#sorry this is so LONG

[danithy]

Davesport codependency

Speaking my truth because it's my tumblr and I've yet to be stopped!!1! Davesport - to me at least - is a codependent relationship, regardless of whether you see them as platonic or romantic. 

Although not the cause of their codependency, it is also important to note that there is a connection through the way they are united in their situation. Whereas other springlock victims had their heads replaced with phones and their memories erased, Jack and Dave survived as living corpses with their memories intact. Both regularly received comments on their physicality; Dave most often on his purple skin, and Jack most notably on how he looks soulless in Peter’s speech towards him in the legacy route of dsaf 2. While this isn’t verbally addressed, I do imagine it gives them a sense of companionship which already ties them together. 

Now, for their actual codependency: for Jack, the absence of his soul plays a major role. As Henry said in the found cassette tape: strong emotions manifest in the soul, and these determine the magnitude of a soul. With this I don’t mean to say Jack is emotionless; he still exhibits emotions in several scenes such as regret when redeeming himself as Legacy towards Blackjack, but I do imagine it messed up his already repressed emotional palate because Blackjack is a strong soul considering he was able to drag Henry towards the void. We also never see Jack (seriously) cry, outside of joke endings like soapy ending, but even in the dsaf 3 route he doesn’t cry: the little emotions he does experience are repressed. Dave, in contrast, functions merely on the remnant of his soul which repossesses his corpse and therefore harbours primarily strong emotions. Because Jack’s lack of a soul limits his feelings and emotions, I imagine he experiences them through Dave since the intensity of his soul more easily conveys onto Jack. He depends on Dave to feel alive and human; he is the soul to his heart. 

Now, as for Dave; he depends on his devotion to Henry and his legacy to be able to repossess his corpse, as also speculated by Henry in the joy_2 tape: “My current theory is that he repossessed his own body out of desperation.” To an extent, Dave tries to fill the hole where Henry once was in his life with Jack, exemplified in little ways such as Jack wearing the Fredbear suit and Dave even mentioning that it was Henry’s at some point. Now, there’s a noticeable shift between dsaf 1 & 2: in dsaf 1 Dave doesn’t view Jack as much of an equal, their conversations being impersonal and transactional, along with Dave calling Jack condescending nicknames such as kid. In dsaf 2 this changes; Jack is now exclusively called old sport, Dave follows him on several occasions, and from his diary entries we can see that he’s pretty crazy about Jack. I think this is because, somewhere in Vegas, Dave realised he made a friend who he could sympathise with, instead of a replacement for Henry. This, in my eyes, is what caused part of Dave’s devotion to shift towards Jack. Again, there’s a lot of things that show Dave’s attachment towards Jack is unhealthy; from his diary entries to Davetrap persistently staring through his window. Additionally, Davetrap doesn’t repossess his corpse when Jack decapitates him in dsaf 3’s bad ending, despite technically being able to. This shows that Jack turning on him is enough to finally make him abandon his vessel, and his soul’s devotion relies at least partially on Jack. 

Generally, Dave is more dependent than Jack; he needs Jack to be alive, whereas Jack only needs Dave to feel alive. I think this is also what allowed the 30-year gap between dsaf 2 & 3 where they didn’t see each other to happen. Dave had to be sealed in the saferoom to be kept from Jack, while Jack could manage on his own, although it likely made even more miserable. Doomed apart and doomed together. Basically; I hate them !!1!

[tapestryoftrauma]

it's insane but also very interesting to meee !!

like sure melissa "exists" in season 1 in the sense that none of the team members have ACTUALLY changed. melissa, gen, robin, britt and crystal (kristen) were all there in season 1 in a literal sense

but as characters they were not !! and since our perspective on their time in the wilderness is already deeply filtered through the perspective of the survivors and our central characters, such as the hallucinations and my belief that season 3 is heavily filtered through delusion, its kinda cool.

to the main girls the JV girls WERE background characters in their own lives. their faces and actions were never fully clear -- and for shauna, thats because a lot of her energy is focused elsewhere.

in season 1 she's all in on jackie -- and her friendship with tai -- and so the other girls. dont matter to her. in season 2 she's dealing with the loss of jackie, and then the birth and loss of her son -- and so the JV girls are a little clearer now because there's no space to hide, but still she doesn't pay them much mind.

in season 3 she is completely alone. tai is working more with van and nat this season -- where tai was once shauna's rock, now she's at a distance. it's not surprising all the girls are basically terrified and avoiding shauna due to how she beat the shit out of lottie last season.

shauna is the least desirable she's ever been. she's their butcher -- she cut up and served javi for them -- and shes violent, gross and unpredictable. she's also the only one who both doesn't believe and refuses to pretend she does. where nat and tai go along with the rituals to bring community, shauna ditches their mourning because those are her losses and she's sick of what she deems her own being taken as communal.

so, when melissa follows her -- and their other interactions this season -- its easier for shauna to remember by this point. there was no one else. not jackie, not tai, no one. but melissa was there, wasn't she ? and as they get closer, those details about melissa will be filled in.

and obviously this is partially due to the nature of a tv show. in season 1 the other girls were so undefined because of covid shooting restrictions, and a lot of the recasts and background stuff is due to writing and technicality when working with tv.

but i think it can be interesting to look at it through shauna's lens -- especially when it comes to melissa. the fact she didnt care about this girl before, but then suddenly she comes stumbling into shauna's life and she's literally the only person shauna really has right now. very interesting.

(this is also why i think mari might be pit girl. other people are suggesting it could be robin or gen -- which is fair, because i fully believe they look similar to pit girl to throw us off. but i think the it girl, pit stuff this season is to double trick us. mari has remained the same in the cast, played by the wonderful alexa barajas, which hasn't happened for any other of those peripherical characters. the girls would remember pit girl -- if she really is their final hunt before rescue -- so it being mari makes sense to me, using my weird as hell backwards justification LMAO)

ok but them making a character that DIDNT EXIST in the first season the last (possibly) survivor is really crazy from a writing standpoint lmao

[bats-and-the-birds]

I like to think about young Dick Grayson a lot, and right now I'm specifically thinking about him from the Justice League's perspective.

Like, imagine you're in the Justice League, maybe you've been there for a few months, maybe for a few years, but either way, you know how it works. Superman's terrifyingly powerful, but you get over the fear factor as soon as you see him cry over a sad cat video, and Wonder Woman's still a bit intimidating, but as long as you're good and truthful, you can trust that she won't crush your head like a grape.

And Batman... well, you've made your peace with the fact that you'll never figure him out. You know literally nothing about him, other than the fact that he claims to be fully human, but you're not even really sure about that, because you're pretty sure he just materializes in the shadows sometimes. The only things that you're 100% sure of is that you're terrified of him, and you're so glad that he's not on someone else's side.

And then, suddenly, he has acquired a child. Just like everything else, you don't find out immediately, because god forbid that man tell his team anything. But you start to hear vague reports of another shadow trailing behind Batman in the night. Superman asks him about it one day, but of course, he doesn't respond, and they all wonder, but it never gets brought up again.

But one day, unexpectedly, that shadow is at a league meeting, and he's not as shadowy as you would have thought. In fact, he's wearing the most vibrant costume you've seen, and you spend all of your time with other heroes in spandex. He's also young. Terrifyingly young. It's his twelfth birthday, actually, he explains to the league, and he pestered 'B' until he agreed to take him to a meeting. You all agree later that he looks younger than twelve. And you worry about him, because why is this child in Batman's care? Can he really be trusted to look after someone so small, so young, so seemingly fragile?

Besides, Robin (Robin, his name is Robin, he's a songbird for christ's sake), is everything that you'd think Batman would hate. He talks everyone's ear off with a giant grin stretched across his entire face. He begs Superman to fly him around and cackles and claps as Wonder Woman demonstrates basic sword maneuvers for him. Before long, the whole team is in a better mood. Meanwhile, Batman stands in the shadows, his face impassive, with no explanation about the little masked boy that walked into the room hiding under his cape.

He leaves just as he came, disappearing under Batman's cape as the two exit the watchtower together, and the whole league is left to wonder how the fuck that child ended up in Batman's care, and whether or not they should intervene, because spending prolonged time in Batman's company cannot be healthy for a child.

But then he starts showing up more and more, popping up in some places that you know from Batman's glare he's not supposed to be. He's teamed up with that speedster boy and the two of them cause havoc, but Robin takes the lecture he gets with a grin and gives a half hearted promise to behave.

You steadily start to realize that he might not be as out of place in Batman's company as you originally thought. You realize that the boy is a performer through and through, and that extends to that grin of his that dazzled the team when they first met him. You get the impression that sometimes its genuine, yes, but you'd never know if it wasn't. His exuberance is a persona held in place as meticulously as Batman's grim seriousness.

And though you'd assumed that Batman's sidekick (partner, the boy insisted, rather intensely, though his smile never faltered) would be well trained, this kid could take down league members, you're sure. You quickly realize that he enjoys fighting, and he fights viciously, giggling and putting on a show, but leaving broken bones in his wake. Your first impression is that Robin was more human than the demon they called the Batman, but you quickly start to question that too. If Batman can materialize in shadows, then Robin can fly. He twists through the air like gravity doesn't affect him and lands with so much grace that you'd think he had hollow bones like his namesake. You're not fully convinced he doesn't, considering he climbs up the bat with no warning, clinging onto his back like he belongs there (you quickly start to think he does), or he'll throw himself through the air with no more warning than a quick 'catch' yelled to his partner. And Batman catches him. Batman always catches him. Everyone keeps an eye on him when he's up high, but there's a part of you that feels like it's impossible that he'd ever fall. Or at least, impossible that Batman would ever let him hit the ground.

And you start to think that Robin's exactly where he's supposed to be; perched on Batman's shoulder, hiding in his cape, or fighting by his side. You still hope there's a normal boy behind the mask, going to school and making friends with someone to tuck him in at night, but you also can't imagine anything normal about Robin, and maybe that's why he needs to be by Batman's side, and maybe that's why Batman needs him too.

[futuristicson]

[ridethecyanide]

It amazes me every time that you were always there for Bobby! You saw every performance of him at the time. You had stuff about him from the 90s, that's so amazing! I'm a bit jealous, but good for you good <3 I assume you must be a big fan of him since day one? 🤔 How was it like back in your days to be a fan? If you don't mind sharing ♡

@toddsmind-neilssoul I don’t mind sharing!

So, my parents rented DPS when I was 10, that was 1993 and all I can remember was the cute boy with the sad eyes that caught my attention. My grandmother took me to see Much Ado About Nothing that same year after a lot begging and even though I didn’t understand one word of it at the time, I got to see my cute boy with the sad eyes. He was definitely my first celebrity crush and I’ve been following his career ever since and didn’t miss a movie or TV event. This was before the internet really exploded so I had to rely on TV Guides, newspapers/magazines to keep up with any of his appearances and record on my VHS tape recorder 😆 Fast forward to 2001, I told my parents I didn’t want to go to my high school senior prom and asked them to use the money that would have been spent on a dress towards a graduation gift of seeing Robert in The Invention of Love. So, my Mom and I flew out Memorial Day weekend 2001 and saw him perform and I just couldn’t believe I was seeing him live, he was wonderful. We waited by the stage door after the show and I got to meet him. There was nobody else hanging around so I had him all to myself for a moment. I didn’t say very much because I was a bit nervous but he couldn’t have been nicer. Exactly one week later, he won the Tony! That was so exciting!

When he was on House, I thought I hit the mother-load as a fan because I actually got to watch him on a weekly basis for 8 years so when it ended in 2012, I got a bit sad because I knew he was going to head back into his hibernating book-nook and maybe show up on a random TV show every once in a while and continue to perform on stage. I wanted to see every play he did but life gets in the way.

I figured enough time had passed (15 years!) and I had the time so I flew out to NYC in 2016 to meet up with a friend and see him in Prodigal Son. Again, he was wonderful and again, I got to say Hello to him afterward but this time I actually spoke to him and told him about skipping my senior prom in 2001 to see him perform, how it was a decision I will never regret and showed him the photo; he smiled so sweetly at me as if he was saying, why would you give up a teenage right of passage to see me, I’m not worth it…I asked if we can take a photo as a sort of Then and Now kinda thing and we did! No surprise, he was so nice.

I adore Robert and wish nothing but good things for him. Since he’s not always out there like a lot actors, I feel so genuinely happy to see him when he does decide to come out of hibernation. (Thank you Cynthia Nixon for coaxing him out to act in The Gilded Age) I’m flying to Chicago in March to see him in his latest play. Perhaps I can say Hello to him again? Stay tuned!

[hellsite-proteins]

be-protein the lyrics of your favorite song

if you want

its hard to choose a favourite song, so you're getting two.

my favourite overall is probably 'boys will be bugs' by cavetown, but i also watched 'I saw the TV glow' a couple weeks ago and it took over my brain, and i've been listening to 'anthems for a seventeen year-old girl' by yeule pretty much on repeat

boys will be bugs protein sequence:

ImadmteenyIeatsticksandrcksandmdIdntcareatthegvernmentAndIreallyneedahgIfeelstpidstpidglyglyPretenditdesntthermeImntverystrngtIllfckypifyremeantgsItsgettingclddwnherenderneaththeweatherIskippedclasstsitwithyIreallylikeyrspttysweaterIfladygsaregirlsHwdymakekidstgetherWhatsitlikeinafemalewrldIetitsstsmchetterIsttrnedAndIthinkthisyearImgnnaemeanDntmesswithmeImaigynwandImveryscaryIpnchmywallsstaytatnightandIdkarateDntmessagemecaseIwntreplyIwannamakeycryAintthathwitsspsedteThghitisntmeyswillegsrightyswillegsrightImadmteenyAllIwannadisqitMymmtldmethatsheswrriedAndIcldntgiveashitIhavefriendswhnderstandmeTheirnamesarespidereetleeeTheydntsaymchtTheyhavealwayslistenedtmeThetherysatschlThinkitsclthateyrparentsttheyrelyingallthetimeThegsadvisedthatIshldletemAndifywannacryMakesrethattheyneverseeitrevenetteryetlckittandneverfeelitIsttrnedAndIthinkIknweverythingDntmesswithmeImaigynwandImveryscaryIpnchmywallsstaytatnightandIdkarateDntmessagemecaseIwntreplyIwannamakeycryAintthathwitsspsedteThghitisntmeyswillegsrightyswillegsrightsttrnedAndIthinkthisyearImgnnaemeansttrnedAndIthinkIknweverythingsttrnedAndIthinkthisyearImgnnaemeansttrnedAndIthinkthewrldrevlvesarndmeDntmesswithmeImaigynwandImveryscaryIpnchmywallsstaytatnightandIdkarateDntmessagemecaseIwntreplyIwannamakeycryAintthathwitsspsedteThghitisntmeyswillegsrightDntmesswithmeImaigynwandImveryscaryIpnchmywallsstaytatnightandIdkarateDntmessagemecaseIwntreplyIwannamakeycryAintthathwitsspsedteThghitisntmeyswillegsrightDntmesswithmeImaigynwandImveryscaryIpnchmywallsstaytatnightandIdkarateDntmessagemecaseIwntreplyIwannamakeycryAintthathwitsspsedteThghitisntmeyswillegsright

anthems for a seventeen year-old girl protein sequence:

sedtenefthewretchednesandIlikedyfrthatsedtenefthewretchednesandIlikedyfrthatsedtenefthewretchednesandIlikedyfrthatNwyreallgnegtyrmakepnandyrentcmingackCantycmeacksedteneftherttennesandIlikedyfrthatsedteneftherttennesandIlikedyfrthatsedteneftherttennesandIlikedyfrthatNwyreallgnegtyrmakepnandyrentcmingackleachingyrteethsmilingflashtalkingtrashnderyrreathleachingyrteethsmilingflashtalkingtrashnderyrreathleachingyrteethsmilingflashtalkingtrashnderyrreathleachingyrteethsmilingflashtalkingtrashndermywindwParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphneParkthatcardrpthatphnedreamatmeParkthatcardrpthatphneParkthatcardrpthatphnedreamatmeParkthatcardrpthatphnesedteneftherttennesandIlikedyfrthatNwyreallgnegtyrmakepnandyrentcmingack

protein guy analysis:

i've decided to adopt a sense of fun and whimsy while looking at the cavetown protein, and i think if i angle it right it looks like a creature, although i am not creative enough to imagine how that would look. there are several spiralling loops that look like they should be something, but aren't actually making any secondary structure. there are still a few beta sheets and one notably long alpha helix stretching across the entire peptonomination. its weird, and from a scientific standpoint probably bad, but at least it looks neat i guess?

anthems for a seventeen year-old girl is a very repetitive song. if you can't tell from the protein sequence as its formatted above, i suggest you google the lyrics. because of this, i'm not surprised by how this looks. still, i'm not thrilled either. like i said the first time this happened, i'm not all that surprised that it turned into a mess of rectangular repeating loops with a few beta sheets from a mathematical perspective. still, i wish the convoluted spirals could at least stick to themselves and not intersect with each other, or maybe have the decency to have slightly more beta sheets? honestly, i didn't expect much more than this mess.

predicted protein structures:

cavetown protein cartoon representation

yeule protein cartoon representation

[ninaslittlewickedplace]

I’ve been seeing some people talk (saw a comment somewhere by @feldspursfiyero ) about Fiyero’s behavior and choices, in particular how his depression and love for animals tie into one another and what his potential backstory is. I have a few things in mind that I’ll jot down here since I haven’t seen too many posts out there about Fiyero’s life before Wicked.

To start, it is obvious that Fiyero is a prince and the heir to the throne. From what we know in real life, being the Crown Prince was never an easy role. Though, I do find it interesting that Fiyero’s choice to act out is more along the lines of the behavior of a modern spare (Margaret, Harry etc) whose life feels directionless in the shadow of their older sibling’s glory. Historically and realistically, the heirs have been relatively good at containing their feelings and attitudes towards their position, but for Fiyero I think there are more layers to why he, the eldest child and the heir, has the personality traits that he has.

More under the cut because I don’t wanna clog the feed. This became longer than I thought 🙃

I do believe there was a time where Fiyero was able to be himself and allow himself to be loved and seen. Being a Prince, his life was dictated by strict protocol and rules by default, but there was once a time where he could breathe and let loose. That’s why he still has the innate ability to know and feel himself deep down, but events in his life have taught him to hide them.

From the Shiz Gazette online (and the books), we know his parents are Baxiana of Upper Fanarra and Marilott, Chieftan of the Arjikis. In my headcanon, his mother is the queen regent, the royal one and his father is the Ozian equivalent of a nobleman. He has a younger sister four years his junior named Arrietta with whom he is very close (she’s my OC).

Having not been raised in the rigid royal structure, Marilott taught his children that there was more to life than rules and appearances. Even if he couldn’t shelter them from their position, he made sure that they got to experience a taste of more “normal” things. Even if Baxiana saw them as her successors, Marilott saw them as his children. Most, if not all, of Fiyero’s happiest memories involved his father.

His death hit Fiyero very hard and is the main catalyst to his evolution into the man we see in Wicked. With him died the carefree boy Fiyero once was. Being fourteen, it came right around the time where he was expected to formally begin to prepare for royal duties and his mother was very strict with him. She had no patience with his slower progression in his studies (which I headcanon to be a combo of dyslexia and adhd) and implemented a stricter study regime, which inadvertently made it worse. He began to develop feelings of inadequacy and low self esteem about his abilities to be a ruler and began to yearn for his mother’s approval. Even if there were times where she was satisfied, she didn’t outwardly show it. Why would she, when royals weren’t expected to show emotion? Every social interaction was a transaction, one where nobody cared about anything but a satisfying end result.

Feeling trapped by his mother, his destiny, and his internal turmoil, Fiyero began to act out. Having partaken in an increasing amount of public events, he became aware that his people were enamored by him. Everytime he ventured beyond the castle walls, he would find crowds of people his age following his every step, listening to his every word. If he could garner attention simply by existing, maybe he could gain their respect by giving something to admire. After all, who could resist being royalty AND being cool?

The Winkie Prince was seen at almost every night club in Winkie Country and Oz, dancing the night away in the middle of the dance floor, winning the heart of every lucky Ozian to be graced by his presence. Every time he was expelled from university, angry students would petition the board to revoke their decision. When they didn’t, his classmates would gather and bide him tearful farewells. The expulsions didn’t both him one bit because wherever he went and wherever he would end up next, he would have an admiring crowd that he could entertain with abandon. That is, until he meets a special girl at Shiz…

Now here is where the real Fiyero fits in as well as the Animals. Yes, things may have been bleak for him, but there were only two places he felt the most safe: Arrietta and the Animal staff at the castle.

Despite his facade being so convincing that even Fiyero himself forgot it wasn’t real, there were times where his old emotions would bubble to the surface. When he was younger, he would burst into tears and as he grew, he would sulk in his hiding spots throughout the castle. Of course, his sister would find him and the two would often sit together, some times in silence and other times, listening to eachother’s woes. She was the only human after their father’s death who loved him for who he was and she was the only person he could be himself with. She had similar worries, but instead of acting out, she turned inward and grew to be an intelligent but shy young woman. She never told him this to make Fiyero more worried than he already was, but she secretly wanted her “old” brother back. The carefree boy who would tease her until she cried, joked until she laughed, and tell stories until she fell asleep.

His other source of comfort, the Animals, are the reason many years later, Fiyero stands up to the injustice against them. The Winkies were known for their deeper connection with nature and Animals, which is why they are so prominent in culture, politics, and trade in their country. The royal family was no different and many of the staff at the castle were Animals, including Fiyero’s governess, tutors, and personal guard. He was most fond of his governess, a kind panda named Palina who stayed with the royal children until Fiyero left for his first university. Even in retirement, she would write letters to her former charges, who never failed to write back. While he was away, she was his safe space, her warm and fuzzy hugs replaced with warm and encouraging words of ink. His tutors, despite instructions from Baxiana to be more strict with his curriculum, had empathy for the prince’s learning struggles and would try various methods to help him learn. They also understood the importance and value of encouragement and would give him small praises and rewards for completing tasks on time or correctly. Fiyero never understood why humans couldn’t be as good teachers as animals and attributed the former’s lack of empathy for their spartan methods.

Finally, Fiyero met Feldspur completely by accident! He had been hiding in one of his hiding spots in the royal stables (which were more like suites for the Horses) when one of the mares found him in the corner of her suite. She knew him and he knew her, so it hadn’t been awkward but she thought she would cheer the teen up by introducing her colt Feldspur to him. At first, the two didn’t see eye to eye, as Feldspur didn’t know why a prince would be unhappy and Fiyero didn’t know why the young horse asked so many questions, but the two eventually warmed to eachother when Fiyero realized that Feldspur actually listened to him. Even if he wasn’t human and wasn’t Fiyero’s age (in animal years haha), he listened intently and the questions that bothered him were asked with curiosity and care, not mocking or ignorance. Fiyero had eventually forgotten why he had been in the stables in the first place, having made a new friend that was on the same level as him. The two quite literally grew up together (and ate grass together in the process) and share a deep friendship that goes beyond a prince and his noble steed.

Phew, that was a lot IM SO SORRY HAHAHA. At that I’m gonna log out and explore this more in fics and drabbles in the future. If you made it this far, THANK YOU and I promise future posts will be shorter 🤗

[witchlingcirce]

Okay I’m sorry but I feel like people are missing the point of Jace’s speech!!! The whole point of this conversation is about his insecurities and how he views his bastardy.

Do I think he should be insulting the small folk? No. But I don’t think you guys understand- people viewing Jace and his siblings as bastards and unworthy of the throne is quite literally now where introduced to Joffrey and him.

The topic of being a bastard is so prominent to his character! Throughout the first season Jace is constantly reminded that he’s a bastard and how ‘strong’ he is. Him being a bastard has caused problems in the past as well.

—> During the fight with Aemond, he’s reminded of Harwin being dead and also Aemond calling Jace a bastard (fight inevitable led to Luke cutting out Aemonds eye —> Aemond killing Luke).

—> During the aftermath of this fight, the topic of Luke and Jace being bastard is really prominent and it’s being thrown around the room for everyone to see and hear. I can’t imagine how embarrassing it must be for your cousins to be like “just look at them, everyone already knows”.

—> having to watch his brother fight for his legitimacy in front of the entire court room. Seeing a man call your mother a whore, and than watching that same man be beheaded (and he’s legally ur uncle too lol).

—> Him asking Rhaenyra with so much contempt if he was a bastard.

There is more examples of his, Luke and Joffs parentage being consistently mentioned throughout the show but those are some examples.

So, here is Jace who has quite literally watched his, his family and especially his mothers claim be put in question and almost taken away because of his existence- and than here he is seeing other Targaryen bastards being able to claim a dragon.

He even says it during the argument, that him having a dragon makes his claim legitimate. But seeing all these other people claim a dragon, well what does it mean?? This is backed up in season one when Alicent mentions to Viserys (or maybe Cole? My memories a bit foggy) that she’s surprised his dragon even hatched. Why?? Because he’s a bastard

I don’t think argument comes from hatred towards the small folk (although he used some colourful language…), I think it comes from so much built up resentment all coming out. I mean, what claim does he even have??? Wouldn’t everyone else also have a claim???

For so long he’s been so insecure about himself, about his future and about how others view him. This is really just him releasing his pent up anger towards a situation that’s never been able to leave him alone.

To those who have read Fire & Blood, than you understand that these words will quite literally come back to haunt the actions of the end of the dance.

Anyways that’s just my pov on this fight- Jace you will always be loved by me.

[oliviasroses19]

I’m in my Colin feels again (I mean I always am but this time it’s too much and I must get it out) so buckle up, grab some tea and biscuits, and maybe some tissues depending on if I can get this written correctly.

I know people wish Colin would have suffered more before Pen forgave him but this man was suffering long before we saw him on screen flirting with the debutants on the street. Colin spent the whole of his four month tour missing Penelope and then kept missing her up until their reconciliation. In his own words he spent his whole tour yearning to receive word from home, from Penelope, in fact. We all know he missed her more than he let on initially and baby boy was desperate to hear from her. He surely cannot think of a logical reason for her silence. Their last (known to him) exchange was shared affirmations during their romantic platonic dance. I wish we would have gotten some sort of screen time of him whilst on his travels to get a little more depth of his spiraling from the loss of her letters that leads to his fake persona but I digress. He comes home and tries to get back on track with her only to receive many a cold shoulder from Pen, first at the garden party, and then at Lady Danbury’s ball where he finally learns of the reason for her silence. He is desperate to get back in her good graces and wasted no time with his apology (the next morning, he obviously couldn’t sleep).

He then finds a way to make up for his callous remark (we’ve all read the words enough and frankly I do not wish to repeat them) in the form of helping Pen find a husband.

Only, this doesn’t help with his missing her. They get to spend more time flirting laughing together like they used to. But there is also the ticking clock running down the time they will have together. Yes, he is dumb when it comes to Penelope, but not too dim witted to not realize that as soon as she is married, things will not be the same as it had been in the past. We see him start to realize this more at the Full Moon Ball. As soon as she starts interacting with Lord Basilio and Remington, yes he gets jealous, but there’s more to it. He’s getting a glimpse of how things will be when he’s not the one she gossips with or spends time with. He’s missing her before she is even wed.

And then the kiss happens.

And she gives him up while he realizes what he has truly been missing and why he missed her so deeply when she didn’t respond to his letters and he will continue to miss her because she is looking for a husband that is not him.

Then we have proper yearning while he watches her with Debling and it is eating him alive. He is trying to accept letting her go and he becomes a shell of a man in the process. He needs his Pen. Thankfully, Mama Bridgerton talked him out of his stupor and prompted him to act.

He professes his feelings for Pen and admits that he prefers sleep because that is where he might find her. He has been following her request for distance (kind of, sort of, maybe) since the willow tree. He follows her around like the golden retriever boy he is because he will take any interaction possible, even if he has to hear her talk about how Debling is not displeasing to look at. He misses her so entirely that he will take any form of Pen he can get. Even the non tangible, dream version of her. Because up until he crashed Debling’s proposal, he thought that was going to be the future extent of Pen he would have. But now he has told her how he feels and she wants to be so much more than friends.

He thinks he doesn’t have to miss her anymore. She’s going to be his wife.

But things still aren’t right between them. Colin is the king of reading Pen (well most of the time, boy still doesn’t realize she loves him). She’s high strung and not as open as he is used to her being. He is still missing her.

He finds out the reason is Whistledown and suddenly he’s missing the idea of her he had in his head. He thinks he doesn’t know her and he is also worried about the possibility of losing her if she is found out. Again, missing her before she is gone. She gives him an out from marrying her which he, rather harshly, puts down. He is upset, rightly so, but he cannot imagine not being with her. He knows what life is like without her in it and he cannot, will not, does not want to let that happen again.

We then have the fight outside the modiste and he is able to somewhat reconcile the two women he thought were separate. The wedding happens and for a moment, they are together, and nothing else matters.

But the moment is ruined when the Queen crashes their dance, and now the very real fear for her safety is again taking precedence.

He separates himself from her physically and a bit emotionally yet he still misses her. Colin could have slept anywhere in their apartment but chose the very uncomfortable settee right outside their room so he could be close. It is just as hard on him to not be near or with her as is it for Pen to not be with him. He is yearning for her but WD is still looming over them.

Then there is Cressida. Another thing that can take Penelope away from him. We finally see him admit how much he longed to hear from Penelope. The “I miss you” from the Four Seasons Ball was over shadowed by his rake fake persona and I fear it hasn’t been taken seriously enough. He did miss her, he wasn’t just saying it to get into her good graces.

I think when he tells Cressida he longed to hear from Penelope, he remembers why she didn’t respond. It is because he hurt her. This is another step in moving forward through the WD issue. He understands they have both unfortunately hurt each other. I think this makes it easier for him to forgive her (along with the argument outside the modiste) for the hurt she has caused him.

He then royally screws up appealing to Cressida. It breaks my heart watching our teary eyed boy admit his failure but Pen is not angry with him. She sees him trying and loves him all the more for it. He’s starting to see her in her entirety, starting to understand her reasons for WD. They are so close in this moment but still are not quite where they need to be.

We see more yearning in the blanket for the settee scene from both Colin and Penelope. They miss each other, the easiness of their friendship and now the future of their marriage.

He reads her letters again, because he misses her. Not hearing from her was the catalyst in his rapid down badism and is now key in realizing that the Pen he grew up with and the Pen he now knows are both capable of being witty, sharp, and sometimes harsh He starts to miss her a little less. He now sees he has always known her and no longer feels that loss.

Penelope plans to reveal herself and they are one step closer to not missing eachother.

The next time (that we know of) they see each other is at the Butterfly Ball. The worry he feels for her while being put in the spotlight is palpable. Everything can go up in flames at any moment and he could lose her forever. If he thought he missed her before, it is nothing compared to the possibility of never having her again.

But this doesn’t happen. The look of fear is replaced by that of utter pride, love, and adoration of his best friend as he watches her triumphantly declare herself as WD. Now all of the pieces are in place. Whistledown is out in the open, he has reconciled Pen and WD, and has admitted to his envy. They can now be emotionally, physically, and mentally together. He no longer has to miss her.

Colin “my wife” Bridgerton never wants to miss his Pen again because he has spent entirely too long missing her. I cannot WAIT to see them in their happy, wedded, mom and dad bliss next season. They will be insufferable to the entire ton.

——————————————————————————

If you’ve made it through my ramblings, I sincerely thank you. I hope it’s coherent enough and makes sense. Colin is such a complicated character and I love analyzing the way Luke plays him. All the nuances Luke slips in there truly make me love Colin even more.

[yesbothways]

Any decent reads floating around where the Arcane creators themselves talk about their ideas for Caitlyn's story arc? Some of these reads here on tumblr are missing most of what happened, maybe on purpose, maybe not. I thought it was pretty clear that in season 1, Caitlyn was a class traitor and also Vi's OTP. She breaks the law to continue to investigate and uncover the corruption of Silco and Marcus and to let Vi out of prison, risks her life while sustaining injuries yet endures on, brings Vi and speaks before the Council in a way (along with Jayce and some other players aligning with her) that leads to the vote for Zaun's independence. There are multiple moments where we see Vi look at her in genuine surprise, and I think it's clear that solidarity and vision is why Vi is falling in love with her. The show is primarily interested in complexity and how small characters are compared with what's happening, especially cycles of violence. So there was about zero chance that Caitlyn's story would go that one way the entire time. The way they carefully crafted the set up of Caitlyn's mom voting for Zaun's independence at the moment of being murdered by Jinx, Caitlyn talking to Jayce about trying to integrate the complexity and loss of what happened and hold on to her core ethic, her fixating on her chance to have prevented her mother's murder with a little more willingness to use force and violence with her confessing to her grieving father, "I had the shot," and repeating to Vi, "I had the shot, and you stopped me," and the way she snapped when Vi compared her to her mother's murderer all maintained the integrity of her character for me while pushing her past an extreme. Which is what this show does to characters.

And I thought how young and naive she was in season 1 despite being intensely perceptive set us up to see how without her alliance with Vi she would reasonably get played by someone brilliant and experienced like Ambessa in collusion with people like Maddie who present a facade of something she believes in. Caitlyn's power suddenly rises when she inherits her suddenly lost mother's power, and she essentially stands in the hole Marcus left as the only person who knows what's going on who isn't also a part of it. Ambessa then drastically accelerates that consolidation of power around her by getting the city leaders to collectively declare martial law and appointing her the commander. Caitlyn's character was set up to reject that foray into unchecked use of power, and the theme that it's love that causes the sort of confusion she had during that whole era gets laid out in words as a theme in the show.

They also had Vi say openly to Cait that she would do anything to bring her mother back if she could, and when Cait then got the completely unprecedented chance to bring Vi's father back, she completely flipped and tried as hard as she could to help make that happen. She nearly dies multiple times for those choices, not even going into all the details they put into the final duel with Ambessa. She even says aloud to Jinx, "In hating you, I've hated myself," and then lets Vi let Jinx completely free before the final battle. Caitlyn is a game-changing character, because of the choices she makes. And I think she makes sense as an OTP for Vi specifically. That's even with the pivot to seeing how wrong it could go instead in S2 during the time when Caitlyn starts making the choices people with power tend to make. I feel like it's a real thing that right now some people just cannot do both the lived experiences with the realities of police violence and rise of fascism in the USA and themes in a fantasy show that evoke those. And that is honestly totally fair to me. But I'm seeing folks saying that Caitlyn and Vi going down with the strike team and destroying shimmer while fighting the gangs that were fighting each other for Silco's organized crime operation was Caitlyn ruining Vi's character. Vi was literally going to go do that by herself and probably die, and the Enforcers before Caitlyn got involved were definitely not going to do any of that. They have a shared mission and vision, and that is the crazy, unprecedented thing their love forms around. I think all of the stuff that happens is extremely complex on purpose. I have never loved villains more than I did Silco and Jinx. And Viktor. My God, Viktor. Seeing Zaun thriving in a world without hextech while in our main world also seeing how Jayce responded to causing the death of one boy and how Viktor reacted to the death of Skye when they are essentially responsible for a drastic deepening of inequality and crimes against humanity was a total mind-trip. At one point, Viktor's human face split in half and another non-human face emerged... like I genuinely don't know if it is actually possible for this show to be more complex. And I do think Caitlyn and the love story between Caitlyn and Vi is as rich and complex as anything else, and it really works for me on those terms.

[angel-fruitcake]

what are your thoughts about castiel’s overall characterization throughout the series? I often see people say they made him a “joke” the longer the show went on and that they don’t like how they made him less menacing than he was when first introduced

tbh as the show progressed, i believe that the writers slowly but surely forgot how to utilize Castiel as a character. some people might disagree with me about this, but imo the only one who actually even came close to realizing Cas' potential was Kripke, and that was partially bc he created him. spn honest to god struck gold, not just with angels in general, but with Cas, and Kripke recognized that almost immediately from the fan response to him. Cas was introduced in season 4 as a minor character, and by season 5, he had already earned his spot as one of 3 leads.

once Kripke peaced out, it took exactly one (1) season before the writers were already trying to throw Cas away like fuckin garbage, despite him being a fan favorite. but once they realized that that decision would quite literally get the whole series cancelled, they were forced to bring him back. that whole situation is proof to me that many of the writers, at least at that point, simply did not understand what they held in their hands (something something you don't know whatcha got til it's gone).

once they stopped trying to get rid of him, i think one of the things that irritated me the most was how much they depowered Cas at just about every corner. so yeah, i'm in the same boat as a lot of people with that. but i also understand that leaving Cas at full angel power would've allowed him to solve pretty much any problem the Winchesters had, so they couldn't exactly do that either without the story becoming too boring. i acknowledge that they were in a bit of a tough spot as far as that went.

but even still, i feel like there was a happy medium that was overlooked. Castiel had so many really cool and interesting aspects as a character that were under-appreciated or not fully explored. for example, Cas theoretically knew every language ever created, yet we never saw him speak anything other than english or enochian (he didn't even sign with Eileen!). the most he ever did was translate some texts from other languages to english, which is just not the same. i would've also loved to know more about Castiel's true form. they gave us the tiniest hint of what Zachariah's looked like (six wings and four faces, one of which being a lion), but all we ever really got for Cas was his skyscraper height (although i will admit to the beauty of his true form being left mostly up to fan imagination). it just felt like post season 5, the writers' idea of angels in general devolved into a more stereotypical concept, rather than the terrifying biblical version during the Kripke era.

i could go on and on about Castiel; he holds a very special place in my heart. while i do love how gentle and domesticated he became in the later seasons, i still think overall he was dreadfully under-utilized and mishandled as a character. but i wouldn't necessarily say they turned him into a "joke" over the years. i just don't think the writers truly understood how much potential he had, therefore he was misrepresented (and kinda mistreated) time and time again.

[pumpkinandcoat]

My TUA4 thoughts

Its been a week now since the final season premiered and I have finally been able to compile all my thought together

This is an essay.

Spoilers for season 4 of The Umbrella Academy

(obviously)

With the fourth and final installment of The Umbrella Academy finally released, brings the long awaited conclusion of the Hargreeves family. And suffice to say… people hated it.

Even when this show is at its weakest with its plot, the thing that makes the show so good and what many people love about the show are its characters. They are all very distinct and memorable. And in TUA3, while it's riddled with plot holes and frustrating choices, is still a lot of fun to watch because of the character moments and the relationships between the different siblings.

That is why TUA4 is so infuriating, because it takes these special and memorable characters and it morphs them into these weird versions of themselves. Every single main character falls victim to this. They regress as characters into these versions of themselves that shouldn’t exist anymore.

Luther has become a stripper. His arc has almost no dignity from the get go. This only very loosely connects with his arc in TUA2 where he works at a bar, but as a bodyman and not as a ‘professional dancer’ so as to why the writers chose to make him a stripper is weird. He has returned to live in a run down version of the academy. There is no follow up on Sloane and he mentions her only one or twice in the whole season.

Diego is somewhat resentful of fatherhood, and he misses his old life of excitement when he was a vigilante. He is unhappy with his life and he seeks the higher purpose that he thinks being a criminal deterrent will give him.

Allison yearns again to be a star and neglects her relationship with Claire in the pursuit to regain her fame. 

Klaus, as soon as he regains his power, turns back to drugs. There is no attempt for him to hold onto his sobriety, even though as we see in TUA2 and TUA3 he is (mostly) sober for three years with his powers fully intact. We don’t even get a scene of him struggling with the ghosts coming back to haunt him before he is off to go buy drugs, and then he becomes a victim to sex trafficking. 

Five’s working at the CIA. After a lifetime of hardship and struggle, after he is forced into organizations where he has to complete different missions - first as a child with Reginald in the academy, and later as an adult with the commission - and after he is ready to retire at the end of TUA3, he joins into another organization instead.

Viktor moves away to Canada and is again isolated from his siblings and alone. Shown to have no lasting and meaningful relationships in his personal life.

Every single character is reverted back to an old version of themselves that they have grown from by now. The writers strip them of all of their character growth and substance and reset them to their base characteristics. Worse than that they write them as stereotypes that they are portrayed as at the beginning of the show, in which they are shown to be more than just those stereotypes and have at this point for a lot of them grown from them all together. They are now reduced back to them but without any of the nuance or layers that they had before, and again stripping them of all of their character growth and personality. 

The writers absolutely refuse to let these characters grow in meaningful and satisfying ways.

The relationships between these characters as well are also poorly written. Many of the strong relationships we see in the past seasons barely have interactions with each other, such as Klaus and Five, Diego and Klaus, Allison and Viktor to name a few. With Allison and Viktor we only really have one meaningful scene between them where they talk about how they aren’t close anymore and then there is no further discussion or resolution between the two. And with many others at best they get fleeting minor interactions where they maybe exchange one line or comment. Then there’s the characters who we’ve been waiting to interact for a long time, like Five and Claire, where in the first season Five expresses his desire to live long enough to meet his niece but in season 4 we don’t see them interact even once.

But by far the most insulting relationship is the one between Lila and Five and Diego. 

Two fucking words: Character Assassination.

The way that they wrote Five in this season is so completely baffling. Because the writers felt the need to give Five a love interest this season they decided to pair Lila and Five up and in doing so they destroy both Five and Lilas character, and the dynamic between Five and Lila, Five and Diego, and Diego and Lila.

There are two faucets as to why this relationship doesn’t work: the in-show context and the real life implications of the pairing.

In-show: Five and Lilas relationship hinges on the fact that they are stranded together on the subway for 7 years, unable to get back to their families. In the second to last episode of the entire show they are taken away from the rest of the characters to be put in this pocket dimension for the sole purpose to develop a romantic relationship between the two of them. 

For Lila as well, but especially for Five this makes no sense for their characters and butchers everything they represent and everything they stand for. Fives' driving force for his whole character is his family. Everything that Five does, every action that he takes, everything that he endures and pushes himself though, is for his family. His family's safety and survival matter more to him than his own physical, mental and emotional well being. They are the only people in the whole world that Five cares about.

Five survives 40 years in the apocalypse, with abysmal chances to get out, where any normal person would kill themselves, Five endures for the miniscule chance to get back and save his family. He spends years working for the commission, killing hundreds of people, after being the only surviving person on earth for 4 decades, to buy time so he can get back to his family. Five spends 45 years trying to claw his way back to his family. And when he does make it back to them, Five spends 28 straight days trying to prevent three different apocalypses across three different timelines so his family would live.

After 7 years on the subway Five gives up on getting back his family, and when he discovers a way back he keeps it a secret, even when he knows they are facing the apocalypse and certain death again? It doesn’t make sense for his character at all. Yes, he was tired at the end of TUA3 and was ready to lay down and die with his family by his side, but that was again after three failed attempts at preventing the apocalypse in a very short period of time. He also isn’t with his family, separated and isolated once again.

In terms of Five and Lilas relationship - It doesn’t make sense for Five, whose sole driving force throughout the entire show is his family, to turn around and betray his brother by engaging in a relationship with his wife. 

The dynamic between Five and Lila throughout the seasons has progressed from enemies to begrudging allies to a close friendship between the two, a progression that could not have happened without Diego. At the end of TUA2 and the start of TUA3 these two hate each other's guts, but because they both love Diego they are willing to put their shit aside and be somewhat amicable. Then, because they also both have a connection through the commission they team up and to go back and investigate and it's here where they can move past their past and are able to slowly form a friendship.

Yes, they are very similar characters and they have a unique bond. They can understand each other in a way none of the others can, because of their unique experiences at the commission and as being used as tools of The Handler. But this doesn’t mean they are suited for each other romantically and in fact is exactly why they aren’t. They both have deep trust issues, paranoia, and a kind of bitterness towards the world because of their experiences. With Lila and Diego, the reason that they work so well is because Diego's trusting nature and goodwill in people shows Lila that she can open herself up to people and to trust and love.

And the showrunners take all of this characterization, all of the love and devotion and the deep bonds between these characters and they throw it away because they wanted to give Five a love story. In the second to last episode of the entire series we see a three minute montage of Five and Lila on the subway for 7 years, and then three scenes of them in the greenhouse before they return back to the main time.

The writers destroy these characters and destroy these relationships for 15 minutes of screentime.

There is no resolution to this plotline. There is no reconciliation or understanding about what happened. Lila dies on dubious terms with both Diego and Five. Five and Diego die hating each other.

In real life: The actor who plays Five, Aidan Gallagher, was a minor during the filming of TUA1/2/3, and this was the first year he filmed where he was legally an adult, being 19 years old when filming TUA4. 

From the first season of the show, when he was 14 years old when filming, he has been heavily sexualised by a certain group of the fanbase. 

And the creators of the show, who have known him since he was a young teenager, at the first opportunity they could, paired him with his 34 year old costar - They met in the filming of the second season of the show, when Aidan was 15.

They waited - literally waited - for him to turn of legal age so that they could make his character have a love story, and then regardless of morals, regardless of plot relevance, regardless of if it even made sense for the characters, proceeded to pair Five and Lila up. Completely uncaring of the story, the established relationships between the characters and the overarching arcs of these characters.

The writers literally had to completely separate and isolate Five and Lila from the rest of the characters in their own timeline for over half a decade in order for it to make sense for them to develop a romantic relationship between them.

The decisions of the creators in this season are just so insane.

In continuation of Fives character this season - he abandons his family twice. Firstly when he finds the cipher to the subway and can return home, but chooses not to. Then secondly while his family are facing a life or death situation and another apocalypse, he physically fights Diego, and when Lila intervenes and implies that their relationship is over, he abandons them in the middle of the fight, to return to the subway.

And finally we get to the finale, where Five - again whose entire character is built on the love and devotion he has for his family - decides to erase himself and his entire family's existence from not just one timeline, but across every single timeline in order to correct the universe.

Five has never cared about the timeline. In fact he has always actively been working against it for his family's survival. They are supposed to die in TUA1 but Five will not allow that to happen and he goes against everything and every one to ensure that they live. He does this in every single season - goes directly against time and the universe to make sure his family makes it out on the other side. Now he is happy to give up and give in and not just to let his family die, but to have them permanently erased as if they hadn’t existed at all.

Even with the Five diner, we see all these Fives who have given up on trying to save their family after trying and failing to save them countless times - over 100,000 times - they resign themselves to a life of solitude with only alternate versions of themselves for company. Surely some of these Five have had to make the same connection that our Five makes, but they won’t sacrifice their families existence for the sake of the main timeline. But our Five, the Five that we follow, the Five we’ve personally seen struggle and fight to make sure his family is safe is the one who does.

I just cannot express how much this season disappoints me. The fundamental misunderstanding the creators have with their own characters and their own show is unbelievable. Even at the show's weakest, what makes it so engaging, what makes it so great, is this dysfunctional ass family who love each other. Their unbreakable bonds even when they are at odds with one another. How in their own weird way they do care deeply for one another. 

And the creators when telling the final story of these dearly beloved characters, destroy the bonds between them and send them off with a big old Fuck You to the audience to boot.

I cannot fathom how the same people who made TUA1 and TUA2, created this. Truly I cannot.

The conclusion from all of this I have come to is that the creators of this show are obsessed with writing perverse storylines. More subtle in the beginning, but now at the expense of the story and the characters themselves. Even since TUA1 there have been very weird romance story lines. Luther and Allison, and though not explicitly stated, the dynamic between Five and The Handler in the first two seasons is extremely uncomfortable.

And in TUA4 it all comes to the forefront where despite all of the complexity and nuance in the previous seasons of the show, they are willing to throw it all away to write these weird creepy storylines that nobody but themselves asked for or wanted. Luther becoming a stripper, Klaus being sex trafficked, Lila and Fives whole relationship.

Again I cannot express how much this season disappoints me. I cannot comprehend the decisions the creators of this show made. I cannot understand why they chose to destroy everything that made this show great. I cannot fathom how they could end this show in such a way and then pat themselves on the back for a job well done.

This has made me so deeply upset in a way that I just can't express. I have completely lost all respect for the creators of this show. I’m glad that it's finally come to an end so the creators can’t keep continuing to ruin this show and its characters.

Goodbye, Hargreeves family. You all deserve so much better.

[solarissun]

I love how an almost 2 minute trailer of my favorite show comes out and the first thing I post is the sex scene…

Okay in all seriousness i’m FREAKING out so i’m gonna rant.

• I’m so glad Maddie convinced Simon she was real and not a delusion. ALSO, now all of the characters are in on the mystery??? I’m screaming. How TF did Maddie convince him after all that BS???

• I still have so many questions. Like, why and who was CHOKING Xavier??? Why is he always catching Ls 😭😭

• We get to see Wally’s death???? So hey.. i wasn’t ready for that…! I wonder if we’ll see Rhonda and Charley’s as well?

• In some of the trailer clips Wally and Simon are in the same room. I actually really wanna see them communicate somehow. I’d love to see their dynamic. (mostly because Simon is obviously gonna be pissed off)

• I’m so sure Mr. Martin killed Janet and maybe some of the other ghosts. He is so shady there’s NO way it was an accident.

• Is Maddie going to get her body back?? If she does, there’s no way she can be with Wally 🙁. At first i thought the kiss in the teaser was just heat of the moment but now they’re getting FREAKY???? (i’m not complaining at all). Also we finally get to see Wally out of those crazy ass sweats. Thank the lord 🙏🙏🙏

• I know she literally stole Maddie’s body but I kind of feel bad for Janet…

(i think i should make a side blog since 99% of my followers are here for josh hutcherson and not my crazy rants… sorry!)

[personfrommars10]

"Hi!! I definitely agree that it was racist for him to call himself that name, obviously that isn't debatable. My perspective on his reasoning behind it, though, is not that he meant to mock Native American culture, although that was the impact. I think Charlie taking on an alternate, more subversive persona is an important part of his character, and I think it plays heavily into the subtextual queerness of the film. Of course, it is extremely and undoubtedly racist for him to use a Native American name, or utilize tribal paint as part of his persona, and the writers could easily achieved the same goal by having him use a more appropriate, gender-neutral name instead. I just think it is important to recognize the nuance of the situation, largely because it is a good example of white queers appropriating other cultures in order to present themselves, which obviously happens a lot in real life as well. Definitely not trying to argue with you, I just want to add to the discussion and provide my perspective as a white queer/trans person who reads Charlie as genderqueer. Interested to hear your thoughts on this though!"- comment by @ineffable-hubbiewubbies on my post about Charlie and his use of the name Nuwanda,

And as a person who likes to continue conversation, but also wanted more people to see what my thoughts were on your comment were I thought I'd make a post about it

So when making this post, I don't think I explained enough of what I meant by Charlie calling himself Nuwanda is racist, I was meaning as a fandom we should use it as a chance to reflect on the name and realize that it is racist and stop calling him that, using as names for our blogs etc etc, not that we should forget or change the fact that it happened, I think that it is a very big part of Charlie's identity as a person and that as a person who enjoys the genderqueer headcanon for him, we as a community can use it as a chance to reflect and realize that I isn't okay for him to do it so it's the same for us, we should respect others cultures and stuff, and use Charlie's mistakes as a teaching moment for ourselves, thanks for reading this all the way through if you did, see you guys in the next post

[delicatefestcloud]

I just saw someone call movie firstprince toxic bc Henry told Alex "sometimes I feel like you don't know me at all..."

I can't believe people, especially those who read the book, could miss the point of that scene entirely: Henry was terrified. He believed that coming out was not an option AT ALL for him. So what he meant by "you don't know me" was "you don't know that I can't do what you're asking of me" which is to fight for their love. During that whole monologue, Alex was quiet, listening as Henry let all his frustrations out:

" I didn't grow up with a loving family"

"I have centuries of history bearing down on my shoulders"

"I can't afford to be reckless"

"I will not trade one prison for another"

These are legitimate points that Henry was making, and Alex respected that, but he also understood that Henry was looking at what Alex wanted: for them to be happy together - not out (yet), just together- as impossible because it's not sustainable to live in different continents and have a secret relationship forever when you're a prince and he's an aspiring politician. With the spotlight on both of you like that, you will be found out. Alex finally understood just how "out of the question" Henry believed them being together publicly to be. That's why he told him "fine, I'll leave, but nothing will ever happen to you (if you decide that you can never let anyone love you. You will live the rest of your life alone, is that what you want?)."

Henry was then forced to see that he is at a crossroads:

Either he lets Alex go, never see him again, live his life in a way that the crown approves of, and never be happy.

Or,

Admit to himself that the love he has for Alex and the happiness he found with him are worth the terrifying notion of one day facing his grandfather and the country and saying "This is who I am, this is the man I love, I know you'll never accept that, but i'll take your disapproval over not being with him -over being miserable for the rest of my life."

He chose the latter. How could he not? when Alex, the love of his life, the man of his dreams, flew across the ocean for him, and was standing right there, in tears, fighting for them, all while making it clear that he will respect Henry's wishes if he tells him to leave.

This scene started with both Alex and Henry seeing something that the other did not see: Alex did not see just how walled-up Henry was about the idea of them ever being able to love each other in public. And Henry did not see that there just may be a chance for them to be happy. That him living his life alone and miserable is NOT set in stone.

I love this scene so much because they actually listened to each other. They both considered the points the other was making. Neither of them was trying to "win" the argument. They were both stripping themselves bare, being the most vulnerable they've ever been in front of each other.

Henry did not just change his mind out of nowhere: for the first time in his life, he was given a glimmer of hope, and he let himself be brave enough to take it.

[emptypapertowelholdermodelx]

weekly rituals with my deities - a study in motivation, worship, routine, & relationships

while working with apollo today he approached the subject of my lack of relationship with the deities i have been worshipping. he acknowledged how it bothered me. while praying to hekate, she pushed the word “try” into my mind several times as i lamented about how i “couldn’t” keep up with everyone i wanted to, and how my faith was waning as i lacked devotion, focus, and motivation. apollo and hekate, together, suggested i pick a day of the week to worship each deity separately. j can continue my small, daily routines (sleep for hypnos, yoga for the morrigan, pills for apollo, etc.), but i may find it easier to pick a day to devote to each deity as well. i worship seven deities, and there are conveniently seven days in the week.

all of this was confirmed when i saw a post here about how i should do the same. i knew apollo and hekate sent the post my way to confirm what they were already telling me - sign, if you will. confirmation.

in that case, i’m writing my routines and devotional acts out here, as a way to stay motivated, accountable, and have it on hand whenever i need it.

every day i plan to pray to them more intensely than usual and offer something small, whether that be a portion of my meal, a flower i found, or a cool rock.

sunday; apollo’s day. pray to him, offer something to him. sunbathe in the window, or outside, in the morning. make a point to dedicate my medicine-taking to him. journal a little, and do a weekly tarot spread to honor his divination aspect.

monday; the morrigan’s day. pray to her, offer something to her. read one of my books about her. do an intense yoga routine to get the blood pumping - no skipping out on this! journal while praying to her.

tuesday; anpu’s day. pray to him, offer something to him. do some shadow work - this could be free writing, a tarot spread accompanied by journaling, or following some prompts. i’ve found that anpu really appreciates when i perform shadow work, and as a death deity, i think ill start a trend of working through my death trauma with him on tuesdays.

wednesday; hyacinthus’ day. pray to him, offer something to him. on wednesdays i will make a point to talk and pray to him while i water my plants, pick weeds, and check on the overall health of my garden and health plants. i’d like to also do some introspective journaling on love and the trauma i am working through, as hyacinthus’ main goal with me is to build a healthy relationship with my partner.

thursday; hypnos’ day. a soft, calm day. not much goes on. i offer to him, and pray to him. perhaps i can take an extra long nap. i can cleanse my bed altar, make it all tidy, and do some devotional prayers and restful activities in bed. i will also make a point to dedicate that night’s sleep to him, and invoke him to appear in my dreams if he’s willing.

friday; hekate’s day. offer to her and pray to her. read one of my books about her. perform a magical spell or ritual, no matter how big or small. right now it’s hard to do full blown spells as i’m working in the broom closet at my christian sisters house, so i don’t have much of my supplies. but manifestation and intention setting will be one way i can accomplish this.

saturday; hestia’s day. pray to her and offer to her. clean my room and tidy up my space in dedication to her. light a candle while i pray to her, and let her energy fill my room. maybe do some baking in her honor, like a sweet desert or an attempt at bread.

i am hoping to follow this routine for my gods and myself. this will help me refocus on my practice and get in touch my deities again, who i’ve been slightly neglecting in favor of doing nothing all day.

i had an insightful time with apollo and hekate, and hope they’re proud of me as i implement their ideas into the coming weeks <3