#sorry if this make little sense
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anna-scribbles · 22 days ago
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adrinette exes and marichat and marichat exes part five!!!!
parts one / two / three / four
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clarissasbakery · 1 year ago
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walk with me, walk with me yall….
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stemmmm · 3 months ago
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ok a third one. i've got a third one
context: 1 2 3
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hollis-art · 5 months ago
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cant even use 👽 in the future. because of woke
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eveningdawn222 · 1 month ago
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people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.
he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."
the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.
and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -
and i will say this: so why don't things get better?
because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.
reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.
and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.
and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.
and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.
this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.
(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)
so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.
batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.
and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.
the joker kills thousands and it doesn't matter because they were written to be killed.
batman beats up thousands and it doesn't matter because they were written to be criminals.
and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)
and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -
thousands. ten of thousands. hundreds of thousands. written to be killed.
but one of them gets to come back.
and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)
here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -
but because of what he calls into question. why is the joker alive?
because he sells books.
and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)
so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.
batman can't kill the joker because the joker sells comic books.
and jason can't kill the joker because the joker sells comic books.
so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.
he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?
why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?
and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -
nothing jason can ever change.
which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.
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tyreblankets · 3 months ago
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"lando adopted franco uwu" no he didn't. he is only three years older. that man is not a father. he wants to fuck that guy.
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tylidae · 1 year ago
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A I L U R A N T H R O P Y 1 0 1
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homocrafting · 17 days ago
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Tuff Guys try SO hard to be all "we're not a team" and "we'll be together when it's convenient" and "it's really everyone by themselves" but then they'll have a collective mace that goes around, and they'll help each other get kills even when it's hopeless, and they turned all their attention into helping each other when one of them went under green, and they still have team meetings every start of session, and they still decided to pool their resources, and they still have a collective calling card, and in the beginning of session 7 Bdubs still says, "I know what I want, Tango knows what he wants, now what do you want?" and it's framed as a question about kills but it's not, not really, and Etho still doesn't really answer.
They say they're not a team, but they still call Etho a traitor as though you can betray something that apparently doesn't exist. They say they don't care, but Tango still tells Ren "Not gonna lie, I was going to get kinda sad that Bdubs was trying to kill me, but it's just you." (paraphrased, but still). There's that part when Tango and Bdubs are talking and they both come to the conclusion Tango can't trust him, and the thing is, Bdubs could have lied. He could have said sure you can, but he knows Tango knows because they know each other enough, because they've been a team enough times, because they are a team and that's what he'd've done.
Tuff Guys went into the alliance fully vocal about how it wouldn't work. This never leads good places for them. They're doing it anyway. They'll never admit it, not directly, not loud and clear, because it's hurt them enough times as is, but they still live next to each other and they still coordinated team attacks in session 7 and they still haven't committed to real distrust among them
All this to say that denial is a river and egypt and by god they are DIVING
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blackkatdraws2 · 7 months ago
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This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be. [Blank Scripts AU]
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I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.
[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]
[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]
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For context, the comic below references this post about the Dungeon's children/guard dogs.
[They're more like the immune system since all they do is make sure the (body) is safe.]
[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]
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And the old man below is Joseph!
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Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!
[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)]
[There is a secret third world, and that's our world. Our reality.]
These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?
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When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.
Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.
Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.
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This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.
It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.
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hoshizoralone · 20 days ago
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they use the “xiao-“ prefix w lil mac in chn
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sallymew4 · 2 months ago
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just look how much BRIGHTER Mob’s demeanor is once he has Ritsu safe with him. that is the biggest grin ive ever seen on that boy’s face he loves his little brother so damn much it’s incomprehensible
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knockknockitsnickels · 3 months ago
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I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.
#at the risk of getting put on a list there is something tragic & relatable in nightmare#someone who desperately wants to make connections but just can't understand how#anyway wraith is one of my favorite princesses for stuff like this (and bc tragedy aside her route is a riot)#also im sorry if she doesn't say that line if you got there via nightmare#that's how i got her and i could've sworn she did? But i only found footage of her saying it in spectre#slay the princess#stp#stp wraith#the wraith#stp spectre#stp nightmare#side note archetypal/heart#(slash so i don't accidentally tag them)#pointed out on another post of mine that you get wraith via nightmare by killing her and via spectre by leaving her in the basement#in both cases its a rejection of her (rejection being one of wraith's main themes)#which makes me speculate on spectre's ch 3 (which i think we currently have very little info on?)#Trying to run from Nightmare should technically be a 'rejection' as well#but you get MOC from that (and from choosing to stay with her)#imo bc you're just repeating the same inaction which got you into this situation in the first place#you don't want to slay her. you don't want to set her free. So you just leave her there (again)#and so you get MOC where things have only gotten worse and you have no choice left. Because you chose *not* to take action again#So I wonder if spectre 3 will be a similar 'repeating your past mistakes' type of deal#i was skeptical about it coming from stabbing yourself while she possesses you or trying to crush her bones#but it does make sense with that in mind#im curious if it'll parallel MOC#except instead of having no choice but to free the princess you have no choice but to obey the narrator again#maybe you both end up stuck in the cabin forever again?#idk#sorry i probably should've put all of that tag in the post lmao
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dunmeshistash · 2 months ago
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So basically, I went on a search for images of Laios, Marcille, and Falin and what i found is.....
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The closer we get to the end of the manga, Marcille gets shorter??? I Think??? BUT she's very often depicted as being half a head shorter than Laios to make the spacing in panels more pleasing! In depictions of Marcille and the siblings, we get the little stair steps.
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Granted, this is them sitting. It's not exactly even. I think Laios might be on a chair and Falin and Marcille are on the bed? AGAIN though, in most Laios and Marcille panels, she's half a head shorter than Laios
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And also
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And also
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... guess what
GUESS WHOS ALSO HALF A HEAD TALLER THAN MARCILLE
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Basically. I'm using this as my excuse for thinking Falin and Laios are basically the same height. Getting a character's height exactly right across hundreds of drawings isn't actually that important, making sure they stay relative to eachother is. Is Marcille is too tall in almost all the panels she's next to Laios? a head is around 20 cm tall, and Laios is 25 cm taller than her! I thought it might be the case but... Falin IS half a head taller than Marcille. 10 cm. So Maybe... maybe.....
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Laios is too short in all of his panels. Marcille is the right height, its Laios. Look. Tade is 195 cm tall. She's 10 cm (the magic half a head) taller than Laios. and she's a head and a half taller than Marcille!! Laios' height is wrong!
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Until the end of the manga when they stretch my boy out. Marcille's head comes to his chin, not his eyes or nose.
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LAIOS IS SUPPOSED TO BE THIS TALL. HE'S A BIG GUY
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Though this might be even too big?? Anyways. Thank you for letting me rant.
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Let me say. It's really hard to find a picture of Marcille and Falin standing side by side. They're almost always hugging, or cuddling, or Marcille is leaning a lot into her, or they're bathing together, or laying on a bed. STAND UP STRAIGHT SO I CAN COMPARE HEIGHTS
The sizes of all the characters are elastic. They can shrink or swell to make a point for a panel, it can be a stylistic choice to make Izutsumi and Marcille the same size when they're getting along and it makes narrative sense to make Marcille taller when she's mothering her. There's a reason the character designs are so loved in the manga.
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I respect the energy, it reminded me of this college humor sketch
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Yeah it's probably for framing that they get so close together in height in most panels, sometimes it gets awkward to draw characters in their correct height so you end up going with what "feels right"? Plus the effects for storytelling like you mentioned
Here's the gang in this height chart again and yeah, Marcille is supposed to be whole head shorter than Laios, maybe he's was always squatting?
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mrmeepsmadmind · 25 days ago
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i love when ppl draw bumblebee like the happy little creachure he is but also i love when people draw bumblebee like he's had 500 beers in the last 1 hour and still the pain won't even ebb
#bonus when they do both by making him just utterly psychotic but he smiles so no one notices#i am a shameful idw bee enjoyer but like in the tired af ppl pleasing libra girl who needs a therapist so fking bad but#has 700000 billion duties and 900000000 billion expectations and mean bitches in his ear telling him hes stupid#sense#and not the he feels like an officer sense like no my queen is just a teachers pet doing her best which is her worst im afraid#anyways i love bee hes very indignant and a bitch but also im gonna stand beside her sorry#u do not understand how powerful it was to give him a cane . a literal crutch to hold onto to feel stronger even when ratchet says he doesnt#have to anymore but yet bee still insists bcs he doesnt have time for the repairs itll take when others cannot survive#and 2 it comforts him with support and also power and so he cradles it close with the idea of him being weak & needing smthing else#to make him strong#even tho at this point it's rlly just for comfort but he cant afford to allow himself to have comfort when others cant#or dont need it in his heroism ideals (specifically optimus being seen as so much stronger than him)#optimus also had bee tho. had him. but bee is so self conscious he just sees all his failures surrounding optimus & views himself not a#crutch to lean on but a crutch to optimus' character#he rlly needed rodimus and his fiery upbeat persona so they could fake it till they made it together and he left & fucking exploded#(in bees eyes)#like idk im just obsessed with this little tryhard loser#he islike a sad little clingy mother who refuses to think herself as human. she is just mother. lives off evrryones accomplishments#never her own#idk like hes so interesting tonme i want to kill him teehee#chew on him like sponge cak#bumblebee#transformers#tf bumblebee#tf idw#idw#tf#????#maccadam#i hate not knowing waht tag to use
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teddybeartoji · 6 months ago
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shoko pins you down on the bed and straddles your hips with a devious little grin on her lips. there's a marker hanging from between her teeth as her cold fingers toy with the hem of your shirt; they slip underneath and her eyes grow darker at the way you squirm at the lightest touch. she pushes the material until it bunches up around your chest, the sensitive skin of your tummy meeting her hungry gaze. she pops off the cork of the pen before letting her left hand caress your side. goosebumps rise and her smile widens. with raspy whispers and confident strokes, she starts using your body as a canvas – drawing and naming your organs like she's a proper artist. (she is.)
you may twitch and whine, she won't let it up until she's got them all perfectly lined up. she looks focused, she looks hot, and the overall quietness of the room is driving you insane. lungs, liver, spleen, intestines. heart. her eyes flick up to yours as her lips curve around the word and you feel like you're about to burst.
she holds the tip of the marker where your heart lies, she presses it into your skin. deeper and deeper. it's hurts so good. she tastes like cold coffee, like cigarettes, like sex. deeper. her cold fingers now find your jaw and she lets her nails dig into you. skin. she hums into your mouth as you paw at her sides, trying to pull her closer. there isn't an inch between the two of you and the art on your body is starting to stain her shirt. you on her. she marked you up and now you're doing the same.
she can't wait to truly feel you from the inside and she hopes, that you wish for the same thing. she hopes you can both get a little bloody, a little red; it wouldn't be real love if you didn't, right?
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gods-perfect-idiots · 3 months ago
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was overcome with the urge to draw "wade tenderly caressing logan's face while he's Feeling Big Angsty Stuff" and then the parallel urge to do a follow-up of "logan kissing wade's hand/holding onto him for dear life"
(anyway hope you like it - I have been looking at this for too long and so of course I hate it now 🫠 art is hard guys lol)
some details below the cut because I am happy with some small aspects - still really enjoying the painting part of doing Wade's scars for example (thanks again @woof-verine for that inspo it is just baked into my psyche now, and also for being a forever enjoyer of pointy ears Logan - sorry couldn't quite get the fangs in this time but they are there trust me!!)
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ps. was listening to She Calls Me Back by Noah Kahan for this one. idk it just hits for me in my poolverine-addled state lol
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