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#sorry the brain rot HAS me rn I am unwell
dweamofsweep · 2 months
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I hope things stay this way forever
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I’m back on my bullshit and we have GOT TO TALK about 13x08 The Scorpion and the Frog; which serves as a good example of why you should not ONLY watch spn episodes with Cas (partially because of that scene I shamefully blogged about earlier - no I will not link that cursed post here).  The episode title comes from a fable in which the villain is the scorpion.  Interpretations of this fable note its uniqueness lies in the concept that “the scorpion is irrationally self destructive and fully aware of it.”
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To quote the scorpion, buddies -  “it’s in my nature.”
Anyway, this episode is subtextually predicated on exploring Dean Winchester’s nature and specifically - his bisexuality, and I’m not only saying that because it opens with Dean in his Bi Colors Plaid (that also he wore on his burger date with Cas).
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Let’s get started, after the cut!
Season 13 on its face gives me absolute whiplash because it starts widow arc-reunion-TOMBSTONE and then Jack yeets himself off to Chuck knows where so Cas can go out Looking For Him Because Otherwise He Will Definitely Kiss Dean there is no other option for the writers at this point.  Sigh.  Here, have another shot of Dean anxiously cleaning his gun as he always does when Cas has Gone Off For Reasons -
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Anyway, this feels like a filler episode at first, but as always they bury the ENTIRE damn world in it and I am here with my dossier to Unearth It.
Lets start with Bart (demon of terrible nicknames and microagressions) meeting the brothers at Smile Diner to talk about some spell or whatever. 
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(I am not thinking about the Cherry Pie meta I AM NOT)
THEY HAVE THE AUDACITY to start with these lines immediately introducing the theme of duality, a thread throughout this episode.
BARTHAMUS
Everything. I've been following your careers a long time. You're a real pain in the pitchfork. And the halo. Natural disrupters. We have that in common, you and I. DEAN
Mm. Yeah, we're twinsies.
***MORE DUALITY!  But as we know, Dean does not like Bart because He Is A Freakin’ Demon
DEAN
Well, see, here's the thing. When a demon tells us to jump, we don't ask how high. We just ice their ass.
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UMMM excuse me Barting Bacting Boices?  What is that sexual gaze?  
Then we find out that Bart has 1/2 of the spell.  They need the other 1/2.  Oh, a spell with two parts, you say? [ I am going to scream :) ]
***Also, Dean eats the pie Bart ordered.  I cannot begin to explain to you the state of unwellness that I am in regarding how important this is. DEAN NEVER GETS TO EAT THE PIE, remember?  But in This Filler Episode, Dean eats the pie. While Sam looks at him with a very quizzical expression.  Pie -> what Dean wants but never actually gets -> Dean actively eating this pie.  Dean is coming to terms that maybe he can have what he wants.
***I am reminding you again that this is post widower-arc, post-reunion, and especially post-Tombstone.  Anyway-
Now we get to Smash and Grab.  Not literally even though I want to Commit Such Conduct at this point.  We are introduced to two one off characters named 
Smash (human/female presenting) -  can crack any safe built by man 
and Grab (demon/male presenting)-  expert in bypassing supernatural security.
Reaching or no, you can’t disagree that when spn introduces one off characters - it is almost always a Narrative Parallel or Mirror.
So we have a human and a demon (and Dean Winchester, a human who has been a demon)
who are experts in cracking open/bypassing something that has been secured and guarded (breaking down walls, if you will).  
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They also use fake names identifying them as Tools to be Used ( Dean Winchester, the Michael Sword/daddys blunt little instrument)
BONUS:
Dean himself is literally used as a tool in this episode.
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So yeah.  Smash and Grab are physical representations of Dean’s duality.  Human/Demon.  Femininity/Masculinity.  Dare we say something else, too?
Anyway, Dean is paired with Smash and Grab; Sam is off to idk negotiate weird artifact purchases lawboy style with Luther Shrike, a man who cannot die so long as he never leaves his house (I cannot even begin to unpack this shit; please just sit there and think about it.  I’m not even going there here.  I CANNOT DISCUSS Luther Shrike RN).
Speaking of things I cannot discuss without halgdhsag;lsa - Smash has very Specific boots (a look overall, really).
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DEAN
Hey, Winona. The '90s called. They'd like their shoes back. SMASH
Shh.
***That’s right girl - do not take his shit; he actually LOVES them and is therefore Overcompensating for it with this little jab.
***Dean’s pop culture references and particular attention to the details here Should Not Be Overlooked.  90s! Winona! Ryder!
ANYWAY, then Dean and Smash bond over a caffeinated beverage -
[While Dean is doing a spell, Smash opens a can of drink, takes a mouthful and burps loudly. ] SMASH
Ahh. DEAN
You're weird.
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***This scene makes me literally insane. (even aside from Dean living on something named NERVE DAMAGE as a KID.  They could have called it anything. You’re saying this wasn’t a Choice)  
She chugs a swallow of the drink and burps.  Something stereotypically associated with masculinity.  Not feminine.  Dean’s reaction is that she is “weird” - because she is not acting in a way stereotypically, J*hn Winchester brain-rot patriarchy bullshit-tily associated with Being Female.  But also, says the stupid show, they like the same soda.  They are The Same.  She shares the soda with Dean.  HIS FACE WHEN SHE DOES -
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Other similarities are addressed throughout the episode (they are working for demons because they have no choice; they don’t discuss feelings/emotions, they both sold their soul, they both This Thing - 
DEAN
You know, we could help you. SMASH
No, you can't. I gotta take care of me.
etc. etc.) Smash is absolutely dean-coded.
****Also it’s textually established that Smash thinks Dean is attractive -
GRAB
[looking at Smash] Oh. You said he was just a pretty face. SMASH 
Shh.
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***But Grab flirts with him too.
DEAN
I will kill you. GRAB
I bet you say that to all the girls.
***sorry, Grab - you won’t get far with Dean, but only because as he mentioned in the beginning of this episode - 
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Drowley rights.
Now Dean has to put his hand in the mouth of this stone lion thing and all of a sudden he is acting....very-not-like-Dean.
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[Dean looks again and takes a deep breath.] DEAN
I… how about this? What if I cut myself, put it on, like, a little piece of paper? We'll just wad it up and throw it in the mouth, okay? Okay. 
***Dean Winchester, who has been to Literal HELL, who has been torn apart by hellhounds, who has battled the devil and angels and God’s sister - all at the expense of his own life is now - afraid of spiders.  Well, technically he has always been afraid of spiders, but why isn’t ‘he being performative about it At This Time??
***Come to think of it, this sends me right back to how Jackles was playing Dean in 12x11 Regarding Dean THE episode dissecting Dean’s performative masculinity [one day I will clean up and post that analysis sitting in my drafts like a sad hamster]. That makes sense actually, because -> -> ->
that episode and this one are both written by Meredith Glynn.  Girl get in I want to torture you affectionately with a barrage of questions.
So here we have Dean and he’s not performing for Reasons, and he’s scared he’s genuinely scared of putting his hand in this stone lion-gargoyle-pig-creature’s mouth and then -
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Smash gives him a push.
She gives him a push.  I cannot stop thinking about how she gives him a push.  A push to go do this thing that he is scared of; his fear being something he was hiding under his performative masculinity. Smash - dean coded dean mirror who does not perform femininity and is ‘weird’ -  she   gives   him   a     p u s h.
***linking here for the jackting joices that follow.
Now, let’s circle back to Smash’s story; why she is working for Bart in the first place -
SMASH
You think I wanna be here? Like I have a choice? SAM
You made a deal. SMASH
Wow! You think? SAM
You sold your soul. SMASH
And if I could take it back, I would. 
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there is no reason for this picture here other than I needed you to see the jackting again
***How does the story end for Smash?
DEAN
Take care of you. [Dean glances down at the box, and then at Smash. She sees that Dean has put a lighter on top of the bones.]  BARTHAMUS
Alice, chop chop! 
[Bart indicates she should get his bones]. SMASH
Yeah. [She grabs the lighter and sets Bart's bones alight. Bart screams as he bursts into flames. ] 
***She accepts help and breaks free from the narrative, literally burning it down. The female presenting but not female-performing “weird” ooc representing a side of Dean breaks FREE because she makes a choice.  The lighter Dean drops? It’s a push.  And she goes with it.
Alice reclaims her story.
(Also, Grab gets ganked.  The male presenting ooc; the performative masculinity side; the demon; the darkness; the not-humanity - gets ganked).
Guess what Dean says to Alice when they say goodbye?
DEAN
Hey, Alice. Stay weird.
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[I know the peace sign is probably just a Charlie throwback but I’d still like to say duality.  Two. ]
Dean’s not just talking to Alice.  He’s talking to himself; because the walls have been breached and for once Dean isn’t as scared of being different.  Maybe, just maybe, he’s going along with the push.  That’s exactly how the episode ends - with Dean feeling a little more hopeful, a little more at peace; a little more Considering he is capable of not only loving Cas but also not hating himself for it. 
[until the knowledge that Mary is still alive and the guilt of allowing himself ANY happy thoughts instead of looking for her miserably rears its ugly head in 13x09 and round and round we go but for NOW at least -> ]
DEAN
I'll drink to that.
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(oh look Dean is just wearing his henley.  It’s almost as if a layer has been peeled back).
tagging @im-shaking-like-milk​ and @deanwasalwaysbi​ for letting me ramble on to them while writing this; and @lilac-void​ because you are always so kind about my stuff :)
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