was boring, wdym you're sorry??" But... knowing his lore and backstory, it makes so much sense.

P.AI.nters creator was gunned down on accident by Urbanshade, which upon the discovery of P.AI.nter, then decided to trap him in a harddrive and make it mine whats essenically crypto at the Hadal Site- For years, it's stuck mining for the company unwillingly, unable to draw the lanscapes it loved. For fucks sake, P.AI.nter tried to FRY HIS CIRCUTS just to get out. He's desprate, miserable and lonely, and just wants to escape- Any way possible.

And so when Sebastian comes reeks his havoc on the site and finds it, P.AI.nter is incredibly trusting of him to get them both out. Maybe alittle too trusting, but whats he got left to loose? They've both been used by the company and want nothing more to leave, leave and never return. So when Sebastian connects it to the servers- to the Navi-Path & Turrets and tells him to stop the Expendables, P.AI.nter does.

However.

This is self preservation down here. P.AI.nter of course, is rightfully angry at times. I mean- The same company that killed it's creator before his very (nonexistant) eyes, trapped it down here, and even sucked the joy he has from creating art away is now actively getting in the way of the freedom he yearns for. But at the same time... this isn't something done that it entirely wants to be doing. Like I said. This is self preservation. And his actions, and even your deaths weigh heavy. Theres a voiceline, and its delievered so well- Of P.AI.nter pleading for the player to wake up and apologizing profusely if it kills you.

That line sparked this whole theory in the first place.

Your death, reminds it of his creator.

Isn't it ironic how it's now manning the very same weapon that killed the one who brought him sentience in the first place? That he's now the one at fault? Thats gotta be on the back of his mind each and every time it leads an expendable to their demise.

This isn't personal.

He doesn't know who you are.

But it still hurts.

It really annoys me when people in the community call P.AI.nter two faced, or god forbid, do the shitty thing of saying in a derogatory manner that he's bipolar or such as a "joke". Thats just disrespectful to both the character and folks who do have it. It's just plain rude. People do something similar for Sebastian, saying that oh, they're ruining his character by making him mean and snarky and whatnot. I know this happens in every fandom out there, and that this rant is fruitless, but... people need to understand that characters like P.AI.nter and Sebastian have reasons behind their actions and have existing trauma that if you take a moment to look at, you can go "Wowie! Thats a complex character! Everything makes so much sense now, like a puzzle peice I can see traces of in their character in almost every aspect!" Rather than doing awful things like I brought up at the start. But... I digress. I know this rant wont change much so. I hope y'all enjoyed my mini character analysis

Anyway this video has all of P.AI.nters voicelines if 'ya wanna go have a listen after this :] also I got plenty more thoughts about P.AI.nter and Sebastian if anyone wants to know!

[20dollarlolita]

I've just got to vent for a quick second, because this has been driving me insane. I work at a place that sells sewing machines and does sewing machine repair, and sometimes people will come in and aggressively complain that their machine is a lemon.

Sorry, to properly convey it, their machine is, "A LEMON!!!"

And I can't respond to that the way I want to when I'm at work, but that's what this rant is for. People seem to think they've found some amazing, special secret word that gets them whatever they want.

But, in the state that I'm in, "lemon" isn't just a concept. When something is a lemon, there's laws governing what people have to do to make things right. In terms of products (not to be confused with terms of produce), there is a legal definition of what a lemon is, and it actually doesn't cover most "this is a lemon!!" situations that I run into.

So, what needs to happen to qualify a sewing machine as a lemon? Disclaimer, I'm not a lawyer, but I've been sued before, and told I look good in a suit, and also I use Duckduckgo to verify things before I write these things. I'm going to go a bit out of order here, because it's an order that makes the most sense to me, so please read all this before writing back to me to tell me I'm stupid.

What problems make something qualify as a lemon?

Is has to be a problem that compromises the use, value, or safety of the machine. If you can't make an argument that your problem interferes with one of those three things, it's not a lemon.

It has to be a problem that is covered under the manufacturer's warranty, and the problem has to show up during the time that the warranty covers the machine. If your warranty was 1 year on this part and the problem showed up at 1.75 years, it's broken and needs fixing, but it's not a lemon.

It cannot be caused by unreasonable or unauthorized use. Sorry, your manufacturer does not consider you sewing sliced ham to a piece of 20 gauge vinyl to be a reasonable use. Putting 2 million stitches on a machine in 6 months is not a reasonable use. Letting your cat use your machine in lieu of a litter box is not reasonable use. Storing trail mix in your bobbin area is not reasonable use.

In addition to these three things, it needs to have repeat attempts to repair it. That's four repairs of the same problem, or two repairs of a problem if it's a problem that can cause death or serious injury. I challenge most people to find a problem that can cause death or serious injury in a modern sewing machine used in a reasonable, authorized way. Anyway, moving on. The item in question also needs to be in for repair for 30 days, though those do not need to be continuous days.

It also doesn't matter how many different problems the machine has. It's got to be the same problem, unable to be fixed, repeatedly, to qualify as a lemon. If you have thirty problems that all have been failed to be fixed 3 times, legally, not a lemon. If you have over 900 problems that have all happened one time, sadly, not a lemon. This is probably one of the things people get wrong most of the time.

If your device fills all of these categories (serious problem, under warranty, no unreasonable use of the machine, repeated attemtps to repair the same problem), then the manufacturer needs to replace it or offer you a refund. Your dealer and your repair shop have no responsibility, except to put you in contact with the manufacturer. Your dealer does not replace your machine. Your dealer does not refund you. Your repair shop does not refund you. The manufacturer is responsible. This doesn't mean that a good dealer won't help you with talking with the manufacturer or even speak to the manufacturer on your behalf. It's just that the dealer is not legally responsible for it. "Legally responsible" and "being helpful because that's good customer service and we want to help you," are distinct concepts.

If your machine is replaced, and you have new problems with the new one, you have to fulfill the lemon requirements again. Four more repair attempts, problem under warranty, no unreasonable use, etc. The fact that the previous item was a lemon doesn't actually matter anymore, legally. That's annoying as hell and massively painful and I'm sorry about that, but it's the fact. If you got a new machine and it immediately had the same problem, I'm sorry, but it has to be failed to be fixed four times on your new machine before you get to proceed with the lemon shit again.

Oh, and the number one reason why sewing machines bought into my work, labeled "lemon!!" by their owners, are not actually legally lemons: in the State of California, lemon laws only apply to cars. I've been carefully saying "machine" instead of "sewing machine," because literally nothing that we've talked about applies to sewing machines at all.

So if you come in and say it's a lemon, because you want to communicate that you're very frustrated by a lot of problems out of the box, we know what you mean. But if you're doing what a lot of these people are doing, which is coming in brandishing the word "lemon," because you're thinly veiling a threat to pursue legal action, sorry, you just don't have a legally-defined lemon.

And also, again, if the lemon laws DID apply to sewing machines, lemon issues are done with the manufacturer, not your dealer or your repair shop. We're going to do everything we can to help you, because we're above all in the customer service business, but you don't need to try to threaten us with laws that don't apply.

[meamiki]

Here is the original ramble! Actually I will preface this new rb by saying please feel free to correct me if I am mistaken in misremembering anything in these!! Okay here it is under the cut proper

vvv

---

Okay, so honestly this is more or less an excuse to ramble out an appreciation post (of sorts) on everyone tbh, since I do not do that often if ever. I'm just using the quote picks to keep me a bit focused on topics a bit more specific than being completely aimless!

[Also specialist of special shoutouts to my friends Squid and Aya for proofreading all this. Ily guys ever so dearly <3333]

---

Mirabelle

"Avoidance, huh... That feels... a little too cowardly, for me."

The Housemaiden, who would probably fulfill the 'Hero' role if this was a normal RPG, Mirabelle! She has a lot going on that's so interesting to me!! Okay tbf everyone else does too but I really just needed a segue.

She's the chosen one that wasn't really chosen. The reason she was blessed was due to circumstance, and it wasn't even by the Change God either. Because of that, she feels immense pressure/imposter syndrome since she knows the truth of her blessing. Speaking of feelings, she also already felt like she’s failing her own faith for being comfortable with herself, in staying the same forever. For not wanting to Change in that way, when everyone else can, and feeling broken because of it. And, of course, she literally has anxiety and hasn’t had access to her meds throughout the entire quest. That probably also does not help in the slightest!! It's an interesting stewing pot of feeling like a fraud of a 'chosen one' with all that in mind.

And yet, her dedication to her faith and country shines through her actions and words, whether she knows it or not. She’s not someone to avoid her worries. She’ll face them, head-on, even if she doesn't think she'll succeed. I feel like this quote captures it best to me actually! Especially since it's a direct response to Sif saying that they try to avoid their own doubts and worries, in comparison to Mira’s own in her own faith. It almost feels like a subconscious response, and to me that says a lot.

[Side-tangent, but it's also interesting to me that this very dedication works against her, in a sense? Like, notably the bonding proposals. Beyond the societal pressures in play related to the Change belief, she is also the one to take the initiative to ask a dating company for bonding proposals, it didn't just happen around her (as in, no one suggested this to her)? Even when she isn't even interested in dating anyone to begin with! She's not interested in Changing in that way!!! That is to say, her head-on dedication can be to the point of her own detriment at times, to the point of bringing her woe? Not sure if I am wording this properly. Just a thought I had, idk if it has much merit tho. Sorry if that made like no sense!!]

But yeah! She gives it her all in just about everything she does!! She was already known as the most hardworking Housemaiden in the House, always striving to better herself, always taking new classes prior to all this (over 150! and she herself said that she couldn't do anything before coming to the House, which makes it all the more impressive). And when faced with the insurmountable task of saving her home, all of Vauguarde, from being frozen over by the King? She continues on to take on the mantle as the chosen one, the one who will save everyone, and she starts it off completely alone. She's the reason the journey was able to play out, and why everyone is together in the first place. All because she isn't one to avoid her doubts and worries, and willingness to do it scared, yanno? It's just a small part on what I appreciate about her, but I think I'm going to cut myself off here!

---

Isabeau

"Doesn't that feel like someone you wouldn't feel ashamed of knowing?"

Isabeau!! Literally the whole “Change is destruction” convo that Isa has prior to this quote was up to be picked, but I figured picking the end would be easiest. But now that I think about it, I think all my picks are basically at the end of the FQ's so that point is sort of moot. Oh well! It's just hard to pick a singular quote off of these okay!!

Isabeau from the start of the game is shown to be portraying himself as a himbo. Big guy, dumb guy, the like. But, even from the start, there are signs that he really isn't stupid, like at all! First early gameish example I can think of off the top of my head, that distinctly shows this, is the color theory book. Mainly because he sort of kind of drops the facade for a split second there. Without proper context to his deal, it's just a funny moment. But, reflecting after the fact, it's more of an '...OH!' moment, since he seems to have been kinda upset about not knowing about colors (even if he's hamming it up a little bit, saying he's 'failed them all' for not knowing what colors were.) And that's not even going into his emotional intelligence either.

But, delving into his FQ the full picture is shown. That he wasn't always this big boisterous guy. He used to be the nerdiest kid around, incredibly shy, and because of that he didn't like himself much. But then he Changed and is much happier now, compared to back then! Even after his Change though, he's unhappy with some aspects of himself. He doesn’t like being considered dumb because of his act. And, even after Changing, that kid from before is still there, right? As much as he continues to project this air of cool confidence, he can never truly be rid of that part of his old self, can he? The one always paralyzed by fear.

With that, comes the quote pick! Since, to me, he's not necessarily talking to just Siffrin here, but also to himself. Because it all boils down to his own self-hatred, I think? He himself does mention this in the A5 version of this FQ, albeit kinda heat of the moment, that he "...keeps changing personalities like clothes, because it's easier than learning to like myself." He's still a work in progress in that regard. But even still, he is trying to be better, for the people he cares about.

[Small aside, that too can maybe stem from his own self-loathing? Putting the people he cares about first. I mean, he is the one who told Sif to focus on the others first. And even after that, he was putting focus onto Sif at first during his FQ (as in, talking about how he thought Sif would like seeing the stars, only letting the convo slide into focus unto himself after Sif made an obvious topic change.) The quote also kind of reads as an ask of reassurance, in a sense? That him Changing again would allow himself to be someone that people would like, even if he himself doesn't like himself. Idk where I was going with this tbh, but I think it makes sense to keep its inclusion here!]

Overall, I just think it's interesting to revisit Isa's previous dialogues with the context of the FQ!! Especially when thinking on the underlying reasons as to why the way he's acting the way he is, even while seeing signs from the start that he isn't the airhead he was masquerading as.

---

Odile

"I'm Ka Buan and Vauguardian, in ways I do and don't realize... And I am also myself."

The Researcher, Odile! I think I’m just gonna jump right into it without a semblance of an intro since I know it’s going to be a lil less focused. Mainly because I know for a fact I will not be able to articulate this ramble that well, so here we go.

As the oldest party member, it makes sense that she's much further along in her own character development / self-discovery journey in comparison to the others (at least in relation to her FQ centered struggle on finding out more about herself in relation to her heritage), and I think her FQ, in itself, helps portray that. Compared to Mira and Isa, who are still in the midst of their own personal journey on how to address their turmoil and putting it to action, Bonnie, who is the youngest of the group and is learning how to tackle their issues to begin with, and Siffrin who is going through All That™; Odile has come to a conclusion about her own woes, where the others have not. 

That’s part of the reason why I went with the quote pick actually! In a sense, it’s a display of self-assuredness in herself that can really only be gained with time and experience. She’s also able to explain her feelings on her heritage eloquently as well, and the convo prior to the quote helps express them too! It’s the recognition that yes, her mixed heritage helped shape who she is as a person in ways she may or may not realize, that it’s not the only factor at play here in regard to her identity. It’s the fact that, at the end of the day, what matters most is that she is herself, yanno?

Even with her self-assuredness towards herself, it’s also interesting to me how that contrasts her closed-offness to the others, especially in outright saying/showing that she cares? Which also probably also stems from her mother, someone who was supposed to love and care for her, leaving without a trace early on in life. It makes sense to me that she would have reluctance in showing that she cares for the others!! What if she ends up hurting others similarly to how her mother hurt her?  Of course, she wouldn’t want to do that to the others, and is distinctly also why she does NOT want to be called a Mom. 

[Tangent that doesn’t relate as much to the quote, but I want to touch upon anyway since it’s FQ related. I also want to point out that the FQ helps inform us why Odile is more willing to question things around her / be more sus? When her mother left, she left nothing behind, and with it, any links to her Vauguardian roots. This left her with a complete loss of that connection, one that was stolen from her and, with that, the feeling like she didn’t belong anywhere as a result. This led her to be curious enough to seek out a resolution to that feeling, lending more into her inquisitiveness on just about anything. How else would she be able to learn more about Vauguarde, without asking questions, after all!]

All in all, for Odile it’s a bit harder for me to elaborate on why I like her? I dunno, I think it’s just hard to sum it all up as eloquently as she probably could LOL. 

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Bonnie

"So you can protect me, and I can protect you... And we can protect everyone, too!"

Bonnie!! TBH I had a toss-up on what specific quote the drawing would be based around. The other one being “You got hurt because of me and— And I don’t like it!!! I don’t want it to have happened! You should have stood there and let me be hurt!” . Because of the toss up both quotes will be discussed somewhat, since they go hand in hand with the ramble!

[To note, the toss-up was decided by putting it on a poll to my friends, as a simple “choose !” with the options being “joyful” or “angsty” with ZERO context. I told them after what the poll was for (basically if Bonnie would be crying or not in the drawing) and I got threatened for that one HAHA.]

But, to start, Bonnie has had, not once, but twice, people sacrificing themselves in some way for them (Nille telling them to run and getting frozen, Siffrin losing his eye.) Makes sense, because they're a kid, so of course those who are older need to protect them. Still, they are not happy about this, about people getting hurt because of them, and understandably so! It probably doesn't feel good to have your loved ones putting themselves in harm's way for your sake. But what can they do, right? They're a kid and don't really get a say on the matter. I mean, what else can they do? It makes sense to me that Bonnie is frustrated about that part!! It can be frustrating to have everyone discuss things around you, have everyone do things that you don't want them to, and (unintentionally or not), ignoring your input as a person because you are so young.

Kids are smarter than you think. Even if they may not have a full understanding of what's going on, they can certainly follow along and get the gist. Like, for example, Bonnie always listens in on the burial conversation during the second snack break (first found out either during a FQ run or in Memory of Promise). They even pretend not to hear whatever Siffrin says to make everyone think that they aren't listening in! They also seem to hone in completely to the conversation the second Isabeau says that it doesn't matter what happens to him after he dies, since they stop prepping at that point. Even worse, everyone starts discussing how they won't let Bonnie be killed. Which, if it comes to fruition, would be the third instance of people getting hurt because of them, and would be another thing they get zero say in! And everyone thinks they aren't listening in on it, meaning they were being discussed around. Plus, in Memory of Promise, while they don't have the words to articulate why everyone talking about their deaths is so upsetting to them, this context spells out the picture of them not wanting people to be hurt because of them, time and time again.

So when they get a proper opportunity to have a say on something, their promise with Siffrin on protecting one another, to protect everyone too? It makes the exchange all the sweeter to me! It's the first time, in probably a long time, Bonnie has had proper input on something from someone older than them on an important decision. For once, they get to stand on a more equal footing to an adult, rather than being treated as a kid who doesn't know what's going on. And, it probably means more to Bonnie than Siffrin realizes.

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There’s probably a lot more of examples/subtopics I am forgetting to add onto all of these but. Please forgive me, but a good chunk of this was written while I was travelling or in one sitting on my singular day off after travel ASDAFSA. I might genuinely be forgetting something I wanted to talk about, esp since I couldn't double check stuff easily. I've been going off a combination of memory and downloaded friend ISAT streams LMAOOO.

Feel free to correct me on stuff I possibly? Completely misconstrued as well?? Since that is entirely possible in happening! Or further add onto thoughts! In short feel free to extend the discussion on any of this! But yeah, wrangling (some) of my thoughts on why I like them has been fun :D

And to those of you who read all of this to the end, thank you for reading my ramblings!! And if you're skipping to the end, FAIR ENOUGH LMAO!!

Regardless though, I'll end this off with a fun lil fun fact about this post! If I scheduled this properly, it should be going up at 11:11... somewhere! I thought it'd be a fun easter egg to myself. Mainly bc I remember people always used to say "11:11, make a wish!" a lot when I was school whenever the clock struck that time. I just thought it'd be fitting to queue this up for that time is all :]

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Happy Anniversary In Stars and Time!! Have some Friend Quest based drawings :D

(These have specific quote picks related to them! And there's also a long ramble on why I like those specific quotes below if interested)

(And by long, I mean roughly 2k+ words of proper ramble total, so be warned before clicking keep reading this link right here to the rb!!)

[evanpercy]

The Couch in S8 and how it will tie to buddie canon, a 9-1-1 analysis

First of all, I'd like to say that this theory is based solely on observations made by myself and others, on camera and lighting choices which, as we all know, are always very important in a TV show. I'm NOT going to go back over the previous couch theory, 1. because I don't have the time and 2. because everything has already been said (Buck falling asleep on Eddie's couch because it's the only place he feels safe, Chris falling asleep in the same place, yada yada).

Next, this theory is going to be pretty much chronological, but I may be getting a little ahead of myself at times, sorry. In the end, you'll see, it makes sense, but I'm also going to ask you for a bit of imagination.

Let's dive into it!

Everything begins in 8x01. We get a scene between Buck, Tommy and Eddie, who are organizing a birthday party for Chris over a facecall. Eddie's couch makes its first appearance this season: Eddie sits on it to call Chris, and Buck and Tommy hide behind it.

Buck and Tommy share a moment. It's cute to see Buck so comfortable in his relationship and his attraction. Well, Tommy is awkward but, are you surprised? (no) As Eddie starts the call, Buck and Tommy jump from behind the couch and we get the first frame interesting enough for this analysis.

What can we say? Eddie is alone on the couch, Buck on his left and Tommy on his right.

(Eddie is once again between Buck and Tommy. In all their scenes together, there's always someone in between the other two. That's not the point here but I love to point it out.)

Buck isn't with Eddie, he's standing behind the couch. It's acting like a physical separation. Buck can only watch Eddie's pain from a distance as the call goes on, and he is useless. Powerless.

That will be the case throughout the early part of this season.

Buck doesn't do anything about Chris and Eddie.

Eddie doesn't talk to Buck about Chris at all. They don't share a single scene alone in the privacy of one of their homes. There's always someone with them - Tommy, the rest of the crew - or they're at the station. Eddie will talk about Chris to Hen, Bobby, the cheerleader's father, Father Brian, even Brad in 8x08. NEVER Buck.

There's also something interesting about the fact that Eddie and Buck don't really talk to each other until Tommy breaks up with Buck.

It's probably not conscious, but I really think Buck is actually distracted by Tommy. He's in this new relationship, it's good, it's cute, it's really different from what he's used to.

We'll see that this will eventually go away...

(A quick interlude: Of course this isn't the first time we've seen 3 people with the couch. It also happened with Buck, Eddie and Chris in S3 - yeah, when couch theory wasn't even a thing. They're on Buck's couch though, but I'm planting a seed in your mind, watch out...)

Next time, it's not Eddie's couch we're talking about, but Buck's. It appears in 8x05, when Buck is sitting in his armchair after returning from the hospital and Tommy is looking after him. There's a lot to say in this scene, but I'm going to focus on one or two things.

In this frame, Buck and Tommy are separated. Buck is sleeping in the armchair and Tommy on the couch. I know it's better to sleep in a sitting position when you've dislocated a shoulder, but they could have had Buck sleeping in his bed, snug in his pillows, Tommy next to him.

Do I even need to say it? Episode 5 was shot after episode 6. I can't stressed out how much it's hit after hit to show us that Buck and Tommy are not staying together (and indeed, Tommy breaks up in 8x06). I imagine the writers ran with the opportunity to show just how incompatible and how physically separated Buck and Tommy are, as well as drawing many parallels between Tommy and Eddie. Maybe I'll talk about that someday.

They didn't.

They made Tommy sleep on the couch. Buck's uncomfortable couch. The one I think he bought with Natalia (if I'm wrong, please don't hate me, season 6 is far in the back of my mind).

See, Tommy doesn't even fit properly on the couch. He's got his head on the armrest and he doesn't have a blanket that covers him completely. He doesn't fit into Buck's life, no matter how hard he tries. He's always out of place.

He chooses the couch Buck doesn't like, and he'll be the only one in this season so far to use it. Buck will never choose this couch, even if he thinks it's the right choice.

(By the way, Oliver said in an interview literally released before episode 8 that Buck's couch is uncomfortable.... Thanks for that, I know you're a couch theory truther Oliver.)

Next couch, 8x06. Eddie's Risky Business moment.

He dances in his living room and jumps on his couch twice. The first time to recreate the scene. The second time, he chooses to lie down on the couch to bask in the euphoria a little longer. Eddie has his first moment of pure joy in years, and it's on the couch that he decides to settle down and calm down. Not saying too much about it but I wanted to point it out.

Where it gets interesting, you know it, is when Buck arrives. Buck, who's just been dumped and once again chooses Eddie's house for a little comfort. He hands Eddie a beer and sits down first on the couch to drink his own.

Let's take a look at this last frame. The framing ticked me off as soon as I saw it, but I couldn't put my finger on why. Now, I know.

Eddie and Buck are sitting side by side, yes, but! If you pay close attention, you can see several things.

First, Buck appears completely in the frame, from shoulder to shoulder. He takes up most of the space, sitting upright on the couch, staring straight ahead.

On the other side, Eddie leans against the backrest, but in doing so, he moves out of frame. The arm and hand holding the beer are totally offscreen. He's looking to the side, not at Buck.

It's already a weird composition, a very pointed choice, because why aren't they both clearly visible in the frame? Why is Eddie a little off the side? This could have been filmed in a slightly less close-up shot, to show them both fully, but it's not. It's clearly a choice.

Let me direct your attention to the wall behind them. You'll see, it's interesting.

Between them, but rather on Eddie's side, what can we see? A picture. Yeah, but not a random one. You can see it more clearly on this frame of Eddie.

Yep. It's an art of Texas. Quite ugly if you ask me. (Eddie, you're clearly making some strange choices when it comes to decorating.)

I won't try to analyze this framework any further, as you've already understood what I'm getting at if you've been paying attention.

It's a foreshadowing of Eddie leaving for Texas.

So we got Eddie leaning away from Buck, a Texas pic on the wall between them, while Buck is just here, choosing Eddie's couch (and Eddie) for comfort after his breakup. It's where he feels safe. They don't need to talk, they have each other... or so he thinks. Sorry Buck.

Let's move on to 8x08. Where it all makes sense.

Very quickly: Eddie isn't making his call to Chris on the couch, but on his coffee table. First, what the hell? It's weird, unless you think he considers the couch a nice place to sit on, and that this conversation will be far from nice in his head. Indeed, he was right.

Buck shows up at Eddie's after baking way too much bread, because he almost called Tommy. By the way, the mere fact that he decided to go to Eddie's to stop himself from doing so speaks volumes, but let's not get into that.

(Look at his little basket, his bread all wrapped up. Why are you like that Buck.)

When he realizes that Eddie is seriously thinking of moving to El Paso... well, he supports him. He supports him, because that's what a best friend is supposed to do, right? He suggests to Eddie, and I quote, “we should move this party to the couch”.

By the way, this is the first time he's explicitly brought the couch to Eddie. And we know that when a character mentions something for the first time, it's to emphasize it.

It's the same with Eddie saying he's straight… or when he says “we?” after Buck's suggestion. They are in this together, and it's what Eddie realizes when Buck goes to sit on the couch... He doesn't have to do all that alone. (Take that little side analysis, my treat. I fucking love this scene, I want to dissect it.)

He's the first to sit on it ... yes, just like in 8x06.

Buck sits on this couch he's chosen many times over the years.

It's THE couch, the one he always goes to when something is not right in his life. After he died, when he couldn't sleep at home. After his breakup.

(This may seem trivial, of course, but the fact that he always chooses to go without waiting for Eddie... Imo, it screams “Buck will figure it all out first and Eddie will have to catch up with him later”. Or "Buck will be waiting for Eddie". Same with him already drinking his beer while Eddie struggles to open it. Maybe a bit far-fetched, but eh? Anyway.)

The setting of the scene is so cold, and I didn't realize it until I compared it with the other scenes on the couch. This creates quite a contrast.

Buck is dressed in blue - it's Eddie's color in the color theory - while Eddie is dressed in a brownish button down. When I first watched this scene last night, I didn't notice, but looking again… Don't these outfits remind you of anything?

(Sorry I need to talk about something. Let's open a analysis in the analysis.

Yeah. I know, they're not the same, but they're similar and it's enough for me to make the parallel. Buck was there for Eddie when Chris left, and he's now here for him when Eddie wants to move to Texas.

Something about "I love you, so I'm letting you go". I'm crying too, don't worry.)

Back to the couch.

Can you see the frame with the Texas pic? It's now completely visible, in the frame. It's behind Buck, over his shoulder. Eddie's departure, and by extension Texas, will haunt Buck for a long time to come.

Eddie is totally off-screen, he's gone compared to the last time we saw the couch. Buck is alone, something shifts on his face - I'm not gonna lie, it was like watching a fanfic from AO3 on my screen. I've read enough feelings realization to recognize something close. Okay, to be fair, I don't know if it's a total realization of his feelings, but it's a start... and how beautiful that it's happening on Eddie's couch.

The couch represents safety, love, family for Buck. We understood it in s6 when it was first brought up.

By sitting on it, Buck chooses this life with Eddie, in a way.

I have to say, this shot is incredible. The whole scene is. I want to play it again and again, I want it tattooed on my eyelids. I'm gonna think about it for 3 months.

In a few episodes, we've gone from Buck behind the couch - away from Eddie's problems, distracted by Tommy - to Buck on the couch, alone - totally there and available for Eddie, even though Eddie soon won't be.

After the breakup, Buck can finally talk to Eddie, care about him - not that he didn't before that, but he's finally free to throw himself back into his relationship with his best friend as before.

Buck has found his home, his couch, the relationship he's most comfortable in, but maybe it's only now, when Eddie's about to leave, that he realizes it.

The couch was never about Eddie - it was always about Buck and his relationship with him. So it's even more powerful to see him behind it in 8x01, on it with Eddie in 8x06 and finally all alone in 8x08.

(I didn't know Oliver confirmed the symbolism of the couch back in S6 but, once again, thank you Oliver.)

(Even if Tim Minear tries to say he doesn't know what it means... Please Tim, we know you're smarter than that).

So what can we expect from this couch for the rest of the season?

If Eddie is really leaving, which I don't believe, he might offer Buck his couch. If the couch is how Buck will realize that he has feelings for Eddie, I'm going to send a gift to everyone who's believed this theory since it first appeared. You're the real ones in this fandom.

If Eddie stays, I think we'll be getting more scenes with the couch. We could go from 3-2-1 to 1-2-3. Stay with me, and grab your imagination. We're going full in theory mode.

1 - Maybe we could have another scene, this time with Eddie alone on his couch? I could see this happening when he's packing, Buck not far away, and Eddie starts to wonder if this is really the right thing to do as his gaze lingers on Buck for a moment too long.

2 - We need two people on that couch again. I'm a big "Buddie first kiss in Eddie's kitchen" truther, but it could also happen on the couch.

Or they could have a big conversation together on it, that will eventually lead them to confess their feelings to each other later on. Maybe that's when Eddie decides to fight to get his son back, to not move in Texas? To confront his parents?

That's two scenes on the couch, two scenes where they don't really talk, even though the couch is an invitation to do so. I'd find it extremely interesting if their first real serious conversation this season took place here.

3 - Finally, we could go from Buck, Eddie and Tommy to something much better for a 3-characters scene on the couch, a configuration we've seen before: Buck, Chris and Eddie. It could even be the last scene of the season, and that wouldn't surprise me at all!

Just imagine: Buck and Eddie have confessed their feelings to each other, maybe Chris knows, maybe not. The three of them end up on this famous couch. Chris is in the middle, and Buck and Eddie look at each other over him, a smile on their lips.

Everything is fine, they've survived the end of the season disaster, Chris is back, they've finally found each other after years...

What an incredible parallel this would make with the beginning of the season! Where Buck was with Tommy, Chris away from his dad, Eddie depressed...

There, they could finally be happy on the damn couch. I have a very clear vision of this scene and I hope they make it a reality. We need our little Buckley-Diaz family together again. With buddie canon of course.

That's it, you've reached the end of this analysis-theory. I hope you enjoyed it. It took me 3 hours to write and I got lost in other theories, but hey! I had fun.

We're entering a 3-month hiatus so let's try to be kind to each other! Let's share our theories, fanarts, fanfics and edits to make this break a little more enjoyable!

If you want to give your opinion on this theory, you're free to do so here in the comments, or on twitter and bluesky (in both cases, I'm there under @/yamatomee).

Self promo mode, I write fanfics that you can find on AO3 under the username Beezethe! I have one coda about the buddie scene in 8x08, pure angst with no comfort... Feel free to give it a read!

[god-syndicate-if]

I don't know if this is an unpopular opinion, but I think I respectfully disagree with the last anon.

I mean Ares just has naturally violent feelings and tendencies towards everything that pisses them off. Yes, feeling the urge to hit people when you're mad isn't a "good" urge to have but it's consistent with the character, that's how Ares is and they feel it indiscriminately towards everyone.

If you're playing as a professional boxer then punching someone will all your strength is going to hurt them either way, it doesn't matter much if they're a man or a woman, because you're going to do a lot of damage either way. I don't particularly think that it's "worse" to inflict harm on a person just because they're a woman. In my eyes, a professional boxer could hurt anyone badly, and to me, inflicting harm on a man is the same as doing it to a woman because they're both equally bad. So I don't think the lesson should be "don't hit that RO because she's a woman," but rather "Don't hit ANY RO because hurting your partner is always bad and it shouldn't matter what gender they are."

But like you said, feeling the urge is not the same as actually doing it. I think it makes sense for Ares to be feeling these feelings towards everyone/anyone, regardless of gender. You can't control what emotions and thoughts pop up, but the difference is that we have some control on when to act on them or not act on them.

(Plus, even fem dame is probably not exactly defenseless, they're still a god with healing and powers, and have a lot more going on than an average human who can't stand up for themselves)

So I did delete the ask that you're referring to so most people reading this wont get the full context of what the previous person said. but Essentially yeah. There are a lot of themes in this project I'm working with. Violence being bad and thoughts not equally action are two that kind of come up a lot. Hell the entire point of the project is how violence is bad and you shouldn't do it even if you really want to. Like if you didn't get that from the prologue then I'm sorry.

In general this type of discussion is going to be difficult, especially through anon ask/poster. So i probably won't answer any more like these just because of that. I feel like I can't really express my full thoughts on through asks because there are potential spoilers and stuff too.

[viaviavie]

I keep coming back to your profile to reread your fics because I immediately fell in love with how you write them.

The ones for Jamil? Immaculate. Absolutely amazing. I can clearly imagine how Yuu walks up to Riddle and Leona after winter break and apologized to them without giving them any context as to why they are sorry.

And „A painted white rose“? I feel so conflicted about that open ending. Not because I have any problems with it, I absolutely love it, but I just wish I could read more about it. I just enjoy reading about the conflicts that arise within that Au.

So thank you for you hard work in providing your readers with such amazing content. Can’t wait for what else you have in store. <3

UWAAA THANK YOU FOR YOUR PRAISE ;-;

Poor prefect, they feel so bad about the things they said, even if it was just for pretend. I do think that they ended up apologizing without context, cue some puzzled expressions from the two housewardens. Riddle's just "???", and will receive no context whatsoever... unless Floyd decides to blab about it in a fit of laughter, but there's nothing to worry about there. Prefect had to establish a little deal with Azul to ensure that Riddle hears nothing of that defamation incident in Scarabia.

Leona, on the other hand, does end up hearing about it one way or another. He does get momentarily annoyed for a good moment, at least until he realizes that Jamil fell for that stupid trick. It might even send Leona into a laughing fit when he finds out you practically seduced Jamil and succeeded. What a clever prefect you are. So much for a cunning housewarden, toppled down by the harmless magicless student. You bet that Leona doesn't let Jamil hear the end of it when Book 6 happens.

Regarding Painted White Rose, I actually do plan to post more blurbs/drabbles based on it. I really loved the idea of a Time Loop AU with Ace, and there was just so much potential for it! There was actually a few things that I removed from the original copy, like this:

Deuce does not understand why Ace awoke with tears in his eyes, gripping his blankets and hiding his face away like the prideful boy that he was. Suddenly, he found himself being dragged out of his own bed, following the panicked murmurs about the prefect going missing. Deuce does not understand why Ace struggled with his dreams, or why he finds himself waiting with him at the playing field, looking at the sky that day. And yet, nothing ever makes sense. The housewardens have never left, Ramshackle dorm was never destroyed, and you remained in one piece.

There was meant to be a small part dedicated to the events in Book 6, but I didn't wanna oversaturate that fic with flashbacks. However, let's consider Deuce for a hot second here.

He is probably the next person who has been consistently close to Ace through all timelines. Not to mention that Deuce is practically his neighbor, he was definitely witness to Ace waking up from those dreams. While Ace does look super crazy in those moments, Deuce was also willing to hitch a ride to NRC during the Scarabia fiasco. He would likely believe Ace if his friend was honest about what he was seeing.

Another deleted passage regarding the prefect's fate in the Book 7 bad ending!

Frozen in the crook of your shoulder, Ace mumbled against the cold fabric of your jacket. “How far did we get?” His heart was numb as he felt you shook your head against his dripping cheek. “We didn’t even get the chance to escape to the ocean before we all succumbed to Malleus’ magic.”

Kinda felt like it would have been better to let the readers imagine how Book 7, but this was my downer ending. Perhaps this was why Ace barely resists at the end of the fic. I mean, how could he possibly stand against the strongest student on campus? It's a futile attempt to fight back. But for what it was worth, his act of holding you close was the best he can do to piss off Malleus.

Speaking of Malleus and Book 7, one thing I never mentioned was that Ace would have been getting more bad dreams about Book 7. (Now that I thought about it more, I had opportunities to keep adding in glimpses of Malleus but never saw it. Massive L for me ;-;). Ace's view on Malleus shifts from one of indifference to absolute suspicion and anger. Ace doesn't like it when the prefect hangs out with Malleus, hence why he stayed with them at nights to stop those interactions. By a certain point, Ace does villainize Malleus to a degree because of how often he dreams of the prefect succumbing to sleep because of him. I do wanna explore this shift in relationships soon!

Thank you for sending in that ask! I love rambling and yapping about the stuff I write, so thank you for enabling me :)))

[atangledfate]

Why hadn't many mortals come to this conclusion? Easy most of them were idiots. She didn't like being so harsh, but it was just a fact and there was no escaping it. People twisted and turned the words of gods and there divine books into what ever they desired. In the end they let there own foolish arrogance twist it all up. She wasn't a fan of all that. Sure she respected the Babylon Ancestors for there technology but that was as far as it went.

" The honest truth? It's impossible for them to put themselves in your shoes. The idea that you aren't far removed from them is terrifying... because if you are flawed as they are, you can't be perfect and you have to be perfect... right? I guess that idea scares the hell out of people... "

Her eyes went to the others in the room but didn't linger long as she leaned on her hand with a smile.

" Jealous? of me? Well... i get why they'd feel that way. Can't really blame them but, i think its ok to be Jealous, as long as it doesn't consume your every action or make you do something foolish. "

Excitement? So they were bored with there eternity? That made more sense to her then it should. She imagined herself as an immortal being, and she knew a some point she'd run out of ideas. Things to build, and then what? Immortality was a curse she had always believed that. She still wouldn't turn it away if she got the chance for it but... she wasn't deluded into thinking it fixed everything.

" So you think i'm attractive? Well you did peak my interest as well. I've always wondered what meeting a Cosmic being would be like... this wasn't what i imagined. Nothing like the novels i read as a kid... but that's probably a good thing "

Dedicated? She was though it was alot more complicated then Sohna probably knew. Could she even understand what it was like to be looked down on? To be shunned because of your gender? To be told you were never going to be as good as the boys? That was her childhood and it drove her to be exceptional! To be better then anyone else, she had so much to prove! she went there and beyond! its why she couldn't let Tails one up her EVER!

" Dedicated? I mean i guess? I had to be... Babylon's don't really see girls as equal to men. It's like a Systemic problem of the older generation. Hell my parents tried to make me marry Jet of all people. That's the green one..."

She sighed softly and looked sad thinking back to her past.

" I was always told i couldn't do this, or i'd never be as good as the boys. I had to learn so much on my own as none of the gear smiths would even teach me... and it was only my mother who convinced one to finally take me on as an apprentice. So... yea i'm dedicated because im to stubborn to let some old bastards tell me what i can and cant do...Sorry that was probably to much. "

Her eyes shifted at the mention of a gift, though and she looked excited at the mention of a gift. So a power source? Something divine only she could use? That sure seemed to make her mood shift quickly as she smiled up at Sohna, if she wanted a kiss she was sure heading in the right direction for it! she did love gifts! and this one sounded rather intriguing!

" Ooo! that sounds delightful! i mean a girl neve refuses a mysterious cosmic power core right? you are so sweet! i could kiss you! I totally promise i won't let a soul touch it! especially that dummy jet! or that oaf storm! "

"That is exactly right, so I have always found it strange why I have seen many mortals come to the conclusion that Gods are above their emotions. Is it what the Gods of other realities tell them, or do most mortals simply come up with that conclusion themselves? It is interesting to think about, from my point of view that is." Sohna never put herself on such a high pedestal, and her creations never assumed such things.

"Well, the main reason I stopped them is because I could sense jealousy starting to fill the room. Despite my best efforts and several tries I can never truly get rid of that emotion as it seems if there is love then there will be jealousy. I simply limit it as much as I can." Sohna found jealousy a rather distasteful emotion.

Sohna then sits back up, seeming to think for a moment. "To be honest, I didn't have any intention of reigniting any emotion, though now that I think about the question I haven't experience excitement in such a long time. I guess this date has an added benefit I didn't consider. I simply asked you out as you're my type and I find you rather cute." There wasn't much to it for the cosmic entity.

Sohna's attention then went to Wave explaining not only what this gear was, though also about her people. It certainly had her interested. "I can tell you seem dedicated to your craft, and this gives me an idea for a parting gift after the date." The cosmic entity had been a bit stumped as she didn't want to do anything simple, yet not over the top either. "I may not know much about gear or human inventions in general, though I know everything requires a power source. So, at the end of the date if you give me what powers a gear, I shall imbue it with some of my cosmic power. You'll have to figure out how to harness it."

Sohna then finally one of her hands come out of the sleeve, holding up two of her four fingers. Her hands and fingers were rather large. "Though I have two conditions. The first is only you may use it, so if anyone other than yourself attempts to use its power it shall disappear. The second is if you use it to start hurting people I shall take it back, and wipe your memories of me, as well as your friends."

[puppy-phum]

i find it so ironic how after becoming blind or, simply, disabled, day also turns invisible. suddenly, he's just not there, like it's not he who cannot see but he who cannot be seen.

ppl don't really talk to him, don't address him, barely give him any choices of his own. they talk over him and past him and around him, about him, surely, but not to him. it's like he's not there. he's this huge responsibility, but he's no longer a person. he's left to places like a dog or an object to wait for others to do all the things for him, and then he's just expected to agree with their plans. the same plans that still affect him and his life and future.

no wonder he's so angry and fed up with everybody. he wants to speak for himself. he wants to be heard and seen again. he used to enjoy having eyes on him – as a national athlete, there obviously were many (admiring, evaluating, assessing) eyes on him, and he liked the spotlight. he's obviously very proud of his own accomplishments and it must be frustrating to be suddenly reduced into nothing. like what he did never mattered. like who he is never mattered.

he is just this now. his blindness. someone who can be overlooked bc he cannot see it anyway. he's not far from being dead, as he puts it himself.

-

meanwhile, mork experiences the brutality of being abandoned over and over again. that's his wound. when his sister leaves, the pain gets the loudest, but even outside of that, he's hearing the same thing over and over again.

from what we got to know, no one ever really learned why exactly rung decided to kill herself. i assume it was the guilt over feeling like she failed mork, like she brought him more peril than was worth living for (debt?). she obviously wanted mork to have a good future, but i guess none of her actions ever translated to mork in that way.

to him, rung left after deciding that mork just wasn't worth it. she took "the easy way out" after realizing that fighting beside mork and tolerating his behavior just weren't worth the effort. mork really wasn't making the best choices, but i don't think he was ever "beyond saving". mork just thinks this is how it all went.

and then he keeps hearing the same thing from others:

after being in jail, his friends abandon him even if he took part in that fight for them. he wasn't enough for them to stick around (not that they were actually that good company, but he knew them, spent time with them, relied on them on some level)

porjai broke up with him bc mork was prioritizing his friends over his girlfriend. which porjai points out humorously, as is part of their friendship as exes, but which lands as a stab anyway. "you weren't enough as you are," it says. "you should've done better to not have me leave you."

no one wants mork to work for them bc all they can see is his past mistakes and not him trying to presently correct them. his skills aren't enough to overshadow what he did. him trying to be better cannot erase those mistakes he already made. "you should've been better to begin with," it says. "there's nothing you can do to change that now."

-

ppl keep turning their backs on mork, leaving him behind, labeling him unworthy or simply not good enough. even day's family does this, looking at him once and going, "you obviously do not belong here."

day disagrees. on some level at least, he disagrees. bc mork actually sees him. after all this time, someone actually sees him again.

meanwhile, well. we had that whole montage at the end of the episode to tell us how badly mork wishes to believe that someone is finally giving him a chance to prove he isn't a lost cause, that he is worth something.

-

my expectations for the second ep are that these two are going to learn just how bad it actually feels when someone is able to see you and how hard you will have to work to prove yourself to those who barely wish to listen.

[neodiekido]

kaitos diabolical machiavellianist scheme to stop his classmates from hating themselves

[rabarbarzcukrem]

Ok so it's like.

The motorcycle scene: Touga is obviously imitating Akio and failing miserably. Represents an attempt at achieving maturity and adulthood through adopting empty symbols of power. Gives the impression of movement and progress, but in reality is going in circles. It gets faster and faster, there's a sense of danger and agitation. Touga is driving and Saionji sits in the sidecar, they're not on the same level and Saionji disapproves. Seems like they're heading towards some destination, but they're going nowhere.

The bike scene: A reference to their shared memories. Represents clinging to the past and trying to return to the time of childhood. The wheels may be turning, but the bike stands in place. It get slower and slower as Touga gets more tired until he finally stops completely. There's a sense of nostalgia and emotional fatigue. Touga is the only one pedaling, but Saionji doesn't comment on it (meaning that perhaps Touga being in control wasn't the problem in the first place. Maybe it was always about wanting to restore their lost connection and equal footing). They're facing opposite directions, but at the same time leaning on each other.

[jade-of-mourning]

sorry sometimes i think about mako and my heart hurts so much. this kid raised himself and his brother on the streets in homelessness and utter poverty from eight through fifteen, promptly after seeing the violent death of his mother and father. he turned to the triple threats because they couldn't survive as a pair of wretched kids without any adult support, and the environment forced him to turn into the exact character that killed his parents in a terrible twist of irony. and after sheer-fucking-luck hits and they aren't homeless anymore, their livelihood wavers on the outcome of what's a literally game to everyone but them; and after things are finally starting to look up and their team is going places and things just might be okay, his gradually stabilizing world unceremoniously expands and everything goes to shit.

and the city that chewed him up and spat him back out, ruined him as a child and took away his ability to stay afloat in a true sense of normalcy as an adult — when it's on the verge of destruction and falling to pieces before his eyes, he gives himself to save it with the full expectation to die. he went from the kid who didn't and couldn't care about anything outside of himself and his brother, to finding redemption for his younger self in his police work despite its injustice against him, to willingly sacrificing himself to a world that had never loved him.

he's a desperate people pleaser, socially and emotionally stunted for the adult he had to be as a kid, unable to navigate interpersonal relationships easily yet still trying his damned hardest. he's intensely and entirely devoted to the things that matter to him and for so long it was only him, bolin, and ensuring their survival — yet by the end, that devotion has expanded to protecting the rest of the world. he starts out entirely self-reliant and ends in trusting the people he cares about to know their own needs, to be able to take care of themselves, to be okay without him despite having spent so much of his life defined by his role in others' well-being.

just. what the fuck i'm such a big fan of this fictional guy and i'm unashamed about it at this point. also let him cry please (if you won't i'll do it i'll let him cry)

[merlins-strawberriesandroses]

TO be honest. I don’t understand what it means when people say Merlin was Arthur’s bane. Mayhaps I misunderstand but. Arthur was a bit of an assassination magnet (not to mention all those magical creatures and bandits... so many bandits), and Merlin actively prevented Arthur's death for years, which would have occured without him anway in the very first episode. I can see why one might argue that Merlin was just delaying the inevitable, or that he didn't succeed in keeping Arthur safe until Arthur could enact the golden age, but certainly I don���t see how he could have been Arthur’s bane.

Also, it’s implied in the last episode that the golden age does occur, but under Guinevere. Which makes sense as she knew Merlin was the sorcerer and that she was pleased about it (and I recall it was confirmed in interviews), so I also don’t follow the twin train of thought that Merlin was his own bane or even Camelot’s. Camelot was already bane-d(?) under Uther. But partly because of Merlin's steady friendship, Arthur matured into a king who was kinder than his father. He also actively sought magic's aid on multiple occasions, so he knew magic had potential for good (like healing his queen) without Merlin needing to tell him about his magic.

I don't think it's fair to say Camelot's laws on magic remaining relatively static was because no one close to Arthur came out as having magic. There was still much risk in that, and for Merlin a lot at stake, not just his life. A law change was still possible (and almost seemed to be set up that way) without Arthur needing someone he was personally close to having to do the work to humanize it for him (in the sense that the episodes with the druids, the druid boy with Elyan, and the dolma seemed like they were pointing to a law change because Arthur sees the diversity of magic and those who have it).

At worst Merlin’s efforts didn’t change the status quo, but we do have things indicating that they did. And Merlin was not single-mindedly serving Arthur at the expense of everyone else. He saved Camelot as a whole multiple times. He was also very willing to stick out his neck for many others even during the height of his anxiety and agitation in season 5. (Also only being slightly silly when I say this, but he was also THE wingman for Arthur when he was getting with Gwen, so in a way Merlin’s help led to their courting being a success and thus contributed to her being in a great position to change the laws. so personally I give points to Merlin for that). Most of the decisions centering Arthur's safety seemed to stem from the fear that Albion would crumble before it began if Arthur were to die, so he tried his best to prevent that from happening in any way he knew. (Like, when Arthur is dying, Merlin asks "So I failed?" regarding the whole golden age thing, which I think is telling that the prophesy and his role in it was still VERY much at the forefront of Merlin's mind).

And this is a digression but I know people think Merlin should have done more for Camelot, or for folks with magic (like, as a revolutionary or something akin), which I understand but no one reached out to network with him really? It'd require resources, people (always confused why there weren't a whole bunch more folks offering Merlin material/intellectual/emotional support if they thought he should be the one to bring about the golden age. all he was told was that the forseen way it actually happens succesfully is through Arthur), time (I doubt it’d have been much of a ‘quicker’ way necessarily), and incredible planning + foresight if it's meant to be something that works out effectively + long-term. Okay I think I've digressed enough now. This is a whole seperate thought that I don't think I'm gonna do any justice here lol, and I'm already rambling, so I'll stop now :,)

But anyway, in terms of being his own or Arthur’s bane, we know Arthur will return, and we don’t know how Merlin spent his years. His magic can play with time and maybe he learns how to control that, or he could have entered a stasis like in various legends, etc etc etc. And I mean it is tragic on many levels, and it’s sad we didn’t see Arthur’s arc completed, and that Merlin sacrificed so much for a goal that didn't get much acknowledgment by the show at the end, but still. I don’t think Merlin was Arthur’s bane, or Camelot’s, or his own.

[tobisiksi]

I'm writing something (wow) and while investigating I just noticed that basically kurumi and kuniharu were parents just one year posterior their first meeting

like, they met in November 22 of 1994

the wiki refers to the actual year in the series as 2014 so if we do 2014 minus 19 (kusuke's age) we get 1995, JUST ONE YEAR AFTER MEETING??

plus they met in November and kusuke's bday is on June, it's not even a year-

also kurumi had 17 in 1994 and kuniharu had 19, they were parents at 18 and 20? when was their wedding?? that's why kumagoro is so fuckinf pissed?? maybe this was an obvious fact for everyone but I never thought about it until now srry