#sorry this is so disjointed

[rockwgooglyeyes]

and in a blink. . . gone.

There's lots of things I could say about Round 7. This might not be my most coherent post ever but c'est la vie.

One of the most palpable things in Blink Gone's video is the color symbolism. The most prominent colors are green and red, with red being symbolised in the line "dark crimson air embraces us, lifting our spirits" and green pulling duty in the earlier line, "the verdant lights tickle my eyes and I smile." The thing that's so interesting about these two colors is, to me, the green represents life/rebellion/freedom in ALNST, especially with the inside of Mizi's hood being green, Hyuna's leg being green, etc, (green being shown when Till reaches out for Mizi, reaching out for freedom/rebellion.) Comparatively red represents something closer to loss/grief/love, with the skies of the meteor scene in Black Sorrow being red, Ivan's pupils being red, the flowers at the Garden being red (my clematis being the song that started it all), etc. (the flashback of the ivantill kiss is red as well, symbolising the loss/grief Till connects to it).

(Additionally, fun fact! I believe that teal symbolises childhood, or even simply the past, in ALNST because of the lighting style caused in the ANAKT garden images casting a greenish-blue tint on the shadows, as well as the fact that Till's eyes are teal and he is one of the people who has clung to the ephemeral, sweet moments of their childhood the fiercest.)

Purple isn't something with as clear symbolism in ALNST simply because it's not been around *as much* but I would argue that it symbolises the system and the oppression it exerts, as well as control in general. Luka's fingers are purple when he's in control of his emotions. The stage in Blink Gone is a combination of purple and green (largely) and I feel as though that represents the war between rebellion and the system (funny that, at the end, purple consumes the stage, symbolising how today, the system won) as well as the undercurrents of control showing how this entire round was calculated from the beginning.

The instruments in the midpoint of the song (the violin and electric guitar) being holographic in universe and being CGI in the video is actually significant, because of something that @alien-til-i-stage said to me, which was, the instruments represented Till's genius and his humanity. In my opinion, the fact that they weren't real and in fact were just stand ins (with Till's being green and Luka's being purple), while the prerecorded instrumentals played anyways, is a taunt, saying that Till and Luka's humanity is an illusion, and all they are in the end, is slaves to the machine. Something that is proved true by the way that this whole fucking round was rigged from the beginning, condemning Luka to a prolonged life within his gilded cage and Till relegated to a mere token, killed simply as a stepping stone on Luka's path to continued life and torture.

Maybe that's why Blink, Gone feels so empty to me, as a round. It rings hollow. Even the instrumentals feel incomplete, the way that the chorus is dominant and the verses are brief, most of the song being the repeated lines of "in a blink, gone" and "the clock goes tick, tock, tick, tock" because, see, to me the repetition is fitting but the more the same thing is repeated, the less substance it has. Perhaps that's fitting, after all, it's gone in a blink, you can listen to the song and blink in surprise once you realize it's over, stunned at how fast it went.

The song itself is about seizing the moment, carpe diem, that sort of shit, but it's from the retrospect.

Someone on twitter (as seen above) mentioned that the song isn't about love, it's about loss. Which makes the hollowness ring all the more loudly. Of course it feels empty- grief is the feeling you experience when you turn to say something to someone and you realize they're not there. (also note how during this still, it's purple but with a red undertone- reinforcing the system of oppression using grief as a tool).

It's about someone from the future, who has been hurt before, trying to insist to the person in the present that they need to enjoy what they have because loss is inevitable. "And I smile, before this piercing, radiant moment fades away," (from when Mizi realizes it's Till on stage) is directly followed by "and in a blink, gone, forget everything and just enjoy it" which is so manipulative it hurts. It highlights a moment of happiness, and then sucker punches you with how fleeting and ephemeral that moment is, basically saying "happiness is pointless, don't dwell on it, enjoy what you have and don't ask for more" it's an authority figure telling you to stop complaining about what you don't have because, hey, look, you have a roof over your head! Who cares if you're hunger, you're not out on the street, ungrateful wretch! "Don't miss the moment ... leave no regrets" the lyrics are more of a slap in the face than they are a heartfelt plea. This isn't someone telling you not to get lost in your head because you're missing out on the beauty of the present, this is someone telling you to stop dwelling on your grief.

Not only that but the later lines of "Exist for me, it's this moment or no," only deepen that manipulation of a hand being held out but that hand having a steep price. You can exist for this person, enjoy this moment, but that means leaving everything else behind and maybe that's easier, but is it worth it? Because when Till finally reaches out, takes that hand, fixates on the moment and forgets everything else, he’s shot down.

Let me come back to the "the whole fucking round was rigged from the start" comment that I just made and breezed past because there is actual reasoning behind it besides "boohoo my twink died and that can't be canon without interference D:"

Why the fuck would Till start flagging in the second half of the song, if he was on drugs that Urak gave him? It doesn't make sense for Urak not to give Till the right amount of drugs to keep him aware and capable for the whole round, after all, Urak wants Till to win. Right? It certainly doesn't seem that way, considering the fact that the drugs couldn't have come from anywhere other than Urak, and that it didn't really matter who ended up here, at the finale, because they were going to lose to Luka anyways.

It makes me think that Urak was paid off, to make Till lose, because I sincerely doubt he would do it without incentive. Additionally, if he weren't paid and he just wanted Till to lose, there wouldn't be any point to drugging Till at all. Till was merely drugged to keep up the appearance of a fight and to keep the performance going, not to actually give him a chance to fucking try.

Not only that but the FUCKING IMAGES OF IVAN??? There's no way that they intended to even give Till a chance of winning.

God I mean I love that Ivan featured (and that Luka went through the trouble to imitate him, and that it worked, because that means that at least Ivan had some kind of effect on Till) but god, it hurts to know that at this point, he's merely used as a bludgeon to whack over Till's head and put him into the grave.

[lavernius]

It’s just him and this small, empty room, tucked into the corner of a very lived-in base full of his former enemies. Right—he’s getting out of here the second his ship is fixed, no two ways about it.

(Or: Locus stops by Iris to recuperate and winds up getting more involved with the Reds and Blues than he ever wanted to be.)

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[sparring-spirals]

I was initially clipping this to capture the overwhelmingly accurate, absolutely devastating hilarity of "you went for realistic, and sadly, you nailed it". And then just kept recording because I really fucking love the discussion about how to balance the line between like:

You are trying to tell a story that feels good and gives you the kind of lift you might be looking for in an explicitly fantasy story,

vs

How to ensure it still feels grounded and rewarding in a way where you can "bring this good feeling back to earth" at the end.

Like they're talking about TTRPG's but they clearly make parallels to other forms of storytelling/worldbuilding mediums, like movies, and. like. Yeah. Yeah.

Like the framing of "you really recreated the feeling of powerlessness..." and wanting the fantasy element to manifest in there being the clearer, straightforward ways to solve complex issues, vs trying to ensure that you can have a victory and it feels feasible and substantial and applicable in some way, and has something you can take out of the fantasy world and hold with you back on "terra firma".

Its tricky! Its a tricky thing to balance, and I don't think there's a single "right" answer nor should there be because it depends. It depends on the story, and the intent, and the setting, and the medium, and etc. Big fan of this framework to explain it.

[itsabouttimex2]

I've seen people say that Mei's samadhi fire arc was rushed, I never really thought about it that much, but I wanted to ask more LMK fans about their opinion on it. I can't stop pondering about it sometimes.

The Samadhi Fire Arc

Honestly, in my opinion? The Samadhi Fire plot is probably the least rushed arc in all of Monkie Kid.

Season Four to me is rushed because they try to squeeze in lore about the Pilgrims, MK’s heritage, Pigsy’s feelings on being an adoptive father, the Monkie Crew’s feeling on their ancestors/forebearers, the Brotherhood, the Ink Scroll, and then try to set up for Season Five while they’re at it.

Season Five to me is rushed because they try to squeeze in Xiangliu, Nüwa, and Li Jing and flesh all three out with very little time to spread between another fetch quest (this makes four in total through only five seasons) while also trying to give attention to Mei, Tang, Pigsy, Sandy, Red Son and MK while not even having a special to help take some burden off of the 100-minute crunch the writing team unfortunately has to deal with.

However…

Because the writers set up the Lady Bone Demon beforehand, she’s not given too much direct attention in this season until near the end, instead getting occasional appearances throughout by interacting with Macaque and then Wukong and to some degree infecting both with her power.

Which means that we get a full ten episodes plus a special for essentially only two things- the Samadhi Fire foremost, with the Lady Bone Demon in the background until about the special, from my recollection.

This means Mei does get her fair share of character development throughout Season Three, which you would think might allow us to see her perspective and thoughts on the world around her. We do get to see a little more of her desire to “live up” to her ancestors very early on, but it’s addressed quickly and then entirely dropped.

Like, this was a heavily Mei-centric season! We should’ve gotten some thoughts and backstory and personal views and whatnot, but the Samadhi Fire basically took full control over any narrative that could’ve allowed the story to delve deeper into, well, Mei.

But it feels kinda like Mei herself is… secondary to the power inside of her at times, where she’s very much just an unlucky and draconic vessel.

Now this wouldn’t have been such a big deal if we had gotten something beyond the already seen “Mei wants to live up to her family’s expectations without comprising her moral values and self-identity”, but, uh… they dealt with that in the first season and resolved it pretty neatly. Her conflict with Ao Guang is just retreading water in the same way, when it would’ve been nice to have a deviation of some kind.

On a more positive note, one of the best things the season gives us is learning how she’s come to view Sun Wukong in the form of a tearful rant about his actions and the impact they’ve had on her and her friends.

That only matters to her for a few minutes, unfortunately, but it’s a highlight of the season, and I wish it hadn’t been dropped so quickly.

Now, her not being allowed to interact with him or Macaque past the third season in regards to the ways they’ve continuously endangered and hurt her is a horrible letdown that severely undermines the character growth of all three, which is part of the reason I think some people call it rushed.

Mei’s possession of the Samadhi Fire is dropped until season five, so it feels ultimately unimportant. Red Son; in spite of being fundamental to Mei’s mastery of his power, gets shelved from season four the next time we see him. Sun Wukong’s recklessness and threadbare “planning” is essentially forgotten about, because the next two seasons just find new shit for people to scream at him about. All of Macaque’s… everything, really, goes entirely ignored by the characters, narrative, and story.

And obviously that’s not exactly satisfying from a watcher’s perspective, because it feels like everything just has a strangely neat bow tied onto it in spite of there being lots of messy business in the past that still needs to be addressed, but just isn’t because there’s they’ve decided to write another “the world is going to end plot” instead of taking a breath and working through existing issues instead of circumventing older ones as irrelevant.

I think people are disappointed when they look backwards that these plot points or emotional beats were dropped and left unaddressed or only resolved with a heavy dose of “secretly all alongs”. For example…

Red Son somehow tracks Mei down without any real explanation. (No biggie, probably some kind of tech or magic. Him getting there isn’t as important as what he’s doing, so it can be ignored.) He decides to train her. For some reason he's good at teaching people to control themselves, even though he was barely able to control himself in seasons prior? Off-screen character development is never exactly satisfying, at least to me.

Throughout all of this interaction, he never once expresses the slightest of desire to reclaim or recreate the Fire for himself, and is content with Mei having it. Red even openly declares that the power is “hers” at the climax of the story.

(I could get into how fans treat Red Son + Samadhi Fire ((plus pandering from the writers)) in comparison to Mei, but that’s a rant for some other time…)

With his encouragement, Mei harnesses the Samadhi Fire and helps defeat LBD! This has a lot of longstanding implications for her place in the story and her role as a parallel force to MK! How exciting!

Sike! The Samadhi Fire is fucking gone, only one mention of it in the season, where an omniscient old man inside a hell scroll tells us that it’s gone.

Sike! Mei secretly all along still has the Samadhi Fire and also secretly all along has an insecurity complex over thinking she lost it but all of this is handled in about a minute.

Red Son secretly all along wanted to learn where the Samadhi Fire came from and is trying to recreate it...? When he's seen and felt how dangerous and uncontrollable it is and home of this was established before??

So, when you build up all these things for a full season and then drop most of them the fourth and wait until the fifth to resolve them, I think it left a very jarring impact on viewers who came to view the season as “rushed”… but only in hindsight.

It’s not a flaw I would attribute until I’m on the fifth season and thinking “this should’ve been addressed in an earlier season.”

Now, personally, there are some plot points I’m not really a fan of, like, again, the “macguffin fetch quest” nature of the Samadhi Fire rings. Normally I wouldn’t mind but again, this is Monkie Kid’s third macguffin hunt in total, and we get a fourth in Season Five. (Spider Venom Cure ingredients, LBD’s Mech Building, Samadhi Fire Rings, Power Stones)

Though I think the City of Lanterns is a cute bit of worldbuilding, like with most Monkie Kid worldbuilding it’s basically “Look at this cool thing! Enjoy it now, because we’re never coming back or addressing it again!” like they did with the Team Hideout, the Cloud and the Weather Station. “Look at this cool place! Okay we’re done showcasing a potential Lego set, change the backdrop!”

Or another is Sun Wukong just being… magically immune to it once he gets possessed?

Like, the whole reason he had to set out on this fetch quest was because the Lady Bone Demon was distinctly NOT immune to it? And he also was NOT immune to it? Because the Samadhi Fire is a wildly dangerous all-consuming fire that could destroy all of existence, but apparently all it takes to be totally unaffected by it is powerful person + possession by another powerful person? But again I guess the world-building and power systems of Monkie Kid have always been patchy and thin but it’s still frustrating AUGHHH

But I personally don’t think it’s “rushed” until it’s revealed later on that actually, “There’s more to the story!” when a lot of the story we have is just kinda… left hanging.

TLDR for anyone who skipped down here: It’s only rushed in hindsight. If someone theoretically stopped watching after Season Three I don’t think it would be called “rushed”.

[kagoutiss]

green beetle black beetle

[rowarn]

ro what do you think simon would be like in a relationship? (not too much angst please my heart cannot handle it </3)

RUBBING MY HANDS TOGETHER LIKE A FLY

honestly simon is rlly hard to get into a relationship like my man does not show interest at all. u will never know he has feelings for u and has the uncanny ability to make u feel silly for ur own crush.

but if u manage to get into a relationship with him i think things would move kind of fast. simon has a dangerous job and he also has lost A LOT in his life so he wants to keep everything he has very very close. so he probably moves you in quickly and sets you into his life quickly.

but he's also still...well...simon. he's got a rough exterior and if you're someone who needs a lot of kindness and reassurance, simon is not going to provide that with ease. he's the type who feels cornered easily and if you try to take more than he's ready to give you then he acts like a caged dog and bites before he thinks. he can be mean, he can ice you out in ways that will genuinely hurt you. he's very good at being cold and cruel because it's second nature to him. being kind and gentle??? that is not easy for him.

but he is weak to your tears and your feelings. if he knows you're hurting because of him, once he calms down and becomes level headed, he will do his best to remedy the situation. his behavior won't be a complete 180 in a day, it'll take time and you'll need to be patient

but i think a relationship with simon is worthwhile. once he learns to be vulnerable and gentle with you, it'll be the honeymoon phase for endless days <3

[odderevents]

I have had a thought. Steve secretly knowing how to play the piano bc he learned as a kid and had to stop bc his dad's an asshole is lovely. I've seen this floating around a few times and I love it. Eddie catching him playing the piano and being so fucking in love with him will never not be perfect.

But.

Consider

Steve playing the Harp.

It's definitely a rich kid instrument. Big ass fucking impractical instrument. Absolutely beautiful to look at and listen to. Hands playing piano is great. But have you ever seen an accomplished harpist? It makes you think impure thoughts about what those fingers can do.

So. Steve secretly knowing how to play the harp

Maybe his mom used to play it, so there's a big harp (the ones with the columns and super intricate base board, not celtic) that's just gathering dust in the basement. Steve started piano lessons, loved learning how to pull music out of an inert object. But his dad decides it's to effeminate, makes him stop. And sure, a harp is a different beast to a piano. But you've still got cords, and Steve's got a pretty decent ear, and he can barely remember seeing his mom play. So one day when he has the house to himself, which isn't an unusual occurrence at this point, he tries it out. And he's admittedly pretty shit at it, but so was he at piano when he started. Only difference is he has no teacher.

So maybe Steve discreetly finds a way to acquire a beginner's practice instructional book for harp. And works on it when he needs to get his brain away from things.

He's even more careful with it than he is with any dirty mags he might later acquire. He knows that worse, much worse than piano, harp is not a masculine instrument and under no circumstances should his father find out about his affinity for it.

It's still his go to when he can't sleep even years later, pulling out the now old and battered booklet of sheet music and exercises. Especially once the upside down bullshit starts. It's soothing and mindless at this point.

The harp that was much too big when he first started with it is now just the right size, it's weight against his shoulder comforting. He can close his eyes and his fingers naturally find where to land and pluck.

Even when he becomes friends with Robbin and then Eddie, both musicians who he knows wouldn't give a damn about him playing a woman's instrument, he can't bring himself to mention it. If he did, they would want to hear him play and he's self-conscious about being self-taught. Both of them play well, they play with other people and people come to listen. He doesn't consider himself a "real" musician. It's just something he does to keep his hands and brain busy on nights where the sheets feel like they're strangling him and the dark reminds him too much of when he can't see not because it's night but because something's hit him in the head again and he can't tell apart the sound of his heartbeat from something pounding through his walls.

So he goes to the basement. Finds his stool. Removes the dust cover. Goes through the meditative motions of tuning it by ear, because that's how he's always done it. And then he plays until the tips of his fingers feel numb. Somehow, he always comes out of it peaceful enough to pass out on the couch in the basement for a couple more hours.

Steve is so used to keeping it a secret he doesn't even think about it when he starts dating Eddie. It's just a thing that's always only been his, and most importantly, it's been vital to keep it that way for so long it's the natural state of things for Steve at this point. It doesn't ever come up. When Steve gets nightmares when he's sleeping with Eddie all he has to do is curl into his boyfriend's chest and feel the warm heartbeat that's not his own to settle back into himself.

The problem arises on a night when Eddie was supposed to stay with Steve but he got held up in Indianapolis when getting a new amp for his guitar. He would come back to Steve but it would be late in the night. Steve has been keeping himself busy all day so he passes out in the early evening on the couch in front of a shitty sitcom he put on to try to distract himself from the empty house.

Nightmares find him, which isn't terribly unusual, but he doesn't have his usual method of coping so he resorts back to his previous habit.

Eddie walks in bone tired after many hours of driving to and from Indianapolis, waiting while the clerk figured out they didn't have the amp he'd been assured over the phone would be available for pickup today, waiting some more while they had the amp driven from a sister shop an hour away because no way was he driving back and forth again to Indianapolis on another day. So yeah. Eddie is beat. All he wants is to dive head first into his boyfriend's impeccable pecs.

He doesn't find Steve waiting with a welcome kiss like he usually would when he walks in. Instead he's greeted with a hauntingly beautiful rendition of the melody of Master of Puppets in a way he's never heard before.

He drops his stuff in the entry hall and goes down to the basement where the music is coming from, curious to see where Steve might have found the recording. Eddie doesn't quite know what to do with himself when he finally lays eyes on Steve, with dried tear stains on his cheeks and his eyes closed as his fingers pluck and strum without hesitation. He's rooted to the spot as he watches Steve work his favorite song in a new and completely heartrending way. He hasn't been able to listen to it since he played it in the upside down. It always brings up the bitter blood tang of the air and the hair raising shrieks of the bats. But this is somehow different, it's soft and melodious but it's still got the same bones.

Eddie feels tears on his own cheeks. He's missed this song goddammit. And he couldn't be happier that it's Steve that's given it back to him

Queue tears and fear and confessions and comfort. Somehow much later in the future there's inexplicably a harp in some of the corroded coffin tracks. And it shouldn't work but it does

[mae-i-scribble]

tonight i was thinking about orv’s theme about how yjh as a character, and to a larger extent people, will in some ways always be unknowable. (orv spoilers following, read at your own risk)

i feel like i’ve seen a few posts on here that somewhat take this theme to an extreme, leaning *hard* into that “kdj doesn’t actually know yjh like at all” which while on the right track, i feel completely misses the point. Orv goes out of its way to showcase that kdj actually understands yjh to a scary degree, even once they’re out of the early scenarios and the gap between kdj’s knowledge and yjh’s personhood grows larger, there are still things about yjh that *only* kdj can fundamentally understand. And I don’t think that the novel does anything to discredit that understanding, only says that there is much more to yjh. In the same manner, even if you’ve known someone for years, spent all your time with them, there can and will always be new things for you to learn about them. The danger that orv speaks of is trusting in that assumption, that your understanding will be enough and you don’t have to keep an eye out for more developments. That the person you know will forever stay the same. And this isn’t a kdj problem either, fundamentally a lot of the big disagreements that happen between kdj and yjh in the latter half of the novel are born from both of them misconstruing what the other is thinking, trusting that their understanding of the other is deep enough to base their judgements off of. (Post first murim destruction, divorce arc, yjh thinking kdj scattered his soul on purpose, etc.)

As always with orv’s themes, we can view it in a meta sense as well. Kdj’s understanding of yjh as a character is so complete that it’s nearly flawless- until the story begins to deviate and a yjh grows outside the parameters that kdj’s judgements are based on. Even before then, there was always more to yjh- but as readers, we can only understand a character as much as we see them. What you come away with from a story is your complete understanding, there is no growth outside of those boundaries because then it wouldn’t be an understanding of *that* character, you would be putting your own ideas and such into it. But talk to another person, and suddenly the same character you understand so clearly becomes someone else. Talk to the author, and they say something completely different. And can one truly claim to understand a character when the story will never talk about them in every conceivable way? What does it take to truly understand such a thing? Learning that 1863rd round hsy wrote ways of survival with such limited resources and knowledge on who yjh even is, and yet despite it all, still manages to write a story that captures so much of his essence. As orv readers, we know it isn’t everything- it could never encapsulate all of yjh, but the idea that even when one knows nearly nothing, you can still put on a facade of understanding.

We can get into a chicken or the egg argument with this, as 1863!hsy dictates how yjh acts with her writing, and that yjh in the 1863rd round is the one she comes to know before ever starting this story, but when it comes to this theme of the unknowable in the people around us, I don’t think this sort of debate is worth much. We know that yjh exists outside the story written, and how much of him is determined by hsy’s writing is negligible because no matter what, he always grows beyond it. Whether as 1864 or secretive plotter, it all comes back to that same point of there is always more to see within a person.

I don’t know quite where I want to go with this, only that I wanted an outlet for some of these thoughts inside my head, but one of the best things about this theme for me is how it answers itself. When the people around you become unrecognizable, what should you do? And orv says to reach out. To try. To understand. Kdj loses access to omniscient reader several times but always, always gains it back in orv (as far as i remember), because at the end of the day, he is not someone who stays trapped in his idea of who he knows yjh to be. Yjh too, even at the end of orv, is trying to learn more and more about kdj. Only when you are willing to hear out the other person, to learn about them every day, does this unknowable aspect become something less daunting.

[the-lonelyshepherd]

every now and then i leave my media literate bubble and see people saying taivan is boring.

[secretstone]

question for the extended powerlessness au, how does kusuo cope with being unable to use telepathy to communicate??

Thank you for the question :]! I’ve kinda vaguely touched on it but to go more in depth I’m definitely a believer in the idea that Saiki is selectively mute but doesn’t quite realize it due to using telepathy all the time?

So when he first loses his powers he thinks switching to speaking verbally will be no issue but of course he’s very wrong, like it took him six years of getting to know his friends to say something to them out loud but moving on I picture it being pretty rough since not being able to speak isn’t exactly the ‘norm’ and is something that shatters the expectations he had about how a “powerless normal” him would be

At first he tries to force himself to speak but when it just makes things worse he relies on body language and gestures which his friends can get the general gist of what he’s trying to communicate but everyone else? Not really, so that’s when the communication cards first come into play which I’ve drawn him with before, at first it felt awkward for him because it did catch attention but it’s better than spending ten minutes trying to get someone to understand him

And going in a timeline sort of order, a while after he uses those I picture him realizing he can use his tablet to communicate as well, either with tts or apps meant to help with communication

And then finally after learning proper stretches and exercises for his joints, specifically his hands, he starts learning sign language

Still figuring out how far apart these happen because in my mind his powers fully return after six months to a year

[chronicowboy]

i also. think it was a really fucking interesting choice to have the camera on eddie when they hugged. like buck came out to eddie, this was a huge moment for him, that hug should have been his moment really unless... unless it wasn't...

[funnyscienceman]

listen listen listen listen. i am never going to get over singed & viktor. CAN YOU IMAGINE THE MENTAL ANGUISH. THE MESS OF EMOTIONS VIKTOR HAS TO DEAL WITH. he's so steadfast with his morals and ideals. hextech must not be weaponized. dangerous science is fine as long as the only person at risk of getting hurt is me. the moment it kills someone else he's fucking BROKEN by it and just throws in the gd towel. YET SINGED WAS THE ONE WHO TAUGHT HIM. like just. imagine, ok. imagine— take the premise that singed & viktor were actually pretty close. viktor was lonely as a kid, but he found company in rio. in singed. singed provides a space and opportunity for viktor to do his science stuff. "we can be loners together." here's someone he probably has a decent amount of affection and respect for, maybe even admires like a kid would a mentor/role model/parental figure. and he hurts rio. and viktor doesn't understand, he can't reconcile this. "we can be loners together," but also, "you did this?" viktor's got like a whole slew of emotions to deal with. What the fuck? How could you? I hate you. But also, "I told you, I was consulting a friend about our quandary."

"You built this? Why aren't you playing with the others?"

"We can be loners together."

Like just what are you supposed to do when someone who provided for you — who took care of you, who looked after you as a kid — hurts someone? Someone that you care about? What the FUCK are you supposed to when that person is willing to torture and kill for science — something that you are also passionate about, the very thing you both found commonality in, bonded over — and does it all without even a hint of remorse? What are you supposed to think?

Are you allowed to find comfort and safety in that person anymore? Can you still have good memories about them, and look back at them fondly? Can you be thankful for all the good that person's done for you?

What does it say about you, if they're the one who influenced you so much so early in your life, and here they are now?

Viktor gets Sky killed, and can you imagine what must've been running through his head? I'm no better than him. I'm turning out just like him. I am just like him. The apple doesn't fall far from the tree.

AND IT'S JUST.

AAGGHH!!!

[drowninginyourtouch]

i realize part of the appeal of toddlee in the scott pilgrim fandom sort of defaults on that fujoshi tendency to pair 2 hot men together simply because theyre 2 hot men and thats attractive or whatever but i think if they were to hypothetically get together, theyd have a very interesting dynamic worth exploring. between todd's bisexual awakening in takes off and his general issues (infidelity, unstable behavior like punching a hole in the moon apparently not once but twice for both ramona & envy) and lucas lee's "whatever" attitude and unwillingness to face his issues head on for a majority of the plot, i think its worth examining what between the 2 of them has to change for them to finally stick something out and really commit to a relationship that lasts. or something. i dunno, thats my general thoughts on their whole thing

[last-flight-of-fancy]

I would love to hear your trans alphinaud and lesbian alisaie headcanons or more about the subtext you see! Especially alisaie.

AHHH oh gosh i would love to answer!! Though I must admit that these are built from many (MANY) small moments across the whole game more than a few easily pointed at examples, which means its.. kind of difficult to pull up (and remember) all the evidence.

That being said, i do still have Many Thoughts about it :DDD

First off trans Alphinaud was set into my mind very early on by one simple fact: identical twins are almost always born the same sex. like almost invariably, with the very rare exceptions needing some wild extenuating circumstances. and you cannot tell me those two are fraternal.

now ofc this is fiction, and a fantasy world besides. who's to say the writers knew that particular fact? well good news! alphinaud presents a *lot* of other common trans experiances, which are scattered throughout the msq and optional side dialogue.

(shoutout to me for having the exact same thought four years apart before and after playing the game myself. i have absolutely no memory of the first post at all because i also have no memory of watching my partner play shadowbringers even though i definitely did. rare adhd memory loss win! i got to experiance my favourite thing for the first time twice!)

post 1: dated 2019, talking about how alphinaud is extremely trans coded, being an identical twin of a different gender to his twin, cannot swim, is body shy and *extremely* hesitant about using public showers, and having interests that are traditionally coded as feminine in fiction.

post 2: dated 2023, the same thing but this time talking about how wonderfully alphinaud and alisaie are made to complement each other in opposite ways.

he cant swim: related to the body-shyness and hesitance around the showers, its VERY common for trans people to experiance these things due to dysphoria and societal perceptions. i myself started experiancing this (even though i LOVE swimming) when pubescence started to hit. (it sucks!) alphinaud was probably one of those ones who realised VERY early what he was (logic boy who is too dang smart for his own good) so he just.. never learned to swim at all. kept his nose buried in books instead.

traditionally feminine interests/abilities: sure it could be trope subversion, but personally i think theyre also things he just enjoyed before transitioning and thus continued to do.

and one more that i can remember off the top of my head: alisaie's reaction to estinian mistaking her for alphinaud.

"but alphinaud has no problem with being mistaken for-" let me explain, i swear it makes sense.

see, alphinaud is a little logic boy at heart, we know this. he knows he and alisaie share their features, that is simply a fact. alisaie though? alisaie is ruled by feeling, and reacts accordinly. most notably the Incident when she first meets estinian.

what i find especially interesting about this is that prior to that moment with estinian, neither of them appear to have much issue with their similarities. it's only after shadowbringers that alisaie reacts with such contempt

(probably not helped by her not liking estinian much in general lol)

what this says to me is that some time before or during ShB, alphinaud told alisaie that the way people mistake him for her does bother him, but he can't blame them for the mistake considering the circumstances, so he just doesn't mention it.

alisaie however can and will blame them and thus the next time someone mixes them up (rip estinian) she EXPLODES. because it's not about her. if it was about her i honestly dont think she would care nearly as much. but it's about her brother, and how dare you hurt her brother's hidden feelings by not being able to tell them apart.

(completely seperate headcanon but i do think that estinian is faceblind as fuck, which means he never stood a chance on this one, poor guy)

okay now for lesbian alisaie <3

what WAS it that thancred said about battle scars and maidens? and whyfor are you thinking about this alisaie? :3

also: Tesleen.

also also: Emery (A Malm in her Shoes short story)

fr tho alisaie pays attention to and talks about girls a lot. in a way she never does about boys. bringing up my complementary opposites wrt the twins thought from before, it honestly could've been another way the writers COULD have done that, having alisaie attempting to impress boys with her athletic skills the same way alphinaud tried to impress girls with his artistic ones (something he is teased about repeatedly). like the absence of this potential parallel is almost suspicious tbh...

once again, any one of these things in isolation is probably simply a choice in writing, but all these things together spell out to me one thing: alisaie likes girls. exclusively.

(im sorry you wanted lesbian alisaie thoughts more and i have less of that than the trans alphinaud ones, but if you come back in 3-5 years when i've finished my second msq run i will have compiled a far more complete list of evidence for both complete with screenshots, probably lol)

[metaphorical-goblin]

Something I love about writing Phoenix as thinking of himself as weak is that he’s literally the only person that thinks that

Maya thinks he’s strong (and stubborn, Mother that man is so bullheaded she can barely stand to be around him sometimes) because he kept going, never stopped going. He managed to keep Mia’s business, managed to keep them both housed and fed, manages to keep a smile on his face until the very end

Pearl thinks he’s strong, literally. He carries her everywhere, lugs her on his shoulders or under his arm like a sack of potatoes, and she rushes forward to get the door when he carries all the groceries upstairs in one go because he has absolutely no self control (and when she saw him staying up for days, just to find Mystic Maya, she knew she was right to trust him).

Miles thinks he’s strong in every sense of the word. He’s seen Phoenix kick down doors, felt the rattle of his fist against his jaw, saw him crawl back from the brink of death after falling into a river. He sees how much he loses and fears, and sees how he keeps going (and yet, still tries to be delicate with him around AA3!).

And Phoenix still thinks that he’s never doing enough!! That he will never do enough!!! “Oh you’ll babysit my daughter for me while I take a shower? Sorry I couldn’t be stronger for you 😔” like PHOENIX IT TAKES MORE THAN JUST YOU TO CARRY THE WORLD, YOU ARE ONLY A MAN