#sorry this is so LONG

[bats-and-the-birds]

I like to think about young Dick Grayson a lot, and right now I'm specifically thinking about him from the Justice League's perspective.

Like, imagine you're in the Justice League, maybe you've been there for a few months, maybe for a few years, but either way, you know how it works. Superman's terrifyingly powerful, but you get over the fear factor as soon as you see him cry over a sad cat video, and Wonder Woman's still a bit intimidating, but as long as you're good and truthful, you can trust that she won't crush your head like a grape.

And Batman... well, you've made your peace with the fact that you'll never figure him out. You know literally nothing about him, other than the fact that he claims to be fully human, but you're not even really sure about that, because you're pretty sure he just materializes in the shadows sometimes. The only things that you're 100% sure of is that you're terrified of him, and you're so glad that he's not on someone else's side.

And then, suddenly, he has acquired a child. Just like everything else, you don't find out immediately, because god forbid that man tell his team anything. But you start to hear vague reports of another shadow trailing behind Batman in the night. Superman asks him about it one day, but of course, he doesn't respond, and they all wonder, but it never gets brought up again.

But one day, unexpectedly, that shadow is at a league meeting, and he's not as shadowy as you would have thought. In fact, he's wearing the most vibrant costume you've seen, and you spend all of your time with other heroes in spandex. He's also young. Terrifyingly young. It's his twelfth birthday, actually, he explains to the league, and he pestered 'B' until he agreed to take him to a meeting. You all agree later that he looks younger than twelve. And you worry about him, because why is this child in Batman's care? Can he really be trusted to look after someone so small, so young, so seemingly fragile?

Besides, Robin (Robin, his name is Robin, he's a songbird for christ's sake), is everything that you'd think Batman would hate. He talks everyone's ear off with a giant grin stretched across his entire face. He begs Superman to fly him around and cackles and claps as Wonder Woman demonstrates basic sword maneuvers for him. Before long, the whole team is in a better mood. Meanwhile, Batman stands in the shadows, his face impassive, with no explanation about the little masked boy that walked into the room hiding under his cape.

He leaves just as he came, disappearing under Batman's cape as the two exit the watchtower together, and the whole league is left to wonder how the fuck that child ended up in Batman's care, and whether or not they should intervene, because spending prolonged time in Batman's company cannot be healthy for a child.

But then he starts showing up more and more, popping up in some places that you know from Batman's glare he's not supposed to be. He's teamed up with that speedster boy and the two of them cause havoc, but Robin takes the lecture he gets with a grin and gives a half hearted promise to behave.

You steadily start to realize that he might not be as out of place in Batman's company as you originally thought. You realize that the boy is a performer through and through, and that extends to that grin of his that dazzled the team when they first met him. You get the impression that sometimes its genuine, yes, but you'd never know if it wasn't. His exuberance is a persona held in place as meticulously as Batman's grim seriousness.

And though you'd assumed that Batman's sidekick (partner, the boy insisted, rather intensely, though his smile never faltered) would be well trained, this kid could take down league members, you're sure. You quickly realize that he enjoys fighting, and he fights viciously, giggling and putting on a show, but leaving broken bones in his wake. Your first impression is that Robin was more human than the demon they called the Batman, but you quickly start to question that too. If Batman can materialize in shadows, then Robin can fly. He twists through the air like gravity doesn't affect him and lands with so much grace that you'd think he had hollow bones like his namesake. You're not fully convinced he doesn't, considering he climbs up the bat with no warning, clinging onto his back like he belongs there (you quickly start to think he does), or he'll throw himself through the air with no more warning than a quick 'catch' yelled to his partner. And Batman catches him. Batman always catches him. Everyone keeps an eye on him when he's up high, but there's a part of you that feels like it's impossible that he'd ever fall. Or at least, impossible that Batman would ever let him hit the ground.

And you start to think that Robin's exactly where he's supposed to be; perched on Batman's shoulder, hiding in his cape, or fighting by his side. You still hope there's a normal boy behind the mask, going to school and making friends with someone to tuck him in at night, but you also can't imagine anything normal about Robin, and maybe that's why he needs to be by Batman's side, and maybe that's why Batman needs him too.

[hairmetal666]

It starts in Eddie's second senior year, close to the beginning of the semester. Eddie's in trig (again). He's good at math, but Mundy fucking sucks, always giving Eddie shit for breathing, or his shoes squeaking on the linoleum, or whatever, and he ends up with detention most days. So, he hardly ever shows and can't be bothered to do the homework, even though he knows the answers more often than not.

On this particular day, Mundy is in a bad mood, on Eddie's case way more than normal. In the heat of frustration, Eddie scrawls, "I fucking hate this class" on a scrap of notebook paper, and for reasons he can't begin to explain, leaves it folded on the window ledge. He doesn't think anyone will answer; fully expects the paper to be gone come morning with maybe another detention slip under his belt to show for it. He's a little flabbergasted, the next day, when the note is still there, and loses his mind a little when he sees the words "tell me about it" underneath his first message. He doesn't recognize the handwriting, sloping and a little looped, and for most of the class period, he's too bemused to respond. Right before the final bell rings he scrawls, "trig. You?" He leaves the paper on the ledge again. "Algebra 2 :(" is the response.

They keep it up, just a few words at first, before Eddie accidentally doodles on the page, and the other guy scribbles a hasty formula, the math spectacularly wrong. There's a little arrow leading to the words, "this shit sucks." Eddie re-writes the formula with the correct math, leaving careful notations of how and why. The next day he sees, "Shit, dude, I totally get this now. Mundy should retire and let you take over." Which pleases Eddie down to his core.

The messages get longer, nothing super personal, but complaints about life, math help, Eddie's silly little doodles, bad jokes, the slightly lewd drawings typical of teen boys. Eddie's never had a better attendance record in his life, but there are some days where his notes are left unopened. Most remarkably a couple week period before Thanksgiving, where he goes unanswered for so long he figures whatever thing they had going is done. But after the holiday, the notes start up again, with no acknowledgement they ever stopped. Eddie doesn't bother questioning it.

They keep it up almost all year, and they're definitely friends, even though they're totally anonymous. And that wouldn't have changed, except it's the day before spring break and Eddie's vibrating out of his skin with anticipation of the time off, so he forgets his dnd notebook in Mundy's class. He makes it all the way to Click's before he realizes, then sprints back across the school. He crashes through Mundy's door, tripping a little over his own feet.

"Sorry," he pants. "I just left--" he looks over to his desk, far corner right by the window, and then forgets every word he's ever known because Steve Harrington Steve Harrington King Steve, stares right back at him. And he just. He stops and fucking laughs, because all this time--this whole goddamn year--it's been Harrington he exchanged notes with. And sure, the jock's star has fallen in the last few months, with the breakup with Nancy and all that shit with Hargrove, but it's still Steve Harrington. With his big house and his fancy car and his girls. It's pretty Steve Harrington, the focus of Eddie's most hopeless daydreams.

He has a few seconds to see Harrington's hazel eyes go wide, before Eddie spins on his heel and makes a hasty exit. He absolutely doesn't spend the break thinking about the notes, matching what Harrington wrote with the gossip Eddie heard on him from the past few months.

Once break ends, he doesn't bother going to Mundy's class at all.

The Friday of the first week back, Eddie walks out to his van, only to find King Steve leaning up against it. He's doing that obnoxious thing where he has one leg bent, foot resting against the side panel, arms crossed over his chest, stupid hair falling in glorious cascades around his face. It's ridiculously, unfairly attractive.

"What do you want?" Eddie asks. He opens his front door without fully looking at Steve.

"Can we talk?"

Eddie snorts, "what could you and I possibly have to talk about."

Steve narrows his eyes. It's so bitchy and so fucking cute it makes Eddie queasy. "You know what."

"Enlighten me, Harrington."

"C'mon, man, the notes!"

"What about them?

"Don't be stupid, Munson, you know what. Why'd you stop?"

Eddie pulls a pack of camels and his lighter out of his jacket pocket. "Lost its appeal once I knew who was on the other side. Surprised you even want to keep it up now that you know you've been writing to the freak."

He pointedly ignores the little jolt Harrington gives at that, like the words hurt. Which is pretty rich from Steve Harrington, former #1 bully of Hawkins High.

"I've always known it was you," he says.

"You don't--wait what?"

I've known since, like, the first week, Munson."

"How??"

"What do you mean 'how,' dude, you're always drawing little pentagrams and d20's. Writing the word "Slayer" over and over. Who else would it be?"

And he can't even deal with the fact that Harrington knows what a d20 is (what the fuck) with everything else the other boy just said.

"I gotta go," is his only response. He ducks into his van, slamming the door basically in Harrington's face, before peeling out of the parking lot.

✏️✏️✏️✏️

It's the last day of school. Eddie's failed again. His grades, which weren't great to begin with, took a sharp nosedive after spring break, and he just can't wait to be done with this place for a few months. Harrington hasn't spoken to him again, and Eddie tries his hardest to ignore the other boy (aside from seeing him hanging out with Robin Buckley, a junior and a band geek, besides, and he forcibly has to remind himself that he doesn't care what Harrington does).

He slouches into his last math class of the year, slumping over in his seat. He rests his head on his desk, eyes blankly staring out the window as Mundy talks about what a joy most of them were to have in class. His eyes are unfocused, he contemplates a nap, and then he sees it. The tightly folded piece of paper resting on the window ledge.

Eddie almost doesn't take it. He almost ignores it, but he physically can't stop himself for reaching for it, unfolding it, staring at Harrington's now familiar handwriting.

Hey man, I'm pretty sure I fucked things up with us, and I owe you an apology. I've always known who you were, but you had no idea I was me. Buckley helped me see how that maybe freaked you out a little. I know I used to be a piece of shit. But I'm better--or I'm trying to be. And I'm so fucking sorry for the shit I did to you before and the things I didn't bother to stop. You don't owe me forgiveness, but you should know that I regret all of it. I liked passing notes with you. You made me laugh, and I don't know. It was nice to think someone liked me for reasons other than that I'm Steve Harrington, or whatever. I'd really like it if we could be friends. I get if you can't do that or don't want to.

Whatever the note actually ended with is scribbled out in pen so thick Eddie can't make it out.

All day he thinks about the note, the apology, all of it. Eddie thinks, if he's smart, he won't forgive Harrington. That he knows better than to trust him. But Eddie's never actually been that smart in this way, so he's not totally surprised to find himself walking to Steve's car after the last bell rings.

This time, Eddie's the one with his foot resting on the side panel of Steve's BMW, arms crossed over his chest. He doesn't have to wait long before Harrington makes his way to the car, chestnut hair dancing in the breeze, biceps on display in a short-sleeve polo. A little smile dances across his lips when he spots Eddie.

"So, you gonna tell me how you know what a d20 is, Harrington, or do I have to guess?" Eddie offers the other boy a cigarette.

"Babysitting?

"Babys--Are you serious??" Eddie splutters. Steve Harrington babysits. Steve Harrington babysits little dnd playing nerds. Steve Harrington wants to be his friend.

A full grin spreads across Steve's perfect face and Eddie is absolutely, 100%, fucked.

(Part 2)

(Steddie Notes is now posted in full on ao3!)

[bluegiragi]

konig voice: i hope this doesn't awaken anything in me (it does)

[pocketgalaxies]

C3E73: the second appearance of "Flat white with vanilla please"

[theaceofarrows]

Bruce: Boys, care to explain these headlines that came up on my news feed?

Bruce: Like this for example? [Pulls up a pic of a headline reading "Dick Grayson, is he in fact Gotham's gift to bisexuals everywhere? According to residents of neighbor cities the answer is a resounding yes. Here is their thought process"]

Dick: What do you do want me to say Bruce? That's the God honest truth!

Bruce: Just... Fine. I'll ignore that

Bruce: And Jason? [Pulls up an article reading "Jason Todd son of billionaire Bruce Wayne, recently nominated for Pulitzer price for his bestselling novel that was inspired by a fanfiction of Shakespeare's Hamlet he wrote in his teenage years"

Jason: Are you fucking kidding me?! After all my hard work. After I pour my heart and soul into that MASTERPIECE, they have the nerve to mention YOU?!

Bruce: Wha- no. That's not what I meant at all- I mean, just when did you have time to publish a novel? And when did it become a bestseller?

Jason: What? You think I don't have a life outside this family? You surprised I'm such a gifted writer?! Gosh Bruce! [Leaves]

Bruce: [tired sigh] Never mind... Tim, I'm afraid to ask. But what's this? [Pulls up a headline reading "Is young Wayne Enterprises CEO Tim Drake, a know black coffee addict actually a pumpkin spice connoisseur? Local Starbucks employee claims to have witnessed it first hand]

Tim: That wasn't me

Bruce: This wasn't you...? [Shows a picture of a badly disguised Tim running out of a Starbucks with a Coffee cup]

Tim: [looking Bruce straight in the eyes] Nope

[witchlingcirce]

Okay I’m sorry but I feel like people are missing the point of Jace’s speech!!! The whole point of this conversation is about his insecurities and how he views his bastardy.

Do I think he should be insulting the small folk? No. But I don’t think you guys understand- people viewing Jace and his siblings as bastards and unworthy of the throne is quite literally now where introduced to Joffrey and him.

The topic of being a bastard is so prominent to his character! Throughout the first season Jace is constantly reminded that he’s a bastard and how ‘strong’ he is. Him being a bastard has caused problems in the past as well.

—> During the fight with Aemond, he’s reminded of Harwin being dead and also Aemond calling Jace a bastard (fight inevitable led to Luke cutting out Aemonds eye —> Aemond killing Luke).

—> During the aftermath of this fight, the topic of Luke and Jace being bastard is really prominent and it’s being thrown around the room for everyone to see and hear. I can’t imagine how embarrassing it must be for your cousins to be like “just look at them, everyone already knows”.

—> having to watch his brother fight for his legitimacy in front of the entire court room. Seeing a man call your mother a whore, and than watching that same man be beheaded (and he’s legally ur uncle too lol).

—> Him asking Rhaenyra with so much contempt if he was a bastard.

There is more examples of his, Luke and Joffs parentage being consistently mentioned throughout the show but those are some examples.

So, here is Jace who has quite literally watched his, his family and especially his mothers claim be put in question and almost taken away because of his existence- and than here he is seeing other Targaryen bastards being able to claim a dragon.

He even says it during the argument, that him having a dragon makes his claim legitimate. But seeing all these other people claim a dragon, well what does it mean?? This is backed up in season one when Alicent mentions to Viserys (or maybe Cole? My memories a bit foggy) that she’s surprised his dragon even hatched. Why?? Because he’s a bastard

I don’t think argument comes from hatred towards the small folk (although he used some colourful language…), I think it comes from so much built up resentment all coming out. I mean, what claim does he even have??? Wouldn’t everyone else also have a claim???

For so long he’s been so insecure about himself, about his future and about how others view him. This is really just him releasing his pent up anger towards a situation that’s never been able to leave him alone.

To those who have read Fire & Blood, than you understand that these words will quite literally come back to haunt the actions of the end of the dance.

Anyways that’s just my pov on this fight- Jace you will always be loved by me.

[pinkcowzz]

something about tim & dick’s relationship makes me feel so. !!!

they are both such complex characters and it really makes my heart feel so heavy to think about them for too long.

like. dick created robin out of his parents blood. the costume was inspired by his family's colors. the name was one he was given by his mother and the only reason he took up the role was because he wanted to get justice (revenge really) for his parents death. he was taken in by bruce who was SO YOUNG at the time and who was still learning how to cope with his own loss still. their relationship was built off of that shared grief and understanding. but then one day, dick learned to let go of that grief. he was able to not let it consume and control him. and he grew tired of living in the dark nest that bruce built for them. and bruce doesn't know how to deal with someone else he loves leaving him so he kicks dick out. like yes bruce is dick's father figure of course he is. but he was also his brother in a weird way. dick didn't want or need for his parents to be replaced so bruce offered him something different. he offered him a partnership. and partners are supposed to be equal but somehow bruce ended up placing himself higher than dick and it was suffocating so he had to leave.

and in dicks absence, bruce finds another kid. this time, it's a kid who does need a parent. jason's relationship with bruce is so different than the one that dick had and i have to imagine that it hurt. it hurts to see your father be better for someone else. it makes you think why? why not me? why wasn't i good enough? and to make matters worse bruce gave away dick's blood without a second thought. jason is given the mantle of robin and my god i cannot imagine the pain it caused dick to see someone else flying around in his colors. that was his name. and dick is still just a kid. yeah he's like legally an adult but his prefrontal cortex was nowhere near developed. so he's bitter and short and rude to jason. he has to take time to get used to having another kid at the manor and another kid in his colors but its fine! its fine! he does come around eventually and his guard starts to come down and he commits to being there for jason. but it was too late. dick leaves the planet to be a hero and when he comes back? jason is dead. the kid he was just starting to get used to is dead.

not only is he dead, but he's already in the ground and bruce? bruce goddamn wayne didn't even bother to tell him. how in the world could bruce ever consider them partners. as far as dick was concerned bruce was just as good as dead to him as jason was. and it hurts. it hurts to not be able to go home without seeing the ghost of a kid you chose not to protect, the ghost of a kid who died too soon wearing the same colors that your parents died in.

so dick doesn't go home. he doesn't speak to bruce. he builds himself a new life, the teen titans become dicks home. and he's okay with this. his origin is so similar to bruce's but he refuses to be the same as batman. so he faces his ghosts. he doesn't let them haunt him. he hears about haly's circus potentially getting shut down and he goes to deal with it.

and here is where dick meets tim drake for the first time. tim who tried to help him save haly's circus (albeit he accused the wrong guy but he was trying). tim tells dick that he needs to save batman.

and so dick brings him back to the manor. where tim tells dick just how important he was to his childhood. tim explains how that night at the circus shaped him just as deeply as it shaped dick. tim shares this complete and utter faith in robin, as if robin is enough to save batman from his own grief. but dick knows this isn't true. dick was barely enough to save himself from his own grief much less bruces. but nonetheless bruce saved dick when he was at his absolute lowest. gave him something to believe in. so maybe, just maybe, he can try again for bruce. but not as robin. it can't be robin. his partnership with batman died when he was kicked out and it was buried when he was kept out of the loop about jason. but tim knows that batman needs more than nightwing by his side. so he takes up the robin mantle. he takes it upon himself to 'save' batman. and in a way, he does. he helps bring bruce back from the edge.

and dick. the last time someone took up his families colors, someone died. and he refuses to allow that again. he refuses to be the reason that tim suffers. so he becomes the older brother he couldn't quite bring himself to be for jason. and to tim? he's wearing the mantle of two robins on his back.

his own standards are set so high and he tries his damndest to meet them every time that he puts on the mask because he knows where the colors of the suit came from. he knows why dick created this identity. he was there. he saw the grayson's fall.

and for a while, things are good between them. things are great even.

then the attack at titan's tower happens. and tim is told that he is just a placeholder (not a replacement like fannon likes to claim, but the words jason todd used were placeholder). and seeds of doubt start to be planted. was he ever wanted? was he ever truly appreciated? he did steal the suit the first time he put it on. was it fair for him to wear the colors that were born of dicks blood and that jason died in?

then tim loses his whole support system. stephanie. bart and kon. his dad. and finally, bruce.

dick has been so committed to never being like bruce. he has been so dedicated to relying on those who offer him help. nightwing is pillar in the hero community, but batman. batman was the foundation. he is considered a founding member of the justice league. he doesn't want to take up the mantle. it had never been in his plans. but jason proved too unstable to take up the role and of course he can't ask tim to. so he dawns the cowl he has grown to hate.

this just leaves one little problem. damian.

damian who has just been dropped off on bruce's porch by talia. damian who grew up in the league of assassins and is so out of place in gotham that dick doesn't know what to do. he never asked to be batman and he definitely never asked to be a father. yet here he is. having to do both. so he does what bruce did all those years ago and provides damian with the mantle that he created in order to give this kid some sort of outlet. he knows damian needs it.

by some unfortunate twist of fate, dick has unknowingly created such a painful parallel between his own firing and tim's.

and then tim discovers that bruce isn't really dead.

and this kills dick just a little bit more. of course he wants to believe tim. of course he wants his dad back. he wants someone else to be the one to make these hard calls and he wants someone else to parent damian. he doesn't want to be the one who has to fire his little brother in order to save the other.

but he can't take that chance. he can't risk the hope. because losing it would actually ruin dick. so he tells tim it isn't possible. because to dick? it can't be possible.

and this just furthers the wedge between the two of them. tim feels abandoned and lost and he feels as if he has nothing left.

and dick doesn't understand why tim can't see that he's right here. he's right here tim i'm still here why aren't i enough for you to stay?

anyway this got away from me a little bit but god their relationship could make angels weep it truly makes my heart stop if i think about it too much.

[pumpkinandcoat]

My TUA4 thoughts

Its been a week now since the final season premiered and I have finally been able to compile all my thought together

This is an essay.

Spoilers for season 4 of The Umbrella Academy

(obviously)

With the fourth and final installment of The Umbrella Academy finally released, brings the long awaited conclusion of the Hargreeves family. And suffice to say… people hated it.

Even when this show is at its weakest with its plot, the thing that makes the show so good and what many people love about the show are its characters. They are all very distinct and memorable. And in TUA3, while it's riddled with plot holes and frustrating choices, is still a lot of fun to watch because of the character moments and the relationships between the different siblings.

That is why TUA4 is so infuriating, because it takes these special and memorable characters and it morphs them into these weird versions of themselves. Every single main character falls victim to this. They regress as characters into these versions of themselves that shouldn’t exist anymore.

Luther has become a stripper. His arc has almost no dignity from the get go. This only very loosely connects with his arc in TUA2 where he works at a bar, but as a bodyman and not as a ‘professional dancer’ so as to why the writers chose to make him a stripper is weird. He has returned to live in a run down version of the academy. There is no follow up on Sloane and he mentions her only one or twice in the whole season.

Diego is somewhat resentful of fatherhood, and he misses his old life of excitement when he was a vigilante. He is unhappy with his life and he seeks the higher purpose that he thinks being a criminal deterrent will give him.

Allison yearns again to be a star and neglects her relationship with Claire in the pursuit to regain her fame. 

Klaus, as soon as he regains his power, turns back to drugs. There is no attempt for him to hold onto his sobriety, even though as we see in TUA2 and TUA3 he is (mostly) sober for three years with his powers fully intact. We don’t even get a scene of him struggling with the ghosts coming back to haunt him before he is off to go buy drugs, and then he becomes a victim to sex trafficking. 

Five’s working at the CIA. After a lifetime of hardship and struggle, after he is forced into organizations where he has to complete different missions - first as a child with Reginald in the academy, and later as an adult with the commission - and after he is ready to retire at the end of TUA3, he joins into another organization instead.

Viktor moves away to Canada and is again isolated from his siblings and alone. Shown to have no lasting and meaningful relationships in his personal life.

Every single character is reverted back to an old version of themselves that they have grown from by now. The writers strip them of all of their character growth and substance and reset them to their base characteristics. Worse than that they write them as stereotypes that they are portrayed as at the beginning of the show, in which they are shown to be more than just those stereotypes and have at this point for a lot of them grown from them all together. They are now reduced back to them but without any of the nuance or layers that they had before, and again stripping them of all of their character growth and personality. 

The writers absolutely refuse to let these characters grow in meaningful and satisfying ways.

The relationships between these characters as well are also poorly written. Many of the strong relationships we see in the past seasons barely have interactions with each other, such as Klaus and Five, Diego and Klaus, Allison and Viktor to name a few. With Allison and Viktor we only really have one meaningful scene between them where they talk about how they aren’t close anymore and then there is no further discussion or resolution between the two. And with many others at best they get fleeting minor interactions where they maybe exchange one line or comment. Then there’s the characters who we’ve been waiting to interact for a long time, like Five and Claire, where in the first season Five expresses his desire to live long enough to meet his niece but in season 4 we don’t see them interact even once.

But by far the most insulting relationship is the one between Lila and Five and Diego. 

Two fucking words: Character Assassination.

The way that they wrote Five in this season is so completely baffling. Because the writers felt the need to give Five a love interest this season they decided to pair Lila and Five up and in doing so they destroy both Five and Lilas character, and the dynamic between Five and Lila, Five and Diego, and Diego and Lila.

There are two faucets as to why this relationship doesn’t work: the in-show context and the real life implications of the pairing.

In-show: Five and Lilas relationship hinges on the fact that they are stranded together on the subway for 7 years, unable to get back to their families. In the second to last episode of the entire show they are taken away from the rest of the characters to be put in this pocket dimension for the sole purpose to develop a romantic relationship between the two of them. 

For Lila as well, but especially for Five this makes no sense for their characters and butchers everything they represent and everything they stand for. Fives' driving force for his whole character is his family. Everything that Five does, every action that he takes, everything that he endures and pushes himself though, is for his family. His family's safety and survival matter more to him than his own physical, mental and emotional well being. They are the only people in the whole world that Five cares about.

Five survives 40 years in the apocalypse, with abysmal chances to get out, where any normal person would kill themselves, Five endures for the miniscule chance to get back and save his family. He spends years working for the commission, killing hundreds of people, after being the only surviving person on earth for 4 decades, to buy time so he can get back to his family. Five spends 45 years trying to claw his way back to his family. And when he does make it back to them, Five spends 28 straight days trying to prevent three different apocalypses across three different timelines so his family would live.

After 7 years on the subway Five gives up on getting back his family, and when he discovers a way back he keeps it a secret, even when he knows they are facing the apocalypse and certain death again? It doesn’t make sense for his character at all. Yes, he was tired at the end of TUA3 and was ready to lay down and die with his family by his side, but that was again after three failed attempts at preventing the apocalypse in a very short period of time. He also isn’t with his family, separated and isolated once again.

In terms of Five and Lilas relationship - It doesn’t make sense for Five, whose sole driving force throughout the entire show is his family, to turn around and betray his brother by engaging in a relationship with his wife. 

The dynamic between Five and Lila throughout the seasons has progressed from enemies to begrudging allies to a close friendship between the two, a progression that could not have happened without Diego. At the end of TUA2 and the start of TUA3 these two hate each other's guts, but because they both love Diego they are willing to put their shit aside and be somewhat amicable. Then, because they also both have a connection through the commission they team up and to go back and investigate and it's here where they can move past their past and are able to slowly form a friendship.

Yes, they are very similar characters and they have a unique bond. They can understand each other in a way none of the others can, because of their unique experiences at the commission and as being used as tools of The Handler. But this doesn’t mean they are suited for each other romantically and in fact is exactly why they aren’t. They both have deep trust issues, paranoia, and a kind of bitterness towards the world because of their experiences. With Lila and Diego, the reason that they work so well is because Diego's trusting nature and goodwill in people shows Lila that she can open herself up to people and to trust and love.

And the showrunners take all of this characterization, all of the love and devotion and the deep bonds between these characters and they throw it away because they wanted to give Five a love story. In the second to last episode of the entire series we see a three minute montage of Five and Lila on the subway for 7 years, and then three scenes of them in the greenhouse before they return back to the main time.

The writers destroy these characters and destroy these relationships for 15 minutes of screentime.

There is no resolution to this plotline. There is no reconciliation or understanding about what happened. Lila dies on dubious terms with both Diego and Five. Five and Diego die hating each other.

In real life: The actor who plays Five, Aidan Gallagher, was a minor during the filming of TUA1/2/3, and this was the first year he filmed where he was legally an adult, being 19 years old when filming TUA4. 

From the first season of the show, when he was 14 years old when filming, he has been heavily sexualised by a certain group of the fanbase. 

And the creators of the show, who have known him since he was a young teenager, at the first opportunity they could, paired him with his 34 year old costar - They met in the filming of the second season of the show, when Aidan was 15.

They waited - literally waited - for him to turn of legal age so that they could make his character have a love story, and then regardless of morals, regardless of plot relevance, regardless of if it even made sense for the characters, proceeded to pair Five and Lila up. Completely uncaring of the story, the established relationships between the characters and the overarching arcs of these characters.

The writers literally had to completely separate and isolate Five and Lila from the rest of the characters in their own timeline for over half a decade in order for it to make sense for them to develop a romantic relationship between them.

The decisions of the creators in this season are just so insane.

In continuation of Fives character this season - he abandons his family twice. Firstly when he finds the cipher to the subway and can return home, but chooses not to. Then secondly while his family are facing a life or death situation and another apocalypse, he physically fights Diego, and when Lila intervenes and implies that their relationship is over, he abandons them in the middle of the fight, to return to the subway.

And finally we get to the finale, where Five - again whose entire character is built on the love and devotion he has for his family - decides to erase himself and his entire family's existence from not just one timeline, but across every single timeline in order to correct the universe.

Five has never cared about the timeline. In fact he has always actively been working against it for his family's survival. They are supposed to die in TUA1 but Five will not allow that to happen and he goes against everything and every one to ensure that they live. He does this in every single season - goes directly against time and the universe to make sure his family makes it out on the other side. Now he is happy to give up and give in and not just to let his family die, but to have them permanently erased as if they hadn’t existed at all.

Even with the Five diner, we see all these Fives who have given up on trying to save their family after trying and failing to save them countless times - over 100,000 times - they resign themselves to a life of solitude with only alternate versions of themselves for company. Surely some of these Five have had to make the same connection that our Five makes, but they won’t sacrifice their families existence for the sake of the main timeline. But our Five, the Five that we follow, the Five we’ve personally seen struggle and fight to make sure his family is safe is the one who does.

I just cannot express how much this season disappoints me. The fundamental misunderstanding the creators have with their own characters and their own show is unbelievable. Even at the show's weakest, what makes it so engaging, what makes it so great, is this dysfunctional ass family who love each other. Their unbreakable bonds even when they are at odds with one another. How in their own weird way they do care deeply for one another. 

And the creators when telling the final story of these dearly beloved characters, destroy the bonds between them and send them off with a big old Fuck You to the audience to boot.

I cannot fathom how the same people who made TUA1 and TUA2, created this. Truly I cannot.

The conclusion from all of this I have come to is that the creators of this show are obsessed with writing perverse storylines. More subtle in the beginning, but now at the expense of the story and the characters themselves. Even since TUA1 there have been very weird romance story lines. Luther and Allison, and though not explicitly stated, the dynamic between Five and The Handler in the first two seasons is extremely uncomfortable.

And in TUA4 it all comes to the forefront where despite all of the complexity and nuance in the previous seasons of the show, they are willing to throw it all away to write these weird creepy storylines that nobody but themselves asked for or wanted. Luther becoming a stripper, Klaus being sex trafficked, Lila and Fives whole relationship.

Again I cannot express how much this season disappoints me. I cannot comprehend the decisions the creators of this show made. I cannot understand why they chose to destroy everything that made this show great. I cannot fathom how they could end this show in such a way and then pat themselves on the back for a job well done.

This has made me so deeply upset in a way that I just can't express. I have completely lost all respect for the creators of this show. I’m glad that it's finally come to an end so the creators can’t keep continuing to ruin this show and its characters.

Goodbye, Hargreeves family. You all deserve so much better.

[delicatefestcloud]

I just saw someone call movie firstprince toxic bc Henry told Alex "sometimes I feel like you don't know me at all..."

I can't believe people, especially those who read the book, could miss the point of that scene entirely: Henry was terrified. He believed that coming out was not an option AT ALL for him. So what he meant by "you don't know me" was "you don't know that I can't do what you're asking of me" which is to fight for their love. During that whole monologue, Alex was quiet, listening as Henry let all his frustrations out:

" I didn't grow up with a loving family"

"I have centuries of history bearing down on my shoulders"

"I can't afford to be reckless"

"I will not trade one prison for another"

These are legitimate points that Henry was making, and Alex respected that, but he also understood that Henry was looking at what Alex wanted: for them to be happy together - not out (yet), just together- as impossible because it's not sustainable to live in different continents and have a secret relationship forever when you're a prince and he's an aspiring politician. With the spotlight on both of you like that, you will be found out. Alex finally understood just how "out of the question" Henry believed them being together publicly to be. That's why he told him "fine, I'll leave, but nothing will ever happen to you (if you decide that you can never let anyone love you. You will live the rest of your life alone, is that what you want?)."

Henry was then forced to see that he is at a crossroads:

Either he lets Alex go, never see him again, live his life in a way that the crown approves of, and never be happy.

Or,

Admit to himself that the love he has for Alex and the happiness he found with him are worth the terrifying notion of one day facing his grandfather and the country and saying "This is who I am, this is the man I love, I know you'll never accept that, but i'll take your disapproval over not being with him -over being miserable for the rest of my life."

He chose the latter. How could he not? when Alex, the love of his life, the man of his dreams, flew across the ocean for him, and was standing right there, in tears, fighting for them, all while making it clear that he will respect Henry's wishes if he tells him to leave.

This scene started with both Alex and Henry seeing something that the other did not see: Alex did not see just how walled-up Henry was about the idea of them ever being able to love each other in public. And Henry did not see that there just may be a chance for them to be happy. That him living his life alone and miserable is NOT set in stone.

I love this scene so much because they actually listened to each other. They both considered the points the other was making. Neither of them was trying to "win" the argument. They were both stripping themselves bare, being the most vulnerable they've ever been in front of each other.

Henry did not just change his mind out of nowhere: for the first time in his life, he was given a glimmer of hope, and he let himself be brave enough to take it.

[emmaswanned]

"i believe her."

[nekrosdolly]

albert wesker hcs pt.2 (re1-re5) (18+)

a/n; overall headcanons for whiskers himself! both nsfw and sfw, mostly nsfw. these are just my opinions and if they're ooc, i'm sorry. i'd like to say that im so down bad it's horrible and laughable. probably my longest post yet my computer is killing itself.

cw; nsfw content (i.e. kink talk, genitalia discussions and descriptions, mentions of dubcon and CNC, collaring mentions, cockwarming, impact play, light bondage, bdsm themes, dom/sub relationship)

˖⁺‧₊˚♡˚₊‧⁺˖ hex codes ˖⁺‧₊˚♡˚₊‧⁺˖

applies to all variants

˚ʚ♡ɞ˚ - overall skintone is #F6E5DE

˚ʚ♡ɞ˚ - his eyes are #adcfe6

˚ʚ♡ɞ˚ - his cock starts with #f6e5de, fades to #F1D8CD. tip is #ffc8b5.

˚ʚ♡ɞ˚ - his hair (pubes included) is #F0E2B6

₊˚⊹♡size and habits ₊˚⊹♡

˚ʚ♡ɞ˚ - he's 8" in length, definitely can't close your fingers around it. thick vein on the underside.

˚ʚ♡ɞ˚ - 6'2 in height, more lean than muscular. towers over most.

˚ʚ♡ɞ˚ - definitely well groomed. not very hairy in general, thus he doesn't have very much hair to groom. cuts his hair (in the bathroom by himself mind you) every month.

˚ʚ♡ɞ˚ - re1 eats as needed, the healthy 3 times a day, and plenty of water to stay on top of his game. re5 doesn't have the need to eat or drink. he's no longer 100% human and his appetite diminished within months of taking doses of Uroboros.

˚ʚ♡ɞ˚ - reads a lot when he's not working. non-fiction, science-based literature to expand his knowledge. his wits came naturally, sure, but that doesn't mean he can't maintain them. at home, when he's truly by himself, he doesn't wear his sunglasses. he has an actual prescription pair that's a similar style to his sunglasses, just without the tint.

˚ʚ♡ɞ˚ - his guilty pleasures are romance novels. the vampire kind, specifically. he finds them entertaining though he often makes fun of the cheesier ones. when he stumbles across the occasional good one, he rereads it over and over again until he's worn out the spine.

˚ʚ♡ɞ˚ - he drinks wine. not one for beer, truthfully, but will drink some here and there. whiskey is his second choice.

⋆˙⟡♡⟡⋆˙kinks⋆˙⟡♡⟡⋆˙

୨୧ - (re1) at the beginning of your relationship, he'll only do something if you ask him to. he's never thought much about sexual exploration given his long, *long* history of solitude. he refuses to do anything that might injure you- knifeplay, gunplay, impact play (light or hard), etc. sure, he'll tie you up if you ask, he doesn't mind. he plays into your desires.

୨୧ - (re1) the more he researches, the more he finds he likes. he buys some ribbon to bind you with- the flimsy kind you can get out of quickly should you need to. he loves pink on you. he only binds your wrists together, nothing too intense. maybe he blindfolds you, uses a toy on you, or overstimulates you. consent checks regularly, as well. you use safewords should you need them.

୨୧ - (re5) fully established kinks. he's less human and less rational, but he knows to respect your boundaries. he leaves bite marks all over you and demands that you don't cover them up with makeup or clothing. he likes owning you. you're given a collar, of which you can put on or take off as you please, but during which you are fully submissive to him and whatever he wants you to do.

୨୧ - (re5) consensual nonconsensual (cnc) is his favorite. of course, you have to be wearing your collar for him to take advantage of you. safewords are a must for the both of you. he's never submissive, definitely a hard dom. he doesn't feel the need for knives or guns, but he does love impact play. loves shutting up your bratty mouth by slapping you and manhandling you. he's switched to handcuffs instead of ribbon if he deems them necessary.

୨୧ - (re5) since Uroboros has diminished his humanity by a good chunk, he's more animalistic towards you. aside from marking you up, he's obsessed with breeding. adores cumming inside you until you're leaking it. he knows you love it just as much as he does. at some point, it becomes routine. "such a slut. can't go a day without being fucked full of cum." he degrades you lightly, nothing that would genuinely hurt. simple things i.e slut, whore, toy, doll, dumb, stupid, etc.

༘⋆✿ favorite positions ༘⋆✿

๋࣭ ⭑ - (re1) he likes seeing your face. he loves watching your face twist and contort with the pleasure he gives you. adores being able to see all of you, all of what he does to you. eye contact drives him crazy. if you're blindfolded, he won't finish until you're done. he'll ask if he can take your blindfold off between kisses to your face.

๋࣭ ⭑ - missionary is a must. your first time with each other is missionary- the romantic first time you'd see in movies where he takes his time to make you feel valued. the lotus position is another one he likes if you're going to be on top. he's okay with you riding him too, if you really want, but he'd prefer to be the one in control.

๋࣭ ⭑ - if you both aren't feeling sex, he loves getting you off by having you sit on his face or using his fingers on you. he doesn't need anything in exchange either. he's found that he doesn't like receiving head, as he finds it to be degrading towards you, and that's the last thing he wants. but if you insist, he allows it. he mutters praises as you take him down to the base, swallowing around him in an attempt to not gag.

๋࣭ ⭑ - mutual masturbation is something he's weak for. he loves watching your hand try to fit around him as you stroke his cock so eagerly, his fingers buried in your weeping entrance.

๋࣭ ⭑ - (re5) he prefers less intimacy, not like how he used to. he thinks it's too human, something he's made quite clear that he's not anymore. he'll fuck you just about anywhere. he prefers doggy with his arm around your neck, keeping you in a chokehold. bonus points if you beg him to breed you in this position.

๋࣭ ⭑ - what he gets, he'll give. you give him head, something he's come to enjoy, he'll give you head with the same enthusiasm.

๋࣭ ⭑ - cockwarming is a must. prefers it while he's either reading or working at his desk. sometimes, he'll make you read to him and thrust up into you occasionally so you stumble over your words. when he gets impatient, he pins you down and fucks into you until he comes at least twice inside of you.

๋࣭ ⭑ - wearing your collar? he'll fuck you while you're cuddling. spooning is preferred, but whether you're sitting on his lap, lying on top of him, or him on top of you, he's putting his cock inside you. very rarely does he do slow and soft, but if you're both tired, he'll be careful with you. he loves sitting you in his lap, his forceful grip on your hips, and moving you like a ragdoll. superhuman strength pays off in situations like this. his fingertips leave bruises that make his cock twitch whenever he sees them.

˗ˋˏ ♡ ˎˊ˗ pet names ˗ˋˏ ♡ ˎˊ˗

𓆩♡𓆪 - (re1) calls you darling, dearest, dear, little dove, dove. adores praising you and could for days on end. (i.e. "that's it, dear, you're doing so well for me. are you alright? should i stop?)

𓆩♡𓆪 - (re5) calls you pet, dear, bunny, darling, slut, whore, dolly. praises and degrades you. (i.e. "what a good fucking whore, taking my cock so well. you were made for taking my cock, my personal whore. i'm going to ruin you for anyone else." )

[esoterictboy]

frat tboy x sorority tgirl…

idk this makes no sense outside my own brain but ur posts are making me 😵‍💫😵‍💫😵‍💫

-🫐🐾

(no that’s really cute haven’t felt like answer these in a minute but this got me!!! sister and brother sororities/frats sometimes like assign pledges to help one another)

I think it’d be cute if we were at the same party manning the drinks and you couldn’t make eye contact cause you were shy and since I’m shy too so I get it. Im making eyes at you and you’re wearing one of those cute pencil skirts and my hand brushes up against your thigh, while Im making you laugh. Until I’m standing right in front of you and you can feel the front of my jeans pressing up against you since I’m crowding you against the counter. You can feel my bulge through the fabric and I can see your eyes starting to get all big because you’re trying not to smile. I can see the strap of your thong peaking out so I slip my finger under it and tell you it’s cute a pull it back so it snaps against your waist. You bite your lips trying to ignore the heat between your legs. Then I’ll make some joke about how you should join the wet tshirt competition and you say it’s too embarrassing and so I’ll lean in until you can feel my breath against your neck and say “it’s just cause I wanted to see your tits”, like a secret. My hands will slide up the back of your shirt and I’ll scratch my nails down your skin. You tell me that you want me to see so you take my hand and pull me into the bathroom and lift your shirt up, you’re looking away like it’s embarrassing but your tits are really cute and your nipples are so puffy and when I tell you this you smile. I’ll ask you if I can touch them cause they just look so soft I wanna squeeze them, and when you say yes and I start rubbing my finger over them you’re covering your mouth so you don’t whimper to loud and have people hear us, I’ll ask you if I can put them in my mouth and you nod vigorously. I laugh cause that was cute, and you can feel my breath against them. I start mouthing at them, and sucking one before moving to the other and switch off by massaging them and getting them nice and wet while you try to stay upright humping against nothing but the fabric of your panties because your so turned on. I stop and your skin is still wet when I ask if you wanna fuck.

15 minutes later my pants are around my knees and I’ve got one hand on your waist and another on your tit pounding into you from behind and telling you to look how pretty you are in the mirror. I’ll slide my hand down and play with you until you cum so loud one of your sisters comes to the door asking what’s going with my dick still inside you and your knees buckling. You’re still shove yourself back on my dick and stuttering out “e-everything’s f-ine” to try and get her to leave.

[triaelf9]

hey folks who interact with creative works online! just a tiny PSA

If you don't like a character, that's totally fine! If you have a different reading of a situation in a show & have issues with stuff that's going on, that's also fine.

What is NOT fine is to ACTIVELY SEEK OUT fans of the characters you don't like and talk shit about them, the characters they have feelings about, or the content they've posted b/c you, Freddy McHatesalot really needs to tell everyone how much you dislike a...fictional character.

You are totally welcome to consume content in your own space in whatever way you see fit. It is disrespectful of the fandom space to try to drag other people into your space and interact with you if they don't want to. And dunking on a character in writings or art of them is fucking rude as hell to the person who put work into into the creation they made out of some feelings they were having.

Also. side note, it is possible to enjoy a character who is Wrong About Some Things or Isn't Doing The Right Stuff In The Right Situation. Sometimes it's possible to like a character and disagree with them, and shitting on people b/c you can't see what they see in a character is pretty trash garbage and is 90% of why I just make silly little art for me and my own silly feels and hope folks get a chuckle or some enjoyment out of it too.

[crescentmel]

i watched the x-men films for the first time ever here are my thoughts *spoilers obviously* :D

small backstory: i was going to go watch Deadpool & Wolverine however i have seen the previous deadpool movies but i’ve never watch the x-men films at all, my knowledge of that universe is minimal. my coworker suggested i at least watch Logan before watching Deadpool & Wolverine so i did.

Logan is easily one of the best Marvel films i have ever watched in my life, like top 3 films for sure it was amazing im still thinking about this movie weeks later. so i watch Deadpool & Wolverine and realize im low key obsessed with logan so might as well watch all the x-men films ¯\_(ツ)_/¯

ALSO I HAVE NO KNOWLEDGE FROM THE COMICS DONT COME FOR ME

The Original Trilogy

Overall i enjoyed the first two films, i think The Last Stand might be my least favorite of the whole franchise im not gonna lie

i’m just gonna say it, i was so not here for the Logan & Jean romance, like im kind of a hater so if this upsets you than this post is not for you lmao

ADORED JEANSCOTT WITH MY HEART AND SOUL !!! THEYRE SO FUCKING CUTE !!!!

Right of the bat, Logan & Jean’s romance felt SO forced. like it wasn’t believable for me, in the first movie it felt like Logan decided he was in love with Jean, not that he is actively falling in love with her, it was kinda weird

Meanwhile you can like clearly tell that Scott & Jean are in love with each other, but it feels like Logan’s character is just disregarding that

I understand in the comics it’s supposed to be a love triangle of sorts, i just think that if they wanted to do that for the films they could have portrayed it better

Ororo is an angel i love her

charles & eric need to make out

scott summers you ball of sunshine

i’m glad the rogue crush thing died in the first film bc ohmygod that was hard to watch

my favorite is X2 of this trilogy i really liked the plot and how it expanded more into Logan’s story

The Wolverine Trilogy

Origins wasn’t like, super terrible? i guess? my least favorite of this trilogy for sure though

i liked the plot twist that his girlfriend of 6 years was manipulating him, i didn’t see it coming, i was like WOW that’s fucked up

was disappointed he forgave her like wtf 😭

deadpool thing was weird i didn’t like that

good film to learn logan’s backstory, his brother was so fucking annoying though

The Wolverine was a decent film, if ur looking for an x-men film that’s more action centric than mutant centric this is your film

it felt like a wolverine side quest lol, nothing crazy going on, but i liked it more than Origins

logan is just tired

snake lady’s powers were cool

this girl is never going to see logan again so at least she got what she could

it goes without saying that Logan 2017 is the best film in the whole x-men/fox franchise

i could definitely make a whole post going into a deep dive of Logan but i’ll just keep it short

Logan’s dedication to taking care of Charles warms my heart in a way you cannot imagine, he truly cares so deeply for that man, charles gave him the opportunity of having a new family and i feel like logan will always be grateful for him

Logan & Laura :’)

it was like watching Logan go from only caring about kids in a “i’m a teacher” way to seeing Laura in a “i’m her caretaker now” kind of way, like there was a shift in his character that he wasn’t expecting

my little family of three that definitely lived happily ever after

my favorite scene of the whole film was when Logan realizes that it was his clone self that stabbed Charles, and his immediate gut reaction was to say “It wasn’t me” and to reassure Charles that Logan would NEVER do that

so that Charles would never die thinking one of his closest friends (AND SON FIGURE) would ever betray him like that and kill him

LIKE THAT WAS SO IMPORTANT TO LOGAN, HE DIDNT WANT CHARLES TO DIE THINKING HE KILLED HIM ;_________;

Logan 2017 the film that you are

X-Men Prequel Films

oh boy here go

right off the bat i’m going to say Days of Future Past exceeds all four of these films, so fucking good, my favorite after Logan

but yeah First Class wasn’t like, terrible per say, i just found myself a little bored ngl

absolutely here for eric & charles love story, they’re literally friends to lovers to enemies to still lovers but they’re still enemies i adore it

i liked the character that mystique brought (& jennifer lawrence) but it was just such a jump from the mystique in the first films

also i just think that if eric wants to kill his abuser then he should go for it ¯\_(ツ)_/¯ just saying charles it was a lil weird u wanted to stop him

i get the premise, setting up the basis of the x-men, but i just found it a little lacking

DAYS OF FUTURE PAST

amazing 10/10 movie, i genuinely enjoyed every second, actually felt like a superhero movie

great balance of logan not knowing what the fuck is going on vs charles knowing exactly what to do next & logan just going along with it i love it

i’ve heard legends of how amazing quicksilver is in these films and this went beyond my expectations, fantastic character AND amazing showcase of his powers, the writers cooked on this, also makes me want to rewatch wandavision bc i didn’t appreciate his character enough son i’m so sorry

prison breaking out eric sequence was amazing

there’s so much more but just overall amazing film

apocalypse was definitely something? i mean it was probably difficult to follow up days of futures past so i can’t blame them, not like the worst film ever but ….. idk

THINGS I LOVED !! young jean & scott :’) !!!!! genuinely so happy to see the beginning of their friendship & romantic relationship, they’re literally so fucking cute AND young storm omfg a baby 🫶🏾

took me a second to realize it was oscar isaac lol, also OUCH eric’s little family but also like wtf was that death ??? 😭

idk plot was just kinda everywhere, nothing super memorable, also i just found it funny that logan was there for like less that 5 minutes and all he did was grunt lmfao at least he popped off on stryker for the millionth time fuck that guy

uhm dark phoenix

the one and only highlight for me for dark phoenix was once again, jean & scott lmfao

the whole solar flare & alien race thing was kinda weird, they didn’t even explain the alien race thing that well, idk what to even say about this movie

i thought it was weird that hank & eric were suddenly jumping on the “let’s kill jean” train when like they know she didn’t mean to kill raven ??? 😭 like wtf

someone explain the timeline bs to me bc i was surprised that jean “died” AGAIN.

wasn’t the point of futures past that logan now in the present is experiencing the new timeline in which charles, scott, and jean are all alive

so why did jean die in this, does that not defeat the purpose, like she’s alive in the present

or were they trying to plan another prequel film in which she comes back, again. then it’s just a repeating storyline from the og trilogy

anyways it was kinda bad

i don’t even want to talk about The New Mutants i’m gonna be real, it was also bad

and that is my long af reaction to watching all the x-men films for the first time. if you’re reading this and read all my yapping then thank you i really appreciate it lol 🫶🏾 in conclusion, i’m sad i missed out on a whole era of these movies when they were being released (probably bc im avengers obsessed lol) but i’m glad i did watch them now, and now i have a new universe to hyper fixate on lmfao (and logan) amazing movies !! gonna go rewatch Logan now ᕕ( ᐛ )ᕗ

also here is my full x-men movies ranking, deadpool films included:

[theaceofarrows]

Group text

Dick: [laughing while looking at his phone] Please tell me I'm not the only one seeing this

Tim: [looking at his phone] Oh my gosh

Damian: What? My phone is charging. Just spit it out

Dick: [in a Bruce voice] Weekend safety brief, One: don't add to the population; you know who you are. Two: don't SUBTRACT from the population; once again, you know who you are- [brakes off into more laughing]

Jason: [reading off the list] Three: stay out of the hospital, the newspaper and jail; please. Wow ye of little faith much?

Tim: [reading off the list] Four: if you do end up in jail, establish dominance quickly and non lethally. Yeah, wow...

Damian: Tt. Of course he sent that knowing you heathens

Jason: Hey, "don't subtract from the population; you know who you are" your grouped right in there with me kiddo

Damian: [grumbles]

Tim: Well, at least us three aren't the "you know who you are" in the first one [looks at Dick]

Dick: [gasp] Hey!

Damian: True

Dick: [arms crossed] I don't know whether to be offended or laugh

Tim: [shrugs] If it makes you feel any better for all we know Bruce could have been referring to himself

Jason: [chokes on laughter]

[operationandre]

heardd yew were scouting for more hcs.. any thoughts on momma's boy andre 😋😋😋

so many thoughts. so. many. thoughts.

andre had always been a momma’s boy, even if it wasn’t too noticeable. he would fall asleep in his mom’s arms more than his dad’s. he would bring his problems to her first before even thinking of talking to his dad. hell, his first word was mama.

he got closer to his mom when middle school started, when he began getting bullied. his parents would come to pick him up or come to class parties, and people would comment on how dumb his dad’s accent sounded or making fun of andre for being from germany because they barely even knew where it was. this caused a rift between him and his dad.

even when the bullying died down, he couldn’t bring himself to strengthen the bond between him and his dad. he stayed at his mom’s side. he sat on the couch with her while she watched old 70s reruns on tv. he went shopping with her, even just to buy groceries. he loved his mom more than anything.

this kind of presents itself in the scene with andre and his dad in the car. it’s awkward, and andre is somewhat fidgety. his father says he’s proud of him for the first time. this catches andre off guard. he’s heard the words before, of course, but it had always been in a higher tone with a soft german accent instead of a thick one.

when andre and cal are burning their things, andre makes sure to leave one thing behind: a cd. it contains andre’s favorite song from when he was a kid, a song him and his mom used to sing together in the car until their throats hurt. he is her boy, and nothing could ever change that. not death, not a detrimental decision, not anything.